Podcast appearances and mentions of Hannah Peel

This episode features legendary electronic musician, producer and synth nut Benge.His works with John Foxx and the Maths and Hannah Peel are outstanding, also Wrangler, OMD, Blancmange and Creep Show with Mal from Cabaret Voltaire, John Grant and Phill Winter.He also runs a label - MemeTune Recordings, as well as a YouTube series MemeTune, semi-ironically exploring the history of synthesisers…Ladies and gentlemen - prepare to geek out - meet Benge.If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

Our latest guests on Soundtracking are writer/director Christopher Andrews and composer Hannah Peel, who join Edith to discuss their collaboration on Christopher's dark, debut feature, Bring Them Down. Counting Christopher Abbott, Barry Keoghan and Nora-Jane Noone among its excellent cast, it tells the story of a family of Irish sheepherders who are dealing with various conflicts, not least a local rivalry. Bring Them Down is available to watch now exclusively on MUBI - and if you don't have it already, there's currently a 7 day free trial on offer.

We anticipate that this will be the only podcast for September. To make up for it, we've decided to do another extended edition to keep you entertained for this month. Download BioS: https://we.tl/t-aKQ67c9PZc Playlist No 257 01.34 Venja ‘Bioluminescence' (album Live@ Electronic Circus Summer Edition 2024) https://venja.bandcamp.com 08.18 Venja feat: Bas Broekhuis ‘Novae Terrae' 15.38 fluXus ‘Orbit & Shine I' (album Orbit & Shine) *** https://fluxus-music.bandcamp.com/album/orbit-and-shine 25.41 Mac Of BIOnight 'Neural Planet' (album The Stolen Rocket) https://macofbionight.bandcamp.com/track/the-stolen-rocket 29.52 Mac Of BIOnight ‘Missing Clues' 35.11 Mac Of BioNight ‘Message On The Train' 38.14 K Ambient Sounds ‘Tender Moments And Open Spaces' (album Enchanting Atmosphere) https://k-ambient-sounds.bandcamp.com 46.49 Time Being ‘Beyond The Observable' 53.56 Time Being ‘Framewoven' (album Hidden Structures) https://time-being.bandcamp.com/album/hidden-structures video 01.01.14 locile ‘Dusk Gale' (album Umbel) https://loscil.bandcamp.com/album/umbel 01.07.59 Hannah Peel & Die Hexen ‘Particle G7' (album Particles In Space) https://hannahpeelmusic.bandcamp.com/album/particles-in-space www.hannahpeel.com 01.14.02 Olga Wojciechowska ‘Ready To Return' (album Infinite Distances) https://olgawojciechowska.bandcamp.com/album/infinite-distances 01.19.15 Subterranea ‘Dungeon Of Scholomance' (album Kingdoms Fall) https://subterranea-witch.bandcamp.com/album/kingdoms-fall 01.24.49 Subterranea 'Sidhe' 01.29.00 Murcof ‘Mungibeddu' (album The Etna Sessions) https://murcofmusic.bandcamp.com/track/mungibeddu 01.35.55 Murcof ‘Valley Del Bove' 01.40.37 Attrition ‘The Promise' (album The Black Maria) https://attritionuk.bandcamp.com/album/the-black-maria 01.42.04 Attrition ‘The Reprisal' 01.45.54 Yetsuby ‘Who Swallow The Chimes At The Random Place' (mini album b_b) https://yetsuby.bandcamp.com/album/b-b 01.50.49 Tangent Universes ‘Delicate Machine' (single) https://tangentuniverses.bandcamp.com/track/delicate-machine 01.59.11 Jaymie Rose Hennegan ‘Changing of The Tide' (album Transition) *** https://vichennegan-ambient.bandcamp.com/album/transition 02.11.20 Mother Mallard's Portable Masterpiece C./David Borden ‘Anatidae -C-A-G-E III' (album Make Way For Mother Mallard: 50 Years of Music) https://cuneiformrecords.bandcamp.com 02.16.57 Mother Mallard's Portable Masterpiece Co./David Borden ‘'The Continuing Story Of Counterpoint Part1' 02.22.05 Enlia ‘Dreaming' (single) https://enlia.bandcamp.com 02.24.23 Electric Blue ‘Eastern Gateway' (album Reflections) https://www.facebook.com/pages/Electronic-Blue-official/903337369693335 02.28.50 Electric Blue ‘Alien Flight' 02.35.49 Ash Ra Tempel ‘Traummaschine' (album Ask Ra Tempel) https://www.groove.nl/shop/ash-ra-tempel-ash-ra-tempel/?v=6cc98ba2045f*** 02.43.32 Orghanon ‘Yonder' (album Future In Motion) https://orghanon.bandcamp.com/album/future-in-motion 02.49.07 Orghanon ‘Replicant (part2)' 02.52.52 s475e ‘Floating In Space' https://s475e.bandcamp.com/album/sn-1 02.59.10 John Gregorius ‘Exaltation' (album Communion) https://wayfarermusicgroup.bandcamp.com 03.02.57 John Gregorius ‘Fertile Soil' 03.07.07 Dieter Spears ‘The Lucid State Of Time' (Single) https://wayfarermusicgroup.bandcamp.com 03.14.02 Klaus Schulze Feat: Steve Jolliffe ‘Miditation/Midiaction' (album Miditation) *** 03.26.30 City Of Dawn & Ross Christopher 'Time Doesn't Count' (album Empty Rooms) https://heartdancerecords.bandcamp.com 03.30.04 City Of Dawn & Ross Christopher ‘Backing Within Mirrors' 03.33.33 Centre Of Attention ‘We All Grow' (EP Nostalgia) https://eitvrecords.bandcamp.com 03.36.28 Eternal Meadows ‘Winds Among The Trees' (EP Bloom) https://eitvrecords.bandcamp.com 03.39.41 Eglerion 'Lost Along The Way' (mini EP Lost Along The Way) https://valleyviewrecords.bandcamp.com 03.43.55 Kate Jaconello ‘Evolve' (single) http://katejaconello.com/ Edit ***

In this week's episode of Sync Music Matters I'm talking to multi award winning composer, artist and producer Hannah Peel Last year Hannah Peel won the Ivor Novello Best TV Soundtrack award for her score to Sky's Midwich Cuckoos starring Keely Hawes. Having previously won awards with the Royal Television Society and Music Producers Guild She was Nominated for an Emmy for work on the documentary Games of Thrones - The Last Watch and is a regular collaborator with Paul Weller She is currently collaborating with Anne Nikitin. Also dabbles in a bit of theatre including productions at Sadler's Wells and as if that weren't enough, she also presents the BBC radio 3 show Night Tracks Often inspired by the connections between science and music, her solo record career includes the shortlisted 2021 Mercury Music Prize electronic album, Fir Wave; 2016's Awake But Always Dreaming, which became an ode to her grandmother's mind as she lived with dementia; and connecting our brain neurons to stars in our solar system, the space-themedMary Casio: Journey to Cassiopeia, scored for synthesisers and a 30 piece colliery brass band. A regular collaborator with Paul Weller, in 2018 she conducted and wrote all the orchestral arrangements for his shows at London's Royal Festival Hall and contributed to his new no.1 album ‘On Sunset'. A year later Peel composed and recorded the soundtrack for Game of Thrones: The Last Watch which earned her an 2019 Emmy nomination for ‘Outstanding Music Composition For A Documentary Series Or Special (Original Dramatic Score)'. Hannah Peel Website Jim Hustwit is a music producer and composer specialising in trailer music, production music and music for TV ads

The F-List for Music founder Vick Bain speaks on the appointment of new president Hannah Peel and what the future holds for the organisation.

Award-winning artist, composer, and producer Hannah Peel discusses her career so far and becoming president of The F-List.

Brought to you by the Spirit of Christmas past, this installment of the seasonal "Songs in the Key of...Christmas" series was recorded last year - but too late for Christmas. Artists featured for this episode of festive music include Simon and Garfunkel, Saint Etienne, Hannah Peel and, of course - and at last - the mighty Half Man Half Biscuit.Don't forget, once you've listened to the podcast, head over to Spotify to hear the songs in full.

For more than two decades, Sharon Osbourne has been a regular feature on our screens. She came to prominence while appearing with her husband Ozzy on The Osbournes - a reality television show on MTV, which followed the family's daily life. She later became a talent show judge on television programmes such as the X Factor and America's Got Talent. She joins Anita Rani to discuss her forthcoming theatre show - Sharon Osbourne - Cut The Crap! - in which she promises to reveal all about some of the hardest years of her eventful life. The Royal College of Nursing (RCN) is warning of a growing mental health crisis amongst nursing staff, as its membership support line data shows a substantial increase in the number of nursing staff seeking help for having suicidal thoughts. We hear from Hannah - a nurse currently working in the NHS - and Stephen Jones, the Lead for Mental Health at the RCN to unpick what lies behind this increase. Dr Shani Dhanda is a disability inclusion & accessibility specialist, social entrepreneur and broadcaster. This month she was named the UK's most influential disabled person by the Shaw Trust as part of the Disability Power 100 nominated by the public and judged by an independent panel. Shani is also an Ambassador for disability charity Scope. The Autumn Statement was controversial in its announcements affecting sick and disabled people, with the Government claiming their changes would support more people into work and campaigners and some professionals saying they could make the situation worse. Shani joins us to give her take, but also to discuss her life. Women composers for the film, TV and gaming industries are rare; this month a report, Female Professionals in European Film Production 2023 revealed only 10% of European film composers are women; and in this year's GameSoundCon Game Audio Industry Survey, women game composers and sound designers made up only 15% of the talent. Anita discusses what can be done to reduce the gender gap in the media music industry with the composers Hannah Peel and Bishi. Presenter: Anita Rani Producer: Kirsty Starkey

In celebration of Delia Derbyshire Day 2023 and the 60th Anniversary of the Doctor Who theme, Caro C is joined by fellow devotees Mark Ayres, David Butler and Cosey Fanni Tutti to discuss the Delia Derbyshire Day archives and the importance of her contributions to the development of electronic music.Chapters00:00 - Introduction01:26 - Delia Derbyshire ArchiveMark Ayres03:15 - Mark Ayres Introduction 07:44 - The Beginnings Of Electronic Music10:12 - Electronic Sound Sources13:10 - The Delia Derbyshire Archives18:40 - Favourite Piece - The Makeup Tape Of Blue Veils22:21 - The Future Of The ArchivesDavid Butler24:38 - David Butler Introduction28:59 - The Contents Of The Archives33:17 - Building A Network Of Collaborators35:03 - Methods And Techniques Revealed36:59 - Manipulating The Voice39:05 - Favourite Piece - Two Houses And Demo Cue Cosey Fanni Tutti41:42 - Cosey Fanni Tutti Introduction 43:42 - Delia Derbyshire Musical Influences45:24 - A Background In Physics48:50 - Favourite Piece - Amor Dei53:34 - The Importance Of The Archiveshttps://deliaderbyshireday.com/dd-archive/Delia Derbyshire BiogDelia Derbyshire (1937-2001) was a key figure in the development of electronic music in the UK. Born in Coventry but evacuated to Preston during the Blitz, Delia cites the sound of air raid sirens as inspiring her interest in electronic sound. She went on to study Maths and Music at Cambridge University and launched her career at the BBC in 1960 as a trainee Studio Manager. She moved to the Radiophonic Workshop in 1962, where she spent the next 11 years developing experimental sounds and music for their TV and radio shows, in addition to working as a freelancer on film, theatre and other live projects. Her most famous work is her electronic arrangement of Ron Grainer's Doctor Who theme, created in 1963.Delia composed and produced electronic music using tape, plus early synthesis and sampling methods before specific instruments were created for these purposes. Her work has influenced and inspired many modern artists including The Chemical Brothers, Aphex Twin, Portishead, Nainita Desai, Amon Tobin and Cosey Fanni Tutti, while Pink Floyd, Orbital and Hannah Peel have reinterpreted her work.Mark Ayres BiogMark Ayres is a composer, arranger, sound designer, mixer and mastering engineer. Mark wrote incidental music for Doctor Who in the 1980s. More recently he wrote the music for, sound-designed and mixed the reconstructed 'lost' Tom Baker adventure, “Shada”, and a celebratory feature length version of the original 1963 “Daleks” serial transmitted on BBC4 on 23rd November 2023, Doctor Who's 60th birthday. He has also composed for television and film including scores for 1996 feature "The Innocent Sleep" and the more recent "Scar Tissue".Mark was involved in the BBC Radiophonic Workshop's final days and went on to become their archivist. A personal friend of Delia Derbyshire, he was entrusted with her personal archive after her death in 2001, which is now on permanent loan to the University of Manchester John Rylands Library and accessible for study. He is a Trustee of the Delia Derbyshire Day Charity.His devotion to the Workshop after Doctor Who ceased broadcasting in 1989 proved vital in regenerating interest in their work, and he is now the driving force behind their live revival on the festival circuit and in the creation of new works including the score for Matthew Holness' disturbing psychological horror film, "Possum". He has produced and mastered many recordings for Silva Screen Records and others, and his work remastering classic television programmes including Doctor Who, Quatermass, and the films of Ken Russell and Alan Clarke for broadcast, DVD and Blu-ray, including 5.1 remixes of many titles, has been highly acclaimed.David Butler BiogDavid Butler is a Senior Lecturer in Drama and Film Studies at the University of Manchester. He helped to bring the Delia Derbyshire Archive  to the John Rylands Library, Manchester in 2007 and is one of the archive's lead researchers and curators. David is the chair of trustees for Delia Derbyshire Day and helped set up the charity in 2016.Cosey Fanni Tutti BiogCosey Fanni Tutti is a musician and writer, best known for her part in experimental electronic bands Throbbing Gristle and Chris & Cosey. Cosey interacted with the Delia Derbyshire Archive when she composed the soundtrack for Caroline Catz's film 'Delia Derbyshire: The Myths And The Legendary Tapes' and in the writing of her book Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti published by Faber in 2022.https://www.coseyfannitutti.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

Sleep science pioneer Nathaniel Kleitman descended into a cave in 1938 to investigate the nature of our sleep cycle. The experiment was not a success. And while it may not have yielded much evidence - a thrilling news report detailing the subterranean sleep project caught the public imagination. It's one of the stories told in a new book by Kenneth Miller tracing the history of research into sleeping patterns and the impact of sleep deprivation which takes in figures including Pavlov, Joe Borelli, William Dement and Mary Carskadon. John Gallagher talks to Kenneth Miller and to - Dr Diletta da Cristaforo about how contemporary writers are dealing with our fraught relationship with a good night's sleep. Professor Sasha Handley is an expert in the approach to sleep of early modern people - and we consider if they have any tips to help us now. Dr Emily Scott Dearing discusses Turn it Up - a new exhibition at the London Science Museum which explores the soothing sounds - and surprising power of the lullaby. Producer in Salford: Kevin Core Radio 3's evening programmes include Night Tracks and Night Tracks mixes presented by Sara Mohr-Pietsch and Hannah Peel, Unclassified on Thursday evenings with Elizabeth Alker and six hours of music Through the Night - all available to listen at any time on BBC Sounds Mapping the Darkness by Kenneth Miller is out now Dr Diletta de Cristofaro is an Assistant Professor at Northumbria University and is working on a project Writing the Sleep Crisis https://www.writingsleep.com/ Sleeping Well in the Early Modern World is a project run at Manchester University by Professor Sasha Handley https://sites.manchester.ac.uk/sleeping-well/ It includes a series of public events at Ordsall Hall near Salford Quays. Turn it Up an exhibition about music which was at Manchester Science Museum opens in London's Science Museum and includes a section about sleep and music. The BBC Philharmonic Concert at Bridgewater Hall on Saturday October 28th takes us from dawn to dusk in a programme of music by Finnish composers and in London on the same evening Hannah Peel presents a 4 hour concert of Night Tracks Live at Kings Place. Both will become available on BBC Sounds and broadcast on Radio 3. You can find a Free Thinking Festival lecture about the need to sleep from Professor Russell Foster available on BBC Sounds https://www.bbc.co.uk/programmes/b08hz9yw

In this Film Ireland podcast, Gemma Creagh talks to event organiser Tim Burden about From The Quiet Man to The Quiet Girl – An Irish Film Music Journey, a celebration of Irish film music, and the role played by music in telling the great stories of Irish cinema over the past 100 years at Belfast's iconic Strand Arts Centre. Followed by Pius Ojo talking to Composer Sarah Lynch, who features among the panel of speakers at the event. From The Quiet Man to The Quiet Girl – An Irish Film Music Journey takes place on Thursday, 26 October 2023 as part of the Belfast International Arts Festival. https://belfastinternationalartsfestival.com/event/from-the-quiet-man-to-the-quiet-girl-an-irish-film-music-journey/ Join top award-winning composers from the Screen Composers Guild of Ireland and host Hugh Odling-Smee (Film Hub NI) as they explore seminal Irish films, and how their scores reflected the culture of the day. Featuring the music of Stephen Rennicks, John Williams, Mark Gordon, James Horner, Sarah Lynch, Elmer Bernstein, Cater Burwell, Van Morrison, Henry Mancini, Hannah Peel and Glen Hansard. https://filmireland.net/

Bristol-based musician and songwriter Hazel Mills talks us through her impressive career, from working as a touring session musician, being a member of the Will Gregory Moog Ensemble, working with UDO Audio and releasing her debut solo E.P.Chapters00:00 - Introduction01:30 - Working As A Keyboardist 03:12 - MIDI Controller Of Choice04:04 - Live Arrangements And Sounds 09:36 - Working With A Musical Director10:56 - Collection Of Synths12:04 - Getting Onto This Path16:22 - Synth Secrets Series18:23 - Will Gregory Moog Ensemble24:28 - Releasing A Solo E.P.31:55 - Working With UDO Audio34:42 - Future ProjectsHazel Mills BiogHazel Mills is a Bristol-based musician/songwriter who has toured the globe across multiple genres, with artists including Florence + The Machine, Dave Rowntree (Blur), Goldfrapp, Birdy, Hannah Peel and The Will Gregory Moog Ensemble. Her Classical background, pop sensibilities and passion for 1960s American minimalism and analog synths feed into both her performance and her writing. Alongside her touring commitments, Hazel has been writing material for her own forthcoming project, Violaine, with long-term collaborator and producer/musician TJ Allen (Bat For Lashes, Portishead, Anna Calvi). The music of Violaine evolved from her former post-punk band, Adding Machine and also draws influence from Musique Concrete, 80s pop and the music of Japanese pianist Ryuichi Sakamoto.https://www.hazelmills.com/https://www.willgregorymoogensemble.co.uk/Instagram: @hazelmillsX: @hazelmillsTikTok: @hazelmillsmusicYouTube: @hazelmillsmusicFB: @hazelmillsmusicCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

Obituary - Hannah Peel - Vanya - Marina Abramovic

Composer and producer Hannah Peel and pianist Keelan Carew consider the soundtrack for one of the most famous scenes in cinema, and they take us to Venice where Visconti famously used a celebrated atmospheric Mahler composition for one of his films. Cerys Matthews and Jeffrey Boakye also bring us a track by one of the most successful pop acts of all time as they add five more tracks to the playlist. Producer Jerome Weatherald Presented, with music direction, by Cerys Matthews and Jeffrey Boakye The five tracks in this week's playlist: Pump Up The Jam by Technotronic The Murder by Bernard Herrmann Symphony No.5; IV Adagietto by Gustav Mahler Crazy in Love by Beyoncé (ft Jay-Z) Don't Give Up On Us by David Soul Other music in this episode: The Four Seasons: Summer by Antonio Vivaldi, played by Nigel Kennedy Spring in Buenos Aires (for piano), by Ástor Piazzolla, played by the Zürcher Klaviertrio Quadrophonia by Quadrophonia Good Life by Inner City Aquamarine by Lone Move Your Body by Marshall Jefferson Symphony No.10 in E Minor: Allegro by Dmitri Shostakovich Are You My Woman (Tell Me So) by the Chi-Lites Love on Top by Beyoncé

Season 20 Episode 7: Special “Music from Soundtracks” Episode!   Asteroid City 1. Last Train to San Fernando - Johnny Duncan 2. Freight Train - Chas McDevitt Skiffle Group Poker Face 3. Charlie's Theme - Pellea 4. Six Foot Down - Gene Ski 5. Blues Run the Game - Jackson C. Frank John Denver: Country Boy 6. Take Me Home, Country Roads - John Denver The Worst Person in the World 7. Waters of March - Art Garfunkel One More Time 8. Yours to Keep (acoustic version) - Myie Rogue Agent 9. Just Like Heaven - Hannah Peel Cold Feet 10. Just Like Honey - Hannah Peel Fleishman is in Trouble 11. Wise Up - Aimee Mann Little America 12. Come On Home - The Lijadu Sisters Lord of War 13. Mama Africa - Young Bakuba Band Masters of Sex 14. You Don't Know Me - Lizzy Caplan   This episode features a clip from NPR's Fresh Air where film critic Justin Chang reviews Asteroid City, and also a brief clip where Taffy Nivert talks about the origin of Take Me Home, Country Roads from John Denver: Country Boy.

Marta ~*Playlist: Tiny Leaves - RespairTewksbury - The Great AukGia Margaret - CicadasAkira Kosemura - vi (almost equal to) ixErland Cooper, Marta Salogni - SkreevarAnna Phoebe - Light on Waves (Slow Meadow rework)Hannah Peel, Mari Samuelsen - SignalsVanbur - Falling ColourSigur Ros - BlodbergLibrary Tapes, Julia Kent - Through Glassrespectfulchild - TimeKaitlyn Aurelia Smith - Mt BakerClariloops - Break the CycleBrendan Eder Ensemble - #3 (Rhubarb)Marco Parisi - PureMichael Peter Olsen - Cloud ParadeShn Shn - GrowthLuke Requena - Sleepwalking SeagullKilometre Club - EndDaigo Hanada - In the Wind (Moshimoss Rework)Juliana Barwick - Star RayHamu - With Distance We GrewLutes Jennings - during a lunar year, I became invisible

We're back! Did you miss us? We missed you....and what a belter of a guest we've got to kick start this new series. It's none other than newly crowned Ivor Novello winning composer, artist, producer and broadcaster Hannah Peel.Hannah is truly hot right now with a plethora of awards and nominations to her name. She is a critically acclaimed film, tv and theatre composer - her Ivor was awarded for her score for The Midwich Cuckoos. She is an artist in residence at Kings Place where she will be curating a number of concerts over the next year and is also about to embark on a tour of her Mercury nominated album Fir Wave......oh and just as a side note she happens to present the hugely popular Radio 3 show Night Waves.Seb and Verity met Hannah back in April, the morning after press night for Dancing at Lughnasa at the National Theatre (scored by Hannah) and the announcement of her Ivors nomination. Her excellent level of chat post party highlights what a true pro she is! Conversation covers writing for television and theatre, composing Fir Wave during lockdown and now touring it - something she never expected to happen. Hannah also talks about her upcoming fully improvised concert with percussionist Beibei Wang - an anxiety dream situation for Verity and potentially quite stress inducing for Hannah! They talk about getting a work/life balance and how there needn't be one path into the music profession.You'll all be delighted to know there is also a smattering of dog chat......Huge thanks to Robert Simmons who has edited this episode while Seb is off treading the boards.To get tickets for Hannah's performance with BeiBei Wang at Kings Place click here; https://www.kingsplace.co.uk/whats-on/contemporary/hannah-peel-beibei-wang/Find out more about Hannah on her website; http://www.hannahpeel.com/You can follow Three In a Bar on Instagram @threeinabarpodhttps://www.instagram.com/threeinabarpod/We are on Twitter @threeinabarpod https://www.twitter.com/threeinabarpodAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.comSUPPORT THREE IN A BAR ON PATREONJoin our Members' Club for a bonus podcast feed plus many more rewards.Click here: https://www.patreon.com/threeinabar Click here to join the Members' Club on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Phil Selway, Hannah Peel, Valentina Magaletti, and Errollyn Wallen discuss how to progress from a blank page to a room full of musicians, navigating barriers to development, and balancing the various demands of being a musician. Phil Selway grew up in Oxfordshire and met his Radiohead bandmates at school. They formed the band in 1985 and released their debut album Pablo Honey in 1993. They've released nine studio albums to date. Phil's debut solo album, Familial, came out in 2010, and he recently released his third solo album Strange Dance. Hannah Peel is a Mercury Prize and Emmy-nominated composer, musician, artist and broadcaster. Her music is primarily electronic and often includes classical scoring and sound design, with references to the links between science, nature and music. As well as solo releases, she has also composed soundtracks and collaborated with artists such as Paul Weller, John Foxx and Phil Selway. Valentina Magaletti is a drummer, composer and multi-instrumentalist, with an inventive approach to drums and percussion. She moves effortlessly between the seemingly disparate worlds of alternative and mainstream music. She's played with artists such as Jandek, Mica Levi, Sampha, Kamasi Washington, and Nicolas Jaar. Errollyn Wallen is a multi award-winning Belize-born British composer and performer. Her output includes 22 operas and a large catalogue of orchestral, chamber, and vocal works. She composed for the opening ceremony of the 2012 Paralympic Games and for the climate change conference COP26. In 2020, she was awarded a CBE for services to music.

Tria el recorregut. El moment

The Human Seasons est un album d'improvisation musicale et sonore entre le pianiste argentin Gustavo Beytelmann et le DJ producer Philippe Cohen Solal. Titre d'un célèbre poème de John Keats et métaphore des quatre saisons de notre existence, il est question aussi de la vie que nous improvisons au jour le jour. Ici, l'acoustique et l'électronique dialoguent dans un ping-pong musical inédit. Les 2 musiciens se croisent au fil des saisons humaines, entre "field recording" et "spoken word", pour délivrer une performance instrumentale tantôt sereine tantôt puissante. La panne informatique est la hantise des musiciens de l'univers électronique. De l'une d'elles, survenue un soir d'été de 2006 lors d'un concert de Gotan Project, est né un des disques les plus singuliers et novateurs du paysage musical actuel : The Human Seasons, un exercice d'improvisations entre le piano de Gustavo Beytelmann et la palette de sons du DJ producteur Philippe Cohen Solal.   Tous deux étaient sur scène ce soir-là, à Caserte, près de Naples, au Belvédère de San Leucio, un palais où fut menée au XVIIIe siècle une expérience pionnière de socialisme utopique. Quand le son s'est arrêté, "c'était la panique", se souvient Gustavo Beytelmann, le pianiste argentin lié, en studio comme sur scène, au groupe de tango-electro-dub. Un mot célèbre de Jean Cocteau résume la situation : "Puisque ces mystères nous dépassent, feignons d'en être les organisateurs". Gustavo rejoint son piano et, en attendant le dépannage, se lance dans une improvisation. Philippe Cohen Solal, aux platines, reprend la balle au bond et ajoute des sons, au feeling. Les ordinateurs retrouvent enfin leurs esprits et le programme reprend. Les musiciens respirent, ils l'ont échappé belle. Et le public n'a rien su de l'incident : il a perçu l'intermède comme partie du spectacle. "C'était inattendu et assez magique", dit aujourd'hui Philippe. "Et nous avons eu l'intuition qu'on pouvait aller plus loin sur ce chemin". Gotan Project reprendra d'ailleurs, de temps à autre, en concert, le principe de la double impro piano-platines. Plus de dix ans passent. Un matin, Philippe Cohen Solal écoute sur France Culture Les Chemins de la Philosophie. L'émission d'Adèle Van Reeth est consacrée à l'improvisation. Les souvenirs de Caserte reviennent. Et avec eux l'envie de rejouer, dans les mêmes conditions, mais en studio. Juillet 2021, les deux complices se retrouvent à Villetaneuse, près de Paris, dans l'ancien studio Vogue. "Toute improvisation implique une mise en danger", explique le producteur. "Pour partir tout de même sur une base stable, j'ai pensé au cycle des saisons, et à ce poème de John Keats qui les associe à la vie humaine. C'est un thème classique, presque banal, mais qui me semblait pertinent avec notre projet : nous improvisons tous notre vie". Avant de se lancer dans l'aventure, Philippe Cohen Solal choisit des sons de la nature, des chants d'oiseaux, des extraits de dialogues de films. Et demande au comédien anglais Christopher Ettridge d'enregistrer The Human Seasons, le bref poème de John Keats. Qui n'a pas connu beaucoup de saisons : il est mort jeune, de tuberculose, il y a juste 200 ans. "Nous n'avons pas théorisé avant d'entrer en studio", affirme Gustavo Beytelmann, le vieux sage argentin, Parisien d'adoption depuis 1978. "Nous sommes partis sans feuille de route fixée au préalable. Les 45 minutes du disque sont exemptes de rhétorique pianistique. Et de virtuosité aussi : ce projet ne nécessitait pas de montrer ses muscles". Philippe Cohen-Solal ajoute : "La seule indication que j'ai donnée à Gustavo, c'était de penser aux saisons en écho à son expérience, à ses souvenirs." Si la connivence entre les deux musiciens est née dans Gotan Project, la musique de Buenos Aires est absente de The Human Seasons. "Ce n'était pas dans le cahier des charges", note Philippe. "Pas plus que le jazz, un autre univers familier à Gustavo. Ni lui ni moi n'avons rien recyclé, nous sommes sortis des registres pour lesquels on nous connaît". Le Printemps ouvre le cycle avec des chants d'oiseaux, le piano prend son envol associé à la musicalité des vers de Keats, avant que les violons, sous la forme d'un sample, n'interviennent, écho d'un bal dont le souvenir ressurgit à l'improviste. L'été évoque la latinité : c'est une habanera qui dérive en dansant vers Cuba, rythmée par ce qu'on jurerait être un güiro, cette calebasse des Caraïbes striée et grattée avec une baguette. Erreur, dévoile Philippe Cohen Solal : c'est encore un chant d'oiseau, fondu à la stridulation d'un grillon. Sensualité d'un dialogue en italien, rumeur des vagues, la percussion d'un pivert sur un tronc d'arbre : décidément, les volatiles ont la part belle. L'automne arrive avec la pluie, chaque goutte comme une note de piano. Une femme nous parle dans une langue inconnue : c'est la voix suédoise d'Ingrid Bergman dans Sonate d'Automne d'Ingmar Bergman. L'hiver survient avec sa rigueur, le souffle du vent glacé, puis une atmosphère en apesanteur et le feu qui crépite dans la cheminée. Dernier vers de Keats, que les Anglais appellent "le poète de la lenteur et du silence". Il est mort en hiver. Il faut un moment pour émerger de cette méditation sur la vie, ses plaisirs et ses peines. L'harmonie qui se dégage de l'ensemble ne renvoie pas à l'idée d'improvisation la plus communément admise. On est loin des jam sessions des jazzmen, à l'énergie brute. The Human Seasons est à l'opposé, porté par une énergie sereine, sans dissonances. Gustavo Beytelmann le revendique : "Je suis entré en studio avec l'idée qu'il était interdit d'être non-mélodieux, car nous vivons à l'intérieur d'un monde qui chante."   Biographie des artistes Gustavo Beytelmann, pianiste et compositeur, est une figure majeure du tango argentin. Sa carrière, en tant que musicien et compositeur, est une somme de pages brillantes. Il a travaillé avec Astor Piazzolla, Juan José Mosalini, il a accompagné dans plusieurs tournées le groupe Gotan Project, et, encore très jeune, il fut choisi pour accompagner la tournée argentine de Duke Ellington. G. Beytelmann a composé de pièces pour le cinéma, de nombreuses œuvres de tango, et depuis 1996, il dirige la section Tango du Conservatoire de Rotterdam, aux Pays-Bas.   Depuis plus de trois décennies maintenant, Philippe Cohen Solal a fait sa marque en tant qu'architecte de musique électronique et compositeur autodidacte, ayant travaillé dans de nombreux domaines différents de la production musicale : de A&R aux musiques de films, en passant par le DJing et la réalisation de disques.  Il a découvert Keziah Jones et a présenté Zazie à Mercury, avant de fonder son propre label Ya Basta Records en 1996, où il signera Féloche et David Walters. Il a co-fondé Gotan Project, un équilibre ambitieux entre musique électronique et tango. Le groupe a vendu plus de quatre millions d'exemplaires à ce jour dans le monde et a joué plus de 450 concerts de Rio à New York, Montreux et Tokyo, sans oublier certains des sites les plus prestigieux au monde.  Philippe a également produit Talé, album de la voix dorée de l'Afrique, Salif Keita, et a collaboré avec différents artistes comme Angelique Kidjo, Keziah Jones, Horace Andy, Chassol, Adrien Brody, Roberto Fonseca, Laurent Voulzy, Camelia Jordana... Son avant-dernier opus Outsider, inspiré par l'artiste brut américain Henry Darger a été enregistré entre Londres et L.A, avec des partenaires de choix : Mike Lindsay (Tunng), Hannah Peel et Adam Glover.  Ce projet trans-média (court-métrage, podcasts, vidéos,...) a été célébré par la presse internationale et fera l'objet d'un spectacle en 2022.  Titres interprétés - Hiver, Live RFI - Automne, extrait de l'album The Human Seasons - Été, Live RFI Musiciens - Gustavo Beytelmann, piano - Philippe Cohen Solal, machines, ordinateur Son Benoît Letirant et Mathias Taylor Playlist - Horacio Salgan Orquesta A Fuego Lento choisi par Gustavo - Veronika Silva Dona Ubenza choisi par Philippe - Charlie Mingus Goodbye Pork Pie Hat (theme for Lester Young) choisi par Gustavo - Cristobal Tapia de Veer Pineapple Suite choisi par Philippe. (Rediffusion du 6 mars 2022)

ANOHNI, Hannah Peel, Hayden Thorpe and Purity Ring's Megan James discuss questions including what their music might sound like in an alternate universe. Hayden Thorpe is the frontman from the now disbanded Wild Beasts, and has moved to the north of England where his solo albums are inspired by the nature that surrounds him. UK-born singer, songwriter, and visual artist ANOHNI has had an eclectic career as a solo artist and as a member of the Mercury Prize-winning Antony and the Johnsons. She's also been nominated for an Academy Award, and creates thought-provoking music that ask questions of those in power, gender imbalances, and climate change. Megan James is a member the duo Purity Ring. Formed in Edmonton, Canada, they are known for their crystal clear synth sounds, hypnotic melodies, and corporeal, metaphorical lyrics. Hannah Peel is a composer, producer, and radio broadcaster born in Northern Ireland and raised in the North of England. Her music explores electronic, classical, and traditional sounds, and is often inspired by science and nature.

The Unfolding is an extraordinary eight-part collaboration between Mercury and Emmy-nominated Northern Irish composer Hannah Peel, Paraorchestra, and Charles Hazlewood, recorded in precious morsels of time around the global pandemic. There are pieces of music that seek to tell us deeper stories. Others harness the talents of the players at their disposal in adventurous ways.Purchase the music (without talk) at:The Unfolding (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Welcome to a special edition of the show recorded live at the bluedot music festival. On the panel are New Scientist journalists Rowan Hooper and Abby Beall, along with Emmy-nominated composer Hannah Peel and geoscientist and broadcaster Chris Jackson.With the awesome Lovell radio telescope dominating the sky above the festival, this episode begins with astronomy news, and in particular stories from the James Webb Space Telescope - including its mission to look at the atmosphere of rocky planets in the search for extraterrestrial life. There's also a nod to the late great James Lovelock, who has died at the age of 103.The panel brings their stories of joy and hope. Abby brings news of the saving of a research centre for intelligent birds. Chris marvels at an impressive global geological event which highlights the power of collaboration. Hannah dreams up a story about “nanoskin” which happens to be very similar to a real story we reported. And Rowan comes with the news that chimps have been found to treat each other using medicinal insects.The panel discusses the ethics and possibilities of brain organoid research. These are tiny human brains grown in a lab, which have recently been shown to give off brain waves equivalent to those seen in fetuses. The whole team is gifted with an imaginary $100 million, and asked how they'd use it to save the world. Rowan wants to refreeze the Arctic. Then there's a vibrant Q&A session with the audience. And for the boy who asked about brain organoids playing Pong, here's the story.InsideTracker: insidetracker.com/NewScientistHow We're Wired from The Bertarelli FoundationNew Scientist Live event: newscientist.com/nslbd See acast.com/privacy for privacy and opt-out information.

This week on the Yellow Brit Road, we talked awards, because your friendly neighbourhood Yellow Brit Road was an honourable mention at this year's National Campus and Community Association annual awards for alternative and indie music! We also talked about live gigs, and the latest collaboration between musician Hannah Peel and Bristol-based Paraorchestra, the world's first orchestra made up of disabled and non-disabled musicians, playing traditional and assistive instruments. Setlist: Muse Rina Sawayama Aoifa Nessa Frances Gwenno black midi Kiwi Jr. Weird Nightmare Hannah Peel & Paraorchestra Mr. Jukes & Barney Artist Watch The Ride, Nia Archives Gogol Bordello Find this week's playlist here. Do try and support artists directly, all Bandcamp links above are 100% fresh and ethically sourced. x Do touch that dial and tune in live! We're on at CFRC 101.9 FM in the Kingston area, or on cfrc.ca, Sundays 8 to 9 PM! (Full shows are available in the archive for 3 months from release) Get in touch with the show for requests, submissions, giving feedback or anything else: email yellowbritroad@gmail.com or tweet @YellowBritCFRC. PS: submissions, cc music@cfrc.ca if you'd like other CFRC DJs to spin your music on their shows as well. --- Send in a voice message: https://anchor.fm/yellowbritroad/message

This week on Lost and Sound, Hannah Peel, Mercury 2021 shortlisted artist, composer, producer and late night broadcaster chats with Paul about creativity, inspiration, the importance of finding a balance, Delia Derbyshire, the theramin ban on her score for the new TV adaptation of The Midwich Cuckoos and so much more. The Midwich Cuckoos score is out now via Invada Records. Catch Hannah presenting Night Tracks on BBC Radio 3 .Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity PressLost and Sound title music by ESOwww.lostandsoundpodcast.com

From mariachi trumpets to calypso and ragtime, Cerys Matthews and Jeffrey Boakye continue the musical journey of discovery. Saxophonist Soweto Kinch and composer Hannah Peel help create this week's playlist, with a special appearance by pianist Richard Stilgoe, and Black music specialist Kevin Le Gendre on the significance of calypso. Presenters Cerys Matthews and Jeffrey Boakye Producer Jerome Weatherald The five tracks in this week's playlist: Ring of Fire by Johnny Cash The Match of the Day theme Brown Skin Girl by Sonny Rollins Abatina by Calypso Rose Jubilee Rag by Winifred Atwell Other music in this episode: Cantaloop (Flip Fantasia) by Us3 Viva Mexico by Mariachi Las Adelitas UK Ring of Fire by Brian Eno (Love's) Ring of Fire by Anita Carter Soul Limbo by Booker T & the MGs Bullseye by London Music Works Brown Skinned Woman by Blind Snooks Eaglin PIMP by 50 Cent Pimp by Bacao Rhythm & Steel Band The Black and White Rag by Winifred Atwell

In the season two finale of The Film Scorer Podcast, acclaimed Northern Irish composer Hannah Peel joins the show! We primarily talk about her score for the new series adaptation of John Wyndham's novel The Midwich Cuckoos (which you may know as The Village of the Damned). It's a supremely cool score, mixing dark, oppressive and gentle soundscape electronics with voice. The most notable aspect of the latter - and the part that sold me on the score immediately - is Hannah's manipulation of her own voice to mimic the sound of cuckoos. In the midst of this, Hannah actually talks about why she thinks experimentations with voice have become more common in recent scores, and we talk a bit about her journey into composing media music as well as the thought that goes into curating a soundtrack release. The Midwich Cuckos is available to watch on Sky in the UK and may be forthcoming elsewhere. Hannah's score, and all of her other music, is available digitally, particularly on BandCamp (with The Midwich Cuckoos being released in conjunction with Invada). You can find out more about Hannah by visiting her website.

Vrije Geluiden tips een vogelconcert! Met werk van componist Henk Doeke Odinga. Maar ook een tip voor een concert door het Shandiz Ensemble in het Luther Museum, en een nieuwe CD met het Kronos Quartet. Fijn slotuur van je zaterdagavond! 23.04 CD portrait of an imperial cantor Johannes Tourout (Passacaille PAS 1124) Johannes Tourout: O florens rosa (oh, bloeiende roos) Cappella Mariana olv Vojtech Semerád 3'34” 23.10 eigen opname componist Henk Doeke Odinga: Kievith Joost van Rheeden (klarinet); Henk Doeke Odinga (piano) 11'16” 23.25 CD A Woman Alone (eigen uitgave z.nr.) Hamid Tabatabaei; Forough Farrokhzad: In het donker Shandiz Ensemble 5'03” https://soundcloud.com/shandizensemble/in-darkness-1 23.34 CD Pelgrim (eigen uitgave z.nr.) Lotte Pen: Entree Lotte Pen [saxofoon] 3'37” 23.39 CD Mỹ Lai (Smithsonian Folkways z.nr.) Jonathan Berger; Harriet Scott Chessman: My Lai - Flight - The Ditch Kronos Quartet, Rinde Eckert [stem], Vân-Ánh Vanessa Võ [trad. instrumenten] 16'10” 23.55 CD LYS (Deutsche Grammophon 00028948620968) Hannah Peel; Erland Cooper: La Luce Mari Samuelsen [viool]; Hania Rani; Dobrawa Czocher; Scoring Berlin olv Jonathan Stockhammer 5'23”

My guest this week is electronic musician, producer and Emmy-nominated composer Hannah Peel We discuss, amongst other things, her most recent work 'The Unfolding', an album she made with the Paraorchestra, which got to number one in the classical album charts a few weeks back. We talk about the making of her Mercury nominated album 'Fir Wave' and about other musicians Hannah has collaborated with over the years, including Ultravox legend, John Foxx. http://www.hannahpeel.com https://hannahpeelmusic.bandcamp.com

RADIO D59B PONOCNI PROGRAM #24 w Dj Brka 1. Roger Eno – Hymn 2. Isik Kural – Film Festival 3. Sven Laux & Logic Moon - You Never Really Knew Me 4. Whatever The Weather - 14°C 5. Current 93 - The Child, and Fire 6. Sarah Neufeld – Stories 7. More Eaze – Crii 8. Claire Rousay – It Feels Foolish to Care 9. Billow Observatory – Stareside 10. Duncan Marquiss - Wires Turned Sideways In Time 11. Širom - Wilted Superstition Engaged in Copulation 12. Mario Batkovic / Cantus Domus Choir – Sanatio 13. SAULT – Heart 14. Sangam – Dark Approach 15. Hannah Peel & Paraorchestra - The Unfolding 16. Olli Aarni - Aallokossa

Photo credit: Tom Zimberoff Ahead of this weekend's Tectonic's festival in Glasgow, Kate Molleson meets the pioneering electronic music composer at the centre of this year's programme, Janet Beat, and learns how the studios she inaugurated at universities in Birmingham and Glasgow – from the late 1950s – blazed trails for future generations. Following a performance of Matthias Pintscher's La Linea Evocativa at Wigmore Hall earlier this week, presenter Tom Service speaks to the American-Canadian violinist Leila Josefowicz about her life making music on the concert stage, her role championing contemporary repertoire for the instrument, and the inspiration she finds in Bach's mighty Chaconne. The composer Hannah Peel and conductor Charles Hazlewood join Tom to discuss their new album, The Unfolding. Written during lockdown especially for the Paraorchestra, the album has shot to number one in the classical music charts, and we hear from the musicians in the ensemble, Hattie McCall-Davies and Lloyd Coleman, as they tour with live performances of the project this spring. And, the composer Michael Zev Gordon tells Tom about his new chamber opera, Raising Icarus, which explores the harm parental expectations and aspirations can have on their children. It's staged by the Birmingham Contemporary Music Group this week.

Tonight's edition features some absolutely fantastic new work from Hannah Peel, Claire Rousay, Floraleda Sacci, Roger Eno, Ryan Teague, Fennesz, Jazzanova and tons more!

Chapters00:31 - Introduction02:16 - Musical Path07:19 - Using Electronic Instruments08:26 - Favourite Synths09:45 - Software and Hardware10:39 - Projects and Nominations14:42 - The Mercury Nomination16:03 - Performing Live17:54 - Combining Electronica And Orchestral20:59 - Composing For The Paraorchestra23:05 - Working With Software and Live Musicians27:20 - Favourite Tools29:58 - Combining Film and TV Work With Album Releases33:47 - The Composing Process40:02 - Learning Production SkillsHannah Peel BiogHannah Peel is a Northern Irish artist, composer, producer and broadcaster. Her solo record career includes the shortlisted 2021 Mercury Music Prize electronic album, Fir Wave; 2016's Awake But Always Dreaming, which became an ode to her grandmother's mind as she lived with dementia; and the space-themed Mary Casio: Journey to Cassiopeia, scored for synthesizers and a 30 piece colliery brass band. A regular collaborator with Paul Weller, in 2018 she conducted and wrote all the orchestral arrangements for his shows at London's Royal Festival Hall and contributed to his Number 1 album, On Sunset.Following her Emmy-nominated score for Game Of Thrones: The Last Watch, Hannah is currently composing the music for Sky TV's 7-part series Midwich Cuckoos and releasing a new album The Unfolding with Paraorchestra. She is also a regular presenter on the BBC Radio 3 show, Night Tracks.www.hannahpeel.comCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album "Electric Mountain" is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This "sonic enchantress" (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

My latest podcast guest - Scottish singer and songwriter, Dot Allison made a welcome return to music in 2021, after taking some time out to raise a family, with the beautifully brilliant Heart-Shaped Scars - an album which included "Very special thanks" to a wide variety of people including our podcast subject matter - Paul Weller! Her new album featured in Paul's list of favourites from 2021, and also has a few stunning string arrangements & conducting from Weller alumni (and Podcast Episode 57 guest) Hannah Peel, which is another lovely connection that we dig into during our chat. Our podcast conversation hears how she first connected with Paul via a text out of the blue... "‘I'm with Bobby Gillespie. He's given me your number. He says you're good, do you fancy writing a song together?" and the collaboration that followed was a song called Love's Got Me Crazy - recorded at Black Barn Studio (Paul Weller HQ) for Dot's album Room 7½ in 2009. We also dive into her career, her return to music, we talk nature (and human destruction) and so much more... You can find more info on Dot's music in my show notes at paulwellerfanpodcast.com/episode-92-dot-allison Thanks for listening - make sure that you subscribe / follow and leave a review - and if you want to support the podcast financially, you can buy me a virtual coffee (£3) or our new official merchandise at paulwellerfanpodcast.com/store

This is Episode 37 of ‘To Etherea and Beyond'. The show broadcasts on Harrogate Community Radio at 9am this Sunday 1st May, and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond Titled ‘Melanchonica and other moods', the show features music by: The Smile, Slowglide, Kikagaku Moyo, Ishmael Ensemble, Disassembler, Jenny Hval, Roller Derby, 6TH CROWD, Hannah Peel, Oh Hiroshima, Greg Haines, Deserta, Secret Gardens, Darkfield, Tusks, Max Cooper, Kokomo, El Ten Eleven, Sofsky, Sun's Signature, Fontaines D.C., Duncan Marquiss, A Winged Victory for the Sullen, Brainwaltzera, and bdrmm. This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

As 10 percent of the world's wheat comes from Ukraine, Russia's attack on the country could spark global food shortages. But the team discuss a simple solution to the problem that could have knock-on benefits for climate and biodiversity.In vampire news, the team explains how we may have found the secret ingredient in young blood that causes it to have rejuvenating powers. This comes off the back of a 2012 study which saw old mice rejuvenated fur after being transfused with the blood of the young.Cases of covid are on the rise globally, with China and Hong Kong hit particularly badly. Despite promising weekly declines since January, this new surge in cases is linked to various countries adopting ‘living with covid' plans. As Iceland attempts ‘herd immunity', the team examines the effectiveness of this strategy.A new candidate has emerged for ‘coldest place in the solar system' - where do you think it is? The team explains why this information could be useful for the future of space exploration.Australia has been hit by massive floods, as the country faces yet another assault from climate change. This comes just 2 years after the Black Summer wildfires which caused unprecedented destruction, and even damaged the ozone layer - as the team discovers.And finally composer Hannah Peel, whose work is influenced by science and nature, helps us escape from the mayhem, sharing clips from her new album ‘The Unfolding'.On the pod are Rowan Hooper, Penny Sarchet, Alice Klein and Michael Le Page. To read about these stories and much more, subscribe at newscientist.com/podcasts.For a 20% discount subscription to New Scientist magazine, go to newscientist.com/pod20.For a 50% discount on New Scientist Academy courses, use the code POD50 at checkout at newscientist.com/courses. Offer ends on March 31st. See acast.com/privacy for privacy and opt-out information.

Northern Irish composer Hannah Peel (Mercury Music Prize and Emmy nominee) has come together with the ground-breaking Paraorchestra to create a new album, The Unfolding. For In The Studio, we discover what lies behind Hannah's creative vision: as thoughts of deep time and our shared roots as human beings in the universe swirled around her mind, she found the genesis of the project. We hear how the idea developed out of Hannah's early melodic sketches and how it bloomed from there to celebrate Paraorchestra's progressive approach to what an orchestra should be - mixing analogue, digital and assistive instruments with a unique ensemble of disabled and non-disabled musicians. As the record finally comes out into the world, we discover what it took to record it in morsels of time over three years, in the midst of a global pandemic.

The Human Seasons est un album d'improvisation musicale et sonore entre le pianiste argentin Gustavo Beytelmann et le DJ producer Philippe Cohen Solal. Titre d'un célèbre poème de John Keats et métaphore des quatre saisons de notre existence, il est question aussi de la vie que nous improvisons au jour le jour. Ici l'acoustique et l'électronique dialoguent dans un ping-pong musical inédit. Les 2 musiciens se croisent au fil des saisons humaines, entre "field recording" et "spoken word", pour délivrer une performance instrumentale tantôt sereine tantôt puissante. La panne informatique est la hantise des musiciens de l'univers électronique. De l'une d'elles, survenue un soir d'été de 2006 lors d'un concert de Gotan Project, est né un des disques les plus singuliers et novateurs du paysage musical actuel : The Human Seasons, un exercice d'improvisations entre le piano de Gustavo Beytelmann et la palette de sons du DJ producteur Philippe Cohen Solal.   Tous deux étaient sur scène ce soir-là, à Caserte, près de Naples, au Belvédère de San Leucio, un palais où fut menée au XVIIIe siècle une expérience pionnière de socialisme utopique. Quand le son s'est arrêté, "c'était la panique", se souvient Gustavo Beytelmann, le pianiste argentin lié, en studio comme sur scène, au groupe de tango-electro-dub. Un mot célèbre de Jean Cocteau résume la situation : "Puisque ces mystères nous dépassent, feignons d'en être les organisateurs". Gustavo rejoint son piano et, en attendant le dépannage, se lance dans une improvisation. Philippe Cohen Solal, aux platines, reprend la balle au bond et ajoute des sons, au feeling. Les ordinateurs retrouvent enfin leurs esprits et le programme reprend. Les musiciens respirent, ils l'ont échappé belle. Et le public n'a rien su de l'incident: il a perçu l'intermède comme partie du spectacle. "C'était inattendu et assez magique", dit aujourd'hui Philippe. "Et nous avons eu l'intuition qu'on pouvait aller plus loin sur ce chemin".  Gotan Project reprendra d'ailleurs, de temps à autre, en concert, le principe de la double impro piano-platines. Plus de dix ans passent. Un matin, Philippe Cohen Solal écoute sur France Culture Les Chemins de la Philosophie. L'émission d'Adèle Van Reeth est consacrée à l'improvisation. Les souvenirs de Caserte reviennent. Et avec eux l'envie de rejouer, dans les mêmes conditions, mais en studio. Juillet 2021, les deux complices se retrouvent à Villetaneuse, près de Paris, dans l'ancien studio Vogue. "Toute improvisation implique une mise en danger", explique le producteur. "Pour partir tout de même sur une base stable, j'ai pensé au cycle des saisons, et à ce poème de John Keats qui les associe à la vie humaine. C'est un thème classique, presque banal, mais qui me semblait pertinent avec notre projet: nous improvisons tous notre vie". Avant de se lancer dans l'aventure, Philippe Cohen Solal choisit des sons de la nature, des chants d'oiseaux, des extraits de dialogues de films. Et demande au comédien anglais Christopher Ettridge d'enregistrer The Human Seasons, le bref poème de John Keats. Qui n'a pas connu beaucoup de saisons : il est mort jeune, de tuberculose, il y a juste 200 ans. "Nous n'avons pas théorisé avant d'entrer en studio", affirme Gustavo Beytelmann, le vieux sage argentin, Parisien d'adoption depuis 1978. "Nous sommes partis sans feuille de route fixée au préalable. Les 45 minutes du disque sont exemptes de rhétorique pianistique. Et de virtuosité aussi : ce projet ne nécessitait pas de montrer ses muscles". Philippe Cohen-Solal ajoute: "La seule indication que j'ai donnée à Gustavo, c'était de penser aux saisons en écho à son expérience, à ses souvenirs". Si la connivence entre les deux musiciens est née dans Gotan Project, la musique de Buenos Aires est absente de The Human Seasons. "Ce n'était pas dans le cahier des charges", note Philippe. "Pas plus que le jazz, un autre univers familier à Gustavo. Ni lui ni moi n'avons rien recyclé, nous sommes sortis des registres pour lesquels on nous connaît". Le Printemps ouvre le cycle avec des chants d'oiseaux, le piano prend son envol associé à la musicalité des vers de Keats, avant que les violons, sous la forme d'un sample, n'interviennent, écho d'un bal dont le souvenir ressurgit à l'improviste. L'été évoque la latinité : c'est une habanera qui dérive en dansant vers Cuba, rythmée par ce qu'on jurerait être un güiro, cette calebasse des Caraïbes striée et grattée avec une baguette. Erreur, dévoile Philippe Cohen Solal : c'est encore un chant d'oiseau, fondu à la stridulation d'un grillon. Sensualité d'un dialogue en italien, rumeur des vagues, la percussion d'un pivert sur un tronc d'arbre : décidément, les volatiles ont la part belle. L'automne arrive avec la pluie, chaque goutte comme une note de piano. Une femme nous parle dans une langue inconnue : c'est la voix suédoise d'Ingrid Bergman dans Sonate d'Automne d'Ingmar Bergman. L'hiver survient avec sa rigueur, le souffle du vent glacé, puis une atmosphère en apesanteur et le feu qui crépite dans la cheminée. Dernier vers de Keats, que les Anglais appellent "le poète de la lenteur et du silence". Il est mort en hiver. Il faut un moment pour émerger de cette méditation sur la vie, ses plaisirs et ses peines. L'harmonie qui se dégage de l'ensemble ne renvoie pas à l'idée d'improvisation la plus communément admise. On est loin des jam sessions des jazzmen, à l'énergie brute. The Human Seasons est à l'opposé, porté par une énergie sereine, sans dissonances. Gustavo Beytelmann le revendique : "Je suis entré en studio avec l'idée qu'il était interdit d'être non-mélodieux, car nous vivons à l'intérieur d'un monde qui chante".         Biographie des artistes Gustavo Beytelmann, pianiste et compositeur, est une figure majeure du tango argentin. Sa carrière, en tant que musicien et compositeur, est une somme de pages brillantes. Il a travaillé avec Astor Piazzolla, Juan José Mosalini, il a accompagné dans plusieurs tournées le groupe Gotan Project, et, encore très jeune, il fut choisi pour accompagner la tournée argentine de Duke Ellington. G. Beytelmann a composé de pièces pour le cinéma, de nombreuses œuvres de tango, et depuis 1996, il dirige la section Tango du Conservatoire de Rotterdam, aux Pays-Bas.     Depuis plus de trois décennies maintenant, Philippe Cohen Solal a fait sa marque en tant qu'architecte de musique électronique et compositeur autodidacte, ayant travaillé dans de nombreux domaines différents de la production musicale: de A&R aux musiques de films, en passant par le DJing et la réalisation de disques.  Il a découvert Keziah Jones et a présenté Zazie à Mercury, avant de fonder son propre label Ya Basta Records en 1996, où il signera Féloche et David Walters. Il a co-fondé Gotan Project, un équilibre ambitieux entre musique électronique et tango. Le groupe a vendu plus de quatre millions d'exemplaires à ce jour dans le monde et a joué plus de 450 concerts de Rio à New York, Montreux et Tokyo, sans oublier certains des sites les plus prestigieux au monde.  Philippe a également produit Talé, album de la voix dorée de l'Afrique, Salif Keita, et a collaboré avec différents artistes comme Angelique Kidjo, Keziah Jones, Horace Andy, Chassol, Adrien Brody, Roberto Fonseca, Laurent Voulzy, Camelia Jordana... Son avant-dernier opus Outsider, inspiré par l'artiste brut américain Henry Darger a été enregistré entre Londres et L.A, avec des partenaires de choix: Mike Lindsay (Tunng), Hannah Peel et Adam Glover.  Ce projet trans-média (court-métrage, podcasts, vidéos,...) a été célébré par la presse internationale et fera l'objet d'un spectacle en 2022.    Titres interprétés - Hiver, Live RFI - Automne, extrait de l'album The Human Seasons - Été, Live RFI.   Musiciens - Gustavo Beytelmann, piano - Philippe Cohen Solal, machines, ordinateur. Son : Benoît Letirant et Mathias Taylor.   Playlist - Horacio Salgan Orquesta A Fuego Lento choisi par Gustavo - Veronika Silva Dona Ubenza choisi par Philippe - Charlie Mingus Goodbye Pork Pie Hat (theme for Lester Young) choisi par Gustavo - Cristobal Tapia de Veer Pineapple Suite choisi par Philippe.

Hamish Duff is a talent agent working for First Artists Management (FAM), managing its UK and European business representing composers and music supervisors for film, television, and video games. Its roster includes: Carter Burwell, Vangelis, Craig Armstrong, Rolfe Kent, Anne Chmelewsky, Clark, Hannah Peel, Blanck Mass, Dan Deacon, Emily Rice and many others. FAM recently launched its own record label to further serve the specific needs of its clients. The first release was BBC Back To Life Soundtrack the first release (Joe Wilson of Solomon Grey fame) and the artist debut from rising star Emily Rice. Key FAM roster activity from late 2021: Ivors Best Original Film Score win for Blanck Mass. Mercury nom for Hannah Peel. FAM record label launched Sept. Management signings include Eimear Noone (Ivor nominated 2021), Gazelle Twin and Orbital. Featured at film festivals with soundtrack premieres from FAM clients include Toronto and Venice / composers Alex Baranowski, CJ Mirra, Paul Saunderson. Several client soundtrack debuts at the BFI London Film Festival in October. Oct also saw noms at the World Soundtrack Awards with Benji Merrison winning people's choice. And so much more! Prior to joining FAM, Hamish had his own business, Blue Top Music, providing artist and composer management. He's also worked as a sync consultant, promoter and tour manager. https://www.firstartistsmanagement.com/ https://www.instagram.com/first_artists_management/?hl=en https://twitter.com/FAM_agency https://www.linkedin.com/company/first-artists/ https://twitter.com/bluetopmusic https://www.linkedin.com/in/hduff/ https://www.imdb.com/name/nm5229914/ Get in touch with me via: behindthebusinesspod@gmail.com https://www.dcmusicpublishing.co.uk https://www.instagram.com/dcmusicpublishing https://twitter.com/dannychampion

This is Episode 31 of ‘To Etherea and Beyond' - The last show of 2021. The show features music from Vanishing Twin, The Bernard Lakes, Rival Consoles, pg.lost, Deserta, Robin Guthrie, Daniel Avery, Hannah Peel, Swirlpool, and many more. Please forgive the references to Christmas Day on the show. It broadcasts on the Radio Station on 26th Dec, but I need to upload it here first! :) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Inside this week's episode, Isobel examines the fascinating process of sound synthesis, including what it is, how it was developed, the women who have played a vital role in this technology and then, lastly, how you can start incorporating it into your own music too.Isobel also highlights two contemporary female artists doing interesting things with sound synthesis right now, and all of the music mentioned in this episode of the podcast will be added to our fab new Girls Twiddling Knobs playlist too!Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O'Connor and is a Female DIY Musician Production.EPISODE HIGHLIGHTS{0:00} Intro{03:40} What is Sound Synthesis?{09:11} How/When Did Sound Synthesis Start? {12:05} Female pioneers of Sound Synthesis{14:04} Contemporary Women Making Music with Synths{15:27} New developments in Sound Synthesis{17:33} Best Ways to Start Using Sound Synthesis in your Music{20:33} Episode SummaryListen to the Girls Twiddling Knobs Playlist on Spotify >>A helpful summary of audio synthesis >> Read more about the beginnings of Sound Synthesis >>Read more about the female pioneers of electronic music >>Watch the Sisters with Transistors Documentary >>Watch the Delia Derbyshire docu-drama The Myths and Legendary Tapes >>Find out more about Daphne Oram >>Find out more about Delia Derbyshire >>Find out more about Suzanne Ciani >>Find out more about Laurie Spiegel >>Listen to Episode 22 of Girls Twiddling Knobs with Hannah Peel >>Listen to Episode 34 of Girls Twiddling Knobs with Melody Loveless >>Listen to Georgia's album Seaking Thrills (2020) >>Check out the NESS Research Project at the University of Edinburgh >>Listen to the episode hereListen on SpotifyJoin the Girls Twiddling Knobs Podcast Community here >>Don't be shy - spread the Girls Twiddling Knobs Love

1. Astral Projection - Hélène Vogelsinger 2. Unheard Delia Part 1 - Hannah Peel 3. Un Oiseau - Mount Maxwell 4. The Bottom - Keerd 5. Solar Rise Moog Mother 32 x 2 - Erika 6. Roundelay - The Witching Tale 7. Raum - Tangerine Dream 7:27 8. Nevermore - Ian Boddy 9. I AM NOT MAN - MESHES 10. Telstar- The Tornados 11. The Model - Kraftwerk 12. Dancers - Plaid

We're back with the second episode (of the second series) of Contemplative Podcast in which Matt Emery chats with Matthew Halsall, a Manchester-based jazz musician, trumpet player, and founder of the independent Gondwana Records. Learn all about his new album, Salute to the Sun, his new band, living in Japan, and of course, his very own label. Be sure to also check out the previous episode, where Matt speaks with Hannah Peel.

In case you did not know this, let me restate. In September of last year, a Contemplative Classical community founded by Michael Price said its farewell. It has been active for three years, gathering a strong following for its expertly curated Spotify Playlist and a podcast where Matt Emery has interviewed contemporary musicians across thirteen (now archived) episodes. I quickly swept in to save this vessel, and in November declared the takeover and the revival of Contemplative Classical anew. Today, I am happy to announce the continuation of my commitment to this wonderful endeavour, with the official Series Two of The Contemplative Podcast. But, of course, I can't take all the credit here myself. This would not be possible without the perseverance of Matt Emery, who is the key to all the magic that is behind this show. I am only a publisher. In this new season, Emery has already put together an amazing lineup for the entire year, and today we kick off with the first episode, featuring Hannah Peel. This Irish London-based Emmy-nominated composer, singer, and arranger has worked on everything from documentaries (on “Game of Thrones”) to Netflix Special TV Series (“Kiss Me First”) to music for theatre adaptations (“Brighton Rock”), and the score for The Deceived. She's also collaborated with Spitfire Audio on creating the Music Box free Labs plugin. But I'm getting ahead of myself, and really should let Matt do the introductions. So here it is, without further ado, the first episode of Series Two!

'Shadow in the Cloud' composer Mahuia Bridgman-Cooper is the guest. Plus, Canadian electronic artist Mecha Maiko joins for a new, probably regular segment. Also featuring new music by Blanck Mass, Desire, and Hannah Peel, along with some gems from SOPHIE (RIP) and Marcos Valle & Azymuth.

Here's the full interview with Hannah Peel. Produced by Chalk & Blade. Emmy-nominated and RTS winning composer, with a flow of solo albums and collaborative releases, Hannah joins the dots between science, nature and the creative arts, through her explorative approach to electronic, classical, and traditional music. http://www.hannahpeel.com/about-hannah/ https://www.facebook.com/HannahPeelMusic https://twitter.com/Hanpeel https://soundcloud.com/hannahpeel http://instagram.com/hannahpeelmusic/

This episode was my first foray into podcasting. It was SO good, that I've decided to release it in two sections. This particular episode was produced by Chalk & Blade. Emmy-nominated and RTS winning composer, with a flow of solo albums and collaborative releases, Hannah joins the dots between science, nature and the creative arts, through her explorative approach to electronic, classical and traditional music. http://www.hannahpeel.com/about-hannah/ https://www.facebook.com/HannahPeelMusic https://twitter.com/Hanpeel https://soundcloud.com/hannahpeel http://instagram.com/hannahpeelmusic/  

This is the trailer for the forthcoming 'Creative Women in Tech Podcast,' hosted by BISHI. This series features interviews from Hannah Peel, Laura Kriefman, Lula XYZ, Di Mainstone & Abi Wade exploring their extraordinary cross-disciplinary projects combining music, art & technology at their heart.  Please sign up for our monthly newsletter at WITCiH

Film maker Jeanie Finlay and composer Hannah Peel discuss the Game of Thrones documentary

Friend of the Quietus Hannah Peel pops into tQHQ for a cup of tea and a chat about Barnsely-based cosmic explorer Mary Casio, the challenges of combining brass with synths and chooses all of today's records inspired by the Cassini Probe's death dive into the atmosphere of Saturn. With music by Jo Meek and The Blue Men, Moondog, Hawkwind, Cluster, OMD, Avro Pärt, Edward Artemiev, Tontos Expanding Head Band, plus a track from her new album.