Podcasts about tresor

New music from PUGILIST + MYSTIC STATE, KEPLER VS THE TRIP, SHAWNSCAPE RENEGADE, NORFIK, RADIUS ETC + more, on this ABSTRACT SCIENCE podcast, hosted by BILL BEARDEN aka WHOA-B + CHRIS WIDMAN. BILL begins the program with an emotive mix of breakbeat, house + garage. WIDMAN follows with a set of techno, dubstep + downtempo. [aired 23 April 2026 on WLUW-Chicago 88.7FM >BILL BEARDEN aka WHOA-B Pugilist & Mystic State “Bona Fide” (Shall Not Fade, 2026) Stones Taro “Spin Watcher” (Not On Label, 2025) Lurka “Swirl” (Wisdom Teeth, 2025) Jialing “Ascend” (Trekkie Trax, 2025) JD Reid “Don’t Wait Rock The Altima” (Baby Gravy, 2025) Kepler vs The Trip “Take It” (Tessellate, 2026) Bwi-Bwi “Toti” (Unknown To The Unknown, 2023) Per Hammar “Ohm Alone” (Kalahari Oyster Cult, 2026) Cryme “7th Element” (Oddysee, 2026) Endrew “Overcome (Do It)” (Tresor, 2025) Jeigo “Groundwater” (Fleurella Records, 2025) Peverelist “Pulse XII” (Livity Sound, 2025) Tom Marsi “1DAY” (Clasico Records, 2026) Kiefer Ian “Shake!” (Warehouse Mix, Chicago Garage Authority, 2025) Skee Mask “The Usual Suspects” (Ilian Tape, 2026) Mak & Pasteman “Listen” (Faux Poly, 2026) Underkut “Both Ends” (Fusion Mix, Super Rhythm Trax, 1991) >CHRIS WIDMAN Fred Giannelli “Distant Gratification” (Telepathica EP, Dust Science, 2005) ALTVR x Jace Inman “Red Poison Dart” (Molotov EP, 2026) Josi Devil “Duinpan” (No More EP, Nervous Horizon, 2025) PRESTi “Big Ting” (As We Move, Time Is Now, 2026) ECHT! “Wacky Wave (Yheti Remix)” (Boilerism Remixes, 2026) Alix Perez “Mother Cell” (1985 Music, 2026) Shawescape Renegade “Monstrosities” (Synthesize Minds Vol. 1, Subsonic Ebonics, 2026) Detroit In Effect “Playin’ Games” (Who’s In Control, Clone, 2026) No Author x 2wrist “Recalibration” (Exposed Functional Elements, Xternal Domain, 2026) Millia “Sidetrip Sprawl” (Sprawll EP, Future Times, 2026) Norfik “26th” (Dreamer, 2026) Radius Etc “Goldenlocks” (Alive & Thriving, consumers research & development label, 2026) Kelan Phil Cohran & Legacy “White Nile” (African Skies, Captcha, 2010) The post absci radio 1418 – whoa-b + chris widman appeared first on abstract science >> future music chicago.

Techno之书｜#01创世神Juan Atkins原作：Mark Petes-Varga编译：马海平/友好电波“那些跳舞的人，在听不见音乐的人眼里是疯子”—— 弗里德里希·尼采什么是Techno？这个问题，真的没有一个简单的答案。要用一个词或定义去概括Techno，几乎是不可能的。它究竟是什么？是用电子 合成器制作的四四拍舞曲吗？它是不是某种充满黑暗、反叛的地下文化的存在？还是那种只有在废弃的仓库、幽深的森林野外，或者是俱乐部人群中，才能真实体验到的氛围？我想，Techno的意义远不止这些。它的内涵远比一句简单的总结要深刻得多。作为一种音乐形式，Techno从最初在底特律的一个小房间里诞生，到今天已经成为全球无数地下舞池的灵魂。35年来，Techno深刻地影响并塑造了全球电子音乐的面貌。Techno并非一成不变。它经历了无数的变革、演变、融合、创新。然而，它的原始精神却从未改变。这种精神，如同电流在音符中流淌，依旧汹涌澎湃，贯穿至今。今天的我们，可能在不同的俱乐部、不同的城市中，感受到的是多种风格的融合。但每一次的舞池释放、每一次的节拍震动，背后依然藏着那份来自底特律的纯粹力量——那种反叛、自由、追求无限可能的精神。本期节目，我们将从最初的起点开始，带你深入揭开Techno的历史面纱，了解它的文化与演变。我们将打破关于Techno的种种误解与偏见，重新认识它的本质。因为，Techno不仅仅是声音的交响，它是一场跨越时间与空间的音乐革命。让我们一起踏上这段探索之旅，回到它的起源，追溯那份最初的力量。你将发现，Techno的魅力远远超出了人们的想象，它不仅仅是一种舞曲，更是一种改变世界的文化力量。而每一段动人的故事背后都有那些伟大的开创者。在Techno的历史长河中，底特律三杰无疑是最值得铭记的名字之一。如果你熟悉Techno，那么他们的名字早已回响在你耳边。如果你尚未接触过Techno，他们无疑是你进入这个伟大音乐运动的引路人。他们不仅塑造了Techno，也让这份力量超越了城市的边界，渗透进了全球无数电子音乐爱好者的灵魂。“如果没有他们，就不会有Techno。”Techno之书 第一章：Juan Atkins（开创者）今天我们要讲一个关于音乐传奇的故事，一个关于一切开始的故事，一个 Juan Atkins的故事——他不仅是底特律电子音乐的奠基人，更是现代电子音乐运动的开创者之一。Juan Atkins，生于1962年9月12日，来自底特律，一个并不起眼的工薪家庭。但是，从他在母亲子宫里的那一刻起，音乐就注定将与他一生紧密相连。Juan曾经回忆过：“我母亲告诉我，当她放某些歌曲时，我在她肚子里会有特别的反应。我只对那些喜欢的歌有反应。”从小生活在充满音乐氛围的家庭，Juan的父亲是一名本地理发师，同时也是一位经验丰富的中音萨克斯手。显然，音乐的基因在他的家庭中流淌着。Juan很早就接触到各类乐器，从低音吉他、电吉他到合成器，甚至是他祖母家那台古老的风琴。他说：“我从祖母那里获得了更多的音乐灵感。她有一台Hammond B3电风琴。每次我们去她家住时，她都会弹奏，主要是boogie-woogie风格。我常常在那台风琴旁边玩。” 正是这台风琴，让Juan第一次接触到声音合成技术。他意识到，电子乐器能创造出他能够想象的任何声音，而这种发现深深吸引了他，也为他日后的音乐生涯埋下了伏笔。随着年龄的增长，Juan的音乐热情愈加高涨。在十岁那年，他从父亲那里得到了一把吉他，并用自己的零花钱买下了第一张黑胶——Sly and The Family Stone的专辑。从那一刻开始，Juan的生活和音乐就紧密相连。青少年时期，Juan不仅在家里玩音乐，还和朋友们组建了Funk和Garage乐队，通过耳朵学会了弹奏各种乐器。他的才华被大家所认可，深受James Brown、P-Funk和Motown等经典乐队的影响，但很快，他的音乐旅程将迎来一场巨大的转变。正如Derrick May回忆的那样：“他是一位音乐人。从12岁开始，他的梦想就是成为一名音乐人，他知道自己最终会成为什么样的人。” 之后家庭出现了变故，在Juan的父亲被捕后，而这正是他音乐故事的转折点。Juan回忆道：“我们原本计划搬到加利福尼亚，但在最后一刻，我祖母打电话告诉我们：'他们在我这附近建了一座新房子。'祖母说服了父亲，最终我们决定留在底特律郊区。” 这个决定，不仅改变了他的生活，也改变了日后的故事 。正是在这座郊区新房子里，Juan的电子音乐之路开始启航。他的祖母全力支持他的音乐梦想，还为他购买了人生中的第一台合成器——Korg MS-10。这台合成器迅速迷住了Juan，他几乎每一天都在这台机器上练习，甚至发现了他可以操控白噪声，将其转化为鼓声。这一发现，彻底改变了他的创作方式，为他打开了全新的音乐世界。合成器瞬间成为了他创作的核心工具，Juan无论去哪里，都会带上它。他说：“合成器是这一切的催化剂。你从机器里听到的某些声音，会促使你去做某些事情。尤其是当你所有的节奏和打击乐都由这台机器做出来时。” 刚开始制作音乐时，Juan就利用这台合成器制作小军鼓、嗨帽声，所有的一切都通过滤波噪声、共鸣和调制来实现。这些看似简单的实验，逐渐构成了他独特的声音风格。随着时间的推移，Juan的音乐实验越发深入，他开始使用卡带机、混音台，并购买了自己的黑胶唱机。每一次新的尝试，都让他对电子音乐的热情更加强烈，逐渐形成了自己独特的音乐语言。贝尔维尔三杰，这个名字可能会让你联想到一个极具传奇色彩的组合——Juan Atkins、Derrick May 和 Kevin Saunderson。他们三人来自底特律郊区的一个小镇——贝尔维尔，一个看似平凡的地方，却成为了Techno的发源地。所以，贝尔维尔三杰这个名字，不仅仅代表着三位音乐天才的合作，也象征着底特律电子音乐的起源。Belleville Three: Kevin Saunderson, Derrick May和Juan Atkins那么，Juan Atkins和这两个未来的电子音乐传奇人物是如何走到一起的呢？其实，Juan是通过自己的弟弟Aaron认识了Kevin Saunderson和Derrick May。Kevin和Derrick比他小一到两岁，是他在高中时的同学。当时，Kevin和Derrick更多 地投入在体育活动上，而Juan则是一个安静、内向的学生，已经开始为自己的音乐事业打下基础。第一次见面时，Juan并没有展现出太多热情，然而，随着时间的推移，他们之间的友谊逐渐深化。值得一提的是，Juan Atkins对未来和科技的强烈兴趣，给了他无穷的创作灵感。他在高中时选修了一门课程——“未来学”（Future Studies），这门课的教材正是Alvin Toffler的《未来震撼》（Future Shock）。这本书讨论了快速变化的科技与社会变革如何让人类产生“未来震撼”的情感。Juan从中汲取了灵感，并将这种关于未来的思考注入到了他的音乐创作中。正是这种对技术和社会变革的兴趣，让他为电子音乐命名为“Techno”，因为在他看来，Techno正是技术和机器革命的产物。而实际上，Derrick May对此并不完全认同。Derrick May曾回忆道：“其实一开始我想把它叫做‘高科技灵魂'（High Tech Soul），我从来不喜欢‘Techno'这个名字。但最后没人同意，只好听大家的。”这个小插曲正好反映了三人之间的独特关系——他们虽然有不同的音乐观念，但却在共同的目标下，彼此互补，最终为世界带来了全新的音乐流派。Juan Atkins的音乐风格，深受德国电子实验乐队Kraftwerk、George Clinton的宇宙放克（Cosmic Funk）、Parliament Funkadelic以及底特律传奇电台DJ The Electrifying Mojo的影响。这些影响为他的音乐注入了创新和现代感，并且带来了更加深邃的音乐理念。Techno的诞生，就是这种多元文化的融合，它通过电子合成器和机器节奏，将技术与艺术、哲学与音乐结合，创造出了前所未有的声音。而在这个过程中，Juan不仅是音乐的探索者，他还成为了Derrick May的导师。两人之间的友谊，从一次国际象棋对局开始。当时，Derrick向Juan发起了挑战，却被Juan毫不留情地战胜。这场胜利不仅仅是一次简单的对局，更标志着他们首次深入讨论电子音乐的开始。自那时起，Juan成为了Derrick的导师，传授给他关于音乐、技术、甚至哲学的深刻理解。很快二人在当地的社区俱乐部开始打碟，并活跃在所谓的“高中派对场景”中，这些派对，主要是在一个名为“Deep Space”和另一个叫“Direct Drive”的派对之间展开竞争，场面火爆，观众们排长队，门票需要支付20到25美元，来的孩子们都为了寻找全新酷炫的音乐。正如Derrick May自己所说：“那些孩子们如果不喜欢一个DJ的 混音，根本不会跳舞。如果混音不对，或者DJ表现不行，他们就不会跳舞。Jeff Mills、我、Delano Smith、Mike Clark，我们都是从那个场景走出来的。我们在这个环境中长大，这就是今天我们所做一切的根源。”可以说，这个“高中场景”，不仅培养了他们的音乐风格，更塑造了他们对音乐的深刻理解。说到他们的“秘密武器”，不得不提那台Roland 808鼓机。这台机器对他们来说，简直是魔法般的存在。阿特金斯回忆：“我们带了一台808到派对上，为这台估计单独输出一轨来演奏节奏。”这台鼓机的加入，直接让现场气氛炸裂，观众们简直无法控制自己，而Direct Drive的对手们，则只能眼睁睁看着他们施展音乐“魔法”。808鼓机带来的声音，是那个时代前所未有的，也让他们的演出成为了一个无法被超越的标杆。Roland TR808 & TR 909鼓机我们说到的TR-808，TR-909鼓机，他们不仅仅是一个乐器，它在电子音乐历史上留下了不可磨灭的印记。它们帮助启动了一个全新的音乐运动——Techno，并为后来的酸性Acid House奠定了基础。其实，当时Derrick May遇到经济困难时，想将自己的一台TR-909鼓机卖掉，Jeff Mills知道后，想要以任何方式得到它，但Juan Atkins立刻劝他不要卖给Mills，因为那台909鼓机在技术上的优势，将转化为他们的竞争优势。所以，Derrick决定把这台909鼓机带到芝加哥，卖给了House音乐的教父——Frankie Knuckles。正是这场交易，间接促成了酸性Acid House的诞生。说回到Juan Atkins的创作，他不久后就称为了Cybotron乐队的创始人，这个组合的名字，至今在电子音乐界具有里程碑意义。高中毕业后，Juan 进入了Washtenaw县的社区大学，学习与电子音乐相关的技术。在那里，他遇到了同样是传奇DJ Electrifying Mojo粉丝和越战老兵Rick Davis。他们两人的合作，起初都是受到了对未来技术和电子音乐热情驱动。Juan曾回忆起第一次去Richard家中的情景：“我走进Rick的房间，简直被震撼到了。他有一台ARP Odyssey、ARP Axxe、Roland RS09弦乐合成器，还有一台早期的Roland Sequencer和Boss DR55鼓机。我只有我的小Korg MS10，当时简直觉得自己在进入一个外星飞船。” 这种视觉冲击和音效体验深深吸引了Atkins，他开始意识到，电子合成器不仅仅是工具，它们能创造出全新的声音世界。Juan Atkins也透露，这段时间他受到了Richard Davis的启发和引导，尤其是在音乐创作和商业运作方面。Juan说：“我想很多东西都与Rick的智慧和知识有关，他是一个非常聪明的人，比我大十岁，所以他对世界有更深的理解。他把哲学写进了歌曲里，他教会我许多东西，告诉我该注意什么，如何研究。” 这种跨越年龄和经验的合作关系，帮助Atkins从自学音乐制作的过程中，迈出了重要的一步。1983年，Cybotron发布了他们的首张专辑《ENTER》，并迅速成为底特律电子音乐的经典之作。这张专辑的音色和构思，充满了未来感、甚至带有某种超现实的氛围，正如Juan Atkins自己所说：“我一直觉得我们是比那个时代提前了20年。”Cybotron首张专辑《ENTER》专辑中的一些经典曲目，如《Cosmic Raindance》和《Dreammaker》，为电子音乐的早期发展带来了深远影响。但最具代表性的要属《Alleys of Your Mind》和《Clear》。展示了Cybotron无可替代的艺术视野。他回忆道，在创作过程中，Richard Davis给了他许多实用的音乐制作建议。他提到：“我读了很多书。其中一本书对我帮助最大，就是Richard推荐给我的，它叫《How To Make And Sell Your Own Record》。这本书几乎是独立唱片厂牌的教材，告诉你该如何一步步去做，如何制作专辑、如何销售，如何管理你的推广活动。” 这本书给了Juan Atkins建立自己的唱片公司——Deep Space Records的灵感，开启了他独立制作和发行音乐的事业。经过一段时间的合作，Cybotron不仅仅在底特律取得了巨大的成功，还受到了全球音乐爱好者的热烈追捧。1980年至1985年间，Atkins和Richard Day这对二人组发布了诸如《Clear》和《Cosmic Cars》等作品，这些都成为了电子音乐史上的永恒经典。随着时间的推移，Cybotron与Fantasy Records签约，并重新发行了他们的经典专辑《ENTER》，这也标志着他们的音乐进入了一个全新的阶段，开始在更广泛的领域内产生更大的影响。Cybotron的代表作之一，"Clear"，被广泛认为是电子音乐历史上的一座里程碑。这首几乎是纯电子的曲目，是Techno-pop与Electro的完美融合，为日后的Techno音乐风格定义了基础框架。它的未来感与实验性极强，几乎成为了电子音乐后来者的模板，也让Cybotron成为了那个时代最具创新性的音乐团体之一。然而，尽管他们的合作极大地改变了电子音乐的面貌，到了1985年，两人因对Cybotron未来方向和音乐理念的分歧而决定解散。尽管如此，Cybotron的影响力远超它的存在时长。作为Juan Atkins众多音乐身份之一，Cybotron无疑是最具影响力的，尤其对后来的Detroit音乐人和全球DJ们而言，Cybotron的声音仍然是灵感的源泉。它所创造出的外星音效至今无人能比，Cybotron的遗产依然历久弥新。尽管如此，Cybotron并未就此消失。经过了数十年的沉寂，Cybotron在2019年以audio visual演出的形式重新登上舞台，亮相于伦敦的Barbican文化中心，并且在巴塞罗那和阿姆斯特丹也举办巡演。新成员Laurens von Oswald与Tameko J. Williams的加入，使得这支传奇队伍焕发新生。2020年，Louis Vuitton Men's的创意总监Virgil Abloh和DJ Benji B也邀请Cybotron在Louis Vuitton 2020秋冬时装秀上进行现场表演。疫情过后，Cybotron在伦敦新开的The Beams仓库场地献上了一场震撼的现场演出，而2023年，Cybotron最终回到了他们的根源——底特律，并在Movement Festival上上演了他们的首次底特律演出。正如Mixmag的评价所说：“在2023年Movement Festival的周日晚，Juan Atkins与乐队新阵容庆祝了Cybotron的归来。这是他们的第六场现场演出，也是首度在底特律亮相。尽管演出中遇到了一些技术问题，但他们依然呈现了一场令人陶醉的表演，吸引了观众们驻足在主舞台，享受这一小时充满经典非洲未来主义的音乐，像《Clear》、《Cosmic Cars》和《Alleys Of Your Mind》这样的曲目，依旧光辉灿烂。”经过近30年的沉默，Juan Atkins于2023年发布了Cybotron的全新单曲**"Maintain The Golden Ratio"，这也是Cybotron自1985年后首度发布的新作品。而在2024年11月1日，"Parallel Shift”EP正式在德国厂牌Tresor发布，这张EP充满了科幻和未来感，正如Juan Atkins与Laurens von Oswald共同创作的这三首曲目所展现的那样——它们是对未来军事科技、超越时空的世界的探讨，同时也象征着人类意识和技术的深刻交融。Juan Atkins曾说：“Cybotron的名字随着时间的推移，已经成为了一种文化符号。”而如今，Cybotron以一种全新的方式继续吸引着全球的听众和音乐爱好者——这不仅是过去的回忆，更是未来的启示。尽管Cybotron的音乐显然更接近Electro风格，但它为Techno的诞生奠定了基础。随着Cybotron的解散，Juan Atkins并没有停下脚步，反而在1985年迅速转向个人音乐创作，并以Model 500的名义开始了自己的独立生涯。就在同一年，他成立了自己的传奇唱片公司——Metroplex Records，这也是他音乐事业的一个重要转折点。80年代中期Juan Atkins在工作室在那段创作时期，Juan Atkins几乎将自己锁在了房间里，专注于音乐创作，不允许任何人打扰。正如他自己所说：“我把自己锁在房间里，直到新专辑完成。我在那段时间里几乎没有离开过那间房，完全沉浸在创作中。”这种孤注一掷的创作态度，最终收获了巨大的回报。作为Model 500，他开始发布一系列经典的Techno作品，如《No UFO's》和《Night Drive》，以及1995年的专辑《Deep Space》。这一时期，他不仅发布了大量的专辑、EP和混音，还与比利时的R&S Records以及德国的Tresor等重要厂牌展开了合作。Juan Atkins回忆道：“当我在1985年2月或3月创办Metroplex厂牌并发布《No UFOs》时，我以为自己只是想回本，但最后销量竟达到了10,000到15,000张。”这一成功不仅证明了他对音乐市场的独特洞察力，也标志着Juan Atkins正式迈入了Techno音乐的世界，并为这个音乐流派带来了全球的关注。值得一提的是，Juan Atkins与Derrick May之间的友谊，对于两位传奇人物来说都是至关重要的。Derrick May几乎从Juan Atkins那里学到了所有关于音乐制作的技巧，而作为回报，Derrick则利用自己在芝加哥的资源，帮助Juan Atkins将他的音乐推广到底特律以外的世界。Derrick May曾这样回忆他们的友谊：“我基本上就像是他的门徒。他不让我做任何事，只让我坐着看。他是我的推广人，也是我的拉拉队员。我会四处去支持他，甚至亲自带着《Alleys of Your Mind》的首批45转唱片去唱片店，试图让它们播放给所有人听。”在Metroplex成立初期，Juan Atkins不仅专注于自己的创作，还通过自己的努力帮助了许多音乐人，包括Farley Jackmaster Funk，这是一位之后对house音乐史上的影响深远的音乐人。Atkins回忆道：“当我开始做Metroplex时，我把我最早的几张唱片带到芝加哥，其中就有《No UFO's》。我把这张唱片给了Farley Jackmaster Funk，他在芝加哥把这张唱片炒了起来，甚至让它比底特律还要火爆。” 这段话揭示了底特律与芝加哥之间的早期联系，虽然当时芝加哥还没有House音乐的出现，Derrick May和Juan Atkins等人开始将底特律的声音带到芝加哥，推动了这两个城市的电子音乐的交汇和发展。Juan Atkins继续说道：“那时芝加哥虽然已经有House音乐的雏形，但还没有House音乐，没人做 音乐。Derrick去到芝加哥，把我的唱片带给了Jesse Saunders，他几乎是做出第一张House唱片的人，还有Chip E这些人，他们开始在和Metroplex的同一时期里做出自己的唱片。可以说，形成了一种底特律和芝加哥之间的音乐场景交流。”Metroplex厂牌logo有了这一切的合作与交流，Atkins在Deep Space Soundworks的朋友们的帮助下，在底特律市中心创办了他们自己的俱乐部——Music Institute。正是在这里，贝尔维尔三杰成为了常驻DJ，并帮助了许多新兴的底特律Techno艺术家开启了职业生涯。这个俱乐部不仅是底特律Techno的发源地之一，更为后来被称为第二波底特律Techno的兴起铺平了道路。随着音乐的传播和影响力的扩展，Juan Atkins开始了全球巡演，尤其是在欧洲，征服了整个英国并启发/指导了一些英国的电子乐队如 '808 State'，他跨越英吉利海峡巡演——在法国、荷兰、瑞典以及传奇的柏林Tresor地下俱乐部演出。Juan Atkins回忆道：“我的风格就是Juan Atkins，我认为当人们预定我演出时，他们想要的就是我，他们想要的就是Juan Atkins。”Juan Atkins在Tresor表演特别是在德国，他第一次登上Tresor俱乐部的舞台后，他就成为了底特律和柏林联盟的奠基人之一。随着他与Tresor俱乐部创始人Dimitri Hegemann的深厚友谊，让Juan Atkins和底特律的声音成为了Tresor的代名词，成为了90年代初期Tresor的标志之一。在柏林的日子不仅让他成为了Tresor的常驻表演者，他还在那段时间与其他音乐人建立了重要的联系。在1990年代初期，一群来自柏林的音乐制作人开始频繁前往底特律，他们的目标很明确：购买大量的模拟合成器设备。经过一番搜索，这些设备被带回柏林，并且被重新改装，加装了早期的MIDI接口技术，虽然那时MIDI技术还没有广泛普及。Juan Atkins在2017年接受采访时回忆道：“那时，我和Mike Banks住在同一栋楼。有一天，Mike敲响我的门，告诉我‘嘿，这里有些来自柏林的人想见你'。然后是Mark、Moritz，还有可能是Thomas Fehlmann。他们说我们应该一起做音乐并去柏林演出，我就答应了邀请。我从未去过欧洲大陆，应该是1991年左右吧。所以，他安排了巡演 ，费用是通过在Tresor的演出费和我们以3MB名义发布的EP来支付的。”他们几个人因此组建了3MB feat. Magic Juan Atkins，要理解3MB的意义，你必须了解Tresor这个柏林俱乐部，它后来发展成了一个厂牌，成功将第二波底特律Techno的音乐人和作品带到了仍然处于柏林墙倒塌后动荡中的这座城市。底特律黑人的音乐找到了它在柏林的第二个家，而柏林的荒凉失去秩序的边缘感正与底特律的工业衰退历史不谋而合。你可以在Cybotron和Model 500的开创性作品中可以听到Juan Atkins那无与伦比的合成旋律；Moritz von Oswald对低音的偏爱，以及他对Dub音乐中Echo效果器的开创性实验；再加上Fehlmann的环境质感营造，这三种截然不同的电子音乐视角在Tresor风格的Techno的快速节奏下碰撞融合，最终形成了独特的音乐火花。他们的专辑展示了Techno是一个包容多元化的电子音乐品类。这种开放的音乐理念与今天已经偏向商业化的Techno大相径庭。3MB feat. Magic Juan Atkins，作为Tresor厂牌30周年庆典的一部分被重新发行，成为了这个柏林厂牌早期合作力量的巅峰之作。3MB的故事也在继续， 2024年5月，Tresor重新发行了他们在2017年的一张专辑,这张名为《Angles》的专辑包括两首曲目，其中《Concave 1》给人一种短小而深沉的感觉，低音线条伴随着回环的Dub和弦，在不同的衰退结构中游走。而第二首曲目《Concave 2》时长接近十分钟，感觉更温暖、更有机，充满了层次感和生命力。这张专辑再次证明了两位音乐家之间的合作是Techno历史上不可忽视的一部分。这种跨越大西洋的音乐对话，不仅塑造了柏林的Techno，也进一步加深了底特律与柏林之间的紧密联系。欢迎来到底特律TECHNO之城，诞生于1701年。尽管Juan接到了无数的合作邀请，并且被兴奋所淹没，他始终清楚一点：无论他在国外待多久，他都永远不会离开家乡——他出生并成长的地方“汽车城”底特律，他的家人至今仍然住在那里。而且，谈到电子音乐以及创作的源泉，底特律这座城市有着无与伦比氛围。他曾经说过“我拥有这种艺术天赋的责任之一，就是让人们听到它，并且能够参与其中。” 就像所有的天才一样，他总是走在时代前面，然而令人遗憾的是，底特律并不总是那么宽容地接纳他音乐。今天我们所称之为的Techno，在欧洲成为了巨大的文化现象，像野火一样蔓延开来，然而在美国，却几乎无人关注。Juan Atkins回忆道“我觉得我们在欧洲，尤其是在英国，得到了认可，而在全球范围内，逐渐产生了影响……而你怎么可能来自一个美国城市，那里这么少的人知道你在做什么？”尽管底特律起初未能理解这位先知的声音，但全世界都已悄然聆听，电子音乐的种子在世界的每个角落生根发芽。“Juan Atkins无论从哪个角度看，他都在音乐产业中留下了深刻的印记。”而他那习惯隐藏在化名背后的做法，也暴露了一个重要的细节：他不在乎追逐那种如今许多艺术家都渴望的“名声”。但如果说谁应该被称为科技音乐的教父，那无疑是他。正是因为他的存在，才为未来一代音乐人铺平了道路，让电子音乐走向了全新的面貌。2000年代初期，Juan Atkins依旧活跃在音乐圈，并且与许多杰出的艺术家合作——包括Moritz von Oswald、Kimyon Huggins和Orlando Voorn。他们的合作让一些经典之作诞生了，比如《Borderland》和《Mind Merge LP》。这些作品，无疑是那个时代的电子音乐的风向标。2002年，他发布了一张名为《Classics》的专辑。这是一张回顾性的作品，融合了他在Metroplex厂牌下的经典曲目，甚至还收录了No Ufo's的特别版remix，以及《Ocean to Ocean》和《Night Drive》这样的经典之作。然而，在这段时间里，Juan的生活却不那么顺利。他开始依赖酒精与其他物质，生活变得一团糟，连与家人的关系都开始破裂。更糟的是，他还被诊断出患有2型糖尿病，这一病情差点让他丧命。他回忆说“有一天我醒来，眼前一片模糊，几乎看不见自己手上的东西。我去看了医生，结果他们告诉我，血糖已经飙升到1200。我不知道英国是怎么规定的，但在美国，正常的范围应该是100到150。医生说，‘我们很惊讶你还能走路。'他们不得不给我打五瓶生理盐水，才把血糖拉下来，之后还给我打了几针胰岛素。”这些年里的低谷，几乎改变了Juan的一切。生活方式的改变，增重后的自律，使他逐渐恢复健康，而更重要的是，他重新找回了曾经的音乐激情。到了2005年，他迎来了音乐生涯的新高峰，他在Tresor发布了专辑《The Berlin Sessions》，并且同时推出了纪念Metroplex厂牌的双碟专辑《Metroplex 20 Years 1985-2005》。这两张专辑中，尤其有一首歌曲令人着迷——《Dreammaker》。这首曲目是他早期的Cybotron作品之一，从未发布，听上去有点像《Cosmic Raindance》，而且使用的还是那个经典的DR55鼓机。2006年，他在纪录片《High Tech Soul》中亮相，讲述了底特律Techno的起源与发展。之后他还与底特律三杰——Derrick May、Kevin Saunderson、以及Dimitri Hegemann,Richie Hawtin和Jeff Mills 一起，出现在2022年的纪录片《God Said Give 'Em Drum Machines》中。而在2007年，Model 500首次亮相底特律Movement电子音乐节（DEMF），现场反响热烈。2010年，Juan与R&S Records合作，发布了单曲《OFI》和《Huesca》。这张单曲，承接了他以往的音乐精髓，并且为他后来的音乐发展提供了新的方向。而在2012年，他又带来了专辑《Control》，这张专辑如同对他过往的一次总结。2013年，见证了两位音乐天才Juan Atkins与Moritz von Oswald的又一次重要合作，这次合作最终成就了一张名为《Borderland》的专辑。Moritz von Oswald和Juan Atkins(摄影：Jack Johnstone)来自柏林的电音媒体Resident Advisor报道“梦之组合的定义莫过于此。Juan Atkins和Moritz von Oswald这两位艺术家，完美诠释了底特律与柏林音乐轴心精髓。虽然他们之前有过合作，但《Borderland》是他们的第一张正式合作专辑。这张专辑是在今年年初在柏林录制的，它大大偏离了传统的Techno音乐，而是更倾向于Moritz von Oswald三重奏那种温暖、即兴的风格。融合了爵士的流动宁静与Dub的深沉共鸣，《Borderland》是一场放松的音乐体验，旨在通过柔和的低音线条营造烟雾般的氛围，引导听者进入一种深沉的恍惚状态。”专辑由8首曲子组成，完美融合了两位大师的风格。这些作品是在2013年初的柏林多个录音室中完成的，随后以三张12寸黑胶和一张CD的形式发布。2015年，Juan Atkins通过自己的Metroplex厂牌带来了他时隔16年的第一张Model 500专辑——《Digital Solutions》，这张专辑就像一部Techno音乐的时光机，带我们回到了那个曾经的黄金时代，同时也让我们看到这位艺术家如何在过去的经典与未来的黑暗之间游走。“《Digital Solutions》像是一套铝箔太空服，既闪亮又老派。”这句话是由Resident Advisor的乐评人Paul Clarke写的，他提到，虽然专辑的制作非常精致，但它的未来感却显得有些过时。就像科幻电影一样，曾经的未来充满了《星际迷航》那种乐观的空间梦想，而现在的《异形》却是充满了冰冷与压迫感。在他的音乐里，我们仿佛也能听到这种变化——从他过去的明亮科技梦，到今天更阴暗、更多层次的声音。这张专辑，大部分的声音都像极了他早期作品《No UFO's》那种硬朗的电子质感，甚至比他的1999年专辑《Mind And Body》还要复古——它抛开了那些灵魂与科技的融合，回到了1980年代中期那种纯粹的机器人Funk风格。记得《Night Drive (Thru-Babylon)》吗？如果你听《Control》，你会发现它像是从那首歌中分出来的兄弟。但这不是坏事，反而是好事。毕竟，很多艺术家一生都在努力复制Model 500的经典声音，而Juan Atkins自己做到了，且做得相当成功。专辑中有一首叫做《Encounter》，它的低频震动让人感受到作者与低音电子音乐风格之间的微妙联系，但最令人印象深刻的，还是它那富有电影感的弦乐与细腻的层次感，让人不禁回想起《Urban Tropics》那样的经典之作。而另一首“Hi-NRG”，则带给人强烈的Galaxy II Galaxy风格，让我们再次看到底特律先锋音乐的深度和广度。还有《The Groove》中的吉他独奏——那段旋律让你完全忘了自己听的是一张电子专辑，而更像是在听一个摇滚吉他手在舞台上狂放不羁的演出。Juan Atkins显然是在用这种方式告诉我们：他虽然已经不再年轻，但他依然能在怀旧的旋律中为我们带来不一样的体验。”“我不是为了钱做这件事。我是为了对艺术的热爱。”这样说道。有一次，他被问到，是否为自己创造的音乐流派——Techno的发展感到骄傲。他的回答很直接：“现在的Techno吗？对我来说，它更多的是一个市场营销的概念，我已经不再适应这种方向了。”他说，每个硬币都有两面，他并不批评那些选择了商业化道路的人，只是他永远无法去演奏那种类型的音乐——EDM和所谓的“商业Techno”。他的这番话，透露出一种他对音乐的坚定与热爱。尽管现在的电子音乐世界变化万千，但他坚信，音乐不应仅仅是为了迎合市场的需求，更应该是对艺术的真实表达。然而，他并没有一直顺风顺水。2015年，命运给了他一个巨大的挑战——他因严重的健康问题被迫取消了几场国际演出。实际上，他一直在与肾脏衰竭作斗争，这一切源自于他多年来的糖尿病。他在一份公开声明中向粉丝们道歉，表示：“过去几个月，我一直有严重的健康问题，这些问题现在让我无法继续巡演。我正在努力在未来几个月解决这些问题。我很难过不能去澳大利亚，但我希望不久后能回来。”但是，生活就是这样，不会轻易让你放弃你热爱的东西。即便在最艰难的时刻，Juan Atkins依然没有停止过对音乐的热情。为了继续他的音乐之旅，他甚至带着必需的设备进行腹膜透析治疗。在短暂的恢复后，他重新回到了舞台，继续在柏林、伦敦、梅德林和多伦多等地演出。“没有套路的公式，这里只有声音。这就是我感受到的、我听到的。无论我受到的影响来自哪里，可能来自我在母亲肚子里听到的那些声音。那些 生命中听到的所有挫折与变化，都反映在我的音乐里。”这就是世界上第一个Techno音乐人Juan Atkins的故事，他的故事还在继续！©️版权声明 “Techno之书”系列节目（包括音频，视频和文稿）版权归马海平、友好电波与 Mark Petes-Varga 所有。非商业用途可在注明出处的前提下分享与引用，但禁止任何形式的商业使用，未经授权的商业使用将依法追究责任。Track-List01.Cybotron - Clear02.Infiniti,Juan Atkins - Flash Flood (Function Remix)03.Sly & the Family Stone - Dance to the Music04.James Brown - Make It Funky, Pt. 105.Juan Atkins - Starlight06.Kraftwerk - The Robots (2009 Remastered Version)07.George Clinton - Computer Games08.Frankie Knuckles - The Whistle Song09.Donna Summer - I Feel Love10.Cybotron - Alleys of Your Mind11.Cybotron - Cosmic Cars12.Cybotron - Clear13.Cybotron - Cosmic Raindance14.Cybotron - Maintain15.Cybotron - Parallel Shift16.Juan Atkins - No UFO's17.Jesse Saunders - 119 (1984)18.808 State - Pacific 20219.Juan Atkins - Die Kosmischen Kuriere20.Juan Atkins,Moritz von Oswald,Borderland - Concave 121.Juan Atkins,Moritz von Oswald,Borderland - Concave 222.Orlando Voorn,Juan Atkins,Frequency - Beyond the Beyond23.Model 500 - Ocean to Ocean (Instrumental)24.Juan Atkins - Session 125.Juan Atkins - Dreamaker26.Model 500 - OFI (Synkro's slow jam mix)27.Model 500 - Control28.Juan Atkins,Moritz von Oswald,Borderland - Footprints29.Model 500 - Digital Solutions30.Model 500 - The Groove31.Juan Atkins - Nightdrive (Thru Babylon)

Hi everyone to a new episode of ESOA Podcast, and this time – I should mention this right away – we're venturing into territory beyond 160 BPM. It's Gabba time again. I reckon most of our older listeners first came across these hard styles back in the 90s – Hardcore and Gabba. And I think this style also has its place as a branch on our Electronic Music Tree. For this episode, I found two dear old friends who've agreed to put together a nice, hard-hitting set for us. Robert and Jan, aka The Gnat & Mad_line, are from Chemnitz. They've known each other since school days and gained their first musical experience at the former Kunstfabrik in Glösa. A memorable place where so many Chemnitz artists laid their foundations in the 90s. Having previously started out as solo artists – Robert, for example, under the name Violation – they have been performing together since 1999, beginning at their home venue, Club Achtermai in Chemnitz. Over the years, they have also played at venues such as Triebwerk in Dresden, Sky Club in Leipzig, Ndorphin Chemnitz or Tresor in Berlin. Their own productions and releases can be found under names such as Dropping Bomps, Hunted Souls or Never Burn Out on Hardrive Records. For all those who like this sound, enjoy the next two hours; to everyone else, we say: do give it a respectful listen. Here, exclusively for you The Gnat & Mad_line on ESOA Podcast 096. Have a Great Time Love and Peace Intro Track: The Gnat & Mad_line - Jump More Infos about The Gnat & Mad_line: www.facebook.com/TheGnatMadLine/ www.soundcloud.com/gnat-mad www.hearthis.at/thegnatmadline/ www.youtube.com/gnatnmad Listen to all ESOA Podcast Shows: www.esoa-podcast.com www.facebook.com/esoapodcast www.instagram.com/esoa.podcast

TC PODCAST W/ AOIFE AOIFE is an Irish DJ and producer who has carved out her own space in the underground circuit, steadily building a reputation for her uncompromising sound and hypnotic selections. Renowned for sculpting heavy low-end and immersive soundscapes, her sets are defined by raw, driving techno that blurs the line between intensity and transcendence. She has brought this sound to some of the most respected dance floors across the globe, with standout performances from Tbilisi to New York, as well as multiple appearances at UNFOLD at FOLD the flagship London party reserved for only the most distinctive artists as well as Techno institution Tresor, Berlin. These defining moments, recognised by those who truly know, have cemented her reputation as one of the most compelling DJs to emerge from Belfast in recent years. Praised for her fluid and immersive mixing style, AOIFE seamlessly drags listeners through warped techno grooves, long, lingering blends, and cavernous soundscapes. Each set is delivered with patience and precision; sprawling arpeggios colliding with deep bass weight and textured rhythms, creating a sound that feels both tactile and transportive. Follow AOIFE here: Instagram: https://www.instagram.com/aoife_ie Soundcloud: https://soundcloud.com/aoife_ie

Mareena's deep connection with electronic music began in her early teenage years in East Germany, where she experienced the quaking rise of techno. She has earned a long-standing residency (since 2012) in the techno institution Tresor and her ability to include hard and elegant elements into her vinyl-oriented sets has led her to play at renowned clubs across the globe. Enjoy!

This episode kicks off our collaborative mini-series with Dance or Die on hardcore and what better way to start the whole thing than by talking to Holly Dicker aka Holly Dee. Holly is a music journalist and raver who has devoted over a decade to covering the history of hardcore while working for places like Resident Advisor, Boiler Room, Tresor and PRSPCT Records. Then she spent four years of blood, sweat and tears writing Dance or Die, a book that traces the history and evolution of hardcore electronic music. Holly and I talk about her formative experiences from renegade UK drum 'n' bass bunker raves to free tekno parties, breakcore squats and Dutch gabber mega-raves. We also discuss the cornerstones of hardcore, compare notes as rave journalists, discuss changing visual and surveillance culture and explore current women-led, queer and inclusive hardcore movements. Hosted by Vivian Host (aka DJ Star Eyes). For more info and extras, visit Ravetothegrave.org or Instagram @ravetothe.grave.

Run it Red 132 is here.  Some serious stuff from Lewis Fautzi, Sera J, Rene Wise & Ignez, Decka, Yazmin, Fireground and many more in this episode. Full tracklist is below, so please check out the artists and labels. As always, much love for tuning in!  Hit the charity links if you can, too... Charity Link: fanlink.tv/Charities 
Spotify Playlist: bit.ly/RUNITREDSPOTIFY
 Upcoming tour dates: bit.ly/BenSimsBIT BEN SIMS pres RUN IT RED 132. April 2026 (SC)   1. Avant.OCS - Deflection. Dynamic Reflection 2. Ket Robinson - Intro Rhythm Drums. KR 3. OPS - Twerk Alone. Truncate 4. Private Press - Hit Em. Unreleased 5. Andrei Morant - Ambrose. Antimodus 6. Lester Fitzpatrick - Slo Mo Pt 2. Chicago Jaxxx 7. Lewis Fautzi - Zona Neutra. Hayes 8. Resonances (IT) & Raftek - Drifter. Contempo 9. Sera J - The Dive. Hardgroove (Forthcoming) 10. The Miller - Swiss. H-Productions 11. Rene Wise & Ignez - Anjos (Norbak Remix). The Third Man 12. Translate - Crysa. Speculations LTD 13. Xqte - Groove Farm. Planet Rhythm 14. DJ Dextro - Transwarp. Illegal Alien 15. Fhase 87 - Tribal Variations. Hardgroove (Forthcoming) 16. M29 - Hyperloop. Planet Rhythm 17. Phil Berg - Abyss. SK_eleven 18. Phara - Strike3. PH 19. Gary Holldman - Tribe. Kantrasta 20. Parano - Smile For The Camera Guys. TH Tar Hallow 21. Xqte - Mono Conga. Planet Rhythm 22. Introversion - Duff. Positive Source 23. Private Press - Ghost Tunnel. Unreleased 24. Joton - Sombras de Paso. Fanzine 25. Electric Rescue - Culture Drum. Symbolism (Forthcoming) 26. Andy Martin - Afrofuturism. Disapora Echoes 27. Mathys Lenne - The Poet And The Muse. Mord 28. Jeff Cochran - Diss-Associated. Format 416 29. Sera J - Generation X. Hardgroove (Forthcoming) 30. Fhase 87 - Organa. Symbolism (Forthcoming) 31. Stroef - 50y50p. Boomstraat 1818 32. Truncate - MSSVX909. Synthetik 33. Decka - Interchannel. Semantica 34. Philippe Petit - Blast. Symbolism (Forthcoming) 35. Pyramidal Decode - 99. Warm Up 36. Aero - Stopping Point. MYRYRS 37. Mattia Dambrosio - Fondamenta. Planet Rhythm 38. Trunkline - Hex. Hardgroove (Forthcoming) 39. Fhase 87 - Sun In The UK (Sims Edit). Hardgroove (Forthcoming) 40. Third Person - Person Seven. R&S 41. Seddig - Unfazed. Symbolism 42. Luca Maniaci - Mirrors. Collapse 43. Moteka - Klynth 1 Symbolism (Forthcoming) 44. Jay Denham - Infinity. UKR 45. Lewis Fautzi - Entropia. Hayes 46. Xqte - Pulse Work. Planet Rhythm 47. Decka - When Time Stopped. Semantica 48. Kike Pravda - Guided by Light . Semantica 49. Stipp & Sandrien - Corrie. Token 50. Rkay - Hustle. Float 51. Private Press - Just Groovin. Unreleased 52. Andrei Morant - Atrophy. Antimodus 53. Yazmin - Make A Noise, Make It Loud. Hardgroove 54. Sev Dah & Alexander Kowalski - Ostward. Fanzine 55. The N.G. Project - Peekaboo. UKR 56. Traxman - On Da Mind. UKR 57. D.J. Grant - Beat'n For The Kids. UKR 58. Billy Turner - False Eutopia. Edit Select 59. Moteka - Klynth 3 Symbolism (Forthcoming) 60. PRSPCTV aka XENTRIX - Wrong Step. Children of Tomorrow 61. Mal Hombre - Critical Velocity. Token 62. Kucera & Delayed Sentence - F1R3 DR1LL. Symbolism (Forthcoming) 63. Fireground - The Way. Tresor 64. Uncertain & Mark Williams - Floorwax (Alexander Johansson & Mattias Fridell Remix). GND 65. Rene Wise - Kanga. DKMNTL-UFO 66. Translate - Praxis. Speculations LTD 67. Luca Accardi - Monazite (Offgrid Remix). Planet Rhythm 68. AeFe - Consciusly.  Fanzine 69. Karkossyn - No Fuss. Erosion 70. Dany Rodriguez - Treasure. EPM Music 71. Kodama - Humanoid (JSPRV35 Remix). Planet Rhythm 72. Marco Effe & Dario Mass - The Light Was Silent. Planet Rhythm

Ce mardi 5 main, les résultats de l'Insee avec une croissance au premier trimestre, une récession au mois d'avril, un grande risque de stagflation, et les marges des pétroliers ainsi que des distributeurs , ont été abordés par Dorothée Rouzet, cheffe économiste de la direction générale du Trésor, Anthony Morlet-Lavidalie, économiste chez Rexecode, et Nicolas Bouzou, fondateur du cabinet d'analyse économique et de conseil Asterès, dans l'émission Les Experts, présentée par Raphaël Legendre sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mardi 5 mai, Raphaël Legendre a reçu Dorothée Rouzet, cheffe économiste de la direction générale du Trésor, Anthony Morlet-Lavidalie, économiste chez Rexecode, et Nicolas Bouzou, fondateur du cabinet d'analyse économique et de conseil Asterès, dans l'émission Les Experts sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Jamie Anderson was born in London and raised in a musical environment, eventually relocating to Bristol in the mid 80's, where he continued training in improvisation with jazz pianist Dave Buxton for several years. Whilst performing in local bands and working in a Bristol record shop during the early 1990s, he developed a deep love for electronic music and turntablism, fusing elements of acid house, funk, Latin, and Detroit techno into his craft. In 1997, Anderson founded the label Artform, making his solo debut with the Prototype EP. In 2001, he released his first full-length album Blue Music on NRK, followed by the mix CD Nite:Life 013 and key tracks such as "Black Sun," "Player Hater," and "Rebel Sound." His productions and remixes also appeared on respected labels including Rotation, Cocoon, Fossil Archive, 100% Pure, and Flash Recordings. Throughout the 2000s and 2010s, Jamie Anderson became a fixture on the global DJ circuit, performing at major international events and building a devoted following for his energetic DJ sets and live performances. He collaborated with fellow artists such as Jerome, Dave Angel, Jesse Rose, K. Alexi, Lee Pattison, and Owain K-releasing standout singles like "Body Jackin" and "Cyclone," and refining his signature groove-driven sound. With his Artform Studio based in Berlin since 2014, Anderson continues to evolve his craft -collaborating with artists including Robert Owens, R.M.K., Daniel Haaksman and Florian Meindl on numerous high-quality studio productions. He remains active as a DJ, performing across Europe and around the globe. R.M.K hails from London, R.M.K is an exciting new project by Fossil Archive label head Roberto. It represents a faster and more intense take on his unique brand of Techno.   He utilises his knowledge and past experiences, which include regularly playing at Berghain and Tresor in Berlin, as well as fabric in London, to develop his individual sound.  During his 20+ year career in music, he has formed friendships and worked in partnership with other respected artists such as Trevino (Marcus Intalex), Jamie Anderson, Robert Owens, Goldie and Nastia.  Although the focus is always on the very heart of the most raucous of raves, R.M.K never shies away from groove and funk. This is conveyed in a Live Show that utilises classic hardware from the golden age of UK Rave Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Welcome to episode 213 of The Relentless Diaries podcast!Weekly recaps/ Zoie & Tresor's Jamaica trips/ Welcoming back our guest B.Rob - 0:01B.Robs new album Through The Storm/ Preforming overseas/ Crying fans/ Spending $15k at the club/ Navigating relationships as a public figure - 22:30Drake puts a giant Iceman sculpture in Toronto/ Best album rollouts of all time - 1:32:05Ice spice gets attacked by fan at McDonalds - 2:04:05Noah Lyles underwhelming marriage reaction - 2:14:05Best Euro League team vs Worst NBA team - 2:20:30Michael Jackson biopic early reactions - 2:26:05Conspiracy Theories/ Mouse in the house - 2:35:40 Hosted on Acast. See acast.com/privacy for more information.

David Sumner, alias DMO, alias VEX, member of Regis' seminal Sandwell District collective, belongs to this category of legendary producers who withstood the test of time with durably impressive poise. The man behind some of Ostgut Ton, Tresor, Sandwell District, Stoor and his own imprint, Infrastructure New York's most enlightening releases, has been dishing out game-changing releases one after the other. Championing a sound that swings the pendulum between pure groove cerebrality and superior functionality, Sumner creates mixes like one weaves tapestries, mastering the warps and wefts of rhythmic entanglement and the mind's curious architecture like no other. Brace yourself for a wild, inspirational thriller of a mix. 

Terrence Dixon doesn't do many interviews. So when the enigmatic Detroit producer agreed to speak to Line Noise around the release of his new EP for Tresor, When Stars Remember, we jumped at the chance. In a very sweet interview, we talked about his history with Tresor, the power of extreme repetition, falling asleep to your music, his grandmother's love for Kraftwerk, Juan Atkins, Mike Banks, not reading manuals and so much more. Line Noise comes to you with the support of Cupra. Picture by Evan Zott.

Terrence Dixon doesn't do many interviews. So when the enigmatic Detroit producer agreed to speak to Line Noise around the release of his new EP for Tresor, When Stars Remember, we jumped at the chance. In a very sweet interview, we talked about his history with Tresor, the power of extreme repetition, falling asleep to your music, his grandmother's love for Kraftwerk, Juan Atkins, Mike Banks, not reading manuals and so much more. Line Noise comes to you with the support of Cupra. Picture by Evan Zott.

Run it Red 131 has dropped. Soul of Hex, K.Alexi, Shed, Fhase 87, Skudge, Seddig, Romain Richard, Kerrie, and many more all feature - full tracklist below so check out the artists and labels. Hit the charity links if you can, too... Charity Link: fanlink.tv/Charities 
Spotify Playlist: bit.ly/RUNITREDSPOTIFY
 Upcoming tour dates: bit.ly/BenSimsBIT BEN SIMS pres RUN IT RED 131. March 2026 (SC) 1. Renegade Soundwave - Ozone Breakdown (Altern 8 Remix). Unreleased 2. Inland Knights - Like This (Di Saronno On The Rocks). Drop Music 3. Ion Ludwig - Galaxie Cest Boom. Adam's Bite 4. Andre Zimmer - Fundamental. fabric Originals 5. DJ 3000 - So Sheik (Alexis Tyrel Remix). Motech 6. Gherkin Jerks - Acid Indigestion (Private Mix). Alleviated 7. K.A. Posse - Warehouse Alarm. Dark Entries *Edit 8. Jack Smooth - Affection. CETE 9. MYND - Handclap. Kenotrax 10. Soul Of Hex - Jet Set. Faith Beat 11. D.J. Grant - Play Me Faster. UKR 12. Baloo Carlo - Lately (Tour Maubourg Remix). Gabu 13. Ohm Octal Industries - Journey. Boomstraat 1818 14. DJ Geto Man - Disko Loop. UKR 15. K.Alexi - Black Mystery. Dark Entries *Edit 16. Exit Safe Mode - Unweaned. Existsafemode 17. A4 - Between Day and Night. From Another Star 18. Maōh - Eāni. The Third Room 19. Shed - EFX. Ilian Tape 20. Kmyle - Lacunar. Be As One 21. Pol - Amnesia (BRINK Remix). Pol 22. Ribé, Roll Dann - Silentium Testium. Mutual Rytm 23. Fireground - Fixed In Flux. Tresor 24. Tintin - Metal Bit. {R]3volution 25. Fhase 87 - Survive. Perc Trax 26. Nemesis ES - Yinkana (Lidvall Remix). Ucker 27. Sub Basics - Loon. TH Tar Hallow 28. Tanzklänge - Griftpark. Boomstraat 1818 29. Black Girl/ White Girl - Devotion. Hardgroove (Forthcoming) 30. Kill Ref - Don't Stop! (Fireground Remix). Special Series 31. Romain Richard - Haven't Stop Dancing Yet. UKR 32. Ken Ishii - Circuit Saver (Dub Mix). Mind Medizin 33. DJDMG - Low Flow. Unreleased 34. A4 - Red Giant. From Another Star 35. DJ Surgeles - Tarkus. Boomstraat 1818 36. ANNĒ - Metallic Tapes. Blind Harmonies 37. Avant.OCS - Under Your Spell . Dynamic Reflection 38. K.A. Posse - Right There. Dark Entries *Edit 39. Orion - Aulophobia. Absence of Facts 40. Metapattern - Feel Something . Truncate 41. K.E.N.Y.U. - Abandoned Piano. UKR *Edit 42. J.O.S.H.U.A. - Love Is the Answer. Hotflush *Edit 43. ANNĒ - Sleepwalker. Soma 44. Dimi Angélis - Comets. ANGLS 45. Singular Anomalies - Dirac. Greta 46. Skudge - Splice. TH Tar Hallow 47. Benjamin Mull, The Advent - Source 004 (Cari Lekebusch Remix). H-Productions 48. dc11 - One Verse No Chorus. Falling Ethics 49. Bralle - Simulated Strength (Ketzaal Remix). Adversarial Machines 50. Kaan Pirecioglu - Breakpoint. Fur:ther Sessions 51. Romain Richard - Body Dancer. UKR 52. Tensal - Zooe. ARTS 53. Electric Rescue - Planet Moves. South Signatures 54. Seddig - Prism. Symbolism 55. Skudge - MM 2. TH Tar Hallow 56. Filip Xavi - Close Encounter. Semantica 57. Ae Fe - Galaxy. AFR 58. The God 01- Ummo Oawoolea Xee. Humanoid Gods 59. Carlo Lio - Supasonic. On Edge Society 60. Jamie Bissmire - Holographic Hieroglyphs. Warm Up 61. David Reina - Holistic. Illegal Aliens 62. Andrei Morant - Old Ones. Antimodus 63. Neen - Off Signal. Newrhythmic 64. Shed - Ball. Ilian Tape 65. Pol - Do Something. Pol 66. Fireground - Activate. Tresor 67. Mikrotakt - Shadows of Chaos. H-Productions 68. Sub Basics - Overlap. TH Tar Hallow 69. Khabiar - Arabic Chords. Unreleased 70. Hioll - Static in the Wires. Symbolism (Forthcoming) 71. Stu & Brew - Drifters. UKR 72. Ron Morelli - Transactional Morality. LIES *Edit 73. Translate - Interpolation (Staffan Linzatti Remix). Speculations LTD 74. Jamie Bissmire - Cantabury Code. Warm Up 75. DJ Godfather - Stranger Than Strange. Databass 76. Karkossyn - Man Will Perish Here. Erosion 77. Unknown Artist - I'll Send My Light. Unknown 78. Teslasonic - Clock Offset. Blackwater 79. Kerrie - Enter the Vortex. Cultivated Electronics

✨ Programa 652 de Font de Misteris ️ En aquest episodi, hem començat el viatge endinsant-nos en la figura de Sebastià Belloto ️, un personatge que es mou entre la llegenda i la història en majúscules . Què va fer a les nostres Illes? Quins secrets s'amaguen darrere el seu nom? Després, a Contes i Rondalles amb na Irene Font , hem conegut la història d'“El Monjo de la Cova” ⛰️, recollida al llibre Llegendes i Tradicions d'Esporles, una narració carregada de misteri i tradició ✨ I a la darrera part del programa, hem viatjat fins a les aigües gelades ❄️ per descobrir la fascinant aventura del vaixell Amer Bonalfan, també conegut com Baychimo , una història nascuda durant la Primera Guerra Mundial ⚔️ i envoltada d'enigmes que encara avui desperten preguntes… #FontdeMisterisIB3

We’re taking a moment to honor the blueprint of African jazz and resistance. On this episode of Afternoons with Zweli, we are joined in the studio by two of the most powerful voices in modern African music: the incomparable Zoë Modiga and the visionary Tresor. Both artists are part of a massive tribute to the legendary Bra Hugh Masekela, and they’re getting personal about the man behind the trumpet. From their very first memories of hearing "Stimela" to the direct impact Bra Hugh had on their own creative paths, we’re exploring what it means to carry his torch in 2026. We also get a sneak peek into their upcoming collaborations and how they are continuing to push the boundaries of African sound and culture. It’s a celebration of heritage, a lesson in history, and a look at the future of our sound. Spend weekday afternoons with Zweli. He keeps you in the loop with everything from music and movies to sport and pop culture. Hear what the Word on the Street is, test your skills with the high-pressure 6 Out of 6, and get ready to be entertained. Thank you for listening to an Afternoons with Zweli podcast Listen live on Primedia+ weekdays from 12:00 to 15:00 (SA Time) toAfternoons with Zweli broadcast on 947 https://www.primediaplus.com/station/947 For more from the show go to https://buff.ly/FeeL6wYor find all the catch-up podcasts here https://buff.ly/pRBikjo Subscribe to the 947 Weekly Newsletter herehttps://buff.ly/hf9IuR9 Follow us on social media 947 on Facebook: https://www.facebook.com/947Joburg/ 947 on TikTok: https://www.tiktok.com/@947joburg 947 on Instagram: https://www.instagram.com/947joburg 947 on X https://x.com/947 947 on YouTube: https://www.youtube.com/@947JoburgSee omnystudio.com/listener for privacy information.

Ce mardi 31 mars, les chiffres sur le PIB par habitant des pays de l'UE, dont ceux de la France sont sous la moyenne, l'impact du réchauffement climatique sur les économies, et la question de l'accélération de la décarbonation en 2026, ont été abordés par Dorothée Rouzet, cheffe économiste de la direction générale du Trésor, Ronan Le Moal, fondateur d'Épopée Gestion, et Clémentine Gallès, cheffe économiste et stratégiste chez Société Générale Private Banking, dans l'émission Les Experts, présentée par Raphaël Legendre sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mardi 31 mars, l'état actuel du marché du crédit immobilier, ainsi que la 14ème Conférence ministérielle de l'Organisation mondiale du commerce qui s'est tenue ce week-end à Yaoundé, ont été abordés par Dorothée Rouzet, cheffe économiste de la direction générale du Trésor, Ronan Le Moal, fondateur d'Épopée Gestion, et Clémentine Gallès, cheffe économiste et stratégiste chez Société Générale Private Banking, dans l'émission Les Experts, présentée par Raphaël Legendre sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Actively pushing back the borders of techno language for the past fifteen years, German DJ and producer Thomas Hessler chose to relocate to Tbilisi, Georgia a few years ago and given the current state of the local scene, there is little wonder why. Tireless provider of equally hard-hitting and cerebral grooves that have taken him to play the best stages out there including Berghain, Fabric, Bassiani and Tresor, Hessler's name has become synonymous with stunt-filled, hi-octane sets and productions that operate in the gap between kevlar-coated payload, mind-bending loops and raging sub-bass drive. Expect a fiery, laser-precise deluge of ultra-dynamic psychedelia and rattling machine funk. No surrender.

DJ and techno producer Kerrie joins Caro C to talk about her journey into DJing and production, the influences that shaped her sound and the live performance setup she now takes with her around the world.Chapters00:00 - Introduction01:21 - From DJ to Producer04:37 - Techno Influence06:26 - Producing From A Dancefloor Perspective09:23 - Live Performance Setup15:56 - Transporting Gig Kit18:27 - Combining Live And Studio20:13 - A Workflow Without A Laptop21:35 - Community And Shared Experiences26:35 - Sound Choices28:27 - Exploring Fresh Ideas#ElektronAnalogRytm #ElektronAnalogFour #ElektronDigitaktII #CycloneAnalogicTT-303BassBot #Allen&HeathXone:96 #StrymonBigSkyReverb #OtoBoumWarmingUnit #DoepferA-100 #SoundtoysKerrie Anderson BiogIrish-born, Manchester-based Kerrie is a multidisciplinary artist and resident DJ at Tresor. Performing live sets, producing music and DJing worldwide, she also runs her label Dark Machine Funk, which showcases her raw, industrial-tinged techno sound.Kerrie developed her musical foundation during an 11-year tenure at Manchester's legendary record shop Eastern Bloc Records, where she also held a DJ residency. Her high-energy sets blend UK, Detroit and European techno with electro and broken rhythms, earning appearances at venues including Berghain and fabric, as well as festivals worldwide.As a producer, she has released music on respected techno labels including Blueprint Records and Tresor Records, alongside her own Dark Machine Funk imprint. Now touring internationally, Kerrie continues to build a reputation for powerful productions and uncompromising techno rooted in decades of dedication to electronic music culture.https://www.facebook.com/DJKerriehttps://www.instagram.com/kerrie_musichttps://x.com/kerrie_musicCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Ce jeudi 19 mars, Antoine Larigaudrie vous présente le coffre fort dans son émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsDJ Super Dmitry | Dee-Lite, Nauti Siren & The Sound of a Life Lived in MusicThis week on Once A DJ, Adam is joined by DJ Super Dmitry — one third of Dee-Lite, the group behind one of the most joyful and enduring records in dance music history. But Dmitry's story goes far beyond 'Groove Is in the Heart', and this conversation goes all the way back to the beginning.Dmitry grew up in Soviet Ukraine as a third-generation musician. His grandmother — unable to afford a piano during the disruptions of the Russian Revolution, Civil War and World War Two — cut piano keys from paper so she could practise by hand. That love of music carried through the family, and Dmitry began lessons at five, was attending a conservatory music school by seven, and was already writing his own compositions in the style of Gershwin and Scott Joplin by eight.Western music was tightly controlled. Records could only be obtained on the black market — for around $50 each — and were copied onto reel-to-reel before being traded on. A track from Jesus Christ Superstar introduced him to something funky he couldn't yet name, and the search for that sound would shape the rest of his life.At 14, Dmitry and his family left the Soviet Union — the first in their town to do so, and treated as traitors for it. After periods in Austria and Italy, where he discovered punk (the Pistols, the Damned, X-Ray Spex, Iggy Pop), the family arrived in New York in 1978. On Halloween. In a Black neighbourhood in Brooklyn. Having never seen Black people before.From a 50-cent bin in a record shop, he picked up 'The Clones of Dr. Funkenstein' by Parliament because the cover looked insane. That was the moment. 'There it is,' he thought. 'That's the sound I've been looking for.' He's been a funkateer ever since.New York in the late 70s and early 80s was extraordinary — punk, disco, hip hop, and house all converging in the same sweaty rooms. Dmitry became an elevator operator at Danceteria, practising guitar in the lift between floors while Sisters of Mercy and the Sugar Hill Gang did soundchecks below. He ran into the pre-fame Beastie Boys regularly, worked at the Pyramid Club (run by drag queens, and a real education in showmanship), and played for Kool Herc and Grandmaster Flash at block parties in Harlem and the Bronx.Dee-Lite formed as a direct attempt to bridge the gap between house and funk. They built a following through monthly shows drawing up to 1,500 people, which caught the attention of a Billboard writer and eventually sparked a label bidding war. They signed to Elektra — choosing them because their A&R, Nancy Jeffries, had signed Iggy Pop and Bjork, and that felt like the right kind of open-mindedness.Elektra didn't believe 'Groove Is in the Heart' had any traction. They let Dee-Lite do the video anyway, and Dmitry remembers the precise moment he knew it had crossed over: standing in a grocery store queue when it came on the radio and the cashier started dancing at her till. 'That's my jam,' she said. 'That's my jam.'Q-Tip turned up to the studio, listened for 15 minutes, jotted notes, and nailed it in two takes. Bootsy Collins casually mentioned he had 'some friends' who might be able to play horns — those friends were Fred Wesley and Maceo Parker, who arrived as near-strangers to each other after five years apart and immediately played like they'd never stopped.Their first proper gig with a full live band was in front of 300,000 people at Rock in Rio. The second album was recorded expensively in a big studio; Dmitry considers it their weakest. The third, Dewdrops in the Garden, went back to basics and home recording, and he's proud of how well it still sounds.The band broke up when Dmitry and Kier's relationship ended, and he eventually made his way to Berlin — partly drawn by its thriving club culture, partly pushed out of New York by Giuliani's crackdown on clubs. He played Tresor, won a Best Techno DJ award at Ibiza despite not really being a techno DJ, worked with Julie Cruz, remixed Chaka Khan and Ziggy Marley, and kept making music.Then during the pandemic, a friend sent him a vocalist called Jessie Evans. He sent her some dub tracks that had been sitting on his computer for years. She recorded them one by one, sending back a finished song every couple of days from Brazil — while caring for two young children. Before they had ever met on video, they had an album's worth of material. That project became Nauti Siren. She moved to Germany, they got married, and they now have around five albums' worth of music ready to release. The first, 'Rising', is out now.This is a remarkable conversation with someone who has lived inside the history of popular music for fifty years — and who still has plenty more to say.Find DJ Super Dmitry:Instagram: @superdjdmitryNauti Siren 'Rising' — out on Bandcamp and all streaming platformsOnce A DJThe podcast that looks at what brings us together and what sets us apart. Subscribe wherever you listen to podcasts.

New SPANDAU20 Mixtape in session: @skudge-1 steps in with a live recording

Krieg im Nahen Osten - die Märkte stürzen ab und hinterlassen verunsicherte Anleger. Hitziger Start vom ersten Tresor Talk aus dem Metallorum-Goldhaus bei Würzburg. „Die Frage ist, was ist ein Verschwörungstheoretiker? Schön ist es, wenn der Prophet mal recht bekommt. Jeder braucht einen Plan B. Frau von der Leyen hat es klar und eindeutig gesagt „wir werden den Wegzug von Vermögenswerten aus der EU verhindern." Jede Unze Gold ist 131x verkauft und jede Unze Silber 390x”, sagt Rolf B. Pieper (CEO TRI Concept AG). CEO Tino Leukhardt von der Metallorum GmbH ergänzt: „Sobald die Comex irgendwann mal sagt „haben wir nicht, was du da willst", dann passiert hier das totale Chaos. Silber ist knapper als Gold, auch wenn es mehr davon auf der Welt gibt. Wenn da nicht alles geliefert wird, was nachgefragt wird, bricht der Laden zusammen." Im Interview erklären die beiden Experten, welche Sachwert-Strategie Anleger jetzt fahren sollten. Alle Details im Interview mit Chefredakteur Manuel Koch und auf http://rolf-pieper.com und https://metallorum.de Das Interview wurde am 26.2.2026 geführt. Also noch vor dem Kriegsbeginn im Nahen Osten.

Ce mardi 3 mars, le déclin de l'influence de la France au sein des instances de décision européennes, qui semble être lié à la chute de ses finances publiques, a été abordé par Dorothée Rouzet, directrice générale du Trésor, Frédéric Farah, économiste et professeur à l'Université Paris 1, et Ronan Le Moal, fondateur d'Épopée Gestion, dans l'émission Les Experts, présentée par Ludovic Desautez sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mardi 3 mars, Ludovic Desautez a reçu Dorothée Rouzet, directrice générale du Trésor, Frédéric Farah, économiste et professeur à l'Université Paris 1, et Ronan Le Moal, fondateur d'Épopée Gestion, dans l'émission Les Experts sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Episode 245 features Negative Affect, the current project of Billy Garcia and a driving force in Los Angeles underground techno for more than a decade. From his early days with 138 to sharing lineups with DVS1 and Oscar Mulero, and performing at Tresor and Movement Festival afterhours, he has consistently represented [...] The post Blank Code Podcast 245 – Negative Affect first appeared on Blank Code.

I sat down with Parisian‑born, Brussels‑based producer UFO95 to trace the line between brutalist architecture, Detroit machine soul, and live techno. From early days in punk bands and birthdays above his parents' club to a Tresor residency and a nerve‑tight Berghain performance, he unpacks how structure, space, and human error can turn a set into something physical.We dive into the design choices behind the new UFO95 album A Brutalist Dystopian Society Part 2: concrete‑solid kicks, saturated drones, and spacious pads that carry the grey, functional, futuristic mood of brutalism without ornament. He explains why half his shows remain improvised, how shrinking his hardware rig sharpened the energy, and what different cities teach him about pacing a room. Expect thoughtful nods to Underground Resistance, Jeff Mills, Surgeon, and Regis, reframed through a personal lens that swaps copycat nostalgia for living lineage.We also explore the craft behind the scenes: producing with the live arc in mind, writing twenty‑minute passages that breathe without a kick, and treating the club as a place to express, not excess. UFO95 talks candidly about resisting trends, favouring slow, minimal, and mental tracks while much of techno chases extremes, and why keeping protest and experimentation at the heart of the genre still matters.If you enjoy Lost and Sound and want to help keep it thriving, the best way to support the podcast is simple: subscribe, leave a rating, and write a quick review on your favourite podcast platform. It really helps new listeners discover the show — on Apple Podcasts, Spotify, or wherever you listen.UFO95 on Instagram:https://www.instagram.com/ufo95live/?hl=enUFO95 on Bandcamp:https://ufo95.bandcamp.com/Huge thanks to Audio-Technica – makers of beautifully engineered audio gear and sponsors of Lost and Sound. Check them out here: Audio-TechnicaMy book Coming To Berlin is a journey through the city's creative underground, and is available via Velocity PressFollow Lost and Sound on SubstackYou can also follow me on Instagram at @paulhanford for behind-the-scenes bits, guest updates, and whatever else is bubbling up.

Ce mercredi 4 février, la baisse du taux d'inflation depuis 2020 et l'impact du maintien de la surtaxe d'impôt sur les sociétés sur l'économie française, ont été abordés par Denis Ferrand, directeur général de Rexecode, Guillaume Dard, président de Montpensier Arbevel et vice-président de l'AFG, et Dorothée Rouzet, cheffe économiste de la direction générale du Trésor, dans l'émission Les Experts, présentée par Raphaël Legendre sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

The first 2026 edition of Run it Red is online now via Soundcloud, Mixcloud and wherever you're getting your podcasts. It kicks the year off in fine style with fresh news sounds from Peverelist, Deniro, D'Julz, Hurdslenk, Sev Dah, ANNĒ, BLACK GIRL / WHITE GIRL, Mark Williams, Uncertain and loads more. Hit the charity links if you can, too... Charity Link: fanlink.tv/Charities 
Spotify Playlist: bit.ly/RUNITREDSPOTIFY
 Upcoming tour dates: bit.ly/BenSimsBIT 1. Myles Serge - FANPRO (Toxido Mask Remix ). (MS) 2. Isaiah - Housers. Isaiah 3. Deniro - Detroit. Tape 4. Markus Suckut - Control. Primordial State 5. 543ff - Sorry. TH Tar Hallow 6. Substance - Relief. Tresor 7. D'Julz - Triumphant. Bass Culture 8. ES - Incertidumbre Elemental. Illegal Alien 9. Dialog - Chant Version. DOT 10. Eomac - Broadsword. Yin Yang 11. Viclan - Checking In. R&S 12. Regal86 - Dame . Discos Nutabe 13. Peverelist - Pulse IX (Fadi Mohem Remix). Livity 14. Philippe Petit - Project 1. Symbolism (Forthcoming) 15. Seddig - Unfazed. Symbolism (Forthcoming) 16. Deniro - Parist. Tape 17. Mr. G - Eye Poke. Phoenix G 18. Troy - Dream Stalker. Infracture New York 19. Decka - Flashlight. Kaiser 20. DJ Bone - Shook Ones. Further 21. JFernandez - Siguiendo A Alicia. Ethnic Meeting 22. Mark Williams - Love. Hardgroove (Forthcoming) 23. Atlanthes - Reflejo Perdido. Sway 24. D.J. Grant - Frisco Disco. UKR 25. Markus Suckut - Observel. Primordial State 26. Kat Davids - Manavgat (Mr G's I Hear Ya Underground Dub). Intercept 27. D'Julz - Weekend Warriors. Bass Culture 28. Cirkle - Silent Rage. Sublunar 29. Faetch & Sunil Sharpe - Shinplant. Haven 30. Benales - Viscous. TH Tar Hallow 31. Hurdslenk - Etched. Sublunar 32. Sev Dah - Melophilia. Kaiser 33. Hemka - Basic Instinct. Sublunar 34. ANNĒ - Dementia. Mutual Rytm 35. Truncate - Fractions V2. Unreleased 36. BLACK GIRL / WHITE GIRL - Legacy. Hardgroove (Forthcoming) 37. Myles Serge - FANPRO. (MS) 38. Fixon - 9090909. ANOAH 39. Mark Williams - The Spirit Of Hardgroove. Hardgroove (Forthcoming) 40. DisX3 - Lost Coordinates. Mord 41. Advanced Human - The Swoop. Translucent 42. Vedik - Ominous Beige. NRBK 43. Mark Williams (feat Siobhan Waters) - In The Groove. Hardgroove (Forthcoming) 44. Uncertain - Blend. Sway 45. Markus Suckut - Restlessl. Primordial State 46. Fhase 87 - Organa. Symbolism (Forthcoming) 47. MJK - Close Encounter . Neighbourhood 48. Zenker Brothers - Unite And Conquer. Ilian Tape 49. Luca La Rocca - Lost In Folders. Children of Tomorrow 50. Rheak - Tornha. Affekt 51. Uncertain - Phrase. Symbolism 52. Fractious - Untold Respect. Special Series 53. Nørbak - Leveza. Token 54. Eomac - Sabre. Yin Yang 55. Luciano Esse - Keys. Rebelskin 56. NØNE - XX 26. Molecular 57. Troy - The Hague Wormhole. Infracture New York 58. Georges Ricci - Fogata (Kashpitziky Remix). Absence of Facts 59. DisX3 vs. Insolate - Mindwarp (The Sixth Sense Remix). Out of Place 60. Fhase 87 - Modular Nightmare. Sway 61. Yasin Engwer - O2. Eshu 62. Billy Turner - Unforgivable. Edit Select 63. Allen - Uplink. From Another Star 64. 543ff - Precarious. TH Tar Hallow 65. Cimadevilla - Lila. Modwerks 66. DisX3 - Oscillating Matter. Mord 67. Jen Cruz - Own Your Voice. Hardgroove 68. Sera J - Similar Minds. Mutual Rytm 69. Mana Mind - Groovy Conga. Modern Minimal 70. Seddig - Turbulence. Symbolism (Forthcoming) 71. MJK - Fiesta 132. Neighbourhood 72. Allan Pillai - Room 101 (Swung Mix). TH Tar Hallow 73. Nachtwaker - Relativity. Groove Disorder 74. JSPRV35 - Tactics. V35 75. DJ Godfather - Takeover. Databass 76. Anthony Rother - Manitou. Anthony Rother Bandcamp 77. James Welsh - Stove Goblin 78. Martyn - Broken (Gabe & Jude's 160 Fix). Gabejude Bandcamp 79. Dario Zenker - The Walkman. Ilian Tape 80. Robin Wylie - Steppin For Del. Rooms Inc

Channeling the imposing physicality of brutalist concrete monoliths into that thing we call dystopian techno. The UFO95 flew over Brussels one night, With Absence Has Shape tucked under its light, Through brutalist towers so starkly imposing, Where concrete dreams lay decomposing. “Oh MORD!” cried the vessel, “Oh MORD!” it did say, “I'm bound for the club on the sixth of Febru-ay! With radiophonics both retro and keen, And dystopian grooves never before seen!” The Tresor did rumble, the Berghain did shake, As techno Tardises whirled in its wake, With low-end saturation and thunderous throb, It zipped and it zingled, it wobbled, it bobbed! Brussels-based electronic musician Killian Vaissade – better known as UFO95 – constructs brutalist sonic architecture from the ruins of utopian dreams. On “Absence Has Shape,” the second track from his forthcoming album A Brutalist Dystopian Society Part 2, the Tresor resident channels the imposing physicality of concrete monoliths into that thing we call dystopian techno. Brutalist structures as monuments to failed promises, their stark minimalism now haunting reminders of what never came to pass. Vaissade translates this visual language into dark, dramatic, stripped back essential techno. “Absence Has Shape” throbs with hypnotic tension, interlocking grooves and low-end density. Drawing inspiration from Function, Jeff Mills, Surgeon, and Sandwell District, UFO95' approach is “Moroder-meets-Mills” – melding retro radiophonics that address brutality in its many forms: war, repression, corruption. A Brutalist Dystopian Society Part 2 drops on February 6th via MORD on vinyl, download, and streaming. The album follows acclaimed releases on Tresor, WSNWG, and TSSRCT (which he co-runs with Hadone), cementing Vaissade's reputation as a masterful producer whose tracks cut through the noise. Vaissade doesn't DJ, opting for improvised live sets, a practice that's earned him a residency at Berlin's legendary Tresor and slots at Berghain, Berlin Atonal, and Bassiani. Catch him on tour throughout January and February, including upcoming dates at Berghain (Jan 10), Razzmatazz Barcelona (Jan 17), and Fuse Brussels (Jan 24), with stops across Europe and the Americas.

Redscroll & Friends Favorites of 2025 We have our favorites of the year as usual. And we have once again asked some friends to contribute lists (a couple bonus voices on the podcast even!). Give the lists a view, check out the podcast with clips of all the bands/songs and check out the playlist with all the favorites below.   Happy New Year! Let's get into the lists!  Redscroll Records Label Releases for 2025 Theoden's Reign Citadel Of The Stars LP, CD & Cassette [02/06/2025]Chop Chop Chop Chop Chop Chop Chop Become Nothing / We Live As Ghosts LP (Brand new A-Side with B-Side previously released on cassette)[04/18/2025]Killer Kin Killer Kin CD (reissued with added bonus track "Point Blank")[07/01/2025]Disfigure New Age Of Judgement CD [07/25/2025]Chained to the Bottom of the Ocean Sisyphean Cruelty CD Reissue[08/01/2025]Chained to the Bottom of the Ocean Obsession | Destruction CD & LP Reissue[08/01/2025]Chained to the Bottom of the Ocean The Vestige CD (First Time on CD)[08/01/2025]Chained to the Bottom of the Ocean Consumed by the Vitriol of Life / I Tried Catching You But You Fell Through Me LP (Released Separately Before – Now on a single 12" Record)[08/01/2025] Meetinghouse You've Seen Heaven CD & Cassette [09/05/2025]   Joe's 10 Favorite Tracks Listened To In 2025: 1. John Martyn "Over the Hill" Solid Air (Island, 1973) 2. Derek and the Dominoes "Thorn Tree In the Garden" Layla And Other Assorted Love Songs (ATCO, 1970) 3.Blaze Foley "Clay Pigeons" Clay Pigeons (Secret Seven, 2011) 4.Hiromasa Suzuki "Romance" Cat (Columbia, 1976) 5.Red Garland Trio "Tis Autumn" All Kinds Of Weather (Prestige, 1959) 6. Nina Simone "Tell It Like It Is" Isn't It A Pity / Tell It Like It Is (RCA Acetate, 1971 Probably) 7. Marvin Gaye "Distant Lover" Let's Get It On (Tamla, 1973) 8. Herbie Hancock "Speak Like A Child" Speak Like A Child (Blue Note, 1968) 9. Terry Reid "Season of the Witch" Bang, Bang You're Terry Reid (Epic, 1968) 10.Terry Reid "Mayfly" Terry Reid (Columbia, 1969) LEXI'S FAVORITES OF 2025: Oklou Choke Enough (True Panther Sounds, Because Music) Addison Rae Addison (Columbia) Ethel Cain Perverts (Daughters Of Cain) Ethel Cain Willoughby Tucker, I'll Always Love You (Daughters Of Cain) Meetinghouse You've Seen Heaven (Redscroll) Model/Actriz Pirouette (Dirty Hit, True Panther Sounds) All The Pretty Horses hammersmashedface (Self-Released) EsDeeKid Rebel (XV, Lizzy) Crippling Alcoholism Camgirl (Portrayal Of Guilt) Chat Pile / Hayden Pedigo In The Earth Again (Computer Students, Flenser) Intercourse How I Fell In Love With The Void (Brutal Panda) John Maus Later Than You Think (Young) Holy Taker Heaven Is A Place I Can't Stay (Crossover Media) Shallowater God's Gonna Give You A Million Dollars (Sans Soleil) Deafheaven Lonely People With Power (Roadrunner) Holder Holder (Daze) Playboi Carti MUSIC (AWGE, Interscope) Alex G Headlights (RCA) Old Saw The Wringing Cloth (Lobby Art) Erica's Favorites: Pile Sunshine and Balance Beams (Sooper) Viagra Boys Viagr Aboys (Shrimptech) Pigs Pigs Pigs Pigs Pigs Pigs Pigs Death Hilarious (Rocket, Missing Piece) Just Mustard We Were Just Here (Partisan) AFI Silver Bleeds The Black (Run For Cover) Bootblacks Paradise (Artoffact) Witchcraft Idag (Heavy Psych Sounds) Pelican Flickering Resonance (Run For Cover) Model/Actriz Pirouette (Dirty Hit, True Panther Sounds) Theoden's Reign Citadel Of The Stars (Redscroll) Faetooth Labyrinthine (Flenser) Scorpion Milk Slime of the Times (Peaceville) EPs: Youth Code Yours, With Malice (Sumerian) Floating Hesitating Lights (Transcending Obscurity) Matt's Favorites: Viagra Boys Viagr Aboys (Shrimptech) Intercourse How I Fell In Love With The Void (Brutal Panda) Hives Hives Forever Forever The Hives (Play It Again Sam) AFI Silver Bleeds The Black (Run For Cover) WestsideGunn  Heels Have Eyes 1+2 (Griselda) Ghostwoman Welcome To The Civilized World (Full Time Hobby) Darts Nightmare Queens (Adrenaline Fix) Ron Gallo Checkmate (Kill Rock Stars) El Michels Affair 24 Hr Sports (Big Crown) Caren's Favorites: Annie Achron Never Paradise (Siltbreeze) James K Friend (AD 93) Now Always Fades Into The Doldrums (Northern Underground Records) Acopia Blush Response (Scenic Route) Raisa K Affectionately (15 Love) Sharp Pins Balloon Balloon Balloon & Radio DDR (K Records / Perennial) Prolapse I Wonder When They're Going To Destroy Your Face (Tapete) Rest Symbol Rest Symbol (FO) K-Lone Sorry I Thought You Were Someone Else (Incienso) Bill Fox Resonance (Eleventh Hour) Caren's Reissue / Archival Favorites: Various The Way U Make Me Feel: UK Boogie & Street Soul 1984-1994 (Freestyle Records) Ali Omar Hashish Hits (Efficient Space) Pale Saints Slow Buildings (4AD) L'Empire Des Sons L'Empire Des Sons (Glossy Mistakes) Lijadu Sisters Danger (Numero Group) The Lo Yo Yo The Lo Yo Yo (Concentric Circles) Rick's Favorites: Abosahar Raasny (Heat Crimes, Hizz) Any Mega Mercy (Sferic) Deadguy Near-Death Travel Services (Relapse) Elkotsh rhlt jdi (Heat Crimes, Hizz) Kathryn Mohr Waiting Room (Flenser) Only Now Timeslave III (Self-Released) Sandwell District End Beginnings (The Point of Departure Recording Company) Slikback Attrition (Planet Mu) Billy Woods Golliwog (Backwoodz Studioz) Nuovo Testamento Trouble (DIscoteca Italia) Josh's Favorites: Viagra Boys Viagr Aboys (Shrimptech) Hives Hives Forever Forever The Hives (Play It Again Sam) Skinhead It's A Beautiful Day, What A Beautiful Day (Closed Casket Activities) Homefront Watch It Die (La Vida Es En Mus) Internal Bleeding Settle All Scores (Maggot Stomp) Warlock Corpse Eternal Prisoner (Out of Season) Sandwell District End Beginnings (The Point of Departure Recording Company) Quest Master Obscure Power (Out of Season) Lust for Youth & Croatian Amor All Worlds (Sacred Bones) Vatican Shadow 20th Hijacker (20 Buck Spin) Friends of Redscroll Lists! Chop Chop Chop Chop Chop Chop Chop Favorites "Learn to Suffer" by Mangled State "Don't Tap the Glass" by Tyler the Creator "Killing Spree" by Sulfuric Cautery "Adapting // Crawling" by Iron Lung "Golliwog" by Billy Woods "The Body Hammer" by Endless Swarm "///" by Secret Cutter "Watch it Die" by Home Front "Lonely People With Power" by Deafheaven "Let God Sort Em Out" by Clipse Honorable mentions to R. Missing, Lana Del Rabies, De La Soul, Suppression, Black Iron Prison, and Haunt Me. Tarek of Intercourse Favorites: Crippling Alcoholism Camgirl (Portrayal Of Guilt) My Wife's An Angel Yeah, I Bet (Knife Hits, Broken Cycle Records, GRIMGRIMGRIM) In Lieu Hooligan (Learning Curve) Knub Crub (Hex) Chat Pile / Hayden Pedigo In The Earth Again (Computer Students, Flenser) |Deadguy Near-Death Travel Services (Relapse) Stefan of C/Site Recordings Favorites: Alexander "Untitled" 7" (Carbon Records) Juho Toivonen "Lapsikuninkaan Fanfaari" (Discreet Music) Lander / Unkindness split LP (Ixiol Productions) Nowhere Flower "Heat Dome" LP (Digital Regress) Shirese "Fog Bound Laughter" 7" (Stoned to Death) Lau Nau & Joshua Burkett LP (Mystra Records) Cheb Drissi "Rai Sidi Bel Abbes Volume 2" LP (Nashazphone) Los Doroncos "Sun and Fireworks" LP (An'archives)   Sarah (Manic Presents/Premier Concerts) Favorites: Hayden Pedigo - I'll Be Waving As You Drive Away World's Worst - American Muscle Friendship - Caveman Wakes Up Shallowater - God's Gonna Give You a Million Dollars Alex G - Headlights Pile - Sunshine and Balance Beams All The Pretty Horses - hammersmashedface Dean Blunt / Elias Rønnenfelt - lucre Momma - Welcome to My Blue Sky Addison Rae - Addison caroline - caroline 2 Playboi Carti - MUSIC Oklou - choke enough TAGABOW - LOTTO Cameron Winter - Heavy Metal (end of 2024 album that I think is being considered on end of year lists so it's on mine too)   Chris (Manic Presents/Premier Concerts) Favorites: Soul Blind - Red Sky Mourning Hayley Williams - Ego Death At A Bacholorette Party Restraining Order - Future Fortune The Infinity Ring - Ataraxia Carey - Stunted Bleed - S/T Cloakroom - Last Leg of the Human Table Superheaven - S/T Keep - Almost Static Oversize - Vital Signs Clipse - Let God Sort Em Out Sanguisugabogg - Hedeous Aftermath Sainthood Reps - Dull Bliss Home Front - Watch It Die Bad Beat - LP 2025 Aesop Rock - I Heard it's A Mess There Too Henry Birdsey's Favorites: Various Artists - The World Is But a Place of Survival: Begena Songs from Ethiopia + Elders of the Begena: The Harp of David in Ethiopia (Death Is Not The End) https://deathisnot.bandcamp.com/album/the-world-is-but-a-place-of-survival-begena-songs-from-ethiopia https://deathisnot.bandcamp.com/album/elders-of-the-begena-the-harp-of-david-in-ethiopia Teppana Jänis & Arja Kastinen - Teppana Jänis (Death Is Not The End) https://deathisnot.bandcamp.com/album/teppana-j-nis Various Artists - Unaccompanied Norwegian Folk String Virtuosi (Canary Records) https://canary-records.bandcamp.com/album/unaccompanied-norwegian-folk-string-virtuosi-ca-1953-65 Various Artists - Her Mother's Only Child: From the 2nd & 3rd Bulgarian National Folklore Festivals, 1971 & 1976 (Canary Records) https://canary-records.bandcamp.com/album/her-mothers-only-child-from-the-2nd-3rd-bulgarian-national-folklore-festivals-1971-1976 Dr. Abdel Latif Gohar - Egyptian Buzuq Solos ca. 1950s (Canary Records) https://canary-records.bandcamp.com/album/egyptian-buzuq-solos-ca-1950s Various Artists - A Collection of Slow Airs by Some Very Fine Fiddlers (Nyahh Records) https://nyahhrecords.bandcamp.com/album/a-collection-of-slow-airs-by-some-very-fine-fiddlers Peter Garland - Love Comes Quietly (After Robert Creeley) (Cold Blue) https://peteergarland-coldbluemusic.bandcamp.com/album/plain-songs-love-comes-quietly-after-robert-creeley Various Artists - Miao Mouthorgans & Other Rare Instruments in Guizhou, Sichuan, China (Sub Rosa) https://subrosalabel.bandcamp.com/album/miao-mouthorgans-other-rare-instruments-in-guizhou-sichuan-china Alberto Juscamaita Gastelú - Reminiscences of Raktako: Huayno Guitar from Cuzco and Ayacucho, 1930-1940 (Death Is Not The End) https://deathisnot.bandcamp.com/album/reminiscences-of-raktako-huayno-guitar-from-cuzco-and-ayacucho-1930-1940 Rowland Taylor - Absolute Control Can Be The Death of Good Work (S/R) https://rowlandtaylor.bandcamp.com/album/absolute-control-can-be-the-death-of-good-work Hypnosmord - The Thurneman Improvisations (Hypnosmord Förlag / Styggelse Tapes / The AJNA Offensive) https://styggelsetapes.bandcamp.com/album/thurnemanimprovisationerna-the-thurneman-improvisations-dmc1411 David A. Shapiro (Alexander) Favorites: sally ann morgan - second circle the horizon wednesday knudsen - atrium grace rogers - mad dogs shutaro noguchi & the roadhouse band - on the run alulu paranhos - põe epsperança nisso zé ibarra - afim ry jennings - whisperin' ry michael hurley - broken homes and gardens willie lane - bobcat turnaround derya yıldırım and grup şimşek - yarın yoksa Paul (Dissolve) Favorites: Swiz Box Set (Dischord/Sammich/Hellfire) and the Swiz book (Akashic books) Sly Lives! (aka The Burden of Black Genius) movie by Questlove (Onyx collective/Sony) The Real Me by Kyle M (Stones Throw) One Battle After Another movie by Paul Thomas Anderson (Warner Bros.) Willoughby Tucker, I'll Always Love You by Ethel Cain (Daughters of Cain) Near-death Travel Services by Deadguy (Relapse) Birthing by Swans Pink Floyd At Pompeii MCMLXXII movie (Sony Music Vision) Live Laugh Love by Earl Sweatshirt (Tan Cressida Inc./Warner Bros.) Future Fortune by Restraining Order (Blue Grape Music) Ben (Manic Presents/Premier Concerts) Favorites: Home Front - Watch it Die Safe Mind - Cutting the Stone Miltown - Tales of Never Letting Go Béton Arme - Renaissance Scarab - Burn After Listening Cadaver Dog - Bred to Fight Vatican Shadow - 20th Hijacker C4 - payback's a bitch Mil-Spec - Mil-Spec The Tubs - Cotton Crown Antoni Maiovvi Favorites: 10 Arnaud Rebotini - Winter Sequences - Skylax Records A surprise EP from French legend Arnaud Rebotini on the infamous Skylax Records. Great moody, almost electroclash esque analog gems. It's been interesting to see Rebotini's music come back around from the rave days through film scores to now without really changing much. No one does the nexus point of French House and EBM quite like him. 9 DJ Plant Texture - Life - Tresor RecordsThe first of two Tresor releases in my top 10, not sure what has been happening over there lately, but I'm here for it. A great weirdo techno 12 inch where opening track Repetitivo (Stretch Mix) sounding like Jeff Mills having eaten too many haribo, before mutating into scattered hats across the dancefloor, perhaps to trip up Joe Pesci and Daniel Stern who have broken into your house for some reason. 8 Autechre - Untilted - Warp Records Now to the first of two reissues in my list, and despite my somewhat negative thoughts as to their quote unquote live show I saw this year, I still love the music and this one in particular stuck out. Approachable but still properly mad. Proof that extreme computer music can be fun. 7 Clark - Steep Stims - Throttle Records I remember when Chris Clark came out with his first record and thinking that it too warp for warp records. I'm pretty sure we never met when I was in Berlin, unless I got him confused with Kid 606, in which case I apologize to you both. Anyway, Steep Stims is great, playful, emotional, one foot in the past and another in the future, really great work that I think will age really well. Solid work Mr Clark. 6 Emptyset - Dissever - Thrill Jockey Records Amazing new record from Emptyset, feels like they took all the lessons from all the later records and applied it to the earlier ones. Beautiful intense grinding drones, like someone built an installation of Sheer Hellish Miasma and I'm somehow in the room with it. 5 Merzbow, Iggor Cavalera, Eraldo Bernocchi - Nocturnal Rainforest - PAN Full disclosure, Iggor sent this to me, but it's been on my repeated listens ever since. Zen-like terror but incredibly dynamic. One of the best noise releases of the year and I'd go as far as to say a career highlight for each of the members. 4 Various Artists - 30 Years Sonic Groove - Sonic Groove Has it really been 30 years of Sonic Groove? Adam X compiles a collection of outstanding producers for this excellent collection of tracks. Highlights include the mutant acid of Bryan Zentz, the incomparable genius of Mike Parker and the industrial brutality of Statiqbloom. 3 Dopplereffekt - Metasymmetry - Tresor The second Tresor release on my list is the mighty Dopplereffekt. Beautiful, futuristic and unmistakably Detroit. Top 3 don't disagree! 2 Maria Somerville - Luster - 4AD Genuinely shocking to hear an artist on 4AD in 2025 that sounds like what an artist on 4AD sounds like in my head and it's great. Melancholic Ambient shoegaze for a new generation. 1 Coil - Black Antlers - Dais Records Black Antlers is not my favorite Coil album, but it is the one I least expected to be reissued as it was originally a tour only CDR that then got expanded. You could argue that it might not count as a proper Coil album, but who has time for these discussions. Some of the best music ever created. Nick (Disfigure; the one on the right in the pic) Favorites: Kommodus - A Foetal Wolf in Stained Glass - Probably my favorite release from Kommodus. Really awesome auxiliary instruments incorporated here and I like the unhinged melodic leads thrown in on a lot of the songs. It has a punkier tinge to it with the guitar tones and the vocals are equally as heavy Fellwinter - Dark Mediaeval Art - Pure riff-centric Judas Iscariot worship Magus Lord - In The Company of Champions - Epic in every way. I liked this better than the Lamp record this year but M has been writing fantastic black metal for a while and this side project is really refreshing to follow Ultimate Disaster - For Progress . . . - Perfectly written D-Beat in my opinion. Very tight songwriting and the riffs and solos are so well executed Valen - Viarum - I'm a huge Thangorodrim fan and this project has reminded me most of that. This was my go-to Dungeon Synth for some epic game nights this year Enceladus - Demo II - Another great release from this project. I love the half time parts, the more death metal sounding vocals, and just the ferocity of the songs while still being melodic Iron Firmament - Arcane Overspill - Amazing black metal from Washington, a state known for churning out amazing black metal for over two decades. I really love the production on this release, especially the interludes. This band writes amazing riffs and this has been a standout for me in their already exceptional discography Sharp Pins - Balloon Balloon Balloon - I love Power pop, I love Guided By Voices and Sharp Pins delivers on all fronts Occult Blood/Carrion Bloom - Battle Cries of Endless Night - Both sides of this split are fantastic. Put out by Wergild who can't miss lately with their bands/releases Utility - S/T - The hometown heroes! The whole release but especially the first song reminds me so much of Fired Up, one of my favorite CT hardcore bands of all time. Great songwriting and also absolutely on point with the energy and vocals. The demo before this is fantastic as well     The Redscroll Podcast is a monthly show (first of the month going forward) that works as a companion to what we do at Redscroll Records in Wallingford, CT USA. We are a record store that has a heavy emphasis on the left of center / underground music of the world. Whether it be underappreciated or just has a niche audience, marginalized or just off the radar it's all of interest to us. With the show we'll generally have a localized focus. We'll discuss upcoming releases and what is in our personal rotation at the moment. We'll talk about upcoming area musical activities. We'll talk to guests who have to do with all of the above. And we'll talk about specific dealings with the store. If you have input you're welcome to contact us through email (redscroll@gmail.com).

BEST OF 2025 featuring BAMBINODJ, BARKER, BIOSPHERE, BROKEN LIP, DAN CURTIN, DANIEL AVERY, DJ POLO, DJRUM, IMPÉRIEUX, KINOTEKI + DJ FLP, MARIE DAVISON, NICK LEÓN + JOHNNY FROM SPACE, PAUL ST. HILAIRE, PURELINK, TORTOISE, WEVAL + many more on this extended ABSTRACT SCIENCE year-in-review podcast. Co-hosts CHRIS WIDMAN, BILL BEARDEN aka WHOA-B, JOSHUA P FERGUSON + HENRY SELF mix 4 hours of future music favorites from 2025. [aired 04 + 11 December 2025 on WLUW-Chicago 88.7FM] >CHRIS WIDMAN Lapalux “Bias Angel” (On The Grid, LPLX, 2025) Coen “Headbanger” (Moshpit, Maloca, 2025) Verraco “Basic Maneuvers” (XL Records, 2025) Dan Curtin “Trust Blind” (The 4 Lights, De:tuned, 2025) Surgeon “Soul Fire” (Shell~Wave, Tresor, 2025) Fjaak +J.Manuel “Binder” (Tectonic Sound, Tectonic, 2025) Weval “Dopamine (DJ Edit)” (Ninja Tune, 2025) Dean Grenier “View Source” (Hand Works Music, 2025 Impérieux “Fena” (Hessle Music, 2025) Barker “Stochastic Drift (Stochastic Drift, Smalltown Supersound, 2025) jonathan d. valdez “Music Frozen Dancing” (Perception, 2025) Deft + Manni Dee “Busy Bee” (Swamp Season, Hooversound, 2025) Batu “Clump” (Question Mark, Lethal Press, 2025) Undulae “Temple Of Symmetry” (Temple Of Symmetry EP, Satellite Era, 2025) Slikback “Data” (Tempa, 2025) easygoingtech “909local” (easygoingtech, 2026) >BILL BEARDEN Kinoteki & DJ FLP “160 Proof” (Limiting Factor, 2025) AJ Tracey & Jorja Smith “Crush” (Casement Remix, Not On Label, 2025) Proc Fiskal “UK Torrent” (Shleekit Doss, 2025) Freedjom “13-8=0_0” (DJ Strawberry’s Düğün Fix, Beat Machine, 2025) Nectax “Soundboy Gambit” (Over/Shadow, 2025) Sully “The Wash” (Fabriclive, 2025) Broken Lip “Neighbourhood” (pt.1+2, Iberian Juke, 2025) Cesco “Flump” (Pineapple Records, 2025) JD Reid & Hagan “Leaf” (Baby Gravy, 2025) TMSV “Dimensional” (Perfect Records, 2025) Darama & Kush Arora “Rattle” (Not On Label, 2025) bambinodj “Carrier” (OST, 2025) DJ Polo “Currents” (Night Slugs, 2025) Anecho “Spiritual Blitz” (Dimeshift, 2025) Low End Activist “Wave 03” (Best Intentions, 2025) L-VIS 1990 “Low Pulse” (Club Djembe, 2025) >JOSHUA P FERGUSON Bitchin Bajas “Skylarking” (Inland See, Drag City, 2025) Damon Locks “Hold the Dawn in Place (Beyond pt 2)” (List of Demands, International Anthem, 2025) Stone “Feely” (Dream Curtain Eternally Gentle, 3XL, 2025) Headache “Most Undo Tomorrow” (Thank You for Almost Everything, PLZ Make It Ruins, 2025) Stereolab “Immortal Hands” (Instant Holograms on Metal Film, Warp) Space Dimension Controller “Reflect Itself” (Six Beginnings, Test Pressing, 2025) Coatshek “Triple Virgo” (Sound Bath, Dark Entries, 2025) Sam Prekop “Font” (Open Close, Thrill Jockey, 2025) Biosphere “Like the End of the World” (The Way of Time, AD 93, 2025) Paul St Hilaire “Mary Jane Greenfield” (w/ The Producers, Kynant, 2025) Tortoise “Works and Days” (Touch, International Anthem, 2025) Djrum “Waxcap” (Under Tangled Silence, Houndstooh, 2025) james K “Hypersoft Lovejinx Junkdream” (Friend, AD 93, 2025) Sven Wunder “Misty Shore” (Daybreak, Piano Piano, 2025) >HENRY SELF Dijon “my man” (Baby, R&R/Warner, 2025) Oklou “Blade Bird” (Choke Enough, True Panther, 2025) Oneohtrix Point Never “D.I.S.” (Tranquilizer, Warp, 2025) John Glacier “Emotions” (Like a Ribbon, Young, 2025) Daniel Avery “Tremor” (Tremor, Domino, 2025) caroline “Beautiful Ending” (caroline 2, Rough Trade, 2025) FKA Twigs feat. PinkPantheress “Wild and Alone” (EUSEXUA Afterglow, Young, 2025) Marie Davidson “Statistical Modelling” (City of Clowns, Deewee, 2025) Effy “2011” (The Syndicate, Fragrance, 2025) Destroyer feat. Fiver “Bologna” (Dan’s Boogie, Merge, 2025) Amaarae & Charlie Wilson “Dream Scenario” (Black Star, Interscope, 2025) Whatever the Weather “3°C” (Whatever the Weather II, Ghostly International, 2025) Maria Somerville “Violet” (Luster, 4AD, 2025) Nick León feat. Jonny From Space “Metromover” (A Tropical Entropy, TraTraTrax, 2025) Darkside “S.N.C.” (Nothing, Matador, 2025) Purelink feat. Loraine James “Rookie” (Faith, Peak Oil, 2025) The post best of 2025 – absci radio 1398-1399 appeared first on abstract science >> future music chicago.

Ce mardi 23 décembre, les surprises économiques de 2025, ainsi que les prévisions pour 2026 concernant la politique et les marchés, ont été abordées par Dorothée Rouzet, cheffe économiste de la direction générale du Trésor, Olivier Redoulès, directeur des études de Rexecode, et Béatrice Mathieu, rédactrice en chef à L'Express, dans l'émission Les Experts, présentée par Raphaël Legendre sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Gina Demarchi is a 28-year-old DJ artist and producer from Buenos Aires, Argentina. She has developed a unique style influenced by tribal sounds, excelling in Techno, Techno 2000, Tribal Groove , Dub Techno, and rhythmic, sensual beats. She is also a resident at Fungi (Argentina) Gina has performed at Tresor, and played in clubs like Anomalie, Loophole (Paris), Seaworld (Copenhagen) at Den Anden Side with Antigone, Mutate (Italy) with Freddy K and Rebecca Dellepiane, Mutate with Spdfj and other cool venues like About Blank, Aeden, Hor, Derbybreweryarms, Rottesonne among others. She has toured Australia and played in different clubs like Novel, Bloom, XE45 and more. In her sets, Gina merges various styles, maintaining a consistent line between groove, hardgroove, tribal, hip-hop, and dub techno. Her tracks have been recognized and played by artists such as Future 666, Marron, Yanamaste, Alberto Tolo, Justine Perry, Paula Koski, Laura van Hal, Lobster, and BW in venues like Tresor, Fusebrussels, Bret, Rote, Left Bank, Sonic Festival, and Mälor. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Nous sommes en 481, à Tournai. C'est cette année-là que meurt Childéric, le premier souverain de la dynastie des Mérovingiens. Onze siècle plus tard, le 24 mai 1653, un maçon, occupé à la démolition d'une maison, dans le quartier Saint-Brice, sur la rive droite de l'Escaut, face à la cité, découvre un caveau qui contient de somptueuses richesses. Restes d'armement, accessoires vestimentaires, trois cents abeilles en or et unortant l'inscription Childerici Regis. Après analyse, le doute n'est plus permis : il s'agit de la tombe de Childéric Ier, le père du célèbre Clovis. Le trésor connaîtra par la suite quelques péripéties : remis aux Habsbourg de Vienne, il est offert au roi de France, , avant d'être dérobé dans Cabinet des Médailles de Paris, où il se trouve. Deux abeilles seront retrouvées dans la Seine, tandis que les voleurs disparaissent, sans que l'on ne sache jamais ce qui est advenu du « trésor de Childéric ». Des empreintes et quelques rares pièces sont encore conservées au Cabinet des Médailles de la Bibliothèque nationale de France alors que des copies sont exposées au Musée d'Archéologie de Tournai. Comment comprendre la société mérovingienne ? Comment le pouvoir s'y organise-t-t-il ? De quelles manières les territoires y sont-ils administrés ? Quelle est la place de la femme ? Quelles sont les figures prédominantes ? Plongeons dans un monde fascinant… Avec nous : Marie Demelenne, du Service scientifique "Archéologie régionale" du Musée Royal de Mariemont Sujets traités : mérovingiens, Childéric, anneau, trésor, Louis XIV, Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

RIR 128 is here! A huge thank you to every artist, label and promo company who sends me music for the shows, the NTS crew and, importantly, every one of you who checks out the shows every month. This one features from killer tracks from Marcel Dettmann, Oscar Mulero (as Dr. Smoke), Seddig, DJ Bone, Zenker Brothers, Electric Rescue and loads more. Hit the charity links if you can, too...

Denise Rabe is a Berlin based DJ and producer. A true veteran selector, Rabe has commanded the booths of the most respected institutions, including Berghain, Tresor, Bassiani, cementing her reputation as an artist who creates worlds rather than just mixing tracks. Her studio output possesses an intoxicating depth and precision, with releases on the likes of Stroboscopic Artefacts, her own Rabe imprint and 30D Records, including her very recently released outstanding debut album ‘Transition' - a complex, high-fidelity deep space odyssey - essential listening. For this session, Rabe orchestrates a sonic narrative that exists in the liminal space between contrasting forces, effortlessly balancing the realm between darkness and light, melancholy and euphoria. The mix unfolds as a dark, hypnotic, and richly textured deep mind trip, where industrial rhythms are softened by depth and nuance. This is techno distilled to its primal core—raw, driving, and beautifully complex. Step into the abyss now. Follow https://soundcloud.com/deniserabe https://www.instagram.com/denise_rabe/ https://www.facebook.com/DeniseRabeMusic https://30drecords.bandcamp.com/album/transition-lp-30dexolp-003

Ein Jahr nach dem Sturz des syrischen Diktators Baschar al-Assad gelten mehr als 160.000 Menschen als vermisst. Bisher geheime Fotos und Dokumente werfen ein neues Licht darauf, wie Mitglieder des Assad-Regimes systematisch gefoltert und getötet haben sollen, unter anderem im syrischen Militärkrankenhaus Harasta. Die Daten stammen unter anderem von einer bisher geheimen Festplatte, die aus Syrien geschmuggelt und dem NDR zugespielt worden ist. In dieser 11KM-Folge nimmt uns NDR Investigativ-Journalist Amir Musawy vom internationalen Rechercheprojekt „Damascus Dossier“ mit auf die Spur dieser Festplatte. Es geht um eine geheime siebte Etage und um das Ausmaß von Assads Tötungsmaschinerie. Der NDR hat die Daten mit dem ICIJ und mit internationalen Medienpartnern geteilt. An dem Projekt beteiligt sind neben NDR, WDR und SZ, Daraj Media (Libanon), ARIJ (Syrien), Le Monde (Frankreich), Washington Post (USA), Yle (Finnland), SVT (Schweden), Times of London (Großbritannien), El Pais (Spanien), CBC (Kanada). Mehr Hintergründe und Infos zum Rechercheprojekt “Damascus Dossier” unter Federführung des NDR hier: https://www.tagesschau.de/investigativ/ndr-wdr/syrien-assad-verbrechen-damascus-dossier-102.html Hier geht es zum Panorama-Film "Das Damascus Dossier - Anatomie eines Verbrechens": https://1.ard.de/Panorama_Damascus_Dossier In dieser früheren 11KM-Folge geht es um das Gefühl, nicht willkommen zu sein und die hitzige Debatte in der deutschen Politik, in der Betroffene kaum zu Wort kommen: „Syrer in Deutschland: Nicht mehr willkommen?“: https://1.ard.de/11KM_Syrer_in_Deutschland Hier geht's zu "Wo bist du: Verschollen auf der Flucht” - das ist unser Podcast-Tipp: https://1.ard.de/wo_bist_du An dieser Folge waren beteiligt: Folgenautor: Marc Hoffmann Mitarbeit: Lisa Hentschel Host: Elena Kuch Produktion: Fabian Zweck, Christiane Gerheuser-Kamp, Christine Frey und Alexander Gerhardt Planung: Caspar von Au und Hardy Funk Distribution: Kerstin Ammermann Redaktionsleitung: Fumiko Lipp und Nicole Dienemann 11KM: der tagesschau-Podcast wird produziert von BR24 und NDR Info. Die redaktionelle Verantwortung für diese Episode liegt beim BR.

Congratulations are in store as the Italian imprint Pregnant Void marks their 20th release via a phenomenal LP from the Berlin based, Toxido Mask. With prior contributions on Semantica, Art Bei Ton, and Futurepast; the Tresor resident's latest offering titled ‘Spirit Waters' is a welcome addition and her first, furthering the label's commitment to contemporary music with an experimental edge. Coming in at eight tracks, six originals and two remixes by Ina Kacz, and Nadia Struiwigh respectively, the release maintains a transformative and introspective theme throughout as each track unfurls slowly and intentionally without pressure. Providing those moments of solitude and space to experience the surrounding sounds. Falling in the middle of the release, Spirit Guide is the beginning of the exhale to the inhale that is the first half of Spirit Waters. Listening from cover to cover, there's a subtle uplifting feeling in the first three tracks, the melodies ethereal, all channeling a sense of anticipation. Spirit Guide rises softly from the depths, its synths working overtime as they seemingly engulf and wash over the listener through the whole spectrum of frequencies. From the warmth of the low end to the spacey highs and glittering accents and tribalistic drum patterns, each element intertwines and works seamlessly with each other. Spirit Waters will be released on the 5th of December. @toxido-mask @pregnantvoid www.instagram.com/toxicmassk/ www.instagram.com/pregnant_void/ Write up by @huedj Follow us on social media: @itsdelayed linktr.ee/delayed www.delayed.nyc www.facebook.com/itsdelayed www.instagram.com/_____delayed www.youtube.com/@_____delayed Contact us: info@delayed.nyc

Run it Red 127 is here - 88 tracks deep and featuring music from Oscar Mulero, Kerrie, Kr!z, R.M.K & Jamie Anderson, Jen Cruz, Elisa Bee and many more. As always full tracklist is below, so please check out the artists and labels! Hit the charity links if you can, too...

Ce mardi 25 novembre, le retard de l'Europe dans la course à l'intelligence artificielle, notamment en matière d'investissements, et l'avenir des banques traditionnelles face aux néobanques, ont été abordés par Ronan Le Moal, fondateur d'Épopée Gestion, fonds d'investissements régional, Olivier Lluansi, professeur au CNAM, auteur de "Réindustrialiser, le défi d'une génération", et Dorothée Rouzet, cheffe économiste de la direction général du Trésor, dans l'émission Les Experts, présentée par Raphaël Legendre sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast

Fueled by passion, Dutch artist Vera Grace is steadily shaping her own space in Amsterdam's scene. Her sound continues to evolve, blending modular synthesis with hypnotic rhythms and deep mental trips that make you lose sense of time. She approaches DJing as a way to create something new through layering, while her productions focus on warped sound design. Her curiosity about modular synthesis opened a new dimension in her work. She started developing a fully live analog set and has recently begun performing with her modular system, constantly pushing her sound forward. Her most recent EPs, What Was Always There and Funktion Over Form, convey a clear essence in her sound. She moves fluidly between broken rhythms, ambient trips, psychedelic textures, and driving 4/4 tracks, all while staying true to the genre's roots. After graduating the Conservatorium of Amsterdam, Vera Grace is steadily forging her place in the scene, with performances at clubs like Radion, Grelle Forelle, Elysia, FVTVR, Tresor, and festivals such as Aquasella, Awakenings and DGTL already under her belt. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

New SPND20 Mixtape incoming - @phlbrg steps into the vault.

Welcome back to The B4Podcast — your monthly fix of cutting-edge electronic music, brought to you by the team at B4bookings Worldwide Agency. Every month, we go deep into the underground, and today we're joined by one of techno's most dynamic forces — BIXBITA. Her catalog is a proven arsenal for the dance floor.  From the driving energy of 'Gossip Girl' and the massive 'Got Me Dancing' EP on Selected, to the awesome 'Santa Juana' on Katana and the collaborative bomb 'Overtime'.  This raw talent also translates directly into her live shows. And, her current tour is a testament to her impact, with sold-out shows from Barcelona's Razzmatazz and the Duro Festival, to her beloved Berlin at Tresor and Renate, and the massive Gotec in Karlsruhe. Her momentum is undeniable right now, and we thought it's only fair that we bring her in for an exclusive mix to show you what she's all about.  So get ready for an hour of pure fire, as we welcome BIXBITA.

Diese Folge ist eine Gemeinschaftsproduktion mit dem Schwesternpodcast "Die Dunkelkammer". Host Stefan Lassnig spricht mit Michael Nikbakhsh und dem Investigativjournalisten Rainer Fleckl über die aktuellen Gerichtsverfahren rund um René Benko und die Signa-Gruppe. Fleckl analysiert die ersten Prozesstage und beschreibt seine Einschätzung zur Verteidigungsstrategie. Die Hosts diskutieren mit dem Benko-Experten den anstehenden zweiten Prozess, in dem es um teure Uhren, Manschettenknöpfe und Bargeld in einem Tresor gehen wird. Fleckl gibt dann noch einen Ausblick auf die kommenden Prozesse "Geldkarussel", "Gardone-Villen" und "Kreditverlängerung".Podcastempfehlung der Woche:IchKraft. WirKraft. FührungsKraft.Links zur Folge:Buch Inside Signa#246 Die Dunkelkammer Der Benko-Prozess: Tag 1#247 Die Dunkelkammer Der Benko-Prozess: Ein Schuldspruch, ein Freispruch#18 2024 Ganz offen gesagt Über die eingestürzten Kulissen des René Benko Wir würden uns sehr freuen, wenn Du "Ganz offen gesagt" auf einem der folgenden Wege unterstützt:Werde Unterstützer:in auf SteadyKaufe ein Premium-Abo auf AppleKaufe Artikel in unserem FanshopSchalte Werbung in unserem PodcastFeedback bitte an redaktion@ganzoffengesagt.atTranskripte und Fotos zu den Folgen findest Du auf podcastradio.at

Reka Zalan is a Berlin based DJ, who is deeply embedded in the DNA of Berlin's landscape - as a Tresor resident since 2023, a Hard Wax staffer and a member of the Coppi collective. She has laid down her powerful and psychedelic grooves at legendary institutions like Berghain, Vault Sessions, Fusion Festival, Ankali and more. The mix dives into the depths of atmospheric, cavernous techno before propelling into the expanse of hyperspace as it builds with speed and intensity. A consistent thread of dense psychedelia is seamlessly woven throughout the entire session - an odyssey for those deep cerebral synapses. The mix moves forward, outward, and inward, balancing tension and flow - a voyage of duality: it's both grounding and mind-bending, accelerating yet perfectly controlled. A complex, heads-down trip that perfectly showcases a master selector at work. Prepare for launch. Dive into deep space now. Follow https://soundcloud.com/reka-zalan https://www.instagram.com/rekanorazalan/

In the space where sound is stripped to its essential form, new worlds emerge. For our latest podcast, we welcome Hitam, an artist who operates as a true sonic architect, sculpting sound from its most granular elements. His work masterfully bridges the worlds of deep techno and avant-garde experimentalism, finding profound power not in overwhelming force, but in restrained intensity. The Amsterdam based producer's ultra finessed sounds have been released on the likes of Hayes, Somov, SYXT as well a string of exceptional recent releases on his own Rhiza Semar label. As a DJ he serves as a resident at the infamous Eerste Communie parties, as well as playing legendary institutions like Tresor, Bassiani, De School and more. “For this mix I wanted to trace a descent through shifting temporal layers; beginning in a state of suspension, slowly moving into trance-inducing motion before dissolving again into the subterranean. It travels from fluid, hypnotic rhythm into zones of disorientation and release; a process of acceleration, collapse, and renewal. Recorded as a continuous narrative rather than a set, it mirrors my current pull toward a landscape where ancient ritual and submerged hypnosis blend into an organic accelerated pulse where momentum and meditation intertwine beneath the surface.” Forget relentless peaks, this is techno that demands deep immersion, challenging yet deeply rewarding, a deep trip of tension and release on a microscopic level. A tale of masterfully executed cerebral hypnosis, told across two chapters of disintegration through terrains that feel simultaneously ancient and futuristic. A dialogue between soil and circuitry, pulse and void. Follow https://soundcloud.com/hitam-electronix https://www.instagram.com/hitam.ec https://soundcloud.com/rhiza-semar https://www.instagram.com/rhizasemar.audio/ https://rhizasemar.bandcamp.com/music

Music Not Diving is supported by Acid Nation (formerly AC55ID)... head over to www.acidnation.com to check out the fastest growing electronic music marketplace, a central hub for music discovery, streaming and purchasing!--Watch the video episodes of Music Not Diving over at youtube.com/@WeNotDivingPaul Ćinske is the man behind every single booking at the most important club in the history of techno (maybe)... Tresor.We discuss the current state of the Berlin scene, the changes since the trauma of the pandemic, his role at the venue in detail, the importance of one person steering the creative ship of a club like Tresor... and much else besides.We haven't had anything quite like this on the show before, and Paul does not disappoint!--If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Music Not Diving Podcast Spotify playlist Hosted on Acast. See acast.com/privacy for more information.