Podcast appearances and mentions of blake ewing

The OKPOP Radio Hour RETURNS for a full Season 3 with your hosts Meg Charron and Jarrod Gollihare. This week we welcome to the podcast OKPOP newbies Angela Evans and Garrett Weindorf to the family. We say goodbye to family member and new Mayoral Chief of Staff, Blake Ewing- as well as to recently passed Oklahoma legend Clu Gulager. We talk all things Rez Dogs and current pop culture news, and of course- give some OKPOP sneak peak deets. We're back, baby!

Tulsa Mayor GT Bynum on the KRMG Morning News. He discusses the upcoming Charter issue, Clearing up the discrepancy between the charter and our ordinances on the mayor's salary. Residency Requirement for Candidates. Changing the City Auditor term to 4 years. It is currently 2 years. Tells us about his brand new chief of staff, Blake Ewing. GT again said he'd be done as mayor in 2024 and warned Blake ahead of time. Talks about the upcoming Career Expo at the cox business center. Says it's not a job fair, it's a career fair. 250 jobs vacant and available. Has focused on boosting pay and staying competitive. First responder opportunities to jobs that require skill, water line crews, and street crews.

In this episode Mike, Craig & Nathan interview Blake Ewing - a composer, sound designer, and creator of the Sonespheres series. We discuss genre blending, sound design tips, capturing sonic moments, getting out of the box, personal projects and much more. Get Sonespheres 4 Direction: https://soundiron.com/products/sonespheres-4-direction For more info, visit our website: https://soundiron.com/ Podcast notes: * (0:00) Introducing Blake Ewing * (0:43) Growing up with music * (5:47) Inspirational artists * (9:03) Primary instrument * (9:48) Intro to sound design * (12:07) Sonespheres 4 Direction * (13:43) a wild Mike appears! * (16:35) Making field kits * (19:03) Capturing sonic moments * (24:21) Different audiences * (28:20) Blending genres * (31:38) Immersive wide stereo tips * (39:29) Landing the gig * (42:33) Musicbed * (45:55) Advice for new composers * (47:22) Music as a part-time job or hobby * (49:17) Motivation for creation * (54:35) Emotions of Sonespheres 4 * (58:42) Current favorite synth * (59:11) Synths & Pedals * (1:07:11) Current favorite pedals * (1:10:44) Best recent purchase under $100 * (1:11:06) Hobbies/interests * (1:11:31) Favorite podcast/show * (1:12:05) What's next? Goals for 2022 * (1:13:08) If not music, what profession? Soundiron is a premium developer of virtual instruments and sample libraries for songwriters, composers and sound designers. They are a team of programmers, engineers, composers and instrumentalists passionate about building beautiful-sounding instrument plugins that are inspiring to play. Whether you're new to music production or a seasoned pro in the film, television, advertising, video game, or music recording industries, They've got you covered. Soundiron serves the best and brightest composers and artists in film & media today. #soundiron #musicpodcast #musiccomposer

Welcome to Tulsa Talks presented by Tulsa Regional Chamber. I'm your host Tim Landes. Late next year OKPop Museum is slated to open across the street from Cain's Ballroom. Once the doors open museum visitors will walk past an authentic Bob Wills tour bus as they begin learning about our state's rich and diverse history in pop culture and how it connects to today's famous Oklahomans.Blake Ewing is my guest on this episode. He serves as the museum's creative director. He provides a construction update on the new museum and shares when it's slated to open. Blake also talks about some exhibit concepts and how it all fits into an overall goal to connect our past to the present while inspiring future creatives. OKPOP will open on the heels of the television and movie industries embracing Oklahoma as the backdrop for stories to be told, with many of them being written about Oklahoma and/or by Oklahomans. Speaking of some pop culture, if you slept on the first season of Reservation Dogs, it's time to fire up Hulu and enjoy a great show co-created by Sterlin Harjo. It's the first show to be shot entirely in northeast Oklahoma, features the first all-indigenous writers' room in Hollywood and it's got a killer soundtrack featuring numerous Okie musicians. ICYMI, Sterlin was also on the podcast last fall.Blake talks about the greatness that is Rez Dogs and the growing film industry and how both those things mean great things for the museum and our state. Blake is featured in this month's issue in our covers revisited piece from our 2009 downtown issue, when he, Elliot Nelson and Marybeth Babcock graced the cover as leaders of downtown revitalization before the BOK Center and ONEOK Field were built. At the time, Blake owned Joe Momma's Pizza and some other food and bar operations. He was also a city councilor representing downtown, so he's been involved in downtown's growth in various ways over the last two decades. He reflects on those old days of downtown and how it's continuing to grow and evolve, including his buddy Elliot's upcoming Santa Fe Square, which you can read about in our October issue. I love pop culture and downtown, so I had a lot of fun chatting with Blake. Following my conversation with him, hear a song from Thabos. More on that later.Just a reminder that if you haven't already subscribed to this channel, you should. We share two in-depth conversations a month, plus multiple mini episodes of About Town that go behind the scenes of the magazine and more. We also appreciate your ratings.OK, Let's get this going. This is Tulsa Talks with Blake Ewing.  Thabos /ta, bos/ is a seSotho noun for one who is never without joy. Thabos' goal is to reach lost ones with his passion of music and art. He started making music on his phone at age 15 in Richmond Virginia, and since then has released over five projects, one being “HIS OWN: MY OWN” which took over 2 years to make in his ORU dorm room. Thabos says he is far from done, he has plans for music and much more and says he is working on a new project that will dwarf any that have come prior.Find him on Instagram @_thabos (and his music is on Apple Music, Spotify and YouTube. Just search Thabos.

This podcast contains a reading of Sylvia Plath's, ‘The Applicant'.   https://www.poetryfoundation.org/poems/57419/the-applicant from The Collected Poems by Sylvia Plath (Faber and Faber, 1989) (Published in this podcast under fair usage, not-for-profit, educational use). This audio adaptation is copyrighted, © James Laidler (Litpoetry) Litpoetry Script writer & Presenter: James Laidler. Poem Recital by the extraordinary Voice Over Artist, Lucille Freeman. The following tracks used are licensed to Litpoetry through www.musicbed.com and include: 'Moshi Moshi' by Tokyo Rose, ‘a hidden place' (night-cycles-version) by Blake Ewing, Sad Emotional Piano by DS Productions Music Link: https://youtu.be/MzXCyO0DcyU 'You are Mine' (feat. Holly Maher) by Secret Nation.

This podcast contains a reading of Tracy K Smith's, ‘The Universe as Primal Scream' and a close analysis of the poem. This podcast is copyrighted, © James Laidler (Litpoetry) Poem Recital by the extraordinary Voice Over Artist, Lucy Freeman. ‘The Universe as Primal Scream' by  Tracy K Smith https://www.poetryfoundation.org/poems/55518/the-universe-as-primal-scream  from Life on Mars. Copyright © 2011 by Tracy K. Smith. Adapted for educational purposes under fair usage and to promote the poet's work. Published by Graywolf Press. www.graywolfpress.org All tracks used are licensed to Litpoetry through www.musicbed.com and include:, 'You are Mine' (feat. Holly Maher) by Secret Nation, 'eventide' by Jacob Montague, 'sitting still' (feat. Liza Anne) by Thad Kopec, ‘ghosts in the stories' by Blake Ewing, ‘Imbere yanje' (instrumental) by Judah earl

The Bus Boys welcome back Blake Ewing to preview the epic first-round matchup against those dang Rockets! We discuss how we will handle Houston's notorious small-ball lineup, if we can win without Lu Dort, and throw down our picks for the series! Also, the results are in! Find out which Bus Boy won the bubble bet involving JR Smith and T-Ferg!

I talk to James Blake Ewing about how ‘Star Wars: Knights of the Old Republic II’ changed his understanding of morality. Also discussed: Tim Schafer; Lord of the Rings; Western vs. Japanese RPGs.

After his dad took his own life in 2018, Galen McCaw began interviewing people who'd lost loved ones to suicide. He hoped others could find moments of peace in the act of sharing their stories. When his friend Hannah reached out, he learned that she’d lost her sister Brie the same way six months earlier.Their first conversation about Brie spurred a year-long series of interviews with Hannah and her family, uncovering an intergenerational story of trauma, mental illness, addiction, and ultimately, resilience.Brie's story became our pilot audio documentary, and we're working on finding the resources and partnerships necessary to produce more stories like this one! If you want to support our work, you can donate here.ResourcesThis story contains references to drug use, sexual abuse, and suicide, and may not be appropriate for all audiences. If you are in crisis, text HOME to 741-741 to connect with a trained crisis counselor. If you or someone you know is considering suicide, call the National Suicide Prevention Hotline at 1-800-273-8255. You can find additional national and local (Southern AZ) mental health resources here. You can find a full transcript of the episode here.Follow us on Instagram, Facebook, and Twitter at @epiloguestories.CreditsProduced by Galen McCaw.Written and edited by Laura Bargfeld and Galen McCaw.Original music by Giancarlo Vasquez, Ricky Tutaan, Galen McCaw, and Hannah. Licensed tracks by Luke Atencio and Blake Ewing.Sound mixing and design by Darrin Wood, additional mixing by Galen McCaw.Transcriptions by Laura Bargfeld, Ray Borboa, Rebecca Hall, Madison Dodge, and Mariel McSherry.Artwork and web design by Carolyn McKee.

・ヘブル人への手紙11章～12章2節　聖書 新改訳2017 ・音楽　“What You Cannot Hold (Light Mix)” by Stephen Blake Kanicka ・音楽　“Joy and Sorrow” by Stephen Blake Kanicka ・音楽　“Mosaic” by Steven Gutheinz ・音楽　“Across the Sea (Philip G Anderson Rework - No Drums)” by Blake Ewing ・音楽　“Coming Home” by AJ Hochhalter （2020.3.21 音量調整） （2020.4.30 MP3） --- Send in a voice message: https://anchor.fm/kannokazuhiko/message

In this video I talk about the how action work with great authors. And we look at examples in Plato's Republic, Netflix's "The Bodyguard", and the Gospel of John.The Bible is the greatest work of literary genius. And The Bible is Art is a YouTube Channel devoted to explaining this literary art in all its sophistication, elegance, and design.Patreon: https://www.patreon.com/thebibleisartwebsite: https://www.thebibleisart.comemail: thisdivineart@gmail.comtwitter: @johnbhigginsmusic: Kai Engel, "Coelum" (https://www.kai-engel.com) and Blake Ewing, "Linden"| Transcription |I never really understood what the fuss was about Plato, the philosopher. You'd hear everyone say he was one of the best or the best philosopher whoever lived, or you'd hear that quote that all of western philosophy is footnotes to Plato. But when I read him, and I think I understood him, I didn't get what the big deal was.That was until one of my professors told me something that made me realize I had been reading Plato all wrong.You see, Plato wrote dialogues, or that's what they're commonly referred to as, but they're are stories where the characters talk a lot, which is why we call them dialogues. They're not like how most modern philosophy is done with proposition and syllogisms, Plato wrote stories, that had characters, doing things.And I always assumed that putting them in the form of stories was just icing on the cake, a really unnecessary shell around the real philosophy.But then I started listening to Dr. Warren Austin Gage. And Dr. Gage, influenced by the work of Leo Strauss, showed me that the actions in Plato's Dialogues, the things that the characters do, are just as philosophically important as the words. For instance, The Republic opens with Socrates going down to the Piraeus, a seaside city. Before, I would have thought that this was inconsequential scene setting. But I realized that this action was an allusion or, more precisely, a foreshadowing of another story later in the Republic, the Allegory of the Cave in Book 10. Socrates tells an allegory where men are chained to the wall in a cave, watching shadows of creatures on the wall, thinking that the shadows are the reality, because that's all they see. As they are chained to the wall they can't see that the creatures are real and the shadows are not. This is an image of most people in the world. Most people think that the realities of the world, tables, cars, are the ultimate reality, but for Socrates, they're not. One man is released to leave the cave and go up to the sunlit earth. There, he sees the reality of the world. He then goes back down into the cave and tells the other men. They don't believe him and kill him.Socrates' action of going down to the Piraeus at the beginning of the The Republic is an allusion to the man going back down into the cave. Plato is communicating by this simple action that the whole book is Socrates coming down to us, the readers, into the cave, bringing the truth of the real sunlit world. And this gives us a choice, will we listen, or kill him. And all this is communicated with one verb, to go down, with one action.Another great example of the importance and depth of action is in the series The Bodyguard, on Netflix. In the first scene David, an off-duty officer, gets on a train and learns that there is a muslim terrorist onboard who is attempting to bomb it. He finds the man but there is no bomb. He finds instead that his wife, Nadia, has a bomb strapped to her. David tries to calm her and talk her out of blowing up herself and the train.In an elegantly and...

The Finale of The Critic. The Critic was a mini series presented by Top Comment Podcast and hosted by Patrick Tomasso. If you want to chat more about The Critic: twitter.com/impatrickt Score by Blake Ewing and Luke Atencio via Musicbed. Sign up for Musicbed here: http://share.mscbd.fm/impatrickt (affiliate link) --- Support this podcast: https://anchor.fm/topcomment/support

Part two of The Critic explores the problem with YouTube comments. The Critic is a new mini series presented by Top Comment Podcast and hosted by Patrick Tomasso. If you have information regarding The Critic please tweet us: twitter.com/impatrickt Score by Blake Ewing and Luke Atencio via Musicbed. Ad music by Super Duper. Sign up for Musicbed here: http://share.mscbd.fm/impatrickt (affiliate link) --- Support this podcast: https://anchor.fm/topcomment/support

The Critic is a new mini series presented by Top Comment Podcast and hosted by Patrick Tomasso. If you have information regarding The Critic please tweet us: twitter.com/impatrickt Score by Blake Ewing via Musicbed. Sign up for Musicbed here: http://share.mscbd.fm/impatrickt (affiliate link) --- Support this podcast: https://anchor.fm/topcomment/support

An discussion with American composer Blake Ewing on arranging, mixing, instrumentation and inspiration for his album "Wilderness", with host Mike Peaslee of Soundiron. You can listen to the full album here: soundcloud.com/blake-ewing/sets/wilderness Follow us on: Instagram: https://www.instagram.com/soundironaudio/ Facebook: https://www.facebook.com/soundironco/ Twitter: https://twitter.com/soundiron For more info, visit our website: https://soundiron.com/