Podcast appearances and mentions of Nora Bayes

Barry and Abigail discuss The Masked Marauders by The Masked Marauders and sample Blueberry Moscato and Sunshine State Berry Sangria from Island Grove Wine Company in Hawthorne, Florida. Visit Anosmia Awareness for more information on Barry's condition. Abigail first learned of this “prank” album from the Ridiculous Crime episode The Battlin' Fleetwood Macs. The Masked Marauders band was made up of members from the Cleanliness and Godliness Skiffle Band. Chicken on a Unicycle has an amazing illustration of the genealogy and history of these two bands. Read the original fake review of The Masked Marauders that appeared in Rolling Stone on October 18, 1969! Abigail shared that she recently watched Weird: The Al Yankovic Story, which has a similar backstory to that of The Masked Marauders. The Wikipedia entry for the movie and the original Funny or Die trailer that inspired the movie are both worth a look. You can watch the film for free on The Roku Channel! I Can't Get No Nookie, featuring a Mick Jagger impersonator, frequently gets mislabeled as an outtake from The Rolling Stones' Jamming with Edward sessions. The version of I Am the Japanese Sandman (Rang Tang Ding Dong) that appears on The Masked Marauders is a cover of The Cellos' Rang Tang Ding Dong (I Am the Japanese Sandman) (and includes the same racist music and lyrics). In trying to locate the origins of the song, we also played Paul Whiteman's The Japanese Sandman (instrumental) and Nora Bayes' The Japanese Sandman (with lyrics). Listen to The Truncated Marauders, our “resequencing” of this album. Up next… Crash Kings by Crash Kings Theme song, jingles, and dramatic reading by our friend Pete Coe. Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic! Facebook | Instagram | Twitter | YouTube | Website | Email us | Virtual Jukebox --- Send in a voice message: https://podcasters.spotify.com/pod/show/pops-on-hops-podcast/message

Over a year ago, Chicanx futurist artist Ruben Briseño Reveles grappled with a choice: either his job or his mental health and well-being. He decided to make a leap into a new life when he left his restaurant job of 20 years. His is one of many stories of great resignations in the face of the events of 2020 and 2021, and we talk with Ruben about what he's learned during this time — about his art, his spirituality, and his relationship to his family.In this episode, we conduct a live tarot reading with Ruben during the portal of Dia de los Muertos, or Day of the Dead, which occurs this year between the solar and lunar eclipses of the latter half of 2022. The reading touches on the practicalities of making a living as an artist and the role that prayer and ancestry have in keeping us steady in periods of change.Five and Nine Season 2 is about transitions. As falls sets in in the northern hemisphere and spring in the south, Five and Nine looks at change in all its forms — leaving jobs, changing industries, starting new paths, and the wisdom that tarot and magic have to offer in a world that seems to be ever in flux.ResourcesFrom Our Guest and Hosts* Ruben Briseño Reveles* Being Peace, by Thich Nhat Hanh* Tarot DoulaTarot Cards Discussed* Two of Swords* Four of Pentacles* Queen of Swords* Queen of PentaclesMusic* Episode: Shine on, harvest moon barn dance, performed by Arthur Pryor's Band in 1910 and composed by Nora Bayes and Jack Norworth.* Outro: Ain't we got fun, composed by Richard A. Whiting and performed by the Benson Orchestra of Chicago, 1921.Enjoying the show? You can support us in three ways:* Subscribe now for just $6 per month and get access to our paid programming. This podcast is always free, but paid subscribers will get access to special content, including how-to's, journaling exercises, tarot suggestions and more. Your generous support also helps cover our costs, which include honoraria for our guest speakers, software subscriptions and our time. With enough support, we'll also be able to bring back written transcripts for the show.* Recommend this show to others. Do you know anyone who you think might enjoy this podcast? Send them a link. Ask them to tune in. You can send them snippets of our shows on Instagram, at @fiveandnine_podcast.* Leave us a review on Apple or Spotify. Reviews help bring visibility and credibility to indie podcasts like ours and help people know what to expect when tuning in.Five and Nine is a podcast and newsletter at the crossroads of magic, work and economic justice. We publish “moonthly” — every new moon

Born in New York City in the waning years of the 19th century, Harry Akst started out as a vaudeville pianist, backing Nora Bayes as she belted out tunes like “Shine On, Harvest Moon.”In 1916 Harry enlisted in the army, and while at Camp Upton in Yaphank, NY, on Long Island, he befriended another young composer, Irving Berlin. At the end of World War I, Akst and Berlin collaborated on the No. 2 recording of 1921, "Home Again Blues.”Then in 1925, Akst teamed up with lyricists Sam Lewis and Joe Young, to write “Dinah,” one of the most recorded songs from the Roarin' Twenties. As noted in last week's podcast, "Dinah" was introduced by Ethel Waters at the Plantation Club on Broadway within a year of its composition. It went on to be recorded by everyone from Louis Armstrong, Fletcher Henderson, Cab Calloway and Josephine Baker to Bing Crosby, the Mills Brothers and the Boswell Sisters to Chet Baker, Thelonious Monk and Django Reinhardt and Stéphane Grappelli. Enter “Am I Blue?”So our Harry already was a well-established songsmith when four years later he wrote “Am I Blue?” Right off the bat, it was another hit for Ethel Waters, this time in 1929's “On With the Show,” the first all-talking, all-color feature length movie in history.“Am I Blue?" was Waters' biggest hit (No. 1 for two weeks) and became her signature tune. Her Columbia recording, waxxed with a studio orchestra on May 14, 1929, was inducted into the Grammy Hall of Fame in 2007.Over the past 90+ years, Hollywood has fallen madly in love with “Am I Blue?” To date, the song has appeared in more than 40 movies, four in the year 1929 alone.Our particular favorite is Hoagy Carmichael's saucy 1944 performance of the tune for Lauren Bacall in Howard Hawks' “To Have and Have Not.” More recently, the song has been used in “Funny Lady” (1975 ), “The Cotton Club” (1984 ) and this year's “Downton Abbey: A New Era.”It probably was the celluloid success of “Am I Blue?” that prompted Harry Akst's decision to leave his native New York City for the West Coast, settling in Hollywood in the late '20s to work on dozens of movie scores over the next three decades.Harry even got a little screen time himself. You can catch glimpses of him as “Jerry” — rehearsal pianist, show pit orchestra conductor and concertmaster — in 1933's “42nd Street.” (Some of the same footage also was used later in “Gold Diggers of 1937.”)Multiple GenresA wide variety of styles have been applied to “Am I Blue?” over the years.Jazz artists from Billie Holiday to Grant Green covered it. Proto-rockers Eddie Cochran and Rick Nelson both recorded renditions in 1957. Rhythm and blues versions were done by Ray Charles in 1959 and Fat Domino in 1961. Many women song stylists -- Linda Ronstadt, Cher, Brenda Lee, Bette Midler, Dinah Washington, Judy Garland, Barbra Streisand, Rita Coolidge — have covered the song. George Strait even had a No. 1 country hit with it.Our Take on the TuneA lot of those renditions presented the tune slowly and deliberately, but that's not our style. Anyone who knows us knows The Flood is not really dirge-friendly. In fact, years ago, our beloved co-founder Dave Peyton said that if The Flood had a spirit animal, it probably would be Leon Redbone. So, our take on “Am I Blue?” is how we imagine Brother Redbone would do it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Thanks for listening the episode. This week is about the delay of the vaccine distribution in Japan. Here is the link to my weekly newsletter on Substack. https://quirkyjapanese.substack.com Song: Japanese Sandman by Nora Bayes

Le Collimateur se tourne cette semaine vers l’autre côté de l’Atlantique, pour discuter de l’alliance entre la France et son plus puissant partenaire militaire, les Etats-Unis, à l’occasion de la parution d’un rapport de l’Atlantic Council, « Sovereign solidarity: France, the US, and alliances in a post-COVID world » avec ses deux auteurs, Jeffrey Lightfoot (senior fellow) et Olivier-Rémy Bel (visiting fellow) à l’Atlantic council. En compagnie d’Alexandre Jubelin, ils discutent d’abord de l’ancienneté de l’alliance entre la France et les Etats-Unis, et du poids que cette histoire a dans l’esprit des décideurs américains (4:00), notamment par l’épisode gaulliste et le retrait de la France du commandement intégré de l’OTAN à partir de 1966 (7:00), puis des conséquences que porte encore l’épisode 2001-2003 dans cette relation (12:00) et des grands axes de cette coopération (20:00). Ils abordent ensuite l’actualité de l’alliance otanienne (27:30) et son adéquation possible avec la construction d’une Europe de la défense (40:00), sa complémentarité avec l’annonce récente de la hausse massive du budget de la Défense britannique (47:30) ainsi que la rivalité industrielle franco-américaine (50:00), avant de réfléchir sur ce que les premières nominations de l’administration Biden peuvent indiquer sur l’avenir de la relation franco-américaine (55:00). Extraits audio : - Marie Laforêt, "Monsieur de La Fayette" sur l'album "Il reviendra" (1977) - Nora Bayes, "Goodbye France", composé par Irving Berlin : chant sur le retour des soldats américains après la Première guerre mondiale (1919) : https://www.youtube.com/watch?v=9SqMyQBSaAs

Occultae Veritatis Podcast Case #101: Cults 101 Join us as we look at just what qualifies a movement as a cult, how to measure the level of control they take over member of the cult, and the types of cults, with numerous examples Subscribe: https://ovpod.ca Pallet cleanser: THE BROADWAY BLUES by Nora Bayes #hailval Support the Show: http://www.patreon.com/ovpod Clips Used: What is a cult? https://www.youtube.com/watch?v=O1j4JRwPB7k Steven Hassan: The BITE model https://www.youtube.com/watch?v=_Pvpd6wCeM4 Mormon Magic Underwear https://www.youtube.com/watch?v=bnVOK42o4E0 Victims speak out in US Catholic sexual abuse scandal https://www.youtube.com/watch?v=yKyum099VWg CBS Reports "Ku Klux Klan: The Invisible Empire" (1965) https://www.youtube.com/watch?v=wEaxpSZZ5jE Inside alleged sex cult NXIVM https://www.youtube.com/watch?v=Pu2Z7aou9yk

Some of the top hits of 1920, including Swanee, Apple Blossom Time, Whispering, You'd Be Surprised, Crazy Blues and The Japanese Sandman. Performers include: Al Jolson, Mamie Smith, Eddie Cantor, Nora Bayes, Paul Whiteman and Marion Harris.

Hi. This podcast was recorded Sept 13, 2019, which was (is) a full moon in Pisces as well as Friday the 13th. PHEW. Here is some small magic for this spooky moon. The song at the beginning is a mangled version of Harvest Moon, by Neil Young, and then sung by me and my robot backup singer. I hope it's derivative enough that Neil will help a fellow Canuck out and just let me have this. The song at the end is a mangled version of Shine On, Harvest Moon (1908) by vaudeville duo Nora Bayes and Jack Norworth. It's Creative Commons, and also they're dead so they can't sue me. But it is a Pisces full moon, so they might haunt me for copyright infringement. I'll leave them an offering. Please send feedback or questions to sadwitchpodcast@gmail.com . Connect with me on Facebook or Instagram @sadwitchpodcast Send me a tip at paypal.me/sadwitchpodcast

This "from the archives" episode of Ipse Dixit features two versions of the song, "Snoops, the Lawyer," which was published in 1919. The music was composed by Harry Ruby and the lyrics were written by Bert Kalmar. The first version of the song was performed by Nora Hayes and released by Columbia in 1919 (A2852). The second version was performed by Beatrice Lillie, with Sam Walsh on piano, and released by Gramophone Shop Varieties in 1934. See acast.com/privacy for privacy and opt-out information.

On the occasion of the 100th anniversary of the end of World War I, we take a look at artifacts and monuments of The Great War found throughout the city. Host Allen Forkum (editor of The Nashville Retrospect newspaper) interviews Dr. Lisa Budreau, senior curator of military history at the Tennessee State Museum, about relics and souvenirs collected from Tennessee soldiers after World War I, including a German cannon and Sergeant Alvin C. York’s war medals. Dan Pomeroy, senior curator and director of the state museum, relates the history of the Military Branch Museum, located in the War Memorial Building. And Allison Griffey of the Tennessee State Library and Archives discusses stories from the Gold Star Records, including soldier’s letters, as well as women factory workers, the influenza epidemic, and the Mexican village at the Old Hickory gun powder plant. (Segment begins at 03:22) Some of the uniforms featured in the new Tennessee State Museum temporary exhibition titled “Tennessee and the Great War: A Centennial Exhibition” (left to right): aviator Lieutenant Charles McGhee Tyson of Knoxville (the boots belonged to his father, General Lawrence Tyson), Rebekah Dodson Senter of the Army Nurse Corps, and Captain Albert Harris Jr. of Davidson County and part of the Vanderbilt Medical Unit in France. The German breastplate armor discussed by Dr. Budreau in the podcast can be seen in the upper left. Beside it is a gas mask case. At the bottom is a Colt-Vickers water-cooled .303 caliber British machine gun, which were used by many countries during WWI, including the U.S. 30th Division troops attached to the British army. This German field cannon can be seen in the new Tennessee State Museum temporary exhibition about WWI. The 7.7 cm, Model 1896 cannon by Krupp was likely captured by the U.S. 30th Division near the German Hindenburg line in 1918. It took over two and a half years to restore it to operational condition.  This Sergeant Alvin C. York collection is part of a permanent WWI display at the new Tennessee State Museum. York's Medal of Honor and Croix de Guerre with palm can be seen in the middle right of the picture. The gold star flag of Nashvillian Johnny Overton, held in the Gold Star Records at the Tennessee State Library and Archives, features the popular WWI phrase “Over There.” Overton was killed on the battlefield in France on July 18, 1918, at the age of 24. You can read more about Johnny Overton in the November 2018 issue, in the article "A Nashville Soldier of the Great War Remembered," by John P. Williams. (Image: Tennessee State Library and Archives) At left is Cecil Calvert Bain, whose items in the Gold Star Records include a letter home about influenza in his camp. Like many soldiers in World War I, he would ultimately die of the disease at age 27 in Camp Gordon. At right is Private Luther Gilbert, Company B, 804th Pioneer Infantry, United States Army. Pvt. Gilbert was a member of one of the 14 African-American Pioneer Infantry units in World War I. Men in these units were often given dangerous maintenance and engineering tasks on the front lines. He died of pneumonia at 22 years old in France and was most likely a victim of the Influenza Epidemic of 1918.(Images: Tennessee State Library and Archives) Sue Howell (Mrs. A.C. Adams) is pictured with her seven sons, all of whom were involved in World War I and survived. She displayed seven blue stars on her service flag. The photo appears in the book Davidson County Women in the World War, 1917–1919, published in 1923, which you can read more about in the October 2018 issue of The Nashville Retrospect in the "Artifacts" column by Clinton J. Holloway. (Image: Clinton Holloway) The Old Hickory DuPont gun powder plant is shown circa 1918. (Image: Tennessee State Library and Archives) Also hear the song “Over There” from World War I and lines from patriotic songs written by two Nashville women for the war. (Segment begins at 54:40) The cover of the sheet music for “Over There” credits the Nora Bayes version of the song with introducing it to the country. A recording of Bayes singing the song can be heard at the end of the podcast. “Over there” became a common phrase during WWI, indicating where American troops were fighting. (Image: Library of Congress) The cover illustration for the sheet music of “Over the Top” dramatically captures the meaning of the title. Nashvillian Marian Phelps wrote the lyrics for the patriotic song. (Image: Washington University) And finally, Allen Forkum reviews some of the contents of the November 2018 issue, including such stories as: the toll of the 1918 influenza epidemic on Nashvillians; the city’s joyous reaction to news of the end of the Great War; and a Nashvillian’s letter from the front lines of the war. (Segment begins at 01:30)   SHOW NOTES A list of articles relating to this episode contained in back issues of The Nashville Retrospect (back issue can be ordered by clicking here): • “Tennessee’s Gold Star Soldiers of WWI,” by Allison Griffey, The Nashville Retrospect, June 2016 • “Artifacts: ‘Davidson County Women in the World War, 1917–1919’” by Clinton J. Holloway, The Nashville Retrospect, October 2018 • “Kidnap the Kaiser” by Tom Henderson III, The Nashville Retrospect, January 2013 • “Sword Unsheathed By Uncle Sam,” Nashville Banner, April 6, 1917 (The Nashville Retrospect, April 2018) • “Old Hickory’s ‘Swinging Bridge’,” Nashville Banner, April 25, 1919 (The Nashville Retrospect, April 2010) • “1918 Flu Epidemic ‘Horrible’,” Nashville Banner, April 26, 1976 (The Nashville Retrospect, March 2018) • Also see the November 2018 issue of The Nashville Retrospect for articles about life in trenches of WWI, the flu epidemic in Nashville, and extensive coverage of Nashville’s reaction to the end of the Great War.   Other related articles: • “Tribute Paid To Vanderbilt Unit,” Nashville Tennessean, Nov. 3, 1917 • “Lack of Patriotic Spirit,” Nashville Tennessean, March 5, 1918 • “Mrs. Ashford Writes Patriotic Song” (“Old Glory”) Nashville Tennessean, June 17, 1917 • “Miss Phelps, Author of Patriotic Song” (Over the Top”), *Nashville Tennessean, Nov. 14, 1917 • “Nashville Woman Writes Patriotic Song” (“Over the Top”), Nashville Tennessean, Nov. 14, 1917   Links relating to this episode: The Military Branch of the Tennessee State Museum Tennessee State Museum “Tennessee and the Great War: A Centennial Exhibition” at the State Museum Tennessee State Library and Archives Bodies of War: World War I and the Politics of Commemoration in America, 1919–1933 (2010) by Dr. Lisa M. Budreau "Tennesseans, and their families, made the ultimate sacrifice during World War I | Opinion" by Dr. Lisa Budreau in The Tennessean “Alvin C. York Collection” at Tennessee Virtual Archives “Old Hickory DuPont Gunpowder Plant Photographs” at Tennessee Virtual Archives “Over Here, Over There: Tennesseans in the First World War” at Tennessee Virtual Archives “Record of Ex-Soldiers in World War I, Tennessee Counties, 1917–1919” at Tennessee Virtual Archives “Tennessee in World War I” at Tennessee Virtual Archives Tennessee Great War Commission American Gold Star Mothers Inc. “Over There” song info at Library of Congress “‘Over There’ At 100” by National Public Radio “Over the Top” sheet music at Washington University “Over the Top” sheet music at Library of Congress “Over the Top” song info at Wikipedia “Old Glory” sheet music at Library of Congress “World War I Sheet Music” at the Library of Congress “Music of Emma Louise Ashford” at Evensong Music Sergeant York Patriotic Foundation "The Deadly Virus: The Influenza Epidemic of 1918” by the National Archives   Audio excerpts from: “Over There” sung by Nora Bayes; “Over There” sung by Billy Murray; clip of “Sergeant York” (1941) by Warner Bros. Music: “Near You” by Francis Craig and His Orchestra (Bullet, 1947); “Quiet Outro” by ROZKOL (2018); “Covered Wagon” by Ted Weems and His Orchestra; and “The Buffalo Rag” by Vess L. Ossman

In this episode, the Lavetta and Miriam talk bad fathers, the creative life of performance artist, Yoko Ono (before she met that guy) and the "gives no fucks" career of vaudevillian, Nora Bayes.

A haunting history, beerly believable... Crack open a cold one and settle in for a detailed history of the Lemp Mansion! Home to one of the most successful and tragic families in St. Louis brewing history, Lemp Mansion stands as solemn reminder of both accomplishment and sorrow. In part 1 of this 2 part mega-sode, David delves deeply into the history of the Lemp family, including their humble beginnings and triumphs all the way through their anguished downfall. Few families can match the tragic Lemps. While money came easily, death might as well have been the dispenser of it. In the upcoming second part, Flora will relay the chilling accounts born of the untimely ends and secrets kept within the walls of the stately home. Grab your stein and nicest lavender outfit, this trip through St Louis' Gilded Age will leave you kegging for more! Music Myst on the Moor - Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 Mars - Gustav Holst, perf. by USAF Heritage of America Band; Prohibition Blues - Nora Bayes; St Louis Rag - Tom Turpin; St Louis Blues - WC Handy Licensed under Creative Commons: By Attribution 3.0   Links Pittman, Rebecca F. The History and Haunting of Lemp Mansion. Wonderland Productions. Loveland, CO. 2015. Marcus, Lisa. Lemp Mansion: Tales of a Cursed Family and Their Haunted House. Neatorama. Oct. 30, 2014. Web. https://www.neatorama.com/2014/10/30/Lemp-Mansion-Tales-of-a-Cursed-Family-and-Their-Haunted-House/ Lemp Mansion website: http://www.lempmansion.com/ Lord, Victoria. The Story of American Breweries. Ultimate History Project. Web. http://ultimatehistoryproject.com/breweries.html

Nora Bayes - "Over There" https://www.wfmu.org/playlists/shows/77186

Nora Bayes - "Over There" http://www.wfmu.org/playlists/shows/77186

Hit songs from 1917, including: Livery Stable Blues, Oh Johnny Oh, Till the Clouds Roll By, Poor Butterfly, Over There and No Place Like Home. Performers include: the Original Dixieland Jazz Band, Bert Williams, Nora Bayes, Irving Kaufman, W.C. Handy and the American Quartet.

The music and events of 1916.  Songs include: Keep the Home Fires Burning, Pretty Baby, M O T H E R, The Missouri Waltz , Hello Hawaii and America, I Love You. Performers include: Al Jolson, Nora Bayes, Henry Burr, The American Quartet and Enrico Caruso.

In this episode, JD and Billy sit down to discuss Christian Liberty in light of The Baptist Confession. Featuring music from Nora Bayes – MP3 Download | stream: https://archive.org/download/CCFEpisodeTwentyFour/CCF%20Episode%20Twenty-Four.mp3 – For further study on the history of alcohol in America and the history of the use of grape juice in communion listen to this sermon delivered by Arden Hodgins.…

The hit records of 1914, including: Trusting Eyes, Aba Daba Honeymoon, The Memphis Blues,  The Good Ship Mary Ann, Cohen on the Telephone and It's a Long Way to Tipperary.  Performers include: Enrico Caruso, Nora Bayes, The American Quartet, Joe Hayman and Prince's Orchestra.

Durango-Silverton RR Dec 01 | 24 bit (1:33)Hi, and welcome to the Open Licensed Music Podcast, the show where we highlight music from artists who let you share their music.  I'm Ralph Wacksworth, and today's episode is featuring steampunk music.  A bunch of the songs this week have vocals, but there are also a bunch of instrumentals, too.  So let's get started!The Watchmaker's Apprentice (5:41)Fig Leaf Rag - distressed (3:29)Battle In The Sky - A Steampunk Orchestra (3:01)Eighteenth Century (1:51)"Epic" Orchestral Piece (3:00)The Clockwork City (12/14) (1:55)Frost Waltz (2:18)That was a chunk of Durango-Silverton RR Dec 01 | 24 bit by BoilingSand, which is available from FreeSound and is licensed under an Attribution license.  If you ever get a chance to ride the Durango and Silverton, it is an excellent ride and well worth it to go see.  After that was The Watchmaker's Apprentice by The Clockwork Quartet, which is available from their website at clockworkquartet.com and is licensed under an Attribution Noncommercial Share-Alike license.  Then we had Fig Leaf Rag - distressed by Kevin MacLeod, which is available from incompetech.com and is licensed under an Attribution license.  Next up was Battle In The Sky - A Steampunk Orchestra by Walid Feghali and Eighteenth Century by Niklas Stagvall, which are both available from SoundCloud and are licensed under an Attribution Noncommercial license.  After that was "Epic" Orchestral Piece by Steven O'Brien and The Clockwork City (12/14) by David Cordero Chang, which are both available from SoundCloud and are licensed under an Attribution license.  And finishing up was Frost Waltz by Kevin MacLeod, which is available from incompetech.com and is licensed under an Attribution license.Although I'm a big fan of open licensing, I also very much enjoy music from artists who are either independent or are on labels which kind of buck the trend of seemingly the majority of the mainstream music industry and actually like the fact that they have people listening to their music.  And with steampunk music, although I can't play it on here, there is a lot of really good stuff either direct published or on small labels.  A few songs I can heartily recommend listening to include:- Airship Pirate by Abney Park- Steph(v)enson by The Men That Will Not Be Blamed For Nothing (who actually released a version of that album on wax cylinder)- All Hail the Chap by Mr. B The Gentleman Rhymer- I Want Only You by The Cog Is Dead- Just Glue Some Gears On It (And Call It Steampunk) by Sir Reginald Pikedevant, Esquire- Roustabout by Beats Antique- and Lament for a Toy Factory by Dr. SteelMost of this week's music was chosen more for a mechanical sound than for anachronistic style combinations.  Stuff that just sounded to me like it went well with a slow speed reciprocating engine.  Not everyone considers the same things "steampunk music", since it's not a particularly well-defined genre, but this kind of thing falls pretty squarely into that category for me.Steam Train Interior (2:16)Railroad (1:42)Atom Hub Toolshed_contextual_demo (0:36)Tim Reed - Four Miniatures for Violin and Cello Duo (excerpt 1) (1:01)Clockwork Symphony (2:30)04 A Garden in Italy - The Archive Box - Stereochemistry (4:10)That was a chunk of Steam Train Interior by allh, which is available from FreeSound and is licensed under the CC0 license.  After that was Railroad by Jake Tickner and Atom Hub Toolshed_contextual_demo by Walid Feghali, which are both available from SoundCloud and are licensed under an Attribution license.  Then we had Tim Reed - Four Miniatures for Violin and Cello Duo (excerpt 1) by Tim Reed, which is available from SoundCloud and is licensed under an Attribution Noncommercial license.  Next up was Clockwork Symphony by Psarius and finishing up was 04 A Garden in Italy - The Archive Box - Stereochemistry by stereochemistrymusic, which are both available from SoundCloud and are licensed under an Attribution license.Today's app-of-the-day is OpenTTD, a transportation network simulator where your job is to build a system of road, rail, air, and ship routes to connect together towns and industries to move people and goods around the map in the most efficient way possible.  It's a little like if you took just the transportation components of a city simulator and extended it into its own game.  For example, not only do you build train stations and tracks, but the terrain of the tracks will slow down your trains if they hit a hill.  You also have to do regular maintenance on your vehicles and even build their routes and schedules.  I'll admit I'm pretty terrible at playing it, partially due to my propensity to overuse trains instead of other forms of transportation, but I still have a lot of fun playing it.  It's available for Linux, BSD, OpenSolaris and OpenIndiana, AmigaOS and MorphOS, BeOS and Haiku, OS/2, RISC OS, Android, PalmOS, Symbian, Nintendo DS, Wii, PSP, Apple iOS, Mac OS X, MS-DOS, and Microsoft Windows.  Download it today at openttd.orgNow for a short noncommercial break from one of our nonsponsors followed by more music.20000 Leagues under the SeasTower Bridge old machine room (1:00)CONCERNS (3:36)Monomental (3:20)Prelude No. 7 in A major, Op. 2g on a crappy old, out of tune, upright piano (1:44)Shine On, Harvest Moon (1:55)Ain't Nobody's Business (5:44)Steampunk Girl (3:56)That was Tower Bridge old machine room by The London Sound Survey, which is available from SoundCloud and is licensed under an Attribution Noncommercial license.  After that was CONCERNS by AKAJULES and Monomental by aledjones_musics, which are both available from Jamendo and are licensed under an Attribution Noncommercial Share-Alike license.  Then we had Prelude No. 7 in A major, Op. 2g on a crappy old, out of tune, upright piano by Steven O'Brien, which is available from SoundCloud and is licensed under an Attribution license.  Next up was Shine On, Harvest Moon by Nora Bayes and Jack Norworth and performed by Bill Kramme singing with himself, which is available from SoundCloud and is licensed under an Attribution Noncommercial Share-Alike license.  After that was Ain't Nobody's Business by Porter Grainger and Everett Robbins and performed by Cryindtbuffkin, which is available from SoundCloud and is licensed under an Attribution license.  Finishing up was Steampunk Girl by John Anealio, which is available from his website at johnanealio.com and is licensed under an Attribution Noncommercial license.So, that's all for today.  Remember - piracy of commercial music only proves your dependence on that model and justifies further censorship and restriction.  So don't pirate it - replace it with something better.  Listen to open licensed music, donate to the artists behind it, go to concerts, and buy music from artists whose record labels don't see you as their enemies.  Support artists where your support actually counts.This episode was made using Gentoo Linux, Xubuntu Linux, Audacity, Audacious for organizing playlists, and Leafpad for notes, and is licensed under the Creative Commons Attribution Noncommercial Share-Alike license.  Feel free to give it to your friends, or if you didn't like it, your enemies.  Links to the songs in this podcast are available on the website.  Listen in next time for some celtic music.  See 'ya!Download MP3

The life and music of songwriter Sam Lewis.  Songs include: For All We Know, Just Friends, I'm Sitting On Top Of The World, Dinah, Five foot Two and Hello Central.  Performers include: Bing Crosby, Russ Columbo, Nora Bayes, Ted Lewis, Gene Austin and Isham Jones.

The hits from a century ago.  Songs include: By the Light of the Silvery Moon, We parted on the Shore, I Wonder Who's Kissing Her Now and Silver Bell. Performers include: Billy Murray, Ada Jones, The Peerless Quartet, Nora Bayes and the Harry Lauder.

Music by songwriter, Walter Donaldson.  Songs include: Carolina in the Morning, My Blue Heaven, Love Me or Leave Me and You're Driving Me Crazy. Performers include: Eddie Cantor, Ruth Etting, Josephine Baker and Nora Bayes.

Songs from World War I in honor of Veteran's Day. Songs include:  Over There, Pack Up Your Troubles, Tell That to the Marines and My Dream of the Big Parade. Performers include: Al Jolson, The Peerless Quartet, Nora Bayes and The Hotel Taft Orchestra.

Artists Include; Al Jolson, Fanny Brice, Irving Kaufman, Nora Bayes and Arthur Fields.Songs include: Second Hand Rose, Toot Toot Tootsie, Oh How I Hate to Get Up In the Morning and Hail Hail, the Gang's All Here.