Podcasts about Glasgow Film Festival

"Tornado" is the latest film from director John Maclean, who previously directed "Slow West" a decade ago. The western film follows Tornado (Kōki), a young woman who vows to seek vengeance for her father against a notorious gang and forge her own destiny by stealing their ill-gotten gold. The film additionally stars Tim Roth, Jack Lowden, Takehiro Hira, and Joanne Whalley and received positive reviews after its world premiere at the 2025 Glasgow Film Festival. Lowden was kind enough to spend some time speaking with us about his experience making the film, which you can listen to below! Please be sure to check out the film, which is now playing in theaters from Independent Film Company. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

On the March edition of the Cinetopia Radio show and podcast, Cinetopia's Amanda Rogers is joined by show regulars Simon Bowie, Garry Arnot and Robert Ewing, who cover this year's Glasgow Film Festival - including reviews of Nocturnal, Peacock, Homegrown, and Stealing Pulp Fiction. We also review new release films currently out in cinemas including Mickey 17, On Falling, and The Last Showgirl.Amanda also talks with Allison Strauss, Founder and Festival Director of HippFest, Scotland's first and only festival of silent film with live music, which s happening right now from 19th-23rd of March -https://www.hippodromecinema.co.uk/hippfest/Don't forget to check out our Kim's Video Film Tour across the UK popping up in 20+ venues across the UK- https://cinetopia.co.uk/kimsvideoand also subscribe to our Substack, Cinetopia's regular round-up of film-related happenings, opportunities, and insights - helping the film community stay connected! -https://cinetopia.substack.com/

In this special episode recorded at the Glasgow Film Festival, Jessica Lange joins Girls On Film host Anna Smith to reflect on her extraordinary career across stage and screen. She discusses her latest film, Long Day's Journey Into Night, which premiered at the festival, and shares insights into her rural Minnesota upbringing, early years studying mime in Paris, and her upcoming role as Marlene Dietrich. Jessica also revisits some of her most iconic roles, from portraying Frances Farmer in the heartbreaking biopic Frances to starring alongside Dustin Hoffman in the genre-defying comedy Tootsie. She also explores her more recent work on American Horror Story, which not only cemented her status as an acting legend but also introduced her to a new generation of fans. Beloved by Gen X and Gen Z alike, Jessica's performances continue to captivate audiences across film, television and stage. Acclaimed as one of the greatest actresses of her generation, Jessica is the 15th Oscar winner to appear on Girls On Film. The conversation was recorded on 1 March 2025. http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Anna Swartz Audio editor: Alex Jones House band: MX Tyrants Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency

We discuss this year's FrightFest Glasgow as part of the Glasgow Film Festival, and chat about all the films screened at this years fest!

FrightFest yet again descends on the Glasgow Film Festival and so do hosts Ben Errington and Andy Conduit-Turner alongside special guest and friend of the show, Emma Cownley!Covering films including but not limited to House of Ashes, The Last Sacrifice, By The Throat, The Doom Busters, In Our Blood, A Mother's Embrace, The American Backyard, Scared to Death and Rumplestiltskin.00:00 Intro 16:10 Horror News 29:50 What We've Been Watching46:22 House of Ashes59:50 The Last Sacrifice1:05:35 By The Throat1:14:06 The Doom Busters1:22:24 In Our Blood1:29:35 A Mother's Embrace1:39:12 Short Film Showcase1:52:36 The American Backyard2:05:15 Scared to Death2:11:40 Rumplestiltskin2:27:03 FrightFest Favourite2:30:32 Outrowww.horrorhangout.co.ukhttps://frightfest.co.uk/2025Glasgow/Podcast - https://fanlink.tv/horrorhangoutPatreon - http://www.patreon.com/horrorhangoutFacebook - http://www.facebook.com/horrorhangoutpodcastX - http:/x.com/horror_hangout_TikTok - http://www.tiktok.com/@horrorhangoutpodcastInstagram - http://www.instagram.com/horrorhangoutpodcastBen - https://x.com/ben_errington​​​Andy - https://www.instagram.com/andyctwrites/Emma - https://www.tiktok.com/@ejcownleyAudio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

On this edition of The CineSkinny we take a look at two of the most anticipated Scottish films of the year. First we review On Falling, the deeply impressive feature debut from Edinburgh-based director Laura Carreira.  And fresh from his second feature Tornado having its world premiere at Glasgow Film Festival, we have an interview with John Maclean who talks about westerns, samurai films, and the challenges of indie filmmaking in Scotland.  Elsewhere there are a couple of great film festivals (Glasgow Short Film Festival, HippFest) we wanted to give shout-outs to, and we take a look at some filmmakers who are attempting different distribution models that involve taking their films on intimate tours of the country. We also briefly chew over the Oscar results. TIMESTAMPS: What We've Been Watching: Walking & Talking, Disney Channel original movies, Common Side Effects and more (1:49) On Falling review (14:18) GSFF, HippFest, The People's Joker and Hundreds of Beavers (32:30) Interview: John Maclean on Tornado (50:10) Oscar chat (1:07:50) Get us on Twitter, Bluesky, Instagram and Letterboxd  @thecineskinny, email us at cineskinny@theskinny.co.uk Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

In this Film Ireland Podcast, award-winning writer director and documentary filmmaker Roisin Kearney talks to actor Travis Nelson. Travis has been acting internationally since 2009 and has starred in Netflix's The Recruit, and Amazon's The Lake. Recently he's been working in Ireland, having starred in dlr First Frames funded short Conveyance, and Blumhouse horror Drop, which hits cinemas 11th April 2025. One of only seven shorts in the FrightFest Showcase, Conveyance screens at Glasgow Film Festival on 8th March 2025 at 1pm in Glasgow Film Theatre.

In this episode of Girls On Film, recorded at the 2025 Glasgow Film Festival, host Anna Smith is joined by co-founder and Executive Producer of the podcast, Hedda Lornie Archbold, to bring listeners exclusive interviews with some of the festival's stars. They welcome insights from Festival Director Allison Gardner, star of opening gala film Tornado, Kōki, and two of the creative minds behind The Extraordinary Miss Flower. Allison Gardner talks about her highlights of her final year leading the Glasgow Film Festival. Kōki, the rising star of Tornado, opens up about her role as the daughter of a Japanese puppeteer in John Maclean's thriller. And Emiliana Torrini and Caroline Catz dive into their work on The Extraordinary Miss Flower, a genre-blending love letter to love letters, set to Torrini's dreamy soundtrack. The Extraordinary Miss Flower will be released in the UK on 9 May 2025. Tornado will be available in cinemas from 23 May 2025. Glasgow Film Festival 2025 runs from 26 February to 9 March 2025. For more information on screenings and tickets, visit the Glasgow Film Festival website https://www.glasgowfilm.org/home March is International Women's Month, and this year also marks the 20th Anniversary of Birds Eye View Festival, now Reclaim the Frame, a charity championing women filmmakers. The festival will host a Weekender from 7–9 March 2025 at BFI Southbank and Regent Street Cinema, featuring events, screenings, and a special showing of Lollipop, which featured in episode 181 of Girls On Film. For more details, visit reclaimtheframe.org.Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Anna Swartz Audio editor: Benjamin Cook House band: MX Tyrants Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency

Kirsty Wark talks to Anjelica Huston about playing a magnificent matriarch in the adaptation of Agatha Christie's Towards Zero, which begins on BBC One this weekend. The director of the British Museum, Nicholas Cullinan, talks about the appointment of an architectural firm who will be redeveloping the Museum's galleries, about the pressures of running a national cultural institution and about recent controversies. And actors Tim Roth and Koki discuss their roles in the opening film at the Glasgow Film Festival, director John MacLean's reinvention of the samurai movie tradition, Tornado. Presenter: Kirsty Wark Producer: Mark Crossan

Glasgow Film Festival is one of the most exciting times in Scottish cinema, so this week we dive headfirst and two-footed into the GFF programme with a trio of reviews and some additional chat. We discuss Marie Losier's art doc Peaches Goes Bananas; talk through the excellent Austrian comedy Peacock; and luxuriate in the lo-fi animation of Boys Go To Jupiter. Elsewhere, there's a weird smell, Jamie gets annoyed by people taking their jackets off too slowly, and Peter starts the campaign for a new podcast. It's The Cineskinny, drink it in. TIMESTAMPS: GFF: A beginner's guide (2:20) Peaches Goes Bananas (6:40) Peacock (15:05) Boys Go To Jupiter (24:10) More GFF picks 33:40 GFF, 26 Feb - 9 Mar, glasgowfilm.org Get us on Twitter, Bluesky, Instagram and Letterboxd  @thecineskinny, email us at cineskinny@theskinny.co.uk Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

For the latest SWH! podcast, and the last of our Best of 2024 pods for this year, Ali is joined once more by our longest serving contributor, Chris Ward, to talk all things film, or at least to talk about their films of the year. (Unfortunately fellow film pod regular Wesley Shearer couldn't do this year, but he let us know his films of the year as well). Chris and Ali each pick seven films to talk about. As usual, Ali's picks have a Scottish bent, including films from this year's Glasgow Film Festival, two literary adaptations, and some memorable music documentaries, as well as something of a curve ball, while Chris considers films from far and wide. At a time of year where the choice of what to watch can be overwhelming, hopefully you'll find inspiration from their chat. Full details, including all the ways to listen, are over at scotswhayhae.com

George Mackay is one of the most interesting young actors from these shores and a firm CineSkinny favourite. We were massive fans of Mackay's recent film, Femme, from last year, and barely an episode goes by on the pod without us mentioning the wonderful Pride. Back in March, we sat down with Mackay while he was visiting Glasgow Film Festival for the UK premiere of The Beast, a heady sci-fi romance spread across three timelines. We chat to him about The Beast, AI, his favourite film roles and having to act in French opposite Léa Seydoux. Have a listen! TIMESTAMPS: Introduction (0:05) How Mackay chooses his roles (1:58) How he got the part of Louis in The Beast (4:55) Working with writer-director Bertrand Bonello (9:15) What Mackay took away from the script (9:58) Learning French for the role (15:05) Working with Léa Seydoux (18:38) The rise of AI (20:30) His favourite of his own films (24:00) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded on location at Glasgow Film Festival Music: Too Cool by Kevin MacLeod  (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license  

It's been sunny in Edinburgh for the first time in weeks. We recorded two hours later than usual. Challengers is a very hot film. One or more of these may explain the slightly feral nature of this week's podcast, in which we review freewheeling US 'satire' The Sweet East and Luca Guadagnino's latest, as well as playing the film nerd equivalent of Fantasy Football in honour of the Glasgow Film Festival's 50th anniversary (fans of Kurosawa, Panahi and Rex the Dinosaur, we will programme your cinema, speak soon xx).  TIMESTAMPS: What We've Been Watching: Next Goal Wins, Civil War, Men In Black (2:00) The Sweet East review (16:20) Challengers review (29:10) GFT at 50, Filmhouse, and our perfect day at the cinema (38:40) Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

We're back and it's a special episode we have for you. It's our first live podcast panel event. Which was in collaboration with Short Circuit. We are over the moon with this collab as it's allowed us the bring you The Women In Film: Braking Barriers and Changing Narratives panel discussion with three incredible women. Nikki Parrott, Raisah Ahmed and Sarah Grant. Statement on the future of Short Circuit shortcircuit.scot/delivery-statement Nikki Parrott Tigerlily Productions is a multi-award-winning independent production company with a reputation for tackling powerful subject matter with sensitivity and artistry. Their output covers scripted and non- scripted documentaries, arts and music, history and current affairs across a range of media. In 2018, Tigerlily Two in Scotland was formed with the purpose of exploring new talent and stories outside London, and to be a prominent co-producer for international projects and teams. It is run out of Glasgow and headed by Nikki as Managing Director. In their first three years, they co-produced two feature documentaries POLY STYRENE I AM A CLICHÉ, which won two BIFAs including best documentary, IS THERE ANYBODY OUT THERE? which premiered at Sundance, and produced HONG KONG MIX TAPE, which premiered at Glasgow Film Festival this year and Hot Docs Toronto. WBSITE RAISAH AHMED Raisah Ahmed is a Screenwriter and Director who works across film and television. She has been working with Producer Zorana Piggott and Film4 on a feature project called Half-Moon Camp which looks at the journey of Indian Muslim Soldiers in WW1 as well as developing Safar a cross generational female road trip film with Zorana. Other credits include directing on CBBC's Sparks, Princess Mirror-Belle and Molly & Mack, BBC3's The Break and writing on BBC The Social's phone drama Control, CBBC's Molly & Mack and the recently announced WB Discovery animated series 'Toad and Friends'. She has been part of the writers room for Season 1 and 2 of Ch4 Series ‘We Are Lady Parts' and often consults on tv and film projects with a focus on Muslim and South Asian characters. She is currently developing the adaptation of Martin Sixsmith's ‘Ayesha's Gift' for television with Freedom Scripted, on which she's also an EP. She is also developing 'Nur' a 6 part original romcom for television with Channel X Hopscotch. As well as writing and directing, Raisah also sits on the BAFTA Scotland Committee, the board of the Scottish Youth Film Foundation and Bijli Productions, and chairs the Glasgow Film Festival Industry Advisory Group. WEBSITE:www.raisahahmed.com SARAH GRANT Sarah is a writer, director and performer based in Glasgow. She has a number of BAFTA qualifying shorts under her belt, and has created short-form work for BBC The Social and BBC Short Stuff, gaining tens of millions of views across digital and social media. She is moving towards writing and directing long form for film and television, shadowing Jack Clough as part of the BBC Comedy Bursary, and other programmes such as Young Films Residency, BAFTA Flare, the EIFF Talent Lab, and UKTV Comedy 50:50 pilot initiative. She also has work in development with BBC Studios, Candle and Bell, and Northbridge Media. Sarah is committed to creating body positive, sex positive and inclusive female-led stories that are honest, feminist and fearless. WEBSITE: www.sarahgrantcreative.com OUR WEBSITE - www.persistentandnasty.co.uk Persistent Pal & Nasty Hero - Pals and Hero Membership

Claire and Gavia review the much-hyped queer thriller Love Lies Bleeding, starring Kristen Stewart and Katy O'Brien. Plus, a multi-genre selection of highlights from this year's Glasgow Film Festival, including indie hits La Chimera and The Beast, and some excellent upcoming horror movies.

The offcuts from our Glasgow Film Festival roundup podcast.  We chat about what we have been watching and reading, AI giving us the fear, and other bits and bobs. Enjoy Hit the like and subscribe buttons on the podcast app of your choice. Find us on iTunes: https://podcasts.apple.com/gb/podcast/moviescramble/id1466571460 Spotify: https://open.spotify.com/show/42wPn0tXvH3GQJ2E3NYDYp?si=TPUrCkecQb-zdEOAaD3cDA Amazon: https://music.amazon.co.uk/podcasts/ed9b87c9-fb70-4307-96a7-d6223a202741/moviescramble Youtube: https://www.youtube.com/channel/UCsR--3Bae_QGM5xiM3fWohA and all podcast providers. Contact us on Facebook, Twitter, and Instagram @Moviescramble  

Our March episode is maybe our most film-packed episode yet! We review big cinema releases, Denis Villeneuve's Dune: Part II and Radu Jude's Don't Expect Too Much from The End of the World, both out in cinemas this month. Plus we give our full coverage of this year's Glasgow Film Festival 2024 including a review of Tummy Monster, La Chimera, and an interview with John Archer, director of Janey, the festival's closing film.

Frightfest descends on the Glasgow Film Festival and so do hosts Ben Errington and Andy Conduit-Turner!This special episode includes interviews with Mike Capes, Tiago Teixeira, Samantha Steel, Federico Zampaglione, Lauren LaVera, Paul Duane, Charlie Maher and friend of the show, John Crinan.Covering films including but not limited to You'll Never Find Me, The Soul Eater, The Deep Dark, The Invisible Raptor, Custom, Mom, The Well, All You Need Is Death, Wake Up, Last Straw, Kill Your Lover, and The Funeral.00:00 Introduction02:30 You'll Never Find Me Review06:06 The Soul Eater Review07:58 The Deep Dark Review10:50 The Invisible Raptor Review24:25 Interview w/ Mike Capes (Writer/star of The Invisible Raptor)36:27 Interview w/ Tiago Teixeira (Director of Custom)41:13 Interview w/ Samantha Steel (Star of Custom)46:27 Mom Review50:56 Interview w/ Federico Zampaglione (Director of The Well)54:14 Interview w/ Lauren LaVera (Star of The Well)56:50 Interview w/ Paul Duane & Charlie Maher (Director and star of All You Need Is Death)1:00:10 Wake Up Review (w/ John Crinan)1:07:28 The Well Review (w/ John Crinan)1:11:58 Last Straw Review (w/ John Crinan)1:26:52 Kill Your Lover Review1:35:11 The Funeral Review1:43:33 Custom Review1:51:04 All You Need Is Death Review2:01:11 FrightFest Glasgow Awards / Top 32:28:28 OutroFrightFest - https://www.frightfest.co.uk/Podcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/horrorhangoutFacebook - https://www.facebook.com/horrorhangoutpodcastTwitter - https://twitter.com/horror_hangout_TikTok - https://www.tiktok.com/@horrorhangoutpodcastInstagram - https://www.instagram.com/horrorhangoutpodcast/Website - http://www.hawkandcleaver.com​​​Ben - https://twitter.com/ben_erringtonAndy - https://twitter.com/AndyCTWritesAudio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

With the 20th edition of Glasgow Film Festival nearing its close, we sat down with two of our favourite critics, Carmen Paddock and Rory Doherty, to discuss this year's proceedings We also review GFF's blistering opener Love Lies Bleeding, share our Viggo Mortensen stories and review the mind-bending new film from Bertrand Bonello, The Beast. Plus Rory and Carmen pick out some of their GFF highlights. Glasgow Film Festival runs 28 Feb-10 March, get full details at glasgowfilm.org TIMESTAMPS: Self-care, After Hours and retrospectives (1:15) Love Lies Bleeding review (9:37) Viggo Mortensen loves Glasgow and The Dead Don't Hurt review (18:55) The Beast review (29:34) Rory and Carmen's favourite films of GFF 2024 (39:21) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow Rory and Carmen on Twitter @CarmenChloie and @roryhasopinions, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at Upload Studios, uploadstudios.co.uk Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

Recently, Craig had the opportunity to talk to writer/actor Jonas Chernick, actor Sara Canning, actor Christian Meer and director Sean Garrity about their new film The Burning Season which recently enjoyed its international premiere at the 2024 Glasgow Film Festival. The conversation covers writing and playing potentially unlikeable characters, telling a story in reverse and the joy of filming outdoors. Show Notes Jonas' IMDb Jonas' website Jonas' Twitter Sara's IMDb Sara's Twitter Sara's Instagram Christian's IMDb Sean's IMDb Craig's previous interview with Jonas The referenced story of artist Tom Thomson's death If you enjoyed what you heard here, please subscribe to Kneel Before Pod. If you have any feedback then we'd love to hear it. You can find us on Facebook ,Twitter and BlueSky. You can also make yourself known in the comments section below or you can join us on Discord.

We delve into Kristen Stewart's much-anticipated return to A24 in "Love Lies Bleeding." Stewart takes on the role of Lou, a gym manager whose life takes an unexpected turn when she crosses paths with Jackie, a dedicated bodybuilder on her way to a competition in Las Vegas.But that's not all – we had the opportunity to speak with Rose Glass, the co-writer and director, on the opening night of the Glasgow Film Festival and Glass shares insights into her sophomore feature with us.

Another missive from the Glasgow Film Festival. On this one, we chat with the mighty Viggo Mortensen. Yes, Aragorn himself! The Lord of the Rings and A History of Violence star was in town for the UK premiere of The Dead Don't Hurt, a sinewy western that Mortensen wrote, directed, composed the music for and starred in.  Set in the 1860s in a small Nevada outpost, The Dead Don't Hurt is both a beautiful homage to the great westerns of the past and a subversion of this most macho of film genres. It centres on the romance between Mortensen's character Olsen, a Danish carpenter, and Vivienne, a fiercely independent French-Canadian woman who grew up dreaming of being Joan of Arc, played by Vicky Krieps. Mortensen and Krieps are an acting match made in heaven. They're ably supported by a cast that includes Danny Huston, Garret Dillahunt, and the young Scottish actor Solly McLeod, who plays a brutish psychopath who will change Vivianne and Olsen's lives forever.  The day after The Dead Don't Hurt's UK Premiere, we sat down with Viggo Mortensen and his young co-star Solly McLeod to discuss the film.  TIMESTAMPS: Jamie introduces The Dead Don't Hurt (0:05) Viggo and Solly's first impressions of Glasgow (1:40) Viggo's love of classic westerns (3:00) How Solly got cast (4:30) The film's non-linear structure (7:30) Working with Vicky Krieps (12:10) What Viggo learned from observing other directors (16:10) Sparks of inspiration on set (18:20) What Viggo and Solly are doing next (20:30) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded on location at Glasgow Film Festival Music: Too Cool by Kevin MacLeod  (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

In this episode Girls On Film is at the 20th edition of Glasgow Film Festival. Anna Smith sits down with Festival Director Allison Gardner, then has an exclusive interview with the director of Love Lies Bleeding Rose Glass, with Oscar-nominated director of The Teacher Farah Nabulsi, and with BAFTA-nominated director of Edge of Summer Lucy Cohen. First up, Director of GFF Allison Gardner picks out some of her festival highlights, from Ava DuVernay's Origin to Viggo Mortensen's The Dead Don't Hurt which she describes as a ‘feminist western'. Allison talks about the unique programming at GFF with 126 films included at the festival this year. She picks out the ‘Love is sweet oh!' strand programmed by Tomiwa Folorunso, the ‘Gestures of Memory' strand programmed by Natasha Thembiso Ruwona, and ‘What Will the Men Wear?' programmed by Rosie Beattie. Next up Anna welcomes back Rose Glass to Girls On Film, who first appeared in Episode 60 to discuss her debut Saint Maud, which also showed at GFF in 2019. This year Rose is back with her hotly-anticipated second feature, Love Lies Bleeding, which had its UK premiere as the Opening Gala film at GFF. With Anna, Rose talks about the ‘dream' casting of Kristen Stewart as moody heartthrob Lou, who meets amateur bodybuilder Jackie when she turns up in Lou's sleepy hometown. The pair fall hard for one another and Rose describes crafting their fantastical love story, with co-writer Weronika Tofilska, which has ‘one foot in reality, and one foot somewhere stranger'... Anna also speaks to Oscar-nominated director Farah Nabulsi, whose debut feature The Teacher is showing at GFF. Anna asked Farah about her journey into filmmaking, from a background in business to directing her first short The Present, which went on to be nominated for the 2021 Oscar for Best Live Action Short Film. Finally, Anna speaks with BAFTA-nominated director Lucy Cohen, whose coming-of-age film Edge of Summer tells the story of 11-year-old Evie on holiday in Cornwall in the early 1990s. When she meets local boy Adam, a mysterious discovery down an old tin mine changes everything. Lucy talks to Anna about her influences in exploring childhood on screen, citing Ratcatcher (Lynne Ramsay, 1999) and Walkabout (Nicolas Roeg, 1771), and about her excitement to be showing the film at Glasgow Film Festival. Thank you to our partners for this episode, Glasgow Film Festival. The festival runs from 28 February to 10 March. To buy tickets visit the Glasgow Film Festival website glasgowfilmfest.org/home/ Love Lies Bleeding is in UK cinemas from 3 May 2024. You can watch The Teacher in Glasgow on Monday 4 March 2024 at 6pm and Tuesday 5 March 2024 at 3.15pm. You can watch Edge of Summer in Glasgow on Friday 8 March 2024 at 8.30pm and Saturday 9 March 2024 at 3.45pm. Other films mentioned in the podcast: The Mask (Charles Russell, 1994) Origin (Ava DuVernay, 2023) The Dead Don't Hurt (Viggo Mortensen, 2024) Lousy Carter (Bob Byington, 2023) The Teacher's Lounge (Ilker Catak, 2023) Thelma and Louise (Ridley Scott, 1991) Walkabout (Nicolas Roeg, 1971) Ratcatcher (Lynne Ramsay, 1999) The Present (Farah Nabulsi, 2021) Saint Maud (Rose Glass, 2019) Girl (Adura Onashile, 2023) Daisies (Vera Chitylova, 1966) The views and opinions expressed in this podcast are those of the speakers and not necessarily those of the organisation or its affiliates. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Producer: Charlotte Matheson House band: MX Tyrants © HLA Agency

We're back at Glasgow Film Festival for some special episodes made on the ground at the festival. First up, we have a chat with Saint Maud director Rose Glass, whose blistering second feature, Love Lies Bleeding, opened the festival.  Love Lies Bleeding is a wonderfully lurid neo-noir thriller starring Kristen Stewart as Lou, the owner of a grimy gym in Nowheresville New Mexico, who begins a passionate romance with Jackie, an itinerant wannabe bodybuilder who walks into Lou's gym one day, played by Katy O'Brian. Lou and Jackie's whirlwind romance is short-lived though, as Lou's dysfunctional family, murky past and some roid rage combine to send the couple's life into a tailspin. Before Love Lies Bleeding's UK Premiere, we sat down with Glass to discuss this hugely entertaining 80s noir throwback. Take a listen. TIMESTAMP The initial idea for Love Lies Bleeding (2:07) Films that influenced on Love Lies Bleeding (5:24) Glass's obsession with the body and body horror (8:45) The writing process with co-writer Weronika Tofilska (10:42) Why Kristen Stewart was perfect for the role of Lou (12:05) Finding an actress who could play an 80s bodybuilder (13:26) Making a film that's unabashedly queer (17:25) How Glass likes to surprise her audience (20:12) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded on location at Glasgow Film Festival. Music: Too Cool by Kevin MacLeod  (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

On our February edition of the Cinetopia Show, our team Amanda Rogers, Simon Bowie, and Garry Arnot, preview the IberoDocs Film Festival and Glasgow Film Festival plus review the recent films AMERICAN FICTION, THE ZONE OF INTEREST, and OCCUPIED CITY. Amanda also sits down with the director of THE CASTLE, Martin Benchimol, to discuss his award winning documentary-fiction hybrid film set in the Argentinian Pampa region.

The gang's all back, and this week we're talking all things Glasgow Film Festival. We've got vampires! Gunfights! Drag queens! Orthodox monks doing kung-fu! Other stuff! Ellie, Jamie, Anahit and Peter also have a chat about upstart film competition 'The Oscars', aka 'The Academy Awards'. See, they haven't even settled on a title yet, amateurs. Peter has a coughing fit, Anahit is jet-lagged and buzzed on Red Bull so won't stop playing with the sound effects, Ellie talks us through the finer points of animation studio politics, and Jamie tells us all about why Bradley Cooper shouldn't win an Oscar. It's The Cineskinny. TIMESTAMPS: The Oscars, aka 'How I Learned to Stop Worrying and Just Slag Off Maestro' (2:50) Glasgow Film Festival overview (12:35) The Vourdalak review (15:15) Jericho Ridge review (24:15) Solo review (30:50) The Invisible Fight review (43:00) Additional GFF picks (49:35) CINESKINNY FILM CLUB TICKETS: https://www.theskinny.co.uk/tickets Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license  

We are back for Episode 53 Don't mention Taylor (we mentioned it once but we think we got away with it). In this episode we cover the first two weekends of the Six Nations, that big sporting event in USA (plus some Taylor chat) . Also gig reviews of Depeche Mode and The 1975, the Glasgow Film Festival and an Irish album special with reviews of Conchur White, The Sprints, New Dad and Problem Patterns. The live return of AC/DC gets a mentioned as we worry about gig prices. So a packed show , thanks for listening.

This week, we take a long hard look at Jonathan Glazer's excellent new film The Zone of Interest, then have a chat about some of the more unsettling films we've watched. In the middle, we talk through literary/race/politics satire American Fiction, and up top there's a bit of The News to shout out Glasgow Film Festival and Manipulate Festival. TIMESTAMPS: Manipulate, GFF and the Cineskinny Film Club (1:45) The Zone of Interest review (10:25) American Fiction review (25:45) Unsettling Cinema: Henry Portrait of a Serial Killer, Mad God, Titane (41:20) CINESKINNY FILM CLUB TICKETS: https://www.theskinny.co.uk/tickets Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

In this episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus Anthony Thomas are joined by Film Hub North's very own Ben Taylor, a BFI Talent Exec. With BFI Network funding being one of the most widely accessible funding pots for aspiring filmmakers in England, we decided to bring on one of the people who has a say in which projects are successful, all in an effort to demystify that process for each one of you. This chat covers:   -What is the job of a talent exec? -When should you be reaching out to a talent exec? -The barrier of having to apply with a producer. -What criteria do you look for in the successful applicants? -Is the industry becoming more diverse? -What level of support do they offer filmmakers at various levels? -How are you bridging the gap between shorts and features? -The North/South divide. -We also cover a bunch of (fun) questions from you guys!   Ben Taylor went to college in Nottingham and then migrated to Sheffield University to study, and it is here that he became involved in the Sheffield Doc fest. He then migrated again, but this time to Scotland when he took on the role of a Screen Executive at Screen Scotland, working across scripted and factual funding for film and television alongside supporting festivals, distribution and training. He has also held roles as BIFA's Talent and Training Manager, Creative Europe MEDIA Officer for Scotland and was responsible for launching Glasgow Film Festival's Industry Focus strand and at Crossover Labs managed the Interactive section at Sheffield's programme. Now he is a BFI Talent Executive at Film Hub North supporting filmmakers in the region through funding, events and guidance.   Nuggets of the week Marcus: Short Hand: A guide to making a short film Podcast Oz: Nathan Bryon - Black Prose Podcast  Ben Taylor: Krzysztof Kieślowski: Three Colours Trilogy Dark Matter: Independent Filmmaking in the 21st Century by Michael Winterbottom German Artist Hanz Hemmert   Credits Music by Oliver Wegmüller   Socials Instagram: @TheDirectorsTakePodcast Twitter: @DirectorsTake Ben's Twitter: @imbentaylor   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.

Paul Webster was joined this week by two exciting filmmakers who are very much on the up, Robert Higgins and Patrick McGivney. They are an award-winning Irish director/producer duo from Longford. They wrote, produced and directed the upcoming feature film ‘Lakelands' which stars Éanna Hardwicke (Normal People, Vivarium), Danielle Galligan (Shadow and Bone, Kin), Lorcan Cranitch (Bloodlands) and Gary Lydon (Banshees of Inisherin). The film won Best Irish Film and Bingham Ray New Talent Award for its lead actors at the Galway Film Fleadh, having won the Bankside Award at the Galway Film Fair the previous year. It won Best Film at Kerry Film Festival and played at international festivals such as Santa Barbara Film Festival and Glasgow Film Festival. It will be released theatrically in Ireland and UK by Wildcard Distribution on May 5th. It has been nominated for four IFTAs including Best Film. Their short film ‘Drifting' stars Oscar nominee Paul Mescal (Normal People) and Dublin Critic's Choice winner Dafhyd Flynn (Michael Inside). It premiered at the Galway Film Fleadh, was acquired for worldwide distribution by Network Ireland Television and played a number of Academy Award and Bafta winning festivals including Galway Film Fleadh, Dublin International Film Festival, Newport Beach Film Festival and Aesthetica Film Festival. Their first short film ‘Angels Guard Thee' premiered at Cork Film Festival that year and went on to screen at 15 festivals worldwide before being broadcast on RTÉ in late 2019. They founded the film company Harp Media in 2018. In 2023, Robert and Patrick were profiled in the Irish Independent's 50 Rising Stars list. Their second feature ‘Bonfires' is in development with Screen Ireland and they are also developing a number of film and TV projects. They are represented by Curtis Brown Talent. Join us next Thurs to Sunday in Achill Island where we will be hosting special Podcast episodes from the festival over the weekend, and hosting a very cool networking event on Thurs the 11th of May at 7pm. We're delighted to support such an important film festival. Make a weekend of it. Visit https://www.achillinternationalfilmfestival.com/ for your tickets and passes. #SupportTheArts #WeAreFni Please Support our podcast, events and classes on BuyMeACoffee.com/fni Or on Spotify, Google Podcasts, Apple Podcasts, Headstuff+ or wherever you listen to audio content. FNI Wrapchat is Produced by PBL, Paul Webster and Edited and Mixed by Mark Monks in the heart of Dublin City Centre at the Podcast Studios. Check out Film Network Ireland at https://wearefni.com/ https://www.facebook.com/groups/filmnetworkireland https://twitter.com/fni_film Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Webster was joined this week by two exciting filmmakers who are very much on the up, Robert Higgins and Patrick McGivney. They are an award-winning Irish director/producer duo from Longford. They wrote, produced and directed the upcoming feature film ‘Lakelands' which stars Éanna Hardwicke (Normal People, Vivarium), Danielle Galligan (Shadow and Bone, Kin), Lorcan Cranitch (Bloodlands) and Gary Lydon (Banshees of Inisherin). The film won Best Irish Film and Bingham Ray New Talent Award for its lead actors at the Galway Film Fleadh, having won the Bankside Award at the Galway Film Fair the previous year. It won Best Film at Kerry Film Festival and played at international festivals such as Santa Barbara Film Festival and Glasgow Film Festival. It will be released theatrically in Ireland and UK by Wildcard Distribution on May 5th. It has been nominated for four IFTAs including Best Film. Their short film ‘Drifting' stars Oscar nominee Paul Mescal (Normal People) and Dublin Critic's Choice winner Dafhyd Flynn (Michael Inside). It premiered at the Galway Film Fleadh, was acquired for worldwide distribution by Network Ireland Television and played a number of Academy Award and Bafta winning festivals including Galway Film Fleadh, Dublin International Film Festival, Newport Beach Film Festival and Aesthetica Film Festival. Their first short film ‘Angels Guard Thee' premiered at Cork Film Festival that year and went on to screen at 15 festivals worldwide before being broadcast on RTÉ in late 2019. They founded the film company Harp Media in 2018. In 2023, Robert and Patrick were profiled in the Irish Independent's 50 Rising Stars list. Their second feature ‘Bonfires' is in development with Screen Ireland and they are also developing a number of film and TV projects. They are represented by Curtis Brown Talent. Join us next Thurs to Sunday in Achill Island where we will be hosting special Podcast episodes from the festival over the weekend, and hosting a very cool networking event on Thurs the 11th of May at 7pm. We're delighted to support such an important film festival. Make a weekend of it. Visit https://www.achillinternationalfilmfestival.com/ for your tickets and passes. #SupportTheArts #WeAreFni Please Support our podcast, events and classes on BuyMeACoffee.com/fni Or on Spotify, Google Podcasts, Apple Podcasts, Headstuff+ or wherever you listen to audio content. FNI Wrapchat is Produced by PBL, Paul Webster and Edited and Mixed by Mark Monks in the heart of Dublin City Centre at the Podcast Studios. Check out Film Network Ireland at https://wearefni.com/ https://www.facebook.com/groups/filmnetworkireland https://twitter.com/fni_film

[originally aired on EFHM 21st March, 2023] On our March edition of the Cinetopia Radio show and podcast, Cinetopia's Amanda Rogers is joined by Amaya Banuelos Marco to talk about the recent activity of the Save Filmhouse campaign and the recent protest outside the building. Also on this episode, show regulars Garry Arnot and Simon Bowie recap their time at the 2023 Glasgow Film Festival including reviewing the following films: Typist Artist Pirate King, Other People's Children, Sanctuary, and March on Rome. Amaya joins Amanda again to talk about the 2023 Berwick Film and Media Arts Festival.

Welcome back to Horror. Cult. Trash. Other. Podcast! Today we're bringing you a bonus episode where we're discussing all the films we watched at this year's Glasgow Film Festival! During the episode we discuss the likes of I Like Movies, Riceboy Sleeps, Nightsiren, God's Creatures, Lullaby, and much more. Email us at horror.cult.trash.other@gmail.com and check us out on Social Media at the following links www.facebook.com/horrorculttrashother Twitter - @horrorculttrash Instagram - @horror.cult.trash.other Theme song is Stick Around by Gary's old band, One Week Stand. Check them out on Spotify, iTunes and many other digital distributors!

Dallas and Lee review Scream VI and share their experiences of the 2023 Glasgow Film Festival.

FrightFest is the UK's No.1 horror & fantasy film festival and was back from 9th - 11th of March at the Glasgow Film Theatre, which for 18 years has been FrightFest's second home, as part of the internationally renowned Glasgow Film Festival.Listen as Ben and Andy cover an extravaganza of the dark arts, embracing the latest genre discoveries from around the globe, which includes World, International and UK premieres. 00:00 Intro10:29 Horror News 21:32 What We've Been Watching41:28 FrightFest Glasgow47:41 #CHADGETSTHEAXE55:17 Mother Superior58:32 Pensive1:10:02 Little Bone Lodge1:17:19 Winnie the Pooh - Blood & Honey1:44:49 OutroPodcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/horrorhangoutFacebook - https://www.facebook.com/horrorhangoutTwitter - https://twitter.com/horror_hangout_Website - http://www.hawkandcleaver.com​​​Ben - https://twitter.com/ben_errington​​​Andy - https://twitter.com/AndyCTWritesAudio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

Glasgow Film Festival is nearing its close, so we've asked two of our favourite critics, Iana Murray and Rory Doherty, to join us to share their favourite films of the festival. We also review Sanctuary, a kinky chamber piece starring Christopher Abbott as a hotel heir who's become reliant on regular bouts of humiliation, and Margaret Qualley as the dominatrix who clearly relishes making her client feel like a worm. We also react to this year's Surprise Movie, which turned out to be War Pony, the debut feature from Gina Gammell and actor Riley Keough following parallel stories about two young Native Americans who live on the Pine Ridge reservation in South Dakota. Glasgow Film Festival runs 1-12 March, get full details and tickets at glasgowfilm.org TIMESTAMPS: War Pony (GFF's Surprise Film) review (2:32) Sanctuary review (13:46) Rory and Iana's favourite films of GFF 2023 (22:30) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow Rory and Iana on Twitter @ianamurray and @roryhasopinions, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at Upload Studios, uploadstudios.co.uk Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

In hilarious fashion, BlackBerry chronicles the rise and sharp decline of the world's first smartphone. We down with writer-director and star Matt Johnson while he was attending the UK premiere at Glasgow Film Festival to discuss the film. ----more---- Jay Baruchel plays the naive inventor of the BlackBerry, Mike Lazaridis; Only Sunny in Philadelphia's Glenn Howerton is fantastic at Jim Balsillie, the shark-like businessman who helps Mike sell BlackBerry to the world; and Johnson himself plays Doug Fregin, the vest-wearing tech bro who started the company with Lazaridis but would rather have a good time than be in business. The film is a delight, and a world away from tragic moral tales like The Social Network or Jobs. Johnson's approach is less ostentatious, bringing these tech giants down to a human level and telling a story full of wit and pathos.  Glasgow Film Festival runs 1-12 March, get full details and tickets at glasgowfilm.org TIMESTAMPS: Glasgow, Limmy and deep-fried pizza (1:22) Why make a film about the deeply uncool BlackBerry (3:38) Casting Always Sunny's Glenn Howerton (7:47) The film's 'fly-on-the-wall' style (10:30) Borrowing from Robert Altman (14:12) Making an honest story about capitalism (14:55) Johnson's similarity to all three main characters (18:33) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

We've broken away from our usual recording schedule to visit the Glasgow Film Festival, which is currently in full swing.  One of the most exciting films to emerge from the programme this year has been How to Blow Up a Pipeline, Daniel Goldhaber's ticking time bomb thriller following an idealistic group of young people drawn from all across America who gather in Texas for a bout of sabotage on a key oil pipeline.  While they were in Glasgow for the UK premiere of the film, we spoke to Goldhaber and editor Daniel Garber.  Glasgow Film Festival runs 1-12 March, get full details and tickets at glasgowfilm.org TIMESTAMPS: Adapting Andreas Malm's political manifesto of the same name into a nail-biting heist thriller (1:35) Creating the film's urgent quality through editing and pacing (3:55) Hitting upon the film's structure combining cliffhangers and flashbacks (5:38) Visual influences (8:55) 16mm cinematography (10:15) The stunning cast of up-and-coming actors (11:35) Giving young audiences hope (15:26) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at Upload Studios, uploadstudios.co.uk Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license  

GFF is back, so The Cineskinny team take a large dive into the 2023 programme. We're blowing up pipelines, we're taking breezy trips to Madrid, we're Liking Movies – here we Glas-go again, etc etc Glasgow Film Festival runs 1-12 March, get full details and tickets at glasgowfilm.org TIMESTAMPS: How To Blow Up A Pipeline review (4:10) I Like Movies review (15:05) Ramona review (26:00) Skin Deep review (35:05) Additional GFF picks - more films, good bars, tasty falafel (44:45) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at Upload Studios, uploadstudios.co.uk Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license  

Writer and director Adura Onashile chats to Janice about her debut feature film, 'Girl'.

For our February episode of 2023, Amanda Rogers from Cinetopia was joined by Garry Arnot to discuss our OSCAR predictions as well as review new release films: BLUE JEAN, a debut feature directed by Georgia Oakley, SUBJECT, Directed by Jennifer Tiexiera and Camilla Hall, NOSTALGIA, director by Mario Martone; We also preview the 2023 Glasgow Film Festival including reviewing the festival's opening film, GIRL. Amanda also sat down with the documentary director, MARIE LIDEN, who was recently nominated for a BAFTA for Outstanding Debut by a British Writer, Director, or Producer, for her direction of ELECTRIC MALADY

This week we have film maker, director, writer & Actor James Price. James is a fellow Springburn boy and went to the same school as Darren. He has a film on this years Glasgow Film Festival and tickets can be bought here:https://glasgowfilm.org/glasgow-film-festival/shows/pay-what-you-can-dog-days-nc-15As always the Pod is Sponsored by Michael Burns and L.A.M.N Solutions LTD. If you need any work done on your home or Property contact Michael on 07854244520 and quote "Straight White Whale" for a discount! Hosted on Acast. See acast.com/privacy for more information.

In this Film Ireland podcast, Gemma Creagh chats to Conor McMahon, Writer/Director of Let the Wrong One In. Let The Wrong One In tells the story of a young supermarket worker who discovers that his older brother is a vampire and must choose whether to save or slay him. https://filmireland.net/ The film stars Anthony Head, who is best known for his role in ‘Buffy The Vampire Slayer', along with upcoming Irish acting talent Karl Rice and Eoin Duffy. It also stars Irish talent Mary Murray, Hilda Fay and Lisa Haskins. Both Rice and Duffy have received praise for their comedic performances in the film, while Rice was nominated for the Discovery Award at Virgin Media Dublin International Film Festival in 2022. Since its world premiere at the renowned Fantastic Fest in Austin, Texas Let The Wrong One In has screened at a number of international film festivals this year including Sitges, Brussels International Fantastic Film Festival, Glasgow Film Festival, the Dublin International Film Festival and Screamfest, America's largest and longest running horror film festival, where it picked up the award for Best Visual Effects. The film is produced by Ruth Treacy and Julianne Forde for Tailored Films, who are known for The Lodgers, The Winter Lake and Stitches, and Trisha Flood and Michael Lavelle of Workshed Films who previously produced From The Dark. Let The Wrong One In is in Irish cinemas from January 20th 2023.

Get bonus content on PatreonSupport this show http://supporter.acast.com/cagedinpod. Hosted on Acast. See acast.com/privacy for more information.

Recently Craig had the opportunity to talk to actor, writer and producer Jonas Chernick following the debut of his new film Ashgrove at Glasgow Film Festival. The discussion covers creating your own work, portraying relationship breakdowns and extensive time travel research. Show Notes Jonas' IMDb page His Twitter account His website Aaron's interview with Joseph Mallozzi If you enjoyed what you heard here then please do subscribe to Kneel Before Pod . If you have any feedback then we'd love to hear it. You can find us on Facebook and Twitter or just make yourself known in the comments section below.

Welcome back to Horror. Cult. Trash. Other. Podcast! Today we're bringing you a bonus episode where we're discussing all the films we watched at this year's Glasgow Film Festival and FrightFest! During the episode we discuss the likes of Yuni, Let the Wrong One In, You Are Not My Mother, Nitram, Once Upon a Time in Uganda, Monstrous and much more. Email us at horror.cult.trash.other@gmail.com and check us out on Social Media at the following links www.facebook.com/horrorculttrashother Twitter - @horrorculttrash Instagram - @horror.cult.trash.other Theme song is Stick Around by Gary's old band, One Week Stand. Check them out on Spotify, iTunes and many other digital distributors!

FrightFest is the UK's No.1 horror & fantasy film festival and was back from 10th - 12th of March at the Glasgow Film Theatre, which for 17 years has been FrightFest's second home, as part of the internationally renowned Glasgow Film Festival.Listen as Luke, Ben and Andy cover an extravaganza of the dark arts, embracing the latest genre discoveries from around the globe, spanning eight countries in three continents, which includes World, International and UK premieres. 00:00 Intro08:18 Horror News 18:58 What We've Been Watching26:36 FrightFest Glasgow29:24 Let The Wrong One In37:46 A Cloud So High44:02 Homebound (Interview with Sebastian Godwin - https://youtu.be/OSw0lf3vglI)58:03 You Are Not My Mother1:06:20 Wyrmwood: Apocalypse1:14:07 Mandrake (Interview with Lynne Davison - https://youtu.be/niqiwNq4i-I)1:26:04 The Ledge1:39:00 Some Like It Rare1:48:37 Monstrous1:54:45 Awards2:10:00 Name Game2:14:04 OutroPodcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/horrorhangoutFacebook - https://www.facebook.com/hawkandcleaverTwitter - https://twitter.com/hawkandcleaver​​​Website - http://www.hawkandcleaver.com​​​Luke - https://twitter.com/lukeofkondorBen - https://twitter.com/ben_errington​​​Andy - https://twitter.com/AndyCTWritesSupport this show http://supporter.acast.com/thehorrorhangout. See acast.com/privacy for privacy and opt-out information.

Glasgow Film Festival returned as a hybrid of in-person and at-home screenings,Dallas and Lee were there and share their reactions to this years festival.

Glasgow Film Festival returned as a hybrid of in-person and at-home screenings, Dallas and Lee were there and share their reactions to this years festival.

What Stories shall We Tell can be found here on the Glasgow Film Festival site and all films will be showing on Saturday 12th and Sunday 13th March -so make sure to get your tickets now! Welcome back! On this episode of the AV club, we talk about the woes and wins of in-flight movies, the best streaming service, the best voice on audible... plus a rant about Kanye. This week we talk about: Love is Blind, NetflixWheel of Time, Audible and Amazon Prime Vox Machina, Amazon Prime Star Trek Discovery, Paramount Plus Jeen-Yuhs, Netflix***Launched due to a lack of Black Scottish voices in mainstream media, Suzie and Shirley share their experiences of growing up in Scotland, and discuss pop-culture, current events, and everything in-between with a bit of banter on the side! @blackscotpod on your preferred socials Hosts: @suziemwanza & @_shirleymcpherson_Find us on Apple Podcasts, Spotify and wherever you get your podcasts!Get in touch at blackscotpod@gmail.com See acast.com/privacy for privacy and opt-out information.