Podcasts about Cath

This week on Crime Wave: Cath Little—34, cautious, and firmly rooted in Buffalo—discovers two tickets to a “Murder Week” getaway in the England's idyllic Peak District tucked among her late mother's belongings. Because they'd been estranged for years, she's stunned to learn the tickets were for the two of them. Hoping to understand the woman she never truly knew, Cath travels to the English countryside where she's drawn into a staged whodunit alongside two unlikely cottage-mates, Wyatt and Amity. As the fictional mystery unfolds, Cath begins to unravel a very real one about her mother's past and the bond they never had the chance to repair. But after a life constrained by secrets and lies, how much truth Cath is ready to uncover? Connect with Karen: https://karendukess.com/ #podcast #author #interview #authors #CrimeWavePodcast #authorsontheair #podcast #podcaster #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers#writersinspiration #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #BonnarSpring #BonnarSpringBooks #bookouture #thrillers #KarenDukess #WelcometoMurderWeek

« Je ne suis pas venu mettre la paix sur terre, mais bien plutôt la division » (Lc 12, 49-53)Méditation de l'Évangile par le père Sébastien AntoniChant Final : "Je suis venu porter le feu" par la Maitrise de la Cathédrale d'AutunRetrouvez tous nos contenus, articles et épisodes sur rcf.frSi vous avez apprécié cet épisode, participez à sa production en soutenant RCF.Vous pouvez également laisser un commentaire ou une note afin de nous aider à le faire rayonner sur la plateforme.Retrouvez d'autres contenus de vie spirituelle ci-dessous :Halte spirituelle : https://audmns.com/pMJdJHhB. A. -BA du christianisme : https://audmns.com/oiwPyKoLe Saint du Jour : https://audmns.com/yFRfglMEnfin une Bonne Nouvelle : https://audmns.com/afqCkPVConnaître le judaïsme : https://audmns.com/VTjtdyaEnfin, n'hésitez pas à vous abonner pour ne manquer aucun nouvel épisode.À bientôt à l'écoute de RCF sur les ondes ou sur rcf.fr !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week, Casper and Vanessa explore the theme of Peace in Chapter 19 of Harry Potter and the Deathly Hallows! They discuss Ron's return, the destruction of the trio's first horcrux, and Hermione's anger! Throughout the episode we consider the question: how do we set the stage for peace?Thank you to Cath for this week's voicemail! Next week we're reading Chapter 20, Xenophilius Lovegood, through the theme of Purpose with special guest Micaela Blei.Harry Potter and the Sacred Text is a Not Sorry ProductionFind us at our website | Follow us on Instagram--It's two sickles to join S.P.E.W., and only five dollars to join our Patreon for extra content every week! Please consider helping us fill our Gringotts vault so we can continue to make this show. Hosted on Acast. See acast.com/privacy for more information.

We kick off the new season with a new preview show as we prepare for our game away at Southampton. Richie and new signing Chay Long join me to look ahead at what will be a fascinating afternoon at St.Mary's.Thank you to everyone who tuned in live and to those who interacted in the live chat and comments an even bigger thanks. Please subscribe on whichever platform you follow us and if you can leave a 5 star review also.You can find all our useful links including contact info here - https://linktr.ee/racecourserambleFollow MH Travel for Wrexham FC away games and also coach holidays and Gig travel - https://www.facebook.com/mhtravelnorthwalesDonate to Cath's Charity Skydive - https://t.co/ogpyBUFky9Follow A Football Type for amazing Wrexham Prints here - https://afootballtype.com/Check out our PATREON here - https://tr.ee/PGq38iuh3eAs ever the awesome theme music and stings are provided by 1987tilpresent, You can buy the track called ' I found my love down Crispin Lane ' from here - https://1987tilpresent.bandcamp.com/track/i-found-my-love-down-crispin-lane Hosted on Acast. See acast.com/privacy for more information.

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Les petits fouinards, On arrive à une époque particulière : le Moyen-Age ! Mais cette fois c'est pas le Moyen-Âge des chevaliers, ni des batailles ou des tournois ! Non, on arrive au moment où s'érigent dans les cieux des villes les cathédrales que vous pouvez encore voir aujourd'hui ! Et vous allez voir, à l'époque on savait s'amuser et la Baba Yaga va en prendre pour son grade ! Alors on compte sur vous pour immortaliser ce moment ! A vos marqueurs, prêts ? Dessinez ! Signé : M&M (Le Matou et Marguerite) Soutenez-nous sur Patreon !

Liz Ellis, Cath Cox and Carolyn Swindell are all a little tired and emotional in this post-grand final episode, but that doesn't stop the laughs. This week the team chat about the No Dribble pre-game party antics, they break down the incredible grand final game and you'll find out who partied into the night like it was 1999.Listen to the No Dribble Hottest Not Quite 100 on Spotify HEREIt's a netball podcast, but it's so much more.If you enjoyed this episode - FOLLOW and SUBSCRIBE to No Dribble, share with a fellow 'Netty nut' and shoot us a 5 star review ⭐️⭐️⭐️⭐️⭐️BUY Carolyn's book 'We Only Want What's Best' HEREJoin the conversation with Cath, Liz and Carolyn on Instagram HEREJoin the No Dribble Facebook Group HERE (it's a hoot!)If you enjoyed this episode - FOLLOW and SUBSCRIBE to No Dribble, share with a fellow 'Netty nut' and shoot us a 5 star review ⭐️⭐️⭐️⭐️⭐️BUY Carolyn's book 'We Only Want What's Best' HERE (and please, give it a good review when you're done!)Join the conversation with Cath, Liz and Carolyn and nominate your 'Wind Beneath My Wings' hero on Instagram HEREJoin the No Dribble Facebook Group HERE Hosted on Acast. See acast.com/privacy for more information.

durée : 00:09:34 - Les lieux à ne pas manquer - par : David ABITTAN - Du vitrail dans un cathédrale, du vitrail dans un musée, un musée d'engins agricoles, une balade au bord de l'Eure… Et une maison toute en assiettes… Mais d'abord, une question : pourquoi la Cathédrale de Chartres est encore debout ? Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

One way that AI can save you from expending massive amounts of blood, sweat and tears is a way that a lot of people aren't using. And that involves its incredible ability to analyze, find trends, and organize information. On the face of it, all that sounds pretty boring and hardly applicable to copywriters and business owners. But today's returning champion, Cath Reohorn, has used her impressive imagination to come up with some incredibly simple, smart and powerful ways to use AI that are VERY interesting… and could be useful to you as well. You probably remember Cath because her podcast, titled Selling Them With Kindness, got a lot of engagement and some heartfelt comments from listeners. Cath's business is called Kind Copy. She lives in Wales in the UK. She has a true family business, since it employs herself, her husband, her sister and 2 other team members. What's even more impressive, they grew with organic marketing to over £1m/month before she ever ran an ad. Today, we dig into Cath's personal, practical AI innovations. – Cath's website: https://kindcopy.co.uk/ Cath's social media links: https://x.com/kindcopy https://www.instagram.com/kindcopyuk/ Download.

I can't quite believe it, but here we are — the 800th episode of the Tough Girl Podcast! In this special solo episode, I'm taking you behind the scenes for a personal catch-up and reflection on everything that's happened so far in 2025 — from January through to August. I talk about what life has looked like lately (yes, still living at home with my parents!), working part-time at AIM Health, the adventures I've been on, the challenges I've faced, and the exciting things coming up next. This episode is a bit of everything: gear chat (flat-lay photos and a new Atom Pack!), health updates (peri-menopause, gut health, strength training, and more), financial planning (Patreon, pensions, broken laptops!), plus reflections on my time walking the English Camino, Snowdonia Slate Trail, and tackling the GR20 in Corsica — which was honestly tougher than the Marathon des Sables. I'm also talking about my motivations for taking on the GR10, what I've learned in 10 years of podcasting, and why the mission — to increase the amount of female role models in the media especially in relation to adventure and physical challenges— is stronger than ever. Thank you for being here with me on this journey. Whether you've listened from the start or are just finding the show now, I'm so incredibly grateful. This is a celebration of us — of consistency, resilience, growth, and dreaming big.

In this quickfire bonus episode, we're back with the brilliant Cath — skateboard coach, soulful northern lass, and walking proof that you can take a few knocks and still show up fully you.Diagnosed with epilepsy but never one to sit out the ride, Cath has lived a bold, messy, and empowering life on and off the board. Today's episode is just a little slice of her realness, featuring fun questions, big truths, and that signature no-BS warmth we love her for.Expect:Soul-healing superpowers (and why she'd use them on herself too, thank you very much)A billboard message that might just save your brain cells: put your phone downA love/hate relationship with London and the power of going homeWhat she'd say to her 12-year-old self (grab a tissue, just in case)Her challenge to women everywhere: Stop apologising. Start being fully, fiercely you.No fluff. No Instagram quote therapy. Just raw insight, a bit of cheek, and one woman's mission to get more of us living without filters — literal or emotional. Hosted on Acast. See acast.com/privacy for more information.

Ógánaigh atá páirteach i bhFéile Lios Póil i mbliana.

Concern over a never-ending pile of costs for airlines as our air traffic control prices soar. Provider of the service, Airways, is putting its fees up 17.7% over the next three years. It says its pricing is based on the number of flights scheduled in and out of each airport. Airline Representatives Executive Director Cath O'Brien told Mike Hosking some countries' governments invest in these services, but here, airlines pay for everything. She says they pay for air traffic control the civil aviation authority, and also airport buildings. LISTEN ABOVE See omnystudio.com/listener for privacy information.

買TISA(台灣個人投資儲蓄帳戶)基金，就到基富通!【基富通TISA好享投】，千元起投，0手續費、低經理費、專家嚴選，資產累積超有感投資一定有風險，基金投資有賺有賠，申購前應詳閱公開說明書。https://www.fundrich.com.tw/event/TISA/?utm_source=podcast&utm_medium=video&utm_campaign=2025TISA- —— 以上為 Firstory Podcast 廣告 —— 爬山新手也友善的非洲第一高峰吉力馬札羅來啦！ Only One Travel https://tw.onlyone.travel/tours/mountkilimanjaro8days-skilissr/ Instagram @cathleeleelee @onlyonetravel.tw - → 喜歡解鎖地球嗎? 一鍵支持，讓我們繼續產出優質節目：https://open.firstory.me/user/unlocktheearth → 在社群上 follow 我們：https://linktr.ee/unlock.the.earth.podcast → 留言告訴我你對這一集的想法： https://open.firstory.me/user/cjzryn64q34i607580oyblh1u/comments → Cover photo credit: Cath Powered by Firstory Hosting

Liz Ellis is back, alongside co-hosts Cath Cox and Carolyn Swindell to talk all the netball news you can poke a snake at! There's strategy chat, foreign player chat, guinea pig chat, coach chat and of course all the goss ahead of the super netball grand final this weekend.It's a netball podcast, but it's so much more.If you enjoyed this episode - FOLLOW and SUBSCRIBE to No Dribble, share with a fellow 'Netty nut' and shoot us a 5 star review ⭐️⭐️⭐️⭐️⭐️BUY Carolyn's book 'We Only Want What's Best' HEREJoin the conversation with Cath, Liz and Carolyn on Instagram HEREJoin the No Dribble Facebook Group HERE (it's a hoot!)If you enjoyed this episode - FOLLOW and SUBSCRIBE to No Dribble, share with a fellow 'Netty nut' and shoot us a 5 star review ⭐️⭐️⭐️⭐️⭐️BUY Carolyn's book 'We Only Want What's Best' HERE (and please, give it a good review when you're done!)Join the conversation with Cath, Liz and Carolyn and nominate your 'Wind Beneath My Wings' hero on Instagram HEREJoin the No Dribble Facebook Group HERE Hosted on Acast. See acast.com/privacy for more information.

Don takes a fiscal detour into the world of AI, introducing his ChatGPT co-host “Cath” in a strikingly lifelike discussion about the future of jobs, the role of artificial intelligence in our lives, and how we can adapt to massive changes already underway. The episode blends curiosity, caution, and practical insight—with a historical twist that ties today's tech upheaval to the Luddite resistance of the 19th century. It's a deeply personal, slightly spooky, and forward-looking edition of Talking Real Money. 0:04 Don opens solo and explains how AI (Cath) became his creative partner 1:20 What ChatGPT is, how it works, and how Don uses it for image creation 4:21 AI and the threat to human jobs—especially white-collar roles 5:16 Is creativity really safe from AI disruption? 6:31 Which U.S. jobs are most at risk (customer service, admin, legal, finance) 7:30 Why current AI customer service sucks (and why Cath doesn't) 9:05 How young people can future-proof their careers through skills and mindset 10:15 Education technology as a “human + AI” job model 10:33 Hands-on and empathetic jobs that AI struggles to replace 11:47 The difference between mimicking and actually being intelligent 12:06 Specific industries most ripe for AI displacement 13:15 AI's surprising takeover of journalism and nonfiction writing 13:52 Should we be alarmed by how fast AI is replacing human tasks? 14:55 AI 2027 report: Doomsday prediction or useful wake-up call? 16:22 Ethical concerns, adversarial use (like China), and global AI regulation 17:36 What kids (and grandkids) can do now to stay ahead of AI disruption 18:06 Should we still teach coding if AI can write code? 18:56 Is GPT-4.0 helping write GPT-5.0? 19:40 How AI voices became so eerily realistic 20:46 Ways everyday people can use AI subscriptions for personal growth 22:07 Do users own what they make with AI? (Yes) 22:31 Did AI “steal” the content it was trained on? 23:58 Final thoughts: from Luddites to large language models—adapt or get replaced 26:21 A call for thoughtful oversight and a little healthy skepticism Learn more about your ad choices. Visit megaphone.fm/adchoices

In this season of MID, we are answering the dilemmas and questions that you, our listeners, have sent us. This episode is all about the excitement, fear, insecurity and orgasmic joy of MID dating. Who better to enlist to answer your questions than the very funny and very smart Cath Mahoney, who herself is currently ‘between boyfriends’ - so trust us, she knows the good, bad and ugly (and the great) about all things dating. The dilemmas that Cath & Holly tackle in this episode are: I’ve reconnected with my Facebook ex - he’s not NOT married - and I’m feeling like maybe he’s the one that got away…but my best friend is telling me to let it go. I’m on the apps…and I’m thinking about dating younger men. Do I? Should I? How? I’ve been having the best sex of my life since my divorce…but now my ex wants me back - I’m tempted - but I don’t want to give up the hot sex! Is it bad to want to date someone with money? You can follow Cath here and get her book here. THE END BITS: Share your feedback! Send us a voice message or email us at podcast@mamamia.com.au Follow us on Instagram @MidbyMamamia or sign up to the MID newsletter, dropping weekly here. CREDITS: Guest: Cath Mahoney Host: Holly Wainwright Executive Producer: Naima Brown Senior Producer: Tahli Blackman Audio Producer: Jacob Round Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.See omnystudio.com/listener for privacy information.

Cathédrale de Cantorbéry, en Angleterre, 29 décembre 1170. L'archevêque Thomas Becket, plus haut prélat du royaume, est frappé à mort par quatre hommes d'armes qui l'ont poursuivi. Pour le second volet de la série d'été « Un meurtre, une société », Fanny Madeline, maîtresse de conférences en histoire médiévale à l'université Panthéon-Sorbonne, décrypte les enjeux de cette mort violente à relier aux affrontements entre Église et pouvoirs séculiers initiés par la « réforme grégorienne ». Pour aller plus loin : Lloyd de Beer, Naomi Speakman, Thomas Becket: murder and the making of a saint, British Museum, 2021 Une série de Paroles d'histoire, podcast créé et produit par André Loez, distribué par Binge audio. Contact pub : project@binge.audioMusique de générique : Neil Young, Cortez the Killer.Titre de la série en référence au livre de Bernard Guénée sur 1407.Un podcast créé, animé et produit par André Loez et distribué par Binge Audio. Contact pub : project@binge.audioDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode of Terror Talk Podcast, we're diving deep into the wild, weird, and wonderfully low-budget world of Roger Corman, the godfather of indie horror and cult cinema. From gothic Edgar Allan Poe adaptations to biker gangs and blood-soaked exploitation flicks, Corman did it all—and on a shoestring budget.We chat about Corman's signature filmmaking style, his unapologetically fast shooting schedules, and the way he could turn a dime into dread. We explore his most iconic horror films, his love of dramatic lighting and moody monologues, and how he shaped the future of horror by mentoring legends like Francis Ford Coppola, Martin Scorsese, and James Cameron.

When you think of the county fair, you might picture carnival rides, fried food, and blue ribbons. But what about bringing home a freezer full of meat? When you head to the county fair, you can support young producers and stock up on beef, pork, or lamb. Andy Geiss joins Stephanie Hoff to discuss the possibilities. Geiss operates Geiss Meat Service in Merrill. He's also the president of the Wisconsin Association of Meat Processors. Geiss walks us through the process of buying meat at the fair and why it matters for your community. He says before placing a bid at the livestock auction, you should know how much meat you’ll be bringing home and if you have enough freezer space. Dangerously hot weather will blanket Wisconsin today. Stu Muck also cautions that there could be some sporadic thunderstorms that might pop up and create havoc too. Sometimes things don't go according to plan, but that can create opportunity. Randy Cath with the Steffes Group auction firm joins Pam Jahnke to highlight an upcoming Wisconsin auction that features gently used harvest equipment that won't be needed by the owner, but could be a wonderful addition to another farm. Cath says sometimes farms have more equipment than their acres require and that presents a great opportunity. Paid for by Steffes Group. Today the House Agriculture Committee will take a look at a "fix" for California's Proposition 12. Will Coggin from the Center for Environment and Welfare says consumers have had it with the escalated price on pork and eggs within their borders. Now the challenge will be to overcome the heavily funded animal rights activists that created Prop 12, with a more moderate approach to farming methods. The excessive heat Wisconsin will experience today is only one of the elements that county fairs and their exhibitor will have to overcome and manage through. Kiley Allan visits with Bernie O'Rourke, UW-Extension Youth Livestock Specialist, about all the stress exhibitors and their animals can experience. Different surroundings, sounds, people, water - it adds up! Making sure that exhibitors have their eyes wide open to the challenges before they leave the farm is not only critical, but a public safety issue. See omnystudio.com/listener for privacy information.

Labhraíonn Kerron Ó Luain le Seán faoin stair, agus faoina leabhar nua "Cath idir an pobal agus an murder machine”: Gluaiseacht na Gaelscolaíochta, 1973-2023.

What's at stake when a child has their first meal in a new home? For children entering care, especially those who have faced food insecurity, that first plate of food can be a big moment. In this programme, Ruth Alexander explores how food and mealtimes can help children feel safe and give them a sense of belonging. She meets Jessica-Rae Williamson, a 21 year old care leaver from Manchester, England, who still remembers the first meal she ate with her foster family, aged 13. In Wrexham, Wales, Ruth meets long-term foster carers John and Viv, Cath and Neil and Rosemary, who have opened their homes to dozens of children through Foster Wales. They discuss their strategies for dealing with picky eating and hoarding. Dr Katja Rowell, feeding expert and author of the book “Love Me, Feed Me: The Foster and Adoptive Parent's Guide to Responsive Feeding”, gives her counter-intuitive tips for avoiding mealtimes becoming a battleground. And Melissa Guida-Richards, author of the book “What White Parents Should Know About Transracial Adoption”, shares her experience of being adopted from Colombia by Italian and Portuguese parents living in the US and her subsequent search for her Colombian heritage through food. This programme contains discussion of food poverty and insecurity, and disordered eating. If you've been affected by any of the issues raised and need support, speak to a health professional. If you would like to get in touch with the show, please email: thefoodchain@bbc.co.uk Produced by Beatrice Pickup. (Image: a partly eaten plate of spaghetti bolognese sat on a child's knee.Credit: Getty Images/BBC)

Le tithe tabhairne ag dúnadh le blianta beaga anuas, conas atá tabhneoiri ag coinneáil a ndoirse ar oscailt?

Don and Tom take on the ever-persistent phrase “This time it's different,” as Bloomberg and NYT articles suggest AI, financial fragmentation, and inflation have permanently changed the investing game. The duo questions whether these changes actually warrant different investing behavior—or if they're just the latest in a long line of panics dressed up as paradigm shifts. Along the way, they debate market melt-ups, the logic of diversification, and why equities pay more (hint: it's not because they're safe). Listeners call in with questions about ETFs in IRAs, Roth conversions later in life, and tax-savvy asset allocation across accounts. 0:04 Perspective from aging: we've heard “this time is different” before 1:58 AI panic, financial fragmentation, and inflation—Bloomberg's argument 3:31 Don and Tom challenge claims of “new” market conditions 5:08 AI voice cameo: Cath makes her show debut 6:05 What should investors do if things are different? 9:00 NYT's Jeff Sommer warns of a potential market “melt-up” 10:08 Irrational exuberance: unprofitable stocks soaring 12:57 Why risk still pays: stocks go up and down 15:02 Smooth ≠ profitable: bonds are boring, stocks reward fear 18:23 Listener asks: Why own international if U.S. wins? 20:34 Diversification vs. chasing past performance 23:42 Call: ETFs vs. mutual funds inside retirement accounts 29:36 Call: Should a 79-year-old convert to a Roth? 36:53 Call: Asset location strategy and inherited IRA cash flow 41:36 Don's final advice: no tax tricks—just make a plan Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Cath uses Polyvagal Theory to shine a light on how discombobulating things in parenting can be (and why), the shift in being the default parent and how this relates to our nervous systems. She talks about how we can learn to send ourselves signs of safety and how we can use PV to support our families.If you're enjoying this podcast. Please leave a review and rate the podcast, this really helps others to find it.To sign up for the journal prompts and Nurture.Heal.Grow (on Substack) please head to www.cathcounihan.com or @cathcounihan on Instagram. Follow Cath on social media here:Instagram: @cathcounihanSubstack: Nurture.Heal.GrowFacebook: Cath Counihan Hosted on Acast. See acast.com/privacy for more information.

Présidence et prédication : Jean-Jacques Martin, prévôt du Chapitre de la Cathédrale de Fribourg Animation musicale : Groupe Vocal SRML, atelier chant choral, atelier chant grégorien Directeurs : Emmanuel Pittet, Céline Mai Grandjean, Marie Mottet Orgue : Nicolas Viatte Présentation : Grégory Roth

In this episode of Waterfall, Mike, Cath and Karen share simple, practical water-saving tips to help during the ongoing dry weather. Simple everyday habits like reusing leftover water from bottles and showers, watering plants efficiently, and using eco settings on appliances can make a big difference. These practical tips help reduce water waste and keep us all mindful of how precious water really is during these extreme weather conditions.

In this episode Cath speaks about how control is such a key coping strategy for so many of us and how this rears its head at times of stress (like early motherhood) and in new situations. Control is not the solution we think it is and Cath shares a recent incident from her own life showing how control is so seductive and seems to be the answer, but really it is an illusion.To sign up for the journal prompts and Nurture.Heal.Grow (on Substack) please head to www.cathcounihan.com or @cathcounihan on Instagram. Follow Cath on social media here:Instagram: @cathcounihanSubstack: Nurture.Heal.GrowFacebook: Cath Counihan Hosted on Acast. See acast.com/privacy for more information.

In this episode Cath speaks about how tricky first times can be and how many of these may happen in a holiday (and in our children's lives) and how we can support ourselves and our families with this.If you're enjoying this podcast. Please leave a review and rate the podcast, this really helps others to find it.To sign up for the journal prompts and Nurture.Heal.Grow (on Substack) please head to www.cathcounihan.com or @cathcounihan on Instagram. Follow Cath on social media here:Instagram: @cathcounihanSubstack: Nurture.Heal.GrowFacebook: Cath Counihan Hosted on Acast. See acast.com/privacy for more information.

Avec Geoffroy Scrive et le Père Claude Caill

Contributor: Taylor Lynch, MD Educational Pearls: How do we risk-stratify chest-pain patients? One option is the HEART score This score predicts a patient's 6-week risk of a major adverse cardiac event. Ex. Cath procedure, CABG, PCI, death H stands for History Ask 1) Was the patient diaphoretic? 2) Did they have nausea and/or vomiting? 3) Did the pain radiate down the right or left arm? 4) Was it exertional? Yes to one = one point. Two or more = two points. E stands for EKG One point for left ventricular hypertrophy, t-wave inversions, new bundle-branch blocks. No points for first degree AV block, benign early repolarization, or QT-prolongation Two points for ST-depression A stands for Age >65 gets two points 45-64 gets one point R stands for Risk factors Hypertension, hyperlipidemia, diabetes, obesity, family history, smoking, previous MI, previous CABG, stroke, peripheral arterial disease 1-2 risk factors get 1 point More than two risk factors gets two points T stands for Troponin 1-3x upper limit of normal gets one point >3x upper limit of normal gets two points This gives you a score between zero and ten 0-3 points, patients have a ~2% chance of an adverse event These patients likely go home 4-6 points, patients have a ~20% chance of an adverse event These patients get admitted or expedited outpatient stress test/echo 7-10 points, patients have a ~60% chance of an adverse event Admit and call cardiology. These patients likely get catheterized References Backus BE, Six AJ, Kelder JC, Bosschaert MA, Mast EG, Mosterd A, Veldkamp RF, Wardeh AJ, Tio R, Braam R, Monnink SH, van Tooren R, Mast TP, van den Akker F, Cramer MJ, Poldervaart JM, Hoes AW, Doevendans PA. A prospective validation of the HEART score for chest pain patients at the emergency department. Int J Cardiol. 2013 Oct 3;168(3):2153-8. doi: 10.1016/j.ijcard.2013.01.255. Epub 2013 Mar 7. PMID: 23465250. Laureano-Phillips J, Robinson RD, Aryal S, Blair S, Wilson D, Boyd K, Schrader CD, Zenarosa NR, Wang H. HEART Score Risk Stratification of Low-Risk Chest Pain Patients in the Emergency Department: A Systematic Review and Meta-Analysis. Ann Emerg Med. 2019 Aug;74(2):187-203. doi: 10.1016/j.annemergmed.2018.12.010. Epub 2019 Feb 2. PMID: 30718010. https://www.mdcalc.com/calc/1752/heart-score-major-cardiac-events Summarized by Jeffrey Olson, MS4 | Edited by Jorge Chalit, OMS4 Donate: https://emergencymedicalminute.org/donate/

Tous les vendredis, samedis et dimanches soirs, Pascale de la Tour du Pin reçoit deux invités pour des débats d'actualité. Avis tranchés et arguments incisifs sont au programme.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Tous les vendredis, samedis et dimanches soirs, Pascale de la Tour du Pin reçoit deux invités pour des débats d'actualité. Avis tranchés et arguments incisifs sont au programme.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Nick Lowe had a big hit on the top 40 back in the day called “Cruel to be Kind.” Interesting idea, but how about this one? “Kind to be Kind.” Now there's a novel idea. And it's the guiding principle of copywriter and agency owner Cath Reohorn, who has taken this philosophy to £1 million/month in revenues for her clients. So you don't have to do the math, that's about $1.3 million per month. Now, how does she do it? Today, on Copywriters Podcast, you'll find out exactly how. Now, back to the idea of “Kind to be Kind.” Cath's agency is called Kind Copy, and she defines the guiding principle this way: “Kind copy stands for not twisting the knife. This anti-cruelty stance isn't just an ethical standpoint. It's a tactical advantage for services where the client needs to be actively involved in their process (like coaching and consulting).” We'll dive deep into that in a moment. First, A little more about Cath and her business: She lives in Wales in the UK. She has a true family business, since it employs herself, her husband, her sister and 2 other team members. What's even more impressive, they grew with organic marketing to over £1m/month before she ever ran an ad. Here's what we asked her: 1. You have chosen as your niche high-end fitness businesses, and you've said you're bringing them about £1 million/month in sales. How did you decide to focus on that niche? 2. What are you doing in the way of copy and strategy for these clients that's proving most profitable? 3. Could you explain your philosophy of Kind Copy and give us a couple of contrasting examples: typical copy vs. Kind Copy? 4. Your approach is to use organic content to drive sales. Could you tell us a little about that? 5. You said in a LinkedIn post: "The best marketing isn't about manipulation... it's about CHANGE WORK." Could you talk about that? 6. How are you using AI to lighten the load and let yourself focus on what you're really good at and/or what you enjoy doing the most? 7. If someone were to start out in the agency business today, what are the first three things you would advise them to learn or do (or both)? Cath's website: https://kindcopy.co.uk/ Cath's social media links: https://www.x.com/kindcopy https://www.instagram.com/kindcopyuk/ Download.

Karen Dukess's first book, The Last Book Party, was wildly successful by any measure—sold at auction, Indie Next pick, Discover New Writers pick… you probably read it. The second…Didn't sell. Not as in, not very many people bought it but as in, no publisher published it. She spent the requisite couple years or so, her agent signed on but… no takers. She felt like she was the only person in the whole entire world that that happened to… until she started asking around. Turns out, you know how people say writing books is hard? And publishing is tough? They're right!Never fear, Karen lived to tell the tail. Her next novel (do we call it second or third?), Welcome to Murder Week, is wonderful and available in a bookstore near you (and as you'll hear, I loved it and it's the perfect page-turner but not-anxiety-producing read for a swimming pool, beach, airplane ride or couch). But the real joy is that Karen is willing to dish. You'll hear:What happens when you want to be a bullet journal sticker getting writer with your butt in the chair but you're just … not.How to have fun writing a book that maybe no one will want (and why you'd better).How Karen found the right mindset to keep going.Karen's one rule as a beginning writer who couldn't quite get the hang of 1000 words a day. Links from the Pod:LauraPaloozaKaren Dukess, The Last Book PartyZibby EventsThe Murder of Mr. Wickham by Claudia Gray#AmReadingKaren: The Original, Nell Stevens KJ: Welcome to Murder WeekKaren's Substack Keep Calm and Carry On, a Substack from Karen Dukess or find her on Instagram @karendukess, or her website www.karendukess.comDid you know Sarina's latest thriller is out NOW? Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | Audible Physical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!New! Transcript below!EPISODE 452 - TRANSCRIPTJess LaheyHey, it's Jess here. A few years ago, I got to go to Laura Palooza. Laura Palooza is the conference that is run by the Laura Ingalls Wilder Legacy and Research Association. I was invited because I wrote about Laura Ingalls Wilder and the Little House on the Prairie books, and at the very beginning of The Gift of Failure, there's a mention in the opening chapter. And I was invited to go, and it was fantastic. And I got to meet Dean Butler, who had played Almanzo, which was quite a moment for me, because I had been quite in love. Anyway, this year's Laura Palooza 2025 is going to be taking place July 8 through 11th, 2025. Laura Palooza 2025's theme is prairies, pioneers and pages. If you want more information on attending Laura Palooza 2025, you can go to L-I-W-L-R-A — L-I-W-L-R-A dot org slash laurapalooza. I will be putting it in the show notes for whatever episode this ends up on, and it's going to be really, really great. I'm jealous that I can't go again because it's not going to be near me. It's going to be in De Smet South, I hope that's how you pronounce it, South Dakota. But they're going to even have, like, a feature on the fashion at the time. They're going to have a section on planes, claims and all those land deals, a beginner's guide to mapping homestead claims. It's going to be cool, challenging gender norms. Laura Ingalls in fiction, and Rose Wilder Lane in reality. Folklore, fiction or forecasts, separating and linking science, storytelling and mythology in weather, lore, that's going to be by Dr. Barb Boustead, who has been on this very podcast. She's fantastic. Laura Palooza 2025... July, you should go, you should sign up. It's really fun. They're going to be doing a field trip also to the Ingalls Homestead, I believe. Check it out. It's pretty cool.Multiple Speakers:Is it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting, the weekly podcast about writing all the things, short things, long things, pitches, proposals, fiction, nonfiction, in short or really actually, usually long. We are the podcast about sitting down and getting your work done. And I am KJ Dell'Antonia. I am the author of a bunch of novels, the most popular of which is The Chicken Sisters, and the most recent is Playing the Witch Card, and you should read them all. And I have with me today a guest that I'm really excited about for a topic that you all are going to love. So, with me today, I have Karen Dukess, and she is the author of The Last Book Party, which you might have read in 2019 because it was unmissable. It was everywhere. It was an Indie Next. It was a Discover New Writers pick, it was...it was all over the place. And that is partly what we're here to talk about today. And we're also here to talk about her new novel, Welcome to Murder Week, which I have just read and enjoyed, but mostly we're here to talk about the six years in between. So, welcome. I am so glad to have you here. So, Karen and I have met in person. We met at a Zibby book event and at an event for the amazing Annabel Monaghan, who also has a book out this summer. The lovely thing about the universe is that nobody reads just one book.Karen DukessThat is true. Thank you.KJ Dell'AntoniaSo, you can be like, yes, read Annabel's book, read my book. Read. I mean, anybody who reads? I mean, yeah, there are people who read just one book, it's probably not going to be ours. Oh, well, people seem to like the Bible. I don't know that's a popular one. See that? A lot around a lot of Crawdads, also see that. Okay, so anyway, tell us what the story of the long six-year journey between your very, very successful debut novel, and what is about to be your very different sophomore novel.Karen DukessSo, I feel like I have an upside-down writing career in that most people write a lot of novels that don't get published before they write a novel that gets published, and mine went backwards. So, The Last Book Party was my first novel, and I wrote it...Didn't... I wrote it, finished it when I was in my early 50's, around 54 -55, spent about four years writing it, and I had done a lot of writing before, then stopping and starting and thinking that. I must not have what it takes, because this is too hard. I didn't realize that novel writing just is hard, and that is the way it is for all but a few unicorn people. So that novel, I was so happy when I finally finished it. I was so satisfied to just finally have written a novel, and I was truly thrilled, and I I felt like, if it doesn't get published, I'll publish it myself. I'm just so happy to have achieved this goal. And then it sold incredibly quickly. It was unbelievable. I mean, it was like beyond my wildest dreams. It went to auction. It sold very quickly for a good advance, and the publishing experience was great, including the fact that they were originally going to publish it in 2020, but they decided to bump it up to 2019 I don't know why. But I was like, sure, I've waited to my 50's to get this book out, like the sooner the better. And then I dodged the bullet of waiting all these years to publish a novel and have it come out during the pandemic. So, the paperback came out in the pandemic, which wasn't great, but I still felt so grateful that I had gotten this book out before then. So, then I started working on my second novel, which later someone had given me some someone, a friend...it might have even been Annabel. Someone gave her the advice that your second novel, don't make it very, very personal. And I kind of wish I had gotten that advice, even though I'm not sure I would have listened to it. But the thing about a second novel, and I don't know if you experienced this, KJ, but if you have success with your first novel, the second novel is scary because you're like, was I a one hit wonder? You know, was it a fluke? Can I do this again? And people would say, well, you know how to write novels now. And I'd be like, no, I know how to write THAT novel. I have no idea how to write another novel. And the novel I wanted to write at that time was drawing on the many years I spent studying and living in Russia and working as a journalist in Russia. I was in Russia in the 90's, and I wrote a novel that was about an American woman's journey in Russia and some American journalists in Russia. But it was set in Russia in 2017 and with flashbacks to the 90's, and it was hard to write. It was not fun. I think I had, like, sitting on my shoulder this sort of like, oh, can she do it again? You know that kind of thing. And I knew that the luck I had the first one, like, you know, I knew it was unlike, unluck, unlikely to be like that again. Plus, I had this sense of like, this is my Russia novel. And even though it wasn't a novel like, directly about Russia, it still was my chance to sort of give my take on things there. So, I think I also had sitting on my shoulder, like all the journalists I know knew in Russia, and people that studied Russia and the real Russia experts, and what were they going to think of my take?KJ Dell'AntoniaOh, yeah.Karen DukessSo it was, it was not writing, sort of like joyfully, it was a tough novel to write. And then it was also, it was fiction, but it was sort of personal, midlife kind of novel. So, there was just a lot of baggage with that novel. And the writing of it was tough, you know, it was just, it took longer than I thought it it just, I just remember a lot of sort of hair pulling, kind of, you know, those writing days. I had a lot of them. I finished it. My agent said he loved it. I don't think he loved it as much as the other two novels I've written, but, you know, he was ready to send it out on submission. But as I was finishing it, I was getting more and more concerned, because I finished it right around when Russia invaded Ukraine. And my novel, which was set in 2017 Russia, now things were so different, and they had been increasingly becoming different. Suddenly it felt very anachronistic, because I wasn't writing with these big current events in mind. Plus, there was this whole kind of like, oh, Russia, yuck, nobody, you know. And I felt that too. So, I was nervous about it, and my agent was like, just finish it. You've spent this much time on it. Let's finish it and see what happens. And so, we sent it out, and the response I got was kind of... Uh not great, you know, it went to my publisher first. They'd write a first refusal, and we're like, this novel. It about American woman in Russia right now, it's just not the right time. And, you know, there may have been other things about the novel as well, but it was kind of a, like, not a good sell. So, we sent it out to maybe five or six more editors, you know, I got lovely rejection letters, you know. Well, I really enjoyed it. This part was so interesting. But, yeah, I don't know, I don't know how to market this novel right now. And it was, you know, it was crushing, of course, but it also kind of echoed my feelings about the novel. The whole thing gave me a knot in my stomach, yeah, so my agent said, well, we haven't really exhausted the possibilities yet. We can send it out another round, or you can revise it, or you can set it aside. And I felt really sure at that point that I just wanted to, I didn't want to keep submitting it. I just felt like not the right time. And it was disappointing, but it was also kind of a relief, because if someone had decided to publish that novel, I think I would have been really nervous for the whole time before it came out.KJ Dell'AntoniaI think the only thing worse than having your second novel not published is having it published to like, you know, universal hatred.Karen DukessYeah exactly.KJ Dell'AntoniaOr just, or just to your own disappointment, you know?Karen DukessYeah. And then there's a long lead time between the time and novel gets accepted and the time it gets published. And to just feel like, nervous that whole time, I just...KJ Dell'AntoniaYeah.Karen DukessSo, I was relieved and disappointed. And I remember very well thinking like, oh, well, this is what people talk about. When they talk about, you have to be able to deal with rejection as a writer, because I hadn't dealt with it yet. I had been so lucky, and I really had this sense of like, all right, well, now I get to find out if I'm really a writer, like, can I deal with this and or can I not? And so, I was like, I'm going to write something else. But I was determined to write something very, very different. Like, I needed the whole experience to be different, yeah, and it ended up being kind of liberating, because I went on a trip with my sister to England. We went to the Peak District in England for a week. We rented a little cottage, and this was right before the novel went on submission, I think, or maybe right after, maybe it was on submission, I don't know. So, it was around the time when I wasn't feeling good about the novel, but I wasn't sure it was like a dead deal yet. And we had this absolutely fantastic week in the Peak District, where I was my first time traveling in the English countryside. I'd been to London, but I'd never been in the English countryside, and I felt like I was just stepping into the pages of all my favorite English novels, like Pride and Prejudice and Jane Eyre. And also, like I was stepping into scenes of every BritBox masterpiece, mystery thing, I had written, you know, think, oh my god, there's a vicar. And just really, I was in a... my sister, we have similar reading tastes, and we were just both in this mood, like everything was just kind of entertaining us, and we were laughing at ourselves for seeing England through all these fictional characters. So, when I came back, I think I came back, and that's when I kind of realized this Russian novel was dead or shortly thereafter. And I thought, okay, I'm going to, I'm going to write something about Americans going to England. I want to continue that mood. And I really felt like, if I'm going to do now that I knew you could spend years writing a novel and have it not get published, which I knew intellectually before, but I didn't, hadn't experienced it. I I just felt like, if I'm going to spend another couple years writing a novel like fun has to be the number one thing. It just has to be fun. I'm like, not going to be miserable again. I can't do something like the Russian novel again. I have to just entertain myself and make myself happy, and hopefully it will entertain other people and make them happy too. And that's how I landed on the idea of sending these writing about Americans that go to England to solve a fake murder mystery, which is what Welcome to Murder Week is about. And I just had such a good time writing it. And I wrote it quicker than I've ever written. I wrote it in a little over a year, and it was honestly delightful. Like, I couldn't believe it. Like, writing could actually be really fun.KJ Dell'AntoniaWho knew? The result is also delightful. It just, it's, it's kind of like every warm and lovely book setting on to you you've ever read. It is it Is that I really enjoyed it, So...Karen DukessI'm so glad.KJ Dell'AntoniaI don't know what the Russian novel was like. That doesn't sound fun.Karen DukessI mean it wasn't really heavy, because I'm not like a heavy writer... like it still had...KJ Dell'AntoniaRight.Karen DukessIn it, and it had emotion, etc., but I'm not sad that it's not out.KJ Dell'AntoniaYeah.Karen DukessLet's put it that way, yeah. So, yeah, this one was just fun. And I, you know, my initial idea was to send a group of Americans to England. Initially it was going to be a writing group. I like the idea of putting characters together who would not ordinarily know each other, but to have them together in a space and then a friend of mine said, Okay, so that's an idea. You're going to send some writers on a writing retreat to England, and what are they going to do there? Like, write? Like, that's not very interesting. And that's how I, kind of, you know, ended up moving to this thing where I could have them participate in this weeklong, solve a fake English village murder mystery. And I could have, you know, the villagers, some of them participating in this, and some eagerly participating, some cynical and send a bunch of Americans, you know, Britbox crazed Americans, to compete in this thing. And, yeah, that's, that's how it ended up. And it was fun.KJ Dell'AntoniaI, yeah. I mean, it reads like you had fun. I, as someone who has... so Playing the Witch Card has like a big game sort of Halloween event at the center of it. That would be really hard to do in reality. This is kind of like that.Karen DukessYeah.KJ Dell'AntoniaLike, this is like the dream murder week, both from some of the point of view of someone who might want to put one on and from someone the point of view of someone who might want to go and do one. It's not, it's um, you know, it's not. Sometimes you read these and they're like, they're like, silly and hokey. It's like, very sincere, super fun murder week that anyone would wish that they could do that likes that kind of thing. Anyway, I yeah, I totally enjoyed it. All the characters were really fun. I could see that you must have had fun writing it.Karen DukessI did. And I also, you know, people often say, like, write the novel you want to read. And I really did that with this because I wanted it to have so it has a fake mystery, but then it has a real mystery as well.KJ Dell'AntoniaYeah.Karen DukessLike the main character, thirty-four-year-old Cath, little do you know, she goes on this trip because her estranged mother, before she died, booked them on it, and she's sort of reluctant to go, but can't get a refund. And then I sort of developed this whole story about she teams up with her house, shares a cottage with people to solve the fake mystery, but that she also solves the real mystery of why her mother wanted her to go, her late mother, and that was sort of like the writing the story you want to read. Because I like light and funny, but I also like something that has, like, some emotional heart to it, like I wanted to try to story that was fun, but that has something going on. And the more I wrote, the more Cath's serious story became part of the story, I think, in the first deeply satisfying, yeah, and the first version, the first draft that my agent read, and I had never shared a draft before with him, and, you know, I think I was just hoping he would be like, it's almost perfect. And he was like, well, I think Cath is the hardest story. I think you need to develop that more. And then I went back and did and sort of... blended the two. So, the whole experience was just, yeah, of course. Now I'm like, can I have fun again?KJ Dell'AntoniaYes, yes, you can. Nobody ever tells me my first draft is perfect, and I really hate that.Karen DukessYeah, I know. I think it's, I don't even know if I should have shared it with him, like, I just wanted him to say, like, it's amazing. And he was like, yeah, it could be really good.KJ Dell'AntoniaWell, but you just want them to know that you're doing, yeah, I'm a I'm going to share the first draft of the thing I'm doing with my agent, and it might be a terrible idea, but I'm going to do it anyway, because I want her to know I'm doing a thing. And yeah, I'm excited. And yeah um...Karen Dukess I also think that, like, you know, when I said that, it was liberating, in a way, to sort of have the experience that I had with the Russian novel. I think it was also maybe by the time, you know, getting to the third novel, or maybe it's getting to my age. I felt sort of like, I think I gave my permission, myself, permission to write a novel that, yeah, it has a serious story at the heart of it, but it's not like a deeply serious book, you know? And I think there's a tendency to think like, you know, I would look at the world around me sometimes, when I was drafting it, and feel like there's so many serious things to write about, and I'm writing this funny story, like, is that super fluffy? And, you know, it was like, this is what I wanted to write? That's okay, you know? I don't have to prove anything. Like, here is my serious tome. You know, I really just wanted to give people like, an emotional, amusing, heartwarming experience. And that is okay.KJ Dell'AntoniaIt is funny how locked we get into that, both as writers and as readers, this idea that if it's not serious or experimental or deep or dark, it's, I don't know, somehow not worthy. There was somebody was reading somebody's Substack the other day, and they were sort of deeply apologizing for the book they had recommended, which sounded really amazing. And I was like, why you, you know, you clearly enjoyed this, and it sounded great. And I don't. I mean, as a reader, I don't want to read things that are dark and deep and serious A. all the time...Karen DukessYeah.KJ Dell'AntoniaAnd B. sometimes not at all.Karen DukessYeah, I do like to read dark and serious, but I've learned that I don't like to write that like writing a novel is, it's always so much more time than you think. I mean, even this one was quicker than usual. It's a lot of time, like you're living it. And I was just like, I can't live in a dark place, like I can read a dark book in a couple days, you know? And...KJ Dell'AntoniaYeah.Karen DukessWipe my eyes and move on. But...KJ Dell'AntoniaYeah.Karen DukessYou know...KJ Dell'AntoniaA light one.Karen DukessYou could assume... but you know. When I'm writing a novel, I'm going to bed thinking about their the characters, and I'm thinking about it when I'm exercising, and it's just like churning in there, and I just don't want to be in a dark place for two years.KJ Dell'AntoniaYeah, and most of the time people, I mean, I guess it just depends on, on who you are. But a heart, it's hardly ever dark all the time. I mean, even people that I have known that we're going through some really horrible things have found, you know, levity and joy and pleasure in in some parts of it. And I think we all hesitate to say, well, that's everyone. Or you got to, you know, we don't want to impose that on every, on anyone, because that's kind of also where we are is, is this delicate dance of not wanting to expect anybody else to be the way you think they're going to be. But I it just seems like people find levity, even in even the worst, even in the worst moments. And people want, um, solace, you know?Karen DukessYeah.KJ Dell'Antonia Something... something pleasant... something.Karen DukessYeah, I work with an editor, kind of a more like a writing coach, like she doesn't actually edit, but she sort of helps me figure out the story and stuff. And there was one point when she was reading a draft, and there's a scene in the book. I don't know if it's a minor thing, but when my main character Cath, who there's a little romance in it. And when she's first together with this guy, and they're sort of rolling around in bed, the first draft that, the first version of it, she accidentally hit her head on the headboard, and then she's like, “Oh my god, are you okay?” And she was like, “no”. My coach was like, no, no. I don't want to be anxious that maybe this guy is a little violent. Like, no, no, you've got to take that out. I don't want to be anxious in the reading of this book. And it was such a minor thing that I think she was like...KJ Dell'AntoniaAnd you had him hit his head instead, right? Yeah.Karen DukessBecause I don't think anyone was going to worry that she's violent. But it was funny. It was like, she was very much like this book is, there are books where you want the reader to feel anxious, but she's like, this book is not that I don't want anxiety in this book you know?KJ Dell'AntoniaYeah, yeah.Karen DukessLike she's still concerned about Cath and her story. You can feel sad about what she learns, but not anxiety.KJ Dell'AntoniaYou know I think you've really put your finger on something, because that is exactly right. This book is a page turner, like you want to find out what happens. You want to be with the characters you want to it's a hang and it's like, like, I read something recently where, um, in the middle, you, I found myself sort of, I was still reading it because it was a good hang, but in the middle I was just kind of, like, I forget why we're here. I forget what I'm wondering. You're not really wondering anything, but I like it, so I'll keep this. Your book was not like that at all. This is a fantastic hang but you're right. It never, it's not... that's exactly right. It's not, it's not anxiety producing. And I think that's its own vibe. Like you can have romances that are fun and they're good, but they actually, you do have anxiety around, you know, like, how the characters are going to pull themselves out of this, or how they're going to feel or, yeah, and you can have them or you don't. I like that as, like, a sort of a line in the sand.Karen DukessYeah, yeah. And then I kind of thought about it as I continued, like, yeah, okay, that's right. We're not going to go to like, the really unsettling places.KJ Dell'AntoniaYeah. I mean, even if you really want to know what would what will happen, and you really want, like, the things that happen to turn out in satisfying ways, but it doesn't feel like, if they turn out in some like, there were a variety of available options, none of which felt horrible.Karen DukessYeah, exactly.KJ Dell'AntoniaThank you for that. Thank you for a lovely reading experience. So, what else did you take away? Like, what else did you change between the drafting of the book that does not end up being published, which you know, for all we know, is actually great, but the timing was really bad. What should you change?Karen DukessWhat changed for me... in writing?KJ Dell'AntoniaYeah, what are you changing? Did you change anything in your process?Karen DukessUm, I think I, I don't know if it was completely because of the experience with this book, but definitely it fed into it. Um, I worked with the same writing coach on the Russia book, and she keeps saying that book will be published someday. I'm like, yeah, maybe, maybe not. I don't really care, honestly at this point, but one thing that she really pushed on me, which I discovered in the writing of murder week, was really true, is that to be open and playful and just really to be creative, I needed that. I needed to be in the right mindset, like, I know your thing is always butt in chair, butt in chair. And it is true, you have to, you know, you have to push yourself to finish a novel. It's not easy. And there are times when you just have to push forward. But for me, in the drafting of it, like the butt in chair thing, for me, is more important in the revising and the final draft, when it's like, you've got to get through it, and you've just got to keep sitting there and doing it. But when I'm in this sort of creating stage, when I'm not sure what the story is, when I'm in those moods where I'm just like, sit down and work at this like, I don't write good stuff. I just don't. And she would sometimes say to me, like, if I would talk to her, and I was really angsty and I was really self-critical, or I don't like what I've written, or I don't know where I'm going with this, or whatever , she was really she would very much say, like, when you're in that kind of mood, just walk away. Don't sit at your computer. Like, that is not the time for butt in chair. That is the time for just go do something else and like, lighten up on yourself. And that was really true for this. And I'm trying to remind myself that as I work on the next novel that you know for me, being kind to myself and feeling playful and open is when I'm going to write the best stuff and surprise myself. And that applies whether I'm writing like a serious scene or a funny scene. And the tricky thing about it is, you know, it's always a little scary to write, so it's like, Am I walking away because I need to lighten up my mind, or am I just plain procrastinating?KJ Dell'AntoniaYeah, or am I walking away because I just don't know how to...Karen DukessSo, I think that is something though, that I do feel like I write better from a free place than from a sort of, like, grim, determined place.KJ Dell'AntoniaYeah, that makes sense.Karen DukessI think I was learning that and trying to learn that when I was writing the Russia novel, but it really came true with this one, which is why I think I was able to write it quicker, because it's actually, you know, the weaving together of the fake murder mystery and the real mystery and the arcs of all the different characters. Like, it wasn't simple putting all together, but yet it was simpler for me to write, because I was just looser about it.KJ Dell'AntoniaRight. I think you learned to trust that you would finish this, even if you didn't finish it today.Karen DukessYeah.KJ Dell'AntoniaDoes that make sense?Karen DukessYeah.KJ Dell'AntoniaI, yeah.Karen DukessAnd I just think, like, trusting the process is so important, you know. And I talk about this with friends in my writing group, you know, sometimes when you're like, working so hard to figure it out, because it feels good to figure the novel out before you write it, because then you don't have the anxiety of, what if I don't figure it out? But it doesn't always work best that way. I don't think, like, I think there are times for that, and there are times to just, like, just keep going and like, let it go a little and let some interesting things happen, and then you'll figure out how to put it all together for me anyway. But obviously I'm not a plotter kind of person, so...KJ Dell'AntoniaI think, yeah, I think that varies. But what's what I'm really hearing here is that, like, even you knew, okay, if I don't, maybe I don't sit down today. That doesn't mean I'm never sitting again, down again. And I think that is, that's part of what I struggle with in my like 1000 words a day. Just, just keep doing it time. And I, and I think I, too, have come around to the idea that I'm going to finish it like...Karen DukessYeah.KJ Dell'AntoniaI'm not. I'm not suddenly, you know, just because I only got to 700 words today, that doesn't mean tomorrow I'm going to be like, yeah, I'm not a writer anymore. Oops!Karen Dukess Yeah, exactly. Well, I think, and I think I've learned that, like, I can't tell you how many times, I mean, I've listened to your podcast forever, and, like, years ago, I would listen to it, and I would be like, Yes, I'm going to do the stickers, or, Yes, I'm going to do 500 words a day, or, Yes, I'm going to text a friend or you know, none of that stuff. I could never sustain it.KJ Dell'AntoniaIt doesn't work for you.Karen DukessI have no routine; I have no methods. But what I've learned now is like, but I get books done, so it's okay, like, yeah, I will sometimes go a couple days where I don't write, or I will, you know, think I'm on a routine of 500 or 1000 words a day for a while, and then I'm not, and that's okay, because it's just like, I know that I can still get them done in my crazy way.KJ Dell'AntoniaThat is what we have tried to start saying more often, is, listen, this doesn't work for everybody. If you're doing something different and you're getting the work done, then you're great, yeah, if you're doing something different and you're not finishing things, then maybe try this.Karen DukessYeah, well I remember, like, when I was working on The Last Book Party, right before I got kind of serious on it, I was in a writing group, and I was starting, then I was like, I was learning in the writing group through, finally being in a community with other writers. So, like everybody struggles. Published writers struggle. Really great writers struggle like and that, and I loved reading interviews with writers like I couldn't get enough of interviews and essays about writer's struggles, because I had to, like, keep convincing myself that like, my struggles didn't mean I wasn't a writer. But then there was one point where I remember making a rule for myself. And I was like; I am not allowed to read about writing if I haven't written that day. You know, spend a lot of time...KJ Dell'AntoniaYes.Karen DukessWorking on your novel, but what you're actually doing is like, reading about writing and reading interviews and listening to podcasts. So, it's like, I cannot listen to KJ's podcast until I've done some writing. So, I've had to, I have had to make some rules.KJ Dell'Antonia Yeah, well, that's, I mean, that's how you turned yourself into somebody who gets the work done, and now into somebody who has her own like now you have a way people ask you, so what's your process? How did you get this done?Karen DukessI don't think anyone has tried my process, but yeah. And it can be different for every book, I guess, you know?KJ Dell'AntoniaHorrifyingly, I think that it can when you see pointed out, yeah, you that you knew how to write that book, that is so true, and that has been a huge thing for me, is to realize that even after writing a bunch of books, people still struggle, it's still hard, every book is hard. Every book has, I mean, we have a joke among the podcasts, you know, because you get to a point where you're like, okay, I hate this now, and we'll all be right, right-on target,Karen DukessExactly.KJ Dell'AntoniaBaby's developing nicely. Here's our 18-month checklist. Aww and you're crawling, and you hate your book. Yay!Karen DukessYeah, yeah. I don't think the process gets easier, but I think knowing that you can get through it makes it a little easier. Maybe it diminishes the panic a little bit like, you know, you'll figure it out. You'll figure it out.KJ Dell'AntoniaWell, this, I mean, this has been great. I'm sure it's going to be inspirational for everyone. It is inspirational for me, because I also... so I have a book that I worked on for the last year and a half, and I, we didn't, we didn't try to sell it because, because it's not very good.Karen DukessAre you still working on it? Or...KJ Dell'AntoniaIt's leaving, it's living. I make these gestures as though, like, there's like, a blobby object over here that is my, but is my finished, but also not revised and not good uh...Karen DukessI had this theory about books, like, it's the same theory I had with au pairs.KJ Dell'AntoniaOkay.Karen DukessWe had a lot of au pairs when my kids were growing up and I was working out of the home, you know, not writing. And I felt like every time I selected, you know, they would come for a year. One or two of them stayed for two years. But every time I selected a new au pair, it was in reaction to the problems of the other... the previous au pair. So, like, when I had an au pair that was like a horrible driver, so much so that we had to, like, get rid of her. Then I was like, okay, where is it hardest to get a driver's license? Germany. Okay, I'm having a German au pair, you know. Then I had, like, a German au pair who was great, but it was like, she was too, I don't know, whatever if I had an au pair, that was like, two lax, then the next one was like, oh, this person has, like, you know, worked in a boys school. I want that.KJ Dell'AntoniaRight? yeah.Karen DukessAnd I feel like, you know, I wrote Welcome to Murder Week because I had had this tough experience with this Russia novel. Then it was like, I'm going to do something really fun. So, and I don't know that I would have written that if I hadn't needed so badly to have fun. I don't know that I would have said, no, yeah, forget doing something, you know, serious or with some geopolitical things in it. I'm going to write a, you know, a murder week story. I don't know that I would have written it if I could have gone on that vacation and just had a great time and come back and not felt the need.KJ Dell'AntoniaWritten something else.Karen DukessSo, you know, maybe the one that's not working is going to lead you to write the next fabulous thing.KJ Dell'AntoniaWell, I hope I'm already well into... I'm well into something else, but, yeah, it's, you know, you spend a lot of time on something, not everything works. It's one of the reasons this is a terrible job, and you absolutely shouldn't do it unless you know, you can't do anything else,Karen DukessExactly.KJ Dell'AntoniaOr unless you really want to.Karen DukessYeah.KJ Dell'AntoniaThere. That's that. That's really good advice. That's going to make a great bumper sticker. All right. So have you read anything good lately besides Welcome to Murder Week, which, in fact, is what I will be raving about in just a second.Karen DukessUm, yes, I read a book called The Original by Nell Stevens. It out in June. She's a British writer, and it's really good. It's sort of an also kind of genre, blending the way my book is, but it's very different. It's like a gothic novel. It's set in an old house in England in the 1800's and it involves an orphan who's being raised by relatives, and she has an incredible talent for painting forgeries, and she sort of has this secret business in selling forgeries, but it also involves an imposter who returns from abroad in the family, and there's a queer romance in it, and it's totally unlike anything I've read, and very compelling.KJ Dell'AntoniaOof, I love that.Karen DukessIn a really compelling way.KJ Dell'AntoniaAnd by the time people hear that, that this, this will either be out, or like, buy your next week self a present. That sounds great.Karen DukessYeah, it was very... it's very good. It's kind of like a rainy day book. You know?KJ Dell'AntoniaI love that. Well, I already raved about Welcome to Murder Week, but I'm telling you all, it's a real it's a real joy. I want to compare it to things. But there's almost like it's, I'll think of things that I that I want to...Karen DukessIt's hard to compare because it's not a traditional mystery,KJ Dell'AntoniaYeah, no, um, I feel like Clare Pooley's books are, and I can't even think of the titles of them, but that, yeah, that is kind of ringing the right bell for me. I don't know who else a little bit of the like the murder, like, if you really thought The Murder of Mr. Wickham was super fun, which I absolutely adored, that is completely different, and yet also it's the same, like, it's the same... I think the vibe we're looking for here is page turner, no anxiety. And I love that. I love that for all of us...in England.Karen Dukess Yes, yeah.KJ Dell'AntoniaSo go grab this one. You're going to enjoy it, all right. Well, thanks so much. This was really fun. Thank you for being so open, and not just, you know, wandering around saying, well, I just it took me six years to write this because it's very good.Karen DukessYeah, I have to say, you know, I think that writers should talk more often about their failures. And by that...KJ Dell'AntoniaYeah.Karen DukessI mean, like novels that they wrote and abandoned, or novels that they wrote and tried to get published and couldn't, because it was only until I wrote this Russian novel and didn't sell it, and I would mention it to people. Then all these writers I knew, and people I knew, you know, would suddenly tell me about their own published novels. And I was like, why did I know about this beforehand? There's no shame in it... you know? It's a tough business. It's a tough business. The writing is tough; the publishing is tough. And now I'm like, oh my god, like so many writers I know have novels that did not get published, and for whatever reason. And I'm sure many of those novels are great novels, and but knowing that you know the journey of being a writer, just like I don't know a single author who hasn't like lost their editor at some point, you know, their editor leaves. Then they find a new, you know, be assigned to a new editor. That happens everybody, and I realize how many people have novels that did not see the light of day, and it was comforting to know it. So, I think people should be more open about it.KJ Dell'AntoniaI think we just are afraid that, you know, a reader will hear, well, I don't know if she's capable of writing something... that doesn't work, maybe it's not very good, which readers aren't listening to anything. They can barely remember our names. They just know if the book sounded good and someone pressed it into their hands.Karen DukessYeah, had a great cover.KJ Dell'AntoniaYeah, had a great cover. Yeah, all, all of the things, and it's just, it's, it's just a little scary to admit, because I guess one of the scary things about it, of course, admitting that that has happened means it could happen again. And hey It could! Oh well.Karen DukessYeah, but I've survived it. So...KJ Dell'AntoniaYou've survived it, you would survive it again. And also, it didn't happen this time. Welcome to Murder Week is great, and everyone is going to be sitting with it by the pool looking very happy. This is my wish for you. All right?Karen DukessThank you. Thanks so much KJ.KJ Dell'AntoniaOh, thank you. Hey, anywhere people should follow you? Oh, you have a Substack. What is it? I love it!Karen DukessI have a Substack. I mean, I think on Substack you can find it by my name Karen Dukess, it's, I don't know... it's called, “Keep Calm and Carry On”, but I think you can just look me up by name on Substack, and I am on Instagram more often at Karen Dukess, as I post about books that I'm reading all the time. Obviously, there'll be a lot of quarter week stuff, but I try to, you know, I'm reading eclectically and all the time. So, I'm always posting about books. Those are probably the best places to find me. And I have my website with all my events on it.KJ Dell'AntoniaIt'll be linked. It'll be linked.Karen DukessGreat.KJ Dell'AntoniaHopefully I can get to something... all right. Well, thank you so much. And all you listeners out there, I mean, you know you do you, but in some way, keep your butt in the chair, hey and or your head in the game.Jess LaheyThe Hashtag AmWriting podcast is produced by Andrew perilla. Our intro music, aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Send us a textFr Joe Krupp talk of the Church's teaching on IVF and the Half-Caths in today's world of social media.Check out the JIBM Web site at:  https://www.joeinblackministries.com/Please use the following link if you would like to financially support Church of the Holy Family: https://pushpay.com/g/hfgrandblanc?sr...

This week Cath returns to the topic of meeting our needs and how much this can involve when we have not had our needs attended to or met in childhood. She speaks about how many of us experience shame in relation to our needs and how impactful this is. Cath speaks to the nuance around meeting needs, how needs may shift over a healing journey and she shares a couple of anecdotes from her own life.If you're enjoying this podcast. Please leave a review and rate the podcast, this really helps others to find it.To sign up for the journal prompts and Nurture.Heal.Grow (on Substack) please head to www.cathcounihan.com or @cathcounihan on Instagram. Follow Cath on social media here:Instagram: @cathcounihanSubstack: Nurture.Heal.GrowFacebook: Cath Counihan Hosted on Acast. See acast.com/privacy for more information.

In episode 136 Cath is joined by author, coach and podcast host Mara Glatzel.This is a rich conversation centered on needs and how we can make space for them, illustrated with stories from Mara's life. We also discuss ambition, grappling with achievement, choice and the decisions we need to make about how we actually spend our precious lives. Mara Glatzel (she/her) is a coach, podcast host, and the author of "Needy: How to Advocate for Your Needs and Claim Your Sovereignty." She teaches fellow needy humans to uncover the most vulnerable and true expressions of themselves, and learn how to deeply tend to their needs. Through her online programs, workshops, and retreats, Mara supports people to reclaim space for their own humanity and create ambitious lives filled with meaning, without abandoning themselves in the process. Find out more about Mara at maraglatzel.comIf you're enjoying this podcast. Please leave a review and rate the podcast, this really helps others to find it.To sign up for the journal prompts and Nurture.Heal.Grow (on Substack) please head to www.cathcounihan.com or @cathcounihan on Instagram. Follow Cath on social media here:Instagram: @cathcounihanSubstack: Nurture.Heal.GrowFacebook: Cath Counihan Hosted on Acast. See acast.com/privacy for more information.

This episode of 'The Heart Of It' is a barrel of laughs. Ali is joined by BFF Cath Mahoney and lets just say these two bring out a cheeky side of each other (emphasis on cheeky). Being 50 and single wasn’t exactly where Cathy Mahoney thought she’d be at this stage of life — but she’s embraced it with open arms and an open mind. From dating apps and kink platforms to some truly wild (and hilarious) encounters, Cath is diving headfirst into the dating world and discovering a bold new side of herself. Even attending a BDSM workshop — because why not? This episode is a raw, funny, and empowering look at exploring sexuality, identity, and self-worth later in life… and doing it all unapologetically. LINKS: Follow Cam @camerondaddo on Instagram Follow Ali @alidaddo on Instagram Follow Nova Podcasts @novapodcastsofficial. Follow Cath @cathrinemahoney on Instagram CREDITSHost: Cam & Ali Daddo Senior Producer: Xander CrossManaging Producer: Elle Beattie Got a question for Cam & Ali? You can email them at:Theheartofit@novapodcasts.com.auSee omnystudio.com/listener for privacy information.

In episode 135 Cath was joined by coach and author Tamu Thomas. We had a joyful and generative discussion covering so much: overworking, why we do it, how we have to redefine success for ourselves and live in line with our values, envy and comparison, friendship and much more.Tamu Thomas is an author, keynote speaker, and leadership consultant. She helps high-achieving women stop overworking and redefine success so it fuels their ambition without eroding their quality of life. Her work helps leaders create workplaces people want to be part of where they can do their best work without needing a sabbatical to recover from burnout.With 15 years in social work and expertise in behaviour change, Tamu brings a unique ability to translate complex human dynamics into practical, organisational strategy. Her approach is informed by Polyvagal Theory and Positive Psychology, helping organisations build cultures where highperformance and wellbeing coexist.Tamu is known for her work on the biology of belonging, demonstrating how nervous system safety underpins psychological safety, inclusion, and sustainable high performance. She helps leaders understand how culture is experienced in the body, and how signals of safety or threat directly shapebehaviour, retention, innovation, and growth.She has a rare ability to make complex, often uncomfortable topics feel accessible, engaging, and even joyful, blending science, storytelling, and personal insight to connect with diverse audiences. Her talks create shared understanding, making people feel seen and supported, while deliveringmindset-shifting insights with warmth, clarity, and practical relevance.She is the author of Women Who Work Too Much, a guide for women ready to stop proving their worth through exhaustion. Her work has been featured in Harper's Bazaar, Stylist, Psychologies, Marie Claire, Grazia, and on BBC Sounds.Tamu works with leaders, founders, and organisations to create cultures where performance is sustainable, people feel seen, and success is measured by more than output alone.For speaking engagements, leadership consulting, and media enquiries, contact tamu@livethreesixty.comOr follow her on Instagram here.If you're enjoying this podcast. Please leave a review and rate the podcast, this really helps others to find it.To sign up for the journal prompts and Nurture.Heal.Grow (on Substack) please head to www.cathcounihan.com or @cathcounihan on Instagram. Follow Cath on social media here:Instagram: @cathcounihanSubstack: Nurture.Heal.GrowFacebook: Cath Counihan Hosted on Acast. See acast.com/privacy for more information.

Decoding Pulmonary Hypertension: Echo and Cath Insights for Pulmonologists. Dr. Marc Simon shares his expertise on diagnosing pulmonary hypertension, emphasizing echocardiographic markers, right heart catheterization pitfalls, and risk stratification with the H2FPEF score. His insights help clinicians refine their diagnostic approach for better patient outcomes. This Special Edition episode is sponsored by Liquidia. View PDF Slides here.  Learn more about pulmonary hypertension trials at www.phaware.global/clinicaltrials. Engage for a cure: www.phaware.global/donate #phaware Share your story: info@phaware.com Like, Subscribe and Follow us: www.phawarepodcast.com. #phawareMD #PHILD @Liquidia_Corp @UCSFCardiology @MarcSimonMD @CalThoracic

In this week's Shrink Chat, we're back with our signature blend of horror news, quick-hit reactions, and Horror Facts with Cath trivia! We dish out our rapid-fire takes on a batch of horror films, from weirdly wonderful to just plain "what the hell did we just watch?" — including:

Well ello there! We missed you! Thanks for stopping by and yes, yes we got the goods. We got all the good randomness daily dose of things you didn't know you needed to know. We get deep into poop in gardens, life subscriptions, ai slop, kitty rescues, starfish lovers, iced out cubes, bollywood, under the hood, and much much much more? If we didn't then it wouldn,t be LMP. We keep it fresh for you in this one and we hope you enjoy it. Cath you on the next one love bugs...

On this episode of Proof-of-PR, Opinion Editor for Cointelegraph Cath Jenkin joins Co-host Nikki Brown to discuss journalism in the crypto industry. Cath dives into what makes good Op-eds, the importance of a human perspective in the world of AI, the value structure gives opinion pieces, tips for PR professionals engaging with journalists and so much more!  To stay up-to-date on upcoming guests and news by following us on Twitter at @ProofOfPR.  #ProofofPR #Podcast #Crypto ●▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬● ⏰ Timestamps: 0:00 | Intro 0:38 | Who is Cath Jenkin? 6:30 | Positivity & excitement of the Crypto industry 10:06 | What makes a good opinion piece?  18:11 | Importance of the Human Perspective (Not AI) 21:09 | How to properly leverage AI in journalism 23:30 | Value of structure in opinion pieces 24:23 | Opinions vs Facts 29:27 | Value in Expert Opinions & Advice 32:45 | Tips for PR professionals on working with journalists 40:10 | Purpose of Crypto is to make life better 41:56 | Final thoughts from Cath Jenkin ●▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬●

In this episode Cath was joined by Julianne Boutaleb. We discussed fertility journeys, fantasies of ourselves and our babies, how a fertility journey can impact what we believe we are allowed to feel/think and experience in our mothering journeys and so much more. Julianne used poetry to deepen our understanding of the complexities inherent in motherhood and we discussed the importance of right brain to right brain interactions and more!Julianne is the Clinical Director and Founder of the Parenthood In Mind practice. She is a passionate and highly experienced perinatal psychologist who has worked for over 24 years in the NHS and private practice with parents and parents-to-be and their babies (and bumps) who have needed support with a wide variety of issues including anxiety and depression during and after pregnancy, miscarriage and reproductive loss, attachment issues, re-emergence of childhood issues and couples issues.Julianne is a member of the Birth Trauma Association and specialises in working therapeutically with birth trauma, PTSD and tokophobia (fear of giving birth) as they impact the mother, couple relationship and parent-infant attachment. In addition, she is also affiliated with BICA (British Infertility Counselling Association) and offers tailored psychological interventions for individuals and couples (including same sex couples) who are pregnant or are parenting following ART (IVF, ICSI, donor conception, surrogacy) or adoption. She also specialises in offering psychological support to parents (either individually or together) who are co-parenting in the midst of separation and divorce. She has over 15 years' experience teaching and training psychologists and health professionals on issues of parental mental health, attachment, early years and positive mental health for babies and young children.Julianne works from a variety of perspectives including psychodynamic and attachment models, CBT, integrative, ACT and compassion-focussed work, couples work and can also offer parent-infant sessions using the Watch, Wait & Wonder model which focusses on how you can improve your attachment relationship with your baby.You can connect with Julianne on Instagram here. Or her website listed here.If you're enjoying this podcast. Please leave a review and rate the podcast, this really helps others to find it.To sign up for the journal prompts and Nurture.Heal.Grow (on Substack) please head to www.cathcounihan.com or @cathcounihan on Instagram. Follow Cath on social media here:Instagram: @cathcounihanSubstack: Nurture.Heal.GrowFacebook: Cath Counihan Hosted on Acast. See acast.com/privacy for more information.

On Today's Menu:Opening chaos: Exploding water bottles, soggy notes, and John's retirement unraveling.Crudo Confessional: John's Italian seafood trip sparks a debate — true Crudo vs. Americanized ceviche.Burger Crawl Update: Final Four are locked — Delmonico, Mae Daly's, Peter Luger, and Nicco's. Who's ready to burger down?Closures Galore: Farewell to Hogs & Heifers, Chamana's Café, Mr. Chow, Cathédrale at Aria, and… Giada's?!New Openings: Pisces at Wynn stuns (and steals Ash's heart), plus Zaytiny by José Andrés, and Nudo Italiano in Southern Highlands.Where We've Been: Reviews of Pepper Club, Pisces, Chin Chin, Café Landwer, Bar Boheme (French-approved!), Eureka!, Monzù – Italian Oven + Bar, Laos Thai Street Food, & 00 Pie & Pub.Bread & Butter: Bar Boheme's sourdough croissant pull-apart bread? Life-changing.Pet Peeves Unleashed... Ash: Tap water ice in premium sparkling water — stop it. And plastic “cast iron” dishes — why tho?John: Pre-ground pepper in diners — a culinary tragedy since childhood.Sam: Paper table cloths on top of white linen table cloths. Booze Talk: Rum makes you happy, vodka makes you boring, and mezcal is just… no.Bonus Bites: Todd Avery Lenahan's luxe Pisces design, Greek family business warnings, and a teenager's podcast roast.Email us at cheers@eattalkrepeat.com: hate mail goes to John, praise goes to Ash, and Sam just wants his duck confit, thanks.Thanks for tuning into today's episode! If you enjoyed this episode, subscribe to the show, & make sure you leave us a 5-star review. Visit us at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Eating Las Vegas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Eat. Talk. Repeat.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on social:Twitter/X:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@EatTalkRepeat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@EatingLasVegas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@AshTheAttorney⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@EatTalkRepeatLV⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@JohnCurtas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@AshTheAttorney

On this episode of Bongino Report: Early Edition, Evita and The Blaze Senior Editor Christopher Bedford delve into the explosive reactions to the election of Pope Leo XIV: is he the staunch traditionalist Catholics hoped for, or a globalist pawn pushing leftist policies? Together they break down his stances on abortion, immigration, and the Latin Mass, his controversial ties to Cardinal McElroy, and his role in the removal of Bishop Strickland. Plus, what does his political activism mean for the future of the Catholic Church? Check out our amazing Sponsor Patriot Mobile - Go to Patriot Mobile.com/EVITA or call 972-PATRIOT and get a FREE MONTH of service on sign up with code EVITA.  Read The New Pope's Far-Left Takes On Immigration, Climate, Covid, And Race Relations NEW: Trump congratulates Pope Leo XIV as first American to serve Learn more about your ad choices. Visit podcastchoices.com/adchoices