Podcast appearances and mentions of Joseph Martin Kraus

En radikal reformator 1700-tals-operans motsvarighet till Richard Wagner. Pionjär också för Sturm & Drang och förebild för gustavianen Joseph Martin Kraus. Låtlista Ur Åsa-Nisse på hal is Gluck/Wagner, Ouverture ur Ifigenia & Aulis  Christoph Spering, Das Neue Orchester  Gluck/Scambati, ur Orfeus och Euridike för piano Yuja Wang  Orfeo e Euridike, Che puro ciel!   Renee Jacobs, Freiburger Barockorchester Alceste Ombres larves Ann-Sofie von Otter, John Eliot Gardiner  Joseph Martin Kraus: Symfoni i C, sats 3 Kammerorchester Basel, Giovanni Antonini  Joseph Martin Kraus: Funeral (Gustav III) Ragnar Ulfung  Ifigenia på Tauris Kör, Nicolai Gedda, Jessye Norman 

En radikal reformator 1700-tals-operans motsvarighet till Richard Wagner. Pionjär också för Sturm & Drang och förebild för gustavianen Joseph Martin Kraus. Lyssna på alla avsnitt i Sveriges Radio Play. Låtlista Ur Åsa-Nisse på hal is Gluck/Wagner, Ouverture ur Ifigenia & Aulis – Christoph Spering, Das Neue Orchester Gluck/Scambati, ur Orfeus och Euridike för piano – Yuja Wang Orfeo e Euridike, Che puro ciel! – Renee Jacobs, Freiburger Barockorchester Alceste ”Ombres larves” – Ann-Sofie von Otter, John Eliot Gardiner Joseph Martin Kraus: Symfoni i C, sats 3 – Kammerorchester Basel, Giovanni Antonini Joseph Martin Kraus: Funeral (Gustav III) – Ragnar Ulfung Ifigenia på Tauris – Kör, Nicolai Gedda, Jessye Norman

In a first for Composer of the Week, Donald Macleod surveys the life and music of Joseph Martin Kraus. Kraus has been called the Swedish Mozart; he was born in the same year as Mozart, in 1756, and survived him by just twelve months. Originally from Germany, Kraus found work as a composer based at the Swedish royal court and quickly came to be regarded as one of the leading music directors in all Europe. Haydn said that he knew of only two geniuses, Mozart and Joseph Martin Kraus. Music Featured: Soliman II Overture Miserere in C minor, VB 4 (excerpt) String Quartet in B flat major, VB 181 Sinfonie in C major, with Violin obligato, VB 138 Proserpin, VB 19 (Overture) Azire, VB 18 (excerpt) Sinfonie in C minor Flute Quintet (Largo & Allegro con brio) La Pesca, VB 44 Symphony in E flat major, VB 144 La Tempesta, VB 63 (Ma tut remi) Du temps, qui détruit tout, VB 58 Sonata in E flat major, VB 195 (Allegro ma non troppo presto) Riksdagsmarsch, VB 154 Piano Sonata in E major, VB 196 (Vivace) Soliman II (excerpts from Act II (Nr.6) & Act III (Nr.16-19)) Funeral Cantata (Part One) Cantata La Gelosia, VB46 (excerpt) Symphony in C minor, VB 148 (Symphonie funèbre) Funeral Cantata (Part Two) String Quartet in E major, VB 180 (Allegretto) Presented by Donald Macleod Produced by Luke Whitlock for BBC Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Joseph Martin Kraus (1756-1792) https://www.bbc.co.uk/programmes/m000rltv And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

“Helping a Hurting Friend: Addiction,” with Pastor Matt Sturtevant and Dr. Tim Bonner, Licensed Clinical Psychotherapist and former Licensed Masters Addiction Counselor. This is the 4th of 4 messages in the Helping a Hurting Friend worship series. Scripture reference: Romans 7:14–8:2. Podcast includes entire worship service. The following music is used by permission under CCLI streaming license #20126570: “Nobody Knows the Trouble I’ve Seen” by George Blake Based on a Spiritual/Compiled by Lee Gwordz ©1988 The Lorenz Corporation (Admin. by Music Services, Inc.) “O Worship the King” Tune: LYONS, by Joseph Martin Kraus (1784), harmonized by William Gardiner (1815). Text: Author, Robert Grant (1833) Public domain. “Beautiful Things” Words & Music by Michael Gungor and Lisa Gungor ©2009 worshiptogether.com songs (Admin. by Capitol CMG Publishing) “Thou Art Worthy with For the Beauty of the Earth” Pauline M. Mills & Conrad Kocher/Arr. Tom Fettke arrangement copyrighted @2006 Word Music, LLC. “All Things Possible” Mark Schultz, Seth Mosley, Tony Wood ©2012 CentricSongs (Admin. by Capitol CMG Publishing) All Essential Music (Admin. by Essential Music Publishing LLC) Songs From Exit 71 (Admin. by Essential Music Publishing LLC) Crazy Romaine Music (Admin. by Music Services, Inc.) “Come All Christians, Be Committed” Tune: BEACH SPRING. Source: The Sacred Harp,1844. Harmonizer: Benjamin Briggs (2009) Harm. ©2010 Celebrating Grace, Inc. Text: Author, Eva B. Lloyd (1963, alt.) ©1966 Broadman Press (Admin. by LifeWay Worship) “Maestoso In A Major From Sonata No. 3” Felix Mendelssohn, Selected & Edited by Darwin Wolford, ©1992 Harold Flammer Music (Admin. by Hal Leonard LLC) (Admin. by Tom Cat Music)

Joseph Martin Kraus hat das Pech, ein Zeitgenosse von Mozart zu sein – wäre es nicht so, würde man seine Musik heute sicher viel öfter im Konzertsaal hören.

Im selben Jahr wie Mozart geboren aber nicht ganz so berühmt: Joseph Martin Kraus, Humanist und genialischer Musiker aus dem Odenwald, wanderte mit 22 Jahren aus, um in Schweden noch einmal von vorne zu beginnen. Von Devid Striesow und Axel Ranisch www.deutschlandfunkkultur.de, Echtzeit Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

Der deutsch-schwedische Komponist Joseph Martin Kraus gilt als der "schwedische Mozart". Oft sind solche Vergleiche ja weit hergeholt, aber hier ist er ziemlich zutreffend. Eine 5er-CD-Box mit einer Auswahl von Kraus‘ Werken stellt das wirkungsvoll unter Beweis.

Deutsch-schwedischer Komponist der klassischen Periode, Kapellmeister am Hof des schwedischen Königs Gustav III. und Direktor der Königlich Schwedischen Musikakademie

I denna sjätte episod berättar Edward om det glamorösa nyårsaftonsfirandets inte så väldigt långa kulturhistoria. Det talas en hel del champagne! Mats och Edward kommer förstås in på såväl hummer som andra skaldjur, oxfilé, grand dessert och andra läckerheter man med fördel äter till nyårsaftonsmiddagen, men också på sina mer bisarra minnen från olika nyårsaftnar. Som när Mats tillbringade årsskiftet i Amazonas regnskogar som var så fuktiga att hans smoking täcktes av gröna alger och när Edward somnade i en snödriva på nyårsnattsspaning efter Joseph Martin Kraus grav i Solna. Edward - som ju gillar att sätta eld på saker och ting - berättar om sina mest vådliga maxipuff- och fyrverkerieskapader, och förklarar varför han tycker att man borde vara max 18 år för att få syssla med raketer. See acast.com/privacy for privacy and opt-out information.

Wien war das Musikzentrum des 18. Jahrhunderts. Dass im Norden Europas gleichzeitig eine musikalische Parallelwelt entstand, wurde dort kaum wahrgenommen. Umso erstaunlicher, dass in dieser Zeit am schwedischen Königshof in Stockholm vor allem ein deutscher Komponist für Aufsehen sorgte: Joseph Martin Kraus. Er war der Star der schwedischen Musikszene. Doch der Weg zum Erfolg war nicht einfach.

Episode 02 is the first of several episodes focusing specifically on choral direction and the job of being a choir director. We open with a brief review of Philip’s choral directing schedule in the month of June 2016, traveling from South Korea to Sweden; followed by a discussion of how and why Philip became a choir director. Then we dive into the job description, the “101" of Being a Choir Director. Philip talks about why choirs and singing matter today, the essential need for a steady pulse, the differences in conducting singers versus instrumentalists, diction, rehearsal techniques, mixing voice types in a choir, as well as giving answers to questions from composer Dominick Argento and others. Philip also offers a few choral directing tips learned from Robert Shaw and over 50 years of conducting singers around the world. If you’ve got questions for Philip about choral conducting or music in general, please send them to us: renaissancemanpodcast [at] gmail [dot] com. And thanks so much for listening! Music excerpts in the podcast include (in order of appearance): "Quartet Of Swedes - Swedish Born And Swedish Bred" by Benjamin Britten, performed by The Plymouth Music Series (now VocalEssence) from Britten’s opera Paul Bunyan conducted by Philip Brunelle for via Virgin Classics (1987) "Deo Dicamus Gratias" sung by the Plymouth Congregational Church choir off the album Praise And Thanksgiving: Music And Spoken Word, conducted by Philip Brunelle (2006) "Tocotta In F Major" for organ by Charles-Marie Widor, performed by Philip Brunelle off the album Make A Joyful Noise (1998) "Riksdagsmusiken In D Major - Riksdagsmarsch” by Joseph Martin Kraus, performed by the Orchestra of The Royal Swedish Opera conducted by Philip Brunelle (1996) "Zuni Sunrise Song" by Anonymous/Brent Michael Davids, performed by VocalEssence Ensemble Singers and conducted by Philip Brunelle off the album The World Beloved - A Bluegrass Mass (2010) "Since The Birth Of The Earth” by Benjamin Britten, performed by The Plymouth Music Series (now VocalEssence) from Britten's opera Paul Bunyan conducted by Philip Brunelle for via Virgin Classics (1987) "Quartet Of Swedes - Swedish Born And Swedish Bred" by Benjamin Britten, performed by The Plymouth Music Series (now VocalEssence) from Britten’s opera Paul Bunyan conducted by Philip Brunelle for via Virgin Classics (1987) "The Mask (text G. Gwendolyn) - The Mask_ No. 2. Heritage” by William Bolcom/Gwendolyn Bennett, performed by VocalEssence Ensemble Singers and conducted by Philip Brunelle off the album The World Beloved - A Bluegrass Mass (2010)

Den tysk-svenske 1700-talstonsättaren Joseph Martin Kraus har ibland kallats den svenske Mozart. Hans Åstrand, Kraus-kännare, introducerar ett av den svenska musikhistoriens största namn. Och förklarar varför han tycker att Kraus berömda epitet är missvisande. Med Esmeralda Moberg, folkmusiker, och Mattias Lundberg, musikforskare. AVSNITTETS LÅTLISTA:  https://play.spotify.com/user/1126630471/playlist/55MHjrU6CjsADa2fBl63Aj Låtlistan består av musik som nämns eller spelas i korthet i det aktuella poddavsnittet. Den svenska musikhistorien produceras av produktionsbolaget Munck. Kontakta oss på dsm@sverigesradio.se  Producent: David RuneSändningsdatum i P2: 2016-04-27

Kraus’s writing is incredibly lyrical and singable….earworms are guaranteed!

Curt Carlsson letar guldkorn från förr i Sveriges Radios arkiv. Idag, Stråkkvartett nr 4 D-dur av Joseph Martin Kraus. Grünfarbkvartetten. Inspelat 1956. Mer information om programmet på http://www.sr.se/p2/p2arkiv.