Podcasts about coens

Phil and Emily wrap up their Oscar-winning Best Director follow-ups mini series with Joel and Ethan Coen's Burn After Reading. They're joined by Brooke Solomon and Jordan Gustafson, from the podcast The Queer Quadrant, to dig into this razor-sharp dark comedy that skewers espionage, bureaucracy, and human foolishness in equal measure.From the Coens' tonal whiplash to the film's biting satire of post-9/11 paranoia, the conversation unpacks the brilliance of a story where no one really knows what they're doing but the chaos still matters. Along the way, they revisit the stacked ensemble of Clooney, Pitt, McDormand, and Malkovich, while situating the film within the Coens' endlessly inventive career.If you enjoy this episode and want more exclusive deep dives, bonus content, and special mini series, join our Patreon at patreon.com/PodcastLikeIts. Hosted on Acast. See acast.com/privacy for more information.

ACADEMY AWARD WINNER FOR BEST PICTURE!! No Country for Old Men Full Movie Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With Ethan Coen's "Honey Don't" out now & Josh Brolin garnering rave reviews in "Weapons," Andrew & Aaron are BACK to give their No Country for Old Men Reaction, Recap, Commentary, Breakdown, & Spoiler Review! The Coen Brothers' 2007 Academy Award-winning thriller No Country for Old Men comes to our channel as Aaron Alexander & Andrew Gordon dive into a first-hand Reaction & Review of one of the most iconic modern Western crime dramas. Based on the novel by Cormac McCarthy and directed by Joel & Ethan Coen (Fargo, The Big Lebowski), the film follows the deadly chain reaction set off when Vietnam veteran Llewelyn Moss (Josh Brolin – Sicario, Deadpool 2) stumbles upon a drug deal gone wrong and takes off with a suitcase full of cash. His decision puts him on the radar of Anton Chigurh (Javier Bardem – Skyfall, Vicky Cristina Barcelona), the cold-blooded hitman whose coin toss scenes have become some of the most chilling and famous moments in film history. Also starring Tommy Lee Jones (The Fugitive, Men in Black) as Sheriff Ed Tom Bell, who struggles with the moral decay and unstoppable violence he sees in modern crime, and Woody Harrelson (True Detective, Natural Born Killers) as Carson Wells, a bounty hunter caught in the crossfire, the movie blends psychological tension with brutal realism. With unforgettable scenes such as Chigurh's silenced shotgun and the iconic “call it” gas station confrontation, No Country for Old Men remains a haunting meditation on fate, chance, and justice. Aaron & Andrew break down the performances, themes, shocking ending, and the Coens' masterful direction that cemented this film as a modern classic. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

The Two Friendos, plus “Masterpiece” Leslye Headland and “I would have had no problems handling that bag of money” Ben Hosley take on one of the most acclaimed films of the 21st century in this week's episode. It's No Country For Old Men week on Blank Check! We're chatting about Anton Chigurh's strange physicality, Tommy Lee Jones' tired resignation, and Josh Brolin's career breakthrough in this episode, all while lavishing praise on the Coens' practically perfect film. Now tell us - what's the most that you've ever lost on a coin toss? Check out the SNL Jumanji Sketch Read Cormac McCarthy's Books Check out the Brooklyn Kolache Company Check out Every Frame a Painting Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Laughter—why does it happen? Brilliant filmmaker and comedy consigliere Ian Faria joins the study group to break down comedy in all its forms, be it slapstick physical violence, zinging dialogue, or a slow-burn silent reveal. Ian is just wrapping up post-production on a feature with his comedy group Simple Town and has much to share. This episode is the whole ball of wax and you're just gonna love it—definitely stay tuned to the very end for a surprise...! Coens covered: No Country for Old Men, Raising Arizona, The Big Lebowski, O Brother Where Art Thou?, The Ladykillers, Burn After Reading Plus: Friendship, Simple Town Goes to London Want to join the study group? Follow us on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. These all really help the show. And join the Discord too! **You can also support us directly at https://ko-fi.com/tothewhitesea** For all things TTWS visit tothewhitesea.me

Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY THAT MAY DISTURB SOME LISTENERS.  What's the rumpus? This week TGTPTU gives the Coen Brothers movie classic MILLER'S CROSSING (1990) the treatment as part of its Squib Season, see.  Lensed by Barry Sonnenfeld in his last frolic as the brothers' cinematographer, Ethan Coen told the man with a golden eye that Miller's Crossing should be a handsome film about men in hats, and Sonnenfeld delivers the goods with one spectacularly shot period piece from the Prohibition Era.  The picture stars Gabriel Byrne as Tom Reagan, the hard-drinking, harder-gambling Irish consigliere who knows all the angles, who's having an affair with his boss's skirt Verna Bernbaum (played by Marcia Gay Harden, who shortly after filming would originate the role of Harper Pitt in Tony Kushner's two-part play Angels in America, see Season 7 of TGTPTU for more!).  Pod favorite John Turturro plays her brother Bernie, a conniving low-life crook who causes the friction in the ranks and can turn on the waterworks when needed. Jon Polito plays a loving dad allergic to the high-hat and with his right-hand J. E. Freeman playing the Dane (same year he'd star in Wild at Heart, see Season 4) they plan to take over the town from Albert Finney in one of his two roles as Tom's boss Leo (the other appearance uncredited, spoilers during the episode for this Easter egg). Also, director and occasional second-unit-for-the-Coens-director Sam Raimi (and, can you believe it, brother of actor Ted Raimi from Hard Target covered earlier this Squib Games season!) shows up to plug a speakeasy patron grabbing air before himself getting gatted. And if you still haven't had your fill, at this buffet of talent we even get a smattering of Steve Buscemi delivering ratatat dialogue for a scene.   This ep, Jack brings the book report, Thomas the Danish facts, Ken reenacts the experience of watching Miller's Crossing with him by dropping movie quotes throughout the episode, Ryan brings up Gabriel Byrne's acting chops, and all four hosts harmonize on the greater good.   Now get outta here. You're stinking up the joint.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

And…we're back! Did you miss us? You can say so—it's OK. Yes, it's the return of Vintage Sand, your film history podcast, with our first episode since May. It was a frantic and wonderful summer, but now the leaves are falling and it's time for us to get back to what we love to do, with a double episode no less than 25 years in the making. That's right, fellow film fanatics; it's Vintage Sand's Top Ten Films of the 21st Century (So Far). And once again, a major cultural institution has stolen our ideas! When last we three met in May, we had decided to do these episodes. But fate intervened and delayed us, and, sure enough, when we opened up the “New York Times” in mid-July, there was their best of the century list so far. This has happened to us far too often to be coincidence—anyone know any good intellectual property lawyers out there? And that “Times” list was truly interesting in several ways. First of all, we much preferred the fan's list of the Top 100 (to my great pleasure it included “La La Land”, “Blade Runner 2049”, “Sinners” and “Midsommar”). But, in what was perhaps a bit of quiet backlash to the 2022 “Sight & Sound” Poll, there were only a handful of directors of color, and fewer female directors than one might have expected. On the other hand, the clear “winner” of the Times poll was Christopher Nolan, the only director with five films on the list (the Coens, PTA, Alfonso Cuarón each had four). Nolan is the Hitchcock of our times, in the sense that he is one of those rare directors who both receives critical acclaim and puts asses in the seats. Now if he would only put those blaring soundtracks a little lower in the audio mix so that older, cranky audience members such as us have a shot at hearing the dialogue… Ultimately, the work we put into creating these lists revealed a surprising and heartening result. From long before the time we started Vintage Sand back in 2018, all we've heard is doom and gloom about the state of cinema this century. “Film is dead” because folks are watching on their phones, or because of the algorithm, or because of streaming, or because of the emphasis on the global film marketplace over the domestic, or because our attention spans have vaporized, and on and on. Not that those are not real issues, but the death of film has been continuously reported since sound arrived roughly a century ago. And let me tell you, dear and faithful listeners: we had an incredibly difficult time narrowing down our respective lists to 25, let alone 10. We were overwhelmed with the number of creative, innovative, and moving films we had to choose from, films that will stand the test of time as well as any you could mention from the imagined “Golden Ages” of film. So our message, in the end, is one of optimism. Film is still a vital and glorious art form, and while you may have to dig around a bit more than you used to to find the greatness, it is clearly there. Enjoy these two episodes, and join us in facing the future of film with anticipation, excitement and joy.

Miller's Crossing (1990) was chosen by supporter Justin, and it stands as one of the most stylish entries in the Coen Brothers' early catalogue. After the breakout success of Blood Simple and the quirky charm of Raising Arizona, the Coens set their sights on the gangster genre, crafting a film inspired by classic Dashiell Hammett novels such as The Glass Key and Red Harvest. Their vision was to make a thoughtful, atmospheric crime drama that combined sharp, layered dialogue with the kind of morally tangled storytelling that would become their trademark.The journey to get there wasn't exactly smooth. Midway through writing, the brothers hit a creative wall so severe they shelved the script and instead made Barton Fink before returning to finish Miller's Crossing. Filming in New Orleans gave the movie its richly authentic period feel, with Barry Sonnenfeld's moody cinematography and Carter Burwell's haunting score elevating the production. While the film didn't set the box office on fire, its craftsmanship and style have since earned it a devoted following and cemented its reputation as one of the Coens' most accomplished works.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠here⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠NordVPN⁠⁠⁠⁠NordPass⁠⁠Trailer Guy Plot SummaryIn a city of power, deception, and danger… One man navigates the shadows of loyalty and betrayal.From the visionary Coen Brothers comes Miller's Crossing — a stylish, tension-packed journey through the underworld, where every word is a weapon, every glance a threat, and nothing is as it seems. With danger lurking around every corner, alliances are tested, and the rules of the game are rewritten in blood and cunning.Miller's Crossing - loyalty has a price… and betrayal has consequences.Fun FactsMiller's Crossing (1990) was directed by Joel and Ethan Coen, following their cult hit Raising Arizona (1987).The film is considered one of the greatest gangster movies of the 1990s, heavily inspired by Dashiell Hammett's novels The Glass Key and Red Harvest.During production, the Coen Brothers experienced writer's block and paused to create Barton Fink (1991) before returning to finish Miller's Crossing.The title Miller's Crossing refers to the forested setting where some of the movie's most pivotal scenes take place.Cinematographer Barry Sonnenfeld gave the movie its iconic noir-inspired look, marking his last collaboration with the Coens before moving on to direct The Addams Family.The haunting score by Carter Burwell is infused with Irish folk influences, including themes based on the traditional piece Lament for Limerick.Despite a production budget of around $10–14 million, the movie only grossed about $5 million at the box office.Over the years, Miller's Crossing has been critically reappraised and is now celebrated as one of the Coen Brothers' finest works.The film is often ranked alongside Coen classics such as Fargo (1996) and No Country for Old Men (2007).Today, it's seen as a masterclass in neo-noir storytelling and has influenced a new generation of filmmakers in the gangster genre.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

We must have waffles forthwith! We must also have Connor Ratliff on the pod to talk about Tom Hanks for the first time since the completion of his Dead Eyes series! Join us for a spirited discussion about 2004's The Ladykillers, a film that is universally regarded as the Coens' worst, and is also the film that ended Hanks' legendary decade-long boffo box office streak. We're getting into defining the parameters of the world of “Weird Hanks.” We're getting into the…uh…uncomfortable racial depictions that mar this movie. We're getting to the “Root of the Matter,” and we're getting Connor to softlaunch an incredible new term - “Mooseporting.” Listen to Dead Eyes Listen to the Audiobook for The Making of Another Major Motion Picture Masterpiece Watch the second David S. Pumpkins Listen to Connor talk to Bobby Moynihan about David S. Pumpkins Read the David S. Pumpkins Oral History Check out Does the Dog Die Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Season 7! As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?" This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. This week, Paul chose a film close to his heart, Inside Llewyn Davis (2013). It's the fourth Coens film Paul and Corey have covered, and this discussion was a real treat. Art and life and (the lack of) success. Folk music and (fetishizing) authenticity and Bob Dylan. Schachtmanites.  Enjoy and pass the hat.  

Suchsland, Rüdiger www.deutschlandfunk.de, Kultur heute

Eine unterbeschäftigte Privatdetektivin aus dem wenig aufregenden kalifornischen San Fernando Valley ermittelt in einem mysteriösen tödlichen Autounfall. Schnell stößt sie auf eine mysteriöse evangelikale rechtsradikale Sekte. Ethan Coen, die eine Hälfte des legendären Brüderpaares der Coen-Brüder, legt mit „Honey Don't!" einen Film vor, der Lust an Übertreibung und Grenzüberschreitung hat.

Today we're joined by writer, researcher, and podcaster Edward Ongweso Jr. to discuss “the essence of The Dialectic,” as a highly-fictionalized Herbert Marcuse proclaims in Hail, Caesar! Dialectics: what are they, what is their function, and how might their theory and praxis manifest multifariously across the Coens' body of work? We discuss the history of the term, how the concept of keeping two ideas in tension is expressed within individual characters, and we finally tackle the loop-de-loop structure of Inside Llewyn Davis. This conversation is a deep dive and we hope you enjoy it as much as we did. Ed's podcast: This Machine Kills Ed's substack: The Tech Bubble Coens Covered: Hail, Caesar!, Inside Llewyn Davis, A Serious Man, No Country for Old Men, Raising Arizona, Miller's Crossing, Fargo Plus: No Direction Home Want to join the study group? Follow us on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. It really helps the show. And join the Discord too! **You can also support us directly at https://ko-fi.com/tothewhitesea** For all things TTWS visit tothewhitesea.me

SEASON 2 - EPISODE 157 - Garret Dillahunt - Actor In this episode of the Team Deakins Podcast, we speak with actor Garret Dillahunt (NO COUNTRY FOR OLD MEN, THE ASSASSINATION OF JESSE JAMES, DEADWOOD). We worked with Garret on NO COUNTRY and JESSE JAMES, and we had a wonderful time catching up with him. Garret shares how he made his way from rural Washington to the graduate program for acting at NYU, and we learn why he made the leap from theatre to film and television. While trading stories from NO COUNTRY, Garret shares a humorous episode involving himself, actor Tommy Lee Jones, the Coen brothers, and a bowl of wrapped candies, and we marvel at the Coens' ability to nudge actors into shooting their storyboards. In the latter half of our conversation, Garret recalls his experiences shooting the television series DEADWOOD, and we learn how those experiences set the tone for the rest of his career. Garret also reveals how showrunner David Milch wrote the show as they shot it, and we discuss the different strategies and approaches to coverage. Plus, we discuss dealing with imposter syndrome, and Garret reflects on the actor-in-a-supporting-role's tricky task of trying to find the vibe on a set at 2AM. - Recommended Viewing: NO COUNTRY FOR OLD MEN, THE ASSASSINATION OF JESSE JAMES, DEADWOOD - This episode is sponsored by Aputure & Barco

It's the episode you've all been waiting for - Seth Rogen joins us to talk about the Coens' 1998 stoner classic The Big Lebowski. It should come as no surprise that Lebowski has loomed large over Seth's work as a writer and director, and we're going in depth on the influence and lasting impact of The Dude. Make yourself a White Russian (but maybe take a Lactaid first), turn off The Eagles, and settle in for a hilarious three hours of film analysis and Hollywood anecdotes. Oh, and if you were wondering - in this episode, someone is made to answer for his crimes against Sammy Fabelman. Finally. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Take us with you for one last beach trip before summer ends here at Breakfast All Day. It's sort of an Arthouse Tuesday on a Friday with the mix of movie reviews we have for you. We begin with "Honey Don't," Ethan Coen's second solo outing without brother Joel. We both love the Coens, but we don't really agree on this. Margaret Qualley stars as a lesbian private eye investigating a suspicious car accident in Bakersfield, California. Aubrey Plaza, Chris Evans and Charlie Day co-star. In theaters. Next is "Splitsville," which we both loved. It's an indie rom-com focusing on two married couples and their twisted, intertwined lives. The understated meanness is delightful, but there's a vulnerability underneath. Dakota Johnson, Adria Arjona, Michael Angelo Covino and Kyle Marvin star. Covino directed from a script he and Marvin co-wrote. In theaters. Then we turn to the Devo documentary, titled appropriately, "Devo." If you love the '80s new wave band, you'll appreciate this breezy but super informative look at how they came together and created their signature look and sound. Plus the music is so great: Both of us feel lucky to have seen Devo in concert, and you should definitely check them out live if you can. Streaming on Netflix. Finally, it was a lengthy Movie News LIVE!, as we discussed the dismaying state of film journalism. Plus: sing-along "KPop Demon Hunters," Guillermo del Toro's "Frankenstein," and we remember the legendary Terence Stamp, who died this week at 87. Thanks for joining us. * Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/

LOOK OUT! It’s only Films To Be Buried With! Join your host Brett Goldstein as he talks life, death, love and the universe with the fabulous actor and writer CHARLIE DAY! If you're even feintly versed in the world of 'It's Always Sunny In Philadelphia', you'll be very well acquainted with the work of Charlie. But in the event that you are not, you must trust that this episode will delight you and fill you with joy, as Charlie is a wonderful time indeed. He and Brett connect straight off, and among other things you'll get to hear about the hearty recommendation that comes directly from Jason Sudeikis (Ted Lasso himself), being an SNL host, working with his heroes by way of the Coens, and the occasional situation where he finds himself forgetting to act. We've all been there. ENJOY - it's a lovely one! Video and extra audio available on Brett's Patreon! IMDB HONEY DON'T ALWAYS SUNNY –––––––––– BRETT • X BRETT • INSTAGRAM THE SECOND BEST NIGHT OF YOUR LIFE TED LASSO SHRINKING ALL OF YOU SOULMATES SUPERBOB (Brett's 2015 feature film)See omnystudio.com/listener for privacy information.

Sam Cohen joins us as we chat about the Coen brothers making the best western of the 2010s in their remake of True Grit! Together we talk everything Jeff Bridges, our relationship with the Coens and the sweetness of the ending

From the Coen Brothers comes the early millennium hit, "O Brother, Where Art Thou". Both avid fans and casual watchers of the Coens' work will find plenty to enjoy in this satirical comedy starring George Clooney, Tim Blake Nelson, and John Turturro. What did Jim and A.Ron think? And can you believe this is the first time Jim has seen this movie?! Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Did we get the director of Weapons, another “true story,” on our Fargo episode? You betcha. Zach Cregger joins the Blank Check crew to discuss the Coens' 1996 masterpiece and we're going SCENE BY SCENE dissecting this perfect movie. “Minnesota nice,” “Dark Marge,” the Mike Yanagita scene, the origins of Jerry's overwhelming debt, the inner life of Gaear Grimsrud, and the operatic score are just a few of the topics discussed. Did you know that Ben Hosley's first car was an Oldsmobile Cutlass Ciera? YOOU BETCHA. Note: This episode was recorded before we saw Weapons, so no spoilers here.  Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On the two hundred and seventy-second episode of THE THIRD ACT PODCAST, the crew are Coen' the distance.Christian, Jericho, and returning guest Mayra Russo do a deep dive into the CBCU (Coen Bros Cinematic Universe) with reviews of their neo-noir debut, BLOOD SIMPLE (1984), zany screwball farce/financial flop THE HUDSUCKER PROXY (1994), and downbeat noir character study, THE MAN WHO WASN'T THERE (2001).They also chat BRING HER BACK, FINAL DESTINATION: BLOODLINES, and THE NAKED GUN reboot in the Recently Watched segment before diving into Paul Walter Hauser reappraisal, smelly fish, noir horror, communication breakdowns, pessimism, and how the Coens contain multitudes.Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com  

(Gestures at a circle) You know, for kids! Mike Mitchell and Nick Wiger of the Doughboys join us for a freewheeling, gut-busting episode about the time Joel Silver gave the Coens a bunch of money to make a “commercial film” and then it ended up being 1994's The Hudsucker Proxy. A sampling of topics discussed: Paul Newman being hot up until the day he died (and possibly after), whether or not this movie has a Sturges protagonist in a Capra film or vice versa, whether or not the previous question even matters, the fact that Griffin has never seen The Wire yet has watched every episode of Greg the Bunny, the amount of baby wipes David has to buy in a month, the extent to which the style of humor in Hudsucker overlaps with that of The Simpsons, and a whole bunch of Yaddle talk for some reason. Read Caity Weaver's Mozzarella Sticks piece from 2014 Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a movie about hats, and a movie about giving folks the high hat. It's also a movie about how Jon Polito is the greatest actor in the world. It's Miller's Crossing! Filmmaker Ari Aster (go see Eddington!)  joins Griffin and David to discuss the Coen Brothers' knotty homage to the gangster genre, a film overloaded with memorable characters and witty lines of dialogue. We're doing a deep-dive on Gabriel Byrne, litigating Marcia Gay Harden's surprise Oscar win for Pollock, and once again examining the Coens' body of work through the lens of Jewish identity. Don't watch Tino's Dick Fart Read Faber Screenplay Books Check out Straight Time See Eddington Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Like a seashell to your ear, we are here. In this extra special episode of To the White Sea we are thrilled and honored to welcome Academy Award-winning sound editor Skip Lievsay, who has worked on more Coen brothers movies than the Coen brothers themselves! This paradox wrapped in an enigma will be unraveled along with so much more. Together we listen closely to scenes of “perfect quiet” when the volume of the soundtrack drops down to almost zero, yet it's in this zone where a whole galaxy of perception may be unlocked. We explore how these quiet scenes build tension, intimacy, tactility, and subjectivity. We also discuss Skip's fascinating working relationship with the Coens, as well as Martin Scorsese, Terrence Malick, and Darren Aronofsky. Immense thanks to Skip Lievsay, Kyle Miller, Mitchell Wareham, and Nina Leitenberg for their time and effort. Mega special thanks to Kate Sanford making this connection. Coens Covered: Blood Simple, The Big Lebowski, The Man Who Wasn't There, No Country for Old Men, The Ballad of Buster Scruggs Plus: The New World Want to join the study group? Follow TTWS on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. ***You can also support us directly at https://ko-fi.com/tothewhitesea*** For all things TTWS visit tothewhitesea.me – and join the Discord too!

Surprise! We're back with a new episode. We jump off from the idea introduced to us by J. Todd Anderson, by way of Alfred Hitchcock, that filmmaking is about two things (and according to J. Todd only these two things): suspense and surprise. We analyze ways in which films create a “burden of knowledge” in the mind of the audience, and how this can dramatically affect the way scenes play out on a screen and behind our eyes. Sometimes you're ahead of the characters, and sometimes they're way, way ahead of you. Check us out in the new episode of Blank Check where we kick off their Coen brothers mini series Pod Country for Old Cast with the first film in the Coens ouvre, Blood Simple! Coens Covered: Raising Arizona, No Country for Old Men, Barton Fink, True Grit, Intolerable Cruelty, The Man Who Wasn't There Want to join the study group? Follow TTWS on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. ***You can also support us directly at https://ko-fi.com/tothewhitesea*** For all things TTWS visit tothewhitesea.me – and join the Discord too!

Send us a textBecause in the end, maybe the real way was the brothers we made along the Coen.

Tonight, Born to Watch delves deep into the dusty, desolate West Texas badlands to dissect a modern masterpiece: the Coen Brothers' haunting 2007 thriller, No Country for Old Men. It's a film that sidesteps genre conventions, delivering existential dread with a bolt gun and cowboy boots. The full Born to Watch crew is in session, and from the moment Whitey's epic intro begins, you know this episode is going to be as layered and unpredictable as Anton Chigurh himself.Right from the start, the boys are firing, rattling off 2007's Oscar lineup, debating Juno's place in film history, and showering praise on Daniel Day-Lewis' oil-thirsty turn in There Will Be Blood. But tonight belongs to a different kind of monster: Javier Bardem's Anton Chigurh. Is he cinema's most terrifying villain? Whitey thinks he's second only to Darth Vader, and with that hair, maybe even scarier.As the team recalls first viewings and rewatch counts (shoutout to G Man's 15 and counting), the discussion spirals into tales of obsessive fans, including a local surfboard shaper who watched the movie weekly and theorised on every nuanced frame. This isn't just a movie, it's a layered riddle that demands attention, multiple viewings, and, apparently, a decent video store rental policy.Each Born to Watch host brings their own flavour to the conversation. Damo labels it a “one watcher” for its grim tone, while Dan declares it a regular “downtime” favourite on the land, fitting for a film that captures so much dusty silence and moral ambiguity. G Man and Whitey, meanwhile, dig into the deeper layers, noting how every watch reveals something new.The cast gets a well-deserved spotlight, with special attention paid to Javier Bardem's quietly horrifying performance. Gow dives into Bardem's rugby-playing past (yes, really) and his reluctance toward violent roles, ironic, considering Chigurh is basically Death with a pageboy cut. Josh Brolin's understated turn as Llewelyn Moss also gets love, as does Tommy Lee Jones' weary, philosophical sheriff. The gang reflects on Woody Harrelson's all-too-brief but memorable role and Kelly Macdonald's heartbreaking final scene.And in true Born to Watch fashion, the episode isn't just about highbrow film theory; it's a ride. Expect detours into Aussie weather patterns, rogue toasties, and the quality of Diane Lane's 2010s filmography. There are tangents on Baywatch, Peter Phelps' acting career, and even a debate on the New Yorker's most pretentious film review ever written. Trust us, you won't want to miss Whitey translating the nonsense of a critic who thinks name-dropping Elmore Leonard makes a hot take.As always, the team weighs in on whether the film cracks the Rank Bank. But the real joy is in the journey: Gow's taglines, Dan's literary deep dives, and Damo's reluctant respect all add up to a collective conclusion: No Country for Old Men might just be the smartest film to ever feature a cattle gun.So, if you love Oscar-winning nihilism, coin toss-induced dread, or just want to hear a bunch of Aussie legends unravel one of the Coens' most unnerving films, this is the episode for you.JOIN THE CONVERSATION Is No Country for Old Men the Coens' bleakest brilliance or just a beautifully shot nightmare? Would you call it heads or tails… or just run for the hills? Is Anton Chigurh cinema's most chilling villain or just a man with a bad haircut and worse manners?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.Don't forget to LIKE, SUBSCRIBE, and click the

From misguided men to chaotic criminals, noir shadows to screwball shenanigans—the Coens have done it all.  In this episode, we're drafting our ultimate lineup of Coen Brothers films, one pick at a time.  Is The Dude abiding early, or are we out of our element?  Will Fargo get picked faster than you can say "Yah, you betcha" or will we succumb to that Barton Fink feeling?  Would that it were so Blood Simple.  Expect passionate picks, surprising snubs and a whole lotta y'know... Coen-isms.email: openmicmovies@latertaterfilms.comwebsite: openmicmovies.buzzsprout.cominstagram: @latertaterfilms  

Send us a textAfter several movies with increasingly loose plot structures, the Coens say "f*** it, we're just doing an anthology".  And it kind of rules.

Burnie and Ashley discuss war movies, Marvel's warning shot, Bill Watterson, Gary Larson, Calvin & Hobbes, the Met Gala, fifteen minutes of material, India bombing Pakistan, nuclear powers, Kashmir, Elon's city in Texas, the world's largest undefended border, Real ID, book fairs, and distant Coens.Support our podcast at: https://www.patreon.com/morningsomewhereFor the link dump visit: http://www.morningsomewhere.comFor merch, check out: http://store.morningsomewhere.com

You are in for a treat today, pilgrim! I'll be ranking my favorite Western films of all time. I have a feeling many of these films will get a tip of my hat. However, I hope some of them are bad so I can shoot them into their grave. Keep your trigger finger ready and your eyes on the screen—yee-haw!

Producer Peter finally had to watch movies at 1x speed this week for the Cage Match Finale. Pig vs Raising Arizona. Sarnoski vs Coens. Nick vs Sean. We rented a local theater and watched a double header with a full house of guests. As it turns out, movies are fun in a theater. We are not done but this is a perfect time to thank everyone for listening and supporting us over the years. This was Cage Match.Intro music by: Bill Panks

Send us a textGwen Sisco returns to the program to talk about failure.  And some other stuff, but mostly failure.

O Brother, Where Art Thou? is a Depression-era comedic-adventure-musical that follows three escaped convicts as they journey across Mississippi in search of hidden treasure, encountering bizarre characters and unexpected twists along the way—all set to a rich backdrop of American folk and bluegrass music.Starring George Clooney and directed by Joel & Ethan Coen, O Brother, Where Art Thou? was released December 22, 2000.Where to watch O Brother, Where Art Thou?NotesDown From The Mountain (music documentary)Eudora Welty's photographyRecommendationsTim: Sullivan's Travels (Sturges, 1941) — where to watchTay: The Ballad of Buster Scruggs (Coens, 2018) — where to watchFollow: SSC on Instagram Tim on Letterboxd

Andrew Finlay Stewart is an artist and musician, and the host of the podcast The Rules of the Show, which you can find on Instagram (@therulesoftheshow) and wherever you get podcasts. ---Inside Llewyn Davis is a melancholic drama set in the 1960s folk music scene, following a struggling musician navigating the unforgiving New York winter in pursuit of artistic success.  Starring Oscar Isaac and directed by Joel & Ethan Coen, Inside Llewyn Davis was released December 6, 2013.  Where to watch Inside Llewyn DavisRecommendationsAndrew: Sprout Wings and Fly (Blank, 1983) — where to watchTim: Amadeus (Forman, 1984) — where to watchTay: Eden (Løve, 2014) — where to watchFollow: SSC on Instagram Tim on Letterboxd

Send us a textMichael Martin returns, bearing a writ of replevin

Since this podcast's inception, Anton Chigurh has been one of our most requested rogues. This week, we're playing a game of chance with this formidable foe as we finally dive deep into No Country for Old Men. Topics include: the origins of Cormac McCarthy's novel, the Coens process of adapting it, key differences between Chigurh's portrayal in the book vs the movie, reactions to the subversive final act, what the movie leaves out, the ways in which it might actually one-up the source material, and much more! Apple Podcasts | Spotify | Facebook | Instagram Chris's Instagram | Kristen's Instagram Chris & Kristen's Web Series: The Strange Case of Lucy Chandler

The Coen Brothers' BURN AFTER READING (2008) offers a jaundiced take on Washington and its institutions at the tail end of the Bush era. We were in a desperate need of a good time, and the Coen Brothers can always be depended on to deliver. PLUS: Chinese blockbusters vs. American blockbusters - who will own this century? PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/123667636

Send us a textRonny Abraxas joins the guys to delve into the most Coen-y Coen movie of all.

We've recently lost one of the great directors over the last few decades in David Lynch who was known for showing the dreamy and nightmarish side of America (and we need you now, David). The other great tellers of American stories over the same period have been Joel and Ethan Coen. They have protagonists who start out in precarious positions in life....then things go downhill. Welcome to episode 124 of See Hear Podcast. There's definitely a rhythm to the Coen Brothers' films....even if their films are not ABOUT music or musicians, they feel musical (and having Carter Burwell score many of their films doesn't hurt in that regard). Two films, however, stick out as music films in their catalogue – O Brother, Where Art Thou and Inside Llewyn Davis – it's the latter that is the focus of this episode. Sadly, neither Kerry nor Tim were available to record this show, but I welcome back film professor, author, and fellow podcaster Neil Fox back to the show. He selected Inside Llewyn Davis for our discussion, and I couldn't have been happier to revisit this 2013 film that has seemingly divided people on its merits (spoiler alert – we both love it). The film starts off in Greenwich Village in 1961, and is about a few days in the life of folk musician Llewyn Davis (Oscar Isaac) as he moves from couch to couch, gig to gig, kindness to kindness....and he responds poorly despite being the recipient of others' good nature towards him. Is he an awful human being, or is he lashing out due to a terrible event regarding a former musical partner? Neil and I had a great conversation about this film and a variety of related issues. Since the film is Bob Dylan adjacent, we had to bring in our thoughts about the recently released Dylan biopic focusing on his early years, A Complete Unknown and see how its tone contrasts with the Coens outlook. I am grateful for Neil giving over his time to chat with me. He brings a perspective I was fascinated to hear. If you wish to hear more of Neil, you should tune into his show The Cinematologists hosted with Dario Llinares. Info at https://cinematologists.com/ Also, look into his great book “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify) or you can also download it from the website at https://seehearpodcast.blogspot.com/2025/02/see-hear-episode-124-inside-llewyn-davis.html Proudly Pantheon Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textJesus F***ing, Christ.  

In episode two of our Visionary Remakes season, we survey the recent Coen brothers remake of True Grit (2010) and compare it to the original film, a John Wayne vehicle from 1969.Special Guest: Brian Eggert is the owner and film critic of Deep Focus Review, where he has written movie reviews, in-depth essays, and critical analyses since 2007. Brian also regularly appears on KARE 11, the NBC affiliate for the Twin Cities, to review and discuss movies. He belongs to the Society For Cinema and Media Studies, Minnesota Film Critics Alliance, Online Film & Television Association, International Film Society Critics, Independent Film Critics of America, The Critics Circle, and National Coalition of Independent Scholars.Westerns have gone through many cycles since the beginning of filmmaking. Right now, we are seeing an uptick in interest as the tv show Yellowstone dominates the traditional tv market. But back in 2010, Westerns were definitely far off in the background as comic book movies had begun to take over the box office. In 2010, the Coen brothers were coming off a very successful adaption of No Country for Old Men (2007) as well as two more left of center films, the sprightly spy romp Burn After Reading from 2008 and the niche existentialist A Serious Man from 2009. It is unclear why they decided to remake True Grit and focus on the novel from 1968 instead of the John Wayne movie which came a year later in 1969, but the choice was very successful. True Grit (2010) became the 2nd biggest Western in the modern box office.The 2010 True Grit showcases the refined talents of the Coens alongside the gorgeous cinematography of Roger Deakins, the layered and rich music from Carter Burwell, and a smashing breakout debut performance from Hailee Steinfeld as the lead Mattie Ross. The 1969 version of True Grit offers so much less. Despite John Wayne winning an Oscar for his portrayal of Rooster Cogburn, the original film seems totally out of step and out of time. In hindsight, it was an end-of-the-line production for the core creatives involved. The director, writer, and star actor were all at the end of their careers. Indeed this very type of Western was on its last leg as evidenced by the giant leap the genre made at the same time this film was being produced and released. Watch any of the bigger westerns from the late 1960s and then try to sit through True Grit (1969). The dislocation and disorientation is severe. The original True Grit was a swan song that came about a decade too late.

Send us a textIn which we grapple with one of the best, bleakest endings in movie history

Degens Andy S and Brandon Bombay just got back from pullin' off a job at Brainerd so they can talk about the Coen Bros' crime-comedy masterpiece 'Fargo.' Andy kicks off the episode by remembering when he dragged a group of friends (and their parents) to see this R-rated chiller in theater. Then the boys indulge in a fountain of conversation...a geyser, as they talk about what is perhaps the Coens' funniest movie. Stuffed with inept criminals and all-around low lifes, the film features a never-funnier Steve Buscemi and his sociopathic partner who embark on a crime/killing spree to kidnap the wife of William H. Macy's bumbling Jerry. Fortunately, Frances McDormand's saintly Marge is on the case to pick up nightcrawlers, endless orders of fast food, and apprehend the criminals who robbed and murdered people all while ruining a perfectly beautiful day. The lying and scheming degens may be popping out of every crevice — including hotel bars at the Radisson — but Marge's resolute goodness prevails. Oh geez, just check out the episode. 

Send us a textWe dig in deep on the Coens' masterful adaptation of Cormac McCarthy's lean, crushing, American epic.

We're bound to learn something as we're joined by the co-host of The Filmcast Podcast, Devindra Hardawar! We tackle Part 1 of our latest Tilda Swinton Double Header, the Coens 2008 overlooked political thriller masterpiece, Burn After Reading. Chapters Introduction (00:00:00) Hatch News (00:14:14) Burn After Reading Roundtable (00:16:44) Your Letters (01:16:46) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Sparse. Laconic. Expansive. Languid. Wry. The Coen Brother's 2007 Neo-Noir Western 'No Country For Old Men' moves to the fatefully ticking beat of it's own Grandfather Clock.  It's a film that rewards close viewing and is astoundingly faithful to Cormac McCarthy's novel while also being so completely a "Coen Brothers film" even as it's their (only?) adaptation of an existing book. Featuring an iconic performance by Javier Bardem as the philosophical killer Anton Chigur, brilliant cinematography from frequent Coen collaborator Roger Deakins, and perfectly wrought twangily-Texas turns by Josh Brolin and Tommy Lee Jones. A number of signature Coens scenes of the lead characters interacting with a variety of shop clerks, receptionists, store owners, and authority figures abound.    

Send us a textDavid Sarnecki joins us at the waffle hut to talk about what is widely considered the Coen's worst film, the madcap-yet-sluggish remake of an Ealing Studios classic.

Send us a textIn which we both do and do not forget about about Kershner

In 1994, indie darlings the Coen Brothers went for the big time with a playful pastiche of classic Hollywood movies that pulled out every visual and comedic stop… and still crashed and burned at the box office. Host Rico Gagliano tells the story of the soaring Coens movie that paved the way for the flatlands of FARGO. Guests include HUDSUCKER's legendary cinematographer Roger Deakins (BLADE RUNNER 2049), acclaimed film podcaster Karina Longworth (YOU MUST REMEMBER THIS), and more.The latest season of The MUBI Podcast – BOX OFFICE POISON — dives into six visionary films... that were also notorious flops. Inspired by the new book of the same name by Tim Robey, film critic for The Telegraph, every episode is a wild ride through a great movie's rise, and fall, and rise.This holiday season, to gift the world's best movies visit mubi.com/gifts. To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country. MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Hello friends and familiars! As 2024 begins drawing to a close, it is time for us to start looking back over the year to cover some of our present blindspots, as we do every year. This year, we begin with Arthur's pick. The Ethan Coen and Tricia Cook joint Drive-Away Dolls. We discuss the Coens, crime, and much more in an unfortunately short episode. Join us now! TIMESTAMPS 00:30 - Introductions and Synopsis 02:49 - Quick Drive-Away Dolls Reviews 13:45 - Expanding the Syllabus 25:07 - Analysis 35:20 - Shelf or Trash 35:47 - Wrap Up and Next Week's Film