Podcasts about Cosey Fanni Tutti

Episode 738: March 27, 2025 playlist: Cross Record, "Charred Grass" (Crush Me) 2025 Ba Da Bing! Diamanda Galas, "De-formation 4" (De-formation: Piano Variations) 2019 intravenal Sound Operations Angel Bat Dawid and Naima Nefertari, "Procession of the Equinox" (Journey to Nabta Playa) 2025 Spiritmuse Demdike Stare and Kristen Pilon, "A Greater Name Is You" (To Cut and Shoot) 2025 [self-released] The Primitives, "Sweet Sister Sorrow" (Let's Go Round Again • Second Wave Singles and Rarities 2011-2025) 2025 Elefant Galactic Embrace, "Pink Snow" (Happy Collapse) 2025 Ministry of Spoons Blenk, "Outline" (Breaking The Loop) 2025 Enemy Parade Ground, "The Net" (The Hidden Side) 1984 Mask Music / 2025 Dark Entries JJULIUS, "doedsdisco feat. clara flygare" (JJULIUS-VOL.3) 2025 Mammas Mysteriska Jukebox Guided By Voices, "The Great Man" (Universe Room) 2025 GBV Inc Drick, "Sinjake Panambola ("Dance of the rich")" (Tsapiky! Modern Music From Southwest Madagascar) 2025 Sublime Frequencies Cosey Fanni Tutti, "Stound" (2t2) 2025 Conspiracy International Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

SAMPLER & SANS REPROCHES (Radio Transmission)EBM - SYNTHWAVE - INDUSTRIAL & RELATED MUSICPlaylist N° 1335 - GALAXIE RADIO 95.3FM / DAB+Lundi 02 Septembre 2024 - Horaire : 20:00 >> 22:00 (www.galaxieradio.fr)------------------------------------------> [ S&SR Selection de la semaine... COMMUTER "I Am The Commuter (2014​/​2024)" (https://commuter1.bandcamp.com) ] COMMUTER "Modulating Circles" DIG COMPIL: I Am The Commuter - 2014​/​2024 (Autoproduction) KALT "Underground" CD: Paradoxx (Kalt Records) CAGOULE "A Bright Tranquility" DIG LP: To Hell And Back : A European Journey (Hammerstein & Waldteufel) BLACK NAIL CABARET "Orchid" DIG LP: Chrysanthemum (Dependent) HAUJOBB "Mass" DIG LP: The Machine In The Ghost (Dependent) DE ARMA "Shadowstreets" DIG EP: Synthwave Sessions Vol 2 (Silent Future Recordings) ANVIL FX "Geometrria Sagrada" VINYL LP: Compilation Electropunk (Lynch Law Records) HOWARD JONES "The Human Touch" DIG LP: Live At The O2 (Cherry Red Records) ASCII DISKO "Magnitude 7.6" DIG LP: Mallefornia Darkness (Icon Series / Hottwerk Recordings) COMMUTER "Tylium Digger" DIG COMPIL: I Am The Commuter - 2014​/​2024 (Autoproduction) IAMX "The X ID" DIG SGL: Fault Lines (Unfall Productions / Orphic) SIGNAL AOUT 42 "We Walk Like Zombies" CD: Ex-Voto (Out Of Line Music) TWIN TRIBES "Temperance" DIG LP: Pendulum (Young And Cold Records) WINGTIPS "Innocent Blood (Twin Tribes Remix)" DIG SGL: Innocent Blood (Artoffact Records) BABY'S BERSERK "Wartime" VINYL SGL 7": Toxic Kisses (Les Disques Bongo Joe) DAME AREA "Tempio senza Luce" DIG LP: Todas Las Mentiras Sobre Dame Area (Màgia Roja / B.F.E Records) ABU NEIN "Unwanted" DIG SGL: Unwanted (from album Dark Faith) (Progress Productions) SCRATCH MASSIVE "I See You Up Tomorrow" DIG SGL - I See You Up Tomorrow (Bordel Records) JAC BERROCAL - DAVID FENECH - VINCENT EPPLAY "Outspoken Caress (feat. Cosey Fanni Tutti)" DIG LP: Broken Allures (Cold Spring) KAS PRODUCT "Tina Town" DIG BOX V/A: No Songs Tomorrow - Darkwave, Ethereal Rock And Coldwave 1981-1990 (Cherry Red Records) PROMO THANKS TO / REMERCIEMENTS : COMMUTER (Laurent Paranthoën), KALT (Arthur 65 & Bodyhammer), CAGOULE (Sheitan Shadowban), DEPENDENT RECORDS (Stefan Herwig), SPKR MEDIA (Gunnar Sauermann), RED SAND PR (Gary Levermore), SILENT FUTURE RECORDINGS, LYNCH LAW RECORDS (Mowgly Lynch), CHERRY RED RECORDS (Matt Ingham), HOTTWERK RECORDS PR (Anthony Pontius), OUT OF LINE MUSIC (Burak & Iris), BABY'S BERSERK (Lieselot Elzinga), PROGRESS PRODUCTIONS (Torny Gottberg), EPHELIDE (Eugénie Dospital) ...PODCAST >>>MIXCLOUD : https://www.mixcloud.com/SetSRradio/radio-transmission-n1335-02092024-commuter-i-am-the-commuter-20142024/ITUNES : https://podcasts.apple.com/.../sampler-sans.../id1511413205PODCLOUD : https://podcloud.fr/.../podcasts/sampler-et-sans-reprochesDEEZER : https://www.deezer.com/fr/show/1181282GALAXIE RADIO : http://www.galaxieradio.fr (...Replay S&SR)AMAZON MUSIC : https://music.amazon.fr/.../9718c2.../SAMPLER-SANS-REPROCHESHEARTHIS : https://hearthis.at/sampler-sans-reproches/YOUTUBE : https://www.youtube.com/@SamplerEtSansReprochesINTERNET ARCHIVE : https://archive.org/LEPODCAST.FR : https://sampler-et-sans-reproches.lepodcast.fr/

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. Tonight's broadcast features DSLX, DIE SONNE SATANS, VASCO TRILLA, 400 LONELY THINGS, DÉCIMA VÍCTIMA, and JAC BERROCAL / DAVID FENECH / VINCENT EPPLAY w/ COSEY FANNI TUTTI + JAH WOBBLE.

Episode 130 Recent Finds for the Electronic Music Archives Playlist   Time Track Time Start Introduction –Thom Holmes 04:18 00:00 Esplendor Geometrico, “Estación Katowice” and “Signos De Energía” from Kosmos Kino (1987 Discos Esplendor Geometrico). Percussion, Drum Machine, Vocals, Gabriel Riaza; Synthesizer, Drum Machine, Vocals, Noises, Arturo Lanz. Industrial music from Spain. 10:08 04:42 KG, “My Magic Guitar,””Harry Escaped!,” “Die Sauberen Flöten,” “À L'enterrement De Kraftwerk,” “Fish And Chips Sugar Free,” “The Shotgun Gallery Drum School,” “The End Of The World” from Baraka (1997 Antimatière). French industrial band. Limited to 300 copies. Comes in a plain white cardboard cover with die-cut hole on center front. Back cover has two stamps: "ANTIMATIERE" and "MARRAKECH WVIII". 11:55 14:46 Mystic Moods Orchestra, “The Look of Love” from The Mystic Moods Of Love (1968 Philips). Lushly weird arrangements with a silky vocal chorus and environmental sounds recorded by Brad Miller. This record came before the Mystic Moods Orchestra used a Moog synthesizer. Originally included a fragrance card affixed to the cover with the writing "A Romantic Fragrance has been added to this album to enhance your Mystic Moods of Love" (actual capitalization). 03:30 26:37 Chris and Cosey, “Re-education Thru Labour” from Trance (1982 Rough Trade). Composed and Acoustic And Electronic Instrumentation by Chris Carter and Cosey Fanni Tutti. 07:07 30:06 Chris and Cosey, “Put Yourself In Los Angeles” from Heartbeat (1981 Rough Trade). Produced, composed and Acoustic And Electronic Instrumentation by Chris Carter and Cosey Fanni Tutti. Synth, Cornet, Casio MT30, Tapes, Vocals, Cosey F. Tutti; Synth, Electronic Drums, Guitar, Casio MT30, Taped Voices, Vocals, Chris Carter. 03:37 37:09 Skyliner Flight 35, side A, from Skyliner Flight 35 (Authentic Plane Sounds) (1952 Columbia). Directed by Hecky Krasno, Text by Leo Paris. 78 RPM. "Ride with the pilot as he flies a 4-engine Constellation from New York to California." Part of a series of children's records from Columbia. 03:25 40:56 Reynold Weidenaar, side A, tracks 1-5, “Neptune Two-Step #1,” “Neptune Two-Step #2,” “Neptune Two-Step #3,” “Computer Clip-Clop,” “Cosmic Capers” from Electronic Effects (1968 A Sam Fox Production). Composed by Reynold Weidenaar. Historically significant recording of the early Moog Modular Synthesizer by this collaborator of Moog, student Reynold Weidenaar. Around this time (1967-68), Weidenaar edited the journal that originated with Bob Moog, the short-lived Electronic Music Review. This recording was made in the electronic music studio of R.A. Moog Co. studio in Trumansburg, New York. Not many recordings were made there. It was distributed by a company specializing in broadcast library music, Sam Fox Productions. You can hear the raw power and versatility of the Moog Modular components in these short compositions. 03:19 44:22 Reynold Weidenaar, side B, tracks 1-5, “Milky Wail #5,” “Milky Wail #6,” “Milky Wail #7,” “Venus Exposed,” “Cosmic Crackle #1” from Electronic Effects (1968 A Sam Fox Production). Composed by Reynold Weidenaar. 04:13 47:40 Ralph Lundsten, The Paradise of Heroes” from Paradissymfonin (1980 Harvest). Produced, composed, Synthesizer, Keyboards, Arranged By, Voice, Effects, Ralph Lundsten; Choir, Annelie Sköld, Annica Risberg, Kai Kjäll-Andersson, Kerstin Bagge, Liza Öhman-Kling; Conductor, Lars Bagge; Drums, Peter Sundell; Electric Guitar, Electric Bass, Georg Wadenius; Flute, Keyboards, Björn J:Son Lindh; Harp, Gloria Lundell, Marie Eriksson; Keyboards, Wlodek Gulgowski; Pipe Organ, Birgit Lindkvist; Percussion, Björn Liljequist, Pétur Östlund; Percussion, Arranged By, Gunnar Lundqvist. Mr. Lundsten was a little like the Rick Wakeman of Sweden. He worked in his private studio and produced many thematic compostions and over 40 albums in his long career in music. 05:46 51:52 Hiroshi Yoshimura, “Time Forest” from Soundscape 1: Surround (1986 Misawa Home). Composed, arranged, and performed by, Hiroshi Yoshimura. Hiroshi Yoshimura was a Japanese musician and composer, a pioneer of Japanese ongaku or environnemental music. Interestingly, this music was originally commissioned by a home builder to provide music to complement their newly built homes. Yoshimura described his music as being transparent, adding “Not all interiors are visual by nature; music as interior is none other than the interior of the heart.” 10:38 57:36 Mamman Sani, “Dangay Kotyo” from Taaritt (2022 Sahel Sounds). Recorded 1985 to 1988 at Studio Samira in Niamey, Niger and Studio Kham Mai in Paris, France. This wonderful music was not released until recently. Composed, recorded by, Crumar Bit 99 v, Yamaha RX5 synthesizer, Roland TR-505 Drum Machine, Mammane Sani Abdoulaye. Sani is an early pioneer of synth music in Niger. Sani found unlikely fame in Denmark, regularly appearing in the playlist of Copenhagen bars. "In Niger we have sweet melodies. When the music is good, it's a positive vibration. When someone can cry because of a melody, there is something humane in them. If you are stressed, you can take this music like a tablet. It's music to cool down. It's not music for dancing, but maybe it can make you dream." 04:11 01:08:11   Opening background music: Unknown Artist, side A, Ambient Battle Samples: Phase One: Enter The Stargate Manifold...(2003    The Crypticon Media Cartel). Produced, Controlled & Bankrolled by AL9000 Motherbrain (Alexandre Delmaere). From A side label : "These sounds are of intergalactic sonic property and available for any manipulations and outputs you so desire. Welcome to the Crypticon Media Cartel 2003. Original transmissions from sector 9.41 of Sirius-V during the last sonic cruise of the outer rings." Essentially, this is a list of electronic sound effects to be sampled and played by DJs. (15:05) Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

CITR's 24 Hours of Radio Art in a snack-sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. Tune in Friday night for music by Basak Gunak, Klara Lewis, Nadia Struiwigh, Boris Hauf, Titanoboa, and Philippe Petit, plus new collaborative works from Laurent Pernice / Jacques Barberi / Dominique Beven, Keith Rowe / Kjell Bjorgeengen, zake / Angela Winter, Jac Berrocal / David Fenech / Vincent Epplay w/ Cosey Fanni Tutti, and Gwennaelle Roulleau / Reinhold Friedl.

In celebration of Delia Derbyshire Day 2023 and the 60th Anniversary of the Doctor Who theme, Caro C is joined by fellow devotees Mark Ayres, David Butler and Cosey Fanni Tutti to discuss the Delia Derbyshire Day archives and the importance of her contributions to the development of electronic music.Chapters00:00 - Introduction01:26 - Delia Derbyshire ArchiveMark Ayres03:15 - Mark Ayres Introduction 07:44 - The Beginnings Of Electronic Music10:12 - Electronic Sound Sources13:10 - The Delia Derbyshire Archives18:40 - Favourite Piece - The Makeup Tape Of Blue Veils22:21 - The Future Of The ArchivesDavid Butler24:38 - David Butler Introduction28:59 - The Contents Of The Archives33:17 - Building A Network Of Collaborators35:03 - Methods And Techniques Revealed36:59 - Manipulating The Voice39:05 - Favourite Piece - Two Houses And Demo Cue Cosey Fanni Tutti41:42 - Cosey Fanni Tutti Introduction 43:42 - Delia Derbyshire Musical Influences45:24 - A Background In Physics48:50 - Favourite Piece - Amor Dei53:34 - The Importance Of The Archiveshttps://deliaderbyshireday.com/dd-archive/Delia Derbyshire BiogDelia Derbyshire (1937-2001) was a key figure in the development of electronic music in the UK. Born in Coventry but evacuated to Preston during the Blitz, Delia cites the sound of air raid sirens as inspiring her interest in electronic sound. She went on to study Maths and Music at Cambridge University and launched her career at the BBC in 1960 as a trainee Studio Manager. She moved to the Radiophonic Workshop in 1962, where she spent the next 11 years developing experimental sounds and music for their TV and radio shows, in addition to working as a freelancer on film, theatre and other live projects. Her most famous work is her electronic arrangement of Ron Grainer's Doctor Who theme, created in 1963.Delia composed and produced electronic music using tape, plus early synthesis and sampling methods before specific instruments were created for these purposes. Her work has influenced and inspired many modern artists including The Chemical Brothers, Aphex Twin, Portishead, Nainita Desai, Amon Tobin and Cosey Fanni Tutti, while Pink Floyd, Orbital and Hannah Peel have reinterpreted her work.Mark Ayres BiogMark Ayres is a composer, arranger, sound designer, mixer and mastering engineer. Mark wrote incidental music for Doctor Who in the 1980s. More recently he wrote the music for, sound-designed and mixed the reconstructed 'lost' Tom Baker adventure, “Shada”, and a celebratory feature length version of the original 1963 “Daleks” serial transmitted on BBC4 on 23rd November 2023, Doctor Who's 60th birthday. He has also composed for television and film including scores for 1996 feature "The Innocent Sleep" and the more recent "Scar Tissue".Mark was involved in the BBC Radiophonic Workshop's final days and went on to become their archivist. A personal friend of Delia Derbyshire, he was entrusted with her personal archive after her death in 2001, which is now on permanent loan to the University of Manchester John Rylands Library and accessible for study. He is a Trustee of the Delia Derbyshire Day Charity.His devotion to the Workshop after Doctor Who ceased broadcasting in 1989 proved vital in regenerating interest in their work, and he is now the driving force behind their live revival on the festival circuit and in the creation of new works including the score for Matthew Holness' disturbing psychological horror film, "Possum". He has produced and mastered many recordings for Silva Screen Records and others, and his work remastering classic television programmes including Doctor Who, Quatermass, and the films of Ken Russell and Alan Clarke for broadcast, DVD and Blu-ray, including 5.1 remixes of many titles, has been highly acclaimed.David Butler BiogDavid Butler is a Senior Lecturer in Drama and Film Studies at the University of Manchester. He helped to bring the Delia Derbyshire Archive  to the John Rylands Library, Manchester in 2007 and is one of the archive's lead researchers and curators. David is the chair of trustees for Delia Derbyshire Day and helped set up the charity in 2016.Cosey Fanni Tutti BiogCosey Fanni Tutti is a musician and writer, best known for her part in experimental electronic bands Throbbing Gristle and Chris & Cosey. Cosey interacted with the Delia Derbyshire Archive when she composed the soundtrack for Caroline Catz's film 'Delia Derbyshire: The Myths And The Legendary Tapes' and in the writing of her book Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti published by Faber in 2022.https://www.coseyfannitutti.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

Tom & Gav meet at the confluence of Noise Music, Electronica and Religious MysticismSubscribe to Gas GiantsRSS https://api.substack.com/feed/podcast/311033.rss This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit gasgiants.substack.com

Flo is off the plot again today, this time at the veg patch of Cosey Fanni Tutti. Cosey is an artist, musician, and writer. She was a co-founder of COUM transmissions and later went on to form industrial music group, Throbbing Gristle. Both groups were highly censored and at one point they were accused by the mainstream press of being ‘wreckers of civilisation' for their shocking and confrontational work. Cosey went on to form Chris and Cosey, and later Carter Tutti Void with her bandmate and partner, Chris Carter. In this episode Cosey talks Flo through her DIY approach to gardening, her recent work scoring the Delia Derbyshire film, and their mutual love of the Rosemary Tonks book, The Bloater. Later in the podcast they discuss Cosey's choice of music to strip to, all whilst they sow carrot seeds and plant out onion sets. Check out Cosey Fanni Tutti's shows on NTSPresenter - Flo Dill, Producer - Lizzy King, Sound Recording - Jennifer Walton,  Editor - Sam Stone, Mastering - Rory Bowens.Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.

In late 1976, the Institute of Contemporary Art or ICA gallery in London unveiled its recent exhibition ‘Prostitution', a retrospective group show by established art collective COUM-Transmissions. The collective, no stranger to confrontation, couldn't have predicted the reaction their work would receive, but upon opening, the show was was immediately met with vitriolic reviews in the press, mentioned in the Houses of Parliament and censorship restrictions were placed on some of the pornographic images. The Conservative MP Nicholas Fairbairn famously said “These people are the wreckers of civilisation" and rows ensued about public funding for the arts. The fallout was hard. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Suzanne Ciani is a true pioneer. One of the world's first synth heroes.  “The diva of the diode.”  Ciani began experimenting with electronic music in 1960s California, at a time when to do so wasn't just about a new style of music, but about creating a whole new language: a new form of music with this new technology. Like Delia Derbyshire and Cosey Fanni Tutti and many other female pioneers, it's taken time for the world to catch up and for Ciani to be recognised for quite how significant her cultural contribution runs across how we hear what we hear. Now in her mid seventies, she shows no signs of slowing down, she speaks with Paul about some of the key musical moments in her life: California of the 60s, New York of the 70s, the importance of putting emotion into music and her work in spatial sound. Suzanne Ciani is touring from march to September this year, check out her tourdates herePaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by E.S.O

Groundbreaking musician, performance artist, and writer Cosey Fanni Tutti joins Jude on this week's episode of Songbook to delve in to Daphne Oram's An Individual Note of Music, Sound and Electronics- a remarkable study of the relationship between electronic music and technology, origninally published in 1972.Their conversation also takes in Cosey's memories of listening to pop music as a child, her relationship with her hometown of Hull, and the importance of abandoning pre-conceptions when listening to music.Cosey's 2022 book Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti is a vital meditation on womanhood, creativity and self-expression, and a revelatory exploration into the lives of three visionary artists - Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti a book by Cosey Fanni Tutti. (bookshop.org)Books mentioned in the podcast:Art Sex Music by Cosey Fanni Tutti Art Sex Music a book by Cosey Fanni Tutti. (bookshop.org)An Individual Note of Music, Sound and Electronics by Daphne Oram Daphne Oram - an Individual Note of Music, Sound and Electronics a book by Daphne Oram. (bookshop.org)Quantum Listening by Pauline Oliveros Quantum Listening a book by Pauline Oliveros. (bookshop.org)Sound Within Sound: Opening Our Ears to the Twentieth Century by Kate Molleson Sound Within Sound: Opening Our Ears to the Twentieth Century a book by Kate Molleson. (bookshop.org)Up Above the City, Down Beneath the Stars by Barry Adamson Up Above the City, Down Beneath the Stars a book by Barry Adamson. (bookshop.org)You can buy the paperback edition of Jude's The Sound of Being Human: How Music Shapes Our Lives here: The Sound of Being Human a book by Jude Rogers. (bookshop.org)Finally, White Rabbit's Spotify Playlist of 'booksongs' - songs inspired by books loved by our guests - is here: https://open.spotify.com/playlist/7chuHOeTs9jpyKpmgXV6uo Hosted on Acast. See acast.com/privacy for more information.

Cosey Fanni Tutti

https://www.missingwitches.com/2022/10/30/ep-170-mw-cosey-fanni-tutti-ritual-awakening/

On this episode, Apology editor Jesse Pearson speaks with the artist, musician, and author Cosey Fanni Tutti about her new book Re-Sisters, medieval times, looking at a Dali book while tripping, ghosts, and more.

This week, Cosey Fanni Tutti:  musician, performance artist, writer, an absolute icon and inspiration, not just with music and art but for anyone who just wasn't born to follow the herd. Her work, from Throbbing Gristle and COUM,  to being half of Chris and Cosey, as one third of CarterTuttiVoid and her bestselling memoir Art Sex Music transcend and transgress boundaries. Once a cultural pariah described in the Houses of Parliament as a wrecker of civilisation,she shares reflections with Paul about her new book Re-Sisters, which looks at the lives of three trailblazing women - Delia Derbyshire, Margery Kemp and herself and her new album Delia Derbyshire: The Myths and the Legendary Tapes, about the nature of art and communication and so much more. This episode is sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by E.S.OTo support this show, head on over to Paul's Patreon at:www.patreon.com/paulhanford

Season three of The Film Scorer Podcast is finally here! Joining me is legendary musician and composer Cosey Fanni Tutti. Film music fans may not be quite as familiar with Cosey, who's best known for being a founding member of the band Throbbing Gristle, arguably the pioneers of industrial music. However, Cosey has also been busy with solo work, collaborations, and even film scoring. As such, we primarily discuss her score for the film Delia Derbyshire: The Myths & The Legendary Tapes, about the influential electronic musician and composer Delia Derbyshire. We also talk about her new book, Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti, which serves as a "meditation on womanhood, creativity and self-expression, and a revelatory exploration into the lives of three visionary artists" (description courtesy of Amazon).   Cosey's score is fascinating, weird, and, at times, completely haunting; I really enjoyed it. It released on September 16 and is available on all major platforms and on vinyl from Cargo Records. Cosey's other music, both as a solo artist and in her various collaborations and bands, is also widely available.  

Today's incredible guest on Electronically Yours is the incomparably talented and fascinating Cosey Fanni Tutti. Best known for her time in the avant-garde groups Throbbing Gristle and Chris & Cosey, she has become a very famous conceptual performance artist who has inspired a generation… be amazed and fascinated. Ladies and gentlemen, her life is her art and her art is her life - the great Cosey Fanny Tutti... If you can, please support the Electronically Yours podcast via our Patreon: https://www.patreon.com/electronicallyours

C'est devenu un rite depuis bientôt trente ans : la fin de l'été se célèbre à l'Etrange festival, incontournable rendez-vous parisien pour quiconque est féru de contre-culture ou simplement curieux d'une cinéphilie moins commune que celle qui s'affiche dans les multiplexes. Pendant une quinzaine de jours, les salles du Forum des Halles s'ouvrent à des cinématographie méconnues ou oubliées, toute réunies sous une même bannière : avoir été reléguées dans les bas-fonds par la culture officielle et sa vision normative des choses. A l'Etrange festival on s'encanaille autant qu'on se cultive au gré de découvertes récentes ou de raretés exhumées. Au delà d'un havre accueillant avec bienveillance tout ce que le cinéma peut avoir d'hors normes. L'Etrange festival est devenu au long des années une sorte de boussole quand sa sélection n'a de cesse de proposer des alternatives au cinéma formaté, lisse qui fait l'ordinaire d'un public qu'il invite sans cesse à quitter ses oeillères.Et quelles sont donc les réjouissances prévues pour l'édition de cette année ?Difficile de privilégier l'une ou l'autre des thématiques, puisque que comme à son habitude, L'étrange festival tient presque plus d'une manifestation d'agit-pop contre-cuturelle, ouverte à tous les horizons, redessinant ainsi une mappemonde de cinéma. Ainsi cette 28eme édition est entre autres allée voir autant ce qui se passe du côté de la jeune génération de réalisateurs de films de genre sud-coréens que d'Europe ou d'Asie centrale mais aussi les derniers opus de cinéastes français ayant toujours refusé les terrains balisés, comme Guillaume Nicloux ou Sébastien Betbeder. On pourra tout autant y causer scène musicale post-punk locale ou performance artistique avec les documentaires Who Killed Nancy ou L'artiste à la phalange coupée. Mais aussi découvrir Mike De Leon Mike De Leon, réalisateur philippin aux commandes d'un cinéma aussi ésotérique que politique s'alliant à l'inquiétude du fantastique pour parler autant du poids de la religion que de la lutte des classes. Revenir sur la production populaire iranienne des années 50 à 70, via une rétrospective du cinéma Farsi, dans toutes ses contradictions quand il mettait en scène tous les excès et la prétendue décadence que le pouvoir voulait éradiquer au nom des bonnes mœurs. Ou encore rendre hommage à un oublié de la nouvelle vague japonaise, Masahiro Shinoda, dynamiteur de genre, du film de Yakuza au théatre de marionnettes pour en faire des appels à la rebellion contre tous les ordres établis. Voire s'aventurer dans la part méconnue de la filmographie de Victoria Abril pour rappeler qu'avant d'être une égérie de Pedro Almodovar elle était déjà une actrice provocante et engagée. On en oublierait presque les traditionnelles cartes blanches, cette année offertes à l'ex-pornstar désormais brillante sociologue Ovidie, Dominik Moll dont La nuit du 12 est un des succès surprises du moment ou l'activiste et légende de la musique industrielle Cosey Fanni Tutti. Un menu pantagruélique qui amènerait presque à penser que l'étrange festival porte finalement mal son nom, quand il n'est qu'une invitation à ce qui devrait être une chose normale : savoir être ouvert aux formes et propos transgressifs, plus que jamais nécéssaire dans une époque qui elle devient de plus en plus étrange à force de se soumettre aux pensées grégaires. Jusqu'au 18 septembre au Forum des images à Paris. Notre politique de confidentialité GDPR a été mise à jour le 8 août 2022. Visitez acast.com/privacy pour plus d'informations.

Episode 583: July 17, 2022 playlist: 17 Pygmies, "13 Blackbirds (WZBC session)" (Live At WZBC) 2007 unreleased Limanenko, "Birth" (Strange Gift) 2022 Despot Bailey Miller, "Parallel Place" (Still Water) 2022 Whited Sepulchre Cosey Fanni Tutti, "Psychedelic Projections (excerpt)" (Delia Derbyshire: The Myths And The Legendary Tapes) 2022 Conspiracy International Daphni, "Cherry" (Cherry) 2022 Jiaolong Marisa Anderson, "Waking" (Still, Here) 2022 Thrill Jockey Omerta, "Moments in Love" (Collection Particuliere) 2022 Standard In-Fi Bill Orcutt, "Two things close together" (Music For Four Guitars) 2022 Palilalia Risco Connection, "Stopping (Version)" (Risco Version) 1979 Black Rose / 2022 Strut Kibrom Birhane, "Weleta" (Here And There) 2022 Flying Carpet Oren Ambarchi, "I" (Shebang) 2022 Drag City Stereolab, "Robot Riot" (Pulse of the Early Brain [Switched On Volume 5]) 2022 Duophonic Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

We're going fairly deep into the underground on this week's Independent Music Podcast, with self-released unknown diamonds from Japan, Taiwan, and the UK. From digital dancehall to “the ugliest music in humanity”, via deep drone metal, hiphop, and extreme ambient abstract music. To listen to the full episode, please join our Patreon: patreon.com/independentmusicpodcast. Tracklisting Sensational ft. Planteaterz – Fancy Shit (Naff Recordings, Canada) Pays Du Mat – Kurugan (WV Sorcerer Productions, France) Interrupt & Clapper Priest – DJ Pod Di Circuit (self-release, UK) Yosa Peit – Anthy (Fire Records, UK) Skitungen – jag viLL baRa ha aLLt (Rubber, Netherlands) Chester Watson – Mirrors (POW Recordings, USA) 豊平区民TOYOHIRAKUMIN – 介護 (self-release, Japan) Tumi Mogorosi – Panic Manic (Mushroom Hour Half Hour, South Africa) R000000M – Split (self-release, Taiwan) Cosey Fanni Tutti – Psychedelic Projections (Conspiracy International, UK) Produced and edited by Nick McCorriston. This week's episode is sponsored by The state51 Conspiracy, a creative hub for music. Head to state51.com to find releases by JK Flesh vs Gnod, Steve Jansen, MrUnderwSood, Wire, Ghost Box, Lo Recordings, Subtext Records and many more

Nik Colk Void's new LP, Bucked Up Space, is her ninth studio album, but her first as a solo artist. Based in Norfolk, Void is an electronic musician and analogue synthesiser virtuoso who forms part of both Factory Floor and Carter Tutti Void (with Chris Carter and Cosey Fanni Tutti of pioneering industrial group Throbbing Gristle). Her work has been released on iconic labels like DFA, Mute and Throbbing Gristle's Industrial Records, and in late 2017 she released 33 33, a collaborative record as NPVR with the late Peter Rehberg of Editions Mego. In this week's Resident Advisor Exchange, Void talks about her relationship with Rehberg and how her confidence grew significantly through their working together. Without him, she explains, she may not have found the voice and the language she was looking for to put out her own full-length record. It is fitting and meaningful, therefore, that on April 8th, Bucked Up Space came out on Editions Mego. In conversation with RA writer Katie Thomas, Nik Colk Void discusses her album, the process of mastering analogue synths, the art and value of collaboration and affirming performances—plus details about a new Factory Floor record that's on the horizon. Tracklist: Nik Colk Void - Big Breather (Editions Mego) Nik Colk Void - FlatTime (Editions Mego)

tont - Õhurõhk Xiu Xiu - Saturn Suicide - Che Cindy Lee - No Worth No Cost Minimal Man - What's Not There Mint Chicks - Hot On Your Heels Sherpa - Guarantee Horse Lords - The Radiant City  Horse Lords - People's Park Aktuala - Sar Elm - Offerings Velehentor - Stonewells of Æternity Pyramids/Nadja - An Angel Was Heard to Cry Over the City of Rome Jesu - Guardian Angel Aporea - Untitled III Zoät·Aon - Exo Sherpa - Abscentto The Mother Language Liturgy - The Separation of HAQQ From HAEL Ryoji Ikeda - Data.Index  John Duncan, Cosey Fanni-Tutti, Chris Carter - Nicki A2 Futuro Antico - Uata Aka Alameda 5 - Embryon Sun City Girls - A Previously Unknown Sacrifice AMM - In The Realm Of Nothing Whatever Terry Riley+Don Cherry 4tet - Untitled

For this episode we are honoured to be joined by the wonderful filmmaker Caroline Catz to discuss her brilliant debut feature film Delia Derbyshire: the Myths and Legendary Tapes, which Catz wrote, directed and stars in, as Derbyshire. It's a unique music doc/drama hybrid that is well worth the time and is currently on the BBC iPlayer in the UK. The conversation covers Caroline's process for the film, her relationship to Derbyshire's music and that of the Radiophonic Workshop, as well as venturing into women as artists in relation to Derbyshire, one of the film's collaborators Cosey Fanni Tutti and Catz herself. We are grateful that Caroline took time out to talk to us and we really like this conversation. Please excuse Neil's cold but as the intro makes clear, this was not our usual day at the Cinematologists office.   You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50. We also really appreciate any reviews you might write about the show (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.   ——— Show Notes: In the bonus episode, we discuss the music of the following artists [spiritual heirs of Derbyshire and the Radiophonic Workshop] - Kelly Lee Owens, Jane Weaver and Broadcast, who are all amazing and who you should all check out. And of course, the composer of our own theme tune, the mighty Gwenno.   ——— Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

Gazelle Twin, Lucrecia Dalt, Cosey Fanni Tutti and Keeley Forsyth, four artists making truly original music outside of the mainstream, discuss how they use electronics to build different themes in their music, working within and breaking out of their sonic comfort zones, and how making music leads to creative catharsis. Composer and producer Gazelle Twin explores industrial and avant-garde sounds through her albums, soundtracks and remixes. Her latest record, Deep England, sees her collaborate with electronic drone choir NYX. Sharing her experiences is Lucrecia Dalt, a sound artist from Columbia now based in Berlin. She draws on influences from her academic background as a civil engineer, encompassing electronics and avant-garde sounds in her compositions. Cosey Fanni Tutti is an English performance artist, author and musician who is known for her ground-breaking band Throbbing Gristle, which she co-founded in 1976. She has released music as a solo artist and as part of the duo Chris & Cosey. Keeley Forsyth is an artist and actress from the north of England, known for starring in many acclaimed film and TV series over the last 20 years. At the start of 2020 she released her atmospheric debut album Debris, in which she explores personal experiences through minimal arrangements and her evocative, intimate vocal.

En 1981, un duo anglais emprunte la voie d'une musique électronique en devenir. C'est Chris and Cosey, et voici leur titre This is me. Deux voix s'entremêlent sur fond de synté mélodieux aux airs d'incantation maléfique. C'est This is me de l'album HeartBeat sortie en 1981 sur Rought Trade Records. Le premier missile du duo anglais Chris and Cosey. Entre techniques de samples inédites, et pop scintillante à l'impulsion techno, c'est le début d'une longue carrière. Rien d'étonnant aujourd'hui, mais cette techno mutante, à sa sortie était clairement avant-garde. Chris and Cosey est donc un duo, composé de Cosey Fanni Tutti au chant et à la guitare et de Chris Carter, l'as du synthétiseur. Leur carrière à deux débute en 1981, mais avant ça, c'est dans la noise qu'ils ont fait leurs armes et posé les bases de la musique industrielle, avec le groupe Throbbing Gristle En 2004, le duo participe à un concert avec les membres de Throbbing Gristle, ils sortent également ensemble trois albums studios, le dernier date de 2009. Je lance donc un avis au clubbeur, mais pas que : il ne serait pas impossible de les retrouver sur scène. En attendant, comme on est un peu tous mis sur le carreau, voici This is me par Chris and Cosey sur euradio.

Robin has often mentioned how much he enjoyed Cosey Fanni Tutti's book Art Sex Music so it was only right we finally get her on the show. She joins Robin and Josie to talk about Hull, the counter culture, finding your own path in art and feminism in the 70s. Josie was having all myriad of technical difficulties during this recording so please bear with her! And also please note that there is some discussion about the 'scene' in the 60s and 70s that people may find upsetting. To hear an extended edition of this episode subscribe to Patreon on patreon.com/bookshambles

Episode 20 Sounds of Industry Industrial Noise Music Playlist: Throbbing Gristle, “Maggot Death Pt 1” studio recording from The Second Annual Report (1977 Industrial Records). Chris Carter and Cosey Fanni Tutti. Peter Bartok, Peter Paul Kellog, “Pump Drill” from Sound Patterns (1953 Folkways). Recording of a pump. Pierre Henry, “Spatiodynamisme II” (excerpt) from an exhibition catalog for work by Nicolas Schöffer (1963 Éditions Du Griffon). Henry used sound materials he recorded in 1954 from a kinetic sculpture by Schöffer. David Jackman, “Machine Gun 2” from Machine Gun (2000 Die Stadt). This was the first of a series of works Jackman created using the archive recordings of the "Imperial War Museum" in London. This was an edition of 600 copies on clear vinyl. Emory Cook, “Festival” (excerpt) from Mexican Firecrackers (1956 Cook). Church bells and Firecrackers before dawn, Ajijic, Mexico. Cabaret Voltaire, “4th Shot” from the album Mix-Up (1979 Rough). Stephen Mallinder, Chris Watson, Haydn Boyes-Weston, and Richard H. Kirk. David Jackman, “Flak” from the EP Flak (2003 Die Stadt). George Engler, “Metallurgy” from The Inside Of The Outside / Or The Outside Of The Inside - Who Are They? Where Do They Come From? Why Are They Here? (1965 Serenus). A set of tape works using instruments and natural sounds set to themes of industry and space travel. George Engler, “Destruction” from The Inside Of The Outside / Or The Outside Of The Inside - Who Are They? Where Do They Come From? Why Are They Here? (1965 Serenus). Merzbow, “Material Action Track 2” from the cassette Material Action (1984 ZSF Produkt). Masami Akita and Kiyoshi Mizutani. Throbbing Gristle, “Beachy Head” from 20 Jazz Funk Greats (1979 Industrial Records). Chris Carter and Cosey Fanni Tutti. “ Engine Running” from Motor Car Noises, a sound-effects record (1931 His Master's Voice). “Street Traffic Noises” Recorded at a London Street Junction,” a field recording. (1923 Columbia, UK). Leo Hurwitz, “City Edge: The Coves of Manhattan Island” (excerpt) from Here At The Waters' Edge 1 (1962 Folkways). Tape collage to accompany a documentary film. R. Murray Schafer, “Music of Horns and Whistles” from The Vancouver Soundscape (1973 Ensemble Productions). Bruce Davis, Colin Miles, Barry Truax, Howard Broomfield, Peter Huse, and R. Murray Schafer. All the sounds were recorded between September 1972 and August 1973. Part of the World Soundscape Project founded by Schafer. John Pfeiffer, “After Hours” from Electronomusic (1968 RCA Victrola). The sounds of office machines used in business, edited as a tape collage. Cabaret Voltaire, “Everything is True” from International Language (1993 Plastex). From the liner notes: “Abandon thinking. Everything you will hear in the next seventy-four minutes is true.” Stephen Mallinder, Chris Watson, Haydn Boyes-Weston, and Richard H. Kirk.   The Archive Mix in which I play two additional tracks at the same time to see what happens. Here are two more tracks of industrial music: David Jackman, “Flak” from the EP Flak (2003 Die Stadt). Same as earlier track but played at 33-1/3 speed. Lou Reed, Metal Machine Music, Side B, excerpt (1975 RCA).   For more information about the history of turntablism, read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (Routledge 2020).   Notes for this episode can be found on my blog: Noise and Notations.

Welcome to the tenth episode of monthly Cherry Red Records Radio show in association with Boogaloo Radio, Almost Blue Radio, Totally Radio, Bay FM, Kalypso Gold, Ship Full Of Bombs, WRFN1025, WRFNGOLD, Mad Wasp Radio and Target Radio. Hosted by Iain McNay, listen in as he delves into the independent label’s sizeable vaults to bring you two hours of music inspired by one of the most eclectic and prolific labels in the world.This month is Iain is joined by John Reed, our Director of Catalogue to discuss and play a few tunes from catalogue the label has recently acquired. He is also joined by Head of Comms Matt Ingham for a press roundup, looking at what releases have been doing well in the media this month. Finally we have an exclusive audio excerpt from a recent roundtable interview we did around our Make More Noise – Women In Independent Music UK 1977-1987 4CD boxset. The chat features journalist Lucy O’Brien chatting to Cosey Fanni Tutti, Tracy Tracy from The Primitives and Gina Birch of The Raincoats.Alongside that you’ll hear a mixture of Cherry Red and non-Cherry Red acts, both old and new, including songs from compilation box sets and every genre under the sun. Iain and Cherry Red are staunch supporters of buying music in physical form and only plays music that can be bought on CD or vinyl. Tracklist: 1. Yes - Give Love Each Day2. Yobrepus - Mycelium Days3. Hawkwind Light Orchestra - Dyna-Mite4. Hawkwind Light Orchestra - Repel Attract5. Sigue Sigue Sputnik - Rockit Miss USA6. Trapeze - Medusa7. Big Country - Chester's Farm8. Scars - All About You9. The Drones - Can't See10. The Outsiders - Calling On Youth11. The Waterboys - My Wanderings In The Weary Land12. Procol Harum - Skating On Thin Ice13. Autumn - My Little Girl14. Clifford T. Ward - Circus Girl15. Medicine Head - His Guiding Hand16. The Hi-Fi's - Tread Softly For The Sleepers17. The Carpettes - How About You And Me18. Spencer Davis - Time Seller19. Cosey Fanni Tutti- Such Is Life20. The Raincoats - No One's Little Girl21. The Primitives - Crash (Demo)22. Ane Brun - How To Disappear Completely23. The Minor Birds - The Parting Glass

Philippe Petit is a whirlwind! He's produced a ton of recordings - and many of them are collaborations, some of them with surprising collaborators (Lydia Lunch and Cosey Fanni Tutti, for example). I describe him as 'fearless' in his approach to music creation: he's willing to use whatever tool is at hand, and dive in 110%. Lately, his main tool has been the Buchla Easel - but he's employed everything from a Moog to turntables, all the while making uniquely Philippe Music. In our discussion, we chat about everything from his background DJing and running labels, to his views on the social nature of music, through his excitement behind the Modulisme radio program and his recent exploits with the Buchla. All of it is massively interesting, and the Modulisme site provides a great location to immerse oneself in the modular work of some amazing artists.  To learn more about Philippe (a self-described Musical Travel Agent...), you can check out his website (http://www.philippepetit.info/), listen to a variety of work on his Bandcamp site (https://philippepetitamusicaltravel-agent.bandcamp.com/) and check out the radio show at Modulisme (https://modulisme.info/). There is a wealth to be learned - and enjoyed - on these sites, so dive in!

This is Draw The Line Radio Show with Jacki-e, featuring my mix in the 1st hr of music made by women and then, for the 2nd hr, I hand the decks over to a female DJ. Helping me Draw The Line this week with her guest mix in the second hour is Alna, a DJ / Producer based in London who's creative mixing approach, clever selections and delicate blends are guaranteed to keep the journey grooving on the dance floor. Her debut EP on Census Sound Recordings came out last year and she promotes her own techno event HYPNOSIS. Links for Alna:- https://soundcloud.com/alnasound https://www.mixcloud.com/alnasound https://www.facebook.com/alnasound/ https://www.instagram.com/alnasound/ https://www.beatport.com/artist/alna/718493 In my mix in the first hour I’m featuring tracks by Cosey Fanni Tutti, uon, Joyce Muniz, Anna Lunoe, Christina Semmler, Ann Clue, Nakadia, Ilona, Jay Hill, Marie Davidson, Gallya, Muraa May, Doc Sleep, Yolanda Polanco, Ellen Allien, Sara Simonit and Lisa May. It's time to say NO to gender imbalance in dance music. It's time to Draw The Line!! Track list 1st hour mixed by Jacki-E 1. Cosey Fanni Tutti - Sophik Ripple (original mix) 2, Cosey Fanni Tutti - Moe (original mix) 3. uon - What If (original mix) 4. Joyce Muniz - Give Me The Taste ft Kim Anh (original mix) Gigolo. 5. Anna Lunoe, Wuki - What You Need (original mix) 6. Christina Semmler - Funky Buddha (original mix) Drehmoment. 7. Ann Clue - Salvation (original mix) Fckng Serious. 8. Nskadia - Sixth Sense (Kaiser Souzai remix) 9. Ilona - Keeping me Awake (original mix) 10. Jay Hill, Ydentiti Crisis, Derreuq Shades of Play - Hybrid Theories (original mix) 11. Marie Davidson - Work It (Soulwax remix) 12. Metodi Hristov, Gallya - Time (original mix) 13. Nakadia - Acid Storm (original mix) 14. Miraa May - Angles (original mix) 15. RL Grime - Pressure ft Anna Lunoe (Valentino Khan remix) 16. Christia Semmler - Get It (original mix) 17. Doc Sleep - Never Eating Again (original mix) 18. Yolanda Polanco - Prefer (original mix) 19. Jame Zname - Estia (original mix) 20. Ellen Allien - Love Distortion (original mix) 21. Sara Simonit - Unholy (original mix) 22. Lisa May - Ultimate Sound (original mix) Free Download 2nd hour ALNA - An exclusive guest mix for Draw The Line Radio Show Draw The Line Radio Show is produced for radio by Sergio Erridge and is A Darker Wave production.

Episode 424: July 7, 2019 (guest artist Jefre Cantu-Ledesma) playlist: Jefre Cantu-Ledesma, "Joy" (Tracing Back The Radiance) 2019 Mexican Summer Carter Tutti Void, "T3.5 (edit)" (Triumvirate) 2019 Conspiracy International Orphan Swords, "Land" (Ascent) 2019 self-released His Name Is Alive, "Something About Hope" (All The Mirrors In The House (Early Recordings 1979 - 1986)) 2019 Disciples Mestre Cupijo e Seu Ritmo, "Despedida" (Jambu e Os Miticos Sons Da Amazonia) 2019 Analog Africa Motion Sickness Of Time Travel, "Totality" (Magick Box) 2019 self-released Lena Andersson, "After 88 years" (Söder Malarstrand) 2019 Raster Jefre Cantu-Ledesma, "Little Deer Isle" (In Summer) 2016 Geographic North / 2019 Psychic Troubles Jefre Cantu-Ledesma, "Eternal Spring (Edit)" (Eternal Spring) 2014 self-released Jefre Cantu-Ledesma, "Palace Of Time (Edit)" (Tracing Back The Radiance) 2019 Mexican Summer Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Episode 407: March 10, 2019 playlist: SPC ECO, "Little Ones" (Little Ones) 2018 self-released Cosey Fanni Tutti, "Moe" (Tutti) 2018 Conspiracy International Ellen Fullman and Okkyung Lee, "Part I" (The Air Around Her) 2018 1703 Skivbolaget Chasms, "Every Heaven In Between" (The Mirage) 2019 Felte INRA, "The Content Consuming Its Form" (The Content Consuming Its Form) 2018 Pinbox Teleport My Disco, "Rival Colour" (Environment) 2019 Downwards Richard Youngs, "Filling My Mind with Stars" (Dissident) 2019 Glass Modern Jay Glass Dubs, "The Evil Empire" (Epitaph) 2019 Bokeh Versions Hekla, "I Hring" (A) 2018 Phantom Limb Tim Hecker, "That World" (Anoyo) 2019 Kranky Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

When it comes to uncompromising musicians and artists, Cosey Fanni Tutti is in a league of her own. As part of Throbbing Gristle in the 1970s, she helped pioneer industrial music and her solo shows, modelling work and ‘actions', as she calls them – including those that were part of the cultish collective and commune COUM Transmissions – blurred the lines between performance art, sex and subversion. Once considered shocking, her gallery shows shut down, now her vision is celebrated. After TG, Cosey and her partner Chris Carter formed the musical duo Chris and Cosey and moved to the Norfolk countryside, where Cosey takes great pride in her blooming garden. It's quite a contrast with the machine-led music that comes out of their home studio, which is where Cosey made TUTTI, her first solo album since 1982, released in 2019.   Cosey's autobiography, Art Sex Music, depicts a truly alternative thinker for whom acceptance is the last thing on her mind. An audience with Cosey is a real insight into a life dedicated to the decidedly unsubtle art of not giving a fuck and here she takes us into her beloved garden one sunny afternoon to explain just how she does it. ​ Presenter: Kate Hutchinson Producer: Ali Gardiner Photos: Laura Kelly www.thelastbohemians.co.uk @thelastbohemianspod  

Today's episode is an experimental one, in that I have a new ~podcasting~ setup...set up. Where I used to sort of lay out the show ahead of time and give myself finite space to speak in the beginning, middle, and end...and end up getting cut off when I'm on a roll by the next song, now I'm running the music bed and tracks I'm playing from different sources, and picking them live as I go along, giving me all the time to yap on as long as I need to. You're welcome. Also, the new Cosey Fanni Tutti is 100% mind-blowing. Ferrerito Rocherito over and out.BLASST BLOG: http://blsst.blogspot.comINSTA: @u_punkTWITTER: @universal_punkE-MAIL: uupunk@gmail.comARCHIVE: http://mixcloud.com/blasst

In John's own words, "Cosey's work has continually innovated, challenged and outraged since the start of the 1970s, Whether as a member of the transgressive art collective Coum Transmissions or the boundary destroying industrial group Throbbing Gristle, or as an electronic musical with her partner Chris Carter. Since the 70's, her work has brought her into direct conflict with the police, the tabloid press, the British government, the music industry and the art establishment, and despite this, she remains to this day a uniquely progressive artist." See acast.com/privacy for privacy and opt-out information.

About Z_VK: Z_VK is the project of Berlin based duo Konstantin Gervis and Jessica Kert. Konstantin is a product specialist for the modular company TipTop Audio. He is also known for his live modular techno sets. On top of that he is also the bass player in the band Feld. Jessica has been involved in music since the age of 12, and holds a position at the well known modular shop, Schneidersladen. About this set: A homage to Throbbing Gristle One day in mid September, 2018 Konstantin decided to make a modular patch with 5 TG sounds simultaneously using one Tiptop Audio TG ONE, three regular ONE’s and a ONE prototype. Very quickly Jessica joined the experiment and it escalated into an intense period of recording sessions that lasted for about two weeks. From those sessions came this recording TG, I love you (vol 2). The record represents our deepest gratitude, love and respect to one of the greatest and most influential bands of all times. Technical information: The samples were processed by variety of eurorack modules. The ones that made the most impact were Future Sound Systems TG03 and TG04 Gristleizer modules, Serge filters and especially Resonant Equalizer, Tiptop Audio Z2040 Filters and Z-DSP digital signal processors (Valhalla Shimmer, various Reverbs and Delays), Industrial Music Electronics Tyme Sefari looper and AJH Synth Mega-Phase 12 phaser. Very few non TG sounds were used in the recording, a few drum sounds (BD909 and Hats909), white noise, analogue Oscillator (Z3000) and some feedback. No overdubs were performed or edits made, every piece was recorded in one take. We would like to thank Chris Carter and Cosey Fanni Tutti of Throbbing Gristle as well as MUTE records for supporting this release and their never ending inspiration, thank you. TG ONE module: http://tiptopaudio.com/tg-one/ Gristlezer: http://www.gristleizer.com/ Throbbing Gristle: http://www.throbbing-gristle.com/ Links: www.zv-k.com

TRACKLIST 01 SUPER SUPRE #3 2007 02 BLOW-UP [COH remix for pinkcourtesyphone feat. Kid Congo Powers] 2012 03 DANCING IN SILENCE 2006 04 MAD [with Cosey Fanni Tutti] 2008 05 RETRO TECH OVERTURE 2013 06 OVERBEAT [with John Everall] 2017 07 EXERCISE IN COLOUR [feat. Ann Demeulemeester] 2017 08 EUPHRATES [feat. DAO] 2007 09 ENGINES OF MEMORIES 2016 10 FFFETISH [Vicious Pink cover] 2000 11 BLEAK IS MY FAVOURITE CLICHE [Soft Cell cover, with Richard Chartier] 2008 12 NIGHT RIDE WITH OIRA [COH remix for Hoellenfuerst] 2018

Bookended by pioneers, this week's episode of the Independent Music Podcast is a really special one. To open we have the first taste of Throbbing Gristle legend Cosey Fanni Tutti's new solo LP due next year. To close we have throat singing Indonesian experimentalists Senyawa, whose new LP is out through US label Sublime Frequencies. Elsewhere there's Lewisham grime from the exciting Flohio, some South American tinged German cold electronics from Japan, a awesome back of the tour van slice of techno and some David Lynch jazz... Tracklisting Cosey Fanni Tutti - Tutti (edit) (Conspiracy International, UK) Flohio - Wild Yout (Alpha, UK) Acid Cannibals - Life’s Alright (Hominid Sounds, UK) Pessimist - SPRTLZM (Pessimist Productions, UK) Thought Gang - Logic and Common Sense (Sacred Bones, USA) Sueño Sueño - Nao (MIND Records, Japan) Audiobooks - Dealing With Hoarders (Heavenly Recordings, UK) Debmaster - Space Tribe (Hakuna Kulala, Uganda) Drumm Chimp - Moominal (self-release, UK) Senyawa - Tanggalkan Di Dunia (Undo The World) (Sublime Frequencies, USA)   Support the podcast on Patreon: https://patreon.com/independentmusicpodcast

Episode 397: November 11, 2018 playlist: Cosey Fanni Tutti, "Tutti (edit)" (Tutti) 2019 Conspiracy International Jessica Bailiff, "Failing Yesterday" (Even In Silence) 1998 Kranky Little Annie, "Thirteen Things I Did Today" (Interiors) 1998 Sentrax Monade, "Cache Cache" (Calimero / Cache Cache) 1998 Duophonic Francoiz Breut, "Ma Colere" (Ma Colere) 1998 Bella Union Lisa Gerrard and Pieter Bourke, "Shadow Magnet" (Duality) 1998 4AD Malka Spigel, "One" (My Pet Fish) 1998 Swim Neotropic, "Vacetious Blooms" (Mr. Brubaker's Strawberry Alarm Clock) 1998 Ninja Tune Lisa Germano, "Reptile" (Slide) 1998 4AD Solex, "Some Solex" (Solex Vs. The Hitmeister) 1998 Matador Kristin Hersh, "Some Catch Flies" (Strange Angels) 1998 4AD Ms. John Soda, "Up And Away" (Jimmy Gimme More) 1998 Hausmusik Sally Doherty and the Sumacs, "Voice" (Sleepy Memory) 1998 Tiger Diamanda Galas, "Supplica A Mia Madre" (Malediction and Prayer) 1998 Mute Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Starting her career in the late 1960s, Cosey Fanni Tutti went on to become a seismic force in experimental music. Whether delivering confrontational performance art as part of COUM Transmissions, pioneering industrial music with Throbbing Gristle, or constructing a prototype for acid house in Carter Tutti, her work has frequently been years ahead of its time. In her fascinating lecture at the 2010 Red Bull Music Academy in London, she delved into emotion, meaning and provocation in art.

Apologies for going off the air last week, moving takes a while and ate up all of my time. Today's episode features a dazzling display of talent, tracks by DEZORAH, She Returns From War, Preoccupations, Cosey Fanni Tutti, Sun Ra & His Intergalactic Arkestra, as well as a special vignette for the late, great Glenn Branca among the rubble. Check out our back episodes on Mixcloud.com/BLASST and follow us on Instagram: @u_punk !

The actor and writer Maxine Peake meets the musician and performance artist Cosey Fanni Tutti. Maxine Peake was born just outside Bolton. Her television credits include leading roles in the series Dinnerladies, Shameless and Silk. In 2014 she played Hamlet at the Royal Exchange Theatre, Manchester. She has written for radio and the stage, and her play about Lillian Bilocca - who campaigned for better safety in the fishing industry - was part of Hull's City of Culture celebrations. Cosey Fanni Tutti was born in Hull, and began her artistic career there in 1969, when she joined a subversive art collective called COUM Transmissions. Founded by Genesis P-Orridge, the group staged surreal events or interventions around Hull and beyond. Cosey worked for two years as a model for sex magazines and films to create a show about pornography and the sex industry called Prostitution. When it opened at the Institute of Contemporary Art in 1976, it prompted walkouts, made headlines, and provoked questions in Parliament. Cosey co-founded the industrial music band Throbbbing Gristle with Genesis P-Orridge, Peter Christopherson and Chris Carter. Chris and Cosey later created their own band and now perform under the name Carter Tutti. Producer Clare Walker.

Gemma Cairney continues The Leisure Society, a new series interviewing cultural icons, tastemakers, artists and musicians about their pastimes, hobbies, collections and loves beyond what they are known for. This week Gemma visits the home of Cosey Fanni Tutti, performer from avant-garde group Throbbing Gristle, whose art and music inspired a generation and rocked the establishment - to talk about her passion for gardening. As well as a guided tour around her garden, Cosey discusses her background in stripping, sexual politics how she was hired to dance in Sylvester's video for Mighty Real, and how she maintained her resilience in the face of adversity. First broadcast in 2018.

Live recording of a Q&A event at Rough Trade East with Chris Carter, Cosey Fanni Tutti & Daniel Miller, marking the 40th anniversary of the release of Throbbing Gristle's debut album "The Second Annual Report". roughtrade.com/gb/music/the-second-annual-report-of-throbbing-gristle-9ac6c7a4-1846-4ba9-bbb7-015345efa748

Episode 371: October 9, 2017 (guest artist Aidan Baker) playlist: Aidan Baker / Simon Goff / Thor Harris, "Red Robin" (Noplace) 2017 Gizeh thisquietarmy, "A World Without Power" (Democracy of Dust) 2017 Midira Virgin Prunes, "Twenty Tens (I've Been Smoking All Night)" (Twenty Tens) 1980 Baby Swans, "Screen Shot (Recorded At Regency Ballroom, San Francisco)" (Deliquescence) 2017 Young God Cosey Fanni Tutti, "The Secret Touch" (Time To Tell) 1981 CTI Aidan Baker, "Figure #3" (Figures) 2005 Transient Frequency Aidan Baker, "Melusine" (At The Fountain Of Thirst) 2002 Mystery Sea Aidan Baker with Claire Brentnall, "Shivering" (Delirious Things) 2017 Gizeh Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Over the past few weeks The Quietus has been lucky enough to see Liars play live three times, at the Visions Festival, Green Man and last night at Rough Trade East, where Angus Andrew and his new bandmates managed to conjure a special energy that transported us somewhere weird of their own making - it was as if we weren't in a shop. After 15 years of operation the new Liars album TFCF is the first Andrew has made on his own, and it stands out as one of the finest in a remarkable set that few of their peers have come close to. On this week's Quietus Hour, Angus Andrew speaks to Luke Turner about 10 tracks that shaped the record, and gives insights into its creation out in a remote part of the Australian bush. He discusses how the sound of nature made it into every track on TFCF, the move from LA to his homeland, the separation from Aaron Hemphill... and why he's taken to wearing a wedding dress onstage. Subscribe to The Quietus Hour podcast here for all our past episodes including specials with the likes of Thurston Moore, Shirley Collins, Cosey Fanni Tutti, John Lydon, Gary Numan and more. Liars return to the UK this autumn including a date at Heaven in London on October 27th and Newcastle's Boiler Shop on October 29th.

This week we're chuffed to welcome Cosey Fanni Tutti down from rural Norfolk to our exhaust-basted urban HQ for the latest special edition of The Quietus Hour. Luke Turner recently worked with Cosey curating live events around the COUM Transmissions exhibition at Hull City Of Culture, and today he picks up the threads to talk about both that and the reception to her recently-published memoir 'Art Sex Music'. Nine songs chosen by Cosey (taking in The Small Faces, Nico and the Velvet Underground to Leonard Cohen and Imogen Heap to Gazelle Twin) chart her life through hazy days in 1960s Hull via Throbbing Gristle and Chris and Cosey to the present as we chat about, well, art, sex and music.

On the latest episode of the Talkhouse Podcast, host Elia Einhorn sits down with Talkhouse Film's Editor-in-Chief Nick Dawson and then Talkhouse Music Editor-in-Chief Amy Rose Spiegel (with Talkhouse editorial intern Sophie Kemp in tow!) to discuss some of their favorite moments from the past few months, which include discussions of privilege, Tom Cruise's penis, clothing essentials, stripping, among other topics. Featured here are conversations between Talib Kweli and Patterson Hood of Drive-By Truckers, comedy multihyphenates Ken Marino and Paul Scheer, Cosey Fanni Tutti from Throbbing Gristle and Patti Smith Group's Lenny Kaye, standup stalwarts Todd Barry and Chris Gethard, and more. Plus there's an unreleased outtake in which Ryley Walker and Teenage Fanclub's Norman Blake riff on the weirdness of settling back into real life after tour, and a closing moment that would move Alvin Ailey to tears. Subscribe to the Talkhouse Podcast now on iTunes or Stitcher to stay in the loop about future episodes, too!

In this week's Pocket Edition, we talk to Shihad's Tom Larkin about musicians' mental health, Robert Scott from The Bats, and Cosey Fanni Tutti from English industrial icons Throbbing Gristle.

Cosey Fanni Tutti is a founding member of the avant-garde band Throbbing Gristle, who pre-empted the industrial musical movement. Alea Balzer talked to her about her recently-released autobiography Art Sex Music.

On the occasion of her autobiography Art Sex Music's American book release, industrial music pioneer and acclaimed performance artist Cosey Fanni Tutti (Throbbing Gristle, Chris and Cosey) sat down with Patti Smith Group's Lenny Kaye to discuss her fascinating life on the margins. Their conversation, which took place at McNally Jackson bookstore in New York, takes in the rise and fall of Throbbing Gristle, transgressive art shows, a hilarious story about Tutti using "Because The Night" during her strip routine, and much more. It begins with a stage-setting reading from Art Sex Music. Many thanks to McNally Jackson and Faber and Faber for allowing Talkhouse to record and release this fantastic conversation. Also, we want to hear from you! Head on over to bit.ly/TalkhouseSurvey to fill out a two-minute survey about you, our audience, so we can hear about how to bring you the best conversations. To sweeten the deal, we’ll be raffling off a Fender Mahogany Acoustic Guitar, a rad nine-LP prize pack courtesy of the great crews at Secretly Group and Dead Oceans, a custom Levi’s jean jacket, and four $25 Amazon gift cards. Good luck! —Elia Einhorn, Talkhouse Music Podcast host and producer

Last month, The Quietus travelled to Hull for the final weekend of events that we programmed with Cosey Fanni Tutti and Cabinet Gallery to run alongside the COUM Transmissions retrospective at the Humber Street Gallery. Anthony Child AKA Tony Surgeon played a vivid soundtrack to a recontextualised and edited version of Paul Verhoeven's Showgirls and Carter Tutti Void closed things beautifully with one of their most intense and perfect sets. Earlier in the day we set up a temporary Quietus Hour Studio in the gallery café to produce a special edition of our wireless programme and podcast devoted to COUM and its legacy. Tune into the show to hear to Luke and John speak to Cosey, Hull City Of Culture's Sam Hunt and Sophie Coletta about the exhibition, as well as some passable chat on JDo's former Hull home, including Dead Bod the infamous graffiti seagull. As Todd the dog barks in the background we play music from the COUM diaspora, including Throbbing Gristle, Chris & Cosey, Coil, Carter Tutti Void and Psychic TV. Thanks to our producer Seb White and all at Hull City Of Culture 2017. Subscribe to The Quietus Hour Podcast on iTunes here.

This week: Our special guests Jude Rogers of The Guardian and Ian Gittins tackle ART SEX MUSIC – the astonishing new autobiography of Throbbing Gristle's Cosey Fanni Tutti – plus new albums from Goldfrapp and British Sea Power and more. Click to listen. And don't forget you can listen to all the tracks played on the show in full by visiting our Spotify playlist See acast.com/privacy for privacy and opt-out information.

England’s Hidden Reverse: A Secret History of the Esoteric Underground was originally published in 2003 and quickly went out of print, an annoying but appropriate reflection of its subject matter. The most comprehensive account to date of first-generation British industrial music, the book has recently been given new life by Strange Attractor Press. To mark the publication of this updated edition, we’ve put together a special episode featuring the music of Throbbing Gristle, Coil, Current 93 and Nurse With Wound. Numerous characters from England’s Hidden Reverse also appear, including David Keenan himself, Cosey Fanni Tutti, Genesis P-Orridge, David Tibet, Jhonn Balance, Peter Christopherson, Steven Stapleton, Thomas Ligotti, Danielle Dax, Clive Barker, Derek Jarman and William S. Burroughs, along with a cast of confused and indignant inquisitors… http://strangeattractor.co.uk/shoppe/englands-hidden-reverse/

The third episode of the new UKPNW@40 podcast spotlights the PROSTITUTION event held in October, 1976 at the Institute of Contemporary Arts in London which included a performance by industrial pioneers Throbbing Gristle. The show, apart from TG, included pornographic images of band member Cosey Fanni Tutti, opening punk band Chelsea (appearing under the name "L.S.D.") in their debut appearance, a stripper performing between the bands, art installations including used Tampax in glass and transvestite security guards. Join host Bill Z as he details another historic event, this time from the more transgressive end of the early UKPNW period!

Cosey Fanni Tutti (artist, Norfolk); Penny Martin (Rootstein Hopkins Chair of Fashion Imagery, London College of Fashion, London); Claire Titley (music promoter, London); Chaired by Simon Reynolds (music critic, London) at Frieze London 2008

Une émission qui tourne surtout autour du coldwave, du punk et de l'industriel avec Coldreams, Tanit, Cosey Fanni Tutti, Trümmerfrauen, Excuse 17, Gashrat, Blue Cross, Kas Product, Sluetever, Chelsea Wolfe, Miserable et Xarah Dion.

Une émission qui tourne surtout autour du coldwave, du punk et de l'industriel avec Coldreams, Tanit, Cosey Fanni Tutti, Trümmerfrauen, Excuse 17, Gashrat, Blue Cross, Kas Product, Sluetever, Chelsea Wolfe, Miserable et Xarah Dion.

Mysteries Of The Deep Podcast, Chapter XXXIII. Breathing-Sinking by Patrick Russell. Tracklist: 1. Mika Vainio - Monumentti 2. Aleksi Perälä - UK74R1406060 3. Panabrite - Lagoon Resonance 4. Anthony Manning - Islets In Pink Polypropylene 1 5. Anthony Manning - Islets In Pink Polypropylene 2 6. Ann Lislegaard - The Space Between Us 7. Ester Brinkmann - Leichte Schwere 8. The Caretaker - No One Knows What Shadowy Memories Haunt Them To This Day 9. Wolfgang Voigt - 10'04" 10. Füxa - Overture 2 11. Cosey Fanni Tutti & Philippe Petit - Mist While Sleeping 12. Joey Beltram - Girk 13. CoH - Spiritoso, Con Amore 14. CoH Plays Cosey - Sin-King 15. Max Loderbauer - Slowrag 16. Imaginary Softwoods - Untitled https://soundcloud.com/mentalux

Carter Tutti session download/podcast Carter Tutti - (Chris Carter and Cosey Fanni Tutti) played live in session on November 1st, 2004. An exotic and electronic set taking in tracks from their most recent album ‘Cabal’, exploring subliminal sounds and hidden spaces. For this session they performed: Calm Circle, Unreality, Museum of Sleep, Streets of London Fields and Kinka. www.cartertutti.comhttp://www.youarehear.co.uk/Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

Carter Tutti session download/podcast Carter Tutti - (Chris Carter and Cosey Fanni Tutti) played live in session on November 1st, 2004. An exotic and electronic set taking in tracks from their most recent album ‘Cabal’, exploring subliminal sounds and hidden spaces. For this session they performed: Calm Circle, Unreality, Museum of Sleep, Streets of London Fields and Kinka. www.cartertutti.comhttp://www.youarehear.co.uk/Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent