Podcast appearances and mentions of caroline catz

Iain Forsyth and Jane Pollard's The Extraordinary Miss Flower is part-concert film, part-performance art piece inspired by the life of its subject, a woman called Geraldine Flower. When she passed away a few years ago, her daughter Zoe discovered a number of letters, written over the years by suitors of Geraldine's, which painted a picture of a wildly charismatic, enigmatic and magnetic woman. Zoe's close friend, Icelandic singer Emiliana Torrini, and Zoe's husband, the musician Simon Byrt, were inspired by the letters, and thus 2024's album, Miss Flower, was born. And, not long after that, Forsyth and Pollard's film, which combines performances from Torrini and her band, with interstitial pieces featuring a host of famous faces reading aloud the letters, and Caroline Catz as the extraordinary Geraldine Flower. And in this Empire Podcast interview special, Chris Hewitt is joined in the podbooth by Zoe Flower, the film's producer and daughter of its subject, and Catz for a frank and fascinating conversation in which the word 'extraordinary' is said quite a lot. Enjoy.

In this episode of Girls On Film, recorded at the 2025 Glasgow Film Festival, host Anna Smith is joined by co-founder and Executive Producer of the podcast, Hedda Lornie Archbold, to bring listeners exclusive interviews with some of the festival's stars. They welcome insights from Festival Director Allison Gardner, star of opening gala film Tornado, Kōki, and two of the creative minds behind The Extraordinary Miss Flower. Allison Gardner talks about her highlights of her final year leading the Glasgow Film Festival. Kōki, the rising star of Tornado, opens up about her role as the daughter of a Japanese puppeteer in John Maclean's thriller. And Emiliana Torrini and Caroline Catz dive into their work on The Extraordinary Miss Flower, a genre-blending love letter to love letters, set to Torrini's dreamy soundtrack. The Extraordinary Miss Flower will be released in the UK on 9 May 2025. Tornado will be available in cinemas from 23 May 2025. Glasgow Film Festival 2025 runs from 26 February to 9 March 2025. For more information on screenings and tickets, visit the Glasgow Film Festival website https://www.glasgowfilm.org/home March is International Women's Month, and this year also marks the 20th Anniversary of Birds Eye View Festival, now Reclaim the Frame, a charity championing women filmmakers. The festival will host a Weekender from 7–9 March 2025 at BFI Southbank and Regent Street Cinema, featuring events, screenings, and a special showing of Lollipop, which featured in episode 181 of Girls On Film. For more details, visit reclaimtheframe.org.Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Anna Swartz Audio editor: Benjamin Cook House band: MX Tyrants Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency

In celebration of Delia Derbyshire Day 2023 and the 60th Anniversary of the Doctor Who theme, Caro C is joined by fellow devotees Mark Ayres, David Butler and Cosey Fanni Tutti to discuss the Delia Derbyshire Day archives and the importance of her contributions to the development of electronic music.Chapters00:00 - Introduction01:26 - Delia Derbyshire ArchiveMark Ayres03:15 - Mark Ayres Introduction 07:44 - The Beginnings Of Electronic Music10:12 - Electronic Sound Sources13:10 - The Delia Derbyshire Archives18:40 - Favourite Piece - The Makeup Tape Of Blue Veils22:21 - The Future Of The ArchivesDavid Butler24:38 - David Butler Introduction28:59 - The Contents Of The Archives33:17 - Building A Network Of Collaborators35:03 - Methods And Techniques Revealed36:59 - Manipulating The Voice39:05 - Favourite Piece - Two Houses And Demo Cue Cosey Fanni Tutti41:42 - Cosey Fanni Tutti Introduction 43:42 - Delia Derbyshire Musical Influences45:24 - A Background In Physics48:50 - Favourite Piece - Amor Dei53:34 - The Importance Of The Archiveshttps://deliaderbyshireday.com/dd-archive/Delia Derbyshire BiogDelia Derbyshire (1937-2001) was a key figure in the development of electronic music in the UK. Born in Coventry but evacuated to Preston during the Blitz, Delia cites the sound of air raid sirens as inspiring her interest in electronic sound. She went on to study Maths and Music at Cambridge University and launched her career at the BBC in 1960 as a trainee Studio Manager. She moved to the Radiophonic Workshop in 1962, where she spent the next 11 years developing experimental sounds and music for their TV and radio shows, in addition to working as a freelancer on film, theatre and other live projects. Her most famous work is her electronic arrangement of Ron Grainer's Doctor Who theme, created in 1963.Delia composed and produced electronic music using tape, plus early synthesis and sampling methods before specific instruments were created for these purposes. Her work has influenced and inspired many modern artists including The Chemical Brothers, Aphex Twin, Portishead, Nainita Desai, Amon Tobin and Cosey Fanni Tutti, while Pink Floyd, Orbital and Hannah Peel have reinterpreted her work.Mark Ayres BiogMark Ayres is a composer, arranger, sound designer, mixer and mastering engineer. Mark wrote incidental music for Doctor Who in the 1980s. More recently he wrote the music for, sound-designed and mixed the reconstructed 'lost' Tom Baker adventure, “Shada”, and a celebratory feature length version of the original 1963 “Daleks” serial transmitted on BBC4 on 23rd November 2023, Doctor Who's 60th birthday. He has also composed for television and film including scores for 1996 feature "The Innocent Sleep" and the more recent "Scar Tissue".Mark was involved in the BBC Radiophonic Workshop's final days and went on to become their archivist. A personal friend of Delia Derbyshire, he was entrusted with her personal archive after her death in 2001, which is now on permanent loan to the University of Manchester John Rylands Library and accessible for study. He is a Trustee of the Delia Derbyshire Day Charity.His devotion to the Workshop after Doctor Who ceased broadcasting in 1989 proved vital in regenerating interest in their work, and he is now the driving force behind their live revival on the festival circuit and in the creation of new works including the score for Matthew Holness' disturbing psychological horror film, "Possum". He has produced and mastered many recordings for Silva Screen Records and others, and his work remastering classic television programmes including Doctor Who, Quatermass, and the films of Ken Russell and Alan Clarke for broadcast, DVD and Blu-ray, including 5.1 remixes of many titles, has been highly acclaimed.David Butler BiogDavid Butler is a Senior Lecturer in Drama and Film Studies at the University of Manchester. He helped to bring the Delia Derbyshire Archive  to the John Rylands Library, Manchester in 2007 and is one of the archive's lead researchers and curators. David is the chair of trustees for Delia Derbyshire Day and helped set up the charity in 2016.Cosey Fanni Tutti BiogCosey Fanni Tutti is a musician and writer, best known for her part in experimental electronic bands Throbbing Gristle and Chris & Cosey. Cosey interacted with the Delia Derbyshire Archive when she composed the soundtrack for Caroline Catz's film 'Delia Derbyshire: The Myths And The Legendary Tapes' and in the writing of her book Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti published by Faber in 2022.https://www.coseyfannitutti.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

So this is the penultimate episode of 2022. We were at the Garden Cinema on Tuesday 20th to watch The Coen Brothers Blood Simple. My co-host for the evening was the Producer and now regular contributor to the James Dean. James was absolutely superb, both an astute appreciator of the Coen Brothers as artists, but fascinatingly relaying some nuggets of personal experience from having actually met and watched the Coen's at work. Listening to James and watching the film, which was an absolutely incredible DCP restoration by Criterion with 5.1 sound, I just was reminded about the pure joy of watching a film. It's almost heresy to say, but the film seems to offer itself up for the pure joy of watching, without and underlying sense of message. It's cine-literate, but unpretentiously so, and it's refreshingly Apolitical. Of course, the argument arises that there is no such thing a culture product that is Apolitical. Everything is defined by an underlying ideology. As a well-trained cultural studies scholar, the notion of being always already within ideology is something that has been drilled into me. Indeed, one could suggest that the Coens, whether they would explicitly acknowledge or speak to the wider allusions of their work, have been knowing chroniclers of the Absurdist contradictions at the heart of the American dream. Yet, this is never imposed didactically. On the contrary there is arguably a respect for audiences literacy of, and practice in, to borrow from Stuart Hall, decoding and negotiating the signifiers of film. That might sound overwrought, in the way I've put it. What I mean is, they revel in the possibilities of cinema as form. Unlike many other filmmakers for who use references as pastiche or as an exercise in nerding out. The Coens invite you to the self-contained pleasure of the film they are presenting you with, without the necessity of connecting a reference external to the text. Even with the noir invocations, exploitation riffs, tours of pulp violence, one never feels excluding from enjoying the fundamental filmic pleasures. Watching and listening, to this pristinely recreated digital artifact, in such a perfect auditorium, and with the knowledge of a shared audience intent, my will to analyse interpret gradually just succumbed to a purity of pleasure. Looking back, if there has been a theme to this season of the podcast, it has been a kind of tension. Between how we define and categorise films; the push to define the status of cinema in a fractured and uncertain media landscape. And the ephemeral, fleeting joy of those minute of empathy and immersion. Where the mechanistic shaping of light and sound creates a canvas of illusion which offers the chance to connect the external universe with your internal dreamscape. With just the end of year review to come, I want to thank all the contributors to this season. Guest hosts James Dean, Caroline Catz, Mary Wild, Sarah Cleaver, David Lowbridge-Ellis, Catherine Wheatley, Savina Petcova, Chris Cassingham, Clarisse Lockree, the podcast really has functioned thanks to your generosity of time and insight. Also, thanks to all the other guests we have had on the show this season. Thanks to George and all the staff at the Garden for Hosting the live episodes. You should all join their membership scheme immediately. It's a magical and still largely undiscovered venue in the heart of London. And thanks to Neil of course, who has been on a break apart from the Sight and Sound episode.  His support and encouragement behind the scenes has been invaluable. It's been a challenge to do this without him and I'm looking forward to getting back to the main purpose of the show, which is our movie conversation (DL). --- You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing  

Eight prophets of the everyday struggle for love, justice, political autonomy, dignity, and in the end survival, in Alain Tanner's incredibly powerful, moving, emotionally and intellectually complex film: Jonah who will be 25 in the Year 2000. In our return episode for season sixteen of the podcast, we are delighted to be joined by the director, producer and actor Caroline Catz who selected this film as one of her all time favourites and joined us in Manchester's Home cinema for this very rare screening. Alain Tanner had passed away only three days before the screening which gave a bittersweet context to proceedings, but perhaps even amplified the prescience that the film possesses. Caroline also notes that the film is co-written by John Berger, an influence to so many artists and critics. "Jonah's" themes are incredibly wide-ranging: the oppression of the working-class, education and it's methods and aims, state oppression, the concept of family, hierarchy of the sexes, and, fundamentally, why a socialist utopia is so hard to create in practice.  As you will hear the Q&A resonated with emotion. Several of the audience members had a personal connection to the film which they discuss in beautifully elegiac ways. And indeed the conversation returned back to the radical nature of hope. Dario was also joined by the producer James Dean who came to the screening and recorded his thoughts on the film and the Q&A.  Shownotes: Caroline Catz on Twitter James Dean on Twitter Manchester Home Cinema A version of the film is available on YouTube (no English Subs however) Alain Tanner Obituary Future Perfect: The Class Struggle Of "Jonah who will be 25 in the Year 2000" by Ray Pride _____ You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing

We discuss Queens of Mystery and Murder in SuburbiaQueens of Mystery is available on Acorn in the US.Murder in Suburbia is available on Britbox in the US.Remarks on the passing of the Queen  :32Discussion of Queens of Mystery begins at 2:02Discussion of  Murder in Suburbia begins at 30:00 The music for our podcast is  Grand Dark Waltz Trio Allegro by Kevin MacLeodLink: https://filmmusic.io/song/7922-grand-dark-waltz-trio-allegroLicense: https://filmmusic.io/standard-licenseOur artwork is by Ilan Sheady of https://www.unclefrankproductions.comSupport the showOddity Poddity: A Paranormal PodcastA little history, a little haunt! Terrifying tales delivered in a Southern accent.Listen on: Apple Podcasts Spotify The Lowest DeepA supernatural horror fiction series.Listen on: SpotifySupport the show

For this weeks episode I speak to Caroline Catz, actor, director and writer of Delia Derbyshire: The Myths & The Legendary Tapes.

by Barney Norris. Lin and Cath never wanted to leave the island, but now Cath's gone and Lin must find a different way of living. Lin has never spoken up before but now she must find her voice and face up to her troubled past even if it means putting herself in danger. Lin ..... Caroline Catz Anna ..... Claudie Blakley Becky ..... Charlotte Beaumont Matt ..... Finlay Robertson Directed by Sally Avens Barney Norris is an award-winning novelist and playwright. He won the Critics Circle Award for most promising playwright for 'Visitors' and his debut novel 'Five Rivers Met in A Wooded Plain' was published to great acclaim. This is his third play for BBC Radio 4. Caroline Catz is best known for her role as Louisa in 'Doc Martin'. She also writes and directs. Recently her drama doc Delia Derbyshire: The Myths And The Legendary Tapes was broadcast on BBC4. Claudie Blakley is an award-winning theatre actress. She has appeared in countless television productions including 'Lark Rise to Candleford' as Emma Timmins Charlotte Beaumont is best known for her role as Chloe Latimer in Broadchurch. She recently appeared as Juliet in Romeo and Juliet at the Globe Theatre. Finlay Robertson has been a regular cast member in series including Channel 4 drama NY-LON, ITV drama Life Begins, and the BBC Three sitcom How Not to Live Your Life. This was originally aired on Radio 4.

Delia Derbyshire was a sound pioneer who worked at the BBC Radiophonic Workshop during the 1960s and created the iconic theme for ‘Dr. Who', although she was never credited for this achievement during her lifetime. Director of new docudrama ‘Delia Derbyshire – The Myths and the Legendary Tapes', Caroline Catz, joined Dave on today's show

For this episode we are honoured to be joined by the wonderful filmmaker Caroline Catz to discuss her brilliant debut feature film Delia Derbyshire: the Myths and Legendary Tapes, which Catz wrote, directed and stars in, as Derbyshire. It's a unique music doc/drama hybrid that is well worth the time and is currently on the BBC iPlayer in the UK. The conversation covers Caroline's process for the film, her relationship to Derbyshire's music and that of the Radiophonic Workshop, as well as venturing into women as artists in relation to Derbyshire, one of the film's collaborators Cosey Fanni Tutti and Catz herself. We are grateful that Caroline took time out to talk to us and we really like this conversation. Please excuse Neil's cold but as the intro makes clear, this was not our usual day at the Cinematologists office.   You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50. We also really appreciate any reviews you might write about the show (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.   ——— Show Notes: In the bonus episode, we discuss the music of the following artists [spiritual heirs of Derbyshire and the Radiophonic Workshop] - Kelly Lee Owens, Jane Weaver and Broadcast, who are all amazing and who you should all check out. And of course, the composer of our own theme tune, the mighty Gwenno.   ——— Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

The actor Caroline Catz chooses Delia Derbyshire, the musician and composer who is best known for her work at the BBC Radiophonic Workshop where she realised the theme tune to Doctor Who. With Dr David Butler from the University of Manchester who looks after Delia's archive. Delia was born in Coventry in 1937 and describes her earliest recollections of sound as the sound of the German blitz and the air-raid sirens. She studied music and maths at Cambridge and joined the BBC Radiophonic Workshop where she could create sounds that had never existed in the world before. Her 'realisation' of Ron Grainer's theme tune to Doctor Who brought both her and the Workshop to greater prominence, but she later left the BBC and London and moved to Cumbria where she worked on a series of projects, as well as being briefly employed as a radio operator at the Gas Board. She was a pioneer of sound and her work is celebrated each year by Delia Derbyshire Day. Caroline was terrified by the Doctor Who theme tune as a child but fascinated by the woman, and later discovered tracks like 'Ziwzih Ziwzih OO-OO-OO' and 'Blue Veils and Golden Sands' from Radiophonic Workshop mix tapes. The discovery of 267 tapes in Delia's attic provided another portal into the extraordinary sonic world of Psyche-Delia and the mystery surrounding both how she created her music and the choices she made in life provided the inspiration for Caroline's film 'Delia Derbyshire: The Myths and the Legendary Tapes' in which she plays the lead. Delia appears in archive recordings to give Matthew Parris his first taste of a Wobbulator. Producer: Toby Field

The massive David Bowie box set project reaches the 1980s. Will the highs – Let’s Dance, Absolute Beginners, Loving The Alien – win out over the lows and is it strictly kosher to reinvent unloved albums to sound better after the artist’s death? Plus our guests Mark “Hole & Corner Magazine” Hooper and actor and director Caroline Catz talk about the Cat Power album, their emergency go-to movies for a night when there’s nothing on TV, and Caroline’s new film documentary Delia Derbyshire: The Myths And The Legendary Tapes about the High Priestess of Radiophonics. And it’s a sad farewell to producer Jack Claramunt who is leaving us for bigger things… Support BIGMOUTH and get a little extra from the podcast every week – buy us a pint via the crowdfunding platform Patreon. Produced and presented by Andrew Harrison and Siân Pattenden. Studio production by Jack Claramunt. *Bigmouth is a Podmasters production. * See acast.com/privacy for privacy and opt-out information.

Fan questions answered by Doc Martin's Ian McNeice (Bert Large)

Fan questions answered by Doc Martin's Ian McNeice (Bert Large)

Doc Martin's Ian McNeice (Bert Large) tries his hand at Doc Martin Trivia

A Franco-English love story (coproduction BBC) I love you I love you I love you The first radio drama /la première fiction radio /in two languages and one version /en deux langues et une seule version /a BBC-ARTE Radio coproduction /enregistrée à Paris et London /recorded on location /diffusée en hertzien /broadcasted on BBC Radio 4 on February, 4th, 2009 /online on arteradio.com. When Claire (Caroline Catz) meets Ahmed (Karim Saleh), language is not the only thing that stands between them. Une histoire d'amour biculturelle sous surveillance. Enregistrements : 22-29 juillet 08 - Avec /with : Caroline Catz, Karim Saleh - And : R. Sandra, H. Avedikian, C. Pavlo, H. Longworth - Sound assistants : Jeanne Robet, Arnaud Forest - Production assistant : Marianne Geslin - Text : Alexis Zegerman - Direction : Lu Kemp & Christophe Rault