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https://notesonfilm1.com/2025/07/30/thinking-aloud-about-cinema-cinema-rediscovered-2025-wrap-up/ If a week ago we podcast on what we were looking forward to at the CINEMA REDISCOVERED festival, this is the bookend reflecting on what we actually saw. We are once again full of praise for the organisers, the friendliness of the staff at the Watershed, the originality and diversity of the programme, the community aspect, the educational component and the way that it trains young people up to programme and curate and then gives them an opportunity to exercise those skills. Emotional highlights included a reunion of Stephen Frears, Hanif Kureishi and Gordon Warnecke at the MY BEAUTIFUL LAUNDRETTE screening and Stephen Wooley and Julian Temple getting back together to reminisce about Palace Pictures and ABSOLUTE BEGINNERS, which we liked so much we plan a separate podcast on it. We appreciated the mini programs scheduled on single days (Carlos Saura, Maria Luisa Bemberg, Anna Mae Wong) and the longer ones (the AGAINST THE GRAIN: 1980s BRITISH CINEMA, MASUMURA x WAKAO). It was fantastic to be able to see some films at the BRISTOL MEGASCREEN (THE FALL OF OTRAR, DIVA, THE BEAST TO DIE, MANJI). We talk at some length on individual films as well (ROSA LA ROSE, FILLE PUBLIQUE; THEMROC, DESERT HEARTS, ONE POTATO TWO POTATO and others. We praise the way Sheldon Hall designed his talk on films on Channel 4 for this particular audience, including broadcast dates on every film at the festival and under which strand; for Stephen Horne's fantastic, multi-instrument accompaniment to the Anna Mae Wong programme; and the care in curating the introductions to the films, with most speakers understanding that the intro is not about them or their interests but about enhancing the audience's experience and appreciation. The festival left us wishing for a fuller programme the last evening but being left wishing for more is not a bad thing. José Arroyo
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https://notesonfilm1.com/2025/07/18/thinking-aloud-about-film-cinema-rediscovered-2025-preview/ Richard and I are once more excited about the prospect of Cinema Rediscovered, which begins next week on the 23rd and runs right to the 27th at the Watershed in Bristol. This year's is a beautifully balanced programme with directors (Carlos Saura, Maria Luisa Bemberg, Stephanie Rothman, Yasuzō Masumura) and stars (Anna Me Wong) ripe for rediscovery; but also featuring key exemplars of queer cinema (MY BEAUTIFUL LAUNDERETTE, DESERT HEARTS, THE ANGELIC CONVERSATION; ostensibly the first film to feature queer representation in India, BADNAM BASTI (NEIGHBOURHOOD OF ILL REPUTE); black cinema (HANDSWORTH SONGS, THE KILLER OF SHEEP), feminist exploitation cinema (THE WORKING GIRLS, THE VELVET VAMPIRE); key work's from classic directors (Sam Fuller's THE HOUSE OF BAMBOO, John Ford's YOUNG MR. LINCOLN; a whole strand of 1980s British Cinema (from ABSOLUTE BEGINNERS to A ZED AND TWO NOUGHTS), newly restored masterpieces (THE FALL OF OTRAR, YEELEN); and a smattering of films from practically every hemisphere. A great program, which includes not only films but workshops, talks, introductions; for Cinema Rediscovered is not only about seeing films in the best possible conditions but also about learning on cinema from filmmakers, curators, programmers, critics, academics and other practitioners.
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