Podcasts about coens

In this extra special live event To the White Sea makes study group history as we explore deep secrets, hidden connections, and cinematic revelation in the work of the Coen brothers. In our quest for the truth we're joined onstage by Connoisseur of Context Griffin Newman, longtime Coens collaborator Skip Lievsay, and script supervisor of The Ladykillers Joni Tefoya (Heidi Gardner). Legendary storyboard artist J. Todd Anderson also joins us via video essay for an incredible look at shots that recur across the Coens' filmography. Thank you LIFE WORLD and everyone for coming out! Producer: Michael Tyburski Graphic Designer and Live Visuals: Jason Katzenstein Audio Technician: Alex Bliss Audio Equipment: Caley Monahon-Ward Life World Staff: Sarah Wilson, Ian Faria Catalog of Coens - Video Link

In this solo Thanksgiving episode of Challenge Accepted, Frank breaks down The Ballad of Buster Scruggs, the Coen Brothers' Netflix Western anthology that has quietly become one of his holiday staples. Story by story, he digs into how each vignette wrestles with death, chance, and human nature, from Tim Blake Nelson's singing gunslinger to Tom Waits' stubborn prospector and that iconic "First time?" hanging meme. Along the way, Frank talks about why the film feels so cozy despite its bleak themes, how the Coens use digital cinematography to shape tone, and what these stories say about nihilism, love, and our place in nature. He also shares a life update about Thomas, explains why Bob's Burgers Thanksgiving episodes are next on the docket, and invites listeners into a holiday mood filled with gratitude, movies, and a little existential dread. The Ballad of Buster Scruggs - … Timestamps And Topics 00:00 – Thanksgiving vibes and a Western anthology about death Setting the stage for a cozy Thanksgiving viewing tradition with The Ballad of Buster Scruggs, its Old West setting, and its obsession with mortality. 00:30 – Solo episode, schedule shuffle, and Thomas' big life update Why this is a solo show, Jonathan stepping in for a bit, and celebrating the arrival of "little Thomas" as a new geek in the world. 01:48 – Story 1: Buster Scruggs and our love of violent antiheroes Tim Blake Nelson's singing cowboy, the bright musical tone hiding casual brutality, and how the film forces us to realize we have been rooting for a monster. 03:49 – Myth-making, digital cameras, and the Coens revisiting a 20-year-old story How the segment plays like a live action cartoon, the use of bright digital cinematography, and what it means to film a story they wrote when they were young and fearless. 07:17 – Story 2: Near Algodones and the "First time?" meme James Franco's unlucky outlaw, Stephen Root in full chaos mode, armored pots and pans, botched hangings, and how that viral "First time?" moment taps into nihilism. 12:11 – Chaos, chance, and the pretty girl in the blue dress Reading the ending as both "enjoy the moment" and "life has no grand design," where you might meet someone perfect at the exact moment you cannot do anything about it. 13:24 – Story 3: Meal Ticket and brutal exploitation Harry Melling's limbless orator, Liam Neeson as a cold manager, freak show roots, the math-doing chicken, and the quiet horror of being treated as a "meal ticket." 17:57 – The cliff, the stone, and the unseen choice Why the rock in the river says everything without dialogue, and how the story captures helplessness when your fate is decided by someone else's bottom line. 19:24 – Story 4: All Gold Canyon, Tom Waits, and living with nature Tom Waits' prospector, "Mother Mercury," working with the land instead of stripping it, Mr. Pocket, and a rare Coen story where the character actually survives. 21:35 – Eggs, owls, and taking only what you need Reading the owl nest scene as a lesson in balance: taking one egg instead of all, and how the valley reclaims itself when humanity eventually moves on. 26:10 – Story 5: The Girl Who Got Rattled and the unfairness of the frontier Alice's journey on the wagon train, dependence on men in the Old West, Billy Knapp's gentle cowboy charm, Mr. Arthur's grit, and a fragile romance on the trail. 29:15 – President Pierce, the war party, and a tragic misread The dog as foreshadowing, the tense ambush, Arthur's desperate instructions, and Alice following her assignment a moment too soon. 32:33 – Story 6: The Mortal Remains and a stagecoach to the afterlife Five strangers in a stagecoach, bounty hunters as philosophical guides, competing views of humanity, and the slow realization that everyone on board is already dead. 35:05 – Looking into their eyes as they "try to make sense of it" The slider's chilling explanation of his job and how it mirrors us watching story after story, trying to understand death and never quite managing it. 37:42 – Why Buster Scruggs might be the ultimate Coen Brothers sampler Connections to Raising Arizona, Fargo, and Hudsucker Proxy, experimenting with digital, and why Frank considers this film a masterclass in filmmaking. 38:57 – Bob's Burgers Thanksgiving tournament and holiday plans Kicking off the Bob's Burgers Thanksgiving episode bracket on social media and inviting listeners to vote and share their favorites. 39:37 – Challenge Accepted contact info and gratitude for listeners How to email the show, where to find Challenge Accepted online, and a heartfelt thank you to everyone spending their Thanksgiving season with the podcast. Key Takeaways The Ballad of Buster Scruggs is a surprisingly cozy Thanksgiving watch that pairs warm, nostalgic vibes with stark meditations on death and human nature. The opening Buster Scruggs segment lures you in with music and comedy, then forces you to confront how easily we celebrate violent "heroes" until the cost is made personal. Near Algodones turns a simple bank robbery into a darkly funny loop of bad luck and hanging attempts, with the "First time?" moment becoming a perfect meme for quiet resignation. Meal Ticket is one of the bleakest Coen stories, laying bare how talent and passion can be discarded the second a more profitable novelty appears. All Gold Canyon offers a rare bit of hope, showing a prospector who survives and a valley that proves nature will outlast any one human. The Girl Who Got Rattled underlines how dangerous and unfair the frontier was for women, building a gentle love story only to let chaos tear it apart. The Mortal Remains recontextualizes the entire film, framing the bounty hunters as observers of human confusion about death and the afterlife, much like the audience. Altogether, the anthology works as a meditation on luck, mortality, and acceptance, urging us to live, observe, and appreciate moments even when the ending is inevitable. Memorable Quotes "We are rooting for him as well. He tortures this man before finally killing him, but again, we are rooting for him. Then the Man in Black arrives." "You meet the girl that likes you back when there is nothing you can do about it, and life is that way. It is chaotic and it is fruitless sometimes." "No matter how hard you try, sometimes life will just give you nothing, and an outside source may make that decision for you." "We take what we need, not necessarily what we want, and nature can continue growing as those birds will now hatch." "You just got to roll those dice. You just got to play the cards you get and move forward." Call To Action If you enjoyed this deep dive into The Ballad of Buster Scruggs and how it fits into your Thanksgiving movie rotation, make sure you follow Challenge Accepted on your favorite podcast app. Subscribe so you never miss an episode, leave us a rating and review to help more movie fans find the show, and share this episode with a friend who loves the Coen Brothers. When you post about the episode, tag us and use #ChallengeAcceptedPod so we can see your thoughts and segment rankings. Links And Resources Visit GeekFreaksPodcast.com for all the geek news we talk about across the Geek Freaks network and to stay up to date on our latest episodes and projects. Stream The Ballad of Buster Scruggs on Netflix to follow along with the stories discussed in this episode. Follow Us Stay connected with Challenge Accepted: Instagram: @challengeacceptedlive TikTok: @challengeacceptedlive Twitter: @CAPodcastLive For more shows and news from the network, visit GeekFreaksPodcast.com and follow Geek Freaks on social media. Listener Questions We would love to hear from you. Send us your questions, challenges, and movie picks: Which Ballad of Buster Scruggs segment hit you the hardest and why Your go to Thanksgiving movies or episodes Coen Brothers films you want us to cover next Challenge Accepted, Geek Freaks Podcast, The Ballad of Buster Scruggs, Coen Brothers, Netflix Western anthology, Thanksgiving movies, Movie review podcast, Film analysis, Tim Blake Nelson, James Franco, Liam Neeson, Tom Waits, Anthology movies, Geek culture podcast, Challenge Accepted Live

Few films strike the perfect balance between dark humour, bleak violence, and unforgettable characters quite like Fargo (1996). In this week's Born to Watch deep dive, the boys return to the bitter cold of Minnesota to revisit a Coen Brothers classic in our full Fargo Movie 1996 Review. Whitey, Gow and Morgz each recount their own memories of first seeing Fargo, or in Dan's case, pretending he remembers anything from the 90s, before jumping headfirst into one of the most uniquely crafted crime films ever made.The episode kicks off with the lads debating their first screening. Whitey vividly remembers dragging everyone to the Dendy at Martin Place, feeling like a highbrow film buff discovering something special. Gow recalls the off-beat charm hitting him straight away. Dan, naturally, remembers nothing, except that he probably recommended the film, selected the seats, and probably did everything else. Classic Morgz. From there, the group dives into just how extraordinary Fargo's cast was at the time. The Coens pulled together a line-up of "relative nobodies" only to turn them into household names nearly three decades later.The chat quickly turns to Minnesota cold weather, obscure fast-food chains, and one of the great running bits of the episode, exactly how many times Morgz allegedly found himself "accidentally" next to someone mid-romp during their travels. The boys also unpack the brilliance of Frances McDormand's Marge Gunderson, who doesn't even appear in the film's first 34 minutes but completely owns the narrative once she arrives. She's sharp, funny, methodical, and easily one of the greatest characters of the '90s.Whitey breaks down the film's critical reception, comparing its Rotten Tomatoes and IMDb scores with those of past Born to Watch heavy hitters, such as Jaws, Rocky, The Terminator, and Catch Me If You Can. Morgs jumps in with Film School for Fuckheads, exploring how the Coens weaponised "Minnesota Nice" to create tension using politeness, silence, and awkwardness as narrative devices. From the meticulously written stuttering dialogue in William H. Macy's script to the off-kilter pacing of small-town conversations, the Coens built an atmosphere where the horror is subtle, creeping, and drenched in snow.Gow rolls through the cast, shining a spotlight on Steve Buscemi's legendary "funny looking" performance and the near-silent menace of Peter Stormare, who delivers only 18 lines across the film yet becomes one of its most iconic figures. The boys get into the famous wood-chipper scene, the fake "true story" marketing trick, and how half the audience in 1996 genuinely believed the events were real.There's also classic Born to Watch chaos, from detours into Shameless, to the worst movie endings ever made, to hookers in Hawaii, to Playboy magazines in glove boxes, to the eternal question: "Would you make sure your licence plates were right if you'd just kidnapped someone?"  Just another Wednesday on Born to Watch.The crew rounds things out with The Good, The Bad and The Ugly, celebrating the film's tight 94-minute runtime, near-perfect dialogue, incredible performances, legendary cinematography from Roger Deakins, and the deep satisfaction of a crime story where normal, everyday people take centre stage.Fargo isn't just a film, it's a vibe. A cold, bleak, funny, violent, polite vibe that the Born to Watch boys unpack with equal parts nostalgia and nonsense. Strap in, grab your Arby's, and enjoy one of our best episodes yet.#YouBetchaJOIN THE CONVERSATION  Is Fargo the greatest dark comedy of the '90s? Does the wood-chipper still make you squirm? And is Marge Gunderson the most likable cop in movie history?Listen now on Spotify, Apple Podcasts, or BornToWatch.com.auLeave us a five-star review; it helps the show more than you know. #Fargo1996 #FargoMovie1996Review #BornToWatchPodcast #CoenBrothers #FrancesMcDormand #MinnesotaNice #MovieReviewPodcast #90sMovies #DarkComedyFilms #FilmNerds

Six segments. Four legendary movie podcasters. Three and a half hours of keeping David Sims away from his family. Welcome to our Ballad of Buster Scruggs episode! How Did This Get Made's Paul Scheer and Jason Mantzoukas join the Two Friends to talk about the Coens' final film together (as of this recording), a grab bag of western vignettes that could have been titled “A Million Ways to Die in the West” if Seth MacFarlane hadn't already claimed it. We're picking our favorite segments, chatting about the “wild west” of Netflix projects back when Scruggs was greenlit, and ranking the Coens' filmography before we cover their solo directorial efforts. Oh, and Jason has a few bones to pick with Griffin and David about a certain section of the True Grit episode. Listen to How Did This Get Made - Grizzly II: Revenge w/ Jake Johnson Listen to the Coens on Fresh Air Check out the Parker Novels Check out the Darwyn Cook Parker novels graphic novel adaptation Listen to Telly Savalas' Album Listen to Tim Blake Nelson on WTF Read Joshua Pease piece on Buster Scruggs Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate our 200th podcast, we take a look at some of the less screened and spoken about movie masterpieces that give us "that feel". Movies like Chaplin's The Gold Rush, Renoir's Boudu Saved From Drowning, Forman's The Fireman's Ball, the Coens' Barton Fink, Wim Wenders' Wings of Desire among many others are what Secret Movie Club founder.programmer Craig Hammill calls "lightning bottle movie masterpieces". Movies that give you "that feel" of electric, exciting "I want to do this" moviemaking. We discuss 15 movies in all, including asserting that Citizen Kane, as discussed as it is, is taken for granted and underrated now. Our hope here is that you'll go check out or re-watch a few of these movies and seek out cinema that gives you "that feel" to make amazing movies. 

Chris Paul and Burning Bright dive into the 1994 Coen Brothers classic The Hudsucker Proxy, unraveling its sharp social satire and timeless allegory about capitalism, corruption, and the illusion of the American Dream. Through their lens, the film's absurd humor and stylized storytelling become a mirror for today's technocratic age, where media manipulation, corporate puppetry, and spiritual bankruptcy echo louder than ever. The hosts dissect its themes of divine timing, moral awakening, and circular invention, connecting Norville Barnes' rise and fall to the cyclical nature of societal “turnings.” With witty banter and philosophical depth, they explore how The Hudsucker Proxy—part comedy, part cautionary tale, captures the eternal battle between ego and purpose, power and providence. Equal parts film analysis, cultural critique, and metaphysical reflection, this Story Hour reminds listeners why the Coens' satire may be one of the most prophetic films of our era.

Boo! In this special episode we announce our live show COENS SECRETS UNLOCKED and unveil our new miniseries exploring the stage play work of the Coens. We kick off COENS THEATER VOL. I with the radio play SAWBONES, which debuted in April 2005 as part of Carter Burwell's Theater of the New Ear. Sawbones is a thrilling and bewildering triptych, simultaneously a 60s western TV show, a suburban melodrama, and a fire tower natural disaster thriller. Join us as we unpack a lost work of the Coens and Burwell at their most symphonic and triple-braided. And we'll see you all soon at LIFE WORLD! COENS SECRETS UNLOCKED - Get Your Tickets Now! Coens Covered: Sawbones, The Big Lebowski, Blood Simple Plus: K-CoreaINC.K (section a) (Dir: Ryan Trecartin) Theater of the New Ear - April 2005 performance at St. Ann's Warehouse, broadcast later on SiriusXM. Theater of the New Ear on CarterBurwell.com Want to join the study group? Follow us on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. These all really help the show. And join the Discord too! **You can also support us directly at https://ko-fi.com/tothewhitesea** For all things TTWS visit tothewhitesea.me

Scorsese and De Niro. Ford and Wayne. Hitchcock and Stewart. Peele and Kaluuya. The Coens and McDormand. Over the years, some directors and actors have become eternally linked thanks to their frequent and productive collaboration. The new duo to add to that immortal list is Yorgos Lanthimos and Emma Stone. Their new film, Bugonia, arrives in theaters this weekend, and the pair is once again stirring up a lot of Oscar buzz. Will Emma Stone win her 3rd lead actress Oscar, which would be her 2nd win from a Lanthimos collaboration? Are there other Oscar-worthy acting performances in Bugonia? Will this be Yorgos' most polarizing film ever? We discuss all those questions and more in our spoiler-free Bugonia review.   Show Open [00:00] Review Round 1 [06:12] Review Round 2 [12:41] Review Round 3 [19:15] Last Looks [25:55] Show Close [30:08]   Thanks for listening!   Please rate, review, and subscribe if you liked this episode!   For all things Popcorn for Breakfast: https://linktr.ee/popcornforbreakfast   Chat with us on Discord: https://discord.gg/7wGQ4AARWn Follow us on Twitch: https://www.twitch.tv/popcornforbreakfast Subscribe to our YouTube channel: https://www.youtube.com/channel/UCeVJZwPMrr3_2p171MCP1RQ Follow us on Spotify: https://open.spotify.com/show/4HhMxftbuf1oPn10DxPLib?si=2l8dmt0nTcyE7eOwtHrjlw&nd=1 Like us on Facebook: https://www.facebook.com/popcorn4breakfast Follow us on Twitter: @pfb_podcast Follow us on Instagram: @pfb_podcast Follow us on TikTok: https://www.tiktok.com/@popcornforbreakfast? popcorn4breakfast.com Email us: contact@popcorn4breakfast.com   Our original music is by Rhetoric, check them out on Spotify: https://open.spotify.com/artist/44JvjuUomvPdSqZRxxz2Tk?si=hcYoSMLUQ0iPctllftAg2g&nd=1

We love to pull the cork. Comedian (and probably the biggest Greek-American entertainer of our time) Stavros Halkias joins us to chat about 2010's True Grit, the Coens' true attempt to cash their post-Oscar blank check. We're talking about Hailee Steinfeld's incredible performance. We're talking about Jeff Bridges' distinctive mumbly delivery. We're talking about how this film is a considerable upgrade over the John Wayne original in possibly every way. We're also talking about how everyone probably smells awful in this movie. And we're talking a lot about the Morris Chestnut network TV show “Watson” for some reason. Join us by the campfire, it's a fun time! Check out Bugonia Read David's Interview with Yorgos Check out the profile of the owner of Panathinaikos B.C. Check out Charles Portis' other books Watch Booboo Kills Yogi" ending See Stavvy Live Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Today is all about mega presences—performances with so much character, life, and musicality breathed into them by their actors that they seem to haunt an entire film and stick with you long after the credits have rolled and the house lights have come on. And we are thrilled beyond words to be joined by a one-of-one artist, the great Will Oldham! Jumping off from a rather intense skydiving scene in To the White Sea, Will talks to us about how you can craft a performance by drawing on formative experiences and memories of people you once knew. He also tells us about how you can perform for an audience by in some sense becoming the audience, and brings awesome insights to all of the Coens films we cover, often bringing in counterpoint scenes from other films that unlock the richness of the performances. Special thanks to Rebecca Bulnes and her grandmother Maria for helping us with the Spanish translation of a pivotal moment in Blood Simple in a brand new segment called To the White Sea: The Latin Beat. Coens Covered: No Country for Old Men, Fargo, The Man Who Wasn't There, Blood Simple, The Big Lebowski, Burn After Reading, True Grit, Inside Llewyn Davis Plus: Jackass 3D, Minnie and Moskowitz, Longlegs, One Battle After Another, The Three Burials of Melquiades Estrada Want to join the study group? Follow us on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. These all really help the show. And join the Discord too! **You can also support us directly at https://ko-fi.com/tothewhitesea** For all things TTWS visit tothewhitesea.me

And…we're back! Did you miss us? You can say so—it's OK. Yes, it's the return of Vintage Sand, your film history podcast, with our first episode since May. It was a frantic and wonderful summer, but now the leaves are falling and it's time for us to get back to what we love to do, with a double episode no less than 25 years in the making. That's right, fellow film fanatics; it's Vintage Sand's Top Ten Films of the 21st Century (So Far). And once again, a major cultural institution has stolen our ideas! When last we three met in May, we had decided to do these episodes. But fate intervened and delayed us, and, sure enough, when we opened up the “New York Times” in mid-July, there was their best of the century list so far. This has happened to us far too often to be coincidence—anyone know any good intellectual property lawyers out there? And that “Times” list was truly interesting in several ways. First of all, we much preferred the fan's list of the Top 100 (to my great pleasure it included “La La Land”, “Blade Runner 2049”, “Sinners” and “Midsommar”). But, in what was perhaps a bit of quiet backlash to the 2022 “Sight & Sound” Poll, there were only a handful of directors of color, and fewer female directors than one might have expected. On the other hand, the clear “winner” of the Times poll was Christopher Nolan, the only director with five films on the list (the Coens, PTA, Alfonso Cuarón each had four). Nolan is the Hitchcock of our times, in the sense that he is one of those rare directors who both receives critical acclaim and puts asses in the seats. Now if he would only put those blaring soundtracks a little lower in the audio mix so that older, cranky audience members such as us have a shot at hearing the dialogue… Ultimately, the work we put into creating these lists revealed a surprising and heartening result. From long before the time we started Vintage Sand back in 2018, all we've heard is doom and gloom about the state of cinema this century. “Film is dead” because folks are watching on their phones, or because of the algorithm, or because of streaming, or because of the emphasis on the global film marketplace over the domestic, or because our attention spans have vaporized, and on and on. Not that those are not real issues, but the death of film has been continuously reported since sound arrived roughly a century ago. And let me tell you, dear and faithful listeners: we had an incredibly difficult time narrowing down our respective lists to 25, let alone 10. We were overwhelmed with the number of creative, innovative, and moving films we had to choose from, films that will stand the test of time as well as any you could mention from the imagined “Golden Ages” of film. So our message, in the end, is one of optimism. Film is still a vital and glorious art form, and while you may have to dig around a bit more than you used to to find the greatness, it is clearly there. Enjoy these two episodes, and join us in facing the future of film with anticipation, excitement and joy.

Phil and Emily wrap up their Oscar-winning Best Director follow-ups mini series with Joel and Ethan Coen's Burn After Reading. They're joined by Brooke Solomon and Jordan Gustafson, from the podcast The Queer Quadrant, to dig into this razor-sharp dark comedy that skewers espionage, bureaucracy, and human foolishness in equal measure.From the Coens' tonal whiplash to the film's biting satire of post-9/11 paranoia, the conversation unpacks the brilliance of a story where no one really knows what they're doing but the chaos still matters. Along the way, they revisit the stacked ensemble of Clooney, Pitt, McDormand, and Malkovich, while situating the film within the Coens' endlessly inventive career.If you enjoy this episode and want more exclusive deep dives, bonus content, and special mini series, join our Patreon at patreon.com/PodcastLikeIts. Hosted on Acast. See acast.com/privacy for more information.

ACADEMY AWARD WINNER FOR BEST PICTURE!! No Country for Old Men Full Movie Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With Ethan Coen's "Honey Don't" out now & Josh Brolin garnering rave reviews in "Weapons," Andrew & Aaron are BACK to give their No Country for Old Men Reaction, Recap, Commentary, Breakdown, & Spoiler Review! The Coen Brothers' 2007 Academy Award-winning thriller No Country for Old Men comes to our channel as Aaron Alexander & Andrew Gordon dive into a first-hand Reaction & Review of one of the most iconic modern Western crime dramas. Based on the novel by Cormac McCarthy and directed by Joel & Ethan Coen (Fargo, The Big Lebowski), the film follows the deadly chain reaction set off when Vietnam veteran Llewelyn Moss (Josh Brolin – Sicario, Deadpool 2) stumbles upon a drug deal gone wrong and takes off with a suitcase full of cash. His decision puts him on the radar of Anton Chigurh (Javier Bardem – Skyfall, Vicky Cristina Barcelona), the cold-blooded hitman whose coin toss scenes have become some of the most chilling and famous moments in film history. Also starring Tommy Lee Jones (The Fugitive, Men in Black) as Sheriff Ed Tom Bell, who struggles with the moral decay and unstoppable violence he sees in modern crime, and Woody Harrelson (True Detective, Natural Born Killers) as Carson Wells, a bounty hunter caught in the crossfire, the movie blends psychological tension with brutal realism. With unforgettable scenes such as Chigurh's silenced shotgun and the iconic “call it” gas station confrontation, No Country for Old Men remains a haunting meditation on fate, chance, and justice. Aaron & Andrew break down the performances, themes, shocking ending, and the Coens' masterful direction that cemented this film as a modern classic. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

The Two Friendos, plus “Masterpiece” Leslye Headland and “I would have had no problems handling that bag of money” Ben Hosley take on one of the most acclaimed films of the 21st century in this week's episode. It's No Country For Old Men week on Blank Check! We're chatting about Anton Chigurh's strange physicality, Tommy Lee Jones' tired resignation, and Josh Brolin's career breakthrough in this episode, all while lavishing praise on the Coens' practically perfect film. Now tell us - what's the most that you've ever lost on a coin toss? Check out the SNL Jumanji Sketch Read Cormac McCarthy's Books Check out the Brooklyn Kolache Company Check out Every Frame a Painting Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Laughter—why does it happen? Brilliant filmmaker and comedy consigliere Ian Faria joins the study group to break down comedy in all its forms, be it slapstick physical violence, zinging dialogue, or a slow-burn silent reveal. Ian is just wrapping up post-production on a feature with his comedy group Simple Town and has much to share. This episode is the whole ball of wax and you're just gonna love it—definitely stay tuned to the very end for a surprise...! Coens covered: No Country for Old Men, Raising Arizona, The Big Lebowski, O Brother Where Art Thou?, The Ladykillers, Burn After Reading Plus: Friendship, Simple Town Goes to London Want to join the study group? Follow us on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. These all really help the show. And join the Discord too! **You can also support us directly at https://ko-fi.com/tothewhitesea** For all things TTWS visit tothewhitesea.me

Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY THAT MAY DISTURB SOME LISTENERS.  What's the rumpus? This week TGTPTU gives the Coen Brothers movie classic MILLER'S CROSSING (1990) the treatment as part of its Squib Season, see.  Lensed by Barry Sonnenfeld in his last frolic as the brothers' cinematographer, Ethan Coen told the man with a golden eye that Miller's Crossing should be a handsome film about men in hats, and Sonnenfeld delivers the goods with one spectacularly shot period piece from the Prohibition Era.  The picture stars Gabriel Byrne as Tom Reagan, the hard-drinking, harder-gambling Irish consigliere who knows all the angles, who's having an affair with his boss's skirt Verna Bernbaum (played by Marcia Gay Harden, who shortly after filming would originate the role of Harper Pitt in Tony Kushner's two-part play Angels in America, see Season 7 of TGTPTU for more!).  Pod favorite John Turturro plays her brother Bernie, a conniving low-life crook who causes the friction in the ranks and can turn on the waterworks when needed. Jon Polito plays a loving dad allergic to the high-hat and with his right-hand J. E. Freeman playing the Dane (same year he'd star in Wild at Heart, see Season 4) they plan to take over the town from Albert Finney in one of his two roles as Tom's boss Leo (the other appearance uncredited, spoilers during the episode for this Easter egg). Also, director and occasional second-unit-for-the-Coens-director Sam Raimi (and, can you believe it, brother of actor Ted Raimi from Hard Target covered earlier this Squib Games season!) shows up to plug a speakeasy patron grabbing air before himself getting gatted. And if you still haven't had your fill, at this buffet of talent we even get a smattering of Steve Buscemi delivering ratatat dialogue for a scene.   This ep, Jack brings the book report, Thomas the Danish facts, Ken reenacts the experience of watching Miller's Crossing with him by dropping movie quotes throughout the episode, Ryan brings up Gabriel Byrne's acting chops, and all four hosts harmonize on the greater good.   Now get outta here. You're stinking up the joint.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

And…we're back! Did you miss us? You can say so—it's OK. Yes, it's the return of Vintage Sand, your film history podcast, with our first episode since May. It was a frantic and wonderful summer, but now the leaves are falling and it's time for us to get back to what we love to do, with a double episode no less than 25 years in the making. That's right, fellow film fanatics; it's Vintage Sand's Top Ten Films of the 21st Century (So Far). And once again, a major cultural institution has stolen our ideas! When last we three met in May, we had decided to do these episodes. But fate intervened and delayed us, and, sure enough, when we opened up the “New York Times” in mid-July, there was their best of the century list so far. This has happened to us far too often to be coincidence—anyone know any good intellectual property lawyers out there? And that “Times” list was truly interesting in several ways. First of all, we much preferred the fan's list of the Top 100 (to my great pleasure it included “La La Land”, “Blade Runner 2049”, “Sinners” and “Midsommar”). But, in what was perhaps a bit of quiet backlash to the 2022 “Sight & Sound” Poll, there were only a handful of directors of color, and fewer female directors than one might have expected. On the other hand, the clear “winner” of the Times poll was Christopher Nolan, the only director with five films on the list (the Coens, PTA, Alfonso Cuarón each had four). Nolan is the Hitchcock of our times, in the sense that he is one of those rare directors who both receives critical acclaim and puts asses in the seats. Now if he would only put those blaring soundtracks a little lower in the audio mix so that older, cranky audience members such as us have a shot at hearing the dialogue… Ultimately, the work we put into creating these lists revealed a surprising and heartening result. From long before the time we started Vintage Sand back in 2018, all we've heard is doom and gloom about the state of cinema this century. “Film is dead” because folks are watching on their phones, or because of the algorithm, or because of streaming, or because of the emphasis on the global film marketplace over the domestic, or because our attention spans have vaporized, and on and on. Not that those are not real issues, but the death of film has been continuously reported since sound arrived roughly a century ago. And let me tell you, dear and faithful listeners: we had an incredibly difficult time narrowing down our respective lists to 25, let alone 10. We were overwhelmed with the number of creative, innovative, and moving films we had to choose from, films that will stand the test of time as well as any you could mention from the imagined “Golden Ages” of film. So our message, in the end, is one of optimism. Film is still a vital and glorious art form, and while you may have to dig around a bit more than you used to to find the greatness, it is clearly there. Enjoy these two episodes, and join us in facing the future of film with anticipation, excitement and joy.

Miller's Crossing (1990) was chosen by supporter Justin, and it stands as one of the most stylish entries in the Coen Brothers' early catalogue. After the breakout success of Blood Simple and the quirky charm of Raising Arizona, the Coens set their sights on the gangster genre, crafting a film inspired by classic Dashiell Hammett novels such as The Glass Key and Red Harvest. Their vision was to make a thoughtful, atmospheric crime drama that combined sharp, layered dialogue with the kind of morally tangled storytelling that would become their trademark.The journey to get there wasn't exactly smooth. Midway through writing, the brothers hit a creative wall so severe they shelved the script and instead made Barton Fink before returning to finish Miller's Crossing. Filming in New Orleans gave the movie its richly authentic period feel, with Barry Sonnenfeld's moody cinematography and Carter Burwell's haunting score elevating the production. While the film didn't set the box office on fire, its craftsmanship and style have since earned it a devoted following and cemented its reputation as one of the Coens' most accomplished works.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠here⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠NordVPN⁠⁠⁠⁠NordPass⁠⁠Trailer Guy Plot SummaryIn a city of power, deception, and danger… One man navigates the shadows of loyalty and betrayal.From the visionary Coen Brothers comes Miller's Crossing — a stylish, tension-packed journey through the underworld, where every word is a weapon, every glance a threat, and nothing is as it seems. With danger lurking around every corner, alliances are tested, and the rules of the game are rewritten in blood and cunning.Miller's Crossing - loyalty has a price… and betrayal has consequences.Fun FactsMiller's Crossing (1990) was directed by Joel and Ethan Coen, following their cult hit Raising Arizona (1987).The film is considered one of the greatest gangster movies of the 1990s, heavily inspired by Dashiell Hammett's novels The Glass Key and Red Harvest.During production, the Coen Brothers experienced writer's block and paused to create Barton Fink (1991) before returning to finish Miller's Crossing.The title Miller's Crossing refers to the forested setting where some of the movie's most pivotal scenes take place.Cinematographer Barry Sonnenfeld gave the movie its iconic noir-inspired look, marking his last collaboration with the Coens before moving on to direct The Addams Family.The haunting score by Carter Burwell is infused with Irish folk influences, including themes based on the traditional piece Lament for Limerick.Despite a production budget of around $10–14 million, the movie only grossed about $5 million at the box office.Over the years, Miller's Crossing has been critically reappraised and is now celebrated as one of the Coen Brothers' finest works.The film is often ranked alongside Coen classics such as Fargo (1996) and No Country for Old Men (2007).Today, it's seen as a masterclass in neo-noir storytelling and has influenced a new generation of filmmakers in the gangster genre.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

We must have waffles forthwith! We must also have Connor Ratliff on the pod to talk about Tom Hanks for the first time since the completion of his Dead Eyes series! Join us for a spirited discussion about 2004's The Ladykillers, a film that is universally regarded as the Coens' worst, and is also the film that ended Hanks' legendary decade-long boffo box office streak. We're getting into defining the parameters of the world of “Weird Hanks.” We're getting into the…uh…uncomfortable racial depictions that mar this movie. We're getting to the “Root of the Matter,” and we're getting Connor to softlaunch an incredible new term - “Mooseporting.” Listen to Dead Eyes Listen to the Audiobook for The Making of Another Major Motion Picture Masterpiece Watch the second David S. Pumpkins Listen to Connor talk to Bobby Moynihan about David S. Pumpkins Read the David S. Pumpkins Oral History Check out Does the Dog Die Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Season 7! As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?" This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. This week, Paul chose a film close to his heart, Inside Llewyn Davis (2013). It's the fourth Coens film Paul and Corey have covered, and this discussion was a real treat. Art and life and (the lack of) success. Folk music and (fetishizing) authenticity and Bob Dylan. Schachtmanites.  Enjoy and pass the hat.  

Suchsland, Rüdiger www.deutschlandfunk.de, Kultur heute

Eine unterbeschäftigte Privatdetektivin aus dem wenig aufregenden kalifornischen San Fernando Valley ermittelt in einem mysteriösen tödlichen Autounfall. Schnell stößt sie auf eine mysteriöse evangelikale rechtsradikale Sekte. Ethan Coen, die eine Hälfte des legendären Brüderpaares der Coen-Brüder, legt mit „Honey Don't!" einen Film vor, der Lust an Übertreibung und Grenzüberschreitung hat.

Today we're joined by writer, researcher, and podcaster Edward Ongweso Jr. to discuss “the essence of The Dialectic,” as a highly-fictionalized Herbert Marcuse proclaims in Hail, Caesar! Dialectics: what are they, what is their function, and how might their theory and praxis manifest multifariously across the Coens' body of work? We discuss the history of the term, how the concept of keeping two ideas in tension is expressed within individual characters, and we finally tackle the loop-de-loop structure of Inside Llewyn Davis. This conversation is a deep dive and we hope you enjoy it as much as we did. Ed's podcast: This Machine Kills Ed's substack: The Tech Bubble Coens Covered: Hail, Caesar!, Inside Llewyn Davis, A Serious Man, No Country for Old Men, Raising Arizona, Miller's Crossing, Fargo Plus: No Direction Home Want to join the study group? Follow us on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. It really helps the show. And join the Discord too! **You can also support us directly at https://ko-fi.com/tothewhitesea** For all things TTWS visit tothewhitesea.me

SEASON 2 - EPISODE 157 - Garret Dillahunt - Actor In this episode of the Team Deakins Podcast, we speak with actor Garret Dillahunt (NO COUNTRY FOR OLD MEN, THE ASSASSINATION OF JESSE JAMES, DEADWOOD). We worked with Garret on NO COUNTRY and JESSE JAMES, and we had a wonderful time catching up with him. Garret shares how he made his way from rural Washington to the graduate program for acting at NYU, and we learn why he made the leap from theatre to film and television. While trading stories from NO COUNTRY, Garret shares a humorous episode involving himself, actor Tommy Lee Jones, the Coen brothers, and a bowl of wrapped candies, and we marvel at the Coens' ability to nudge actors into shooting their storyboards. In the latter half of our conversation, Garret recalls his experiences shooting the television series DEADWOOD, and we learn how those experiences set the tone for the rest of his career. Garret also reveals how showrunner David Milch wrote the show as they shot it, and we discuss the different strategies and approaches to coverage. Plus, we discuss dealing with imposter syndrome, and Garret reflects on the actor-in-a-supporting-role's tricky task of trying to find the vibe on a set at 2AM. - Recommended Viewing: NO COUNTRY FOR OLD MEN, THE ASSASSINATION OF JESSE JAMES, DEADWOOD - This episode is sponsored by Aputure & Barco

It's the episode you've all been waiting for - Seth Rogen joins us to talk about the Coens' 1998 stoner classic The Big Lebowski. It should come as no surprise that Lebowski has loomed large over Seth's work as a writer and director, and we're going in depth on the influence and lasting impact of The Dude. Make yourself a White Russian (but maybe take a Lactaid first), turn off The Eagles, and settle in for a hilarious three hours of film analysis and Hollywood anecdotes. Oh, and if you were wondering - in this episode, someone is made to answer for his crimes against Sammy Fabelman. Finally. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Take us with you for one last beach trip before summer ends here at Breakfast All Day. It's sort of an Arthouse Tuesday on a Friday with the mix of movie reviews we have for you. We begin with "Honey Don't," Ethan Coen's second solo outing without brother Joel. We both love the Coens, but we don't really agree on this. Margaret Qualley stars as a lesbian private eye investigating a suspicious car accident in Bakersfield, California. Aubrey Plaza, Chris Evans and Charlie Day co-star. In theaters. Next is "Splitsville," which we both loved. It's an indie rom-com focusing on two married couples and their twisted, intertwined lives. The understated meanness is delightful, but there's a vulnerability underneath. Dakota Johnson, Adria Arjona, Michael Angelo Covino and Kyle Marvin star. Covino directed from a script he and Marvin co-wrote. In theaters. Then we turn to the Devo documentary, titled appropriately, "Devo." If you love the '80s new wave band, you'll appreciate this breezy but super informative look at how they came together and created their signature look and sound. Plus the music is so great: Both of us feel lucky to have seen Devo in concert, and you should definitely check them out live if you can. Streaming on Netflix. Finally, it was a lengthy Movie News LIVE!, as we discussed the dismaying state of film journalism. Plus: sing-along "KPop Demon Hunters," Guillermo del Toro's "Frankenstein," and we remember the legendary Terence Stamp, who died this week at 87. Thanks for joining us. * Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/

LOOK OUT! It’s only Films To Be Buried With! Join your host Brett Goldstein as he talks life, death, love and the universe with the fabulous actor and writer CHARLIE DAY! If you're even feintly versed in the world of 'It's Always Sunny In Philadelphia', you'll be very well acquainted with the work of Charlie. But in the event that you are not, you must trust that this episode will delight you and fill you with joy, as Charlie is a wonderful time indeed. He and Brett connect straight off, and among other things you'll get to hear about the hearty recommendation that comes directly from Jason Sudeikis (Ted Lasso himself), being an SNL host, working with his heroes by way of the Coens, and the occasional situation where he finds himself forgetting to act. We've all been there. ENJOY - it's a lovely one! Video and extra audio available on Brett's Patreon! IMDB HONEY DON'T ALWAYS SUNNY –––––––––– BRETT • X BRETT • INSTAGRAM THE SECOND BEST NIGHT OF YOUR LIFE TED LASSO SHRINKING ALL OF YOU SOULMATES SUPERBOB (Brett's 2015 feature film)See omnystudio.com/listener for privacy information.

Sam Cohen joins us as we chat about the Coen brothers making the best western of the 2010s in their remake of True Grit! Together we talk everything Jeff Bridges, our relationship with the Coens and the sweetness of the ending

From the Coen Brothers comes the early millennium hit, "O Brother, Where Art Thou". Both avid fans and casual watchers of the Coens' work will find plenty to enjoy in this satirical comedy starring George Clooney, Tim Blake Nelson, and John Turturro. What did Jim and A.Ron think? And can you believe this is the first time Jim has seen this movie?! Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Did we get the director of Weapons, another “true story,” on our Fargo episode? You betcha. Zach Cregger joins the Blank Check crew to discuss the Coens' 1996 masterpiece and we're going SCENE BY SCENE dissecting this perfect movie. “Minnesota nice,” “Dark Marge,” the Mike Yanagita scene, the origins of Jerry's overwhelming debt, the inner life of Gaear Grimsrud, and the operatic score are just a few of the topics discussed. Did you know that Ben Hosley's first car was an Oldsmobile Cutlass Ciera? YOOU BETCHA. Note: This episode was recorded before we saw Weapons, so no spoilers here.  Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On the two hundred and seventy-second episode of THE THIRD ACT PODCAST, the crew are Coen' the distance.Christian, Jericho, and returning guest Mayra Russo do a deep dive into the CBCU (Coen Bros Cinematic Universe) with reviews of their neo-noir debut, BLOOD SIMPLE (1984), zany screwball farce/financial flop THE HUDSUCKER PROXY (1994), and downbeat noir character study, THE MAN WHO WASN'T THERE (2001).They also chat BRING HER BACK, FINAL DESTINATION: BLOODLINES, and THE NAKED GUN reboot in the Recently Watched segment before diving into Paul Walter Hauser reappraisal, smelly fish, noir horror, communication breakdowns, pessimism, and how the Coens contain multitudes.Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com  

(Gestures at a circle) You know, for kids! Mike Mitchell and Nick Wiger of the Doughboys join us for a freewheeling, gut-busting episode about the time Joel Silver gave the Coens a bunch of money to make a “commercial film” and then it ended up being 1994's The Hudsucker Proxy. A sampling of topics discussed: Paul Newman being hot up until the day he died (and possibly after), whether or not this movie has a Sturges protagonist in a Capra film or vice versa, whether or not the previous question even matters, the fact that Griffin has never seen The Wire yet has watched every episode of Greg the Bunny, the amount of baby wipes David has to buy in a month, the extent to which the style of humor in Hudsucker overlaps with that of The Simpsons, and a whole bunch of Yaddle talk for some reason. Read Caity Weaver's Mozzarella Sticks piece from 2014 Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a movie about hats, and a movie about giving folks the high hat. It's also a movie about how Jon Polito is the greatest actor in the world. It's Miller's Crossing! Filmmaker Ari Aster (go see Eddington!)  joins Griffin and David to discuss the Coen Brothers' knotty homage to the gangster genre, a film overloaded with memorable characters and witty lines of dialogue. We're doing a deep-dive on Gabriel Byrne, litigating Marcia Gay Harden's surprise Oscar win for Pollock, and once again examining the Coens' body of work through the lens of Jewish identity. Don't watch Tino's Dick Fart Read Faber Screenplay Books Check out Straight Time See Eddington Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Like a seashell to your ear, we are here. In this extra special episode of To the White Sea we are thrilled and honored to welcome Academy Award-winning sound editor Skip Lievsay, who has worked on more Coen brothers movies than the Coen brothers themselves! This paradox wrapped in an enigma will be unraveled along with so much more. Together we listen closely to scenes of “perfect quiet” when the volume of the soundtrack drops down to almost zero, yet it's in this zone where a whole galaxy of perception may be unlocked. We explore how these quiet scenes build tension, intimacy, tactility, and subjectivity. We also discuss Skip's fascinating working relationship with the Coens, as well as Martin Scorsese, Terrence Malick, and Darren Aronofsky. Immense thanks to Skip Lievsay, Kyle Miller, Mitchell Wareham, and Nina Leitenberg for their time and effort. Mega special thanks to Kate Sanford making this connection. Coens Covered: Blood Simple, The Big Lebowski, The Man Who Wasn't There, No Country for Old Men, The Ballad of Buster Scruggs Plus: The New World Want to join the study group? Follow TTWS on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. ***You can also support us directly at https://ko-fi.com/tothewhitesea*** For all things TTWS visit tothewhitesea.me – and join the Discord too!

Surprise! We're back with a new episode. We jump off from the idea introduced to us by J. Todd Anderson, by way of Alfred Hitchcock, that filmmaking is about two things (and according to J. Todd only these two things): suspense and surprise. We analyze ways in which films create a “burden of knowledge” in the mind of the audience, and how this can dramatically affect the way scenes play out on a screen and behind our eyes. Sometimes you're ahead of the characters, and sometimes they're way, way ahead of you. Check us out in the new episode of Blank Check where we kick off their Coen brothers mini series Pod Country for Old Cast with the first film in the Coens ouvre, Blood Simple! Coens Covered: Raising Arizona, No Country for Old Men, Barton Fink, True Grit, Intolerable Cruelty, The Man Who Wasn't There Want to join the study group? Follow TTWS on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. ***You can also support us directly at https://ko-fi.com/tothewhitesea*** For all things TTWS visit tothewhitesea.me – and join the Discord too!

Send us a textBecause in the end, maybe the real way was the brothers we made along the Coen.

Tonight, Born to Watch delves deep into the dusty, desolate West Texas badlands to dissect a modern masterpiece: the Coen Brothers' haunting 2007 thriller, No Country for Old Men. It's a film that sidesteps genre conventions, delivering existential dread with a bolt gun and cowboy boots. The full Born to Watch crew is in session, and from the moment Whitey's epic intro begins, you know this episode is going to be as layered and unpredictable as Anton Chigurh himself.Right from the start, the boys are firing, rattling off 2007's Oscar lineup, debating Juno's place in film history, and showering praise on Daniel Day-Lewis' oil-thirsty turn in There Will Be Blood. But tonight belongs to a different kind of monster: Javier Bardem's Anton Chigurh. Is he cinema's most terrifying villain? Whitey thinks he's second only to Darth Vader, and with that hair, maybe even scarier.As the team recalls first viewings and rewatch counts (shoutout to G Man's 15 and counting), the discussion spirals into tales of obsessive fans, including a local surfboard shaper who watched the movie weekly and theorised on every nuanced frame. This isn't just a movie, it's a layered riddle that demands attention, multiple viewings, and, apparently, a decent video store rental policy.Each Born to Watch host brings their own flavour to the conversation. Damo labels it a “one watcher” for its grim tone, while Dan declares it a regular “downtime” favourite on the land, fitting for a film that captures so much dusty silence and moral ambiguity. G Man and Whitey, meanwhile, dig into the deeper layers, noting how every watch reveals something new.The cast gets a well-deserved spotlight, with special attention paid to Javier Bardem's quietly horrifying performance. Gow dives into Bardem's rugby-playing past (yes, really) and his reluctance toward violent roles, ironic, considering Chigurh is basically Death with a pageboy cut. Josh Brolin's understated turn as Llewelyn Moss also gets love, as does Tommy Lee Jones' weary, philosophical sheriff. The gang reflects on Woody Harrelson's all-too-brief but memorable role and Kelly Macdonald's heartbreaking final scene.And in true Born to Watch fashion, the episode isn't just about highbrow film theory; it's a ride. Expect detours into Aussie weather patterns, rogue toasties, and the quality of Diane Lane's 2010s filmography. There are tangents on Baywatch, Peter Phelps' acting career, and even a debate on the New Yorker's most pretentious film review ever written. Trust us, you won't want to miss Whitey translating the nonsense of a critic who thinks name-dropping Elmore Leonard makes a hot take.As always, the team weighs in on whether the film cracks the Rank Bank. But the real joy is in the journey: Gow's taglines, Dan's literary deep dives, and Damo's reluctant respect all add up to a collective conclusion: No Country for Old Men might just be the smartest film to ever feature a cattle gun.So, if you love Oscar-winning nihilism, coin toss-induced dread, or just want to hear a bunch of Aussie legends unravel one of the Coens' most unnerving films, this is the episode for you.JOIN THE CONVERSATION Is No Country for Old Men the Coens' bleakest brilliance or just a beautifully shot nightmare? Would you call it heads or tails… or just run for the hills? Is Anton Chigurh cinema's most chilling villain or just a man with a bad haircut and worse manners?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.Don't forget to LIKE, SUBSCRIBE, and click the

From misguided men to chaotic criminals, noir shadows to screwball shenanigans—the Coens have done it all.  In this episode, we're drafting our ultimate lineup of Coen Brothers films, one pick at a time.  Is The Dude abiding early, or are we out of our element?  Will Fargo get picked faster than you can say "Yah, you betcha" or will we succumb to that Barton Fink feeling?  Would that it were so Blood Simple.  Expect passionate picks, surprising snubs and a whole lotta y'know... Coen-isms.email: openmicmovies@latertaterfilms.comwebsite: openmicmovies.buzzsprout.cominstagram: @latertaterfilms  

Send us a textAfter several movies with increasingly loose plot structures, the Coens say "f*** it, we're just doing an anthology".  And it kind of rules.

Burnie and Ashley discuss war movies, Marvel's warning shot, Bill Watterson, Gary Larson, Calvin & Hobbes, the Met Gala, fifteen minutes of material, India bombing Pakistan, nuclear powers, Kashmir, Elon's city in Texas, the world's largest undefended border, Real ID, book fairs, and distant Coens.Support our podcast at: https://www.patreon.com/morningsomewhereFor the link dump visit: http://www.morningsomewhere.comFor merch, check out: http://store.morningsomewhere.com

You are in for a treat today, pilgrim! I'll be ranking my favorite Western films of all time. I have a feeling many of these films will get a tip of my hat. However, I hope some of them are bad so I can shoot them into their grave. Keep your trigger finger ready and your eyes on the screen—yee-haw!

Producer Peter finally had to watch movies at 1x speed this week for the Cage Match Finale. Pig vs Raising Arizona. Sarnoski vs Coens. Nick vs Sean. We rented a local theater and watched a double header with a full house of guests. As it turns out, movies are fun in a theater. We are not done but this is a perfect time to thank everyone for listening and supporting us over the years. This was Cage Match.Intro music by: Bill Panks

Send us a textGwen Sisco returns to the program to talk about failure.  And some other stuff, but mostly failure.

Send us a textMichael Martin returns, bearing a writ of replevin

Since this podcast's inception, Anton Chigurh has been one of our most requested rogues. This week, we're playing a game of chance with this formidable foe as we finally dive deep into No Country for Old Men. Topics include: the origins of Cormac McCarthy's novel, the Coens process of adapting it, key differences between Chigurh's portrayal in the book vs the movie, reactions to the subversive final act, what the movie leaves out, the ways in which it might actually one-up the source material, and much more! Apple Podcasts | Spotify | Facebook | Instagram Chris's Instagram | Kristen's Instagram Chris & Kristen's Web Series: The Strange Case of Lucy Chandler

The Coen Brothers' BURN AFTER READING (2008) offers a jaundiced take on Washington and its institutions at the tail end of the Bush era. We were in a desperate need of a good time, and the Coen Brothers can always be depended on to deliver. PLUS: Chinese blockbusters vs. American blockbusters - who will own this century? PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/123667636

Send us a textRonny Abraxas joins the guys to delve into the most Coen-y Coen movie of all.

We've recently lost one of the great directors over the last few decades in David Lynch who was known for showing the dreamy and nightmarish side of America (and we need you now, David). The other great tellers of American stories over the same period have been Joel and Ethan Coen. They have protagonists who start out in precarious positions in life....then things go downhill. Welcome to episode 124 of See Hear Podcast. There's definitely a rhythm to the Coen Brothers' films....even if their films are not ABOUT music or musicians, they feel musical (and having Carter Burwell score many of their films doesn't hurt in that regard). Two films, however, stick out as music films in their catalogue – O Brother, Where Art Thou and Inside Llewyn Davis – it's the latter that is the focus of this episode. Sadly, neither Kerry nor Tim were available to record this show, but I welcome back film professor, author, and fellow podcaster Neil Fox back to the show. He selected Inside Llewyn Davis for our discussion, and I couldn't have been happier to revisit this 2013 film that has seemingly divided people on its merits (spoiler alert – we both love it). The film starts off in Greenwich Village in 1961, and is about a few days in the life of folk musician Llewyn Davis (Oscar Isaac) as he moves from couch to couch, gig to gig, kindness to kindness....and he responds poorly despite being the recipient of others' good nature towards him. Is he an awful human being, or is he lashing out due to a terrible event regarding a former musical partner? Neil and I had a great conversation about this film and a variety of related issues. Since the film is Bob Dylan adjacent, we had to bring in our thoughts about the recently released Dylan biopic focusing on his early years, A Complete Unknown and see how its tone contrasts with the Coens outlook. I am grateful for Neil giving over his time to chat with me. He brings a perspective I was fascinated to hear. If you wish to hear more of Neil, you should tune into his show The Cinematologists hosted with Dario Llinares. Info at https://cinematologists.com/ Also, look into his great book “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify) or you can also download it from the website at https://seehearpodcast.blogspot.com/2025/02/see-hear-episode-124-inside-llewyn-davis.html Proudly Pantheon Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textJesus F***ing, Christ.  

We're bound to learn something as we're joined by the co-host of The Filmcast Podcast, Devindra Hardawar! We tackle Part 1 of our latest Tilda Swinton Double Header, the Coens 2008 overlooked political thriller masterpiece, Burn After Reading. Chapters Introduction (00:00:00) Hatch News (00:14:14) Burn After Reading Roundtable (00:16:44) Your Letters (01:16:46) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.