Podcasts about Portishead

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

Glory pod. John F, Anderson, Gavin, and Justin are talking about Portishead.Learn Em and Love Em People.Please consider pledging to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.If you wanna play ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sign up⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Listen to the⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠playlist

An exclusive DJ mix this week exploring the Trip Hop Songs genre with 1990's tracks going B2B with tunes form the 2020's for a head nod, spacey vibe. From the 2020's there are tunes from Tara Clerkin Trio, DJ Harrison feat Yazmin Lacey, TYSON, Tara Lily & King Krule, Sampha and more. From the 1990's there are selections from Portishead, Dadomo remixed by Crustation, Attica Blues, Nicolette, La Funk Mob remix of Neneh Cherry. Plus plenty more music treats.

En af Danmarks mest efterspurgte musikproducere, Søren Buhl Lassen, er også trommeslager i et af Danmarks mest kunstnerisk ambitiøse bands "Blaue Blume". Og for Søren har de seneste 15 års rejse ind i musikken, været lidt som det Portishead album han har taget med i studiet. For "Third" er et både ambitiøst, smukt, uhyggeligt, velovervejet, velspillet og velproduceret album. Men hvis man i begyndelsen af sin karriere slår sig på angst og kæmpe ambitioner, hvad kan man så lære af at producere navne som "Swan Lee", "Guldimund" og "Saveus"? Det undersøger vi bla. i ugens Portrætalbum, hvor Søren Buhl Lassen også guider dig ned i sangene på Portishead albummet "Third" og de mange forskellige facetter hvert enkelt musikalsk valg har affødt. Udsendelse nr.: 238 Vært: Anders Bøtter Klip og lyddesign: Emil Germod Produceret af: Gizmo.See omnystudio.com/listener for privacy information.

The boss of troubled East Midlands Railway leaves withimmediate effect – so what happens now? Will third-party ticket retailers face unfair competitionwhen GBR launches its own retail platform?And we speak to AllRail who represent independent railoperators as to why they think open access strengthens the railway, despiteclaims they abstract revenue.In this episode:(00:00) Intro(00:39) EMR boss steps down(12:37) Third-party ticket competition(26:00) Railcard sales initiative(34:26) Railway News round-up(34:29) Paignton railway station arson(35:45) Botley Road reopening delayed(37:09) Portishead railway reopening work under way(38:17) Trams for Bristol?(39:49) West Midlands strikes off(40:50) Greater Anglia weather disruption(42:28) Hoghton crossing collision clarification(43:44) AllRail open access interview(49:04) Thanks to supporters(50:32) Heritage Railway News round-up(50:36) Severn Valley Railway Birmingham to Bewdley services(54:00) Swindon & Cricklade Railway thefts(54:59) Isle of Man horse tram tracks extension(56:23) Deltic No. 9015 Tulyar to return to traffic(57:33) Vale of Berkeley Line return(59:08) The Quiz(01:03:11) Northern hands out fish and chipsMembership: If you want to see even more from Green Signals, including exclusive content, become a member and support the channel further too.YouTube -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@GreenSignals/join⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/GreenSignals⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Green Signals: Website -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.greensignals.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merchandise - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://greensignals.etsy.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Newsletter -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.greensignals.org/#mailing-list⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow: X (Twitter) -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/greensignallers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ LinkedIn -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/company/green-signals-productions-ltd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Credits:Thubmnail image - East Midlands RailwayImportant notes:Green Signals Productions Limited was commissioned to produce the Alpine Belle film by Belle Trains Limited. Our tickets and expenses were paid for by them.Notwithstanding that, the opinions expressed by us in the film are our own. You can view our legal disclaimer, copyright information and privacy policy here - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.greensignals.org/legal/⁠⁠

El mundial más entrañable de la historia reciente se acabó dejando un enorme vacío en nuestros corazones. Por eso intentamos hallar consuelo, hablando de otras cosas tristes como el emo, Portishead y Radiohead.

Magician On Duty Journey Series welcomes Miami-based selector Ricardito (@ric_dimensions) for a deeply personal recording that reflects the places, people and moments that have shaped his musical path. Drawing inspiration from the underground cultures of London, New York and South Florida, Ricardito has cultivated a sound that effortlessly drifts between organic house, deep grooves and hypnotic rhythms. His approach is less about chasing genres and more about creating emotional movement—building sets that invite listeners into a shared experience where dance, introspection and connection coexist. Over the years, Ricardito has become a familiar presence across Miami's vibrant electronic music community, soundtracking sunset beach gatherings, intimate boat parties on Biscayne Bay and immersive experiences at Love Burn as part of the CYMATICA camp. His journey has also taken him through beloved collectives including Fun the Pain Away, Lunarcrats, Sky Bar and Banana Hammocks, while appearances at venues such as Sable, M2, Mad Radio, ZeyZey and Do Not Sit On The Furniture have further established his reputation as a thoughtful and versatile selector. His contribution to the Magician On Duty Journey Series captures that same spirit of exploration. Carefully woven together, the mix moves through organic textures, melodic storytelling and late-night energy, balancing introspective moments with uplifting grooves. Featuring music from Temple Step Project & Darpan, Roze, Fernn, Jon.K, Eternal Moment, Space Food, BOg, Danny Tenaglia, Booka Shade, Patrice Bäumel, Boris Brejcha and many more, the journey also includes unexpected reinterpretations of Portishead, Depeche Mode and Nelly Furtado, creating a seamless narrative that feels both nostalgic and forward-looking. Rather than simply presenting a collection of tracks, Ricardito treats the recording as a living memory—one inspired by friendships, places and fleeting moments that continue to resonate long after the music fades. It's an invitation to slow down, lose yourself in the journey and reconnect through rhythm. Follow Ricardito here: SoundCloud: [https://soundcloud.com/ric_dimensions] Instagram: [https://www.instagram.com/crirgcito] Website: [https://www.ricardito.net/]

Et avoir la classe comme Rakim ou Sade ! Notre première invitée est Anaïs Rosso qui sort l'EP Scandale au Paradis C'est en sillonnant les jams parisiennes qu'Anaïs Rosso développe son goût pour la scène et l'imprévu. Plus tard, elle installe son studio sur les hauteurs de Belleville, refuge suspendu au-dessus de la ville, où naît son premier EP Scandale au Paradis. Autodidacte, elle cherche, trouve, fabrique les notes qui prendront forme dans cet atelier peuplé de guitares, de claviers et de basses. Passionnément, elle y développe un univers intime, à la frontière du réel et du mythe où se déploie une pop alternative habitée, nourrie de blues, de chansons à textes et de rythmiques afro contemporaines. Entre Belleville et Kinshasa, le paradis grésille sur la grisaille. Kin la Belle, minable et sublime, devient le théâtre d'un appel qui reste sans réponse (Oyoki mon Appel ?). Héritière de mémoires coloniales dans un monde qui préfère les colombes silencieuses (Les Colombes), un corps qui ne danse pas comme il faudrait (Confidence), un amour trop intense pour être raisonnable (Asphyxie), une identité sexuelle qui fissure le paradis familial (Ovni), et des mondes intérieurs jugés irréels mais nécessaires pour survivre (Ziguay). Ici, le paradis n'est jamais neutre ni innocent. Il peut être blanc, familial, amoureux, normatif. Un espace qui promet paix, amour et ordre... à condition de ne pas déranger. Le scandale, ici, c'est le courage d'être soi, dans ces espaces supposés parfaits. Cet EP met le feu aux paradis factices. Non pour les détruire gratuitement, mais pour y faire entrer du réel, du trouble, du désir et de la vérité. Scandale au Paradis est le bruit d'une voix qui refuse d'être décorative. Titres interprétés au grand studio : - Les Colombes Live RFI - Confidence, extrait de l'album - Facing Roses Live RFI.  Son : Mathias Taylor. ► EP Scandale au Paradis (No Format 2026). Instagram - YouTube - Facebook  Concerts : 13 juillet Francos La Rochelle, 25 novembre La Maroquinerie/Paris.     Puis la #SessionLive reçoit Rocé pour son nouvel et 6ème album Palmier. Le génial vétéran français du hip-hop Rocé sort Palmier, son sixième album studio, avec des invités tels que Natacha Atlas, façonné par l'héritage de son père Adolfo Kaminsky, figure de la résistance anticolonialiste, et ses débuts aux côtés de DJ Mehdi. Rappeur, compositeur, violoniste, historien et conservateur de la mémoire musicale, Rocé mélange instruments de jazz, textures orchestrales et mélodies fluides dans Palmier, créant une œuvre où l'histoire, l'art et le rythme convergent à parts égales. Franco-russo-algérien, Youcef Kaminsky, alias Rocé, est l'une des voix les plus discrètes et les plus constantes du rap français depuis plus de deux décennies. C'est un auteur qui pèse chaque mot, dont le flow est réfléchi et précis, et dont le sens de l'histoire et de la justice a toujours façonné sa musique. Né en Algérie et élevé dans la banlieue parisienne (94), il a grandi à la croisée des cultures, ce qui a défini à la fois sa voix et sa vision du monde. « Palmier, c'est la mélancolie des combats inachevés, la persévérance et la promesse d'une aube ensoleillée », écrit Rocé à propos de l'album. Le titre évoque à la fois la résilience et le refuge ; un arbre enraciné dans la terre, tendu vers la lumière. Tout au long de l'album, le ton est réfléchi mais déterminé, sa voix toujours mesurée mais adoucie par la soul, le jazz et une chaleur lyrique qui parle davantage d'endurance que de colère. Le premier single, La Voie Lactée, avec Natacha Atlas et Samy Bishai, est un morceau atmosphérique et expansif qui oscille entre trip-hop et soul, évoquant les textures cinématographiques d'Isaac Hayes, Massive Attack ou Portishead. La voix d'Atlas flotte au-dessus des violons orchestrés de Bishai, tandis que Rocé livre ses vers avec une clarté à la fois terre-à-terre et céleste. Cette collaboration relève moins de la fusion que de l'alignement : des artistes se rencontrent sur un terrain commun, trouvant un ton émotionnel partagé qui transcende le langage. Rocé poursuit un fil conducteur qui traverse son œuvre : la musique comme vecteur de conscience historique, l'identité comme dialogue et le rap comme langage capable à la fois de tendresse et de critique.  Titres interprétés au grand studio : - Laissez les enfants courir Live RFI - La Voix Lactée Feat. Natacha Atlas & Samy Bishai - Lunaire Live RFI. Line Up : Rocé (voix), Dj Juicy Fruit (machines) et Nathalie Ahadji (saxophone). Son : Mathias Taylor, Benoît Letirant. ► Album Palmier (Hors Cadres 2026). Bandcamp - Instagram - Facebook - YouTube  Réalisation : Donatien Cahu.

Et avoir la classe comme Rakim ou Sade ! Notre première invitée est Anaïs Rosso qui sort l'EP Scandale au Paradis C'est en sillonnant les jams parisiennes qu'Anaïs Rosso développe son goût pour la scène et l'imprévu. Plus tard, elle installe son studio sur les hauteurs de Belleville, refuge suspendu au-dessus de la ville, où naît son premier EP Scandale au Paradis. Autodidacte, elle cherche, trouve, fabrique les notes qui prendront forme dans cet atelier peuplé de guitares, de claviers et de basses. Passionnément, elle y développe un univers intime, à la frontière du réel et du mythe où se déploie une pop alternative habitée, nourrie de blues, de chansons à textes et de rythmiques afro contemporaines. Entre Belleville et Kinshasa, le paradis grésille sur la grisaille. Kin la Belle, minable et sublime, devient le théâtre d'un appel qui reste sans réponse (Oyoki mon Appel ?). Héritière de mémoires coloniales dans un monde qui préfère les colombes silencieuses (Les Colombes), un corps qui ne danse pas comme il faudrait (Confidence), un amour trop intense pour être raisonnable (Asphyxie), une identité sexuelle qui fissure le paradis familial (Ovni), et des mondes intérieurs jugés irréels mais nécessaires pour survivre (Ziguay). Ici, le paradis n'est jamais neutre ni innocent. Il peut être blanc, familial, amoureux, normatif. Un espace qui promet paix, amour et ordre... à condition de ne pas déranger. Le scandale, ici, c'est le courage d'être soi, dans ces espaces supposés parfaits. Cet EP met le feu aux paradis factices. Non pour les détruire gratuitement, mais pour y faire entrer du réel, du trouble, du désir et de la vérité. Scandale au Paradis est le bruit d'une voix qui refuse d'être décorative. Titres interprétés au grand studio : - Les Colombes Live RFI - Confidence, extrait de l'album - Facing Roses Live RFI.  Son : Mathias Taylor. ► EP Scandale au Paradis (No Format 2026). Instagram - YouTube - Facebook  Concerts : 13 juillet Francos La Rochelle, 25 novembre La Maroquinerie/Paris.     Puis la #SessionLive reçoit Rocé pour son nouvel et 6ème album Palmier. Le génial vétéran français du hip-hop Rocé sort Palmier, son sixième album studio, avec des invités tels que Natacha Atlas, façonné par l'héritage de son père Adolfo Kaminsky, figure de la résistance anticolonialiste, et ses débuts aux côtés de DJ Mehdi. Rappeur, compositeur, violoniste, historien et conservateur de la mémoire musicale, Rocé mélange instruments de jazz, textures orchestrales et mélodies fluides dans Palmier, créant une œuvre où l'histoire, l'art et le rythme convergent à parts égales. Franco-russo-algérien, Youcef Kaminsky, alias Rocé, est l'une des voix les plus discrètes et les plus constantes du rap français depuis plus de deux décennies. C'est un auteur qui pèse chaque mot, dont le flow est réfléchi et précis, et dont le sens de l'histoire et de la justice a toujours façonné sa musique. Né en Algérie et élevé dans la banlieue parisienne (94), il a grandi à la croisée des cultures, ce qui a défini à la fois sa voix et sa vision du monde. « Palmier, c'est la mélancolie des combats inachevés, la persévérance et la promesse d'une aube ensoleillée », écrit Rocé à propos de l'album. Le titre évoque à la fois la résilience et le refuge ; un arbre enraciné dans la terre, tendu vers la lumière. Tout au long de l'album, le ton est réfléchi mais déterminé, sa voix toujours mesurée mais adoucie par la soul, le jazz et une chaleur lyrique qui parle davantage d'endurance que de colère. Le premier single, La Voie Lactée, avec Natacha Atlas et Samy Bishai, est un morceau atmosphérique et expansif qui oscille entre trip-hop et soul, évoquant les textures cinématographiques d'Isaac Hayes, Massive Attack ou Portishead. La voix d'Atlas flotte au-dessus des violons orchestrés de Bishai, tandis que Rocé livre ses vers avec une clarté à la fois terre-à-terre et céleste. Cette collaboration relève moins de la fusion que de l'alignement : des artistes se rencontrent sur un terrain commun, trouvant un ton émotionnel partagé qui transcende le langage. Rocé poursuit un fil conducteur qui traverse son œuvre : la musique comme vecteur de conscience historique, l'identité comme dialogue et le rap comme langage capable à la fois de tendresse et de critique.  Titres interprétés au grand studio : - Laissez les enfants courir Live RFI - La Voix Lactée Feat. Natacha Atlas & Samy Bishai - Lunaire Live RFI. Line Up : Rocé (voix), Dj Juicy Fruit (machines) et Nathalie Ahadji (saxophone). Son : Mathias Taylor, Benoît Letirant. ► Album Palmier (Hors Cadres 2026). Bandcamp - Instagram - Facebook - YouTube  Réalisation : Donatien Cahu.

Find Guitar Nerds at:Instagram: https://www.instagram.com/guitarnerdsInternet: https://www.guitarnerds.net/SponsorsGrez Guitars: ⁠https://www.grezguitars.com/⁠Grez Guitars (Instagram): ⁠https://www.instagram.com/grezguitars/⁠Meris Pedals: ⁠https://www.madsenamps.com/⁠Meris Pedals: ⁠https://meris.us/Eddie Wang Instruments: ⁠https://www.eddiewanginstruments.com/Eddie Wang Instruments: https://www.instagram.com/eddiewanginstruments/Affiliate LinksSweetwater: ⁠sweetwater.sjv.io/qzy9XjTrueFire (affiliate link): ⁠https://shorturl.at/bfjGX⁠ Get 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): ⁠https://tidd.ly/3zLI32N⁠Support the showPatreon: ⁠https://www.patreon.com/40wattpodcast/⁠Find all of the podcast links at:⁠https://www.linktr.ee/40wattpodcast⁠⁠https://www.40wattpodcast.com/⁠Subscribe to the channel and give a like — also find us in audio format wherever you listen to podcasts, leave us a review, and share us with your friends.Chapter Markers0:00 – Intro & Welcome Back0:12 – Patreon & Sponsor Shoutouts (Meris FX, Eddie Wang, Grez Guitars)3:24 – Meet Joe Branton & JD Short (Guitar Nerds Podcast)3:27 – The UK Heatwave That Ruined Our First Attempt4:31 – Old Houses, No AC & Southern Front Porches5:53 – Today's Topic: US vs UK Musical Upbringing6:49 – JD's Journey: Indiana to SoCal to London7:23 – How Oasis & Joy Division Sparked This Episode8:40 – Is Music "Nationalized"? Metallica in South America10:42 – Oasis: Massive in the UK, Marginal in the US11:11 – Tangent: The Wallflowers' "One Headlight"12:22 – Britpop That Never Crossed the Atlantic (Blur & More)13:28 – Portishead & Its Hidden Influence on Radiohead15:29 – Rewinding to the 80s: The Cure & The Smiths18:02 – Deep Cuts: New Order, The Jam & More 80s UK Bands20:07 – 90s US Bands That Never Landed in the UK21:23 – Movie Soundtracks as Music Discovery (Batman, The Matrix)23:14 – American Band Stereotypes: Cowboy Hats & Southern Rock24:41 – The Great Goo Goo Dolls "Iris" Debate27:08 – Math Rock's Tiny but International Scene28:46 – Instrumental Prog & Polymath's Surprise Mexico City Fanbase29:29 – Wait... Was Nirvana Even Big in the UK?30:00 – Post-Grunge & Nu-Metal: Candlebox, Creed & More30:28 – The Grateful Dead & America's Jam Band Scene33:04 – Allman Brothers vs. Skynyrd: Improv vs. Scripted Rock35:52 – New Orleans: America's Most European City36:20 – Americana Roots: Wilco, Uncle Tupelo & Alabama Shakes37:51 – Will the Internet Erase the US/UK Music Divide?40:48 – Napster, LimeWire & the Hunt for New Music42:59 – Mixtapes: The Original Way to Show You Cared44:33 – Does Christian Rock Cross the Atlantic?46:17 – Worship Music's Massive Influence on Gear Sales49:26 – UK Secularism vs. American Megachurches51:23 – Tooth & Nail Records and DIY Show Culture52:28 – Growing Up Far From Live Music54:07 – Does Globalization Erase Cultural Differences?55:08 – Teaser: US vs UK Gear Brand Differences56:27 – Wrap-Up & Where to Find More

If you've ever looked at the spelling of Queensrÿche, INXS, Kajagoogoo, Björk, Hüsker Dü, Portishead, Chumbawamba, Oingo Boingo, or Yngwie Malmsteen and wondered who lost a bet naming these bands... this episode is for you.Rizz recruits his kids and their friends for what seems like a simple challenge: read a list of famous artists from the '80s and '90s out loud. Easy... until they actually see the spellings.What follows is an absolutely glorious game of confidence, confusion, lucky guesses, and pronunciations that make every Gen Xer simultaneously laugh and feel incredibly old. The crew debates every answer before callers place their bets on whether today's teenagers can figure out names that older music fans have spent decades taking for granted.Some artists turn out to be easier than expected. Others become instant comedy gold. Hearing "Inks" instead of INXS, watching everyone overthink Depeche Mode, the surprising victories with Chumbawamba and Oingo Boingo, and the complete surrender when Yngwie Malmsteen enters the chat all make for one hilarious ride.Along the way, Moon, King Scott, Rafe, and Rizz roast each other almost as much as they roast the contestants, making every guess funnier than the last. It's nostalgia, music trivia, generational chaos, and live game-show energy all rolled into one episode.Whether you're screaming the correct answers from your car, discovering some of these bands for the first time, or realizing your favorite artists have names that make absolutely no phonetic sense, this comedy podcast delivers nonstop laughs from start to finish.If you grew up watching MTV, collecting CDs, or arguing over whose dad had the better record collection, you'll love seeing how today's generation handles these iconic names. And if you're Gen Z... don't worry. We promise we're laughing with you. Mostly.This comedy podcast proves that some band names were never meant to be read by human eyes. The pronunciations may be questionable, but the laughs definitely aren't.Thanks for listening to another comedy podcast from The Rizzuto Show—where every day somehow turns into organized chaos, and somehow that's exactly how we like it.Follow The Rizzuto Show → https://linktr.ee/rizzshowConnect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Fireworks are already flying, Missouri is apparently competing for the national championship of "Things You Shouldn't Light With Your Hand," and somehow that's only the beginning.The crew kicks things off trying to figure out whether it's Wednesday, Thursday, or simply the longest week in human history before diving headfirst into Fourth of July survival tips that probably won't save anybody's fingers. Backyard fireworks, neighborhood explosions, and some horrifying statistics make everyone question whether buying fireworks by the shopping cart was ever a good national tradition.Meanwhile, Moon relives the story of becoming "that weird guy in the neighborhood" after climbing a massive tree to rescue his son's drone and accidentally introducing himself to strangers as "Moon." Unsurprisingly, the neighbors were left convinced a celestial being...Road rage, unbearable heat, geese holding up traffic, Gary Busey somehow becoming Gary Goosey, and an absolutely ridiculous debate over whether honking at geese is ever acceptable all collide into one giant conversation that somehow still makes perfect sense on this daily comedy show.Just when everyone thinks the episode has peaked, along comes the legend of the mysterious Mexican Batman—a real-life vigilante allegedly duct-taping motorcycle thieves to light poles before leaving police to clean up the mess. The crew immediately begins casting Alfred, Robin, and debating exactly how Batman's alter ego translates into Spanish.As if that wasn't enough, Dry July officially begins, prompting discussions about drinking culture, whether wine has ever actually been healthy, bizarre proposals limiting alcohol sales, and the eternal struggle of surviving social events while staying sober. It's heartfelt, ridiculous, and exactly what you'd expect from people who can somehow turn alcohol policy into comedy.Ancient pinball laws finally disappear, bizarre yearbook pranks make national news, forgotten movie trivia takes over the studio, and somehow the gang finds itself laughing through one completely unbelievable story after another. The result is exactly what longtime listeners expect: organized chaos disguised as a radio show.If you love weird news, sarcastic humor, pop culture commentary, ridiculous debates, and a daily comedy show that somehow finds comedy hiding inside every headline, you're in the right place. Whether you're listening during your commute, pretending to work, or recovering from your own backyard fireworks adventure, we've got you covered.This daily comedy show dives headfirst into the weird power of 80s advertising as the gang discovers they somehow remember every lyric from Mentos, Big Red, Toys "R" Us, Crossfire, Mousetrap, Mountain Dew, and just about every commercial that interrupted Saturday morning cartoons. Apparently your brain forgets passwords but permanently stores gum jingles from 40 years ago.Then things take a surprisingly emotional turn as news breaks that St. Louis broadcasting legend Joe Buck is officially moving his family to Colorado. The crew debates whether the city should feel betrayed, whether Denver's mysterious airport conspiracy finally claimed another celebrity, and why St. Louis residents can be hilariously possessive of anyone they consider "one of us."Of course, it wouldn't be The Rizzuto Show without diving into celebrity chaos. The crew discusses Nikki Sixx reigniting an old feud with Godsmack, Tommy Lee proving he's somehow still the same guy after all these years, Rush postponing tour dates, Lizzo opening up about disappointing album sales, Bam Margera continuing his recovery journey, and the internet somehow finding a reason to get angry about Fiona's appearance in the new Shrek movie.Then comes one of the funniest conversations of the day as everyone debates the greatest comedy movies ever made. Does Monty Python and the Holy Grail deserve the top spot? Should Bridesmaids replace The Hangover? Is Dumb and Dumber secretly a perfect comedy? Naturally, absolutely nobody agrees.Finally, the show debuts a brand-new game that perfectly captures the generational divide. Teenagers are handed a list of legendary 80s and 90s band names and asked to pronounce them out loud. The results are exactly as gloriously awkward as you'd hope, leaving everyone wondering whether classic rock history has officially become another foreign language.If you've ever looked at the spelling of Queensrÿche, INXS, Kajagoogoo, Björk, Hüsker Dü, Portishead, Chumbawamba, Oingo Boingo, or Yngwie Malmsteen and wondered who lost a bet naming these bands... this episode is for you.Rizz recruits his kids and their friends for what seems like a simple challenge: read a list of famous artists from the '80s and '90s out loud. Easy... until they actually see the spellings.What follows is an absolutely glorious game of confidence, confusion, lucky guesses, and pronunciations that make every Gen Xer simultaneously laugh and feel incredibly old. The crew debates every answer before callers place their bets on whether today's teenagers can figure out names that older music fans have spent decades taking for granted.Some artists turn out to be easier than expected. Others become instant comedy gold. Hearing "Inks" instead of INXS, watching everyone overthink Depeche Mode, the surprising victories with Chumbawamba and Oingo Boingo, and the complete surrender when Yngwie Malmsteen enters the chat all make for one hilarious ride.Along the way, Moon, King Scott, Rafe, and Rizz roast each other almost as much as they roast the contestants, making every guess funnier than the last. It's nostalgia, music trivia, generational chaos, and live game-show energy all rolled into one episode.Whether you're screaming the correct answers from your car, discovering some of these bands for the first time, or realizing your favorite artists have names that make absolutely no phonetic sense, this comedy podcast delivers nonstop laughs from start to finish.If you grew up watching MTV, collecting CDs, or arguing over whose dad had the better record collection, you'll love seeing how today's generation handles these iconic names. And if you're Gen Z... don't worry. We promise we're laughing with you.Follow The Rizzuto Show → https://linktr.ee/rizzshowConnect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on 105.7 The Point | Hubbard Radio in St. Louis, MO.1 killed in shooting after altercation on I-64 exit ramp in O'Fallon, MissouriSuspects face charges after car break-in spree in Maryland HeightsMexican ‘Batman' vigilante wanted for chasing down suspected motorbike thieves, taping them to lamppostsCambridge bar owner fights proposed 30-minute drink rule and other restrictions: "It's kind of wild"SC law legalizes pinball for youth, ending decades-old prohibitionAdolf Hitler baby photo in New Jersey middle school yearbook sparks investigationMissouri St. Louis spot earns title of ‘Best Sandwich in America'Joe Buck, family moving to Denver, with 'partial home base' in St. LouisSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

'The Wow! Signal' nos ha parecido el mejor disco de Muse desde 'Drones' (2015). El nuevo trabajo de la banda británica suena más centrado e inspirado que sus tres últimos, su álbum más conciso y completo, con una combinación perfecta entre arreglos orquestales épicos y cinematográficos y potentes riffs de guitarra proteicas. El nuevo álbum del trío formado por Matt Bellamy, Chris Wolstenholme y Dominic Howard protagoniza los primeros minutos de esta sesión: te contamos detalles de las canciones y el trasfondo del disco, así como los planes del grupo para la espectacular escenografía de su gira. También nos detenemos en el sobresaliente disco que Temples han lanzado hoy, 'Bliss', un trabajo en el que el grupo de neopsicodelia expande su horizonte sonoro inspirándose en la electrónica de Underworld, Faithless, Massive Attack o Portishead. Y seguimos celebrando que es Viernes Eléctrico con cañonazos de Soulwax, Pet Shop Boys, Klaxons, New Order, Digitalism o Metronomy, entre otros. Playlist:MUSE - The Dark ForestMUSE - The Sickness In You & I MUSE - Hush (feat. Ellie Goulding)MUSE - CryogenMUSE - Plug In babyTEMPLES - GlimmerTEMPLES - HorizonFOALS - In DegreesKLAXONS - There Is No other TimePET SHOP BOYS - BurnNEW ORDER - People on the High LineDIGITALISM - Space InvadersMETRONOMY - Love Letters (Soulwax Remix)SOULWAX - Perfect We Are Not WISEMEN PROJECT - I Feel Love (feat. Suu)CYCLE - Confusion!!!LOS INVADERS - Super QueenLOATHE - FangsQUEENS OF THE STONE AGE - Someone's In The WolfELEVEN - All My FriendsVIVA BELGRADO - Un andalucito másTHE PRETTY RECKLESS - About YouVIOLET GROHL - ThumTHE WARNING - RitualEscuchar audio

L'émission 28 minutes du 22/06/2026 Marion Motin : des influences de ''Mad Max'' à l'univers de ''Subway'', une danse engagée Du 4 au 12 juillet, la chorégraphe Marion Motin présente “Les Affamés” à la Scala Provence dans le cadre du Festival Off d'Avignon. Marion Motin est connue pour ses collaborations avec Madonna, Stromae ou encore Christine and the Queens. Elle signe une œuvre dystopique mêlant danse, cirque et musique live, en collaboration avec deux membres du groupe Portishead et le rappeur Gaika. Dans "Les Affamés”, elle imagine une société divisée entre les “affamés d'en bas”, qui luttent pour survivre, et les “affamés d'en haut”, avides de pouvoir et de domination.  Le Liban est-il à un point de bascule de son histoire ? Au Liban, plus de 4 000 personnes ont perdu la vie et plus d'un million ont été forcées de fuir leurs habitations, depuis le début des frappes israéliennes, le 2 mars dernier. Les civils subissent un conflit marqué par des bombardements intenses et des routes régulièrement coupées. La mise en place d'une “zone tampon” couvrant environ 6% du territoire, située au sud Liban, est qualifiée par Israël de “zone de défense” contre le Hezbollah, et par Beyrouth de “zone d'occupation”. Dans le cadre d'un protocole d'accord entre les États-Unis et l'Iran, un cessez-le-feu a été conclu, le 19 juin, entre Israël et le Hezbollah, mais les frappes israéliennes continuent sur le sud Liban. La question libanaise sera au cœur des négociations, qui commencent ce lundi 22 juin en Suisse entre les émissaires iraniens et américains. Xavier Mauduit revient sur le parcours d'Yves Lacoste, fondateur de la revue Hérodote et figure majeure de la géopolitique française, décédé à 96 ans ce 20 juin. Marie Bonnisseau s'intéresse à l'histoire des piscines publiques des années 1970, notamment les emblématiques Tournesol, aujourd'hui vieillissantes mais toujours essentielles.28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 22 juin 2026 Présentation Élisabeth Quin Production KM, ARTE Radio

Your weekly guide to the music biz and how it all works. This week, Stu and Joe go football crazy and stick a reducer early doors on this week's music biz news:→ 270. That's how many ‘unofficial anthems' called ‘World Cup 2026' have been uploaded to Deezer… and 70% of them are AI slop.→ YouTube reckons that its terms of service allow it to use independent musicians' uploads to train AI models. Is that really true?→ Tupac Shakur has been dead for 30 years – or HAS he, etc etc – but if you think that will stop him returning to his acting career for a new console game, you're wrong…→ Say You, Say Me… just don't Say It In My Voice Without Permission. Why has Lionel Richie been filing trademarks for some of his most famous sung phrases?→ UK indie streaming service Cantilever has raised £250,000 of funding from a group of independent labels. Can it carve out a niche for itself against giants like Spotify though?→ Ariana Grande is one of the ‘good eggs' of the pop world, and this week brought more evidence of that: her new charitable foundation, and beef with the White House…→ The Happy Mondays want to sell you a giant pill. But wait, it's not what it seems! This is the latest, very literal meeting of physical music and merchandise…And in the special post-show lock-in section just for our ⁠⁠Patreon Superfans⁠⁠, Stu and Joe prop themselves up at the bar – in this week's bonus material: Stu has used AI to make a stereotypical England-oriented World Cup song. But is it any good? (No.) We listen anyway.Joe and Stu dig into the weird and wonderful Official FIFA World Cup AlbumWhat other overly-literal packaging could be made? (Stu has ideas for 'Revolver' and Portishead's 'Dummy')Last week, Stu saw Rufus Wainwright and Joe saw Mike D – but which had the sparkliest shoes? And which one brought out a Pussycat Doll to do a duet?Joe explains why he only buys his gravy and chips on The Strand===================================As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠thepriceofmusicpodcast@gmail.com⁠⁠See you next week!Stuart and Joe======TPOM online: http://tpom.uk/Support The Price of Music on Patreon:⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠Follow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠joe@musically.com

In the 108th episode of the Pictures of Lily Podcast (Vintage Edition), I revisit my interview with Geoff Barrow and Dave McDonald of Portishead on September 17, 1997 at the … Continue reading → The post Portishead on “Portishead” (1997 Interview) | Pictures of Lily Podcast (Vintage Edition): Episode 7.108 appeared first on Lily Moayeri.

Escucha una nueva edición de Los Ideales / The Indieals, 180 minutos de música alternativa cosidos a mano y sin algoritmos, como se hacía antes. Entrad sin llamar, aquí cabemos todos. Han sonado: 1) Paul Weller; Portishead; Adrian Utley 2) Les Négresses Vertes; Massive Attack 3) Future Utopia; Ezra Collective; Dave; Es Devlin 4) Primal Scream; Kris Needs 5) Radiohead 6) Khruangbin; Mang Dynasty 7) Portishead 8) Beck; John King 9) Happy Mondays; Paul Oakenfold 10) Kasabian; LL COOL J; Z-Trip 11) Noel Gallagher's High Flying Birds; Toydrum 12) KNEECAP; David Holmes 13) Fontaines D.C.; Soulwax 14) Oasis 15) Gorillaz; Soulwax 16) Miles Kane; CamelPhat 17) Gossip 18) The Chemical Brothers; Noel Gallagher 19) Orbital; Sleaford Mods 20) Death Cab for Cutie; RAC 21) Florence + The Machine; The Blessed Madonna 22) Pip Blom; Ludwig A.F. 23) Foals; Trophy Wife 24) Ibibio Sound Machine; Titeknots 25) The Knocks; Foster The People 26) Wet Leg; Unknown Mortal Orchestra 27) Nine Inch Nails; Boys Noize 28) Foo Fighters; deadmau5 29) English Teacher; Daniel Avery 30) Blur; Ben Chapman 31) Le Tigre 32) Yeah Yeah Yeahs; A-Trak 33) Foals; Dan Carey 34) Bombay Bicycle Club; Lee Mortimer 35) Beastie Boys; Fatboy Slim 36) The Chemical Brothers; Don Diablo 37) Ladytron; Blakkat 38) The Raveonettes 39) The Limiñanas; Nuria 40) Adult DVD; Greg; Jake 41) Talking Heads; Jerry Harrison 42) New Order; Sub Sub

In this episode of 3 Movies That Changed Your Life screenwriter Stuart Wright talks with Portishead co-founder, film composer and now film producer Geoff Barrow about: Assault On Precinct 13, Happiness, and The Good, The Bad And The Ugly. Discover how these films shaped his screenwriting journey, personal growth, and understanding of cinema's power. Plus, get details about the live digital premiere on 18 June 2026 and digital release/special edition blu-ray released via Anti-Worlds from 29 June 2026.  Movies That Changed Your Life   Find out about the digital release/special edition blu-ray of GAME and the lasting impact of cinema on Geoff Barrow's life with Stuart Wright on his movie podcast.   [1:20] How does touring a film compare to touring a band? What is a live digital premiere and what can people look forward to on the special edition blu-ray released via Anti-Worlds 3 Films That Have Impacted Everything In Your Adult Life Assault On Precinct 13 (1976): Discovering Screenwriting as a Career  [15:40] When Geoff first saw Assault On Precinct 13 he was instantly attracted to the mood of it and that would've been because of John Carpenter's music.  Happiness (1998): Pursuing Dreams and Feeling Out of Place [21:30] Geoff saw Happiness when he was living in Australia and at the end he thought what the fuck is that film. He'd never seen anything like it. The Good, The Bad And The Ugly (1966): Appreciating Screenwriting Craft   [27:40] For Geoff, The Good, The Bad And The Ugly is such a large sprawling movie that you see something different in it every time you watch it . Key Take Aways:   Discover how movies that changed your life shape personal and professional growth.  GAME's Live Stream Premiere: on Thursday 18th of June at 7:30pm BST with a special live Q&A featuring members of the cast & crew https://watch.eventive.org/invadafilms/play/69c69adff08307d6b404d921  GAME digital release and special edition blu-ray from Monday 29 June GAME - Special Edition Blu-Ray, Ltd Edition Vinyl, T-Shirts & more Pre-Sale https://www.invada.co.uk/collections/game?mc_cid=9c8c810ca5  Understand cinema's transformative power through Assault On Precinct 13 (1976), Happiness (1998), The Good, The Bad And The Ugly (1966) Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life!  Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review and tell us which 3 films impacted your adult life. Best ones get read out on the podcast About my Guest:   Geoff Barrow is the co-founder of Portishead, film composer (EX_MACHINA, COUPLE IN A HOLE, DEVS) and film producer of GAME GAME digital release and special edition blu-ray from Monday 29 June GAME's Live Stream Premiere: on Thursday 18th of June at 7:30pm BST with a special live Q&A featuring members of the cast & crew https://watch.eventive.org/invadafilms/play/69c69adff08307d6b404d921   GAME - Special Edition Blu-Ray, Ltd Edition Vinyl, T-Shirts & more Pre-Sale https://www.invada.co.uk/collections/game?mc_cid=9c8c810ca5   Credits:   Intro/Outro music: *Rocking The Stew* by Tokyo Dragons (https://www.instagram.com/slomaxster/)  Written, produced, and hosted by Stuart Wright for [Britflicks.com](https://www.britflicks.com/britflicks-podcast/)   Learn more about your ad choices. Visit megaphone.fm/adchoices

It's not the end of heritage trams in Blackpool! We ask Blackpool Transport what its plans are now that Tramtown has closed…Ending ‘Boom and Bust' on the railway – the Government responds to Transport Select Committee recommendations once again... but will Richard be as supportive this time?And we celebrate 150 years of the Settle & Carlisle Railway.** Find out more about the Emerald Isle Belle here: ⁠https://www.belletrains.co.uk/emerald-belle-2027⁠ or by calling 01284 330123** Book the Green Signals Jolly to the Keighley & Worth Valley Railway here: ⁠https://www.eventbrite.com/e/green-signals-jolly-to-the-keighley-worth-valley-railway-tickets-1986536021717?aff=oddtdtcreatorIn this episode:(00:00) Intro(00:41) Blackpool Trams latest(13:08) Ending ‘Boom and Bust'(28:51) Settle & Carlisle Railway turns 150(32:11) Northern Trains interview(40:53) Thanks to Supporters(42:26) Railway news round-up(42:29) RMT ‘summer of strikes'(43:40) Turbine power on the ECML(45:37) Portishead line new stations(47:15) Reform threatens to cancel ‘Burns stations'(48:58) KWVR volunteers buy a pub(50:16) First Group take over London Overground(51:29) The Quiz(54:28) Network Rail trespass filmsCredits: Thumbnail image - Neil PullingMembership: If you want to see even more from Green Signals, including exclusive content, become a member and support the channel further too.YouTube -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@GreenSignals/join⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/GreenSignals⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Green Signals: Website -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.greensignals.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merchandise - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://greensignals.etsy.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Newsletter -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.greensignals.org/#mailing-list⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow: X (Twitter) -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/greensignallers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ LinkedIn -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/company/green-signals-productions-ltd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can view our legal disclaimer, copyright information and privacy policy here - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.greensignals.org/legal/⁠

Send us a text or a voicemailAlpha, a troubled 13-year-old lives with her single mom. Their world collapses the day she returns from school with a tattoo of her favorite podcast on her arm. On Episode 718 of Trick or Treat Radio our feature film discussion is Alpha, from director Julia Ducournau! We also talk about National Alien Day, highly dramatic body horror films, and we react to trailers for the following upcoming films; Zach Cregger's Resident Evil, Verity, and Saccharine. So grab your Red Wind repellent, throw out all the dirty needles in your house, and strap on for the world's most dangerous podcast!Stuff we talk about: National Alien Day, Spirit Halloween, live aliens in a jar, Xenomorphs, Halloween III: Season of the Witch, Mandalorian and Grogu, Michael, Neverland Ranch, spider bites and caterpillars, the Thriller Chiller, Fear the Walking Dead, Dead City, Colman Domingo, IMAX, Antoine Fuqua, The Equalizer the Prequelizer and the Sequelizer, Antoine Fuqua, Superman, Masters of the Universe, Happy May Day, Canon Films, Vinegar Syndrome, RIP Roger Sweet, RIP Gerry Conway, Justice League, The Avengers, Fantastic Four, The Death of Gwen Stacy, Street Fighter, Courtney Cox, Cocktober, I Walked With a Zombie, Sherlock Holmes in Washington, Vampire Circus, David Prowse, Begotten, Idle Hands, Man-thing, Nightmare on Elm St., The Resort, Ana de Armas, Knives Out, Knock Knock, I Know What You Did Last Summer, Empire Records, Perry King, The Clairvoyant, Burt Young, Amityville II: The Possession, Carnival of Blood, Cloris Leachman, Young Frankenstein, Fade to Black, The Munsters, Lost in Space, Black Cat, James Remar, Karl Urban, Dredd, Resident Evil 2026, Zach Cregger, Weapons, Barbarian, Verity, Anne Hathaway, Dakota Johnson, Michael Ian Black, Michael Showalter, Saccharine, Dumplings, Bai Ling, The Three Extremes, Alpha, Julia Ducournau, Raw, Titane, Rachel from Zombie Grrlz, dystopian films, Red Wind, The Substance, what's a meta-for?, Nick Cave and the Bad Seeds, Portishead, The AIDS epidemic, Revenge, Coralie Fargeat, Why Don't You Just Die!, They Will Kill You, Andy Muschietti, Zazie Beetz, Mary Shelley, Betwixt and Between John Wicks, and Tetanus 2: The Return.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

This week we bring you the third installment of Jarvis's in-depth career-spanning interview with guitarist Tom Draper. We pick up the narrative with Tom forming Pounder with Matt Harvey, then moving on to Carcass and Spirit Adrift. For each of these adventures, Tom explains how he got the gig, what it was like to do it, and how and why it ended. It's a remarkable story about a remarkable career, packed with all kinds of fascinating nuggets you've never heard before,and all wrapped in Tom's characteristic modest and humble demeanor. Listen at nightdemon.net/podcast or anywhere you listen to podcasts! Follow us on Instagram Like us on Facebook

Our guest today is George Evelyn aka DJ EASE, he is the songwriter and producer behind the iconic band Nightmares on wax. If like me you came up through the 90s then Nightmares on wax were an inescapable joy that sat alongside Massive Attack, Portishead, DJ Shadow and other legends of the down beat music scene that provided many a soft landing for every raver. Since 1989 George has been creating Jazz inflected, dub tinged, Hip-Hop influenced mood music with a timeless feeling of craft and soul. This 13 album journey has taken him from humble beginnings to sell out shows at Royal The Albert Hall. Nightmares on wax are celebrating the classic albums 'Inna Space - Outta Sound' & 'Smokers Delight' which have matured to an amazing 20 and 30 years respectively. To mark the anniversary of 'Inna Space - Outta Sound' George has commissioned (friend of the pod) and reggae legend Adrian Sherwood to reconstruct the record in his own inimitable style. It is, of course, yet another triumph and a fitting tribute to the legacy of Nightmares on wax. Still moving forward and seemingly still in love with music - we are delighted to welcome George Evelyn to the podcast. Hosted on Acast. See acast.com/privacy for more information.

Guest Speaker Chris James from Enjoy Church in Portishead

Beth Gibbons de Portishead, photographiée par Martyn Goodacre à Londres en 1993. BETH GIBBONS & RUSTIN MAN. MYSTERIES – 4:35Out Of Season, Go! Beat, 2002 MARIANNE FAITHFULL. FALLING BACK – 3:55Give My Love To London, Naïve, 2014 ANNA CALVI feat. PERFUME GENIUS. I SEE A DARKNESS – 4:25Is This All There Is (EP), Domino, 2026 […] Cet article Errance #191 : De Beth Gibbons à Dagmar Zuniga est apparu en premier sur Eldorado.

Peter watches Mad Max: Fury Road for the first time in decades, and Eden — who has seen it at least a dozen times — watches the black-and-chrome edition alongside him. Peter finds the opening act almost too uncomfortable to watch, given its uncomfortable parallels to the current political moment, but gets fully on board the moment the sandstorm hits. They dig into what makes the film a masterpiece of practical filmmaking, why Furiosa holds up better than the prequel, and what it means that George Miller also made Babe: Pig in the City and Happy Feet.SHOW NOTESCheck-in / What we've been up to — Eden is riding their cargo bike in 35mph Iowa wind gusts; Peter is heading to Austin for an Intuitive Surgical robotics event. Eden vents about 18 months of accessibility compliance work being ignored by faculty who don't read their emails.Peter's picks — Finishing Dungeon Crawler Carl Book 6 (fun but disposable, and the online fandom's intensity baffles him); finished Season 2 of A Man on the Inside (Ted Danson and his real-life wife Mary Steenburgen falling for each other on screen — highly recommended); Taskmaster Series 21 has started, featuring Kumail Nanjiani. Big metal week — Peter covers a stack of new releases: Slave Machine by Nervosa (vicious all-female death-thrash from Brazil); Too Fast to Die by ArchSpire (potential album of the year if not for Neurosis); new Inferi album featuring departing drummer Spencer Moore; Descent by Immolation; and Master Boot Record's first live album Realtime Execution. Eden's picks — Eden is scrobbling again on Last.fm and shares a chaotic top-four week: Portishead, Rebecca Black (Salvation EP praised as a stone-cold classic), Neurosis, and new discovery Javiera Mena, a Chilean electro-pop artist. Also watched two bad movies with the bad movie crew: Firecracker (notable for a truly unhinged sex scene) and American Cyborg: Steel Warrior ("Children of Men with a $13 budget"). Currently reading a 3,500-page Chinese web novel called Long Awaited Feelings / My Feelings Can Wait.Why Peter struggled with the opening act — Peter found Immortan Joe's cult of worship uncomfortably familiar, given current events, describing it as George Miller predicting how "stupid and gullible people can be." He warmed to the film as it progressed, with the sandstorm sequence being the turning point."A perfect action film" — Eden's framing: not their favorite action film, but possibly a perfect one — no wasted frame, no wasted scene. They've seen it at least a dozen times, and this watch was the black-and-chrome edition, which Miller originally intended before the studio overruled him.Practical effects deep dive — 80–90% of the stunts were practical, shot on location in Namibia under miserable conditions. They highlight the pole-cat war boys actually swinging on moving vehicles, and the real flamethrower guitarist who was instructed not to hold the guitar too high.On the cast — Charlize Theron gets full credit for owning the film as Furiosa. Tom Hardy's near-silent, physically understated performance is praised. Nicholas Hoult's arc as Nux — going from zealot to sacrifice — is called out as the emotional hinge of the film.Frame rate trivia — Eden flags that 50–60% of the film was shot below 24fps, with Miller manipulating frame rates shot-by-shot to control tension and legibility.Furiosa comparison — Eden recommends the prequel but notes its heavy CGI and green screen make it feel cheaper and less embodied than Fury Road. Peter says he's now interested to watch it.The Babe 2 revelation — The episode ends on Eden's genuine disbelief that the director of Fury Road also made Babe: Pig in the City and Happy Feet, and a fun piece of trivia: Immortan Joe's actor, Hugh Keays-Byrne, also played Toecutter, the villain of the original Mad Max.

Send us Fan MailAustin-based producer, engineer, singer-songwriter and educator Matt Smith joins Al to talk about Robert Plant's 2005 album, Mighty ReArranger. Matt discusses why he chose this album for his short list of albums to talk about, and Al explains why he picked Mighty ReArranger from the albums on Matt's list. Matt talks about the elements that make this album a high point in Plant's solo discography and the role that members of Portishead played in making the album.Learn more about Matt and his work at https://www.mattsmithsworld.net/.You can also get information on Matt's studio and music school, Six String Ranch, in the following places.Website: https://6stringranch.com/Facebook: @6stringranchYouTube: @6stringranch148Be sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum.2:35 Matt's introduction4:09 Matt and Al talk about how they arrived at deciding to talk about Mighty ReArranger10:26 Matt explains how Plant incorporated elements of world music into the songs on the album14:13 Matt makes note of the parts of the album that harken back to Led Zeppelin18:36 Matt and Al talk about the challenges Plant faced when he began his solo career23:04 Matt has a theory about why Plant was able to reach new heights as a solo artist on Mighty ReArranger28:34 Matt discusses how he borrows from music that he admires33:31 Matt compares the arcs of Plant's and Jimmy Page's solo careers35:02 Matt breaks down various sections of “The Enchanter”39:31 Matt talks about “Freedom Fries” and the counting trick he learned from Trey Anastasio42:25 Matt discusses the origins of the guitar pattern and rhythm on “Mighty ReArranger”46:51 Matt talks about the lengths to which he geeks out on musical analysisOutro music is from “World Is a Wheel” by Matt Smith.Support the show

Christopher & Jobst im Gespräch mit Hollow Skai. Wir reden über Daily Terror, Lesungen zum Buch, sich an Prosa versuchen, der Mainstream hat sich so ergeben, lieber Gala als Stern beim Zahnarzt lesen, der Widerspruch von Punk & Coffee Table Books, im Arbeiterkampf über faschistische Punks gelesen haben, Vibrators in der UJZ Glocksee, fast Hans-a-Plast-Sänger geworden sein, die hannoversche Alternativ-Presse, selbst was machen stundenlang mit anderen diskutieren zu müssen, freiwillig bei der Leibstandarte melden, Jane & Scorpions, der 5-Uhr-Club, Live-Aufnahmen vom Vietnam-Krieg in der Tagesschau, schon immer Sponti, mit allen gut klar kommen, Michael Schenkers Fußball-Künste, bizarre Privatparties mit Musik, es gab auch auf die Fresse, Liliput & Kleenex, ganz entscheidend war die Korn, das Zeit verging schneller, die Schlattersche Krankheit, der Schneeball-Vertrieb, 100 Platten mit Katzenmusik auf Zick Zack Records, "Liebe im Funkhaus" von Mythen in Tüten, freier Mitarbeit bei der HAZ, Dinner mit Roland Gift von den Fine Young Cannibals, die Manchester Rave Szene, mit Marlene Jaschke verheiratet, Panzerkreuzer Rotkäppchen & Techno Treuhand, Fotos am Ortschild von Portishead, gern öfter mit Conny Lesch zusammenarbeiten, der Soßenfleck auf Joschka Fischers Krawatte, Hüsker Dü in Hannover, Deutscher Meister im FKK-Tischtennis, Christophers Tischtennis-Erlebnisse in Nord-Korea, die vierte Staffel von Lincoln Lawyer, "Schaut, wie wir tanzen" von Leila Slimani, Leonardo Padura, das letzte Solo-Album von Rio Reiser, Stone Roses auf Spike Island, uvm.Drei Songs für die Playlist:1) Ein Lieblingslied vom 15-jährigen Hollow: JANE - Hang on to your dreams2) Der beste No Fun Records-Song ever: HANS-A-PLAST - Es brennt3) Ein aktueller Song, den Hollow richtig gut findet: BADCHIEFF x MIKKA x SIRA - Gut aus

Descubre la historia detrás de “Blackstar”, el último y revolucionario álbum de David Bowie, publicado el 8 de enero de 2016 como despedida artística justo el día de su 69 cumpleaños. En este episodio analizamos el contexto creativo del disco, desde su regreso con “The Next Day” y el éxito de la exposición “David Bowie Is” hasta las sesiones secretas en The Magic Shop de Nueva York junto al productor Tony Visconti. Comentamos cómo Bowie fichó a la banda de jazz de Donny McCaslin para dar forma a un sonido híbrido entre jazz moderno, rock experimental y electrónica, influenciado por Kendrick Lamar, Death Grips, D'Angelo, Boards of Canada y Portishead. Nos adentramos en los temas centrales del álbum: mortalidad, renacimiento, identidad cambiante e introspección espiritual, que convierten a “Blackstar” en una auténtica obra-testamento. Repasamos cortes clave como “Blackstar”, “Lazarus”, “Dollar Days” o “I Can't Give Everything Away”, desgranando letras, arreglos y simbología, incluida la conexión con el musical “Lazarus” y el personaje de Thomas Newton de “The Man Who Fell to Earth”. También hablamos de la impresionante recepción crítica: máximas puntuaciones en medios como AllMusic y valoraciones excelentes en Rolling Stone, Pitchfork y Rate Your Music, donde se sitúa entre los mejores discos de la década y de toda su carrera. Si te apasiona David Bowie, el rock experimental y quieres entender por qué “Blackstar” es considerada una de las despedidas más épicas de la historia de la música moderna, este episodio es para ti.

This week we are joined by frequent guests Geng PTP and Myke C Town to discuss Portishead!If you want to hear full episodes it is $1 a month at our patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/calloutculturepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can also upgrade to a higher tier to get exclusive content and video⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.You can find our music here:Zilla Rocca: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://5oclockshadowboxers.bandcamp.com/music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Curly Castro:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://curlycastro.bandcamp.com/album/little-robert-hutton⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shrapknel.bandcamp.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alaska:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thatrapperalaska.bandcamp.com/⁠

Canciones que acortan el espacio entre el antiguo pueblo pesquero de Urayasu, Bristol, Ámsterdam, Madrid y Murcia, desdibujando fronteras y acercando paisajes y lenguas.mazamun, ICHIKO AOBA, Luminescent CreaturesHawaii Oslo, HANIA RANI, EsjaÍsjaki, SIGUR RÓS, KveikurRoads, PORTISHEAD, DummyProtection, MASSIVE ATTACK y TRACEY THORN, ProtectionHeaven Thunder, MINA TINDLE y SUFJAN STEVENS, Heaven ThunderLost in the Stars, RUFUS WAINWRIGHT y METROPOLE ORKEST, I'm a Stranger Here Myself - Wainwright Does WeillPELLIZCO, MARIA ARNAL, PELLIZCOLo importante, GUADA y MOCCHI, Lo importanteCome Again, Sweet Love Doth Now Invite, TARACEA, Akoé: Nuevas Músicas AntiguasEl olivo +Sinapsis, BANDA INAUDITA, SinapsisEscuchar audio

This episode is a little different as we're talking to three of the people behind new film GAME. It's the first feature from Invada Films, the movie arm of Invada Records, the label co-founded by Geoff Barrow of Portishead and Beak>. Barrow has scored many films and TV  series over the last 15 years, including Ex Machina, Annihilation and more but this is his first foray as a producer and co-writer. Helping him out are two old friends and collaborators -- director John Minton who has done live visuals and videos for Portishead, and artist and actor Marc Bessant who did the album cover for the second Portishead album.  Both Marc and John also get story credit for GAME, which is a thriller set against the early '90s rave scene. Marc plays David an aging partier who crashes his car in rural England after a rave and is found by a poacher in the woods played with menace and humor by Sleaford Mods frontman Jason Williamson. Things do not go as you might expect and we'll leave it at that. We talked to Geoff, John and Marc about the film, the difficulties of making it with a very small budget, writing new '90s-sounding acid house songs for the soundtrack, and more. Plus Geoff talks about his final tour with Beak> which wrapped up earlier this year, what's next for Invada, the future of Portishead, and lots more. Just so you know, we keep the first half of our conversation spoiler free but at the 34 minute mark we do start talking about specifics of the film, so if you haven't seen GAME skip ahead to the 54:40 minute mark for talk of Portishead, Beak>, and more.   -- Credits: Hosted & produced by Bill Pearis Mixed and mastered by Nick Gray Theme music by Michael Silverstein

"Black Butterflies" The Vancouver-raised Rebecca Foon grew up with parents who were artists and activists, so it's no surprise that she became an artist and an activist herself. Let's start with the artist part. The Juno-award winning cellist, singer and composer Rebecca Foon has been in so many bands it's hard to keep track, so this is a partial list. No stranger to the post-rock and experimental world, Foon has been in Set Fire To Flames, Fifths Of Seven, A Silver Mt. Zion and the Gorecki Symphony Of Sorrow with Colin Stetson. She's also recorded under the Saltland moniker and she's the co-founder of the modern chamber ensemble Esmerine, whose 2013 Dalmak record won them a Juno. Under her own name Foon put out Waxing Moon in 2020 and the follow-up is the rather stunning new album Black Butterflies. Filled with sonorous vocals, inventive percussion and wondrous, sneaky rhythms, the reflective trip-hop groove of Black Butterflies summons the work of everyone from Massive Attack to Portishead. Redolent with rhythmic precision, musical dexterity and the kind of sonic architecture that builds worlds in the sky, Black Butterflies is a dose of real magic. Foon has collaborated with a list of luminaries like Laurie Anderson, Grant Hart, Nick Cave, British Sea Power, and Patrick Watson. As an activist and environmentalist, she's a member of the sustainability and climate change consulting cooperative Sustainability Solutions Group. A creative force powered by grace, Rebecca Foon is a real treasure. www.rebeccafoon.com www.bombshellradio.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com Stereo Embers: IG + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

La soirée s'ouvre entre classiques et nouveautés avec Deep Purple, Dolly Parton, The Who et les inédits très commentés de Guns N' Roses issus des sessions de "Chinese Democracy", dont "Atlas", avant leur tournée événement à l'Accor Arena avec RTL2. L'anniversaire de Geoff Barrow de Portishead est célébré avec Beak, son autre groupe, tandis que Jimi Hendrix, Garbage et Black Strobe jalonnent cette première partie d'émission. L'album de la semaine est consacré à Melody's Echo Chamber avec "Unclouded" et le titre "The House That Doesn't Exist". La nouveauté de Bandit Bandit, "Pas le temps", est suivie de la reprise du soir : "Am I Going Insane" de Black Sabbath, revisité avec élégance par Midlake. La fin d'émission mélange Placebo, Kreator, Geese, Cold War Kids et la découverte Fresh Fresh Fresh : Silhouette, trio metal shoegaze de Los Angeles. Presidents of the USA et Dolly Parton concluent cette soirée dense, marquée par un bel équilibre entre légendes du rock, nouveautés et hommages sur RTL2 Pop-Rock Station. Guns N' Roses - Atlas Jimi Hendrix - Foxy Lady Beak - Sex Music Nine Inch Nails - As Alive As You Need Me To Be Garbage - Stupid Girl George Thorogood & The Destroyers - Bad To The Bone Black Strobe - I'm A Man Melody's Echo Chamber - The House That Doesn't Exist Status Quo - Whatever You Want Deftones - My Own Summer Deep Purple - Smoke On The Water Bandit Bandit - Pas Le Temps Midlake - Am I Going Insane Lana Del Rey - Summertime Sadness Kreator - Seven Serpents Placebo - Pure Morning Aerosmith - Dude (Looks Like A Lady) Geese - Cobra The Kinks - All Day And All Of The Night Cold War Kids - Hang Me Up To Dry Silhouette - Chaos Fades The Who - Who Are You Presidents Of The USA - Lump Dolly Parton - Coat Of Many Colors The Temptations - Papa Was A Rolling StoneHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Aimee in Portishead & David in South Knutfield did just that but how did they do?

Join screenwriter Stuart Wright as he dives into movies that changed your life with the director of GAME, John Minton, in this engaging episode of 3 Films That Have Impacted Everything In Your Adult Life. Explore Le Jetee impact, 2001: A Space Odyssey analysis, and The Clock influence on his personal growth and cinema's transformative power. John Minton also discusses how he directed GAME Movies That Changed Your Life   Find out about the making of GAME and the lasting impact of cinema with Stuart Wright on his movie podcast.   [0:42] What is the film GAME about? [1:20] How a short film idea turned in to a feature film [4:50] Invada Records to Invada Films - a 20 year journey [9:00] How did you cast Sleaford Mods' Jason Williamson for the role of the poacher? [10:20] How do you make someone trapped upside down in a car visually interesting? What were the challenges? [20:00] What new story was discovered during the editing process? [24:30] Marc Bessant's upside down performance [29:45] 3 Films That Have Impacted Everything In Your Adult Life Le Jetee impact  [30:10] John Minton describes how Le Jetee was a film he was introduced to on a graphic design course and he fell into the moving image as a result. How it showed him he could make films.   2001: A Space Odyssey analysis [35:20] John Minton shares how 2001: A Space Odyssey is all about the dawn of man; the cut from the bone to outer space. How he will always be impressed by it.  The Clock Influence   [42:50] John Minton talks about how The Clock is about the whole of the 20th century cinema. How he found himself checking he own time, all the time, while watching nearly five hours of it.  Key Take Aways:   - Discover how movies that changed your life shape personal and professional growth. - Learn about how an independent film is made and how to make a contained thriller on a low budget Learn about how GAME starring Jason Williamson and Marc Bessant was made Learn how to expand a short film idea into a feature film - Understand cinema's transformative power through Le Jetee (1962), 2001: A Space Odyssey (1968), The Clock (2010)  - Full show notes and transcript:  About the Guest:   John Minton is a Bristol-based UK filmmaker, known for his experimental, lo-fi, and hallucinatory style. Characterised by grainy super-8 textures, a palette of iridescent, glowing hues, and mesmerisingly evocative imagery. John's distinctive visual flair has lent itself to music videos for Noel Gallagher, Portishead, and Savages amongst others. For more about John's work see https://www.mintonfilm.co.uk For details about November 2025 screenings: where and how to see GAME click the following link for more info https://linktr.ee/InvadaFilmsGame Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life!  Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review and tell us which 3 films impacted your adult life. Best ones get read out on the podcast. Credits:   Intro/Outro music: *Rocking The Stew* by Tokyo Dragons (https://www.instagram.com/slomaxster/)  Written, produced, and hosted by Stuart Wright for [Britflicks.com](https://www.britflicks.com/britflicks-podcast/)   Learn more about your ad choices. Visit megaphone.fm/adchoices

Die isländische Band virgin orchestra vereint düstere Klangwelten mit mystischer Atmosphäre – irgendwo zwischen The Birthday Party, Portishead und Sigur Rós. Nach ihrem gefeierten Debütalbum "fragments" kommen Stef, Starri und Rún nun für ein Konzert in die Berliner 8MM Bar und vorher auch ins studioeins von radioeins im Bikini Berlin.

This week's news put through the wringer and hung out to dry. On the line you'll find … … Taylor Swift and Ophelia and other things pop videos turned into tourist attractions … the appeal of D'Angelo's Voodoo: “he made albums with no disdain for the listener” …. David Hepworth and “the single most exciting thing that ever happened to me in my entire life” … bands whose story means more than their music … Nick Drake, Hendrix, Portishead, Nirvana: why three albums is the perfect back catalogue … when Morrissey was just “Steve from Stretford” and Bowie “some bloke in Beckenham” … Elvis Costello, the Nashville Rooms and how Mark escaped being “killed to bits” … is there a better sign of obsession than being able to name all a band's members? … Your challenge: listen to the Dead's Dark Star for the first time. Discuss! … esoteric tracks played by mobile coffee vans … “Gor Blimey, hello Mrs Jones. How's old Bert's lumbago?” … plus JJ Cale, Canned Heat, Cameron Crowe and Fred Neil's The Dolphins.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This week's news put through the wringer and hung out to dry. On the line you'll find … … Taylor Swift and Ophelia and other things pop videos turned into tourist attractions … the appeal of D'Angelo's Voodoo: “he made albums with no disdain for the listener” …. David Hepworth and “the single most exciting thing that ever happened to me in my entire life” … bands whose story means more than their music … Nick Drake, Hendrix, Portishead, Nirvana: why three albums is the perfect back catalogue … when Morrissey was just “Steve from Stretford” and Bowie “some bloke in Beckenham” … Elvis Costello, the Nashville Rooms and how Mark escaped being “killed to bits” … is there a better sign of obsession than being able to name all a band's members? … Your challenge: listen to the Dead's Dark Star for the first time. Discuss! … esoteric tracks played by mobile coffee vans … “Gor Blimey, hello Mrs Jones. How's old Bert's lumbago?” … plus JJ Cale, Canned Heat, Cameron Crowe and Fred Neil's The Dolphins.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This week's news put through the wringer and hung out to dry. On the line you'll find … … Taylor Swift and Ophelia and other things pop videos turned into tourist attractions … the appeal of D'Angelo's Voodoo: “he made albums with no disdain for the listener” …. David Hepworth and “the single most exciting thing that ever happened to me in my entire life” … bands whose story means more than their music … Nick Drake, Hendrix, Portishead, Nirvana: why three albums is the perfect back catalogue … when Morrissey was just “Steve from Stretford” and Bowie “some bloke in Beckenham” … Elvis Costello, the Nashville Rooms and how Mark escaped being “killed to bits” … is there a better sign of obsession than being able to name all a band's members? … Your challenge: listen to the Dead's Dark Star for the first time. Discuss! … esoteric tracks played by mobile coffee vans … “Gor Blimey, hello Mrs Jones. How's old Bert's lumbago?” … plus JJ Cale, Canned Heat, Cameron Crowe and Fred Neil's The Dolphins.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A rare mix from the critically acclaimed experimentalist. Lucrecia Dalt isn't your typical electronic artist. The Colombian singer and composer approaches music-making in the way a fantasy writer builds worlds. Over the past two decades, she's produced a catalogue that reads more like a bookshelf of strange, interlinked novels, each with its own laws, characters and textures, extending the one before it. Dalt's RA Mix is a fascinating entry into the series (and will sit comfortably with RA's recent archival playlist, Mixes From Artists Who Don't Call Themselves DJs, But Probably Should). Take the opening track, "Cellophane," by Beak>, the band led by Portishead's Geoff Barrow. The lyrics set the tone for the hour to come: "Now the wind has blown down / Now the truth is laid out there." True to Dalt's oeuvre, RA.1005 has little regard for convention. Kick drums and beatmatching are nowhere to be heard; instead, she offers a collage of inspiration, drawing connections across eras, moods and geographies. The mix includes the work of close collaborators (David Sylvian, Juana Molina and Niño de Elche) as well as excursions into psychedelic jazz (Lloyd's Miller's "Gol-E-Gandom"), sombre downtempo (Muslimgauze's "Enchante, Monsieur") and Korean pop (Leenalchi's "Magic Pocket). Spanning just over an hour, it unfolds like another chapter in Dalt's ongoing project of world-building through sound. @lucreciadalt Find the tracklist and interview at https://ra.co/podcast/1023

Jamie XX is a musician from England. He's one of our favorite DJs, and his band, The XX, is currently recording an album, with the hope of releasing it before their Coachella appearance next year. We chat about Chris & Jason's wildly varying Euro trips, early days XX producing with Diplo, our love of Portishead, TJ dives deep on his live show setup, the physical demand of 10-hour sets, Drake went to Berghain, how he deals with weed smoke in the studio, he lived in LA for 5 years and surfed a lot, doubling down on the British accent can get you out of situations, remixes through the years, all the times (2) we've played together, and a breakdown of his new home studio. twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Nate Wilcox & Ryan Harkness continue their discussion of UK rave in the 1990s with a mental trip to Bristol and chat about how the 1990s Bristol sound emerged from a city not much known for innovative music until the 1980s. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please sign up for the email list on the site and get music essays from Nate as well as (eventually) transcriptions of every episode. Also if you can afford it please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Facebook.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcasts.⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Paula OS is a Chilean-born, Argentina-based producer, singer, and DJ crafting atmospherically rich electronica influenced by acts like Radiohead, Portishead, and Björk. She launched her solo live project in 2017—dreamy vocals with hypnotic textures—which eventually led to a collaboration with Hernán Cattáneo and Soundexile on Renaissance: the alluring ‘Harvest' EP. Earlier this year, she founded her own label, Sopor Music, kicking things off with ‘Image', a solo six-track album coded with electronica and emotional hues. On this Balance Selections mix, Paula OS delivers a dynamic take on progressive, filled with cerebral moments and pure dancefloor diesel. Featuring tracks from Stimming, Analog Jungs, Stereo Underground & D-Nox, this tightly programmed session shows she's transmitting a unique frequency that's becoming increasingly hard to ignore. @paula_os

Pro wrestling has plenty of stipulation matches, but one of the most common is the Street Fight. It's essentially just another name for a No DQ match... or a Hardcore match... or a Weapons Wild match... or whatever other silly name you come up with. Regardless of the name, this match type has inspired this episode. Andrew and returning guest Warren Hayes (The Mr. Warren Hayes Show, Voices of Wrestling) play songs that have street suffixes in the title (street, road, drive, avenue, etc.), or in some cases are the names of actual streets. Artists played include Elton John, TSHA, Radiohead, Annie Lennox, Bobby Womack, Portishead, Yellowcard, and many more. Put on a sleeveless t-shirt and strap your kneepads over your jeans, because this episode is one big street fight you don't want to miss!Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrew / @mrwarrenhayes.showSubscribe to Warren on YouTube: Youtube.com/@MrWarrenHayesAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Join Charles River experts Sandy Kimber, Charlotte Cumper, and Claire Richards from our Portishead site for a discussion on what makes some viruses more contagious than others, how viruses can trick your immune system, and how vaccines can affect viral spread.

MONOLOGUE A Cabinet of Calamity NEWSMAKER From 2000 to 2023, Ontarians went from having 5% higher incomes to 3.2% lower than fellow Canadians https://www.fraserinstitute.org/studies/ontarios-economy-is-broken   Ben Eisen, Senior Fellow in Fiscal and Provincial Prosperity Studies with The Fraser Institute OPEN LINES NEWSMAKER Carney Cabinet Appointments – A Total SH%T Show, Literallyhttps://www.blacklocks.ca/eighth-appointee-since-2019/ Third of Carney Cabinet are from GTA https://www.blacklocks.ca/third-of-cabinet-from-g-t-a/   Five veteran ministers have been fired from cabinet after Canadians “voted for big change,” https://www.blacklocks.ca/five-cabinet-veterans-sacked/   Tom Korski – Managing Editor of Blacklock's Reporter www.blacklocks.ca OPEN LINES THIS DAY IN MUSIC HISTORY 2000 - Tom Jones was at No.1 on the UK album chart with Reload making the Welsh singer the oldest artist to score a UK No.1 album with new material. The album contained 15 duets with a range of artists including Van Morrison, Cerys Matthews, Stereophonics, Robbie Williams and Portishead. The single 'Sex Bomb' from the album reached No.1 various countries.  1998 - American singer and actor Frank Sinatra died at the Cedars-Sinai Medical Center, Los Angeles aged 82, after suffering a heart attack   1968 John Lennon and Paul McCartney appeared on NBC-TV's Tonight Show with guest-host Joe Garagiola sitting in for Johnny Carson. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Ken welcomes singer-songwriter behind the must buy brand new album "Erotica Veronica", Miya Folick.   Ken and Miya discuss the troubles of LA, the stress of 2025, trying to be creative and make a living as an artist in 2025, life without respite, no longer being the main character, the dark timeline, allowing yourself to work through your own experience, promoting your stuff, not having kids, growing up as a huge nerd, being social, not getting into music until you were in college, loving doing homework, not having the "cool older brother" effect growing up, college radio, mix tapes, KERTH 101, good peer pressure, Live Journal, being a musician without being able to make every specific tone reference possible, collaboration, songwriting, being an idea generator, planning to learn about music history upon retirement, wanting to shred, Tidal, trusting the algorithym, finding new music, going through music droughts, mood and music, auditory sensitivity tied to your menstral cycle, listening to podcasts, The Ezra Klein Show, The Daily, Democracy Now, Heavyweight, Jonathan Goldman, unresolved issues of the heart, developing parasocial relationships with podcast hosts you listen to, being into super dorky opera competitions, Downtown LA, growing up in Orange County, jumping on the turtleneck bandwagon, master classes at the classical music society, trying and hating acting, the audition process, thinking about a return to acting, Paris, Texas, being inspired by Cinema, Portishead, The Three Colors Trilogy, the magic of cinema, pop music, wanting producers across the country, Steve Albini, the belief that the only good album a band makes is their first album, thinking about going back to or even starting a day job, going to sleep with white noise, not watching TV at night, Marvel Comics in the 1970s, and the nature of storytelling. 

Back in September we made an appearance at the Haarlem Vinyl Festival for a special live podcast on the year 1994! Here's the second part of an abridged version of the show (we've had to cut out the sections we played music on the turntable due to copyright issues). For 1994, we were both astounded at how many great records we found, both established favourites and underrated classics. On this second part, we cover albums by Portishead, Massive Attack, Soundgarden, Blur, Yes, Oasis and more! Learn more about your ad choices. Visit megaphone.fm/adchoices

Greg digs up a Belgian pop song from 1969 that became a popular sample amongst musicians for decades.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A look back at fifteen additional August '94 new releases exclusively at Patreon.com/MikeTully