Podcast appearances and mentions of james kates

During a year on sabbatical from his university position, Matthew Batt realized he needed money—fast—and it just so happened that a craft brewery in Minneapolis was launching a restaurant and looking to hire. So it was that the forty-something tenured professor found himself waiting tables. And loving it.  The Last Supper Club: A Waiter's Requiem (University of Minnesota Press, 2023) tells the story of Batt's experience at the fine dining restaurant, an adventure that continued well past his sabbatical—right up to the restaurant's sudden and unceremonious closing, shortly after it was named one of the best restaurants in the country by Food & Wine. Batt's memoir conveys the challenge—and the satisfaction—of meeting the demands of a frenzied kitchen and an equally expectant crowd. The Last Supper Club reveals the ups and downs of a waiter's workday and offers an insightful perspective on what makes a job good, bad, or great. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

During a year on sabbatical from his university position, Matthew Batt realized he needed money—fast—and it just so happened that a craft brewery in Minneapolis was launching a restaurant and looking to hire. So it was that the forty-something tenured professor found himself waiting tables. And loving it.  The Last Supper Club: A Waiter's Requiem (University of Minnesota Press, 2023) tells the story of Batt's experience at the fine dining restaurant, an adventure that continued well past his sabbatical—right up to the restaurant's sudden and unceremonious closing, shortly after it was named one of the best restaurants in the country by Food & Wine. Batt's memoir conveys the challenge—and the satisfaction—of meeting the demands of a frenzied kitchen and an equally expectant crowd. The Last Supper Club reveals the ups and downs of a waiter's workday and offers an insightful perspective on what makes a job good, bad, or great. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

During a year on sabbatical from his university position, Matthew Batt realized he needed money—fast—and it just so happened that a craft brewery in Minneapolis was launching a restaurant and looking to hire. So it was that the forty-something tenured professor found himself waiting tables. And loving it.  The Last Supper Club: A Waiter's Requiem (University of Minnesota Press, 2023) tells the story of Batt's experience at the fine dining restaurant, an adventure that continued well past his sabbatical—right up to the restaurant's sudden and unceremonious closing, shortly after it was named one of the best restaurants in the country by Food & Wine. Batt's memoir conveys the challenge—and the satisfaction—of meeting the demands of a frenzied kitchen and an equally expectant crowd. The Last Supper Club reveals the ups and downs of a waiter's workday and offers an insightful perspective on what makes a job good, bad, or great. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

During a year on sabbatical from his university position, Matthew Batt realized he needed money—fast—and it just so happened that a craft brewery in Minneapolis was launching a restaurant and looking to hire. So it was that the forty-something tenured professor found himself waiting tables. And loving it.  The Last Supper Club: A Waiter's Requiem (University of Minnesota Press, 2023) tells the story of Batt's experience at the fine dining restaurant, an adventure that continued well past his sabbatical—right up to the restaurant's sudden and unceremonious closing, shortly after it was named one of the best restaurants in the country by Food & Wine. Batt's memoir conveys the challenge—and the satisfaction—of meeting the demands of a frenzied kitchen and an equally expectant crowd. The Last Supper Club reveals the ups and downs of a waiter's workday and offers an insightful perspective on what makes a job good, bad, or great. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

In How the News Feels: The Empathic Power of Literary Journalists (University of Massachusetts Press, 2023), Jonathan D. Fitzgerald examines a mode of journalistic storytelling dating back nearly two centuries. Literary journalism arose in the decades before the U.S. Civil War alongside the era's sentimental literature. Combining fact-based reporting with the sentimentality of popular fiction, literary journalism encouraged readers to empathize with subjects by presenting more nuanced and engaging stories than typical news coverage. While women writers were central to the formation and ongoing significance of the genre, literary journalism scholarship has largely ignored their contributions. How the News Feels re-centers the work of a range of writers who were active from the 1830s until today, including Catharine Williams, Margaret Fuller, Nellie Bly, Winifred Black, Zora Neale Hurston, Joan Didion, Adrian Nicole LeBlanc, and Alexis Okeowo. Offering intimate access to their subjects' thoughts, motivations, and yearnings, these journalists encouraged readers to empathize with society's outcasts, from asylum inmates and murder suspects to "fallen women" and the working poor. As this carefully researched study shows, these writers succeeded in defining and developing the genre of literary journalism, with stories that inspire action, engender empathy, and narrow the gap between writer, subject, and audience. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In How the News Feels: The Empathic Power of Literary Journalists (University of Massachusetts Press, 2023), Jonathan D. Fitzgerald examines a mode of journalistic storytelling dating back nearly two centuries. Literary journalism arose in the decades before the U.S. Civil War alongside the era's sentimental literature. Combining fact-based reporting with the sentimentality of popular fiction, literary journalism encouraged readers to empathize with subjects by presenting more nuanced and engaging stories than typical news coverage. While women writers were central to the formation and ongoing significance of the genre, literary journalism scholarship has largely ignored their contributions. How the News Feels re-centers the work of a range of writers who were active from the 1830s until today, including Catharine Williams, Margaret Fuller, Nellie Bly, Winifred Black, Zora Neale Hurston, Joan Didion, Adrian Nicole LeBlanc, and Alexis Okeowo. Offering intimate access to their subjects' thoughts, motivations, and yearnings, these journalists encouraged readers to empathize with society's outcasts, from asylum inmates and murder suspects to "fallen women" and the working poor. As this carefully researched study shows, these writers succeeded in defining and developing the genre of literary journalism, with stories that inspire action, engender empathy, and narrow the gap between writer, subject, and audience. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

In How the News Feels: The Empathic Power of Literary Journalists (University of Massachusetts Press, 2023), Jonathan D. Fitzgerald examines a mode of journalistic storytelling dating back nearly two centuries. Literary journalism arose in the decades before the U.S. Civil War alongside the era's sentimental literature. Combining fact-based reporting with the sentimentality of popular fiction, literary journalism encouraged readers to empathize with subjects by presenting more nuanced and engaging stories than typical news coverage. While women writers were central to the formation and ongoing significance of the genre, literary journalism scholarship has largely ignored their contributions. How the News Feels re-centers the work of a range of writers who were active from the 1830s until today, including Catharine Williams, Margaret Fuller, Nellie Bly, Winifred Black, Zora Neale Hurston, Joan Didion, Adrian Nicole LeBlanc, and Alexis Okeowo. Offering intimate access to their subjects' thoughts, motivations, and yearnings, these journalists encouraged readers to empathize with society's outcasts, from asylum inmates and murder suspects to "fallen women" and the working poor. As this carefully researched study shows, these writers succeeded in defining and developing the genre of literary journalism, with stories that inspire action, engender empathy, and narrow the gap between writer, subject, and audience. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In How the News Feels: The Empathic Power of Literary Journalists (University of Massachusetts Press, 2023), Jonathan D. Fitzgerald examines a mode of journalistic storytelling dating back nearly two centuries. Literary journalism arose in the decades before the U.S. Civil War alongside the era's sentimental literature. Combining fact-based reporting with the sentimentality of popular fiction, literary journalism encouraged readers to empathize with subjects by presenting more nuanced and engaging stories than typical news coverage. While women writers were central to the formation and ongoing significance of the genre, literary journalism scholarship has largely ignored their contributions. How the News Feels re-centers the work of a range of writers who were active from the 1830s until today, including Catharine Williams, Margaret Fuller, Nellie Bly, Winifred Black, Zora Neale Hurston, Joan Didion, Adrian Nicole LeBlanc, and Alexis Okeowo. Offering intimate access to their subjects' thoughts, motivations, and yearnings, these journalists encouraged readers to empathize with society's outcasts, from asylum inmates and murder suspects to "fallen women" and the working poor. As this carefully researched study shows, these writers succeeded in defining and developing the genre of literary journalism, with stories that inspire action, engender empathy, and narrow the gap between writer, subject, and audience. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In How the News Feels: The Empathic Power of Literary Journalists (University of Massachusetts Press, 2023), Jonathan D. Fitzgerald examines a mode of journalistic storytelling dating back nearly two centuries. Literary journalism arose in the decades before the U.S. Civil War alongside the era's sentimental literature. Combining fact-based reporting with the sentimentality of popular fiction, literary journalism encouraged readers to empathize with subjects by presenting more nuanced and engaging stories than typical news coverage. While women writers were central to the formation and ongoing significance of the genre, literary journalism scholarship has largely ignored their contributions. How the News Feels re-centers the work of a range of writers who were active from the 1830s until today, including Catharine Williams, Margaret Fuller, Nellie Bly, Winifred Black, Zora Neale Hurston, Joan Didion, Adrian Nicole LeBlanc, and Alexis Okeowo. Offering intimate access to their subjects' thoughts, motivations, and yearnings, these journalists encouraged readers to empathize with society's outcasts, from asylum inmates and murder suspects to "fallen women" and the working poor. As this carefully researched study shows, these writers succeeded in defining and developing the genre of literary journalism, with stories that inspire action, engender empathy, and narrow the gap between writer, subject, and audience. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In How the News Feels: The Empathic Power of Literary Journalists (University of Massachusetts Press, 2023), Jonathan D. Fitzgerald examines a mode of journalistic storytelling dating back nearly two centuries. Literary journalism arose in the decades before the U.S. Civil War alongside the era's sentimental literature. Combining fact-based reporting with the sentimentality of popular fiction, literary journalism encouraged readers to empathize with subjects by presenting more nuanced and engaging stories than typical news coverage. While women writers were central to the formation and ongoing significance of the genre, literary journalism scholarship has largely ignored their contributions. How the News Feels re-centers the work of a range of writers who were active from the 1830s until today, including Catharine Williams, Margaret Fuller, Nellie Bly, Winifred Black, Zora Neale Hurston, Joan Didion, Adrian Nicole LeBlanc, and Alexis Okeowo. Offering intimate access to their subjects' thoughts, motivations, and yearnings, these journalists encouraged readers to empathize with society's outcasts, from asylum inmates and murder suspects to "fallen women" and the working poor. As this carefully researched study shows, these writers succeeded in defining and developing the genre of literary journalism, with stories that inspire action, engender empathy, and narrow the gap between writer, subject, and audience. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In How the News Feels: The Empathic Power of Literary Journalists (University of Massachusetts Press, 2023), Jonathan D. Fitzgerald examines a mode of journalistic storytelling dating back nearly two centuries. Literary journalism arose in the decades before the U.S. Civil War alongside the era's sentimental literature. Combining fact-based reporting with the sentimentality of popular fiction, literary journalism encouraged readers to empathize with subjects by presenting more nuanced and engaging stories than typical news coverage. While women writers were central to the formation and ongoing significance of the genre, literary journalism scholarship has largely ignored their contributions. How the News Feels re-centers the work of a range of writers who were active from the 1830s until today, including Catharine Williams, Margaret Fuller, Nellie Bly, Winifred Black, Zora Neale Hurston, Joan Didion, Adrian Nicole LeBlanc, and Alexis Okeowo. Offering intimate access to their subjects' thoughts, motivations, and yearnings, these journalists encouraged readers to empathize with society's outcasts, from asylum inmates and murder suspects to "fallen women" and the working poor. As this carefully researched study shows, these writers succeeded in defining and developing the genre of literary journalism, with stories that inspire action, engender empathy, and narrow the gap between writer, subject, and audience. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this book, Paul A. Thomas—a seasoned Wikipedia contributor who has accrued about 60,000 edits since he started editing in 2007—breaks down the history of the free encyclopedia and explains the process of becoming an editor. Now a newly minted Ph.D. and a library specialist at the University of Kansas in Lawrence, he outlines the many roles a Wikipedia editor can fill. Some editors fix typographical errors, add facts and citations, or clean up the prose on existing articles; others create new articles on topics they find interesting. In Inside Wikipedia: How It Works and How You Can Be an Editor (Rowman & Littlefield, 2022), Thomas goes behind the familiar Wikipedia article page and looks at the unique brand of collaboration that is constantly at work to expand and improve this global resource. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In this book, Paul A. Thomas—a seasoned Wikipedia contributor who has accrued about 60,000 edits since he started editing in 2007—breaks down the history of the free encyclopedia and explains the process of becoming an editor. Now a newly minted Ph.D. and a library specialist at the University of Kansas in Lawrence, he outlines the many roles a Wikipedia editor can fill. Some editors fix typographical errors, add facts and citations, or clean up the prose on existing articles; others create new articles on topics they find interesting. In Inside Wikipedia: How It Works and How You Can Be an Editor (Rowman & Littlefield, 2022), Thomas goes behind the familiar Wikipedia article page and looks at the unique brand of collaboration that is constantly at work to expand and improve this global resource. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this book, Paul A. Thomas—a seasoned Wikipedia contributor who has accrued about 60,000 edits since he started editing in 2007—breaks down the history of the free encyclopedia and explains the process of becoming an editor. Now a newly minted Ph.D. and a library specialist at the University of Kansas in Lawrence, he outlines the many roles a Wikipedia editor can fill. Some editors fix typographical errors, add facts and citations, or clean up the prose on existing articles; others create new articles on topics they find interesting. In Inside Wikipedia: How It Works and How You Can Be an Editor (Rowman & Littlefield, 2022), Thomas goes behind the familiar Wikipedia article page and looks at the unique brand of collaboration that is constantly at work to expand and improve this global resource. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this book, Paul A. Thomas—a seasoned Wikipedia contributor who has accrued about 60,000 edits since he started editing in 2007—breaks down the history of the free encyclopedia and explains the process of becoming an editor. Now a newly minted Ph.D. and a library specialist at the University of Kansas in Lawrence, he outlines the many roles a Wikipedia editor can fill. Some editors fix typographical errors, add facts and citations, or clean up the prose on existing articles; others create new articles on topics they find interesting. In Inside Wikipedia: How It Works and How You Can Be an Editor (Rowman & Littlefield, 2022), Thomas goes behind the familiar Wikipedia article page and looks at the unique brand of collaboration that is constantly at work to expand and improve this global resource. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities

In this book, Paul A. Thomas—a seasoned Wikipedia contributor who has accrued about 60,000 edits since he started editing in 2007—breaks down the history of the free encyclopedia and explains the process of becoming an editor. Now a newly minted Ph.D. and a library specialist at the University of Kansas in Lawrence, he outlines the many roles a Wikipedia editor can fill. Some editors fix typographical errors, add facts and citations, or clean up the prose on existing articles; others create new articles on topics they find interesting. In Inside Wikipedia: How It Works and How You Can Be an Editor (Rowman & Littlefield, 2022), Thomas goes behind the familiar Wikipedia article page and looks at the unique brand of collaboration that is constantly at work to expand and improve this global resource. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

On February 21, 1943, Pan American Airways' celebrated seaplane—the Yankee Clipper—took off from New York and island-hopped its way across the Atlantic Ocean. Arriving at Lisbon the following evening, it crashed in the Tagus River, killing twenty-four of its thirty-nine passengers and crew.  In her new book, Americans in a World at War: Intimate Histories from the Crash of Pan Am's Yankee Clipper (Oxford UP, 2023), author Brooke L. Blower traces the backstories of seven worldly Americans aboard that plane, their personal histories, their politics, and the paths that led them toward war. This vivid narrative captures the dramatic stories of these seven people and, through them, the impact of Americans' global connections before and during World War II. Long before GIs began storming beaches and liberating towns, Americans had forged extensive political, economic, and personal ties to other parts of the world. These deep and sometimes contradictory engagements, which preceded the bombing of Pearl Harbor, would shape and in turn be transformed by the U.S. war effort. The intriguing biographies of the Yankee Clipper's passengers—among them an Olympic-athlete-turned-export-salesman, a Broadway star, and two entrepreneurs accused of trading with the enemy—upend conventional American narratives about World War II. Americans in a World at War offers fresh perspectives on a transformative period of U.S. history and global connections during the “American Century.” Brooke L. Blower is an Associate Professor of History at Boston University. James Kates is a Professor of Communication at the University of Wisconsin-Whitewater. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

On February 21, 1943, Pan American Airways' celebrated seaplane—the Yankee Clipper—took off from New York and island-hopped its way across the Atlantic Ocean. Arriving at Lisbon the following evening, it crashed in the Tagus River, killing twenty-four of its thirty-nine passengers and crew.  In her new book, Americans in a World at War: Intimate Histories from the Crash of Pan Am's Yankee Clipper (Oxford UP, 2023), author Brooke L. Blower traces the backstories of seven worldly Americans aboard that plane, their personal histories, their politics, and the paths that led them toward war. This vivid narrative captures the dramatic stories of these seven people and, through them, the impact of Americans' global connections before and during World War II. Long before GIs began storming beaches and liberating towns, Americans had forged extensive political, economic, and personal ties to other parts of the world. These deep and sometimes contradictory engagements, which preceded the bombing of Pearl Harbor, would shape and in turn be transformed by the U.S. war effort. The intriguing biographies of the Yankee Clipper's passengers—among them an Olympic-athlete-turned-export-salesman, a Broadway star, and two entrepreneurs accused of trading with the enemy—upend conventional American narratives about World War II. Americans in a World at War offers fresh perspectives on a transformative period of U.S. history and global connections during the “American Century.” Brooke L. Blower is an Associate Professor of History at Boston University. James Kates is a Professor of Communication at the University of Wisconsin-Whitewater.

On February 21, 1943, Pan American Airways' celebrated seaplane—the Yankee Clipper—took off from New York and island-hopped its way across the Atlantic Ocean. Arriving at Lisbon the following evening, it crashed in the Tagus River, killing twenty-four of its thirty-nine passengers and crew.  In her new book, Americans in a World at War: Intimate Histories from the Crash of Pan Am's Yankee Clipper (Oxford UP, 2023), author Brooke L. Blower traces the backstories of seven worldly Americans aboard that plane, their personal histories, their politics, and the paths that led them toward war. This vivid narrative captures the dramatic stories of these seven people and, through them, the impact of Americans' global connections before and during World War II. Long before GIs began storming beaches and liberating towns, Americans had forged extensive political, economic, and personal ties to other parts of the world. These deep and sometimes contradictory engagements, which preceded the bombing of Pearl Harbor, would shape and in turn be transformed by the U.S. war effort. The intriguing biographies of the Yankee Clipper's passengers—among them an Olympic-athlete-turned-export-salesman, a Broadway star, and two entrepreneurs accused of trading with the enemy—upend conventional American narratives about World War II. Americans in a World at War offers fresh perspectives on a transformative period of U.S. history and global connections during the “American Century.” Brooke L. Blower is an Associate Professor of History at Boston University. James Kates is a Professor of Communication at the University of Wisconsin-Whitewater. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

On February 21, 1943, Pan American Airways' celebrated seaplane—the Yankee Clipper—took off from New York and island-hopped its way across the Atlantic Ocean. Arriving at Lisbon the following evening, it crashed in the Tagus River, killing twenty-four of its thirty-nine passengers and crew.  In her new book, Americans in a World at War: Intimate Histories from the Crash of Pan Am's Yankee Clipper (Oxford UP, 2023), author Brooke L. Blower traces the backstories of seven worldly Americans aboard that plane, their personal histories, their politics, and the paths that led them toward war. This vivid narrative captures the dramatic stories of these seven people and, through them, the impact of Americans' global connections before and during World War II. Long before GIs began storming beaches and liberating towns, Americans had forged extensive political, economic, and personal ties to other parts of the world. These deep and sometimes contradictory engagements, which preceded the bombing of Pearl Harbor, would shape and in turn be transformed by the U.S. war effort. The intriguing biographies of the Yankee Clipper's passengers—among them an Olympic-athlete-turned-export-salesman, a Broadway star, and two entrepreneurs accused of trading with the enemy—upend conventional American narratives about World War II. Americans in a World at War offers fresh perspectives on a transformative period of U.S. history and global connections during the “American Century.” Brooke L. Blower is an Associate Professor of History at Boston University. James Kates is a Professor of Communication at the University of Wisconsin-Whitewater. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

On February 21, 1943, Pan American Airways' celebrated seaplane—the Yankee Clipper—took off from New York and island-hopped its way across the Atlantic Ocean. Arriving at Lisbon the following evening, it crashed in the Tagus River, killing twenty-four of its thirty-nine passengers and crew.  In her new book, Americans in a World at War: Intimate Histories from the Crash of Pan Am's Yankee Clipper (Oxford UP, 2023), author Brooke L. Blower traces the backstories of seven worldly Americans aboard that plane, their personal histories, their politics, and the paths that led them toward war. This vivid narrative captures the dramatic stories of these seven people and, through them, the impact of Americans' global connections before and during World War II. Long before GIs began storming beaches and liberating towns, Americans had forged extensive political, economic, and personal ties to other parts of the world. These deep and sometimes contradictory engagements, which preceded the bombing of Pearl Harbor, would shape and in turn be transformed by the U.S. war effort. The intriguing biographies of the Yankee Clipper's passengers—among them an Olympic-athlete-turned-export-salesman, a Broadway star, and two entrepreneurs accused of trading with the enemy—upend conventional American narratives about World War II. Americans in a World at War offers fresh perspectives on a transformative period of U.S. history and global connections during the “American Century.” Brooke L. Blower is an Associate Professor of History at Boston University. James Kates is a Professor of Communication at the University of Wisconsin-Whitewater. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

On February 21, 1943, Pan American Airways' celebrated seaplane—the Yankee Clipper—took off from New York and island-hopped its way across the Atlantic Ocean. Arriving at Lisbon the following evening, it crashed in the Tagus River, killing twenty-four of its thirty-nine passengers and crew.  In her new book, Americans in a World at War: Intimate Histories from the Crash of Pan Am's Yankee Clipper (Oxford UP, 2023), author Brooke L. Blower traces the backstories of seven worldly Americans aboard that plane, their personal histories, their politics, and the paths that led them toward war. This vivid narrative captures the dramatic stories of these seven people and, through them, the impact of Americans' global connections before and during World War II. Long before GIs began storming beaches and liberating towns, Americans had forged extensive political, economic, and personal ties to other parts of the world. These deep and sometimes contradictory engagements, which preceded the bombing of Pearl Harbor, would shape and in turn be transformed by the U.S. war effort. The intriguing biographies of the Yankee Clipper's passengers—among them an Olympic-athlete-turned-export-salesman, a Broadway star, and two entrepreneurs accused of trading with the enemy—upend conventional American narratives about World War II. Americans in a World at War offers fresh perspectives on a transformative period of U.S. history and global connections during the “American Century.” Brooke L. Blower is an Associate Professor of History at Boston University. James Kates is a Professor of Communication at the University of Wisconsin-Whitewater. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, unassuming figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers.  Get the Damn Story: Homer Bigart and the Great Age of American Newspapers (Georgetown UP, 2023) is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events. Writing for the New York Herald Tribune and the New York Times, Bigart brought to life many events that defined the era—the wars in Europe, the Pacific, Korea, and Vietnam; the civil rights movement; the creation of Israel; the end of colonialism in Africa; and the Cuban Revolution. Bigart's career demonstrates the value to a democratic society of a relentless, inquiring mind examining its institutions and the people who run them. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, unassuming figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers.  Get the Damn Story: Homer Bigart and the Great Age of American Newspapers (Georgetown UP, 2023) is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events. Writing for the New York Herald Tribune and the New York Times, Bigart brought to life many events that defined the era—the wars in Europe, the Pacific, Korea, and Vietnam; the civil rights movement; the creation of Israel; the end of colonialism in Africa; and the Cuban Revolution. Bigart's career demonstrates the value to a democratic society of a relentless, inquiring mind examining its institutions and the people who run them. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, unassuming figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers.  Get the Damn Story: Homer Bigart and the Great Age of American Newspapers (Georgetown UP, 2023) is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events. Writing for the New York Herald Tribune and the New York Times, Bigart brought to life many events that defined the era—the wars in Europe, the Pacific, Korea, and Vietnam; the civil rights movement; the creation of Israel; the end of colonialism in Africa; and the Cuban Revolution. Bigart's career demonstrates the value to a democratic society of a relentless, inquiring mind examining its institutions and the people who run them. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, unassuming figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers.  Get the Damn Story: Homer Bigart and the Great Age of American Newspapers (Georgetown UP, 2023) is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events. Writing for the New York Herald Tribune and the New York Times, Bigart brought to life many events that defined the era—the wars in Europe, the Pacific, Korea, and Vietnam; the civil rights movement; the creation of Israel; the end of colonialism in Africa; and the Cuban Revolution. Bigart's career demonstrates the value to a democratic society of a relentless, inquiring mind examining its institutions and the people who run them. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, unassuming figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers.  Get the Damn Story: Homer Bigart and the Great Age of American Newspapers (Georgetown UP, 2023) is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events. Writing for the New York Herald Tribune and the New York Times, Bigart brought to life many events that defined the era—the wars in Europe, the Pacific, Korea, and Vietnam; the civil rights movement; the creation of Israel; the end of colonialism in Africa; and the Cuban Revolution. Bigart's career demonstrates the value to a democratic society of a relentless, inquiring mind examining its institutions and the people who run them. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, unassuming figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers.  Get the Damn Story: Homer Bigart and the Great Age of American Newspapers (Georgetown UP, 2023) is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events. Writing for the New York Herald Tribune and the New York Times, Bigart brought to life many events that defined the era—the wars in Europe, the Pacific, Korea, and Vietnam; the civil rights movement; the creation of Israel; the end of colonialism in Africa; and the Cuban Revolution. Bigart's career demonstrates the value to a democratic society of a relentless, inquiring mind examining its institutions and the people who run them. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, unassuming figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers.  Get the Damn Story: Homer Bigart and the Great Age of American Newspapers (Georgetown UP, 2023) is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events. Writing for the New York Herald Tribune and the New York Times, Bigart brought to life many events that defined the era—the wars in Europe, the Pacific, Korea, and Vietnam; the civil rights movement; the creation of Israel; the end of colonialism in Africa; and the Cuban Revolution. Bigart's career demonstrates the value to a democratic society of a relentless, inquiring mind examining its institutions and the people who run them. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kathryn McGarr's City of Newsmen: Public Lies and Professional Secrets in Cold War Washington (U Chicago Press, 2022) explores foreign policy journalism in Washington during and after World War II—a time supposedly defined by the press's blind patriotism and groupthink. McGarr reveals, though, that D.C. reporters then were deeply cynical about government sources and their motives, but kept their doubts to themselves for professional, social, and ideological reasons. The alliance and rivalries among these reporters constituted a world of debts and loyalties: shared memories of wartime experiences, shared frustrations with government censorship and information programs, shared antagonisms, and shared mentors.  McGarr shows how this small, tight-knit elite of white male reporters suppressed their skepticism to help the United States build a permanent national security apparatus and a shared, constructed reality on the meaning of the Cold War. Utilizing archival sources, she demonstrates how self-aware these reporters were as they negotiated for access, prominence, and, yes, the truth—even as they denied those things to their readers. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Kathryn McGarr's City of Newsmen: Public Lies and Professional Secrets in Cold War Washington (U Chicago Press, 2022) explores foreign policy journalism in Washington during and after World War II—a time supposedly defined by the press's blind patriotism and groupthink. McGarr reveals, though, that D.C. reporters then were deeply cynical about government sources and their motives, but kept their doubts to themselves for professional, social, and ideological reasons. The alliance and rivalries among these reporters constituted a world of debts and loyalties: shared memories of wartime experiences, shared frustrations with government censorship and information programs, shared antagonisms, and shared mentors.  McGarr shows how this small, tight-knit elite of white male reporters suppressed their skepticism to help the United States build a permanent national security apparatus and a shared, constructed reality on the meaning of the Cold War. Utilizing archival sources, she demonstrates how self-aware these reporters were as they negotiated for access, prominence, and, yes, the truth—even as they denied those things to their readers. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Kathryn McGarr's City of Newsmen: Public Lies and Professional Secrets in Cold War Washington (U Chicago Press, 2022) explores foreign policy journalism in Washington during and after World War II—a time supposedly defined by the press's blind patriotism and groupthink. McGarr reveals, though, that D.C. reporters then were deeply cynical about government sources and their motives, but kept their doubts to themselves for professional, social, and ideological reasons. The alliance and rivalries among these reporters constituted a world of debts and loyalties: shared memories of wartime experiences, shared frustrations with government censorship and information programs, shared antagonisms, and shared mentors.  McGarr shows how this small, tight-knit elite of white male reporters suppressed their skepticism to help the United States build a permanent national security apparatus and a shared, constructed reality on the meaning of the Cold War. Utilizing archival sources, she demonstrates how self-aware these reporters were as they negotiated for access, prominence, and, yes, the truth—even as they denied those things to their readers. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Kathryn McGarr's City of Newsmen: Public Lies and Professional Secrets in Cold War Washington (U Chicago Press, 2022) explores foreign policy journalism in Washington during and after World War II—a time supposedly defined by the press's blind patriotism and groupthink. McGarr reveals, though, that D.C. reporters then were deeply cynical about government sources and their motives, but kept their doubts to themselves for professional, social, and ideological reasons. The alliance and rivalries among these reporters constituted a world of debts and loyalties: shared memories of wartime experiences, shared frustrations with government censorship and information programs, shared antagonisms, and shared mentors.  McGarr shows how this small, tight-knit elite of white male reporters suppressed their skepticism to help the United States build a permanent national security apparatus and a shared, constructed reality on the meaning of the Cold War. Utilizing archival sources, she demonstrates how self-aware these reporters were as they negotiated for access, prominence, and, yes, the truth—even as they denied those things to their readers. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kathryn McGarr's City of Newsmen: Public Lies and Professional Secrets in Cold War Washington (U Chicago Press, 2022) explores foreign policy journalism in Washington during and after World War II—a time supposedly defined by the press's blind patriotism and groupthink. McGarr reveals, though, that D.C. reporters then were deeply cynical about government sources and their motives, but kept their doubts to themselves for professional, social, and ideological reasons. The alliance and rivalries among these reporters constituted a world of debts and loyalties: shared memories of wartime experiences, shared frustrations with government censorship and information programs, shared antagonisms, and shared mentors.  McGarr shows how this small, tight-knit elite of white male reporters suppressed their skepticism to help the United States build a permanent national security apparatus and a shared, constructed reality on the meaning of the Cold War. Utilizing archival sources, she demonstrates how self-aware these reporters were as they negotiated for access, prominence, and, yes, the truth—even as they denied those things to their readers. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Kathryn McGarr's City of Newsmen: Public Lies and Professional Secrets in Cold War Washington (U Chicago Press, 2022) explores foreign policy journalism in Washington during and after World War II—a time supposedly defined by the press's blind patriotism and groupthink. McGarr reveals, though, that D.C. reporters then were deeply cynical about government sources and their motives, but kept their doubts to themselves for professional, social, and ideological reasons. The alliance and rivalries among these reporters constituted a world of debts and loyalties: shared memories of wartime experiences, shared frustrations with government censorship and information programs, shared antagonisms, and shared mentors.  McGarr shows how this small, tight-knit elite of white male reporters suppressed their skepticism to help the United States build a permanent national security apparatus and a shared, constructed reality on the meaning of the Cold War. Utilizing archival sources, she demonstrates how self-aware these reporters were as they negotiated for access, prominence, and, yes, the truth—even as they denied those things to their readers. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Kathryn McGarr's City of Newsmen: Public Lies and Professional Secrets in Cold War Washington (U Chicago Press, 2022) explores foreign policy journalism in Washington during and after World War II—a time supposedly defined by the press's blind patriotism and groupthink. McGarr reveals, though, that D.C. reporters then were deeply cynical about government sources and their motives, but kept their doubts to themselves for professional, social, and ideological reasons. The alliance and rivalries among these reporters constituted a world of debts and loyalties: shared memories of wartime experiences, shared frustrations with government censorship and information programs, shared antagonisms, and shared mentors.  McGarr shows how this small, tight-knit elite of white male reporters suppressed their skepticism to help the United States build a permanent national security apparatus and a shared, constructed reality on the meaning of the Cold War. Utilizing archival sources, she demonstrates how self-aware these reporters were as they negotiated for access, prominence, and, yes, the truth—even as they denied those things to their readers. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kathryn McGarr's City of Newsmen: Public Lies and Professional Secrets in Cold War Washington (U Chicago Press, 2022) explores foreign policy journalism in Washington during and after World War II—a time supposedly defined by the press's blind patriotism and groupthink. McGarr reveals, though, that D.C. reporters then were deeply cynical about government sources and their motives, but kept their doubts to themselves for professional, social, and ideological reasons. The alliance and rivalries among these reporters constituted a world of debts and loyalties: shared memories of wartime experiences, shared frustrations with government censorship and information programs, shared antagonisms, and shared mentors.  McGarr shows how this small, tight-knit elite of white male reporters suppressed their skepticism to help the United States build a permanent national security apparatus and a shared, constructed reality on the meaning of the Cold War. Utilizing archival sources, she demonstrates how self-aware these reporters were as they negotiated for access, prominence, and, yes, the truth—even as they denied those things to their readers. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

Charles K. (CK) McClatchy was a towering figure in the making of Sacramento and the inland empire he liked to call Superior California. As editor of the Sacramento Bee from 1883 to 1936, McClatchy was both ardent booster and strident critic, a man whose voice helped shape Sacramento’s industrial landscape and to set its moral and political tone. In a new biography, Charles McClatchy and the Golden Era of American Journalism (University of Missouri Press, 2016), Steven M. Avella explores McClatchy’s public role as an iconoclastic editor who sketched local battles in dramatic terms of good and evil. Avella also examines the contradictions within the private man and the dark impulses that drove him to bouts of vindictiveness and rancor. McClatchy promoted his beloved Sacramento with a distinctive blend of Progressive politics, but in his later years he suffered from an anachronistic world view that relegated him to the sidelines of American life. This biography, based on extensive primary sources, is a fully drawn portrait of a flawed hero who loved his home town and helped establish a media dynasty whose influence is still felt today. Steven M. Avella is a Professor of American History at Marquette University in Milwaukee. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

Charles K. (CK) McClatchy was a towering figure in the making of Sacramento and the inland empire he liked to call Superior California. As editor of the Sacramento Bee from 1883 to 1936, McClatchy was both ardent booster and strident critic, a man whose voice helped shape Sacramento’s industrial landscape and to set its moral and political tone. In a new biography, Charles McClatchy and the Golden Era of American Journalism (University of Missouri Press, 2016), Steven M. Avella explores McClatchy’s public role as an iconoclastic editor who sketched local battles in dramatic terms of good and evil. Avella also examines the contradictions within the private man and the dark impulses that drove him to bouts of vindictiveness and rancor. McClatchy promoted his beloved Sacramento with a distinctive blend of Progressive politics, but in his later years he suffered from an anachronistic world view that relegated him to the sidelines of American life. This biography, based on extensive primary sources, is a fully drawn portrait of a flawed hero who loved his home town and helped establish a media dynasty whose influence is still felt today. Steven M. Avella is a Professor of American History at Marquette University in Milwaukee. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

Charles K. (CK) McClatchy was a towering figure in the making of Sacramento and the inland empire he liked to call Superior California. As editor of the Sacramento Bee from 1883 to 1936, McClatchy was both ardent booster and strident critic, a man whose voice helped shape Sacramento’s industrial landscape and to set its moral and political tone. In a new biography, Charles McClatchy and the Golden Era of American Journalism (University of Missouri Press, 2016), Steven M. Avella explores McClatchy’s public role as an iconoclastic editor who sketched local battles in dramatic terms of good and evil. Avella also examines the contradictions within the private man and the dark impulses that drove him to bouts of vindictiveness and rancor. McClatchy promoted his beloved Sacramento with a distinctive blend of Progressive politics, but in his later years he suffered from an anachronistic world view that relegated him to the sidelines of American life. This biography, based on extensive primary sources, is a fully drawn portrait of a flawed hero who loved his home town and helped establish a media dynasty whose influence is still felt today. Steven M. Avella is a Professor of American History at Marquette University in Milwaukee. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

Charles K. (CK) McClatchy was a towering figure in the making of Sacramento and the inland empire he liked to call Superior California. As editor of the Sacramento Bee from 1883 to 1936, McClatchy was both ardent booster and strident critic, a man whose voice helped shape Sacramento’s industrial landscape and to set its moral and political tone. In a new biography, Charles McClatchy and the Golden Era of American Journalism (University of Missouri Press, 2016), Steven M. Avella explores McClatchy’s public role as an iconoclastic editor who sketched local battles in dramatic terms of good and evil. Avella also examines the contradictions within the private man and the dark impulses that drove him to bouts of vindictiveness and rancor. McClatchy promoted his beloved Sacramento with a distinctive blend of Progressive politics, but in his later years he suffered from an anachronistic world view that relegated him to the sidelines of American life. This biography, based on extensive primary sources, is a fully drawn portrait of a flawed hero who loved his home town and helped establish a media dynasty whose influence is still felt today. Steven M. Avella is a Professor of American History at Marquette University in Milwaukee. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

Charles K. (CK) McClatchy was a towering figure in the making of Sacramento and the inland empire he liked to call Superior California. As editor of the Sacramento Bee from 1883 to 1936, McClatchy was both ardent booster and strident critic, a man whose voice helped shape Sacramento’s industrial landscape and to set its moral and political tone. In a new biography, Charles McClatchy and the Golden Era of American Journalism (University of Missouri Press, 2016), Steven M. Avella explores McClatchy’s public role as an iconoclastic editor who sketched local battles in dramatic terms of good and evil. Avella also examines the contradictions within the private man and the dark impulses that drove him to bouts of vindictiveness and rancor. McClatchy promoted his beloved Sacramento with a distinctive blend of Progressive politics, but in his later years he suffered from an anachronistic world view that relegated him to the sidelines of American life. This biography, based on extensive primary sources, is a fully drawn portrait of a flawed hero who loved his home town and helped establish a media dynasty whose influence is still felt today. Steven M. Avella is a Professor of American History at Marquette University in Milwaukee. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

Charles K. (CK) McClatchy was a towering figure in the making of Sacramento and the inland empire he liked to call Superior California. As editor of the Sacramento Bee from 1883 to 1936, McClatchy was both ardent booster and strident critic, a man whose voice helped shape Sacramento’s industrial landscape and to set its moral and political tone. In a new biography, Charles McClatchy and the Golden Era of American Journalism (University of Missouri Press, 2016), Steven M. Avella explores McClatchy’s public role as an iconoclastic editor who sketched local battles in dramatic terms of good and evil. Avella also examines the contradictions within the private man and the dark impulses that drove him to bouts of vindictiveness and rancor. McClatchy promoted his beloved Sacramento with a distinctive blend of Progressive politics, but in his later years he suffered from an anachronistic world view that relegated him to the sidelines of American life. This biography, based on extensive primary sources, is a fully drawn portrait of a flawed hero who loved his home town and helped establish a media dynasty whose influence is still felt today. Steven M. Avella is a Professor of American History at Marquette University in Milwaukee. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

"A lie can get halfway around the world before the truth can get its boots on," said Winston Churchill.  If that was the case then, how much more valid is it today.  The explosion of social media and its ability to circulate and generate misinformaton has completely changed the political landscape. And it has led to a whole new branch of journalism - political fact-checking. This interview was first posted on the New Books Network and was conducted in the heat of the 2016 US Presidential Election campaign.  In it, Lucas Graves, assistant professor in the school of journalism and mass communication at the University of Wisconsin Madison talks to James Kates about the emergence of fact checking as a necessary, if often maligned , attempt to get at the this elusive thing called 'truth'. As George Orwell said, “Political language is designed to make lies sound truthful and murder respectable...." Lucas Graves book,  Deciding What’s True: The Rise of Political Fact-Checking in American Journalism came out in 2016 from Columbia University Press  

With messages limited to 140 characters, Twitter once drew skepticism, even scorn, from journalists who saw little role for the social-media platform in their work. But as Alecia Swasy demonstrates in her new book, How Journalists Use Twitter: The Changing Landscape of U.S. Newsrooms (Lexington Books, 2016), many reporters now embrace Twitter as a means of cultivating sources, promoting stories and building their own “brands”as information providers. Swasy, a veteran business reporter who now teaches at Washington and Lee University, studied Twitter use at four metropolitan newspapers. She discovered that the humble “tweet”has become an integral component of a 24/7 news cycle in which reporters and readers engage in an ongoing conversation. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications Learn more about your ad choices. Visit megaphone.fm/adchoices

With messages limited to 140 characters, Twitter once drew skepticism, even scorn, from journalists who saw little role for the social-media platform in their work. But as Alecia Swasy demonstrates in her new book, How Journalists Use Twitter: The Changing Landscape of U.S. Newsrooms (Lexington Books, 2016), many reporters now embrace Twitter as a means of cultivating sources, promoting stories and building their own “brands”as information providers. Swasy, a veteran business reporter who now teaches at Washington and Lee University, studied Twitter use at four metropolitan newspapers. She discovered that the humble “tweet”has become an integral component of a 24/7 news cycle in which reporters and readers engage in an ongoing conversation. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications Learn more about your ad choices. Visit megaphone.fm/adchoices

With messages limited to 140 characters, Twitter once drew skepticism, even scorn, from journalists who saw little role for the social-media platform in their work. But as Alecia Swasy demonstrates in her new book, How Journalists Use Twitter: The Changing Landscape of U.S. Newsrooms (Lexington Books, 2016), many reporters now embrace Twitter as a means of cultivating sources, promoting stories and building their own “brands”as information providers. Swasy, a veteran business reporter who now teaches at Washington and Lee University, studied Twitter use at four metropolitan newspapers. She discovered that the humble “tweet”has become an integral component of a 24/7 news cycle in which reporters and readers engage in an ongoing conversation. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications Learn more about your ad choices. Visit megaphone.fm/adchoices

With messages limited to 140 characters, Twitter once drew skepticism, even scorn, from journalists who saw little role for the social-media platform in their work. But as Alecia Swasy demonstrates in her new book, How Journalists Use Twitter: The Changing Landscape of U.S. Newsrooms (Lexington Books, 2016), many reporters now embrace Twitter as a means of cultivating sources, promoting stories and building their own “brands”as information providers. Swasy, a veteran business reporter who now teaches at Washington and Lee University, studied Twitter use at four metropolitan newspapers. She discovered that the humble “tweet”has become an integral component of a 24/7 news cycle in which reporters and readers engage in an ongoing conversation. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications Learn more about your ad choices. Visit megaphone.fm/adchoices

The millennial generation (those born from 1980 through the beginning of the 21st century) now comprises the largest voting bloc in the American electorate. In Media, Millennials, and Politics: The Coming of Age of the Next Political Generation (Lexington Books, 2016), Alison N. Novak argues that these 50 million young citizens are misunderstood, marginalized and sometimes overtly insulted by the news media. Writers, newscasters and pundits label them “apathetic, uninvolved and entitled,” while ignoring clear evidence that many millennials are deeply concerned about the course of the nation. Novak examines coverage of millennials in cable television and online news, finding that journalists often substitute stereotypes and rhetorical shortcuts for rigorous examination of how members of this generation think and act. She concludes by calling the media to task and demanding that it present a fuller, more nuanced picture of a group that will soon inherit the reins of power in the United States. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

The millennial generation (those born from 1980 through the beginning of the 21st century) now comprises the largest voting bloc in the American electorate. In Media, Millennials, and Politics: The Coming of Age of the Next Political Generation (Lexington Books, 2016), Alison N. Novak argues that these 50 million young citizens are misunderstood, marginalized and sometimes overtly insulted by the news media. Writers, newscasters and pundits label them “apathetic, uninvolved and entitled,” while ignoring clear evidence that many millennials are deeply concerned about the course of the nation. Novak examines coverage of millennials in cable television and online news, finding that journalists often substitute stereotypes and rhetorical shortcuts for rigorous examination of how members of this generation think and act. She concludes by calling the media to task and demanding that it present a fuller, more nuanced picture of a group that will soon inherit the reins of power in the United States. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

The millennial generation (those born from 1980 through the beginning of the 21st century) now comprises the largest voting bloc in the American electorate. In Media, Millennials, and Politics: The Coming of Age of the Next Political Generation (Lexington Books, 2016), Alison N. Novak argues that these 50 million young citizens are misunderstood, marginalized and sometimes overtly insulted by the news media. Writers, newscasters and pundits label them “apathetic, uninvolved and entitled,” while ignoring clear evidence that many millennials are deeply concerned about the course of the nation. Novak examines coverage of millennials in cable television and online news, finding that journalists often substitute stereotypes and rhetorical shortcuts for rigorous examination of how members of this generation think and act. She concludes by calling the media to task and demanding that it present a fuller, more nuanced picture of a group that will soon inherit the reins of power in the United States. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

The millennial generation (those born from 1980 through the beginning of the 21st century) now comprises the largest voting bloc in the American electorate. In Media, Millennials, and Politics: The Coming of Age of the Next Political Generation (Lexington Books, 2016), Alison N. Novak argues that these 50 million young citizens are misunderstood, marginalized and sometimes overtly insulted by the news media. Writers, newscasters and pundits label them “apathetic, uninvolved and entitled,” while ignoring clear evidence that many millennials are deeply concerned about the course of the nation. Novak examines coverage of millennials in cable television and online news, finding that journalists often substitute stereotypes and rhetorical shortcuts for rigorous examination of how members of this generation think and act. She concludes by calling the media to task and demanding that it present a fuller, more nuanced picture of a group that will soon inherit the reins of power in the United States. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

The millennial generation (those born from 1980 through the beginning of the 21st century) now comprises the largest voting bloc in the American electorate. In Media, Millennials, and Politics: The Coming of Age of the Next Political Generation (Lexington Books, 2016), Alison N. Novak argues that these 50 million young citizens are misunderstood, marginalized and sometimes overtly insulted by the news media. Writers, newscasters and pundits label them “apathetic, uninvolved and entitled,” while ignoring clear evidence that many millennials are deeply concerned about the course of the nation. Novak examines coverage of millennials in cable television and online news, finding that journalists often substitute stereotypes and rhetorical shortcuts for rigorous examination of how members of this generation think and act. She concludes by calling the media to task and demanding that it present a fuller, more nuanced picture of a group that will soon inherit the reins of power in the United States. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

The millennial generation (those born from 1980 through the beginning of the 21st century) now comprises the largest voting bloc in the American electorate. In Media, Millennials, and Politics: The Coming of Age of the Next Political Generation (Lexington Books, 2016), Alison N. Novak argues that these 50 million young citizens are misunderstood, marginalized and sometimes overtly insulted by the news media. Writers, newscasters and pundits label them “apathetic, uninvolved and entitled,” while ignoring clear evidence that many millennials are deeply concerned about the course of the nation. Novak examines coverage of millennials in cable television and online news, finding that journalists often substitute stereotypes and rhetorical shortcuts for rigorous examination of how members of this generation think and act. She concludes by calling the media to task and demanding that it present a fuller, more nuanced picture of a group that will soon inherit the reins of power in the United States. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a fragmented media world where anyone can speak, professional journalists are no longer the “gatekeepers” who decide what the public will see and hear. Instead, citizens are barraged with claims, assertions and innuendo that have not been subjected to the journalistic discipline of verification. Fact-checking, pioneered by bloggers and developed by professional news organizations, attempts to get at the elusive truth by subjecting political figures’ words to careful scrutiny. In Deciding What’s True: The Rise of Political Fact-Checking in American Journalism (Columbia University Press, 2016) Lucas Graves examines the fact-checkers’ work and plumbs its potential, its limits and its hazards. He concludes that fact-checking, while imperfect, is a genuine reform movement that is reshaping American journalism and the long-cherished ideal of objectivity. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a fragmented media world where anyone can speak, professional journalists are no longer the “gatekeepers” who decide what the public will see and hear. Instead, citizens are barraged with claims, assertions and innuendo that have not been subjected to the journalistic discipline of verification. Fact-checking, pioneered by bloggers and developed by professional news organizations, attempts to get at the elusive truth by subjecting political figures’ words to careful scrutiny. In Deciding What’s True: The Rise of Political Fact-Checking in American Journalism (Columbia University Press, 2016) Lucas Graves examines the fact-checkers’ work and plumbs its potential, its limits and its hazards. He concludes that fact-checking, while imperfect, is a genuine reform movement that is reshaping American journalism and the long-cherished ideal of objectivity. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a fragmented media world where anyone can speak, professional journalists are no longer the “gatekeepers” who decide what the public will see and hear. Instead, citizens are barraged with claims, assertions and innuendo that have not been subjected to the journalistic discipline of verification. Fact-checking, pioneered by bloggers and developed by professional news organizations, attempts to get at the elusive truth by subjecting political figures' words to careful scrutiny. In Deciding What's True: The Rise of Political Fact-Checking in American Journalism (Columbia University Press, 2016) Lucas Graves examines the fact-checkers' work and plumbs its potential, its limits and its hazards. He concludes that fact-checking, while imperfect, is a genuine reform movement that is reshaping American journalism and the long-cherished ideal of objectivity. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications.

In a fragmented media world where anyone can speak, professional journalists are no longer the “gatekeepers” who decide what the public will see and hear. Instead, citizens are barraged with claims, assertions and innuendo that have not been subjected to the journalistic discipline of verification. Fact-checking, pioneered by bloggers and developed by professional news organizations, attempts to get at the elusive truth by subjecting political figures’ words to careful scrutiny. In Deciding What’s True: The Rise of Political Fact-Checking in American Journalism (Columbia University Press, 2016) Lucas Graves examines the fact-checkers’ work and plumbs its potential, its limits and its hazards. He concludes that fact-checking, while imperfect, is a genuine reform movement that is reshaping American journalism and the long-cherished ideal of objectivity. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a fragmented media world where anyone can speak, professional journalists are no longer the “gatekeepers” who decide what the public will see and hear. Instead, citizens are barraged with claims, assertions and innuendo that have not been subjected to the journalistic discipline of verification. Fact-checking, pioneered by bloggers and developed by professional news organizations, attempts to get at the elusive truth by subjecting political figures’ words to careful scrutiny. In Deciding What’s True: The Rise of Political Fact-Checking in American Journalism (Columbia University Press, 2016) Lucas Graves examines the fact-checkers’ work and plumbs its potential, its limits and its hazards. He concludes that fact-checking, while imperfect, is a genuine reform movement that is reshaping American journalism and the long-cherished ideal of objectivity. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a fragmented media world where anyone can speak, professional journalists are no longer the “gatekeepers” who decide what the public will see and hear. Instead, citizens are barraged with claims, assertions and innuendo that have not been subjected to the journalistic discipline of verification. Fact-checking, pioneered by bloggers and developed by professional news organizations, attempts to get at the elusive truth by subjecting political figures’ words to careful scrutiny. In Deciding What’s True: The Rise of Political Fact-Checking in American Journalism (Columbia University Press, 2016) Lucas Graves examines the fact-checkers’ work and plumbs its potential, its limits and its hazards. He concludes that fact-checking, while imperfect, is a genuine reform movement that is reshaping American journalism and the long-cherished ideal of objectivity. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices