Podcasts about Sill

En este episodio revisamos el cubrimiento de los medios sobre el anuncio de la reanudación de las negociaciones entre el Gobierno colombiano y el ELN.También evaluamos la puerta giratoria de los periodistas que entran la mesa de negociación y cómo los medios explican la agenda de trabajo y la importancia de las relaciones con Venezuela.Produce: Sara TrejosAnálisis: Juan Álvarez, María Paula Martínez y Andrés PáramoPost: Rodrigo Rodríguez y Sara TrejosAsistencia de producción: Paula Villán de Sillón EstudiosSi quieres donar entra https://www.presuntopodcast.com/donacionesNOTAS DEL EPISODIORadio pública de Colombia: El silencio te hace cómplice. VolcánicasRTVC: MACHISMO FUERA DEL AIRE. Por VolcánicasLa despachada de Frank Pearl, el ex comisionado de paz que firmó la agenda con el ELN - A Fondo Con María Jimena Duzán | Podcast on SpotifyColombia y el ELN abren un nuevo camino a la paz con negociaciones en Venezuela CNNEln: la paz es ahora o nunca - Columnistas - Opinión - ELTIEMPO.COM Jose SerpaLas claves de la agenda de negociación con el ELN en Colombia El PaísEl gobierno de Petro y el ELN anuncian la reanudación de las negociaciones de paz desde Venezuela - BBC News MundoLa negociación de paz con el ELN: aciertos e incertidumbres La Silla VacíaJosé Félix Lafaurie y su rol en las negociaciones con el ELN: “Plantearé posiciones con independencia y respeto” - InfobaeMinCultura pidió más mujeres en negociaciones del Gobierno y ELN para “bajar la testosterona política”Paridad y diversidad: ¿qué traen las nuevas adiciones a la mesa con el Eln? | EL ESPECTADORLas razones de María Jimena Duzán para ir a negociar con el Eln - Proceso de Paz - Política - ELTIEMPO.COMLas mujeres y la paz total | Opinión | EL PAÍS Iván Cepeda Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Kiinan kommunistinen puolue on ketterä mastodontti. Sillä on lähes 100 miljoonaa jäsentä ja koko valtavan maan kehitystä kattavasti ohjaava moniosainen organisaatio. Se pystyy kuitenkin myös reagoimaan joustavasti haasteisiin ad hoc-tyyppisten johtoryhmien avulla. Tässä jaksossa yliopistonlehtori Outi Luova keskustelee Turun yliopiston Itä-Aasian tutkimus- ja koulutuskeskuksen johtajan professori Lauri Paltemaan kanssa Kiinan kommunistisen puolueen eri elimistä ja niiden vaikutuksesta sekä Kiinassa että ulkomailla Suomi mukaan lukien. Keskustelu perustuu keväällä julkaistuun kirjaan ”Kiinan poliittinen järjestelmä” (vastapaino.fi/sivu/tuote/kiinan-…arjestelma/3858480), jonka kirjoittajiin Paltemaa kuuluu. Jakson tekstivastine: https://www.utu.fi/sites/default/files/public%3A//media/file/Kiinan%20kommunistisen%20puolueen%20anatomia.Paltemaa2.pdf

En este episodio hablamos del cubrimiento de los medios sobre los días previos y la inuguración del mundial de fútbol Catar 2022. Evaluamos cómo desde el cubrimiento periodístico se habla de los problemas en la adjudicación de la sede, las denuncias por corrupción, la injustica y violación sistemática de derechos laborales y la no respuesta hacía las familias de las miles de víctimas y el debate sobre la defensa de los derechos humanos de las personas de la comunidad LGBTIQ. Produce: Sara TrejosAnálisis: Andrés Páramo, Santiago Rivas y María Fernanda Franco Luna. Post: Rodrigo Rodriguez y Sara TrejosAsistencia de producción: Paula Villán de Sillón Estudios.si te gusta este pódcast recuerda que puedes donar acáNOTAS DEL EPISODIOEL HILO: Qatar 2022: el costo humano del mundial más caro de la historiaQatar World Cup: Last Week Tonight with John Oliver (HBO)Catar 2022: la Copa del Mundo que cambió todo - The New York Times¿Está usando Qatar el Mundial de fútbol para blanquear su situación política?Catar: vergüenza mundial | Cambio ColombiaQatar 2022: la historia completa de lo que pasó y razón por la cual crece el rechazo contra la sede mundialista"Nuestros sueños nunca se hicieron realidad": los hombres que ayudaron a construir el Mundial de Qatar 2022 y ahora luchan por sobrevivirQatar 2022, un gol a los derechos: el coste humano de las obras del Mundial¿Mancha en la pelota? El polémico Mundial de Catar 2022 que está por iniciar | Cambio Colombia¿Cuántas personas han muerto por el Mundial de Catar? | Cambio ColombiaCesar Augusto Londoño defendió la realización del Mundial en Catar: “Es un país seguro, limpio y da oportunidades a migrantes” Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

I made a list of my favorite beauty, home decor and fashion items. Almost all of them are under $50. I also tried to choose somewhat timeless options and things that I know have been available for sale over the course of at least a few years. so that if you're listening to this in the future most of these Beauty: Dae cactus fruit 3 in 1 styling cream Merit flush balm cream blush thing rms living luminizer highlighter in color magic luminizer Zoya nail polish & cnd gel top coat — colors Adel and Shimmer CND Gel-Like Effect Long Wear Top Coat Olaplex no 5 or no 3 Kosas lipfuel hyaluronic acid lip balm Home Target Studio McGee Stoneware Glazed Plates Classic Farmhouse Stripe Kitchen Towels Flameless real wax battery candles Glass water bottle — veegoal or Contigo Wool dryer balls The Sill, Terrain or Ansel & Ivy for plants Blankets — West Elm chunky cotton knit throw Fashion Belt bag Embroidered sweatshirt on Etsy: "totally iced out" Mejuri jewelry DIFF eyewear sunglasses or blue light glasses Madewell bags nuuly subscription Other: Code Names Artifact Uprising gift card Family photo puzzle Power scissors Boxfox Stocking stuffer ideas: Beanie Card games Chocolate Hair accessories Ornament Socks Lotion Chapstick / lip gloss Mini beauty products

Marinen fyller 500 år! I år firas det på flera olika håll att Marinen fyller 500 år i Sverige. Malin Joakimson, arkivarie vid Riksarkivet i Täby, berättar om världsomseglingar, hur ingenjören af Chapman revolutionerade skeppsbyggandet och om skeppet Wasa - som inte sjönk under jungfrufärden. Jim Hedlund, Riksarkivet i Östersund intervjuar. Bild: Del av fotografi av Herman af Silléns tavla Sjöstrid, utbrytningen ur Viborgska viken, Viborgska gatloppet 3 juli 1790. Fotograf: Cecilia Nordstrand. Sjöhistoriska museet. Röster: Karl XI: Calle Retzell Kapten på båt Vanadis: Mathias Arbelius Musik: ES_Sea Adventure - Bonnie Grace

Hoy despedimos esta temporada conversando con Velia Vidal. Velia nos contó cómo construyó su colección de muñecas negras y sobre el rol que estas han jugado en su trabajo por crear una mayor y más auténtica diversidad en las representaciones de las personas afrodescendientes y sus relatos.Pero esta también es una conversación sobre rodearse de amor aún cuando uno no siempre puede rodearse de gente. Velia nos contó cómo las muñecas conviven con sus plantas, sus perros, sus gatos y sus libros para hablar de cómo podemos buscar registros del amor, la belleza y la intimidad más satisfactorios que los que nos llegan a través de categorías heredadas.¡Pasen a escuchar!

A new documentary is bringing a lost yet influential music star back into the spotlight. In the early 1970s singer-songwriter Judee Sill overcame drug addiction, time in prison, and the absence of her family, to become a pop recording artist. Signed to David Geffen's influential record label, Sill was all set for stardom but it never fully arrived. Though her music was loved by a large core of fans and especially by fellow musicians, she never found chart success and fell into obscurity before dying tragically young in 1979. Documentarians Andy Brown and Brian Lindstrom found Judee's music and have spent the past decade working on bringing her legend back to life. They've done that with the new brilliant documentary Lost Angel: The Genius of Judee Sill. Brian and Andy spoke with Wake Up Tri-Counties about the documentary on Tuesday morning.

Hablamos del cubrimiento a un caso terrible de abuso sexual en Transmilenio. De cómo los medios retratan o no la seguridad de las personas en el espacio público. Sobre las preguntas que nos hacemos para cubrir estos temas con enfoque de género, es decir, con una perspectiva que tenga en cuenta todas las variables: la política pública, ser mujer y la falla en todos los protocolos. También discutimos las prioridades informativas frente a las marchas en Transmilenio consecuencia de la misma incompetencia de las instituciones para darle una respuesta a Hilary Castro. Produce: Sara TrejosHost: Andrés PáramoAnálisis: María Paula Martinez y Santiago RivasPost: Rodrigo RodriguezAsistente de producción: Paula Villán de Sillón Estudios.

Från livesändningen den 5 november. - Under temat "Nyheter" pratade "Din dumma sill" om allt möjligt. Det vill ni inte missa! I studion: Aisha Sundgren, Lova Lindström, Lovisa Öberg och Lina Aili Spjälle.  Radiosvallet stöds av Studentkåren i Sundsvall (SKS) och Journalistförbundet Sundsvall (JFS).

Polven ojentajien, eli etureiden anatomia sekä treenaamisen perusteet kehonrakennuksellisesta näkökulmasta. 00:00 intro 03:57 kaupalliset (valmennuspalvelun toiminta) 07:44 etureiden anatomia 22:02 treenihavaintoja, virheitä, myyttejä 28:27 treenistrategia (liikemäärä, sarjamäärät jne.) 40:12 treenitaktiikka (toistotekniikka jne.) Valmennuspalvelutiedustelut: ellmen.mikko@gmail.com https://www.mikkoellmen.fi https://www.instagram.com/punttisaaga/ https://www.facebook.com/punttisaaga Keskusteluketjuni Pakkotoisto.comissa:https://keskustelu.pakkotoisto.com/threads/mikko-ellm%C3%A9n-punttisaaga.133387/ Punttisaaga-podcastit Soundcloudissa, Spotifyssa ja muillakin suosituimmilla alustoilla Tom Purvisin kyykkyluento: https://www.youtube.com/watch?v=Av3LO2GwpAk

Jorge se convirtió en crítico cultural cuando pudo integrar su afición por los cómics de aventura, los superhéroes y los juegos de rol con su conocimiento sobre el canon literario. Con él conversamos sobre su viaje por el universo narrativo de los cómics de superhéroes, desde sus primeras lecturas en Mataró, pasando por su experiencia como guionista de varios cómics, hasta los aprendizajes que le vienen ahora a través de las primeras lecturas de sus hijos. También hablamos sobre los distintos tipos de superhéroes, sobre las razones detrás del auge de las películas de Marvel y DC y de los matices de este fenómeno global.¡Pasen a escuchar!

Kvasaarit ovat kaikkein kirkkaimpia aktiivisia galakseja ja maailmankaikkeuden tehokkaimpia energiantuottajia. Valtava kirkkaus syntyy, kun niiden supermassiiviseen mustaan aukkoon valuu ainetta niin sanotusta kertymäkiekosta. Mustan aukon ympäristössä materia kuumenee ja säteilee sen vuoksi paljon voimakkaammin kuin ympäröivä galaksi. Kvasaarit ovat kiehtova tutkimuskohde, koska niiden kaikkia yksityiskohtia ei vielä tarkkaan tiedetä. Ei esimerkiksi tiedetä, millä mekanismilla kvasaarin mustan aukon lähettyviltä sinkoutuu avaruuteen valtavia plasmasuihkuja lähes valon nopeudella. Kvasaareja syntyi suhteellisen varhaisessa maailmankaikkeudessa, kun universumi oli nykyistä tiheämpi ja ainetta oli tarjolla kvasaarin energiantuotantoon. Epätavallisen kirkkaita Seyfertin galakseja on ehdotettu niiden nykyiseksi vastineeksi. On saatu viitteitä siitä, että oma galaksimme Linnunratakin on saattanut olla aktiivinen historiansa aikana. Metsähovissa Kirkkonummella tutkitaan kvasaareja ja muita aktiivisia galakseja kuten Seyfert-galakseja. Haastateltavana Aalto-yliopiston Metsähovin radio-observatoriosta professori Anne Lähteenmäki ja dosentti Tuomas Savolainen. Ohjelman toimittaa Sisko Loikkanen.

Hablamos de las nuevas historias e investigaciones que trae el cubrimiento del fútbol femenino y cómo se enriquece el periodismo deportivo gracias al trabajo de las jugadoras en nuestro país. Produce: Sara TrejosAnálisis: Santiago Rivas, Juan Álvarez y María Paula Martínez. Post: Rodrigo RodriguezAsistencia de producción: Paula Villán de (Sillón Estudios) Si te gusta Presunto, no dudes en apoyarnos: https://www.presuntopodcast.com/donacionesNOTAS DEL EPISODIOMás que plata, el lío del fútbol femenino es de voluntad La Silla VacíaEl triunfo de la selección femenina de fútbol refuerza el debate feministaMundial Femenino Sub-17: prohibido conformarse | EL ESPECTADOR¡Una crack! Linda Caicedo se quedó con dos premios individuales del Mundial femenino sub-17¿Qué dice FIFA respecto a premios económicos en el Mundial Femenino Sub 17? - AS Colombia¿Qué pasará con los premios de las mujeres finalistas del Mundial? | Cambio ColombiaNo las reconocieron como profesionales y ahora están en la final del Mundial femenino | Cambio ColombiaLa revolución femenina de Linda Caicedo | Cambio ColombiaHILO. El f'tbol femenino nos tiene en la final, pero a qué costo. DejusticiaLas jugadoras de la Sub-17 no son niñas, son deportistas de alto rendimiento. La Oreja Roja Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

For more from Doug, subscribe to Canon+. Use promo code DOUG99 to get your first month for 99 cents https://mycanonplus.com/

¡Hola!Esta semana conversamos con Laura Romero sobre turbantes.La idea que Laura tenía de sí misma cambió cuando empezó a usar turbantes. Con ella hablamos sobre esta transformación en su manera de entenderse como mujer afrocaribeña y de su relación a veces tensa con el activismo antiracista. Conversamos también sobre la historia de los turbantes y su elaboración, desde los textiles hasta los estampados.¡Pasen a escuchar!

Erkki Lemisen raamattuopetus Oronmyllyn suviseuroissa ja 20v. juhlassa 1983.

This week Dr. Angela Parker joins the podcast to discuss her book "If God Still Breathes, Why Can't I: Black Lives Matter and Biblical Authority". We break down and discuss the ways that the Bible has been used as a tool of White Supremacy. Enjoy! Resources: If God Still Breathes, Why Can't I? (Book) Join Our Patreon

Uudet teknologiat muuttavat pelikenttää. Web 2.0:sta ollaan siirtymässä Web 3.0:aan, keskitetystä kohti hajautettua niin teknologisesti kuin organisaatioissakin. Lohkoketjut, mikromaksut, hajautetut organisaatiot, tokenomia… Uusi maailma tulvii uusia käsitteitä, ja mahdollisuuksia. Onko alkamassa kryptovaluutoiden kaltainen kultarynnäkkö, vai onko kyseessä vain teknologiauskovaisten märkä uni? Entä mitä käy organisaatioille ja johtamiselle hajautettujen autonomisten organisaatioiden haasteessa? Mistä Web 3.0:ssa tai Web3:sessa, oikein on kyse? Ja missä business? Siitä episodissa opastamassa Web3 -konsulttitalo TX:n toimitusjohtaja Jarmo Suoranta ja haastattelijana tuttuun tapaan Loyalisticin Antti Pietilä. Jotain markkinasta kertoo se, että suomalaisen TX:n päämarkkina on Yhdysvallat. Sieltä ne uudet ideat, rohkeiden pääomasijoittajien tukemana usein valtaavat lopulta maailman. Nyt kannattaa olla hereillä. Jos siis haet menestyksen avaimia, kannattaa episodi kuunnella, ettei tämäkin mahdollisuus mene ohi. Kuuntele episodi YouTubessa tai suosituissa podcast-sovelluksissa. Me suomalaiset emme peukuta, emmekä kommentoi. Tee poikkeus! Auta algoritmia suosittelemaan episodia muillekin. Episodin blogijuttu: https://blog.loyalistic.com/fi/mika-on-web3-ja-miten-se-muuttaa-ja-miten-silla-tehdaan-businesta-vieraana-jarmo-suoranta-tx Seuraa: Jarmo Suoranta https://www.linkedin.com/in/jarmosuoranta/ TX https://tx.company/ Antti Pietilä https://www.linkedin.com/in/anttipietila/ Loyalistic https://loyalistic.com/fi/ Loyalistic auttaa asiansa tuntevia yrityksiä luomaan ostavan yleisön. Sisällöntuotantopalvelut | koulutus ja konsultointi | teknologia Episodi on nauhoitettu Loyalisticin studioilla. Tule nauhoittamaan omasi.

Nicolás fumó mariguana con su abuelo, y su papá le ayudó a construir un invernadero para sus plantas. No siempre fue así. La transparencia, sentido crítico e incluso la ternura con la que Nicolás se acercó a la planta y sus posibilidades fueron cruciales para desactivar estigmas y abrir espacios de conversación y encuentro alrededor de la mariguana.

Alejandro tiene un nuevo podcast, creado junta la escritora de televisión Juliana Abaúnza. En Juliana y Alejandro ven televisión ellos exploran las series que habitan nuestras pantallas: cómo llegan a ellas y qué pasa una vez escapan al otro lado.Creemos que les podría encantar, así que les compartimos el primer episodio en el feed de Expertos de Sillón. ¡Que lo disfruten!

obituary courtesy of the International Society of Bassists: The ISB is sad to learn of the passing yesterday of bassist, composer, educator and recording artist Kelly Sill. He was 70 years old. Kelly was a beloved mainstay of the Chicago jazz scene for more than 35 years. Born in Fargo, North Dakota, he grew up in the Chicago area. After receiving his bachelor's degree from the University of Illinois at Urbana-Champaign, he returned to Chicago to perform and record with jazz artists such as Art Blakey, Joe Henderson, Art Farmer, Clark Terry, Cedar Walton, Herb Ellis, Woody Shaw, Hank Jones, Freddie Hubbard, Kenny Burrell, Barney Kessel, Chris Potter, Ernie Watts, Bob Mintzer, Mel Torme, Anita O'Day, Jackie McLean, Joey DeFrancesco, Donald Byrd, Eddie Harris, Scott Hamilton, Victor Lewis, Clifford Jordan and Bucky Pizzarelli. He performed at the Chicago Jazz Festival, the Elkhart Jazz Festival, the Red Sea Jazz Festival, Thessaloniki Concert Hall in Greece and Symphony Center in Chicago. Kelly's discography includes more than fifty recordings as a sideman and leader.   Kelly served on the faculties of Northeastern Illinois University, Lake Forest College, DePaul University and Northern Illinois University. He also taught at the Interlochen Arts Camp, Jamey Aebersold Summer Jazz Workshop, Janice Borla Vocal Jazz Camp, University of Wisconsin/Stevens Point Jazz Camp, Clark Terry Great Plains Jazz Camp and the University of Illinois (Urbana-Champaign) Summer Music Program.   Saxophonist Gregory Dudzienski recalls his friend: "Kelly was one of the warmest, most welcoming, supportive, and funniest people I've ever had the fortune to spend time with. He had that way of interacting with you, that way of giving you his full attention and self that made it feel like you were the most important person in the world to him. That way of interacting carried into his playing as well."   Subscribe to the podcast to get these interviews delivered to you automatically!   Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists.   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass.   Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio - CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Upton Bass String Instrument Company - Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.   Dorico - Unlock Dorico for iPad – For Life! Want to enjoy all of Dorico for iPad's subscription-only features – including support for unlimited players, freehand annotations in Read mode with Apple Pencil, support for third-party Audio Unit plug-ins, and much more – but don't want to pay a monthly or annual fee? Dorico for iPad now provides a lifetime unlock option, so you can access all current and future subscription-only features for a single, one-off in-app purchase. Visit the App Store today and unlock Dorico for iPad for life!   theme music by Eric Hochberg

¡Hola!Esta semana conversamos con María Paulina Baena sobre performance.La curiosidad por la actuación y el performance llevó a María Paulina primero a la sátira política y luego al teatro. Con ella hablamos sobre la autenticidad, la credibilidad y las emociones, sobre el cuerpo cómo herramienta para entendernos y sobre el performance como lugar para desarmar certezas y aprender a convivir con la duda y el desconcierto.¡Pasen a escuchar!

On the season 4 premiere of Asase Ba, we chat about the impact of Christian missionaries in Ghana. We focus on The Basel Mission, its creation, why they came to Gold Coast/Ghana, their major hubs in Akropong (Eastern Region) and Abokobi (Greater Accra Region), techniques they used to convert Ghanaians, how some Ghanaians converted for economic reasons, Ghanaian resistance, how the mission impacted our traditional religions, and more! Join in on the conversation! Use the hashtag #AsaseBaPod. WEBSITE Check out our official website for podcast transcripts and resources by and for Ghanaians at https://www.asaseba.com/ SUPPORT To support the podcast, you can use e-transfer or PayPal and send to asasebapod@gmail.com. Thank you so much for your support! SOCIAL MEDIA Twitter: https://twitter.com/AsaseBaPod Instagram: https://www.instagram.com/asasebapod/ TikTok: https://www.tiktok.com/@asasebapod   RELEVANT NOTES Full list of references/sources available here: https://www.asaseba.com/podcast/season-4/episode-1-missionaries-impact-in-ghana References Agbeti, J. K. (1986). West African Church history. Leiden : E.J. Brill. Heuser, A. (2016, July 1). Perceptions of basel mission history in Ghana. UGSpace Home. Retrieved September 20, 2022, from https://ugspace.ug.edu.gh/handle/123456789/32510  Konadu, K., & Campbell, C. (2016). One Hundred and Fifty Years of Christianity in a Ghanaian Town. In The ghana reader: History, culture, politics. essay, Duke University Press.  Koonar, C. (2014). “Christianity, Commerce and Civilization”: Child labor and the Basel Mission in Colonial Ghana, 1855–1914. International Labor and Working-Class History, 86, 72–88. https://doi.org/10.1017/s0147547914000106 Kwamena-Poh, M. A. (1975). The traditional informal system of education in pre-colonial Ghana. Présence Africaine, 95(3), 269. https://doi.org/10.3917/presa.095.0269 NKETIA, J. H. (1953). PROGRESS IN GOLD COAST EDUCATION. Transactions of the Gold Coast & Togoland Historical Society, 1(3), 1–9. http://www.jstor.org/stable/41406560 Serena Owusua Dankwa. (2005). “Shameless Maidens”: Women's Agency and the Mission Project in Akuapem. Agenda: Empowering Women for Gender Equity, 63, 104–116. http://www.jstor.org/stable/4066639 Sill, U. (2010). Encounters in Quest of Christian Womanhood: The Basel Mission in Pre- and Early Colonial Ghana. Studies in Christian Mission, 39. https://doi.org/10.1163/ej.9789004188884.i-422 White, P. (2015). Religion, mission and national development: A contextual interpretation of jeremiah 29:4-7 in the light of the activities of the Basel Mission Society in Ghana (1828-1918) and its missiological implications. Verbum Et Ecclesia, 36(1). https://doi.org/10.4102/ve.v36i1.1419   Other Web Sources Basel Mission https://www.mission-21.org/en/what-we-do/project-countries/countries/ghana https://baselmission.org/82-2/ https://archiveshub.jisc.ac.uk/search/archives/b9edba8e-e874-33f5-bc95-01f88a776cb9   Presbyterian Church of Ghana https://www.ghanaweb.com/GhanaHomePage/features/Origins-Heritage-Birth-of-Presbyterian-Church-of-Ghana-383219   Public Hearing in Regards to Proposed Ghana ANTI-LGBTQI+ Bill - PCG Commentary https://www.facebook.com/gbcghana/videos/live-public-hearing-in-respect-of-the-promotion-of-proper-human-sexual-rights-an/483674053362465/ From 1hr 32min mark Listen to S3E3 of Asase Ba to learn more about the proposed anti-LGBTQI+ bill in Ghana https://www.asaseba.com/podcast/season-3/episode-3-non-binary-ghanaian-traditional-religions EMAIL asasebapod@gmail.com  HOST This podcast is produced, edited and hosted by Ghanaian Canadian Michelle (pronouns: she/her). She is also the creator of the theme music. #ghanaian #ghana #podcast #african #africa #culture #ghanaianpodcast #africanpodcast #oraltradition #asasebapod #asaseba #ghanahistory #ghanareligions

¡Hola!Esta semana conversamos con Catalina Navas sobre las carreras de montaña.Para Catalina pasar tiempo en la montaña es encontrarse con los límites del cuerpo y del lenguaje. Con ella hablamos sobre su intempestivo comienzo en las carreras: primero en sus noches de fiesta y luego en el Canicross. Hablamos también sobre cómo entrenar para mantener la mente alerta mientras el cuerpo va a toda velocidad, de medir el riesgo para poder regresar de la montaña, y del ejercicio poético que acompaña el entrar en contacto con la naturaleza.¡Pasen a escuchar!

As a follow up to part one on The Sill's growing older series, the hosts ruminate on their own experience of growing older, including changes to libido, dealing with regret and forgiveness and a plethora of other associated realities.Duration: 41:22Posted: October 9, 2022

Welcome to the Pursuit of Relentless Podcast! Today, we are joined by Amanda Neely, who talks about how we can manage our finances to give value to others and ourselves. Amanda used to have a business that did not get much traction despite doing all the usual programs laid out by entrepreneurs. Tune in to learn more about this method. Here's what to look out for in this episode: · Discovering how she can make a difference in this world · The power of the dollar and how it can transform communities · The top 100 to-do list · The 1% habit · Choosing the right financial ally · Many more! About Amanda Neely: Amanda Neely is a small business and financial professional. She founded and ran Overflow Coffee Bar, L3C from 2008 through 2018. Now, she shares her experiential knowledge through podcasting and through developing personalized financial strategies for individuals and couples and profitability strategies for businesses. Her goal is to work with people to take charge of their cash flow, leverage their assets, and increase their profitability in ways that would make their grandma proud. Find Amanda on . . . Website: https://grandmaswealthwisdom.com/ Facebook: https://www.facebook.com/theneelyfamily LinkedIn: https://www.linkedin.com/company/wealth-wisdom-financial/ The STILL Method: https://stillmethod.com/optin-537671671647876940758 Connect with the Pursuit of Relentless Podcast! Website: https://alainanadig.ca Instagram: @alainanadig @pursuitofrelentless

¡Hola!Esta semana conversamos con Carlos Cortés sobre el ajedrez.Carlos dice que se aprende a jugar ajedrez sobre todo cuando se pierde. Con él conversamos sobre la competencia y la trampa en el ajedrez, y sobre cómo ambas se están viendo transformadas por la inteligencia artificial. Hablamos también sobre la intimidad que existe entre rivales, sobre las grandes partidas de la historia y sobre cómo ha sido cultivar su pasión por el juego a pesar de lo implacable del sistema de puntuación Elo.¡Pasen a escuchar!

Tras dos meses del gobierno Petro los medios cubren la primera protesta en las calles. Cuál es el trabajo que los medios hacen al cubrir una nueva agenda donde las peticiones van en contra de todo. Produce: Sara TrejosAnálisis: Santiago Rivas, María Paula Martinez, Andrés Páramo y Juan Álvarez. Post: Rodrigo Rodriguez de Loro PódcastAsistencia de producción: Paula Villán de Sillón Estudios. NOTASHans Rosling- Crecimiento de la población mundialEn vivo: primera marcha contra el Gobierno Petro es multitudinaria; Bogotá y otras ciudades reportan gran participación. En Cali, la imagen es impactantePetro se pronunció sobre marchas: 'Siempre se respetará su derecho a expresarse'También hay arengas contra Quintero: así avanza la marcha en MedellínLa derecha logra convocar a las calles: relato de la primera marcha contra PetroLa marcha del NO a todoHilo de Paula Suárez, periodista de Blu RadioOrganizadores de marchas dicen que no buscan negociar con el gobierno de PetroBalance de la primera marcha contra el Gobierno de Gustavo Petro en las principales ciudades - InfobaeLa primera marcha contra Petro: ¿victoria o fracaso? | Cambio Colombia Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Kris, Kourtney, Kim, Khloé, Kendall y Kylie. Las Kardashian son ineludibles. En esta conversación trazamos el interés de Daniela por la célebre familia. Hablamos de ellas como fenómeno mediático: desde cómo han transformado la figura de la celebridad hasta la forma como logran captar nuestra atención de manera permanente. También reflexionamos sobre lo que nos dicen sobre la familia, el amor y la lealtad.¡Pasen a escuchar!

Este episodio está partido en tres. Primero el cubrimiento de las invasiones de tierras privadas en Colombia, las narrativas de una nueva guerra y nuevas formas de movilización social. Hablamos también de la gira de medios del Alto Comisionado para la Paz y cómo se está presentando desde la prensa el concepto de Paz Total y finalmente algunos comentarios cortos sobre el discurso de Petro en Naciones Unidas. Produce: Sara TrejosAnálisis: Juan Álvarez, María Paula Martínez, Andrés PáramoPost: Rodrigo Rodriguez de Loro PódcastAsistencia de producción: Paula Villán de Sillón Estudios. Si quieres apoyar a Presunto entra acá. NOTAS DEL EPISODIOJosé Félix Lafaurie asegura que mafia paga $70.000 diarios a quienes participan en invasiones | Mañanas BLU | BluRadioPaz total | EL ESPECTADOR Salomón KalmanovitzHay que insistir en la paz con 'Iván Márquez': alto comisionado de paz, Danilo RuedaHORA 20 - La agenda del gobierno entre Naciones Unidas y la paz totalInvasores: la nueva guerra que estalló en Colombia por la tierra. Miles de vidas y la propiedad privada están en riesgo. Las autoridades no hacen nadaVeinte grupos quieren acogerse a la paz total planteada por el presidente Gustavo Petro: informe de Indepaz - InfobaeGobierno y disidencias FARC se reunieron para iniciar acercamientos de 'Paz total' | Política | Caracol RadioLas expectativas de la Paz Total intensifican una paz mafiosa en MedellínLas dudas que despierta la paz total | Cambio ColombiaPresunto Pódcast "Esto se acaba aquí" y el eterno conflicto de tierras en el Cauca#6AM | #Editorial Gustavo Gómez: ¡Pellízquense! Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Episode one hundred and fifty-four of A History of Rock Music in Five Hundred Songs is the last of our four-part mini-series on LA sunshine pop and folk-rock in summer 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on "Baby, Now That I've Found You" by the Foundations. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources There is no Mixcloud this week, because there were too many Turtles songs in the episode. There's relatively little information available about the Turtles compared to other bands of their era, and so apart from the sources on the general LA scene referenced in all these podcasts, the information here comes from a small number of sources. This DVD is a decent short documentary on the band's career. Howard Kaylan's autobiography, Shell Shocked: My Life with the Turtles, Flo and Eddie, and Frank Zappa, Etc.,  is a fun read, if inevitably biased towards his own viewpoint. Jim Pons' Hard Core Love: Sex, Football, and Rock and Roll in the Kingdom of God is much less fun, being as it is largely organised around how his life led up to his latter-day religious beliefs, but is the only other book I'm aware of with a substantial amount of coverage of the Turtles. There are many compilations of the Turtles' material available, of which All The Singles is by far and away the best. The box set of all their albums with bonus tracks is now out of print on CD, but can still be bought as MP3s. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript We've spent a lot of time recently in the LA of summer 1967, at the point where the sunshine pop sound that was created when the surf harmonies of the Beach Boys collided with folk rock was at its apex, right before fashions changed and tight sunny pop songs with harmonies from LA became yesterday's news, and extended blues-rock improvisations from San Francisco became the latest in thing. This episode is the last part of this four-episode sequence, and is going to be shorter than those others. In many ways this one is a bridge between this sequence and next episode, where we travel back to London, because we're saying goodbye for a while to the LA scene, and when we do return to LA it will be, for the most part, to look at music that's a lot less sunshine and a lot more shadow. So this is a brief fade-out while we sing ba-ba-ba, a three-minute pop-song of an episode, a last bit of sunshine pop before we return to longer, more complicated, stories  in two weeks' time, at which point the sun will firmly set. Like many musicians associated with LA, Howard Kaylan was born elsewhere and migrated there as a child, and he seems to have regarded his move from upstate New York to LA as essentially a move to Disneyland itself. That impression can only have been made stronger by the fact that soon after his family moved there he got his first childhood girlfriend -- who happened to be a Mouseketeer on the TV. And TV was how young Howard filtered most of his perceptions -- particularly TV comedy. By the age of fourteen he was the president of the Soupy Sales Fan Club, and he was also obsessed with the works of Ernie Kovacs, Sid Caesar, and the great satirist and parodist Stan Freberg: [Excerpt: Stan Freberg, "St. George and the Dragonet"] Second only to his love of comedy, though, was his love of music, and it was on the trip from New York to LA that he saw a show that would eventually change his life. Along the way, his family had gone to Las Vegas, and while there they had seen Louis Prima and Keeley Smith do their nightclub act. Prima is someone I would have liked to do a full podcast episode on when I was covering the fifties, and who I did do a Patreon bonus episode on. He's now probably best known for doing the voice of King Louis in the Jungle Book: [Excerpt: Louis Prima, "I Wanna Be Like You (the Monkey Song)"] But he was also a jump blues musician who made some very good records in a similar style to Louis Jordan, like "Jump, Jive, an' Wail" [Excerpt: Louis Prima, "Jump, Jive, an' Wail"] But like Jordan, Prima dealt at least as much in comedy as in music -- usually comedy involving stereotypes about his Italian-American ethnic origins. At the time young Howard Kaylan saw him, he was working a double act with his then-wife Keeley Smith. The act would consist of Smith trying to sing a song straight, while Prima would clown around, interject, and act like a fool, as Smith grew more and more exasperated, and would eventually start contemptuously mocking Prima. [Excerpt: Louis Prima and Keeley Smith, "Embraceable You/I've Got It Bad and That Ain't Good"] This is of course a fairly standard double-act format, as anyone who has suffered through an episode of The Little and Large Show will be all too painfully aware, but Prima and Smith did it better than most, and to young Howard Kaylan, this was the greatest entertainment imaginable. But while comedy was the closest thing to Kaylan's heart, music was a close second. He was a regular listener to Art Laboe's radio show, and in a brief period as a teenage shoplifter he obtained records like Ray Charles' album Genius + Soul = Jazz: [Excerpt: Ray Charles, "One Mint Julep"] and the single "Tossin' and Turnin'" by Bobby Lewis: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] "Tossin' and Turnin'" made a deep impression on Kaylan, because of the saxophone solo, which was actually a saxophone duet. On the record, baritone sax player Frank Henry played a solo, and it was doubled by the great tenor sax player King Curtis, who was just playing a mouthpiece rather than a full instrument, making a high-pitched squeaking sound: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] Curtis was of course also responsible for another great saxophone part a couple of years earlier, on a record that Kaylan loved because it combined comedy and rock and roll, "Yakety Yak": [Excerpt: The Coasters, "Yakety Yak"] Those two saxophone parts inspired Kaylan to become a rock and roller. He was already learning the clarinet and playing part time in an amateur Dixieland band, and it was easy enough to switch to saxophone, which has the same fingering. Within a matter of weeks of starting to play sax, he was invited to join a band called the Nightriders, who consisted of Chuck Portz on bass, Al Nichol on guitar, and Glen Wilson on drums. The Nightriders became locally popular, and would perform sets largely made up of Johnny and the Hurricanes and Ventures material. While he was becoming a budding King Curtis, Kaylan was still a schoolkid, and one of the classes he found most enjoyable was choir class. There was another kid in choir who Kaylan got on with, and one day that kid, Mark Volman came up to him, and had a conversation that Kaylan would recollect decades later in his autobiography: “So I hear you're in a rock 'n' roll band.” “Yep.” “Um, do you think I could join it?” “Well, what do you do?” “Nothing.” “Nothing?” “Nope.” “Sounds good to me. I'll ask Al.” Volman initially became the group's roadie and occasional tambourine player, and would also get on stage to sing a bit during their very occasional vocal numbers, but was mostly "in the band" in name only at first -- he didn't get a share of the group's money, but he was allowed to say he was in the group because that meant that his friends would come to the Nightriders' shows, and he was popular among the surfing crowd. Eventually, Volman's father started to complain that his son wasn't getting any money from being in the band, while the rest of the group were, and they explained to him that Volman was just carrying the instruments while they were all playing them. Volman's father said "if Mark plays an instrument, will you give him equal shares?" and they said that that was fair, so Volman got an alto sax to play along with Kaylan's tenor. Volman had also been taking clarinet lessons, and the two soon became a tight horn section for the group, which went through a few lineup changes and soon settled on a lineup of Volman and Kaylan on saxes, Nichol on lead guitar, Jim Tucker on rhythm guitar, Portz on bass, and Don Murray on drums. That new lineup became known as the Crossfires, presumably after the Johnny and the Hurricanes song of the same name: [Excerpt: Johnny and the Hurricanes, "Crossfire"] Volman and Kaylan worked out choreographed dance steps to do while playing their saxes, and the group even developed a group of obsessive fans who called themselves the Chunky Club, named after one of the group's originals: [Excerpt: The Crossfires, "Chunky"] At this point the group were pretty much only playing instrumentals, though they would do occasional vocals on R&B songs like "Money" or their version of Don and Dewey's "Justine", songs which required more enthusiasm than vocal ability. But their first single, released on a tiny label, was another surf instrumental, a song called "Dr. Jekyll and Mr. Hyde": [Excerpt: The Crossfires, "Dr. Jekyll and Mr Hyde"] The group became popular enough locally that they became the house band at the Revelaire Club in Redondo Beach. There as well as playing their own sets, they would also be the backing band for any touring acts that came through without their own band, quickly gaining the kind of performing ability that comes from having to learn a new artist's entire repertoire in a few days and be able to perform it with them live with little or no rehearsal. They backed artists like the Coasters, the Drifters, Bobby Vee, the Rivingtons, and dozens of other major acts, and as part of that Volman and Kaylan would, on songs that required backing vocals, sing harmonies rather than playing saxophone. And that harmony-singing ability became important when the British Invasion happened, and suddenly people didn't want to hear surf instrumentals, but vocals along the lines of the new British groups. The Crossfires' next attempt at a single was another original, this one an attempt at sounding like one of their favourite new British groups, the Kinks: [Excerpt: The Crossfires, "One Potato, Two Potato"] This change to vocals necessitated a change in the group dynamic. Volman and Kaylan ditched the saxophones, and discovered that between them they made one great frontman. The two have never been excessively close on a personal level, but both have always known that the other has qualities they needed. Frank Zappa would later rather dismissively say "I regard Howard as a fine singer, and Mark as a great tambourine player and fat person", and it's definitely true that Kaylan is one of the truly great vocalists to come out of the LA scene in this period, while Volman is merely a good harmony singer, not anything particularly special -- though he *is* a good harmony singer -- but it undersells Volman's contribution. There's a reason the two men performed together for nearly sixty years. Kaylan is a great singer, but also by nature rather reserved, and he always looked uncomfortable on stage, as well as, frankly, not exactly looking like a rock star (Kaylan describes himself not inaccurately as looking like a potato several times in his autobiography). Volman, on the other hand, is a merely good singer, but he has a naturally outgoing personality, and while he's also not the most conventionally good-looking of people he has a *memorable* appearance in a way that Kaylan doesn't. Volman could do all the normal frontman stuff, the stuff that makes a show an actual show -- the jokes, the dancing, the between-song patter, the getting the crowd going, while Kaylan could concentrate on the singing. They started doing a variation on the routine that had so enthralled Howard Kaylan when he'd seen Louis Prima and Keeley Smith do it as a child. Kaylan would stand more or less stock still, looking rather awkward, but singing like an angel, while Volman would dance around, clown, act the fool, and generally do everything he could to disrupt the performance -- short of actually disrupting it in reality. It worked, and Volman became one of that small but illustrious group of people -- the band member who makes the least contribution to the sound of the music but the biggest contribution to the feel of the band itself, and without whom they wouldn't be the same. After "One Potato, Two Potato" was a flop, the Crossfires were signed to their third label. This label, White Whale, was just starting out, and the Crossfires were to become their only real hit act. Or rather, the Turtles were. The owners of White Whale knew that they didn't have much promotional budget and that their label was not a known quantity -- it was a tiny label with no track record. But they thought of a way they could turn that to their advantage. Everyone knew that the Beatles, before Capitol had picked up their contracts, had had their records released on a bunch of obscure labels like Swan and Tollie. People *might* look for records on tiny independent labels if they thought it might be another British act who were unknown in the US but could be as good as the Beatles. So they chose a name for the group that they thought sounded as English as possible -- an animal name that started with "the", and ended in "les", just like the Beatles. The group, all teenagers at the time, were desperate enough that they agreed to change their name, and from that point on they became the Turtles. In order to try and jump on as many bandwagons as possible, the label wanted to position them as a folk-rock band, so their first single under the Turtles name was a cover of a Bob Dylan song, from Another Side of Bob Dylan: [Excerpt: Bob Dylan, "It Ain't Me Babe"] That song's hit potential had already been seen by Johnny Cash, who'd had a country hit with it a few months before. But the Turtles took the song in a different direction, inspired by Kaylan's *other* great influence, along with Prima and Smith. Kaylan was a big fan of the Zombies, one of the more interesting of the British Invasion groups, and particularly of their singer Colin Blunstone. Kaylan imitated Blunstone on the group's hit single, "She's Not There", on which Blunstone sang in a breathy, hushed, voice on the verses: [Excerpt: The Zombies, "She's Not There"] before the song went into a more stomping chorus on which Blunstone sang in a fuller voice: [Excerpt: The Zombies, "She's Not There"] Kaylan did this on the Turtles' version of "It Ain't Me Babe", starting off with a quiet verse: [Excerpt: The Turtles, "It Ain't Me Babe"] Before, like the Zombies, going into a foursquare, more uptempo, louder chorus: [Excerpt: The Turtles, "It Ain't Me Babe"] The single became a national top ten hit, and even sort of got the approval of Bob Dylan. On the group's first national tour, Dylan was at one club show, which they ended with "It Ain't Me Babe", and after the show the group were introduced to the great songwriter, who was somewhat the worse for wear. Dylan said “Hey, that was a great song you just played, man. That should be your single", and then passed out into his food. With the group's first single becoming a top ten hit, Volman and Kaylan got themselves a house in Laurel Canyon, which was not yet the rock star Mecca it was soon to become, but which was starting to get a few interesting residents. They would soon count Henry Diltz of the Modern Folk Quartet, Danny Hutton, and Frank Zappa among their neighbours. Soon Richie Furay would move in with them, and the house would be used by the future members of the Buffalo Springfield as their rehearsal space. The Turtles were rapidly becoming part of the in crowd. But they needed a follow-up single, and so Bones Howe, who was producing their records, brought in P.F. Sloan to play them a few of his new songs. They liked "Eve of Destruction" enough to earmark it as a possible album track, but they didn't think they would do it justice, and so it was passed on to Barry McGuire. But Sloan did have something for them -- a pseudo-protest song called "Let Me Be" that was very clearly patterned after their version of "It Ain't Me Babe", and which was just rebellious enough to make them seem a little bit daring, but which was far more teenage angst than political manifesto: [Excerpt: The Turtles, "Let Me Be"] That did relatively well, making the top thirty -- well enough for the group to rush out an album which was padded out with some sloppy cover versions of other Dylan songs, a version of "Eve of Destruction", and a few originals written by Kaylan. But the group weren't happy with the idea of being protest singers. They were a bunch of young men who were more motivated by having a good time than by politics, and they didn't think that it made sense for them to be posing as angry politicised rebels. Not only that, but there was a significant drop-off between "It Ain't Me Babe" and "Let Me Be". They needed to do better. They got the clue for their new direction while they were in New York. There they saw their friends in the Mothers of Invention playing their legendary residency at the Garrick Theatre, but they also saw a new band, the Lovin' Spoonful, who were playing music that was clearly related to the music the Turtles were doing -- full of harmonies and melody, and inspired by folk music -- but with no sense of rebelliousness at all. They called it "Good Time Music": [Excerpt: The Lovin' Spoonful, "Good Time Music"] As soon as they got back to LA, they told Bones Howe and the executives at White Whale that they weren't going to be a folk-rock group any more, they were going to be "good time music", just like the Lovin' Spoonful. They were expecting some resistance, but they were told that that was fine, and that PF Sloan had some good time music songs too. "You Baby" made the top twenty: [Excerpt: The Turtles, "You Baby"] The Turtles were important enough in the hierarchy of LA stars that Kaylan and Tucker were even invited by David Crosby to meet the Beatles at Derek Taylor's house when they were in LA on their last tour -- this may be the same day that the Beatles met Brian and Carl Wilson, as I talked about in the episode on "All You Need is Love", though Howard Kaylan describes this as being a party and that sounded like more of an intimate gathering. If it was that day, there was nearly a third Beach Boy there. The Turtles knew David Marks, the Beach Boys' former rhythm guitarist, because they'd played a lot in Inglewood where he'd grown up, and Marks asked if he could tag along with Kaylan and Tucker to meet the Beatles. They agreed, and drove up to the house, and actually saw George Harrison through the window, but that was as close as they got to the Beatles that day. There was a heavy police presence around the house because it was known that the Beatles were there, and one of the police officers asked them to drive back and park somewhere else and walk up, because there had been complaints from neighbours about the number of cars around. They were about to do just that, when Marks started yelling obscenities and making pig noises at the police, so they were all arrested, and the police claimed to find a single cannabis seed in the car. Charges were dropped, but now Kaylan was on the police's radar, and so he moved out of the Laurel Canyon home to avoid bringing police attention to Buffalo Springfield, so that Neil Young and Bruce Palmer wouldn't get deported. But generally the group were doing well. But there was a problem. And that problem was their record label. They rushed out another album to cash in on the success of "You Baby", one that was done so quickly that it had "Let Me Be" on it again, just as the previous album had, and which included a version of the old standard "All My Trials", with the songwriting credited to the two owners of White Whale records. And they pumped out a lot of singles. A LOT of singles, ranging from a song written for them by new songwriter Warren Zevon, to cover versions of Frank Sinatra's "It Was a Very Good Year" and the old standard "We'll Meet Again". Of the five singles after "You Baby", the one that charted highest was a song actually written by a couple of the band members. But for some reason a song with verses in 5/4 time and choruses in 6/4 with lyrics like "killing the living and living to kill, the grim reaper of love thrives on pain" didn't appeal to the group's good-time music pop audience and only reached number eighty-one: [Excerpt: The Turtles, "Grim Reaper of Love"] The group started falling apart. Don Murray became convinced that  the rest of the band were conspiring against him and wanted him out, so he walked out of the group in the middle of a rehearsal for a TV show. They got Joel Larson of the Grass Roots -- the group who had a number of hits with Sloan and Barri songs -- to sub for a few gigs before getting in a permanent replacement, Johnny Barbata, who came to them on the recommendation of Gene Clark, and who was one of the best drummers on the scene -- someone who was not only a great drummer but a great showman, who would twirl his drumsticks between his fingers with every beat, and who would regularly engage in drum battles with Buddy Rich. By the time they hit their fifth flop single in a row, they lost their bass player as well -- Chuck Portz decided he was going to quit music and become a fisherman instead. They replaced him with Chip Douglas of the Modern Folk Quartet. Then they very nearly lost their singers. Volman and Kaylan both got their draft notices at the same time, and it seemed likely they would end up having to go and fight in the Vietnam war. Kaylan was distraught, but his mother told him "Speak to your cousin Herb". Cousin Herb was Herb Cohen, the manager of the Mothers of Invention and numerous other LA acts, including the Modern Folk Quartet, and Kaylan only vaguely knew him at this time, but he agreed to meet up with them, and told them “Stop worrying! I got Zappa out, I got Tim Buckley out, and I'll get you out.” Cohen told Volman and Kaylan to not wash for a week before their induction, to take every drug of every different kind they could find right before going in, to deliberately disobey every order, to fail the logic tests, and to sexually proposition the male officers dealing with the induction. They followed his orders to the letter, and got marked as 4-F, unfit for service. They still needed a hit though, and eventually they found something by going back to their good-time music idea. It was a song from the Koppelman-Rubin publishing company -- the same company that did the Lovin Spoonful's management and production. The song in question was by Alan Gordon and Gary Bonner, two former members of a group called the Magicians, who had had a minor success with a single called "An Invitation to Cry": [Excerpt: The Magicians, "An Invitation to Cry"] The Magicians had split up, and Bonner and Gordon were trying to make a go of things as professional songwriters, but had had little success to this point. The song on the demo had been passed over by everyone, and the demo was not at all impressive, just a scratchy acetate with Bonner singing off-key and playing acoustic rhythm guitar and Gordon slapping his knees to provide rhythm, but the group heard something in it. They played the song live for months, refining the arrangement, before taking it into the studio. There are arguments to this day as to who deserves the credit for the sound on "Happy Together" -- Chip Douglas apparently did the bulk of the arrangement work while they were on tour, but the group's new producer, Joe Wissert, a former staff engineer for Cameo-Parkway, also claimed credit for much of it. Either way, "Happy Together" is a small masterpiece of dynamics. The song is structured much like the songs that had made the Turtles' name, with the old Zombies idea of the soft verse and much louder chorus: [Excerpt: The Turtles, "Happy Together"] But the track is really made by the tiny details of the arrangement, the way instruments and vocal parts come in and out as the track builds up, dies down, and builds again. If you listen to the isolated tracks, there are fantastic touches like the juxtaposition of the bassoon and oboe (which I think is played on a mellotron): [Excerpt: The Turtles, "Happy Together", isolated tracks] And a similar level of care and attention was put into the vocal arrangement by Douglas, with some parts just Kaylan singing solo, other parts having Volman double him, and of course the famous "bah bah bah" massed vocals: [Excerpt: The Turtles, "Happy Together", isolated vocals] At the end of the track, thinking he was probably going to do another take, Kaylan decided to fool around and sing "How is the weather?", which Bonner and Gordon had jokingly done on the demo. But the group loved it, and insisted that was the take they were going to use: [Excerpt: The Turtles, "Happy Together"] "Happy Together" knocked "Penny Lane" by the Beatles off the number one spot in the US, but by that point the group had already had another lineup change. The Monkees had decided they wanted to make records without the hit factory that had been overseeing them, and had asked Chip Douglas if he wanted to produce their first recordings as a self-contained band. Given that the Monkees were the biggest thing in the American music industry at the time, Douglas had agreed, and so the group needed their third bass player in a year. The one they went for was Jim Pons. Pons had seen the Beatles play at the Hollywood Bowl in 1964, and decided he wanted to become a pop star. The next day he'd been in a car crash, which had paid out enough insurance money that he was able to buy two guitars, a bass, drums, and amps, and use them to start his own band. That band was originally called The Rockwells, but quickly changed their name to the Leaves, and became a regular fixture at Ciro's on Sunset Strip, first as customers, then after beating Love in the auditions, as the new resident band when the Byrds left. For a while the Leaves had occasionally had guest vocals from a singer called Richard Marin, but Pons eventually decided to get rid of him, because, as he put it "I wanted us to look like The Beatles. There were no Mexicans in The Beatles". He is at pains in his autobiography to assure us that he's not a bigot, and that Marin understood. I'm sure he did. Marin went on to be better known as Cheech Marin of Cheech and Chong. The Leaves were signed by Pat Boone to his production company, and through that company they got signed to Mira Records. Their first single, produced by Nik Venet, had been a version of "Love Minus Zero (No Limit)", a song by Bob Dylan: [Excerpt: The Leaves, "Love Minus Zero (No Limit)"] That had become a local hit, though not a national one, and the Leaves had become one of the biggest bands on the Sunset Strip scene, hanging out with all the other bands. They had become friendly with the Doors before the Doors got a record deal, and Pat Boone had even asked for an introduction, as he was thinking of signing them, but unfortunately when he met Jim Morrison, Morrison had drunk a lot of vodka, and given that Morrison was an obnoxious drunk Boone had second thoughts, and so the world missed out on the chance of a collaboration between the Doors and Pat Boone. Their second single was "Hey Joe" -- as was their third and fourth, as we discussed in that episode: [Excerpt: The Leaves, "Hey Joe"] Their third version of "Hey Joe" had become a top forty hit, but they didn't have a follow-up, and their second album, All The Good That's Happening, while it's a good album, sold poorly. Various band members quit or fell out, and when Johnny Barbata knocked on Jim Pons' door it was an easy decision to quit and join a band that had a current number one hit. When Pons joined, the group had already recorded the Happy Together album. That album included the follow-up to "Happy Together", another Bonner and Gordon song, "She'd Rather Be With Me": [Excerpt: The Turtles, "She'd Rather Be With Me"] None of the group were tremendously impressed with that song, but it did very well, becoming the group's second-biggest hit in the US, reaching number three, and actually becoming a bigger hit than "Happy Together" in parts of Europe. Before "Happy Together" the group hadn't really made much impact outside the US. In the UK, their early singles had been released by Pye, the smallish label that had the Kinks and Donovan, but which didn't have much promotional budget, and they'd sunk without trace. For "You Baby" they'd switched to Immediate, the indie label that Andrew Oldham had set up, and it had done a little better but still not charted. But from "Happy Together" they were on Decca, a much bigger label, and "Happy Together" had made number twelve in the charts in the UK, and "She'd Rather Be With Me" reached number four. So the new lineup of the group went on a UK tour. As soon as they got to the hotel, they found they had a message from Graham Nash of the Hollies, saying he would like to meet up with them. They all went round to Nash's house, and found Donovan was also there, and Nash played them a tape he'd just been given of Sgt Pepper, which wouldn't come out for a few more days. At this point they were living every dream a bunch of Anglophile American musicians could possibly have. Jim Tucker mentioned that he would love to meet the Beatles, and Nash suggested they do just that. On their way out the door, Donovan said to them, "beware of Lennon". It was when they got to the Speakeasy club that the first faux-pas of the evening happened. Nash introduced them to Justin Hayward and John Lodge of the Moody Blues, and Volman said how much he loved their record "Go Now": [Excerpt: The Moody Blues, "Go Now"] The problem was that Hayward and Lodge had joined the group after that record had come out, to replace its lead singer Denny Laine. Oh well, they were still going to meet the Beatles, right? They got to the table where John, Paul, and Ringo were sat, at a tense moment -- Paul was having a row with Jane Asher, who stormed out just as the Turtles were getting there. But at first, everything seemed to go well. The Beatles all expressed their admiration for "Happy Together" and sang the "ba ba ba" parts at them, and Paul and Kaylan bonded over their shared love for "Justine" by Don and Dewey, a song which the Crossfires had performed in their club sets, and started singing it together: [Excerpt: Don and Dewey, "Justine"] But John Lennon was often a mean drunk, and he noticed that Jim Tucker seemed to be the weak link in the group, and soon started bullying him, mocking his clothes, his name, and everything he said. This devastated Tucker, who had idolised Lennon up to that point, and blurted out "I'm sorry I ever met you", to which Lennon just responded "You never did, son, you never did". The group walked out, hurt and confused -- and according to Kaylan in his autobiography, Tucker was so demoralised by Lennon's abuse that he quit music forever shortly afterwards, though Tucker says that this wasn't the reason he quit. From their return to LA on, the Turtles would be down to just a five-piece band. After leaving the club, the group went off in different directions, but then Kaylan (and this is according to Kaylan's autobiography, there are no other sources for this) was approached by Brian Jones, asking for his autograph because he loved the Turtles so much. Jones introduced Kaylan to the friend he was with, Jimi Hendrix, and they went out for dinner, but Jones soon disappeared with a girl he'd met. and left Kaylan and Hendrix alone. They were drinking a lot -- more than Kaylan was used to -- and he was tired, and the omelette that Hendrix had ordered for Kaylan was creamier than he was expecting... and Kaylan capped what had been a night full of unimaginable highs and lows by vomiting all over Jimi Hendrix's expensive red velvet suit. Rather amazingly after all this, the Moody Blues, the Beatles, and Hendrix, all showed up to the Turtles' London gig and apparently enjoyed it. After "She'd Rather Be With Me", the next single to be released wasn't really a proper single, it was a theme song they'd been asked to record for a dire sex comedy titled "Guide for the Married Man", and is mostly notable for being composed by John Williams, the man who would later go on to compose the music for Star Wars. That didn't chart, but the group followed it with two more top twenty hits written by Bonner and Gordon, "You Know What I Mean" and "She's My Girl". But then the group decided that Bonner and Gordon weren't giving them their best material, and started turning down their submissions, like a song called "Celebrity Ball" which they thought had no commercial potential, at least until the song was picked up by their friends Three Dog Night, retitled "Celebrate", and made the top twenty: [Excerpt: Three Dog Night, "Celebrate"] Instead, the group decided to start recording more of their own material. They were worried that in the fast-changing rock world bands that did other songwriters' material were losing credibility. But "Sound Asleep", their first effort in this new plan, only made number forty-seven on the charts. Clearly they needed a different plan. They called in their old bass player Chip Douglas, who was now an experienced hitmaker as a producer. He called in *his* friend Harry Nilsson, who wrote "The Story of Rock & Roll" for the group, but that didn't do much better, only making number forty-eight. But the group persevered, starting work on a new album produced by Douglas, The Turtles Present The Battle of the Bands, the conceit of which was that every track would be presented as being by a different band. So there were tracks by  Chief Kamanawanalea and his Royal Macadamia Nuts,  Fats Mallard and the Bluegrass Fireball, The Atomic Enchilada, and so on, all done in the styles suggested by those band names. There was even a track by "The Cross Fires": [Excerpt: The Cross Fires, "Surfer Dan"] It was the first time the group had conceived of an album as a piece, and nine of the twelve tracks were originals by the band -- there was a track written by their friend Bill Martin, and the opening track, by "The US Teens Featuring Raoul", was co-written by Chip Douglas and Harry Nilsson. But for the most part the songs were written by the band members themselves, and jointly credited to all of them. This was the democratic decision, but one that Howard Kaylan would later regret, because of the song for which the band name was just "Howie, Mark, Johnny, Jim & Al". Where all the other songs were parodies of other types of music, that one was, as the name suggests, a parody of the Turtles themselves. It was written by Kaylan in disgust at the record label, who kept pestering the group to "give us another 'Happy Together'". Kaylan got more and more angry at this badgering, and eventually thought "OK, you want another 'Happy Together'? I'll give you another 'Happy Together'" and in a few minutes wrote a song that was intended as an utterly vicious parody of that kind of song, with lyrics that nobody could possibly take seriously, and with music that was just mocking the whole structure of "Happy Together" specifically. He played it to the rest of the group, expecting them to fall about laughing, but instead they all insisted it was the group's next single. "Elenore" went to number six on the charts, becoming their biggest hit since "She'd Rather Be With Me": [Excerpt: The Turtles, "Elenore"] And because everything was credited to the group, Kaylan's songwriting royalties were split five ways. For the follow-up, they chose the one actual cover version on the album. "You Showed Me" is a song that Roger McGuinn and Gene Clark had written together in the very early days of the Byrds, and they'd recorded it as a jangly folk-rock tune in 1964: [Excerpt: The Byrds, "You Showed Me"] They'd never released that track, but Gene Clark had performed it solo after leaving the Byrds, and Douglas had been in Clark's band at the time, and liked the song. He played it for the Turtles, but when he played it for them the only instrument he had to hand was a pump organ with one of its bellows broken. Because of this, he had to play it slowly, and while he kept insisting that the song needed to be faster, the group were equally insistent that what he was playing them was the big ballad hit they wanted, and they recorded it at that tempo. "You Showed Me" became the Turtles' final top ten hit: [Excerpt: The Turtles, "You Showed Me"] But once again there were problems in the group. Johnny Barbata was the greatest drummer any of them had ever played with, but he didn't fit as a personality -- he didn't like hanging round with the rest of them when not on stage, and while there were no hard feelings, it was clear he could get a gig with pretty much anyone and didn't need to play with a group he wasn't entirely happy in. By mutual agreement, he left to go and play with Crosby, Stills, Nash, and Young, and was replaced by John Seiter from Spanky and Our Gang -- a good drummer, but not the best of the best like Barbata had been. On top of this, there were a whole host of legal problems to deal with. The Turtles were the only big act on White Whale records, though White Whale did put out some other records. For example, they'd released the single "Desdemona" by John's Children in the US: [Excerpt: John's Children, "Desdemona"] The group, being the Anglophiles they were, had loved that record, and were also among the very small number of Americans to like the music made by John's Children's guitarist's new folk duo, Tyrannosaurus Rex: [Excerpt: Tyrannosaurus Rex, "Debora"] When Tyrannosaurus Rex supported the Turtles, indeed, Volman and Kaylan became very close to Marc Bolan, and told him that the next time they were in England they'd have to get together, maybe even record together. That would happen not that many years later, with results we'll be getting to in... episode 201, by my current calculations. But John's Children hadn't had a hit, and indeed nobody on White Whale other than the Turtles had. So White Whale desperately wanted to stop the Turtles having any independence, and to make sure they continued to be their hit factory. They worked with the group's roadie, Dave Krambeck, to undermine the group's faith in their manager, Bill Utley, who supported the group in their desire for independence. Soon, Krambeck and White Whale had ousted Utley, and Krambeck had paid Utley fifty thousand dollars for their management contract, with the promise of another two hundred thousand later. That fifty thousand dollars had been taken by Krambeck as an advance against the Turtles' royalties, so they were really buying themselves out. Except that Krambeck then sold the management contract on to a New York management firm, without telling the group. He then embezzled as much of the group's ready cash as he could and ran off to Mexico, without paying Utley his two hundred thousand dollars. The Turtles were out of money, and they were being sued by Utley because he hadn't had the money he should have had, and by the big New York firm, because  since the Turtles hadn't known they were now legally their managers they were in breach of contract. They needed money quickly, and so they signed with another big management company, this one co-owned by Bill Cosby, in the belief that Cosby's star power might be able to get them some better bookings. It did -- one of the group's first gigs after signing with the new company was at the White House. It turned out they were Tricia Nixon's favourite group, and so they and the Temptations were booked at her request for a White House party. The group at first refused to play for a President they rightly thought of as a monster, but their managers insisted. That destroyed their reputation among the cool antiestablishment youth, of course, but it did start getting them well-paid corporate gigs. Right up until the point where Kaylan became sick at his own hypocrisy at playing these events, drank too much of the complimentary champagne at an event for the president of US Steel, went into a drunken rant about how sick the audience made him, and then about how his bandmates were a bunch of sellouts, threw his mic into a swimming pool, and quit while still on stage. He was out of the band for two months, during which time they worked on new material without him, before they made up and decided to work on a new album. This new album, though, was going to be more democratic. As well as being all original material, they weren't having any of this nonsense about the lead singer singing lead. This time, whoever wrote the song was going to sing lead, so Kaylan only ended up singing lead on six of the twelve songs on what turned out to be their final album, Turtle Soup. They wanted a truly great producer for the new album, and they all made lists of who they might call. The lists included a few big names like George Martin and Phil Spector, but one name kept turning up -- Ray Davies. As we'll hear in the next episode, the Kinks had been making some astonishing music since "You Really Got Me", but most of it had not been heard in the US. But the Turtles all loved the Kinks' 1968 album The Kinks Are The Village Green Preservation Society, which they considered the best album ever made: [Excerpt: The Kinks, "Animal Farm"] They got in touch with Davies, and he agreed to produce the album -- the first time he did any serious outside production work -- and eventually they were able to persuade White Whale, who had no idea who he was, to allow him to produce it. The resulting album is by far the group's strongest album-length work, though there were problems -- Davies' original mix of the album was dominated by the orchestral parts written by Wrecking Crew musician Ray Pohlman, while the group thought that their own instruments should be more audible, since they were trying to prove that they were a proper band. They remixed it themselves, annoying Davies, though reissues since the eighties have reverted to a mix closer to Davies' intentions. Some of the music, like Pons' "Dance This Dance With Me", perhaps has the group trying a little *too* hard to sound like the Kinks: [Excerpt: The Turtles, "Dance This Dance With Me"] But on the other hand, Kaylan's "You Don't Have to Walk in the Rain" is the group's last great pop single, and has one of the best lines of any single from the sixties -- "I look at your face, I love you anyway": [Excerpt: The Turtles, "You Don't Have to Walk in the Rain"] But the album produced no hits, and the group were getting more and more problems from their label. White Whale tried to get Volman and Kaylan to go to Memphis without the other band members to record with Chips Moman, but they refused -- the Turtles were a band, and they were proud of not having session players play their parts on the records. Instead, they started work with Jerry Yester producing on a new album, to be called Shell Shock. They did, though bow to pressure and record a terrible country track called "Who Would Ever Think That I Would Marry Margaret" backed by session players, at White Whale's insistence, but managed to persuade the label not to release it. They audited White Whale and discovered that in the first six months of 1969 alone -- a period where they hadn't sold that many records -- they'd been underpaid by a staggering six hundred and fifty thousand dollars. They sued the label for several million, and in retaliation, the label locked them out of the recording studio, locking their equipment in there. They basically begged White Whale to let them record one last great single, one last throw of the dice. Jim Pons had, for years, known a keyboard player named Bob Harris, and had recently got to know Harris' wife, Judee Sill. Sill had a troubled life -- she was a heroin addict, and had at times turned to streetwalking to earn money, and had spent time in prison for armed robbery -- but she was also an astonishing songwriter, whose music was as inspired by Bach as by any pop or folk composer. Sill had been signed to Blimp, the Turtles' new production and publishing company, and Pons was co-producing some tracks on her first album, with Graham Nash producing others. Pons thought one song from that album, "Lady-O", would be perfect for the Turtles: [Excerpt: Judee Sill, "Lady-O"] (music continues under) The Turtles stuck closely to Sill's vision of the song. So closely that you haven't noticed that before I started talking, we'd already switched from Sill's record to the Turtles' version. [Excerpt: The Turtles, "Lady-O"] That track, with Sill on guitar backing Kaylan, Volman, and Nichol's vocals, was the last Turtles single to be released while the band were together. Despite “Lady O” being as gorgeous a melody as has ever been produced in the rock world, it sank without trace, as did a single from the Shell Shock sessions released under a pseudonym, The Dedications. White Whale followed that up, to the group's disgust, with "Who Would Ever Think That I Would Marry Margaret?", and then started putting out whatever they had in the vaults, trying to get the last few pennies, even releasing their 1965 album track version of "Eve of Destruction" as if it were a new single. The band were even more disgusted when they discovered that, thanks to the flurry of suits and countersuits, they not only could no longer perform as the Turtles, but White Whale were laying legal claim to their own names. They couldn't perform under those names -- Howard Kaylan, Mark Volman, and the rest were the intellectual property of White Whale, according to the lawyers. The group split up, and Kaylan and Volman did some session work, including singing on a demo for a couple of new songwriters: [Excerpt: Steely Dan, "Everyone's Gone to the Movies"] When that demo got the songwriters a contract, one of them actually phoned up to see if Kaylan wanted a permanent job in their new band, but they didn't want Volman as well, so Kaylan refused, and Steely Dan had to do without him. Volman and Kaylan were despondent, washed-up, has-been ex-rock stars. But when they went to see a gig by their old friend Frank Zappa, it turned out that he was looking for exactly that. Of course, they couldn't use their own names, but the story of the Phlorescent Leech and Eddie is a story for another time...

La gran mayoría de los hongos son invisibles para nosotros. Por eso, para Santiago, aprender sobre hongos ha sido una forma de activar su imaginación. Con él hablamos de las metáforas que nos ofrecen los hongos para pensar el orden y la organización social. Reflexionamos también sobre cómo acercarnos a los hongos nos ayuda a establecer una nueva relación con lo que nos es ajeno

Expertos de Sillón es un podcast donde conversamos con nuestros invitados e invitadas sobre sus grandes obsesiones, sus placeres culposos o sus teorías totalizantes acerca de cómo funciona el mundo. Es un proyecto de Sillón Estudios. Conducen Alejandro Cardona y Sebastián Rojas. Produce Sara Trejos. Asistencia de producción de Paula Villán.Pueden encontrarnos en su aplicación de podcasts favorita, como @expertosdesillon en Instagram, @ExpertoSillon en Twitter o pueden escribirnos a expertosdesillon[arroba]gmail[punto]com. Nos sostenemos gracias a oyentes como ustedes. Si quieren apoyarnos pueden unirse a nuestro grupo de Patreons en patreon.com/expertosdesillon. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit expertosdesillon.substack.com

Eduardo Espinosa, también conocido como Lolo es comediante y co-host de Leyendas Legendarias, uno de los podcast más reconocidos de Latinoamérica. Comenzó a su carrera de stand up a sus 27 años, y continuó escribiendo guiones y siendo co-anfitrión de El Late Night con Antonio Badía. Después de eso, comenzó junto a Badía otra serie de proyectos que ya le darían el reconocimiento que hoy tienen como:  Leyendas Legendarias, El Dollop, Historias del Más Acá y Músicos de Sillón, su podcast más reciente co-dirigido con Manuel Sáenz. De todos estos proyectos y experiencia nació Producciones Sin Contexto, su productora de contenidos. Actualmente tiene su propio show de stand up titulado “Cruel” y también tiene un show en vivo con Leyendas Legendarias titulado “Los hijos de Mothman”. Algunos de los temas que platicamos fueron:

Este episodio tiene dos partes:Hicimos un balance sobre el cubrimiento del Congreso Nacional de Minería, en especifico sobre las declaraciones de la Ministra de Minas, Irene Vélez sobre la teoría del decrecimiento y luego sobre su abandono en una rueda de prensa. Hablamos sobre el cubrimiento de la violencia, las historias de desalojo y el conflicto entre muchos grupos sociales en el norte del Cauca. Produce: Sara TrejosAnálisis: Santiago Rivas, Andrés Páramo y Juan ÁlvarezPost: Rodrigo Rodríguez y Sara TrejosAsistencia de producción: Paula Villán (Sillón Estudios) NOTAS DEL EPISODIO“Esto se acaba aquí”, la pataleta de la ministra de Minas, Irene Vélez, frente a un grupo de periodistas con los que terminó en un agarrón SEMANALa disculpa de Minminas por haber abandonado rueda de prensa ¿Qué dijo? | La FMVideo: ¡Se arrepintió! Ministra de Minas tuvo que pedir disculpas tras el desplante a la prensa¿De qué se trata la teoría del decrecimiento a la que se refiere la ministra de Minas? La República“Si no entiende el sector que dirige, es mejor que renuncie”: Miguel Uribe a minMinas SEMANAEl tierrero por el norte del Cauca | Cambio ColombiaLa eterna pelea por tierras del norte del Cauca | Cambio ColombiaIndígenas piden diálogo por ultimátum, pero dicen que no abandonarán tierras EL TIEMPOHuevos revueltos con invasión de tierras La Silla Vacía“Vamos a entrar a otras fincas”: CRIC desacata orden de desalojar predios ocupados y promete seguir invadiendo SEMANALa delicada situación que se vive el Cauca donde indígenas se apoderan de predios - Los InformantesLIBRO Territorios de diferencia: Lugar, movimientos, vida, redes Arturo Escobar Get bonus content on Patreon Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Merriam-Webster's Word of the Day for September 7, 2022 is: conciliate • kun-SILL-ee-ayt • verb Conciliate is a formal word applied in situations in which anger or disagreement presents a need for resolution. It can mean "to make compatible; to reconcile," "to appease or win over," or "to become or try to become friendly or agreeable." // The company's attempts to conciliate the workers without meeting their core demands has not been a successful strategy. See the entry > Examples: "Oklahoma City established a human rights commission Tuesday for the first time in more than a quarter century. The new nine-member commission ... will be charged with investigating and addressing employment, housing and public accommodations discrimination complaints. ... An investigation can either lead to dismissal of the complaint or an attempt by the commission to conciliate between the complainant and the accused party." — Jana Hayes, The Oklahoman, 19 July 2022 Did you know? Now here's a people pleaser. The immediate source of conciliate is a form of the Latin verb conciliare, meaning "to assemble, unite, win over," and when conciliate was first used in the 16th century, the idea of winning over was key; it was used to mean "to gain something, such as goodwill or favor, by pleasing acts." Today, conciliate is mostly used in contexts where appease or reconcile is a more common choice, as in "a refusal to conciliate the dictator," and "efforts to conciliate the views of those on opposing sides." Like the word council, conciliate ultimately traces back to the Latin word concilium, meaning "assembly, council."

La experiencia de amarrarse una cometa a la cintura y botarse al agua hizo que Estefanía se replanteara la relación que tenía con su trabajo y su carrera. Con ella hablamos sobre cómo la misma actitud frente a los procesos, la disciplina y el aprendizaje que le permitió abrirse paso en el mundo de las finanzas también la llevó a descubrir actividades y formas de vida que la hicieron cuestionarse los apegos que la ataban a ese mismo mundo.

https://www.gofundme.com/f/kristine-levine

Un fin de semana muy violento en Colombia, un conteo de caso 72 masacres en lo que va del año. A su vez un debate sobre bombardear o no en Colombia y las declaraciones del ministro Iván Velásquez. Produce: Sara TrejosAnálisis: Santiago Rivas, Juan Álvarez, María Paula MartínezPost: Sara TrejosAsistencia de producción: Paula Villán de Sillón Estudios.NOTAS DEL EPISODIO:

Cuál es la primera movida del gobierno Petro frente a la Fuerza Pública. Cuáles son los cambios en los nombramientos, la doctrina y cómo los medios cubren estos cambios de fondo. Produce: Sara TrejosAnálisis: Andrés Páramo, María Paula Martínez, Juan Álvarez y Santiago Rivas.Asistente de producción: Paula Villán de Sillón EstudiosPost: Sara Trejos. NOTAS DEL EPISODIO:

Las muertes de famosos siempre llevan consigo a teorías de conspiración dado a que sus seguidores no quieren aceptarlo. Pero en este caso hablaremos de una operación que parecía una guerra oculta contra el Rock, si quieres saber más mantente alerta a este episodio de Asesinos Del Compás.

Hablamos del anuncio de la reforma tributaria y cómo los medios analizaron las propuestas con las que inicia el Gobierno de Gustavo Petro. Produce: Sara TrejosAnálisis: María Paula Martínez, Andrés Páramo y Paola Herrera ( W Radio y Cambio) Post: Sara Trejos Asistencia de producción: Paula Villán (Sillón Estudios) Puedes apoyarnos en https://www.presuntopodcast.com/NOTAS DEL EPISODIO

Nuestra página para entrar a Discord, convertirse en donante y comprar en la Presunta Tienda.Gustavo Petro y Francia Márquez se posicionaron como Presidente y Vicepresidenta el domingo 7 de agosto. La ceremonia estuvo cargada de símbolos, desde las sillas, la decoración de las columnas del Congreso, hasta qué pasó con la Espada de Bolívar, la moda y los invitados. Revisamos los aspectos con mayor cobertura por los medios y analistas.Produce: Sara TrejosAnálisis: María Paula Martínez, Andrés Páramo, Juan Álvarez. Post: Rodrigo Rodríguez (Loro Pódcast) y Sara Trejos.Asistencia de producción: Paula Villán (Sillón Estudios). NOTAS DEL EPISODIOHuevos revueltos con el simbolismo de Petro. La Silla VacíaComienza la era Petro: el decálogo del nuevo gobierno. A fondoPetro presidente: los símbolos de la posesión que revelan la magnitud histórica del eventoHuevos revueltos con la Posesión de Petro. La Silla VacíaDe la espada de Bolívar a la fuerza afro de Francia Márquez: las escenas que marcaron la posesión de Gustavo Petro | EL PAÍS América ColombiaLos detalles detrás del incidente de la espada de Bolívar. El reporte CoronellUna posesión a capa y espada | Cambio Colombia¿Qué es la espada de Bolívar y por qué es importante en Colombia?La espada de Bolívar y la memoria del M-19: el pasado de Petro marcó su posesión | EL ESPECTADORPosesión Gustavo Petro: La espada de Bolívar | EL PAÍS América ColombiaLa estética no estática del nuevo poder - Cerosetenta Posesión presidencial Gustavo Petro: los mensajes de los trajes y vestidos - Tendencias - Vida - ELTIEMPO.COM Sofía Petro: los mensajes en el vestido de posesión de la hija del Presidente Get bonus content on Patreon Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Rob and Ben talk with Bruce Sill and his part of "Riding Across America"If you would like to donate visit c2c4c.donordrive.com

Hello Dear Listeners,Do you remember back in August of 2020? Neither do I. It's all part of the swirling memory fog that that enveloped life during that first year of pandemic pandemonium. One thing that I do remember was climbing Mount Sill.Mount Sill stands at 14,153 Ft. It is the second-highest peak in the Palisade Range and boasts of some of the best summit views  in the Sierras. l climbed it less than two months after my second DBS surgery.In this episode Judy & I talk with Chris Raba, one of my partners on that climb.More about Mount Sill : https://en.wikipedia.org/wiki/Mount_SillEnjoy!

Por fin la ciencia vuelve a estar en el centro del cubrimiento de los medios. Un documento del Pacto Histórico en el que se mencionaba de forma confusa la visión del Sistema de Ciencia, Tecnología e Innovación (Sncti) que tendría el gobierno de Gustavo Petro, trajo todo tipo de análisis desde muchos puntos de personas interesadas en la ciencia, estudiosos del tema, analistas, científicos, estudiantes etc. sobre las múltiples formas de crear conocimiento. Acá tratamos de hacer un balance sobre la importancia de este debate en medios. Produce: Sara TrejosAnálisis: Santiago Rivas, Maria Paula Martinez, Sergio Silva (Periodista científico de El Espectador) Autor junto de César Giraldo y Maria Camila Bonilla de Hegemonía, saberes ancestrales y política: el debate que nos puso a hablar de ciencia. Artículo central del episodio. Post: Rodrigo Rodriguez de Loro Pódcast y Sara TrejosAsistencia de producción: Paula Villán de Sillón Estudios. Notas del episodio:

Sillen är liten till storleken men har en gigantisk betydelse för havens ekosystem. Felberäkningar av bestånden har lett till överfiske och sillen är inte lika vanlig längre. Men nu skärps räknemetoderna. Programmet är en repris från 19 april 2022. Det finns ungefär tusen miljarder sillar. Den imponerande mängden betyder inte att det går att fiska upp hur många ton som helst, utan att bestånden minskar. Att korrekt uppskatta hur många sillar det finns i olika områden är en förutsättning för att kunna sätta upp lagom stora fiskekvoter som inte leder till överfiske. Där har forskarna bland annat tagit genetiken till hjälp.I programmet hörs: Henrik Svedäng, fiskforskare vid Stockholms universitet; Mikaela Bergenius Nord, forskare på Institutionen för akvatiska resurser, SLU Aqua vid Sveriges lantbruksuniversitet; Leif Andersson, professor i funktionsgenomik vid Uppsala universitet. Reporter Sara Sällström Producent Peter Normark peter.normark@sverigesradio.se

Hablamos sobre el nombramiento la nueva embajadora de Colombia ante la ONU, la lideresa indígena Leonor Zalabata la abogada embera Patricia Tobón en la Unidad de Víctimas; y el psicólogo nasa Giovanny Yule dirigirá la Unidad de Restitución de Tierras. Mencionamos cómo el racismo estructural afecta el trabajo periodístico y resaltamos los perfiles que dan información suficiente para entender estos nombramientos. Produce: Sara TrejosAnálisis: Andrés Páramo, Santiago Rivas, María Paula Martínez y Juan ÁlvarezPost: Rodrigo Rodríguez de Loro PódcastAsistencia de producción: Paula Villán de Sillón Estudios. Presunto Pódcast es un proyecto de Sillón Estudios. Si quieres apoyar el proyecto entra: www.presuntopodcast.comNOTAS DEL EPISODIO: Gobierno Petro: El poder simbólico detrás de los nombramientos de tres indígenasHuevos Revueltos, La Silla Vacía. Huevos revueltos con la nueva diplomacia de PetroMaría Fernanda Cabal “acabó” con el gabinete de Gustavo Petro: “Si no es indígena, no es gay o no tiene el color negro, entonces no les sirve” - InfobaeNo, no se necesita hablar inglés para ser embajadora ante la ONU “Delirio ‘incluyente'”: Maria Fernanda Cabal, furiosa con Petro por nuevos nombramientosNombrar - Columna de Ricardo Silva RomeroElla es Patricia Tobón, abogada Embera que liderará la Unidad de VíctimasLeonor Zalabata Torres será la primera mujer indígena en representar a Colombia ante la ONUEl indígena Giovani Yule fue nombrado por Gustavo Petro como líder de la restitución de tierras, ¿por qué la polémica?Con Iván Velásquez, Petro les pone a los militares un ministro y un vigilantePetro envía un mensaje con su ministro de Defensa: el fin de la impunidad | EL PAÍS América Colombia Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

El saliente gobierno se va firmando y amarrando contratos de último minuto. Los periodistas de investigación llevan semanas denunciando estos actos de corrupción y evaluando sus impactos para la gestión del siguiente gobierno. Hablamos de millones y billones de pesos.Produce: Sara TrejosAnálisis: María Paula Martínez, Juan Álvarez y Juliana Ramirez (Noticias Uno) Post: Rodrigo Rodríguez (Loro Pódcast) y Sara TrejosAsistencia de producción: Paula Villán (Sillón Estudios).NOTAS DEL EPISODIO:

Hoy en Historias del Más Acá:   Notas Macabrosas Un pez puntiagudo le salta a la garganta a un pescador La estimación de prevalencia de civilizaciones extraterrestres en la vía láctea Joven cae a una cisterna por distraerse con su celular Un elefante mató a una mujer a pisotones y regresó a su funeral a seguirla pisoteando Desconcertante imagen aparece en zoológico de Estados Unidos Naason Joaquin Garcia es sentenciado a 16 años y 8 meses por abuso sexual a 3 menores Techo colapsa tras granizada en la CDMX   Encuentros Cercanos (con Músicos de Sillón) Eduardo Espinosa y Manuel Sáenz nos hablan de músicos que han sido asesinados por sus fans, por el crimen, por el gobierno o incluso por sus propios familiares. Todo esto con la descarada intención de promocionar su nuevo podcast: Músicos de Sillón   ¿Tienes una noticia / suceso que te gustaría que comentemos? Escríbenos a sucesos@sincontexto.com con el asunto "Historias del Más Acá"   También puedes escucharnos en Youtube, Spotify, Apple Podcasts, Google Podcasts o tu app de podcasts favorita.   Apóyanos en Patreon: https://www.patreon.com/leyendaspodcast​   Apóyanos en YouTube: https://www.youtube.com/c/leyendaslegendarias/join   Síguenos: https://instagram.com/leyendaspodcast​ https://twitter.com/leyendaspodcast​ https://facebook.com/leyendaspodcast​   #Podcast​ #LeyendasLegendarias​ #HistoriasDelMasAca Patreon: https://www.patreon.com/leyendaspodcast