Podcasts about jack norworth

“Take Me Out to the Ball Game” by Albert von Tilzer and Jack Norworth is America's second national anthem. Many Americans don't even remember learning it because it is such a natural part of childhood. But worldwide it's not known very well, and even the biggest baseball fans may not know that this song has … Continue reading "182 – Take Me Out to the Ball Game . . . has verses?"

Over a year ago, Chicanx futurist artist Ruben Briseño Reveles grappled with a choice: either his job or his mental health and well-being. He decided to make a leap into a new life when he left his restaurant job of 20 years. His is one of many stories of great resignations in the face of the events of 2020 and 2021, and we talk with Ruben about what he's learned during this time — about his art, his spirituality, and his relationship to his family.In this episode, we conduct a live tarot reading with Ruben during the portal of Dia de los Muertos, or Day of the Dead, which occurs this year between the solar and lunar eclipses of the latter half of 2022. The reading touches on the practicalities of making a living as an artist and the role that prayer and ancestry have in keeping us steady in periods of change.Five and Nine Season 2 is about transitions. As falls sets in in the northern hemisphere and spring in the south, Five and Nine looks at change in all its forms — leaving jobs, changing industries, starting new paths, and the wisdom that tarot and magic have to offer in a world that seems to be ever in flux.ResourcesFrom Our Guest and Hosts* Ruben Briseño Reveles* Being Peace, by Thich Nhat Hanh* Tarot DoulaTarot Cards Discussed* Two of Swords* Four of Pentacles* Queen of Swords* Queen of PentaclesMusic* Episode: Shine on, harvest moon barn dance, performed by Arthur Pryor's Band in 1910 and composed by Nora Bayes and Jack Norworth.* Outro: Ain't we got fun, composed by Richard A. Whiting and performed by the Benson Orchestra of Chicago, 1921.Enjoying the show? You can support us in three ways:* Subscribe now for just $6 per month and get access to our paid programming. This podcast is always free, but paid subscribers will get access to special content, including how-to's, journaling exercises, tarot suggestions and more. Your generous support also helps cover our costs, which include honoraria for our guest speakers, software subscriptions and our time. With enough support, we'll also be able to bring back written transcripts for the show.* Recommend this show to others. Do you know anyone who you think might enjoy this podcast? Send them a link. Ask them to tune in. You can send them snippets of our shows on Instagram, at @fiveandnine_podcast.* Leave us a review on Apple or Spotify. Reviews help bring visibility and credibility to indie podcasts like ours and help people know what to expect when tuning in.Five and Nine is a podcast and newsletter at the crossroads of magic, work and economic justice. We publish “moonthly” — every new moon

“Buy me some peanuts and Cracker Jack” is undoubtedly the most famous line from the ditty, "Take Me Out to the Ball Game." To the makers of Cracker Jack the line has certainly been the most valuable. Someone once tried to figure out the worth of the musical plug by comparing it to the cost of buying advertising on the outfield walls of every major league stadium and concluded that such a campaign would cost roughly $25 million a year. “Take Me Out to the Ball Game” furnishes Cracker Jack the equivalent every year for free, making the song the greatest product placement scheme in the history of marketing. The songwriters, Jack Norworth and Albert von Tilzer, probably had little idea how profitable their song could be when they composed it, decades before either of them would ever attend a major league game. The idea for the ode came to Norworth as he was riding the New York subway when he spied a sign promoting a Giants game at the Polo Grounds. Since then the song has been performed

This was a wonderful episode to produce, even if it was tricky. If you would like to learn all of the things that I didn't get too in this episode, like some of the wonderful names nickelodeon's had, I really can't recommend At The Picture Show: Small-Town Audiences and the Creation of Movie Fan Culture by Kathryn Fuller enough. I wish their was an audio book for it (but I feel that way about every book). A couple of clarifying points–I assume the "Latin races" that were talked about the quote from the beginning of the episode were intended to be in reference to people of ethnically Italian origin. Im fairly confident about this, as I don't think that LatinX people were a major minority population the metropolitan centers of the Northeastern United States at the turn of the 20th century. People of Italian origin, however, defiantly were, which is the basis of my assumption. I use the term "Latin races" as a segue to talk about LatinX peoples in the Southwestern United States, but by doing so I was removing the term form its original context. Women were not common in Nickelodeons of the South and Midwest, but undoubtedly some women, on rare occasions, would have seen movies. I'm not aware of any legal blockade against women attending movies, as was the case with the black populations of the South, but rather extremely powerful social and religious conventions.  Sill, for all intents and purposes, as I state in the show, nickelodeons in these regions were dominated by white men and boys. The song I played in the show was "Let's go into a picture show" as preformed by Byron G. Harlan. It was written by Jack Norworth, and was released as an Edison Phonograph record in 1909. If you would like to listen to the song in full (I didn't play the first verse in the show) you can look it up on youtube, or, as I did, the USBC Cylinder Audio Archive. 

After the KDIK 690 AM radio station is destroyed by a dangerous leak, the crew hits the road and has to improvise a radio broadcast on the move. When their van breaks down, they're tasked with capturing the notorious western villain, Ticklin' Jim, to earn a ride back into town. Written, voiced, composed, performed, recorded, mixed, & mastered by Mike Pridgen Guest Starring Avery White as Police Officer (@AveryVideo) Featuring Brian McGuinness as himself (@LaughAtBrian @PlayablePodcast) "The Troublin' Tale of Ticklin' Jim" Music written and performed by Mike Pridgen "I Wipe Back To Front" Music written and performed by Mike Pridgen "Take Me Out To The Ballgame" Written by Jack Norworth and Albert Von Tilzer (1908) Performed by Mike Pridgen Radio Archive Theater is part of the All Serious Network of shows https://www.facebook.com/AllSeriousNetwork https://linktr.ee/Mikepridgen --- Send in a voice message: https://podcasters.spotify.com/pod/show/radio-archive-theater/message

Many of the proteins in our bodies contain metals that serve as drug targets, but successful treatment depends on establishing a lock-and-key relationship between the metal and the pharmaceutical.Edward Snell, president and CEO of Hauptman Woodward Medical Research Institute and a professor in the UB Department of Materials Design and Innovation, explains how his research team has discovered how to efficiently and accurately identify the molecules central to our understanding of biological processes and treating diseases.Music by audionautix.com; “Take Me Out to the Ball Game” lyrics by Jack Norworth, composer Albert Von Tilzer, sung by Edward Meeker, published by Edison’s National Phonograph Company

Hi. This podcast was recorded Sept 13, 2019, which was (is) a full moon in Pisces as well as Friday the 13th. PHEW. Here is some small magic for this spooky moon. The song at the beginning is a mangled version of Harvest Moon, by Neil Young, and then sung by me and my robot backup singer. I hope it's derivative enough that Neil will help a fellow Canuck out and just let me have this. The song at the end is a mangled version of Shine On, Harvest Moon (1908) by vaudeville duo Nora Bayes and Jack Norworth. It's Creative Commons, and also they're dead so they can't sue me. But it is a Pisces full moon, so they might haunt me for copyright infringement. I'll leave them an offering. Please send feedback or questions to sadwitchpodcast@gmail.com . Connect with me on Facebook or Instagram @sadwitchpodcast Send me a tip at paypal.me/sadwitchpodcast

Sometimes the greatest, or our most cherished art, comes to us...rather than us to it. Whether it be paintings, photographs, sculptures, or songs. These pieces of art, timestamps of history, are often not premeditated but instead they are the results of an immediate inspiration. Maybe it’s something the artist hears from the conversation of a passerby that he or she determines would make a great story. Maybe it’s bombs exploding like fireworks overhead during a time where the artist wasn’t even sure they would make it out alive. Or Maybe, just maybe, it’s an advertisement for a ballgame at the Polo Grounds.

In this first episode of Music in 2Flavors I interviewed, Katherine Walden, a junior fellow at the Library of Congress, Music Division here in Washington DC. We talked about her two passions: music and baseball and how each other were intertwined in early 1900. Music and baseball in the late 1800’s and early 1900’s were much different of today’s business scenario. Music were an essential part of vaudeville shows and the profit were made, mainly, thru the sales of music sheet. That is when Jack Norworth and George Cohan names popped –up in our interview. Two savvy impresarios that tried to take advantage of publishing music marketing and only one prevailed with Take Me Out to the Ball Game. I hope that you will enjoy this episode as I did while listening to it while editing it. Grab your pop-corn or any of your goodies and sit back and relax while you listen to Katherine Walden. To learn more about my podcast, you can follow me on Twitter @Music2Flavors and Facebook https://www.facebook.com/Musicin2Flavors/. Please visit my website www.musicin2flavors.com and subscribe.

In this first episode of Music in 2Flavors I interviewed, Katherine Walden, a junior fellow at the Library of Congress, Music Division here in Washington DC. We talked about her two passions: music and baseball and how each other were intertwined in early 1900. Music and baseball in the late 1800’s and early 1900’s were much different of today’s business scenario. Music were an essential part of vaudeville shows and the profit were made, mainly, thru the sales of music sheet. That is when Jack Norworth and George Cohan names popped –up in our interview. Two savvy impresarios that tried to take advantage of publishing music marketing and only one prevailed with Take Me Out to the Ball Game. I hope that you will enjoy this episode as I did while listening to it while editing it. Grab your pop-corn or any of your goodies and sit back and relax while you listen to Katherine Walden. To learn more about my podcast, you can follow me on Twitter @Music2Flavors and Facebook https://www.facebook.com/Musicin2Flavors/. Please visit my website www.musicin2flavors.com and subscribe.

Baseball is a game that is identified with food. We even sing about it at every ballpark during the seventh inning stretch: “….buy me some peanuts and Cracker Jack…” The famous song was written by Jack Norworth in 1908. During the 2014 baseball season, Bennett Jacobstein and his wife traveled to each of the major … Continue reading Bennett Jacobstein The Joy of Ballpark Food →

In which we chill out. Main Theme from 'The Sporting News Baseball' by K-Byte (partly on Take Me Out to the Ballgame by Jack Norworth and Albert Von Tilzer, and the other part used by Canadian Sketch group LoadingReadyRun); Lullaby by _ghost, Afternoon Snooze by Alec Holowka from Crayon Physics Deluxe by Kloonigames; The Shape of Things to Come and Forecast Fire by High Skies from Osmos by Hemisphere Games.

BIG FLY BASEBALL RADIO HOUR - FRIDAY, APRIL 5,  2013 A CELEBRATION OF BASEBALL ENTERTAINMENT SPECIAL GUEST: FORMER MLB PLAYER, BILLY SAMPLE YOUR HOST: CHRIS LUTKIN BIG FLY BASEBALL RADIO HOUR PROGRAM RAPHAEL BADAGLIACCA  - THE YOGI POEMS & OTHER CELEBRATIONS OF LOCAL BASEBALL Author Raphael Badagliacca reads from his book, “The Yogi Poems,” a collection of 25 stories and poems is for anyone who loves baseball. http://www.theyogibook.com/ BROOKLYN BRAD – CASEY AT THE BAT Brad "Brooklyn" Shaw, President of the Flemington Neshanock Base Ball Club and historian of the MAVBBL and VBBA (Vintage Base Ball Associations), performs his rendition of “Casey at the Bat”  by Ernest Lawrence Thayer (1888). Brad will also share insights on playing in Vintage Baseball leagues in the area, including his team, the Flemington Neshanock, from Huntington, NJ.  Chris Lutkin also plays Vintage Baseball, for the Hoboken Nine. The Hoboken Nine are partially sponsored by the Hoboken Historical Museum. http://www.neshanock.org/ www.HobokenNine.vbba.org A READING FROM SCREENPLAY ‘BULL’ Written by Chris Lutkin and Enrico Falconi / Directed by Enrico Falconi CAST: Johnny Lancaster as Bull Smith Brian Kelly as Honus Wagner Jack Mulcahy as Pittsburgh Pirates Manager Fred Clarke Enrico Falconi as Umpire Silk O’Connor “Field of Dreams” meets a modern day "League of Their Own" in this new feature film screenplay, “Bull.” Seen through the eyes of a troubled 17-year old All Star athlete, we uncover the life of her Great Great Grandfather, "Bull," a real life ball player from a bygone era. https://pro-labs.imdb.com/title/tt2609368/filmmakers http://www.bullsmithmovie.com/ MORTY’S SONG by LEFTY The Big Fly Baseball Radio Hour is proud to host LEFTY as our first House Band. LEFTY IS: Todd Montgomery, guitar, vocals Todd Grapes, guitar, harmonica, percussion Dave Bergman, flute Bridget Hayes, percussion, vocals In addition to music throughout the show, Lefty performed a special song honoring anyone who ever played softball in Central Park: Morty’s Song. Morty Gilbert has been playing Softball on the Hecksher Fields since WWII. Now 82 years old, he still holds the permit for Sundays at 11am; he no longer pitches but still bats in his games.  Diana Gross has made a documentary, "The Regulars," about Morty and his longest running (and one of the last) pickup softball games in Central Park.  Please go to the website to donate or get more info:  www.TheRegularsDocumentary.com BILLY SAMPLE  - REUNION 108 INTERVIEWED by JACK MULCAHEY “Reunion 108” is a full-length, comedy feature film that promises to be a no holds barred behind the scenes and in your face look into the world of professional baseball. Billy Sample is a former professional baseball player who played in the Major Leagues primarily as an outfielder from 1978-1986. Sample played for the Texas Rangers (1978-1984), New York Yankees (1985) and Atlanta Braves (1986). His new baseball comedy “Reunion 108,” based on many of his own experiences in baseball, comical and otherwise, will have its first showings at the Yogi Berra Museum in Montclair, N.J., on April 8. Jack Mulcahy is the epitome of the working New York actor with over 80 stage, screen and television credits.  He has starred in a wide array of feature films, from the award winning and critically acclaimed “Brothers McMullen” all the way back to the box office smashes of the “Porky’s” trilogy.  Jack has several films set for release in 2013, including “Stuck in the Middle”, a theological slacker comedy, and “Reunion 108”, a baseball comedy that’s certain to ruffle the feathers of baseball’s establishment. www.reunion108.com TAKE ME OUT TO THE BALLGAME - Led by Brad “Brooklyn” Shaw "Take Me Out to the Ball Game" was written by Jack Norworth in 1908 after seeing a subway add for the NY Giants.  The music was by Albert Von Tilzer. Neither had ever been to a baseball game.

Durango-Silverton RR Dec 01 | 24 bit (1:33)Hi, and welcome to the Open Licensed Music Podcast, the show where we highlight music from artists who let you share their music.  I'm Ralph Wacksworth, and today's episode is featuring steampunk music.  A bunch of the songs this week have vocals, but there are also a bunch of instrumentals, too.  So let's get started!The Watchmaker's Apprentice (5:41)Fig Leaf Rag - distressed (3:29)Battle In The Sky - A Steampunk Orchestra (3:01)Eighteenth Century (1:51)"Epic" Orchestral Piece (3:00)The Clockwork City (12/14) (1:55)Frost Waltz (2:18)That was a chunk of Durango-Silverton RR Dec 01 | 24 bit by BoilingSand, which is available from FreeSound and is licensed under an Attribution license.  If you ever get a chance to ride the Durango and Silverton, it is an excellent ride and well worth it to go see.  After that was The Watchmaker's Apprentice by The Clockwork Quartet, which is available from their website at clockworkquartet.com and is licensed under an Attribution Noncommercial Share-Alike license.  Then we had Fig Leaf Rag - distressed by Kevin MacLeod, which is available from incompetech.com and is licensed under an Attribution license.  Next up was Battle In The Sky - A Steampunk Orchestra by Walid Feghali and Eighteenth Century by Niklas Stagvall, which are both available from SoundCloud and are licensed under an Attribution Noncommercial license.  After that was "Epic" Orchestral Piece by Steven O'Brien and The Clockwork City (12/14) by David Cordero Chang, which are both available from SoundCloud and are licensed under an Attribution license.  And finishing up was Frost Waltz by Kevin MacLeod, which is available from incompetech.com and is licensed under an Attribution license.Although I'm a big fan of open licensing, I also very much enjoy music from artists who are either independent or are on labels which kind of buck the trend of seemingly the majority of the mainstream music industry and actually like the fact that they have people listening to their music.  And with steampunk music, although I can't play it on here, there is a lot of really good stuff either direct published or on small labels.  A few songs I can heartily recommend listening to include:- Airship Pirate by Abney Park- Steph(v)enson by The Men That Will Not Be Blamed For Nothing (who actually released a version of that album on wax cylinder)- All Hail the Chap by Mr. B The Gentleman Rhymer- I Want Only You by The Cog Is Dead- Just Glue Some Gears On It (And Call It Steampunk) by Sir Reginald Pikedevant, Esquire- Roustabout by Beats Antique- and Lament for a Toy Factory by Dr. SteelMost of this week's music was chosen more for a mechanical sound than for anachronistic style combinations.  Stuff that just sounded to me like it went well with a slow speed reciprocating engine.  Not everyone considers the same things "steampunk music", since it's not a particularly well-defined genre, but this kind of thing falls pretty squarely into that category for me.Steam Train Interior (2:16)Railroad (1:42)Atom Hub Toolshed_contextual_demo (0:36)Tim Reed - Four Miniatures for Violin and Cello Duo (excerpt 1) (1:01)Clockwork Symphony (2:30)04 A Garden in Italy - The Archive Box - Stereochemistry (4:10)That was a chunk of Steam Train Interior by allh, which is available from FreeSound and is licensed under the CC0 license.  After that was Railroad by Jake Tickner and Atom Hub Toolshed_contextual_demo by Walid Feghali, which are both available from SoundCloud and are licensed under an Attribution license.  Then we had Tim Reed - Four Miniatures for Violin and Cello Duo (excerpt 1) by Tim Reed, which is available from SoundCloud and is licensed under an Attribution Noncommercial license.  Next up was Clockwork Symphony by Psarius and finishing up was 04 A Garden in Italy - The Archive Box - Stereochemistry by stereochemistrymusic, which are both available from SoundCloud and are licensed under an Attribution license.Today's app-of-the-day is OpenTTD, a transportation network simulator where your job is to build a system of road, rail, air, and ship routes to connect together towns and industries to move people and goods around the map in the most efficient way possible.  It's a little like if you took just the transportation components of a city simulator and extended it into its own game.  For example, not only do you build train stations and tracks, but the terrain of the tracks will slow down your trains if they hit a hill.  You also have to do regular maintenance on your vehicles and even build their routes and schedules.  I'll admit I'm pretty terrible at playing it, partially due to my propensity to overuse trains instead of other forms of transportation, but I still have a lot of fun playing it.  It's available for Linux, BSD, OpenSolaris and OpenIndiana, AmigaOS and MorphOS, BeOS and Haiku, OS/2, RISC OS, Android, PalmOS, Symbian, Nintendo DS, Wii, PSP, Apple iOS, Mac OS X, MS-DOS, and Microsoft Windows.  Download it today at openttd.orgNow for a short noncommercial break from one of our nonsponsors followed by more music.20000 Leagues under the SeasTower Bridge old machine room (1:00)CONCERNS (3:36)Monomental (3:20)Prelude No. 7 in A major, Op. 2g on a crappy old, out of tune, upright piano (1:44)Shine On, Harvest Moon (1:55)Ain't Nobody's Business (5:44)Steampunk Girl (3:56)That was Tower Bridge old machine room by The London Sound Survey, which is available from SoundCloud and is licensed under an Attribution Noncommercial license.  After that was CONCERNS by AKAJULES and Monomental by aledjones_musics, which are both available from Jamendo and are licensed under an Attribution Noncommercial Share-Alike license.  Then we had Prelude No. 7 in A major, Op. 2g on a crappy old, out of tune, upright piano by Steven O'Brien, which is available from SoundCloud and is licensed under an Attribution license.  Next up was Shine On, Harvest Moon by Nora Bayes and Jack Norworth and performed by Bill Kramme singing with himself, which is available from SoundCloud and is licensed under an Attribution Noncommercial Share-Alike license.  After that was Ain't Nobody's Business by Porter Grainger and Everett Robbins and performed by Cryindtbuffkin, which is available from SoundCloud and is licensed under an Attribution license.  Finishing up was Steampunk Girl by John Anealio, which is available from his website at johnanealio.com and is licensed under an Attribution Noncommercial license.So, that's all for today.  Remember - piracy of commercial music only proves your dependence on that model and justifies further censorship and restriction.  So don't pirate it - replace it with something better.  Listen to open licensed music, donate to the artists behind it, go to concerts, and buy music from artists whose record labels don't see you as their enemies.  Support artists where your support actually counts.This episode was made using Gentoo Linux, Xubuntu Linux, Audacity, Audacious for organizing playlists, and Leafpad for notes, and is licensed under the Creative Commons Attribution Noncommercial Share-Alike license.  Feel free to give it to your friends, or if you didn't like it, your enemies.  Links to the songs in this podcast are available on the website.  Listen in next time for some celtic music.  See 'ya!Download MP3

Kyle Stallock and Matt Erazo join Eddie Inzauto and Jason Fanelli to talk downloadable content in Versus Node's 13th episode. The era of digital distribution is upon us, and more publishers are delivering DLC to consumers as a post-purchase transaction model to both profit from and provide for the gaming community. These passionate members of said community give their thoughts on which practices are actually good for gamers and which they'd rather see take a hike. They also examine a few specific examples to see if they're really worth the money, and discuss the player response to DLC and different ways we consume these products in general. Intro: "You Pay For What You Get" by Dave Matthews Band, 1994. Outro: "Take Me Out to the Ball Game" by Jack Norworth and Albert Von Tilzer, performed by Frank Sinatra and Gene Kelly, 1949. Links: GamerNode's Twitter - http://www.twitter.com/GamerNode Eddie's Twitter - http://www.twitter.com/EddieInzauto Jason's Twitter - http://www.twitter.com/BigManFanelli Matt's Twitter - http://www.twitter.com/mattamusprime Kyle's Twitter - http://www.twitter.com/coyotegrey 8bit Bar - http://8bitbar.com --- Send in a voice message: https://anchor.fm/gamernode/message