Podcast appearances and mentions of Margery Kempe

Welcome to The Wild Card Podcast!  This is episode 295 of our attempt at this whole podcasting thing!! Today's episode features: Jared Eaton aspiring to be a dinosaur, Jeff Curtis being a pain in the butt, and Ron Blair loving a hit and run!! Throughout the episode, you'll hear the three of us discuss such varied topics as: the way this podcast is about everyone's inner monologue, a Favorite Commercial, our favorite war movies, the power of spite, being pissed off by correct grammar, how saintly Margery Kempe is, and occasionally we part from our tangents to remember the life and films of Gene Hackman! This week, Jeff takes the guys through Hackman's early life, beginnings in the industry, and his films!!!  Thank you for joining us on this journey to wherever and we're sure that you'll never be Hacked as you listen to our Super podcast!Please like/subscribe and leave comments below! Let us know your thoughts on Gene Hackman, your favorite of his movies, which of his performances is your favorite, your favorite war movies, positivity chains (encourage one another!), any future reports you'd like us to do, and if you are interested in being an official Deckhead!P.S.  “The difference between a hero and a coward is one step sideways.”~ Gene HackmanP.P.S. Stay Safe, Stay Wild, and Bite the Edge!

Subscriber-only episodeSend us a textLittle is known about 15th-century Welsh bard Gwerful Mechain, but here's what we do know: She threw down some slappin' feminist rhymes in the “rap battle” equivalent of poem exchanges with her male counterparts. Find out what made their repartee so fun and flirtatious, and learn about her most iconic poem, “To the Vagina,” while Amy tries her very best not to blush!Mentioned in this episode:“To the Vagina” by Gwerful Mechain (translated by Katie Gramich)The Works of Gwerful Mechain edited by Katie Gramich (Broadview Press edition)“To the Penis” by Dafydd ap GwilymIeuan DyfiDafydd LlywelynBritish Library's “Medieval Women in Their Own Words”Lost Ladies of Lit Episode No. 164 on Christine de PizanLost Ladies of Lit Episode No. 236 on Margery Kempe and Julian of NorwichFor episodes and show notes, visit: LostLadiesofLit.comSubscribe to our substack newsletter. Follow us on instagram @lostladiesoflit. Email us: Contact — Lost Ladies of Lit Podcast

Send us a textReligious mystics Margery of Kempe and Julian of Norwich lived in close proximity to one another in time and place, yet the lives of these two medieval women couldn't have been more different. One traveled the world in relentless pursuit of spiritual validation, while the other withdrew into a walled cell. One boldly proclaimed her visions of Christ while the other recorded quiet revelations. One authored the first autobiography in English while the other penned the first known book in English by a woman. But here's where it gets truly fascinating: these two women actually met—a fateful encounter depicted in guest Victoria MacKenzie's award-winning debut novel, For Thy Great Pain Have Mercy on My Little Pain. Join us as we discuss these two incredible women whose accounts of divine encounters were destined for rediscovery centuries after being lost to time.Mentioned in this episodeThe British Library's exhibit: Medieval Women: In Their Own WordsHighgate CemeteryFor Thy Great Pain Have Mercy on My Little Pain by Victoria MacKenzieThe Book of Margery KempeRevelations of Divine Love by Julian of NorwichBridget of SwedenLost Ladies of Lit podcast Episode No. 164 on Christine de PizanLost Ladies of Lit podcast Episode No. 34 on Anna KomneneLost Ladies of Lit podcast Episode No. 70 on Julian BernersSupport the showFor episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

For centuries, scholars only had one version of the life of Margery Kempe, an English mystic who lived in the 14th and 15th centuries — until a ping pong match revealed her story in her own words. For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.orgEmail us at considerthis@npr.orgLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this episode of Talking Tudors, host Natalie Grueninger welcomes Dr. Hetta Howes, a lecturer in medieval literature, to discuss her latest book, 'Poet, Mystic, Widow, Wife: The Extraordinary Lives of Medieval Women'. Delve into the captivating stories of four remarkable women – Marie de France, Julian of Norwich, Christine de Pizan, and Margery Kempe, who challenged the societal norms of their time through their writing and actions. The episode explores the vibrant and often difficult lives of women in the medieval period, highlighting their courage, perseverance, and contributions to literature and history. Dr. Howes shares insights into the challenges of uncovering lost voices and the importance of understanding historical contexts while finding human connections across time. She also demystifies common assumptions about medieval women, revealing their diverse roles and often underestimated influence in a time of restrictive norms. Join Natalie and Dr. Howes as they bring to light the extraordinary journeys of these medieval women, demonstrating how their stories resonate with timeless themes of ambition, resilience, and the quest for self-expression. Discover more about Dr Howes https://www.city.ac.uk/about/people/academics/hetta-howes Find out more about your host at https://www.nataliegrueninger.com Buy Talking Tudors merchandise at https://talkingtudors.threadless.com/ Support Talking Tudors on Patreon

What was life really like for women in the medieval period? How did they think about sex, death and God? Could they live independent lives? And how can we hear their stories?Lucky for us, Hetta Howes has asked all these questions and come up with some pretty compelling answers, all neatly told in her new book Poet, Mystic, Widow, Wife. In this special episode, Charlie Higson chats with Hetta about the lives of four incredible women from this period, Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a "no-good wife".It's a fabulous listen! Hosted on Acast. See acast.com/privacy for more information.

Abby and Patrick are joined by philosopher Simon Critchley to discuss his new book, On Mysticism: The Experience of Ecstasy. They discuss how, for Critchley, mysticism represents "a way of thinking about existential ecstasy that is outside and more than the conscious self.” Exploring the book's survey of key figures and texts in the Western Christian tradition, the three unpack how accounts of mystical experiences can challenge our assumptions about the past, defy traditional philosophical ideas of subjectivity, and suggest new ways of thinking about the conditions of everyday life in the present, all with rich psychoanalytic implications. Their conversation ranges from the cognitive and affective dimensions of mystical experience to mystical accounts of embodiment, gender, and erotic jouissance to the biographies and autobiographies of mystics, and more. Plus: what it might have been like to travel with the constantly weeping Margery Kempe, Meister Eckhart's inspired defense against charges of heresy, the ecstatic pleasures of your favorite playlist, and why absolutely everyone should read the Song of Songs.On Mysticism: The Experience of Ecstasy is available here: https://www.nyrb.com/products/mysticismA pre-order link for Simon's forthcoming Your Life is Not a (Fucking) Story is available here: https://everyday-analysis.sellfy.store/p/your-life-is-not-a-story-by-simon-critchley/Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:Linktree: https://linktr.ee/ordinaryunhappinessTwitter: @UnhappinessPodInstagram: @ordinaryunhappinessPatreon: patreon.com/OrdinaryUnhappiness

SUMMARYFrom medieval itineraries to modern livestreams, Christian pilgrimage is often, if not always experienced through an imaginative transposal from a physical reality to a spiritual truth. In this episode, hosts Lindsay Pereira and Ella Jando-Saul explore the concept of virtual pilgrimage through conversations with two guests: Michael Van Dussen, a professor in the Department of English at McGill University in Tiohtià:ke/Montreal, teaches us about the medieval experience of pilgrimage in the British Isles while Simon Coleman, a professor in the Department for the Study of Religion at the University of Toronto teaches us about the modern reconstruction of pilgrimage to Walsingham in Norfolk, England.Simon Coleman's latest book, Powers of Pilgrimage: Religion in a World of Movement, can be found here.*VOICE AND SOUND CREDITSInterviewees:Dr. Michael Van Dussen, Professor of English Literature, McGill University.Dr. Simon Coleman, Professor of Anthropology and Religion, University of Toronto.Theme music:“Ai Tal Domna”: composed by Berenguier de Palou, recorded by Zep Hurme ©2014. Licensed under Creative Commons BY-NC. Available at https://ccmixter.org/files/zep_hurme/38429Voice credits:Stephen Yeager, voice of the HostGhislaine Comeau, voice of the MillerAndre Furlani, voice of the Reeve, drunkard, beggar, and donation collectorSound credits:Magical Minstrelsy: Where Medieval Meets Modern Through Mimesis, Season 1 Episode 1: Virtual Pilgrimage uses sounds from Freesound. All sound samples that were used in this episode are licensed under CC0 1.0:Footsteps on dirt: https://freesound.org/people/lzmraul/sounds/389454/Birds: https://freesound.org/people/MATRIXXX_/sounds/519110/Water: https://freesound.org/people/BurghRecords/sounds/415151/Cows: https://freesound.org/people/Nontu_Lwazi00/sounds/541920/Sheep: https://freesound.org/people/rent55/sounds/709921/Horse on dirt: https://freesound.org/people/Ornery/sounds/233345/Horse with cart: https://freesound.org/people/bruno.auzet/sounds/538438/Footsteps on cobblestone: https://freesound.org/people/SpliceSound/sounds/260120/Medieval city: https://freesound.org/people/OGsoundFX/sounds/423119/Church bells: https://freesound.org/people/Audeption/sounds/425172/Coins: https://freesound.org/people/husky70/sounds/161315/Blacksmith: https://freesound.org/people/Emmaproductions/sounds/254371/Music: https://ccmixter.org/files/asteria/2615Church coins: https://freesound.org/people/scripsi/sounds/335191/Gregorian chant: https://commons.wikimedia.org/wiki/File:Ecce.lignum.Crucis.oggCrowd gasping: https://freesound.org/people/craigsmith/sounds/480774/Baby crying: https://freesound.org/people/the_yura/sounds/211527/Breath: https://freesound.org/people/launemax/sounds/274769/Heartbeat: https://freesound.org/people/newlocknew/sounds/612642/Works Cited and ConsultedAhmed, Sara. The Cultural Politics of Emotion. Routledge, 2015.Arsuaga, Ana Echevarría. “The shrine as mediator: England, castile, and the pilgrimage to Compostela.” England and Iberia in the Middle Ages, 12th–15th Century, 2007, pp. 47–65, https://doi.org/10.1057/9780230603103_4.Arvay, Susan M. “Private passions: The contemplation of suffering in medieval affective devotions.” (2008).Bailey, Anne E. “Reconsidering the Medieval Experience at the Shrine in High Medieval England.” Journal of Medieval History, vol. 47, no. 2, Mar. 2021, pp. 203–29. DOI.org (Crossref), https://doi.org/10.1080/03044181.2021.1895874.Beckstead, Zachary. “On the way: Pilgrimage and liminal experiences.” Experience on the Edge: Theorizing Liminality, 2021, pp. 85–105, https://doi.org/10.1007/978-3-030-83171-4_5.Beebe, Kathryne. Reading Mental Pilgrimage in Context: The Imaginary Pilgrims and Real Travels of Felix Fabri's “Die Sionpilger.” West Virginia University Press, 2009.Benjamin, Walter. “The work of art in the age of mechanical reproduction.” Modern Art and Modernism: A Critical Anthology, 2018, pp. 217–220, https://doi.org/10.4324/9780429498909-39Cassidy-Welch, Megan. “Pilgrimage and embodiment: Captives and the cult of saints in late medieval bavaria.” Parergon, vol. 20, no. 2, 2003, pp. 47–70, https://doi.org/10.1353/pgn.2003.0101.Coleman, Simon, and John Elsner. “Tradition as play: Pilgrimage to ‘England's Nazareth.'” History and Anthropology, vol. 15, no. 3, 2004, pp. 273–288, https://doi.org/10.1080/0275720042000257430.Coleman, Simon, Ellen Badone, and Sharon R. Roseman. “Pilgrimage to ‘England's Nazareth': Landscapes of Myth and Memory at Walsingham.” Intersecting Journeys: The Anthropology of Pilgrimage and Tourism, University of Illinois Press, Urbana, IL, 2004, pp. 52–67.Coleman, Simon, and Marion Bowman. “Religion in Cathedrals: Pilgrimage, Heritage, Adjacency, and the Politics of Replication in Northern Europe.” Religion, vol. 49, no. 1, Jan. 2019, pp. 1–23. Taylor and Francis+NEJM, https://doi.org/10.1080/0048721X.2018.1515341.Coleman, Simon, and John Elsner. “Pilgrimage to Walsingham and the Re-Invention of the Middle Ages.” Pilgrimage Explored, edited by J. (Jennie) Stopford, York Medieval Press, 1999. WorldCat Discovery Service, https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=16637.Díaz-Vera, Javier E. “Exploring the relationship between emotions, language and space: Construals of awe in medieval English language and pilgrimage experience.” Studia Neophilologica, vol. 88, no. 2, 2015, pp. 165–189, https://doi.org/10.1080/00393274.2015.1093918.Foster, Elisa A. “As You Came from the Holy Land: Medieval Pilgrimage to Walsingham and Its Crusader Contexts.” Crusading and Ideas of the Holy Land in Medieval Britain, edited by Kathryn Hurlock and Laura J. Whatley, Brepols, Turnhout, Belgium, 2022, pp. 91– 114.Gertsman, Elina, and Marian Bleeke. “The Eve Fragment from Autun and the Emotionalism of Pilgrimage.” Crying in the Middle Ages: Tears of History, Routledge, New York, NY, 2013, pp. 23–41.Grazia Di Stefano, Laura. “How to be a time traveller: Exploring Venice with a fifteenth-century pilgrimage guide.” Making the Medieval Relevant, 2019, pp. 171–190, https://doi.org/10.1515/9783110546316-008.Gregg, Melissa, and Gregory J. Seigworth. The Affect Theory Reader. Duke University Press, 2010.Hill, Joyce. “Rome in Ripon: St Wilfrid's Inspiration and Legacy.” History, vol. 105, no. 367, 2020, pp. 603–25. Wiley Online Library, https://doi.org/10.1111/1468-229X.13027.Hill‐Smith, Connie. “Cyberpilgrimage: The (virtual) reality of online pilgrimage experience.” Religion Compass, vol. 5, no. 6, 2011, pp. 236–246, https://doi.org/10.1111/j.1749-8171.2011.00277.x.Hundley, Catherine. “Pilgrims in the Parish: A Method and Two Herefordshire Case Studies.” Peregrinations: Journal of Medieval Art and Architecture, vol. 8, no. 3, Oct. 2022, pp. 40–87.Hurlock, Kathryn. “Virtual Pilgrimage.” Medieval Welsh Pilgrimage, C1100-1500, Palgrave Macmillan, New York, NY, 2018, pp. 145–174.Jenkins, John. “Replication or Rivalry? The ‘Becketization' of Pilgrimage in English Cathedrals.” Religion, vol. 49, no. 1, Jan. 2019, pp. 24–47. DOI.org (Crossref), https://doi.org/10.1080/0048721X.2018.1515327.Kempe, Margery, and Anthony Paul Bale. The Book of Margery Kempe. Oxford University Press, 2015.Kuefler, Mathew. The Making and Unmaking of a Saint: Hagiography and Memory in the Cult of Gerald d'Aurillac. University of Pennsylvania Press, 2014.Langland, William, and Schmidt A. V. C. Piers Plowman: A New Translation of the B-Text. Oxford University Press, 2009.Nickell, S. A. The Limits of Embodiment: The Implication of Written and Artistic Portrayals of Mary at the Foot of the Cross for Late Medieval Affective Spirituality, Graduate Theological Union, United States -- California, 2011. ProQuest, https://lib-ezproxy.concordia.ca/login?qurl=https%3A%2F%2Fwww.proquest.com%2Fdissertations-theses%2Flimits-embodiment-implication-written-artistic%2Fdocview%2F875240824%2Fse-2%3Faccountid%3D10246.Ousterhout, Robert. “‘Sweetly Refreshed in Imagination': Remembering Jerusalem in Words and Images.” Gesta, vol. 48, no. 2, Jan. 2009, pp. 153–68. www-journals-uchicago-edu.lib-ezproxy.concordia.ca (Atypon), https://doi.org/10.2307/29764905.Powell, Hilary. “Saints, Pilgrimage and Landscape in Early Medieval Kent, c. 800-1220.” Early Medieval Kent, 800-1220, Boydell Press, 2016, pp. 133–53.Sinnett-Smith, Jane. “Ætheldreda in the North: Tracing Northern Networks in the Liber Eliensis and the Vie de Seinte Audree.” Late Medieval Devotion to Saints from the North of England: New Directions, edited by Christiania Whitehead et al., Brepols, Turnhout, Belgium, 2022, pp. 285–303.Wynn, Mark. “God, pilgrimage, and acknowledgement of Place.” Religious Studies, vol. 43, no. 2, 2007, pp. 145–163, https://doi.org/10.1017/s0034412506008778.

**This episode contains some strong language**Few women had the luxury of writing down their thoughts and feelings during medieval times. But remarkably, there are at least four extraordinary women who did. Marie de France, a poet; Julian of Norwich, a mystic; Christine de Pizan, a widow; and Margery Kempe, a "no-good wife". What was life really like for them? Could they live independent lives? And how can we hear their stories?In this episode of Gone Medieval, Dr. Eleanor Janega is joined by Dr. Hetta Howes to talk about her new book Poet, Mystic, Widow, Wife: The Extraordinary Lives of Medieval Women and what it reveals to u about how medieval women thought about things like sex, death and God.Gone Medieval is presented by Dr. Eleanor Janega. The producers are Joseph Knight and Rob Weinberg. The senior producer is Anne-Marie Luff.Gone Medieval is a History Hit podcast.Enjoy unlimited access to award-winning original TV documentaries that are released weekly and AD-FREE podcasts. Sign up HERE for 50% off your first 3 months using code ‘MEDIEVAL' https://historyhit.com/subscriptionYou can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK

Kate Wolf and Medaya Ocher speak with writer and scholar Simon Critchley about his new book, Mysticism. Defining mysticism not as a religion but as a “tendency, a distillation of existing devotional practice,” the book begins by considering some of the great mystics of the Christian tradition. These include Critchley's favorite mystic, Julian of Norwich, known as the first woman to ever write a book in English, Margery Kempe, Christina the Astonishing, and Meister Echkhart, a German theologian who influenced philosophers like Hegel and Heidegger and was tried as a heretic shortly after his death by Pope John in 1329. But more than a history or survey of mysticism, Critchley's book is invested in isolating the loss of self and experience of ecstasy its practitioners describe, and looking for resonance within contemporary culture. He examines the work of writers such as Anne Carson and Annie Dillard, and the musician Nick Cave, suggesting that mysticism lives on as a secular aesthetic experience in the “world of enchantment opened in art, poetry and—especially—music.” Also, Deborah Levy, the author of The Position of Spoons: And Other Intimacies, returns to recommend two books scheduled to be published next year, On Breathing: Care in a Time of Carastrophe by Jamieson Webster, and Baldwin: A Love Story by Nicholas Boggs.

Kate Wolf and Medaya Ocher speak with writer and scholar Simon Critchley about his new book, Mysticism. Defining mysticism not as a religion but as a “tendency, a distillation of existing devotional practice,” the book begins by considering some of the great mystics of the Christian tradition. These include Critchley's favorite mystic, Julian of Norwich, known as the first woman to ever write a book in English, Margery Kempe, Christina the Astonishing, and Meister Echkhart, a German theologian who influenced philosophers like Hegel and Heidegger and was tried as a heretic shortly after his death by Pope John in 1329. But more than a history or survey of mysticism, Critchley's book is invested in isolating the loss of self and experience of ecstasy its practitioners describe, and looking for resonance within contemporary culture. He examines the work of writers such as Anne Carson and Annie Dillard, and the musician Nick Cave, suggesting that mysticism lives on as a secular aesthetic experience in the “world of enchantment opened in art, poetry and—especially—music.” Also, Deborah Levy, the author of The Position of Spoons: And Other Intimacies, returns to recommend two books scheduled to be published next year, On Breathing: Care in a Time of Carastrophe by Jamieson Webster, and Baldwin: A Love Story by Nicholas Boggs.

Marie de France, Julian of Norwich, Christine de Pizan and Margery Kempe: what can these four extraordinary female writers reveal about the everyday lives of ordinary women in the Middle Ages? Well, rather a lot, according to historian Hetta Howes. Looking closely at these authors' works, she captures glimpses into medieval lives that have otherwise been overshadowed – covering everything from the extent to which women had control over their bodies and freedoms, to female friendships and religious belief. Emily Briffett spoke to her to find out more. (Ad) Hetta Howes is the author of Poet, Mystic, Widow, Wife: The Extraordinary Lives of Medieval Women (Bloomsbury Continuum, 2024). Buy it now from Amazon: https://www.amazon.co.uk/Poet-Mystic-Widow-Wife-Extraordinary/dp/1399408739/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty. Listen to Eleanor Janega answer your top questions on the lives of medieval women here: https://link.chtbl.com/-lRVMFOT. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Julian of Norwich is known and loved for the lines revealed to her by God, “All shall be well and all shall be well, and all manner of thing shall be well.” But beyond the comfort of this understandably uplifting phrase, what are theological and philosophical insights we might learn from this anonymous medieval Christian mystic and anchoress?Ryan McAnnally-Linz joins Evan Rosa to discuss the historical context of Julian of Norwich, her life and vocation as an anchoress, and the story of near-death experience and subsequent mystical visions that led her to write such theologically rich and uplifting words—which comprise the earliest known writing by a woman in English. Together they have an extended discussion of a rather marvelous segment from the Long Text of the Revelation of Divine Love, sections 46-58, and in particular we look at the revelation Julian herself was most puzzled and mystified by during her own life, discovering understanding only decades after having received the vision: Section 51, the Parable of the Lord and the Servant.Image Credit: adapted from The Lives of the Saints Gallus, Magnus, Otmar and Wiboradain German, 1451–60. St. Gallen, Stiftsbibliothek, Cod. Sang. 602, p. 303.Show Notes“All shall be well” as an introduction to Julian for manyRowan Williams on Julian as one of the greatest English language theologiansWho was Julian? How she thinks and what we can draw from her for the purposes of theological insight and spiritual maturity?Found Julian in a medieval survey course and she has remained with himWhat caught you in Julian? Why did it stick with you?She synthesizes a visionary experience with deep theological reflection: subtle and sophisticated theologian; simplicity, earnestness, and virtuositySo give us a little bit of her biography. I know that we know precious little, but what do we know? And maybe give us some of the historical context of her?Couple of manuscripts of her writing; the short and the long textMargery Kempe visits Julian to make a request in The Book of Margery Kempe (https://d.lib.rochester.edu/teams/publication/staley-the-book-of-margery-kempe)Anchoress and is attached to a church in Norwich; 1340s first and second waves of the Black Death; mass loss and traumaThe text is less focused on herself outside of the visions that happen on what she believes is her death bed.What is the spiritual occupation of an anchoress or anchorite?Anchorite as isolated spiritual calling different from monks and hermits; life is in this one cellDo you know what motivations are there for that spiritual vocation in the church? Why would anyone do this?Anchorite ceremonies are like funeral rites; a death to the world, living only for prayerThe showings - 16 visions; prays for mind of the passion, bodily sickness, and three wounds (contrition, compassion, and willful longing for God)The suffering of Christ and his wounds and their popularity in medieval devotional practice16 showings that are intertwined and vary in form (visual, auditory, bodily, mental)The last showing, which she ponders for the rest of her life.What are some of the core philosophical, theological, or other concepts that are most salient for understanding Julian?Julian understands herself as beholden to the church, its teachings, and its tradition - wrestling with these and her visions.A Vision Shown to a Devout Woman by Julian (https://www.psupress.org/books/titles/0-271-02547-6.html)A Revelation of Love by Julian (https://www.penguinrandomhouse.com/books/261039/revelations-of-divine-love-by-julian-of-norwich-translated-by-elizabeth-spearing-introduction-and-notes-by-a-c-spearing/)Augustinian tradition is appealed to—his teachings on evil and sin, Christian PlatonismJulian as a Trinitarian thinkerWhat would you say about her understanding of love?Later visions in life and praying for many years for understanding —Love is THE thing for Julian, it's the whole thing.Love as joyful communion but also a passionate willingness to sacrifice for one's belovedA Short Play: The Lord and the Servant (from the long text)Chapter 51 of the Long TextRed herrings in Julian; the medieval trope of enumeratingThe perplexing vision of the servant in the hole ?Reconciling the goodness of the world with sin; dealing with what she is seeing from God and what the church teaches about sin—wresting with the detailsThe Fall, the “Felix Culpa” or the “Happy Fault,” and the servant in the holeGod looks without blame and that complicates church teaching on sin; layers in the narrative, God, humanity, ChristBeing drawn into the puzzling and the pondering experienced by Julian inspired by her writing; finding comfort in a loving God that we cannot see clearlyHow God sees“Our life and our being are in God.”Chapter 49 of Julian's Showings“She's saying, sorry sin, good creatures are good creatures and their goodness qua creatures of God is kept safe and whole in God, regardless of what their concrete existential messed-upness might be.”Julian says: “Jesus is all who shall be saved. And all who shall be saved are Jesus and all through God's love along with the obedience, humility and patience and other virtues which pertain to us.”Totus Christi: Jesus as both head and body of the churchJulian says: “All people who shall be saved while we are in this world have in us a marvelous mixture of both weal and woe. We have in us our risen Lord Jesus. We have in us the misery of the harm of Adam's falling and dying. We are steadfastly protected by Christ, and by the touch of His grace, we are raised into sure trust of salvation. And by Adam's fall, our perceptions are so shattered in various ways, by sins and by different sufferings, that we are so darkened and blinded that we can hardly find any comfort. But inwardly, we wait for God and trust faithfully that we shall receive mercy and grace, for this is God's own operation within us. And in His goodness, He opens the eye of our understanding, and by this we gain sight, sometimes more, sometimes less, according to the ability that God gives us to receive it.”The servant out of the hole; the mixture of weal and woe within us“She says at some point, ‘Peace and love are always at work in us, but we are not always in peace and love.'”Even when we don't feel God, Julian wants us to know the comfort that he is there.Julian writes: “There neither can, nor shall be anything at all between God and man's soul. He wants us to know that the noblest thing he ever made is humankind and its supreme essence and highest virtue is the blessed soul of Christ. And furthermore, he wants us to know that his precious soul was beautifully bound to him in the making. With a knot which is so subtle and so strong that it is joined into God, and in this joining, it is made eternally holy. … Furthermore, he wants us to know that all the souls which will be eternally saved in heaven are bound and united in this union and made holy in this holiness.”The Beauty of the Middle English it was originally written in: “one-ing”“Christ's union with God is our union with God by virtue of Christ's union with us.”The meaning of atonement for Julian of NorwichThe soul as an intricately woven knot; one knot that is interwoven with those of others by and through God—atonement, the one-ing of humans and God; being tied together and pulled in by the incarnation“It's Julian reminding me that my blindness doesn't have the final say, doesn't actually say anything about what's real and true and how God sees.”Production NotesThis podcast featured Ryan McAnnally-LinzEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Alexa Rollow, Kacie Barrett, and Macie BridgeA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

Deze zomer, tot en met 4 augustus, geniet je van onze selectie aan zomertips, uit het  afgelopen seizoen Nooit Meer Slapen. Schrijver Niña Weijers vertelt dat ze voor talloze morele dilemma's stond tijdens het schrijven van haar boek ‘Cassandra'. Ze is zich bijvoorbeeld zeer bewust van de emotionele last die de zaak met zich meebracht voor de nabestaanden van Cassandra. Desondanks voelt ze een sterke drang om dit verhaal te brengen, vertelt ze aan Lotje Ijzermans. Ook deelt ze haar fascinatie voor de Engelse mystica Margery Kempe. (hh 21-10-2023) ‘Je weet nooit precies wat je zoekt als je een boek schrijft. Uiteindelijk blijkt het vaak ergens anders om te draaien dan je van tevoren dacht' 

Margery Kempe is known for her daring travels around the world and her writings about them. Today, Stephen Nichols takes us on the adventures of this English mystic from the Middle Ages. Read the transcript: https://www.5minutesinchurchhistory.com/margery-kempes-pilgrimage/ A donor-supported outreach of Ligonier Ministries. Donate: https://www.ligonier.org/donate/ Explore all of our podcasts: https://www.ligonier.org/podcasts

In Part 2 of our discussion on The Canterbury Tales, translator and editor Sheila Fisher uncovers her favorite line(s) in the text, tells us how she approaches teaching the Tales, gives us a cross-centuries Chaucer playlist, and reflects on the text's relevance to readers today. Sheila Fisher is Professor of English at Trinity College (Hartford). She is the author of Chaucer's Poetic Alchemy: A Study of Value and Its Transformation in The Canterbury Tales, and the editor (with Janet E. Halley) of Seeking the Woman in Late Medieval and Renaissance Writings: Essays in Feminist Contextual Criticism, as well as essays on the Gawain-poet, Julian of Norwich, and Margery Kempe.To learn more or purchase a copy of the Norton Library edition of The Canterbury Tales, go to https://seagull.wwnorton.com/NLCanterbury.Learn more about the Norton Library series at https://wwnorton.com/norton-library.Listen to our Spotify playlist inspired by The Canterbury Tales: https://shorturl.at/hiowC.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter @TNL_WWN.Episode transcript at: https://seagull.wwnorton.com/thecanterburytales/part2/transcript.

Scientist, novelist, poet, philosopher, feminist, it's 400 years since the birth of Margaret Cavendish. An extraordinary character in many ways - she lived in a tumultuous time, when ideas around science, religion and the very nature of existence were being challenged and changed. And she had a view on them all. Margaret Cavendish's writings are vast and broad and yet detailed and thoughtful. However for most of the last 400 years she has languished in obscurity before being rediscovered in the last 40 years and elevated to the status of feminist icon. She was in her time very much the only, and often outspoken, female voice in circles dominated by men – and by and large they hated her for it.Nandini Das looks at the life, work and influence of Margaret Cavendish with:Dr Emma Wilkins who has followed the rise in interest in the work and life of Margaret Cavendish in recent times, and has a particular focus on her science.Professor Anne Thell, Vice President of the International Margaret Cavendish Society who is leading work on interpreting and presenting Margaret Cavendish's writing for wider audiences.Francesca Peacock, whose new biography of Margaret Cavendish ‘Pure Wit' sets her in a modern feminist context.And Emeritus Professor of Physics Athene Donald, who includes Margaret Cavendish in her book on women in science ‘ Not just for the boys' arguing that the treatment of Margaret Cavendish by the 17th century scientific establishment illustrates negative attitudes and issues which have still to be addressed for women in science today.In the Free Thinking programme archive you can find a collection of episodes exploring women in the world including programmes about Aphra Behn, Chaucer's the Wife of Bath, Julian of Norwich and Margery Kempe, Gwendolyn Brooks and Phillis Wheatley.Producer: Julian Siddle

In Part 1 of our discussion on The Canterbury Tales, we welcome translator and editor Sheila Fisher to discuss Geoffrey Chaucer's life and times, his great accomplishment in crafting these Tales, and the intricacies of Sheila's favorite tale, that of the Wife of Bath. Sheila Fisher is Professor of English at Trinity College (Hartford). She is the author of Chaucer's Poetic Alchemy: A Study of Value and Its Transformation in The Canterbury Tales, and the editor (with Janet E. Halley) of Seeking the Woman in Late Medieval and Renaissance Writings: Essays in Feminist Contextual Criticism, as well as essays on the Gawain-poet, Julian of Norwich, and Margery Kempe.To learn more or purchase a copy of the Norton Library edition of The Canterbury Tales, go to https://seagull.wwnorton.com/NLCanterbury. Learn more about the Norton Library series at https://wwnorton.com/norton-library.Listen to our Spotify playlist inspired by The Canterbury Tales: https://shorturl.at/hiowC. Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter @TNL_WWN.Episode transcript at: https://seagull.wwnorton.com/thecanterburytales/part1/transcript.

In celebration of Delia Derbyshire Day 2023 and the 60th Anniversary of the Doctor Who theme, Caro C is joined by fellow devotees Mark Ayres, David Butler and Cosey Fanni Tutti to discuss the Delia Derbyshire Day archives and the importance of her contributions to the development of electronic music.Chapters00:00 - Introduction01:26 - Delia Derbyshire ArchiveMark Ayres03:15 - Mark Ayres Introduction 07:44 - The Beginnings Of Electronic Music10:12 - Electronic Sound Sources13:10 - The Delia Derbyshire Archives18:40 - Favourite Piece - The Makeup Tape Of Blue Veils22:21 - The Future Of The ArchivesDavid Butler24:38 - David Butler Introduction28:59 - The Contents Of The Archives33:17 - Building A Network Of Collaborators35:03 - Methods And Techniques Revealed36:59 - Manipulating The Voice39:05 - Favourite Piece - Two Houses And Demo Cue Cosey Fanni Tutti41:42 - Cosey Fanni Tutti Introduction 43:42 - Delia Derbyshire Musical Influences45:24 - A Background In Physics48:50 - Favourite Piece - Amor Dei53:34 - The Importance Of The Archiveshttps://deliaderbyshireday.com/dd-archive/Delia Derbyshire BiogDelia Derbyshire (1937-2001) was a key figure in the development of electronic music in the UK. Born in Coventry but evacuated to Preston during the Blitz, Delia cites the sound of air raid sirens as inspiring her interest in electronic sound. She went on to study Maths and Music at Cambridge University and launched her career at the BBC in 1960 as a trainee Studio Manager. She moved to the Radiophonic Workshop in 1962, where she spent the next 11 years developing experimental sounds and music for their TV and radio shows, in addition to working as a freelancer on film, theatre and other live projects. Her most famous work is her electronic arrangement of Ron Grainer's Doctor Who theme, created in 1963.Delia composed and produced electronic music using tape, plus early synthesis and sampling methods before specific instruments were created for these purposes. Her work has influenced and inspired many modern artists including The Chemical Brothers, Aphex Twin, Portishead, Nainita Desai, Amon Tobin and Cosey Fanni Tutti, while Pink Floyd, Orbital and Hannah Peel have reinterpreted her work.Mark Ayres BiogMark Ayres is a composer, arranger, sound designer, mixer and mastering engineer. Mark wrote incidental music for Doctor Who in the 1980s. More recently he wrote the music for, sound-designed and mixed the reconstructed 'lost' Tom Baker adventure, “Shada”, and a celebratory feature length version of the original 1963 “Daleks” serial transmitted on BBC4 on 23rd November 2023, Doctor Who's 60th birthday. He has also composed for television and film including scores for 1996 feature "The Innocent Sleep" and the more recent "Scar Tissue".Mark was involved in the BBC Radiophonic Workshop's final days and went on to become their archivist. A personal friend of Delia Derbyshire, he was entrusted with her personal archive after her death in 2001, which is now on permanent loan to the University of Manchester John Rylands Library and accessible for study. He is a Trustee of the Delia Derbyshire Day Charity.His devotion to the Workshop after Doctor Who ceased broadcasting in 1989 proved vital in regenerating interest in their work, and he is now the driving force behind their live revival on the festival circuit and in the creation of new works including the score for Matthew Holness' disturbing psychological horror film, "Possum". He has produced and mastered many recordings for Silva Screen Records and others, and his work remastering classic television programmes including Doctor Who, Quatermass, and the films of Ken Russell and Alan Clarke for broadcast, DVD and Blu-ray, including 5.1 remixes of many titles, has been highly acclaimed.David Butler BiogDavid Butler is a Senior Lecturer in Drama and Film Studies at the University of Manchester. He helped to bring the Delia Derbyshire Archive  to the John Rylands Library, Manchester in 2007 and is one of the archive's lead researchers and curators. David is the chair of trustees for Delia Derbyshire Day and helped set up the charity in 2016.Cosey Fanni Tutti BiogCosey Fanni Tutti is a musician and writer, best known for her part in experimental electronic bands Throbbing Gristle and Chris & Cosey. Cosey interacted with the Delia Derbyshire Archive when she composed the soundtrack for Caroline Catz's film 'Delia Derbyshire: The Myths And The Legendary Tapes' and in the writing of her book Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti published by Faber in 2022.https://www.coseyfannitutti.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

Melvyn Bragg and guests discuss the anchoress and mystic who, in the late fourteenth century, wrote about her visions of Christ suffering, in a work since known as Revelations of Divine Love. She is probably the first named woman writer in English, even if questions about her name and life remain open. Her account is an exploration of the meaning of her visions and is vivid and bold, both in its imagery and theology. From her confined cell in a Norwich parish church, in a land beset with plague, she dealt with the nature of sin and with the feminine side of God, and shared the message she received that God is love and, famously, that all shall be well and all manner of things shall be well. With Katherine Lewis Professor of Medieval History at the University of Huddersfield Philip Sheldrake Professor of Christian Spirituality at the Oblate School of Theology, Texas and Senior Research Associate of the Von Hugel Institute, University of Cambridge And Laura Kalas Senior Lecturer in Medieval English Literature at Swansea University Producer: Simon Tillotson Reading list: John H. Arnold and Katherine Lewis (eds.), A Companion to the Book of Margery Kempe (D.S. Brewer, 2004) Ritamary Bradley, Julian's Way: A Practical Commentary on Julian of Norwich (Harper Collins, 1992) E. Colledge and J. Walsh (eds.), Julian of Norwich: Showings (Classics of Western Spirituality series, Paulist Press, 1978) Liz Herbert McAvoy (ed.), A Companion to Julian of Norwich (D.S. Brewer, 2008) Liz Herbert McAvoy, Authority and the Female Body in the Writings of Julian of Norwich and Margery Kempe (D.S. Brewer, 2004) Grace Jantzen, Julian of Norwich: Mystic and Theologian (new edition, Paulist Press, 2010) Julian of Norwich (trans. Barry Windeatt), Revelations of Divine Love (Oxford World's Classics, 2015) Julian of Norwich (ed. Nicholas Watson and Jacqueline Jenkins), The Writings of Julian of Norwich: A Vision Showed to a Devout Woman and a Revelation of Love, (Brepols, 2006) Laura Kalas, Margery Kempe's Spiritual Medicine: Suffering, Transformation and the Life-Course (D.S. Brewer, 2020) Laura Kalas and Laura Varnam (eds.), Encountering the Book of Margery Kempe (Manchester University Press, 2021) Laura Kalas and Roberta Magnani (eds.), Women in Christianity in the Medieval Age: 1000-1500 (Routledge, forthcoming 2024) Ken Leech and Benedicta Ward (ed.), Julian the Solitary (SLG, 1998) Denise Nowakowski Baker and Sarah Salih (ed.), Julian of Norwich's Legacy (Palgrave Macmillan, 2009) Joan M. Nuth, Wisdom's Daughter: The Theology of Julian of Norwich (Crossroad Publishing, 1999) Philip Sheldrake, Julian of Norwich: “In God's Sight”: Her Theology in Context (Wiley-Blackwell, 2019) E. Spearing (ed.), Julian of Norwich: Revelations of Divine Love (Penguin Books, 1998) Denys Turner, Julian of Norwich, Theologian (Yale University Press, 2011) Wolfgang Riehle, The Secret Within: Hermits, Recluses and Spiritual Outsiders in Medieval England (Cornell University Press, 2014) Caroline Walker Bynum, Jesus as Mother: Studies in the Spirituality of the High Middle Ages (University of California Press, 1982) Ann Warren, Anchorites and their Patrons in Medieval England (University of California Press, 1985) Hugh White (trans.), Ancrene Wisse: Guide for Anchoresses (Penguin Classics, 1993)

How women's writing in England changed from the early fifteenth century, the time of Margery Kempe, to the late sixteenth century, the time of Anne Lock.

Mediaeval merchant, mystic, and pilgrim, and the subject of the earliest survivial autobiography in English

Welcome to The Codex Chronicles… A professor's Tale of Manuscripts.https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. Medieval manuscripts are perceived differently by the human senses compared to common text today, offering a unique and multisensory experience: 1. Visual Aesthetics: Medieval manuscripts, often handwritten and lavishly decorated, showcase intricate calligraphy, elaborate illustrations, and vibrant colors. The visual aesthetics of these manuscripts evoke a sense of artistry and craftsmanship that is distinct from modern printed text. 2. Tactile Sensation: The parchment or vellum used for medieval manuscripts provides a tactile experience as one feels the texture of the material beneath their fingers. This physical interaction with the medium adds a sensory dimension to reading and handling these historical texts. 3. Aged Scent: Over time, medieval manuscripts develop a distinct aroma, carrying the scent of antiquity. This aged smell can evoke a feeling of connection to the past and contribute to the overall sensory experience. 4. Historical Connection: Reading medieval manuscripts allows individuals to connect with the past in a way that digital or modern printed texts cannot replicate. The physicality of holding an ancient document establishes a direct link to the historical era in which it was created. 5. Auditory Silence: Unlike the electronic devices that accompany much of modern reading, medieval manuscripts invite a quieter environment for exploration. The absence of electronic buzz allows readers to immerse themselves in the silence of the written word. 6. Cultural Imagination: The experience of reading medieval manuscripts transports readers into a different cultural mindset, understanding the context in which these texts were written, interpreted, and appreciated. 7. Spiritual and Mystical Essence: For manuscripts related to religion and mysticism, the act of reading becomes a spiritual journey, as the physicality of the text and the esoteric content converge to create a unique spiritual experience.In summary, medieval manuscripts offer a multisensory encounter that goes beyond the mere act of reading. The visual aesthetics, tactile sensation, historical connection, and spiritual essence create a captivating journey that connects readers to both the words on the page and the distant world from which they emerged.

Karen Wright Marsh explores one of the lessons from her new book, Wake Up To Wonder: 22 Invitations to Amazement in the Everyday, with her daughter, Nan Marsh. They relive their 165 km pilgrimage along the Camino de Santiago. Of the thousands who walk this path each year, some take to the Camino out of prayerful devotion, others to work through a personal loss, discern new purpose, or meet the challenge of a rigorous trek.  Listen now to discover why Nan and Karen decided to walk all the way to Santiago de Compostela in northwestern Spain – and what they discovered along the way.ABOUT NAN MARSHNan Marsh studied poetry at the University of Virginia and lives in Richmond, Virginia, where she works as the office manager of Cincinnati Montessori Secondary Education Program and savors long walks through Richmond's beautiful Museum District.ABOUT KAREN'S NEW BOOKWake Up To Wonder: 22 Invitations to Amazement in the Everyday is the new book by Karen Wright Marsh. In Wake Up to Wonder, Karen introduces us to 22 faithful yet oh-so-human Christians from across centuries and cultures. Inspired by their example, she offers playful, simple practices that bring deeper meaning and purpose to everyday life -- a collage of spiritual and personal experiments anyone can do.  Wake up to wonder and discover that a life of spiritual depth, amazement, and connection is within reach, today and every day.Visit https://karenwrightmarsh.com/wake-up-to-wonderIn her chapter “Keep On Walking,” Karen tells the story of Margery Kempe (1375-1438) and her obsession with walking – and how it inspired her own walk across Spain.Support the show

We close Pride Month of 2023 with Jamie Staples talking about queer mysticism. This includes instances in medieval Christianity where an embodied and erotic experience of life, within and between persons, became the basis for an apprehension of divinity. The conversation particularly focuses on the poem “Dark Night of the Soul” by 16th century Spanish poet St. John of the Cross and the work of 14th-15th century English mystic Margery Kempe. Jamie shares his own story to show how queer mysticism can offer resources from within Christianity to build a personal and communitarian politics against fundamentalist discrimination and hatred. Starting this fall, Jamie Staples will be Visiting Assistant Professor of Medieval English literature at Trinity College in Hartford. His research takes seriously the productive intersection of mystical theology and poetry in the development of alternative modes of critical thinking in the late Middle Ages. He's recently written two articles focused more specifically on the queer mysticism that he will be discussing today, one on the fifteenth-century Book of Margery Kempe, published in Romanic Review, and the other on the fourteenth-century poem Cleanness, published in Exemplaria. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We close Pride Month of 2023 with Jamie Staples talking about queer mysticism. This includes instances in medieval Christianity where an embodied and erotic experience of life, within and between persons, became the basis for an apprehension of divinity. The conversation particularly focuses on the poem “Dark Night of the Soul” by 16th century Spanish poet St. John of the Cross and the work of 14th-15th century English mystic Margery Kempe. Jamie shares his own story to show how queer mysticism can offer resources from within Christianity to build a personal and communitarian politics against fundamentalist discrimination and hatred. Starting this fall, Jamie Staples will be Visiting Assistant Professor of Medieval English literature at Trinity College in Hartford. His research takes seriously the productive intersection of mystical theology and poetry in the development of alternative modes of critical thinking in the late Middle Ages. He's recently written two articles focused more specifically on the queer mysticism that he will be discussing today, one on the fifteenth-century Book of Margery Kempe, published in Romanic Review, and the other on the fourteenth-century poem Cleanness, published in Exemplaria. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

We close Pride Month of 2023 with Jamie Staples talking about queer mysticism. This includes instances in medieval Christianity where an embodied and erotic experience of life, within and between persons, became the basis for an apprehension of divinity. The conversation particularly focuses on the poem “Dark Night of the Soul” by 16th century Spanish poet St. John of the Cross and the work of 14th-15th century English mystic Margery Kempe. Jamie shares his own story to show how queer mysticism can offer resources from within Christianity to build a personal and communitarian politics against fundamentalist discrimination and hatred. Starting this fall, Jamie Staples will be Visiting Assistant Professor of Medieval English literature at Trinity College in Hartford. His research takes seriously the productive intersection of mystical theology and poetry in the development of alternative modes of critical thinking in the late Middle Ages. He's recently written two articles focused more specifically on the queer mysticism that he will be discussing today, one on the fifteenth-century Book of Margery Kempe, published in Romanic Review, and the other on the fourteenth-century poem Cleanness, published in Exemplaria. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

We close Pride Month of 2023 with Jamie Staples talking about queer mysticism. This includes instances in medieval Christianity where an embodied and erotic experience of life, within and between persons, became the basis for an apprehension of divinity. The conversation particularly focuses on the poem “Dark Night of the Soul” by 16th century Spanish poet St. John of the Cross and the work of 14th-15th century English mystic Margery Kempe. Jamie shares his own story to show how queer mysticism can offer resources from within Christianity to build a personal and communitarian politics against fundamentalist discrimination and hatred. Starting this fall, Jamie Staples will be Visiting Assistant Professor of Medieval English literature at Trinity College in Hartford. His research takes seriously the productive intersection of mystical theology and poetry in the development of alternative modes of critical thinking in the late Middle Ages. He's recently written two articles focused more specifically on the queer mysticism that he will be discussing today, one on the fifteenth-century Book of Margery Kempe, published in Romanic Review, and the other on the fourteenth-century poem Cleanness, published in Exemplaria. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

We close Pride Month of 2023 with Jamie Staples talking about queer mysticism. This includes instances in medieval Christianity where an embodied and erotic experience of life, within and between persons, became the basis for an apprehension of divinity. The conversation particularly focuses on the poem “Dark Night of the Soul” by 16th century Spanish poet St. John of the Cross and the work of 14th-15th century English mystic Margery Kempe. Jamie shares his own story to show how queer mysticism can offer resources from within Christianity to build a personal and communitarian politics against fundamentalist discrimination and hatred. Starting this fall, Jamie Staples will be Visiting Assistant Professor of Medieval English literature at Trinity College in Hartford. His research takes seriously the productive intersection of mystical theology and poetry in the development of alternative modes of critical thinking in the late Middle Ages. He's recently written two articles focused more specifically on the queer mysticism that he will be discussing today, one on the fifteenth-century Book of Margery Kempe, published in Romanic Review, and the other on the fourteenth-century poem Cleanness, published in Exemplaria. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

John J. Miller is joined by Janina Ramirez of the University of Oxford to discuss 'The Book of Margery Kempe.'

In this thought-provoking episode of Faithful Politics we delve into the fascinating world of Biblical Womanhood and its influence on gender roles in American Christianity. Our guest, Professor Beth Allison Barr author of "The Making of Biblical Womanhood: How the Subjugation of Women Became Gospel Truth" takes us on a captivating journey through history, shedding light on the development and impact of this concept.Join us as we explore a series of intriguing questions with Professor Barr. We begin by uncovering the inspiration behind her book and her hopes for readers' takeaway. Professor Barr's research challenges traditional notions of gender roles within the church, inviting readers to critically analyze their beliefs and consider the implications for women.We then delve into the distinction between Patriarchy and Complementarianism, seeking to understand the nuances between these two concepts that often intersect within Christian circles. Professor Barr expertly clarifies these terms, unraveling their implications for gender dynamics in the church and society.Next, we embark on a journey through history, encountering Margery Kempe, a historical figure who may spark laughter among Professor Barr's students. Discover why this connection is both intriguing and significant in understanding the evolution of gender roles within Christianity.One of the central themes of "The Making of Biblical Womanhood" is the development and usage of this concept to shape gender roles in American Christianity. Professor Barr expertly explains the origins and evolution of Biblical Womanhood, offering valuable insights into its impact on women's lives.In a captivating comparison, we explore Dr. Mckay's book alongside Sheila Wray Gregoire's, "She Deserves Better." We discuss the contrasting focus between raising girls to resist toxic teachings and addressing the oppression faced by adult women in the church. We also contemplate who might write about the oppression of senior women in the future, with intriguing predictions for a potential author.Wrapping up the conversation, we address the after-effects of challenging Complementarianism directly. Professor Barr shares the unexpected costs and rewards she encountered along her journey, offering a unique perspective on the challenges and joys of her work. Lastly, we explore the negative perception of the Medieval age within Evangelicalism. Professor Barr highlights how Evangelicalism has contributed to this skewed view, unveiling the richness and significance of the Medieval period within the Christian tradition.Guest Bio:Barr is currently the James Vardaman Professor of History at Baylor University, where she teaches both undergraduate and graduate courses, but she also speaks and writes as a public intellectual. She has been featured by NPR and The New Yorker, and her bylines include Religion News Service, The Washington Post, Christianity Today, The Dallas Morning News, Sojourners, and Baptist News Global. She also continues to write regularly on The Anxious Bench, a popular religious history blog on Patheos.  An academic by training and a pastor's wife by calling, Beth uses her unique voice to speak out on the relevance of medieval history to our modern world—especially concerning women in both medieval and modern Christianity. Support the showTo learn more about the show, contact our hosts, or recommend future guests, click on the links below: Website: https://www.faithfulpoliticspodcast.com/ Faithful Host: Josh@faithfulpoliticspodcast.com Political Host: Will@faithfulpoliticspodcast.com Twitter: @FaithfulPolitik Instagram: faithful_politics Facebook: FaithfulPoliticsPodcast LinkedIn: faithfulpolitics

650 years since the visions of Julian of Norwich and Margery Kempe's birth in King's Lynn, two novels have been published which explore these influential medieval mystics. Shahidha Bari brings together Claire Gilbert - author of I, Julian - and Victoria MacKenzie - author of For Thy Great Pain Have Mercy On My Little Pain - and New Generation Thinker Hetta Howes to discuss these very different characters and what we know of their lives and faith. Producer: Robyn Read You can find other conversations about medieval figures including Chaucer's Wife of Bath, and Melusine in a collection on the Free Thinking programme website on BBC Radio 3 called Women in the World. All the episodes are available as the Arts and Ideas podcast to download and on BBC Sounds Radio 3's weekly Early Music Show broadcast every Sunday focuses on music of the period

Today we look at the literature of female mysticism in the English 14th and 15th centuries, particularly  the landmark texts Dame Julian of Norwich's Book of Showings and Margery Kempe's The Book of Margery Kempe,  which are not only profound religious statements but the earliest voices of women in the English language.Special thanks to Jessica Orluck for her advice and assistance!Support the showPlease like, subscribe, and rate the podcast on Apple, Spotify, Google, or wherever you listen. Thank you!Email: classicenglishliterature@gmail.comFollow me on Instagram, Facebook, Twitter, Tik Tok, and YouTube.If you enjoy the show, please consider supporting it with a small donation. Click the "Support the Show" button. So grateful!Podcast Theme Music: "Rejoice" by G.F. Handel, perf. The Advent Chamber OrchestraSubcast Theme Music: "Sons of the Brave" by Thomas Bidgood, perf. The Band of the Irish GuardsSound effects and incidental music: Freesounds.org

Today's guest is Jessica Brantley, Professor of English at Yale University. Professor Rosenberg is the author of the previous monograph, Reading in the Wilderness, published by the University of Chicago Press in 2007. Her articles have appeared in PMLA, Exemplaria, and the Journal of Medieval and Early Modern Studies. Professor Brantley's new book is Medieval English Manuscripts and Literary Forms, published by the University of Pennsylvania Press in 2022. After giving a comprehensive survey of writing surfaces, writing instruments, and other aspects of material culture, Medieval English Manuscripts and Literary Forms takes a fresh look at some of the most widely studied texts of the medieval period—the Beowulf manuscript, the Ellesmere Canterbury Tales, and the Book of Margery Kempe—alongside less canonical manuscripts. In addition to rich analyses of these books as textual artifacts, the book contains 200 high-quality illustrations that will pique the interest of readers looking to deepen their familiarity with medieval manuscript culture. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today's guest is Jessica Brantley, Professor of English at Yale University. Professor Rosenberg is the author of the previous monograph, Reading in the Wilderness, published by the University of Chicago Press in 2007. Her articles have appeared in PMLA, Exemplaria, and the Journal of Medieval and Early Modern Studies. Professor Rosenberg's new book is Medieval English Manuscripts and Literary Forms, published by the University of Pennsylvania Press in 2022. After giving a comprehensive survey of writing surfaces, writing instruments, and other aspects of material culture, Medieval English Manuscripts and Literary Forms takes a fresh look at some of the most widely studied texts of the medieval period—the Beowulf manuscript, the Ellesmere Canterbury Tales, and the Book of Margery Kempe—alongside less canonical manuscripts. In addition to rich analyses of these books as textual artifacts, the book contains 200 high-quality illustrations that will pique the interest of readers looking to deepen their familiarity with medieval manuscript culture. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today's guest is Jessica Brantley, Professor of English at Yale University. Professor Brantley is the author of the previous monograph, Reading in the Wilderness, published by the University of Chicago Press in 2007. Her articles have appeared in PMLA, Exemplaria, and the Journal of Medieval and Early Modern Studies. Professor Brantley's new book is Medieval English Manuscripts and Literary Forms, published by the University of Pennsylvania Press in 2022. After giving a comprehensive survey of writing surfaces, writing instruments, and other aspects of material culture, Medieval English Manuscripts and Literary Forms takes a fresh look at some of the most widely studied texts of the medieval period—the Beowulf manuscript, the Ellesmere Canterbury Tales, and the Book of Margery Kempe—alongside less canonical manuscripts. In addition to rich analyses of these books as textual artifacts, the book contains 200 high-quality illustrations that will pique the interest of readers looking to deepen their familiarity with medieval manuscript culture. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today's guest is Jessica Brantley, Professor of English at Yale University. Professor Rosenberg is the author of the previous monograph, Reading in the Wilderness, published by the University of Chicago Press in 2007. Her articles have appeared in PMLA, Exemplaria, and the Journal of Medieval and Early Modern Studies. Professor Brantley's new book is Medieval English Manuscripts and Literary Forms, published by the University of Pennsylvania Press in 2022. After giving a comprehensive survey of writing surfaces, writing instruments, and other aspects of material culture, Medieval English Manuscripts and Literary Forms takes a fresh look at some of the most widely studied texts of the medieval period—the Beowulf manuscript, the Ellesmere Canterbury Tales, and the Book of Margery Kempe—alongside less canonical manuscripts. In addition to rich analyses of these books as textual artifacts, the book contains 200 high-quality illustrations that will pique the interest of readers looking to deepen their familiarity with medieval manuscript culture. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Margery Kempe: A Mixed Life (Reaktion Books, 2022) is a new account of the medieval mystic and pilgrim Margery Kempe. Kempe, who had fourteen children, traveled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts Kempe's life and tells her story through the places, relationships, objects, and experiences that influenced her. Extensive quotations from Kempe's Book accompany generous illustrations, giving a fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and her religious visions and later years put in context. And lastly, Bale tells the extraordinary story of the rediscovery, in the 1930s, of the unique manuscript of her autobiography. Anthony Bale is professor of medieval studies at Birkbeck, University of London. He has published many articles and books on medieval literature and culture, including The Jew in the Medieval Book: English Antisemitisms 1350–1500 and a translation of The Book of Margery Kempe. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Margery Kempe: A Mixed Life (Reaktion Books, 2022) is a new account of the medieval mystic and pilgrim Margery Kempe. Kempe, who had fourteen children, traveled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts Kempe's life and tells her story through the places, relationships, objects, and experiences that influenced her. Extensive quotations from Kempe's Book accompany generous illustrations, giving a fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and her religious visions and later years put in context. And lastly, Bale tells the extraordinary story of the rediscovery, in the 1930s, of the unique manuscript of her autobiography. Anthony Bale is professor of medieval studies at Birkbeck, University of London. He has published many articles and books on medieval literature and culture, including The Jew in the Medieval Book: English Antisemitisms 1350–1500 and a translation of The Book of Margery Kempe. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Margery Kempe: A Mixed Life (Reaktion Books, 2022) is a new account of the medieval mystic and pilgrim Margery Kempe. Kempe, who had fourteen children, traveled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts Kempe's life and tells her story through the places, relationships, objects, and experiences that influenced her. Extensive quotations from Kempe's Book accompany generous illustrations, giving a fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and her religious visions and later years put in context. And lastly, Bale tells the extraordinary story of the rediscovery, in the 1930s, of the unique manuscript of her autobiography. Anthony Bale is professor of medieval studies at Birkbeck, University of London. He has published many articles and books on medieval literature and culture, including The Jew in the Medieval Book: English Antisemitisms 1350–1500 and a translation of The Book of Margery Kempe. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Margery Kempe: A Mixed Life (Reaktion Books, 2022) is a new account of the medieval mystic and pilgrim Margery Kempe. Kempe, who had fourteen children, traveled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts Kempe's life and tells her story through the places, relationships, objects, and experiences that influenced her. Extensive quotations from Kempe's Book accompany generous illustrations, giving a fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and her religious visions and later years put in context. And lastly, Bale tells the extraordinary story of the rediscovery, in the 1930s, of the unique manuscript of her autobiography. Anthony Bale is professor of medieval studies at Birkbeck, University of London. He has published many articles and books on medieval literature and culture, including The Jew in the Medieval Book: English Antisemitisms 1350–1500 and a translation of The Book of Margery Kempe. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Margery Kempe: A Mixed Life (Reaktion Books, 2022) is a new account of the medieval mystic and pilgrim Margery Kempe. Kempe, who had fourteen children, traveled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts Kempe's life and tells her story through the places, relationships, objects, and experiences that influenced her. Extensive quotations from Kempe's Book accompany generous illustrations, giving a fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and her religious visions and later years put in context. And lastly, Bale tells the extraordinary story of the rediscovery, in the 1930s, of the unique manuscript of her autobiography. Anthony Bale is professor of medieval studies at Birkbeck, University of London. He has published many articles and books on medieval literature and culture, including The Jew in the Medieval Book: English Antisemitisms 1350–1500 and a translation of The Book of Margery Kempe. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Victoria MacKenzie talks to Neil about Julian of Norwich and Margery Kempe, in her debut novel for Thy Great Pain Have Mercy on my Little Pain. Hosted on Acast. See acast.com/privacy for more information.

A new exhibition at The Hepworth Wakefield celebrates the relationship that two of the UK's greatest sculptors, Barbara Hepworth and Henry Moore, had with the Yorkshire landscape they grew up in. Eleanor Clayton, the curator of the exhibition, Magic in this Country, joins the landscape photographer Kate Kirkwood - who has just published a new book, Cowspines, that blends the landscape of the Lake District with the backs of the cows that graze upon it – to discuss the power of landscape to draw an artist's eye. John McCusker discusses and performs live from his new ‘Best of ‘Album, which celebrates his 30-year career as one of Scotland's most acclaimed fiddle players and musical collaborators. Writer of fiction and poetry Victoria MacKenzie tells Shahidha Bari about her first novel, For Thy Great Pain Have Mercy On My Little Pain, which is based on the lives of two extraordinary, trail-blazing fourteenth-century Christian mystics, Julian of Norwich and Margery Kempe. Presenter: Shahidha Bari Producer: Eliane Glaser Main image from Cowspines by Kate Kirkwood

Margery was one of the more mysterious and unknown mystics of the medieval times until 1934, when her manuscript entitled The Book of Margery Kempe was discovered. Her book blew the door off the hinges, instantly becoming not only one of the most important historical documentations of what life for a woman at the turn of the 15th century was like, but also becoming the first autobiography published in the English language as well as likely the first recorded account of serious mental illness. For a woman who never joined a nunnery, Margery stood toe to toe with the other aesthetic mystics of the period, she challenged the Catholic Orthodox Church, and she faced heresy accusations left and right. Her story is both unusual and intriguing. Listen now to hear it all! — A Broad is a woman who lives by her own rules. Broads You Should Know is the podcast about the Broads who helped shape our world! 3 Ways you can help support the podcast: Write a review on Apple Podcasts Share your favorite episode on social Tell a friend! — Broads You Should Know is hosted by Sara Gorsky. IG: @SaraGorsky Web master / site design: www.BroadsYouShouldKnow.com — Broads You Should Know is produced by Sara Gorsky & edited by Chloe Skye

Jacke talks to author Anna Beer about her new book Eve Bites Back! An Alternative History of English Literature, which tells the stories of eight women (Julian of Norwich, Margery Kempe, Aemilia Lanyer, Anne Bradstreet, Aphra Behn, Mary Wortley Montagu, Jane Austen, and Mary Elizabeth Braddon) who were warned not to write - but who did anyway. If you enjoyed this topic, you might also like our Forgotten Women of Literature series: 261 Enheduanna (with Charles Halton) 263 Cai Yan (Wenji) 265 Aemelia Lanyer 268 Sor Juana Inés de la Cruz 340 Constance Fenimore Woolson 359 Eliza Haywood Help support the show at patreon.com/literature or historyofliterature.com/shop. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the fourth and final episode in their miniseries, Irina Dumitrescu and Mary Wellesley look at the life and work of pilgrim, entrepreneur and visionary mystic Margery Kempe, who dictated what is thought to be the first autobiography in English.To listen to Mary and Irina's series, Medieval Beginnings, and all our other Close Readings series, sign up here:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: https://lrb.me/closereadingsFurther reading in the LRB:Barbara NewmanSusan BrigdenTom ShippeyThis episode was first published on the LRB Podcast in November 2021. Hosted on Acast. See acast.com/privacy for more information.

Season three of The Film Scorer Podcast is finally here! Joining me is legendary musician and composer Cosey Fanni Tutti. Film music fans may not be quite as familiar with Cosey, who's best known for being a founding member of the band Throbbing Gristle, arguably the pioneers of industrial music. However, Cosey has also been busy with solo work, collaborations, and even film scoring. As such, we primarily discuss her score for the film Delia Derbyshire: The Myths & The Legendary Tapes, about the influential electronic musician and composer Delia Derbyshire. We also talk about her new book, Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti, which serves as a "meditation on womanhood, creativity and self-expression, and a revelatory exploration into the lives of three visionary artists" (description courtesy of Amazon).   Cosey's score is fascinating, weird, and, at times, completely haunting; I really enjoyed it. It released on September 16 and is available on all major platforms and on vinyl from Cargo Records. Cosey's other music, both as a solo artist and in her various collaborations and bands, is also widely available.  

Margery Kempe: mystic, autobiographer…schizophrenic?In honour of Mental Health Awareness week, Dr Cat Jarman is joined by Dr Alison Torn from Leeds Trinity University to explore the complicated legacy of a woman who is credited as both the first English autobiographer, and case of schizophrenia.However, how appropriate is it to view Kempe's life through a 21st century understanding of mental health? Can we remove the cultural frameworks of 15 century England and confidently diagnose a psychosis? For more Gone Medieval content, subscribe to our Medieval Monday newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad-free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android or Apple store. See acast.com/privacy for privacy and opt-out information.