Podcasts about coens

Send us a textAfter several movies with increasingly loose plot structures, the Coens say "f*** it, we're just doing an anthology".  And it kind of rules.

Burnie and Ashley discuss war movies, Marvel's warning shot, Bill Watterson, Gary Larson, Calvin & Hobbes, the Met Gala, fifteen minutes of material, India bombing Pakistan, nuclear powers, Kashmir, Elon's city in Texas, the world's largest undefended border, Real ID, book fairs, and distant Coens.Support our podcast at: https://www.patreon.com/morningsomewhereFor the link dump visit: http://www.morningsomewhere.comFor merch, check out: http://store.morningsomewhere.com

You are in for a treat today, pilgrim! I'll be ranking my favorite Western films of all time. I have a feeling many of these films will get a tip of my hat. However, I hope some of them are bad so I can shoot them into their grave. Keep your trigger finger ready and your eyes on the screen—yee-haw!

Producer Peter finally had to watch movies at 1x speed this week for the Cage Match Finale. Pig vs Raising Arizona. Sarnoski vs Coens. Nick vs Sean. We rented a local theater and watched a double header with a full house of guests. As it turns out, movies are fun in a theater. We are not done but this is a perfect time to thank everyone for listening and supporting us over the years. This was Cage Match.Intro music by: Bill Panks

The Coens keep coming this week on Hell of a Picture as we dive into the ‘87 screwball comedy, Raising Arizona. The guys open the show discussing the comedic influences of the film and how it manages to make horrible crimes both funny and endearing. Andrew talks about the semi-fantastical setting, while Dave touches on the movie's political leanings. They talk about the American dream, the baby-boom of 80's film, and the movie's message of hope. Before we begin, did you get your dip-tet shot? You've got to get the dip-tet shot. That's this week on Hell of a Picture.

Send us a textGwen Sisco returns to the program to talk about failure.  And some other stuff, but mostly failure.

O Brother, Where Art Thou? is a Depression-era comedic-adventure-musical that follows three escaped convicts as they journey across Mississippi in search of hidden treasure, encountering bizarre characters and unexpected twists along the way—all set to a rich backdrop of American folk and bluegrass music.Starring George Clooney and directed by Joel & Ethan Coen, O Brother, Where Art Thou? was released December 22, 2000.Where to watch O Brother, Where Art Thou?NotesDown From The Mountain (music documentary)Eudora Welty's photographyRecommendationsTim: Sullivan's Travels (Sturges, 1941) — where to watchTay: The Ballad of Buster Scruggs (Coens, 2018) — where to watchFollow: SSC on Instagram Tim on Letterboxd

Tim and Andrew take a quick bite out of the Coens' O Brother, Where Art Thou? They talk about the tunes, the laughs, and pairing it with Sullivan's Travels.

Andrew Finlay Stewart is an artist and musician, and the host of the podcast The Rules of the Show, which you can find on Instagram (@therulesoftheshow) and wherever you get podcasts. ---Inside Llewyn Davis is a melancholic drama set in the 1960s folk music scene, following a struggling musician navigating the unforgiving New York winter in pursuit of artistic success.  Starring Oscar Isaac and directed by Joel & Ethan Coen, Inside Llewyn Davis was released December 6, 2013.  Where to watch Inside Llewyn DavisRecommendationsAndrew: Sprout Wings and Fly (Blank, 1983) — where to watchTim: Amadeus (Forman, 1984) — where to watchTay: Eden (Løve, 2014) — where to watchFollow: SSC on Instagram Tim on Letterboxd

Welcome to the Tim Anderson podcast, where Tim, alongside his friends Ryno and Lauren, delves into the gritty world of the Coen Brothers' masterpiece, No Country for Old Men. In this episode, the trio gets back into their recording routine, focusing on the masculine themes and cinematic brilliance of this neo-Western crime thriller. Tim recounts its complex plot, stellar cast, and the philosophical underpinnings of fate and inevitability as portrayed through the characters of Ed Tom Bell, Llewellyn Moss, and the chilling Anton Chigurh. With discussions ranging from its Oscar-winning success to memorable performances and thought-provoking scenes, the podcast offers a deep dive into what makes this film stand out in cinema history. Listeners are taken through an engaging conversation about the movie's legacy, its impact on the careers of its stars, and its lasting appeal as both a commercial success and a critical darling. Whether you're a fan of the Coens' work or new to their films, this episode promises to enlighten and entertain with its humor, insights, and passion for peak cinema.

Send us a textMichael Martin returns, bearing a writ of replevin

Since this podcast's inception, Anton Chigurh has been one of our most requested rogues. This week, we're playing a game of chance with this formidable foe as we finally dive deep into No Country for Old Men. Topics include: the origins of Cormac McCarthy's novel, the Coens process of adapting it, key differences between Chigurh's portrayal in the book vs the movie, reactions to the subversive final act, what the movie leaves out, the ways in which it might actually one-up the source material, and much more! Apple Podcasts | Spotify | Facebook | Instagram Chris's Instagram | Kristen's Instagram Chris & Kristen's Web Series: The Strange Case of Lucy Chandler

The Coen Brothers' BURN AFTER READING (2008) offers a jaundiced take on Washington and its institutions at the tail end of the Bush era. We were in a desperate need of a good time, and the Coen Brothers can always be depended on to deliver. PLUS: Chinese blockbusters vs. American blockbusters - who will own this century? PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/123667636

Send us a textRonny Abraxas joins the guys to delve into the most Coen-y Coen movie of all.

We've recently lost one of the great directors over the last few decades in David Lynch who was known for showing the dreamy and nightmarish side of America (and we need you now, David). The other great tellers of American stories over the same period have been Joel and Ethan Coen. They have protagonists who start out in precarious positions in life....then things go downhill. Welcome to episode 124 of See Hear Podcast. There's definitely a rhythm to the Coen Brothers' films....even if their films are not ABOUT music or musicians, they feel musical (and having Carter Burwell score many of their films doesn't hurt in that regard). Two films, however, stick out as music films in their catalogue – O Brother, Where Art Thou and Inside Llewyn Davis – it's the latter that is the focus of this episode. Sadly, neither Kerry nor Tim were available to record this show, but I welcome back film professor, author, and fellow podcaster Neil Fox back to the show. He selected Inside Llewyn Davis for our discussion, and I couldn't have been happier to revisit this 2013 film that has seemingly divided people on its merits (spoiler alert – we both love it). The film starts off in Greenwich Village in 1961, and is about a few days in the life of folk musician Llewyn Davis (Oscar Isaac) as he moves from couch to couch, gig to gig, kindness to kindness....and he responds poorly despite being the recipient of others' good nature towards him. Is he an awful human being, or is he lashing out due to a terrible event regarding a former musical partner? Neil and I had a great conversation about this film and a variety of related issues. Since the film is Bob Dylan adjacent, we had to bring in our thoughts about the recently released Dylan biopic focusing on his early years, A Complete Unknown and see how its tone contrasts with the Coens outlook. I am grateful for Neil giving over his time to chat with me. He brings a perspective I was fascinated to hear. If you wish to hear more of Neil, you should tune into his show The Cinematologists hosted with Dario Llinares. Info at https://cinematologists.com/ Also, look into his great book “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify) or you can also download it from the website at https://seehearpodcast.blogspot.com/2025/02/see-hear-episode-124-inside-llewyn-davis.html Proudly Pantheon Learn more about your ad choices. Visit megaphone.fm/adchoices

We've recently lost one of the great directors over the last few decades in David Lynch who was known for showing the dreamy and nightmarish side of America (and we need you now, David). The other great tellers of American stories over the same period have been Joel and Ethan Coen. They have protagonists who start out in precarious positions in life....then things go downhill. Welcome to episode 124 of See Hear Podcast. There's definitely a rhythm to the Coen Brothers' films....even if their films are not ABOUT music or musicians, they feel musical (and having Carter Burwell score many of their films doesn't hurt in that regard). Two films, however, stick out as music films in their catalogue – O Brother, Where Art Thou and Inside Llewyn Davis – it's the latter that is the focus of this episode. Sadly, neither Kerry nor Tim were available to record this show, but I welcome back film professor, author, and fellow podcaster Neil Fox back to the show. He selected Inside Llewyn Davis for our discussion, and I couldn't have been happier to revisit this 2013 film that has seemingly divided people on its merits (spoiler alert – we both love it). The film starts off in Greenwich Village in 1961, and is about a few days in the life of folk musician Llewyn Davis (Oscar Isaac) as he moves from couch to couch, gig to gig, kindness to kindness....and he responds poorly despite being the recipient of others' good nature towards him. Is he an awful human being, or is he lashing out due to a terrible event regarding a former musical partner? Neil and I had a great conversation about this film and a variety of related issues. Since the film is Bob Dylan adjacent, we had to bring in our thoughts about the recently released Dylan biopic focusing on his early years, A Complete Unknown and see how its tone contrasts with the Coens outlook. I am grateful for Neil giving over his time to chat with me. He brings a perspective I was fascinated to hear. If you wish to hear more of Neil, you should tune into his show The Cinematologists hosted with Dario Llinares. Info at https://cinematologists.com/ Also, look into his great book “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download from the website at https://seehearpodcast.blogspot.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textJesus F***ing, Christ.  

In episode two of our Visionary Remakes season, we survey the recent Coen brothers remake of True Grit (2010) and compare it to the original film, a John Wayne vehicle from 1969.Special Guest: Brian Eggert is the owner and film critic of Deep Focus Review, where he has written movie reviews, in-depth essays, and critical analyses since 2007. Brian also regularly appears on KARE 11, the NBC affiliate for the Twin Cities, to review and discuss movies. He belongs to the Society For Cinema and Media Studies, Minnesota Film Critics Alliance, Online Film & Television Association, International Film Society Critics, Independent Film Critics of America, The Critics Circle, and National Coalition of Independent Scholars.Westerns have gone through many cycles since the beginning of filmmaking. Right now, we are seeing an uptick in interest as the tv show Yellowstone dominates the traditional tv market. But back in 2010, Westerns were definitely far off in the background as comic book movies had begun to take over the box office. In 2010, the Coen brothers were coming off a very successful adaption of No Country for Old Men (2007) as well as two more left of center films, the sprightly spy romp Burn After Reading from 2008 and the niche existentialist A Serious Man from 2009. It is unclear why they decided to remake True Grit and focus on the novel from 1968 instead of the John Wayne movie which came a year later in 1969, but the choice was very successful. True Grit (2010) became the 2nd biggest Western in the modern box office.The 2010 True Grit showcases the refined talents of the Coens alongside the gorgeous cinematography of Roger Deakins, the layered and rich music from Carter Burwell, and a smashing breakout debut performance from Hailee Steinfeld as the lead Mattie Ross. The 1969 version of True Grit offers so much less. Despite John Wayne winning an Oscar for his portrayal of Rooster Cogburn, the original film seems totally out of step and out of time. In hindsight, it was an end-of-the-line production for the core creatives involved. The director, writer, and star actor were all at the end of their careers. Indeed this very type of Western was on its last leg as evidenced by the giant leap the genre made at the same time this film was being produced and released. Watch any of the bigger westerns from the late 1960s and then try to sit through True Grit (1969). The dislocation and disorientation is severe. The original True Grit was a swan song that came about a decade too late.

Send us a textIn which we grapple with one of the best, bleakest endings in movie history

Degens Andy S and Brandon Bombay just got back from pullin' off a job at Brainerd so they can talk about the Coen Bros' crime-comedy masterpiece 'Fargo.' Andy kicks off the episode by remembering when he dragged a group of friends (and their parents) to see this R-rated chiller in theater. Then the boys indulge in a fountain of conversation...a geyser, as they talk about what is perhaps the Coens' funniest movie. Stuffed with inept criminals and all-around low lifes, the film features a never-funnier Steve Buscemi and his sociopathic partner who embark on a crime/killing spree to kidnap the wife of William H. Macy's bumbling Jerry. Fortunately, Frances McDormand's saintly Marge is on the case to pick up nightcrawlers, endless orders of fast food, and apprehend the criminals who robbed and murdered people all while ruining a perfectly beautiful day. The lying and scheming degens may be popping out of every crevice — including hotel bars at the Radisson — but Marge's resolute goodness prevails. Oh geez, just check out the episode. 

Send us a textWe dig in deep on the Coens' masterful adaptation of Cormac McCarthy's lean, crushing, American epic.

We're bound to learn something as we're joined by the co-host of The Filmcast Podcast, Devindra Hardawar! We tackle Part 1 of our latest Tilda Swinton Double Header, the Coens 2008 overlooked political thriller masterpiece, Burn After Reading. Chapters Introduction (00:00:00) Hatch News (00:14:14) Burn After Reading Roundtable (00:16:44) Your Letters (01:16:46) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Sparse. Laconic. Expansive. Languid. Wry. The Coen Brother's 2007 Neo-Noir Western 'No Country For Old Men' moves to the fatefully ticking beat of it's own Grandfather Clock.  It's a film that rewards close viewing and is astoundingly faithful to Cormac McCarthy's novel while also being so completely a "Coen Brothers film" even as it's their (only?) adaptation of an existing book. Featuring an iconic performance by Javier Bardem as the philosophical killer Anton Chigur, brilliant cinematography from frequent Coen collaborator Roger Deakins, and perfectly wrought twangily-Texas turns by Josh Brolin and Tommy Lee Jones. A number of signature Coens scenes of the lead characters interacting with a variety of shop clerks, receptionists, store owners, and authority figures abound.    

Send us a textDavid Sarnecki joins us at the waffle hut to talk about what is widely considered the Coen's worst film, the madcap-yet-sluggish remake of an Ealing Studios classic.

Send us a textIn which we both do and do not forget about about Kershner

In 1994, indie darlings the Coen Brothers went for the big time with a playful pastiche of classic Hollywood movies that pulled out every visual and comedic stop… and still crashed and burned at the box office. Host Rico Gagliano tells the story of the soaring Coens movie that paved the way for the flatlands of FARGO. Guests include HUDSUCKER's legendary cinematographer Roger Deakins (BLADE RUNNER 2049), acclaimed film podcaster Karina Longworth (YOU MUST REMEMBER THIS), and more.The latest season of The MUBI Podcast – BOX OFFICE POISON — dives into six visionary films... that were also notorious flops. Inspired by the new book of the same name by Tim Robey, film critic for The Telegraph, every episode is a wild ride through a great movie's rise, and fall, and rise.This holiday season, to gift the world's best movies visit mubi.com/gifts. To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country. MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

This week, we're fixin' to do somethin' dumber than hell but we're gonna do it anyway, as we close out No-Theme-ber by circling back to the coin-flip best movie of 2007, a gravely serious and barbed-wire-taut neo-western crime thriller that the Coens still manage to sneak an enormous amount of low-key goofy comedy into. It's 2007's No Country For Old Men, written and directed by Joel and Ethan Coen, based on the book by Cormac McCarthy, and starring Josh Brolin, Javier Bardem, Tommy Lee Jones, Woody Harrelson, Kelly Macdonald, Garrett Dillahunt, Tess Harper, Barry Corbin, Beth Grant and Stephen Root. It's Hayley's nomination for November's canon consideration as we use the last Friday of the month to induct another classic into the pod pantheon. Plus: J Mo's trip to Gladiator II has us recounting memorable bad audience behavior from our years of going to the theater. If you'd like to watch this week's movie before listening to our discussion, No Country For Old Men is now streaming on both Amazon Prime and Netflix in Canada at the time of publication. Other works referenced in this episode include Wicked, The Stand (1994), The Stand (2020), Station Eleven, Bridesmaids, Ghostbusters: Answer The Call, Super 8, Star Trek Into Darkness, The Fabelmans, The Holdovers, Transformers One, Jack Reacher, Robin Hood (2010), Abigail, Maximum Overdrive, Terminator 2: Judgment Day, Mad Max: Fury Road, Furiosa: A Mad Max Saga, The Blues Brothers, The Big Lebowski, Grindhouse, There Will Be Blood, Inherent Vice, W. and Deadpool 2 among countless others. We'll be back next week to kick off another theme month as the last month of 2024 sees the return of A DePalmber to ReMalmber! That's right, we're going back to the well for DePalmber: Part De, which begins next Friday with The Untouchables, and continues with Body Double and our December canon entry, Blow Out. (We'll take a quick break from DePalma to celebrate Shaqmas with Shaquille O'Neal in Blue Chips.) Until then, we'll see you at the movies!!

Hello friends and familiars! As 2024 begins drawing to a close, it is time for us to start looking back over the year to cover some of our present blindspots, as we do every year. This year, we begin with Arthur's pick. The Ethan Coen and Tricia Cook joint Drive-Away Dolls. We discuss the Coens, crime, and much more in an unfortunately short episode. Join us now! TIMESTAMPS 00:30 - Introductions and Synopsis 02:49 - Quick Drive-Away Dolls Reviews 13:45 - Expanding the Syllabus 25:07 - Analysis 35:20 - Shelf or Trash 35:47 - Wrap Up and Next Week's Film

Send us a textLee Ngo returns to talk over the Coen's forgotten noir-riff, the aptly named Man Who Wasn't There

A Serious Man (2009) may seem much different from the Coens' adaptation of No Country for Old Men, which they released two years earlier. But they both concern a likable man who finds himself posing questions that the universe–or any of its weisest men–cannot answer. And even if there are glimpses of answers to the question “What does Hashem, or God, want,” neither late-thirties Larry or late-sixties Sheriff Bell can read the writing on the wall (or, in the case of A Serious Man, the writing on the teeth). The film begins with a quotation from Rumi, “Receive with simplicity everything that happens to you.” Join us for a conversation about one of the Coens' best films and a terrific look at people to whom things happen and are forced to receive the will of a God who never tips His hand about His intentions. There's been a great deal written about Joel and Ethan Coen; if you want to hear them talk about their work in their own words, check out this collection of interviews. Follow us on X and Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Also check out Dan's new Substack site, Pages and Frames, for more film-related material. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A Serious Man (2009) may seem much different from the Coens' adaptation of No Country for Old Men, which they released two years earlier. But they both concern a likable man who finds himself posing questions that the universe–or any of its weisest men–cannot answer. And even if there are glimpses of answers to the question “What does Hashem, or God, want,” neither late-thirties Larry or late-sixties Sheriff Bell can read the writing on the wall (or, in the case of A Serious Man, the writing on the teeth). The film begins with a quotation from Rumi, “Receive with simplicity everything that happens to you.” Join us for a conversation about one of the Coens' best films and a terrific look at people to whom things happen and are forced to receive the will of a God who never tips His hand about His intentions. There's been a great deal written about Joel and Ethan Coen; if you want to hear them talk about their work in their own words, check out this collection of interviews. Follow us on X and Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Also check out Dan's new Substack site, Pages and Frames, for more film-related material. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Send us a textDamn, we're in a tight pod

Hoo, boy, here we go. It's an internal monologue movie showdown between 1987's Raising Arizona and 2005's The Weather Man! Coens vs Verbinski! Cage Dancer John vs actor, Alec Wilson. Get your day started by boofing some pralines and loose Advil. Let's get into the placental logistics of quints, the pros and cons of the two penis problem and find out if Sean can remember what movies we actually watched! This is Cage Match.Intro music by: Bill Panks

Send us a textDan Shea returns for a meandering talk about the Coen's meandering neo-noir masterpiece.

Send us a textIn wich we wrap up talking about a man...sometimes there's a man, who for his time and podcast...hell, I done lost my train of thought.

Send us a textJoon Kim is here for, whoa daddy, stand back man, that's a, a fountain of conversation, man.

Send us a textYa know, for podcasts

Send us a textIn which we contemplate the life of the mind, and works of John Goodman

In this episode, I take a deep dive into the Coen Brothers' Miller's Crossing, a 1990 neo-noir that redefined the gangster genre. I explore how Joel and Ethan Coen bring their distinctive style to this film, subverting genre conventions while maintaining their signature dark humour and narrative complexity.I discuss the outstanding performances from Gabriel Byrne as the sharp-witted Tom Reagan, Albert Finney as the tough but tender crime boss Leo, Marcia Gay Harden as the enigmatic Verna, and John Turturro's unforgettable portrayal of the desperate Bernie Bernbaum. I also examine the talented supporting cast, including Jon Polito, J.E. Freeman, and Steve Buscemi.Behind the camera, the Coens are joined by cinematographer Barry Sonnenfeld, whose lush, moody visuals capture the film's intricate web of power, betrayal, and loyalty. Composer Carter Burwell adds another layer with his haunting score, further enhancing the film's atmosphere. I analyze how these elements combine to create a unique take on the gangster film, fitting seamlessly within the Coen Brothers' larger body of work.Tune in to hear my in-depth analysis of Miller's Crossing and its place in the Coen Brothers' cinematic legacy! Hosted on Acast. See acast.com/privacy for more information.

Send us a textChris Prentice returns to determine, once and for all, just what the rumpus is

Joe & Adam dive headfirst into the world of the Coen Brothers, with 2016's 'Hail, Caesar!' as their way in. Discussion includes: the Coens themselves, how funny is George Clooney? The problem with Hail, Caesar! And a guessing game of some Rotten Tomatoes rankings. 

We have to be thinking what if Kamala wins? What would I do now? What would I do differently? What would I do for the future? And that's really what this is all about, and the reason why the Coens and the Blackstones and Blackrock are buying hard assets is because they know that that the Republicans will ultimately not take the white house forever and eventually will succumb to a hardcore left ideology both on a social and fiscal policies. Rare coin prices have gone up considerably in the last 3 years.    According to Trump's Website - 20 Core Promises To Make America Great Again, nobody cares about most of it. The things that women actually care about is why Kamala is surging in the polls. Nobody cares about deportation, nobody cares about inflation, women don't care about that because free health care alone lowers their cost or you could almost say increases their standard of living by 20 to 30 percent. That's a tax cut. That can be re-engineered regurgitated and said we are giving you a tax cut. This is the problem. We wonder why we lost so heavy in ‘22. The conservative platform is really logical and measured and it's true governance but the other team plays the emotional heartstrings and they go to the emotional leads and they're really really good at that.

Send us a Text Message.Thor Klippert returns to talk about the Coen's sophomore feature, the G.D. perfect screwball caper RAISING ARIZONA

As a massive Coen Brothers fan, Shea Weekley has always wanted to see their first feature Blood Simple, but hasn't had the opportunity. Now he's finally getting around to it and he and Shawn have many many thoughts on the Coens' feature directorial debut and why it's an absolute banger.HOSTSShawn EastridgeShea Weekley

Send us a Text Message.The Coens make one of the great debuts in cinematic history with the tightly wound noir farce BLOOD SIMPLE.

Ok then! Let's dig into The Coens' 1987 comedy "Raising Arizona." Joel loves this movie, Jake is maybe too young to fully appreciate it. That's not an impartial observation, this is Joel. I write these little descriptions.

Evan and Chip go for a walk through the woods. Will Evan look into his heart and set Chip free? It's MILLER'S CROSSING, it's the Coens, it's Buscemi and Byrne, it's Turturro and Finney, it's Harden and Polito. Check your emotions at the door for this one.

The Coens strike out for the first time, Scooby-Two, a Biblical Epic (seriously), Michael Bluth Breaks Bad and more. 

If it's true that Love Lies Bleeding, then we're up on our feet in praise of Rose Glass' sophomore film!K Stew and Katie O Brien give Ed Harris a mulligan on Pain and Gain and remind us of The Coens early films. You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!Tell us what you're benching via email at onlymoviepodcast@gmail.com or make us an egg white omelette on Twitter (X) and Instagramhttps://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on the InSession Film Podcast, we discuss this year's BAFTA winners, the new casting for FANTASTIC FOUR and we come to a consensus ranking of the great Coen brothers! We also have a fun announcement to kick off the show. - BAFTAs (8:15) - Fantastic Four (27:20) - Coen Brothers Ranking (43:17) This episode's sponsor: Air Force One Down (now available on VOD!) - Follow us on social media for your chance to win a FREE digital code! Visit https://insessionfilm.com for merch and more! Join ISF VIP today! https://www.youtube.com/@Insessionfilm/membership https://podcasts.apple.com/us/podcast/insession-film-podcast/id605634337 https://patreon.com/InSessionFilm Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy