Podcast appearances and mentions of James Dean

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Were there always teenagers, or did modern society invent them?Pigweed and Crowhill explore the surprising history of adolescence and the emergence of the modern teenager. For most of human history, young people moved directly from childhood into adult responsibilities. They worked on farms, served on ships, fought in wars, and contributed to family life from an early age. So what changed?The conversation traces the rise of the teenager as a distinct social category in the 20th century, examining the effects of compulsory education, child labor laws, postwar prosperity, automobiles, rock and roll, advertising, and mass marketing. Along the way, they discuss powder monkeys in the age of sail, Shakespeare's view of life's stages, James Dean, Elvis Presley, the generation gap, and the creation of a youth culture unlike anything that had existed before.Pigweed and Crowhill also consider the unintended consequences of teen culture: peer groups replacing families as primary influences, prolonged adolescence, changing expectations about responsibility, and the modern tendency to celebrate youth rather than maturity. Was the rise of the teenager an inevitable result of prosperity and social change, or did we accidentally create a cultural phenomenon that now shapes society far more than we realize?As always, the discussion begins with a beer review—this time featuring an Imperial Pilsner from Heavy Seas—and ends with a few reasons for cautious optimism about the next generation.Topics discussed:* The history of adolescence* Child labor and compulsory education* Teen culture in the 1950s* Rock and roll and youth identity* Marketing to teenagers* Responsibility and maturity* Generational change* Modern youth culture* Family vs. peer influence* The future of young adulthood#BeerAndConversation #PigweedAndCrowhill #Teenagers #History #Culture #Parenting #Education #RockAndRoll #GenerationalChange #Society

Welcome back to The Conner & Smith Show!This week, Ryan Dean Halbrook and Stephen conclude their James Dean trilogy series with George Stevens' epic 1956 masterpiece Giant — the final film James Dean completed before his tragic death.Widely considered one of the great American epics, Giant explores wealth, power, racism, class, family legacy, and the changing identity of Texas across generations. Ryan and Stephen dive deep into Dean's fascinating and unconventional performance as Jett Rink, alongside the legendary work of Elizabeth Taylor, Rock Hudson, and the film's extraordinary ensemble cast.They also discuss the massive scope of the production, Dean's transformation across decades of the character's life, the film's themes of prejudice and social change, and why Giant remains one of the most ambitious and important Hollywood films of the 1950s.As the final chapter in Dean's short but legendary career, Giant stands as both a cinematic landmark and a haunting glimpse of what might have been.If you love classic Hollywood, sweeping American dramas, film history, and larger-than-life performances, this episode is for you.

Welcome back to The Conner & Smith Show!This week, Ryan Dean Halbrook and Stephen continue their James Dean trilogy series with Nicholas Ray's groundbreaking 1955 classic Rebel Without a Cause.Often considered James Dean's most powerful and iconic performance, Rebel Without a Cause captured teenage alienation, vulnerability, anger, and longing in a way audiences had never seen before — and its influence can still be felt in films today.Ryan and Stephen dive deep into Dean's unforgettable performance as Jim Stark, the incredible supporting work from Natalie Wood, Sal Mineo, and the rest of the cast, the film's stunning Cinemascope cinematography, and why this movie became one of the defining films of American cinema.They also explore how countless movies that followed borrowed from Rebel Without a Cause, cementing its place as one of the most influential films ever made.If you love classic Hollywood, film history, emotionally raw performances, and movies that changed cinema forever, this episode is for you.

Welcome back to The Conner & Smith Show!This week, Ryan Dean Halbrook and Stephen begin a brand-new three-part series exploring the complete film career of one of our favorite actors of all time — James Dean.We start where it all began with East of Eden, Elia Kazan's emotionally explosive 1955 adaptation of the John Steinbeck novel that introduced James Dean to the world and instantly changed movie acting forever.Raw, vulnerable, rebellious, and deeply human, Dean's performance as Cal Trask still feels startlingly modern — and this episode dives deep into why his work continues to resonate decades later.This is the first chapter in our James Dean trilogy series, where over the next three weeks we'll also explore Rebel Without a Cause and Giant — the only three films Dean completed before his tragic death at just 24 years old.If you love classic Hollywood, intense performances, film history, and actors who changed cinema forever… this episode is for you.

Robert meets legendary photographer ANTON CORBIJN to discuss his major retrospective opening this weekend in Berlin at Fotografiska museum.The story of Anton Corbijn begins in the quiet corners of a small Dutch island, where he grew up as the son of a vicar. For a young Corbijn, music was an escape, a passion that consumed him. His camera soon became both a tool and a companion, a way to channel his fascination with music and, perhaps more importantly, a means to navigate his own shyness.When Corbijn moved to London in 1979, the city was electric with the energy of bands like The Clash, The Jam, and Joy Division. Within ten days of arriving in England, he managed to photograph Joy Division claiming he was on assignment for a major Dutch magazine, even though he hadn't been officially commissioned.Now, having celebrated his 70th birthday last year, Corbijn looks back on over five decades of work that spans photography, music videos, and film. Corbijn, Anton celebrates his 50-year career and revisits his extensive body of work. Here, you will encounter nearly 150 pieces: iconic portraits of legends like Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, and Marlene Dumas, as well as German icons Nina Hagen, Herbert Grönemeyer, Einstürzende Neubauten and Wim Wenders. His signature black-and-white grainy aesthetic became a defining visual language in his work.A polymath in photography, music videos, feature films, graphic design, and commercials, Dutchman Anton Corbijn is perhaps best known for immortalizing some of the greatest artists of our time. His iconic portraits of musicians, directors, and artists, such as Joy Division, Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, Clint Eastwood, Gerhard Richter, Ai Weiwei, Marlene Dumas among others, are praised for the way they capture the soul and charisma of his subjects.Effortlessly moving in the early 80s from photography into music videos, Corbijn has since made over 80 promos for people like U2, Johnny Cash, Arcade Fire, Depeche Mode, Nirvana, Metallica, Nick Cave, Coldplay, and The Killers. He is the Artistic Director behind the visual output of Depeche Mode. For U2 he has done the principal promotion and sleeve photography for four decades.In 2006 Corbijn started working on his first feature film Control about the life, and death, of Ian Curtis, Joy Division's lead singer. The film won many awards worldwide, including 5 BIFAs and the Camera d'Or Special Mention at Cannes Film Festival 2007. Corbijn has since made The American starring George Clooney (2010), A Most Wanted Man, based on the novel by John Le Carré and featuring the late Philip Seymour Hoffman (2014), and Life, about James Dean and photographer Dennis Stock, which stars Robert Pattinson and Dane DeHaan (2015).In 2023, Corbijn released his first feature documentary Squaring The Circle about the iconic album art design studio Hipgnosis. In 2025, he directed his fifth feature film titled Switzerland starring Helen Mirren.Follow: @AntonCorbijn4RealVisit the exhibition: @Fotografiska.Berlin Hosted on Acast. See acast.com/privacy for more information.

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Ghostly tales on the road:

Al, Ryan & Louie are going to take this love right to ya as we delve into the music video for Paula Abdul's ballad, “Rush Rush.” And of course we talk about the 90s and what's going on with Keanu. Oh baby please!

I denne uges udsendelse har vi valgt at hylde nogle af de fantastiske popkunstnere som fortjener mere kærlighed. Vi har derfor iklædt os et par professionelle dykkerdragter, og dykket helt ned på havets bund på udkig efter musikalske popperler. De perler som er druknet i mængden, dem som folk har glemt, eller som måske aldrig rigtig er blevet hørt. Vi dykker altså ned i den musikalske skattekiste, og anbefaler numre fra 80'erne, 90'erne, 00'erne og 10'erne. Vi skal bl.a. lytte til det vidunderlige britiske band Prefab Sprout (som ligger godt i maven), vi skal til et ambient, udendørs rave med duoen The Beloved, vi tager en tur i rummet med dejlige Tasmin Archer, vi genopdager det danske 90'er band Pockets og så glæder vi os over musikken fra Ginger Ninja og begejstres over deres bandnavn. Alle gode eksempler på glemte popperler. Derudover spiser vi igen havregryn ved morgenbordet, vi roder rundt i Steve McQueen og James Dean, vi mindes den regnvåde sommer i 2011, Andy går i gang med en afhandling om canadiske Tegan & Sara og så bliver der også lige plads til tvivlsomme solcitater, Steen Stig Lommers husband, John Hahn Petersen, Norwegians gamle direktør og et computerspil med en skydeglad Peter Gabriel. Playliste: Prefab Sprout - Appetite The Beloved - The sun rising Pockets - Diggin' Tasmin Archer - Sleeping satellite Opus X - Loving you girl Ginger Ninja - Bone will break metal Freja Loeb - Never stop coming back IDER - King Ruby Tegan And Sara feat. The Lonely Island - Everything is awesome

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On this episode of On the Aisle, host Tom Alvarez sits down with longtime broadcaster and storyteller Tom Cochrun for a wide-ranging, deeply personal conversation that spans career, creativity, community, and legacy.Cochrun and Tom discuss their shared history in broadcasting, including their collaboration on a James Dean documentary that continues to resonate with new audiences today. Both men explore the power of storytelling, the importance of trusting creative instincts, and the fearless ambition that drove their early careers.Alvarez opens up about his personal journey—navigating identity, being a pioneer as a Latino and openly gay broadcaster, and overcoming industry barriers. Cochrun offers heartfelt reflections on witnessing those challenges and the progress made in media diversity, while also expressing concern about preserving those hard-won gains.The two also dive into the evolution of journalism, from analog roots to the digital age, emphasizing the importance of community storytelling and mentoring the next generation. Cochrun shares how he continues to stay engaged through writing, photography, and local initiatives—even as he approaches 80.The episode closes with a passionate discussion about the value of the arts—why live performance, music, and storytelling remain essential for human connection, emotional expression, and community unity in an increasingly digital and polarized world.A thoughtful, nostalgic, and inspiring conversation between two seasoned voices who've helped shape—and continue to reflect on—the worlds of media and the arts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Fr Peyton Plessela discusses the meaning of Divine Mercy, Fr James Dean on his latest article, and Fr Michael Rennier on the mystery of forgiveness.

In this interview, James Dean explains how prototyping strengthens business analysis by turning complex requirements into visual, collaborative conversations. Prototyping helps clarify user needs, and reduce rework. It also helps stakeholders better understand user journeys, validate assumptions, and provide timely feedback. James argues that even imperfect prototypes add value by revealing gaps early and supporting better decision-making through shared understanding. He points out that visual collaboration enhances engagement, separates needs from wants, and supports clearer, more informed decision-making throughout the analysis and delivery process. See the YouTube video at https://youtu.be/hSQb16d-9LI.See the book's website at evolvinganalyst.com.

Découvrez l'incroyable parcours de Paul Newman, l'une des plus grandes icônes du cinéma américain. De son enfance dans l'Ohio à son ascension fulgurante à Hollywood, en passant par son service dans le Pacifique pendant la Seconde Guerre mondiale, ce podcast vous plonge au cœur de la vie d'un homme tourmenté, en quête perpétuelle de reconnaissance pour son talent d'acteur.Malgré sa beauté et son charisme naturels qui en ont fait une véritable star, Paul Newman a toujours eu du mal à s'accepter et à s'identifier à l'image que le public avait de lui. Écoutez comment ce jeune homme, issu d'une famille aisée de Shaker Heights, a dû affronter les difficiles relations avec ses parents, notamment une mère froide et distante, pour finalement trouver sa voie sur les planches et sur les écrans.Le récit de ses débuts au théâtre, de ses rencontres marquantes avec des figures légendaires comme Marlon Brando ou James Dean, de ses amours tumultueuses, vous fera découvrir un Paul Newman plus complexe et tourmenté qu'il n'y paraît.

Financial institutions are finding that the primary bottleneck to AI adoption isn't the technology itself, but the inability to govern sensitive data with the precision required for enterprise-scale deployment. In this episode, Mark Crean, Regional Vice President of Sales from Securiti AI and James Dean, AI Specialist at Google Cloud, breaks down how fragmented data and access risks keep high-value use cases trapped in the pilot phase. They outline the shift toward disciplined data classification and the cross-team alignment necessary to transition AI into regulated, revenue-critical workflows. The conversation highlights why remediation and traceability have become the ultimate benchmarks for safety and ROI in the sector. This episode is sponsored by Securiti AI. Learn how brands work with Emerj and other Emerj Media options at go.emerj.com/partner. Want to share your AI adoption story with executive peers? Click go.emerj.com/expert for more information and to be a potential future guest on the 'AI in Business' podcast!

In this episode of Best in Fest, host Leslie LaPage speaks with Amanda Hendon, owner and president of Entertainment 333, a full-service talent management company representing actors in film and television.With decades of experience working with major agencies, casting offices, and production companies, Amanda shares an insider perspective on how actors build sustainable careers in Hollywood—and how the industry is evolving in the wake of strikes, streaming disruption, and emerging AI technology.In this episode, we discuss:

Ryan Hill is joined by La La Land lovers Alex Flores and Hunter Vance to discuss Damien Chazelle's modern musical 10 years after it first hit theaters. The trio discuss how the film's legacy evolved over the decade and what its future place in the canon might be, and then they rave about masterpiece-level movie magic found throughout the film.

In this week's episode, Natalie and Paige explore the life, legacy, and lasting cultural impact of James Dean. From his meteoric rise in 1950s Hollywood to the rebel persona that defined a generation, they revisit his unforgettable performances in Rebel Without a Cause, East of Eden, and Giant, and reflect on how his tragic death at just 24 cemented his status as an enduring Hollywood legend. Learn more about your ad choices. Visit megaphone.fm/adchoices

We get huge this week when we eat barbacoa before we discuss Giant (1956). We appreciate the cinematography and blocking as well as the actors in this epic western. Rock Hudson, Elizabeth Taylor, and James Dean give spectacular performances that display their massive talent. Even though Giant is seventy years old, it's still relevant today and ripe for a remake, maybe with better wigs.

Dave McArthur and Bill Hodges sip California IPA's while discussing the 1955 James Dean and Natalie Wood film Rebel Without a Cause.

This is an edited podcast from 2024 where we spoke to the recently departed film producer Fred Roos. A close friend to Luana Anders, our moderator on the flipside, Jennifer had no idea who we were interviewing until midway through the podcast.  Fred had messages for many of his close friends, and in one instance I was able to pass that message along at his funeral. In this podcast, he has a message for Sophia and Francis Coppola, his long time pals, as well as Harrison Ford who's career he started. At his funeral Harrison said "Without Fred I wouldn't be here." Also a number of other people show up, including his pal Harry Dean Stanton (a skeptic and atheists whom Jennifer and I interviewed when he crossed over.) There are appearances by many people Fred knew, including Penny Marshall, Cindy Williams, also Aretha Franklin and Christopher Reeves. We do this podcast to show that anyone can speak to their loved ones offstage. It just so happens that I knew Fred Roos for four decades, and met him in his office at Zoetrope back in the day. We stayed pals over the years, he was always kind and generous with me - and he was a huge pal to Robert Towne and Luana Anders as well as Jack Nicholson. None of these names in this podcast are "name dropping" when we're talking to the source. These were all friends of his, and I have met most of them - including the one he references - the reincarnation of James Dean. Fred worked with this person, and while we don't mention the name - because the person whom Jennifer and I both interviewed for hours - knows that they are the reincarnation of James Dean, have known that their whole lives - but chooses not to share it with people. Like I say, this is another of the Best Of podcasts that we've done. (Jennifer is currently swamped with clients and folks who need her help.) Enjoy.

In which Robert & Amy fight Chaos with Order, fight The Irrational with Reason, fight evil & vices with values & virtues. How to change the world with just one small change in focus ... and have a great time in the process. Love, affection, kindness ... for others, and for oneself. Why choosing to take The higher Ground ... properly understood ... is a success strategy. Also, Mary Queen Of Scots (and why we no longer behead politicians), the mind/body dichotomy (and how NOT to fight it), and James Dean (drive carefully!). Plus, Valentine's Day, and the Superb Owl!

National kite flying day. Entertainment from 2002. Dynamite used for 1st time in mining, banjo clock invented, Dallas Texans become Kansas City Chiefs, 1st banana republic. Todays birhdays - Jules Verne, Lana Turner, Audrey Meadows, Jack Lemmon, Nick Nolte, Dan Seals, Mary Steenburgen, Vince Neil, Gary Coleman, Seth Green. Del Shannon died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Lets go fly a kite - Mary PoppinsU got it bad - UsherGood morning beautiful - Steve HolyBirthdays - In da club - 50 Cent http://50cent.com/Honeymooners TV themeBop - Dan SealsYour invited, but your friend can't come - Vince NeilRunaway - Del ShannonExit - Its not love - Dokken http://dokken.net/https://coolcasts.cooolmedia.com/

Welcome back to the next edition of Black Hoodie Alchemy! Continuing with last week's theme, we are analyzing another book by the controversial author Robert Greene, known for his works like The 48 Laws of Power, The 50th Law (co-authored with 50 Cent), and the topic of discussion today: The Art of Seduction. And with Valentine's Day just a couple weeks away from the time of release, it seems like as good a time as any for a wildcard episode such as this!(This is a sociological and literary analysis, I am not trying to be a pick-up artist and I am not trying to position myself as any kind of authority on these topics, whether it be casual dating or romance. )Perhaps even more controversial than the 48 Laws, this book operates on an equally cynical premise that everyone is self-interested and just looking to one-up each other. It details 9 seducer-archetypes as well as the many stages of tactical seduction, backed up with analysis of historical figures such as Cleopatra, Princess Diana, JFK, James Dean, David Bowie, Marilyn Monroe and many more. Reading this with the mindset of general psychology and sociology instead of manipulation and power-dynamics is useful, and it wouldn't be too difficult if not for the persistent usage of words like "prey" and "victim". With this book originally being published in 2001, I seriously doubt that this provocateur shock-value language would be used so flippantly if it were written today (as I do think it is meant as shock-value, building off of the 48 Laws of Power). But that said, I don't endorse or condone the language or mindset espoused in this book, and instead I have a good laugh at all the crude language while also trying to extrapolate any useful psychological and sociological context possible from it. I do think this book is interesting and worth reading, but it will only be useful to the critically-thinking adult that is not looking to take anything at face value. I hope you enjoy listening, and I wish you luck on your romantic pursuits! Ha. RELATED CONTENT:⁠⁠⁠⁠⁠⁠DIVE MANUAL AUDIOBOOK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (narrated by Joe Rupe)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HUNT MANUAL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BHA LINKTREE w books, shorts, and much moreThe Art of Seduction pdfThis week's featured music is all brought to you by my favorite experimental, post-grunge rock band ZIG MENTALITY!But You Wanna be Fooled - Zig MentalityThe Great - Zig MentalityThe One That They're Gonna Remember Me For - Zig MentalityMouthful of Silence - Zig Mentality

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Picture the scene: It's 1983 on the East side of town in Zion, Illinois! You're hanging out at your buddy Russ Spice's house. Playing Judas Priest songs on your Harmony guitars and watching “The Song Remains The Same” on MTV. Instead of James Dean in “Rebel Without A Cause”, our movie idol is Sean Penn as Jeff Spicoli (is it still playing at the Dunes?). Maybe later we'll ride our bikes down to the lake and swim in the heated shadow of the nuclear power plant and pray that we don't grow up to be toxic avenging freaks. And then, hopefully, we can scrape enough pot seeds together so we can smoke ‘em through a beer can and get a cheap buzz going — after which, we'll convince ourselves we have the munchies and try to get Curt to spend his News-Sun paper route money on lunch at Pizza House. It was a glorious time…

Why does a name like 'Starkweather' still ring out in a pop song thirty years later? Today, we're unpacking one of the darkest references in Billy Joel's We Didn't Start the Fire. Join us as we trace how a real-life homicide spree in 1958 became a permanent fixture in American pop culture, inspiring everything from Bruce Springsteen's Nebraska to films like Badlands and Natural Born Killers. We discuss why Billy Joel chose this specific event to represent the chaos of the fifties and how Starkweather's 'James Dean' persona created a terrifying new archetype of the American rebel. Send us a text

On this week's Haven't Scene It, Tim & Tommy play a game of chicken and discuss Rebel Without a Cause! This is Tommy's first time watching the movie.What was the legend of James Dean? What movies would he have been if he didn't die young? And why is Dennis Hopper not a bigger part of this! All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

Fr Peyton Plessela takes an in-depth look at scrupulosity, Joseph Pearce on his article "Real Men Read Poetry," and Fr James Dean covers Dr. Larry Chapp's latest article. 

Chet Baker, with his natural talent, unique voice and beautiful looks was known as “the James Dean of Jazz.” He was also a savage junkie and part time criminal. A one of a kind musician, his soft singing style and romantic playing enraptured Hollywood, the jazz world, and Europe. However, violence, crime, and drugs led to numerous prison stints and to one of the most mysterious deaths in music. Who or what killed the great Chet Baker? This episode was originally published on September 29, 2020. To view the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠. To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠YouTube⁠⁠⁠ ⁠⁠⁠X⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠Facebook Fan Group⁠⁠⁠ ⁠⁠⁠TikTok⁠ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Howdy, Quilters! This week's thread was packed with so many fun updates, we're buzzing with inspiration! Leslie and Rochelle kicked things off with personal updates, including Rochelle's recovery from ear complications and her excitement for an upcoming clogging class—time to break out those Keds! They also dished on some fabulous fabric finds, like the dreamy Double Lush Velvet from Riley Blake, and shared some insider tips on the best sewing machines to handle everything from canvas to silk. The conversation wasn't all stitches and seams, though, with a detour into classic cinema like Rebel Without a Cause and festive Christmas movie marathons. Finally, they wrapped up the personal chat by exchanging heartfelt New Year's wishes and sharing their chill plans for the holiday.They also dove into some seriously creative projects! We heard about fantastic DIY home upgrades, including a budget-friendly trick using Rub and Buff to refinish kitchen knobs and the plan to tackle a thrifted table and chairs with special paint. On the quilting front, there was chat about an Elizabeth Hartman pattern and even a cool James Dean pixel quilt, plus a mention of connecting a Jelly Roll quilt to the perfect namesake. Excitingly, they discussed the launch of a new podcast segment called "Sew & Tell" featuring new finds! Plus, we got a fun history lesson on the accidental start of the Santa tracking tradition. You don't want to miss this great episode!Send us a textFollow Leslie on Instagram at @leslie_quilts and Rochelle at @doughnutwarrior

Ferdinand wanted to make cars for the people, but the Porsche brand we know is an empire of performance. Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not-so-secret techniques that took famous businesses from mom and pop to major brands. Stephen Semple is a marketing consultant, story collector, and storyteller. I’m Stephen’s sidekick and business partner, Dave Young. Before we get into today’s episode, a word from our sponsor, which is, well, it’s us, but we’re highlighting ads we’ve written and produced for our clients, so here’s one of those. [ASAP Commercial Doors Ad] Dave Young: Welcome to The Empire Builders Podcast. It’s the podcast where we talk about empires that were built, businesses, business empires. You know what we… If you’ve listened before, you know… Stephen Semple: Something like that. I get it. Businesses that have done pretty well over the years. Dave Young: They started small. Stephen Semple: They started small. Dave Young: They started small and then they got big. They got so big to the point that you could call them an empire. Stephen Semple: That’s it. That’s the idea. Dave Young: It’s a pretty simple premise. Stephen Semple: That’s it. Dave Young: So as we counted down, Steve told me the topic today and it’s Porsche. Stephen Semple: Yes, sir. Dave Young: Porsche. I’m assuming this is the car. Stephen Semple: The car, yes, the car. Dave Young: Okay. Stephen Semple: The car. Dave Young: And I’m trying to… I know some Porsche jokes, but I probably shouldn’t tell those on this show. I’m trying to think if I’ve ever actually been in a Porsche. Stephen Semple: Oh, well then you’ve got to come up and see me, Dave. Dave Young: You own one. I know you own one. Stephen Semple: Well, I have one. Bernier’s got two. I don’t know how many Steve has. Dave Young: I see how it is. I see how it is. Maybe I will tell my Porsche joke. So you guys that own them, do you call it Porscha? Because some of us just say Porsche. Stephen Semple: Well, if you actually take a look back, that’s the proper German pronunciation as Porsche. Dave Young: Porsche, okay. Stephen Semple: And it’s supposed to not be… It’s not Italian Porsche, right? So it’s Porsche. Dave Young: Porsche, Porsche. Okay, I’ll accept that. I’ll accept that. I’m guessing we’re- Stephen Semple: Well, look, you got to always call a dealership to double check. They’ll tell you. Dave Young: Now, if I had to guess where we’re headed to start this off sometime around the 40s, maybe earlier. Stephen Semple: A little earlier than that, actually. It was founded by Ferdinand Porsche in 1931 in Stuttgart, Germany. You’re not far off. But the interesting thing is where the growth really happened, even though that’s when it was founded, when things really started to happen, was actually post-World War II. Dave Young: That makes sense. Stephen Semple: You’re correct on that. Dave Young: So, it started in 31 and by the time you hit the late 30s and 40s, you’re part of the war machine. Stephen Semple: Yes. Dave Young: Okay. Stephen Semple: So it was founded in 1931, Stuttgart, Germany by Ferdinand. And when we take a look at the history of the business for a very long time, they were a part of the VW group, although they were recently spun off into their own separate business. And there’s a lot of shared history between VW and Porsche. A lot of people make fun of the fact that it’s basically a VW. There’s so much connection. Now here’s the other thing is, there’s a lot of connection in Nazi Germany here as well. And I mean- Dave Young: That’s what I was intimating but trying not to say, but yes, there was definitely. Stephen Semple: And not one of these ones of, “Oh, I’m a business and I got sucked up into the machine.” I mean, very early on. Very early on. Ferdinand was a member of the SS following the war, both he and his son were charged. Dave Young: No kidding. Stephen Semple: He served two years in jail. His son six months. So we’re not talking loose connections here. He was a buddy of Adolf. Let’s just put it out there. And if you remember, going back to episode 21, VW was founded by Nazi Germany. So episode 21 about The Beetle, and Ferdinand was the guy who designed the Beetle. Dave Young: Right, right. I remember you saying that, Ferdinand Porsche. Stephen Semple: And look, Porsche has not always had the success it has today. It’s become pretty big. They do 40 billion EU in sales. They have 40,000 employees. They make 300,000 cars. There was a time that they’re making cars in the hundreds and thousands. It wasn’t that long ago. But let’s go back to Germany to the early 1900s. And if we think about Germany at that time, pre-World War II, pre-World War I, there was lots of history of engineering and science in Germany. More Nobel Prizes in Science was awarded to Germany than anywhere else in the world at that time. Dave Young: Right. Stephen Semple: Germany was a real leader in science and engineering. And the first commercial automobile was made in Germany by Mercedes-Benz. So it’s 1906 and Daimler recruits Ferdinand because Ferdinand had been the winner of the Pottingham [inaudible 00:06:05] Prize, which is the automotive engineer of the year, which is given to new chief engineers and basically allows the person to have this designated doctor engineer honoris causa, Ferdinand Porsche. And he would go around calling himself all of that. Dave Young: Okay. Stephen Semple: And this is an honorary doctorate because he never actually finished college, but he had real engineering chops, Ferdinand. So he moves to Stuttgart, which at the time is a center of car making in Germany, including all the suppliers. And he works for Benz for 20 years. Okay. Now, it’s Germany in the 1930s and 2% of the population own a car in Germany as compared to the United States, which is 30%. Dave Young: In that time? Stephen Semple: In that time. Dave Young: Okay. Stephen Semple: Ferdinand comes up with this idea of we should make an inexpensive car. We shouldn’t be making car for the wealthy. We should make an inexpensive car. The board rejects the idea. Ferdinand leaves in 1929. And in 1931… Kicks around for a few years, and then 1931 starts a consulting firm. Now, this dude knew how to name things. You’re ready for the name of the company? Dave Young: Of the consulting firm? Stephen Semple: Of the consulting firm. Dave Young: Okay. Stephen Semple: I have to read this to get it right. The Doctor Engineer Honoris Causa Ferdinand Porsche Construction and Consulting and Design Services for Motor Vehicles. Dave Young: Now, if I know anything about German, that was all one word that you just said, right? Stephen Semple: Well- Dave Young: No spaces in between any of those words. Stephen Semple: Translated, you’ll see it as Dr. in H period, C period, F period, Porsche, capital G, small M, small B, capital H. Dave Young: It just rolls off the tongue, doesn’t it? Stephen Semple: Now, here’s the crazy thing. Up until 2009, that remained the official name of the company. You actually can find, if you see Porsche’s older than that, that if you look for that, it’ll be stamped somewhere in the car that that’s the manufacturer. Dave Young: They changed it finally because it was just too expensive to- Stephen Semple: It cost too much- Dave Young: Put that many letters in a dye cast. Stephen Semple: Exactly, exactly. Dave Young: Holy cow. Stephen Semple: So it’s 1934 and they land a contract with Germany to design a small affordable car for the people called the Volkswagen. Dave Young: Volkswagen. Stephen Semple: Beetle. Right, there you go. Now, here’s the thing that’s weird. Post World War II, the allies are in trying to rebuild Germany and no one owns VW. VW was owned by the state. So now it’s in the hands of the British and the British and the allies want to create a strong economy in West Germany because it’s now the Cold War. So the big defense to defending against East Germany and the expansion of communism is to really get the economy going in Germany. And so the British government, as we know from episode 21 about the Beetle, approached Porsche who designed it and said, “Help us get this car built.” And this is where it gets just a little bit weird because the son goes in one direction. Ferdinand’s doing his own thing. They both got arrested for war crimes. Son gets out first because he did six months. And his son’s name’s Ferry and his dad is in jail for two years. So between this time where dad’s still in jail and son’s out, here’s one of the things they did towards the end of the war. We don’t know exactly how many, but it was probably about 20 of their best engineers and they moved them out into the farmland of Austria and basically had them working in a barn because they didn’t want to get them arrested or killed, quite frankly. So Ferry gets out and he goes to this barn in Austria and he’s looking around and he goes, “What the heck are we going to do to make some money? Let’s start fixing up cars.” Now, not a huge business fixing up cars. It’s post-war and there weren’t a lot of cars in Germany anyway, but they had to do something. Then the dad gets out of jail and he ends up doing this work with Volkswagen. Now, here’s what’s interesting. And this is where the really tight ties between Porsche and Volkswagen start. The deal that the German government gives Ferdinand, the deal that the allies give Ferdinand is this. Dave Young: Stay tuned. We’re going to wrap up this story and tell you how to apply this lesson to your business right after this. [Using Stories to Sell Ad] Dave Young: Let’s pick up our story where we left off and trust me you haven’t missed a thing. Stephen Semple: The deal that the allies give Ferdinand is this. We want your help designing and distributing this car. We will give you a royalty for every VW Beetle sold worldwide. Dave Young: Wow, that’s pretty generous. Stephen Semple: Well, no one knew it was going to be such a huge success and basically go for 50 years that car was being built. Dave Young: Right, right. Stephen Semple: So for a long time, the biggest source of revenue for Porsche was royalties on VW Beetle sales. Dave Young: Wow, okay. So it really- Stephen Semple: Isn’t that crazy? Dave Young: It really wouldn’t exist if that deal hadn’t been made. Stephen Semple: May not have, may not have. Now, meanwhile, Ferry, who has design chops of his own and loves cars, started tinkering around with vehicles. And what he started to do was put big engines in small cars. There was all these Beetle parts lying around. He would build a car, this little car, and he’d put a big engine in it. And if you go back in the time, if you go back and take a look in the late 30s, early 40s, and you take a look at Ferraris and things like that, you take a look at the race cars at the time, they were two-thirds engines. They’re these massive engines. So he went the opposite direction. He said, “Well, let’s take a little car and put a big engine in it.” And he’s driving around and he goes, “This is fun.” Because he’s basing it on parts lying around, which is the VW stuff. It’s an engine in the back. This becomes the Porsche 356, which is basically Porsche’s first car. So they start making this car and they wanted to make it somewhat affordable. So the price was $3,750, which would be $42,000 today. And they also wanted to have it as being a daily driver because again, everybody else making performance cars were not daily drivers, had a trunk, bunch of things, daily driver. And this is an important part of Porsche’s DNA. We’re going to come back to this a little bit later, this idea of it being a daily driver. So coming out of World War II, sports cars, industry’s happening and everybody’s got one. MG and Jag in the UK, there’s Ferrari in Italy, you get the idea. Now, one thing I forgot to mention that’s interesting and still today, the government state of Lower Saxony, which is basically would be the state, they still own 20% of Volkswagen. Dave Young: Really? Okay. Stephen Semple: I forgot to mention that. Dave Young: Who are they now? Stephen Semple: Well, Volkswagen’s still around. Volkswagen’s still- Dave Young: No, who is the Saxony? Stephen Semple: Well, it’d be like saying the state of Texas. It’s a state. Dave Young: Okay, it’s just a part of Germany. Stephen Semple: Part of Germany and that government still owns 20% of the company. Dave Young: What a world. Stephen Semple: Now there’s all this stimulus going on in Germany to try to get the economy going. One of the things that they did, there was a really interesting tax rate. There was an interesting tax structure. There was a very high marginal tax rate. Now, ordinary people were taxed at 15%, but the marginal tax rate could go as high as 95%. And the reason why they wanted to do this was create this incentive for reinvestment. So there’s all this… As they’re making money, there’s this heavy reinvestment. And in the early 50s, racing is really exploding. Automobile racing is really exploding, but the lines between professional and amateur is blurry. If you remember, James Dean and Steve McQueen and other actors, Paul Newman, were all racing. Dave Young: Right. Stephen Semple: They’re all racing vehicles. And Jaguar and Porsche were trying to do the same thing in terms of creating this daily driver that you could race. Now in the end, Porsche won, and I think part of it is because quite frankly, they just built a better vehicle. There was a time where the joke with Jaguars was you had to own two because one would always be in the shop and one… And going back to the early DNA, Ferry Porsche was quoted as saying, “We have the only car that can go from an East African safari to race in the Le Mans to take out to theater and then drive on the streets in New York.” Dave Young: Wow, okay. Stephen Semple: And look, today, Porsche still heavily advertises that. They will advertise a Porsche driving through the snow with ski racks on it. And not their SUVs, the 911. This is very much part of it. And if you think about it, this parallels what Rolex did in the early days. You remember from episode 184 with Rolex. Rolex, the Submariner, the Explorer. Dave Young: Target by niche. Stephen Semple: Target by niche and make it tough and something that you could use and wear day to day. So it’s 1954 and Porsche’s selling 588 cars and about 40% of them is in the US. So really what’s making things hum with them is all those Beetle sales. And it’s the ’60s, the Ford Mustang comes out, the Jag E type comes out, the Austin-Healey comes out, and Porsche decides they need a new vehicle. And they were going to do a sedan, a four door sedan. But what they realized was they didn’t really want to compete with Mercedes and BMW. So they looked around at the other German car manufacturers and they said, “You know what? That’s probably not the place to go.” They had designed it up and that project failed. They had also been working on a six cylinder Boxter engine. So Boxter engine, the cylinders are opposed, so they’re like boxing. And the whole idea is that lowers the center of gravity of the weight of the engine. And they had a project that they were working on that that didn’t go ahead. So they stepped back and they went, “Maybe what we should do is just reduce the size of the sedan and put that engine in it.” That’s what they did. And that became the Porsche 901. Except there’s a problem. Peugeot had the copyright for zero in the middle of a bunch of numbers in France. They couldn’t call it the 901 because of that copyright. Dave Young: So they called it- Stephen Semple: So they called it the 911. And that’s now the iconic Porsche car. 1966, they sell 13,000 of these cars. Now, here’s the thing that I think is very interesting. And Porsche, as far as I could figure out, is the only car manufacturer that does this. First of all, they’ve maintained the 911 forever, but even on top of that, Porsche really understands design language. We can all recognize a Porsche. Dave Young: Right. Stephen Semple: We can recognize one from 2020. We can recognize one from 1999. We can recognize one from 1970. Even though they’ve upgraded the technology, they’ve changed the design of the car. They’ve now come out with the Cayman and the Macan and the Cayenne. They’re all recognizable as that vehicle. They’ve done a great job of doing that. I think that was a lost opportunity, frankly, when Tesla came out because they had a clean design slate. Tesla could have done that. But I think that’s really interesting how they’ve managed to maintain, even though they’ll modernize it. In our minds, we still will see one and go, “That’s a Porsche.” Dave Young: Sure. And the great car brands are able to do that. Stephen Semple: Yes. Dave Young: Audi is always going to be an Audi. Volvo is always going to look like a Volvo. And in the Portals class at Wizard Academy, one of the videos that I use to demonstrate that, there’s a language. If you combine specific shapes and specific lines, that all adds up to that brand of car. And so I’ve got an old video that I got when I was in the Motor Press Guild from Audi. It was just a video that was made for journalists with an Audi designer explaining all the lines on the car when they came out with the Q7 and how it still maintained the Audi design language. It was fascinating. Stephen Semple: It is. Dave Young: So Porsche could tell you that and the cool thing is those designers can tell you that. It’s hard for you and I to go, “Well, I can look at it and say, “That’s a Porsche.” But to be able to put it into words that describe it to someone else, is a gift. Stephen Semple: What’s really interesting, my nephew, Jeffrey, he loves Audi’s. That’s what he has. And he’ll even make the comment, he doesn’t like the Porsche’s because you feel like you’re in a bubble. Audis are very square. If you look at the back of an Audi and you look at the rear end of a Porsche, it has hips. But again, he’s even, “They’re great cars, but I like the squareness of the Audi.” So that’s interesting. Dave Young: Audi Audi has a fairly, not perpendicular, but an upright grill more so than a … And that’s part of their design language. Stephen Semple: So the whole DNA of Porsche came from this whole idea of a small car. Dave Young: Big engine. Stephen Semple: Big engine, daily driver, that was the whole idea is, it’s supposed to be a car that you can drive every day. That’s the core, core, core, core principle. That’s why they always have decent sized trunks. I remember when Gary bought his Boxter, one of the things he loved about it is you can actually put two sets of golf clubs in that car. Dave Young: Okay. Stephen Semple: Right? Now, here’s what’s fun. There was a time where when they were really wanting to get things going, they did some great print advertisements. So they had ads like bug killer. Another one was calling it transportation is like calling sex reproduction. Dave Young: Okay. Stephen Semple: Now, two of my favorites, one was not perfect. It would list 20 or 30 races that Porsche won. And if you actually read it, there was two that it didn’t. Dave Young: That they didn’t, “We didn’t win all the races.” Stephen Semple: So not perfect. Dave Young: That could have been driver error. Stephen Semple: That could have been. But Dave, you were going to make some jokes. Porsche’s able to laugh at itself. It actually had an ad that said, “Small penis? Have I got a car for you? If you’re going to overcompensate, then by all means, overcompensate.” Dave Young: I love it, I love it. Well, and that’s always the thing, the jokes are not about the car. Stephen Semple: But they actually ran that ad and I believe it ran in Car and Driver Magazine. I cannot imagine getting that ad approved. Dave Young: That’s amazing. Stephen Semple: And look, their own drivers are like, “Yeah, whatever.” Dave Young: Sure, compensating all I want. Absolutely. I love that story. Well, thank you, Stephen. I love the story of Porsche. Stephen Semple: There you go. Dave Young: And get out there and enjoy it or just buy me one and send it here. Thank you. Stephen Semple: All right, thanks, David. Dave Young: Thanks for listening to the podcast. Please share us. Subscribe on your favorite podcast app and leave us a big fat, juicy five-star rating and review at Apple Podcasts. And if you’d like to schedule your own 90-minute Empire Building session, you can do it at empirebuildingprogram.com.

In 1955, a small silver sports car rolled out of a California garage and into American folklore. It was sleek, fast, and dangerous. A machine built for the racetrack. But within weeks, its young owner would be dead, and the car itself would become infamous. What followed were decades of bizarre accidents, unexplained fatalities, and eerie coincidences, all linked to the same deadly machine. Some now claim the car was cursed. Others insist the stories are nothing more than myth. In this episode, we examine the legend of James Dean's Porsche… Little Bastard. MUSIC  Tracks used by kind permission of Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 Tracks used by kind permission of CO.AG Learn more about your ad choices. Visit megaphone.fm/adchoices

Coca-Cola is… sugar water. And somehow it's also America, Christmas, summertime, friendship and happiness. Today we tell the story of how The Coca-Cola Company amazingly transmogrified a beverage into emotion in all of our collective psyches, and ALSO built one of the most incredible scale economy businesses of all-time. And oh yeah, there's also cocaine, WW2, Mad Men, Warren Buffett, James Dean, Bill Cosby, Michael Jackson, Michael Ovitz, Steve Jobs, Bill Gates, McDonald's and Monsanto. So cozy up to the fire with your favorite images of Santa Claus and Polar Bears and enjoy an ice-cold episode of Acquired — always delicious, always refreshing.Sponsors:Many thanks to our fantastic Fall ‘25 Season partners:J.P. Morgan PaymentsWorkOSShopifySentry — Link to ACQ Cassette Players, use code “audiophile”Links:Sign up for email updates and vote on future episodes!The Hilltop ad / Mad Men finalePepsi Challenge commercialsPepsi's Michael Jackson commercialsCoke's Bill Cosby commercialsTwo liter bottles inflatingWorldly Partners' Multi-Decade Coca-Cola StudyFor God, Country, and Coca-ColaSecret FormulaAll episode sourcesCarve Outs:SkiErgSuper Smash Bros. UltimateClaudeNike Vomero PlusHermanos GutiérrezMore Acquired:Get email updates and vote on future episodes!Join the SlackSubscribe to ACQ2Check out the latest swag in the ACQ Merch Store!‍Note: Acquired hosts and guests may hold assets discussed in this episode. This podcast is not investment advice, and is intended for informational and entertainment purposes only. You should do your own research and make your own independent decisions when considering any financial transactions.

Front Row Classics is taking a look at the first in James Dean's trilogy of starring roles. Brandon and Peter Martin are discussing 1955's East of Eden. We discuss Dean's relationship with director Elia Kazan and how it affected his unique performance. The wonderful supporting cast includes Julie Harris, Raymond Massey and Jo Van Fleet (in an Oscar winning performance). The conversation also turns to the differences between the movie and John Steinbeck's novel. 

Sir Anthony Hopkins (We Did Ok, Kid, The Silence of the Lambs, The Father) is an Academy, Emmy, and BAFTA Award-winning actor. Anthony joins the Armchair Expert to discuss feeling othered and playing the role of the dummy in school, how growing up during a war shaped him, and a chance invitation at the YMCA that changed the trajectory of his life. Anthony and Dax talk about booking his first role the same day James Dean was killed, the advice Laurence Olivier offered after seeing him perform onstage, and doing screen tests with Katherine Hepburn and Peter O'Toole. Anthony explains the mythology behind his first table read for The Silence of the Lambs, his journey to sobriety, and why “We Did Ok, Kid” is a sentiment applicable to everything that's happened in his life.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In today's episode WJ and KJ, deliver another entertaining and creepy episode. KJ covers the eerie legend of James Dean's Porsche known as the Little Bastern. Bill covers a tale of a terrifying night hike in the Olympic National Forest. And some great listener mail. Please join us! Thank you for listening! www.bigfootterrorinthewoods.com Produced by: "Bigfoot Terror in the Woods L.L.C."

Hey besties! This is a TBB that you are going to want to watch on Youtube! After rambling about the QOTW "Whats the pettiest haunting you'd do if you were a ghost?" Em and I played 20 Questions (paranormal edition).... Did you know that Satan, Peter Pan and James Dean all fall under one specific ghost? Turns out the world is pretty small... If you have a Creepy Account of your own you would like to submit, you can go to our Reddit (CreepsandCrimes) or email it to us at CREEPSANDCRIMES.CA@GMAIL.COM Love yall sooo much!! We will talk to ya next week!!! vvvvvv Creeps and Crimes Merch: ⁠⁠https://creepsandcrimesmerch.com/⁠⁠ Join our OG Pick Me Cult (Patreon): ⁠⁠https://patreon.com/creepsandcrimes⁠⁠ SUBSCRIBE AND SUPPORT WHEREVER YOU GET YOUR PODCASTS: - Apple Podcast: ⁠⁠https://podcasts.apple.com/us/podcast/creeps-and-crimes/id1533194848⁠⁠ - Spotify: ⁠⁠https://open.spotify.com/show/0v2kntCCfdQOSeMNnGM2b6?si=bf5c137913dd4af7⁠⁠ - Youtube: ⁠⁠https://youtube.com/@creepsandcrimespodcast?si=e6Lwuw6qvsEPBHzG⁠⁠ Business Inquiries please contact Management: ⁠⁠maggie@MRHentertainment.com⁠⁠ FOLLOW US ON SOCIALS: Creeps and Crimes Podcast - Insta: ⁠⁠https://www.instagram.com/creepsandcrimespodcast/?hl=en⁠⁠ - Facebook: ⁠⁠https://www.facebook.com/creepsandcrimespodcast/⁠⁠ - TikTok: ⁠⁠https://www.tiktok.com/@creepsandcrimes⁠⁠ Taylar Jane (True Crime Host) - Insta: @Taylarj - TikTok (True Crime Channel): @TaylarJane98 - TikTok (Personal): @TaylarJane1 Morgan Harris (Paranormal & Conspiracy Host) - Insta: @morgg.m - Tiktok: @morgg.m Want More Info? Check out our Website: www.creepsandcrimespodcast.com⁠⁠ Send Us Mail & Fan Art to our PO Box!!! CREEPS AND CRIMES PODCAST PO BOX 11523 KNOXVILLE, TENNESSEE 37939 Have a Creepy Account You'd like to share and be featured on the Podcast? Email it to: ⁠⁠CreepsAndCrimes.CA@gmail.com⁠⁠ Submit it through the Portal on our Website (Listed above) or Post in on our Reddit Thread with the tag "creepy account" Love our TBB episodes and want to get in on the Action or submit an AIMS? Head over to our Reddit Community: @creepsandcrimes Need to contact us or request sources? Email us at ⁠⁠creepsandcrimespodcast@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Natalie Wood was one of the most loved child stars of the silver screen in the mid-20th century, and the rare celebrity who was able to transition gracefully into grown-up roles all while maintaining an air of dignity and grace. She acted alongside Orson Welles, James Dean, Warren Beatty, and Bette Davis, and many of her roles remain iconic decades later. But beneath her unprecedented professional success was a life unseen by the public – a life full of fears, paranoias, pills, gypsy curses, and secrets. And when she drowned at the age of 43, more secrets would come floating to the surface. This episode contains themes that may be disturbing to some listeners, including sexual assault and suicide. If you're thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

Natalie Wood was one of the most loved child stars of the silver screen in the mid-20th century, and the rare celebrity who was able to transition gracefully into grown-up roles all while maintaining an air of dignity and grace. She acted alongside Orson Welles, James Dean, Warren Beatty, and Bette Davis, and many of her roles remain iconic decades later. But beneath her unprecedented professional success was a life unseen by the public – a life full of fears, paranoias, pills, gypsy curses, and secrets. And when she drowned at the age of 43, more secrets would come floating to the surface. This episode contains themes that may be disturbing to some listeners, including sexual assault and suicide. If you're thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

James Dean's co-star in Rebel Without a Cause was an early trailblazer for the LGBTQ+ community in Hollywood. Over the years he was harassed, heckled, and had his life threatened – just for being himself. When he was mysteriously murdered at the age of 37, the 15-month investigation exposed just how deep intolerance ran in the hearts and minds of many, despite Sal's efforts to the contrary. This episode contains themes that may be disturbing to some listeners, including sexual assault. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

James Dean's co-star in Rebel Without a Cause was an early trailblazer for the LGBTQ+ community in Hollywood. Over the years he was harassed, heckled, and had his life threatened – just for being himself. When he was mysteriously murdered at the age of 37, the 15-month investigation exposed just how deep intolerance ran in the hearts and minds of many, despite Sal's efforts to the contrary. This episode contains themes that may be disturbing to some listeners, including sexual assault. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

With Halloween around the corner, and “The Scream Episode” analyzed to death, it’s time for the gang to look to other TGIF Halloween episodes for inspiration. And first up? Sabrina the Teenage Witch, and the 5th episode of their first season, “A Halloween Story.” Let’s meet teenagers who dress as James Dean and Sabrina’s grandmother who found a way to totally miss the witch in her family. And was streaking really that fun?? Plus, Danielle, Will and Rider choose catchphrases for each other, on an all-new spooky Pod Meets World! Follow @podmeetsworldshow on Instagram and TikTok!See omnystudio.com/listener for privacy information.

On this episode of The Adam Carolla Show, Adam kicks things off by sounding off on a bizarre story about a woman who discovered swastika-shaped tiling in her basement and is now suing the home seller for not disclosing it. Adam calls out the performative outrage behind her lawsuit and shares his own frustrations with the culture of virtue signaling. He also plays a clip from one of his recent vlogs, where he visited Home Depot and criticized the city of Malibu for its overly restrictive regulations regarding the cutting of pressure-treated lumber. In the news, Elisha Krauss joins Adam to cover the biggest trending headlines, starting with Ilhan Omar's explosive financial disclosures revealing a net worth of up to $30 million—despite her repeated claims that she is “not a millionaire.” They also react to the retirement announcement of one of the Democrats' longest-serving House members, and break down the viral moment when Polish CEO Piotr Szczerek snatched a signed hat from a child at the US Open. Szczerek has since issued a public apology, but Adam and Elisha question whether that's enough to undo the bad optics of the viral footage.Later, author Stayton Bonner and private investigator Joe Ford stop by to discuss The Million-Dollar Car Detective: Inside the Worldwide Hunt for a Stolen $7 Million Car. Joe and Stayton recount the incredible real-life heist of a 1938 Talbot-Lago T150C-SS Teardrop coupe—one of the rarest and most beautiful cars in existence—and the decades-long investigation that followed. They share how the trail went cold for years before Joe got a tip that reignited the search, leading to an international chase involving the FBI, Interpol, and a global crime ring. Along the way, Adam gets Joe's take on other legendary missing cars, including James Dean's infamous Porsche.Get it on. FOR MORE JOE FORD AND STAYTON BONNER:BOOK: The Million Dollar Car Detective: Inside the Worldwide Hunt for A Stolen$7 Million CarTWITTER: @StaytonBonnerFOR MORE WITH ELISHA KRAUSS: INSTAGRAM: @elishakraussWEBSITE: elishakrauss.com JOURNAL: https://www.washingtonexaminer.com/author/elisha-krauss/Thank you for supporting our sponsors:Homes.comForThePeople.com/ADAMoreillyauto.com/ADAMPluto.tvOpenPhone.com/adamSHOPIFY.COM/carollaLIVE SHOWS: September 6 - Charlotte, NCSeptember 12-13 - El Paso, TX (4 Shows) See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

 …the Hollywood and true crime spinoff from the award winning music and true crime podcast, DISGRACELAND, and the newest expansion from the folks at Double Elvis. The most dramatic non-fiction stories ever heard come from the world of entertainment. Specifically the dark side of entertainment. The true crime stories from Hollywood; the mysterious death of Brittany Murphy. The vicious, real-life murder that inspired David Lynch's Twin Peaks. The three conspiracies surrounding Marilyn Monroe's death. The indecent arrest of John Waters. Dennis Hopper's easy riding and excessive 70s Hollywood. Woody Harrelson's Dad's connection to the JFK assassination. The obsessive murder of Dorothy Stratten. Bill Murray's bust. Chris Farley burning out too soon. Al Pacino's armed robbery. The serial killer and Gianni Versace. Heath Ledger's overdose. The list is endless and now all of these stories and more are available for you to listen to in the Hollywoodland podcast. Hollywoodland is hosted by Jake Brennan, creator and host of the award winning music and true crime podcast, Disgraceland. In Hollywoodland you can expect the same deep research, immersive sound design, and edge-of your seat scripted storytelling that myself and the team at Double Elvis have brought you over the years in Disgraceland.  Right now you can binge over thirty episodes of Hollywoodland on James Dean, Paris Hilton, Andy Warhol, River Phoenix, Alfred Hitchcock and more.  Episodes of Hollywoodland are released every monday and are available everywhere. Follow and subscribe on the Audacy app, Apple Podcasts and or wherever you get your podcasts. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

 …the Hollywood and true crime spinoff from the award winning music and true crime podcast, DISGRACELAND, and the newest expansion from the folks at Double Elvis. The most dramatic non-fiction stories ever heard come from the world of entertainment. Specifically the dark side of entertainment. The true crime stories from Hollywood; the mysterious death of Brittany Murphy. The vicious, real-life murder that inspired David Lynch's Twin Peaks. The three conspiracies surrounding Marilyn Monroe's death. The indecent arrest of John Waters. Dennis Hopper's easy riding and excessive 70s Hollywood. Woody Harrelson's Dad's connection to the JFK assassination. The obsessive murder of Dorothy Stratten. Bill Murray's bust. Chris Farley burning out too soon. Al Pacino's armed robbery. The serial killer and Gianni Versace. Heath Ledger's overdose. The list is endless and now all of these stories and more are available for you to listen to in the Hollywoodland podcast. Hollywoodland is hosted by Jake Brennan, creator and host of the award winning music and true crime podcast, Disgraceland. In Hollywoodland you can expect the same deep research, immersive sound design, and edge-of your seat scripted storytelling that myself and the team at Double Elvis have brought you over the years in Disgraceland.  Right now you can binge over thirty episodes of Hollywoodland on James Dean, Paris Hilton, Andy Warhol, River Phoenix, Alfred Hitchcock and more.  Episodes of Hollywoodland are released every monday and are available everywhere. Follow and subscribe on the Audacy app, Apple Podcasts and or wherever you get your podcasts. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices