Podcasts about gluck

Carlos Iribarren | Hoy Toca sube el telón y empieza una representación en la que esperamos que disfrutes al máximo. Queremos conocer mejor cómo se vive desde dentro una función de teatro y qué se siente en el estreno de una nueva obra, así que hemos invitado a Joaquín Notario, un actor que lleva décadas demostrando su talento en cine, series y por supuesto, en el teatro. Hace poco participó como narrador en las representaciones de Fidelio, la única ópera de Beethoven, en el Auditorio Nacional y reconoce que fue un regalo absoluto para su vida profesional ¿Teatro griego? ¿Shakespeare? ¿El siglo de oro español? De todo esto hablamos mientras escuchamos música relacionada con el teatro y proveniente de películas y óperas basadas en obras teatrales, compuestas por genios de la talla de Verdi, Gluck, Orff, Alex North y nuestro José Nieto. Disfruta con nosotros de la nueva y escénica entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

A conversation between artist Claye Bowler and art historian Andrew Cummings about the exhibition Dig Me A Grave, burials, connection to the land , latex, soil, death & more.LinksDig Me A Grave dates & venues:Steam Works Gallery, WIP Studios, Wandsworth, Londonhttps://www.wipspace.co.uk/dig-me-a-grave21.03.25 - 11.05.25PV 20.03.25Auction House, Redruth, Cornwall21.06.25 - 19.07.25PV 20.06.25Yorkshire Sculpture Park, Wakefield04.10.25 - 02.11.25A sculpture from this body of work was also part of a group exhibitionWinter Sculpture Park 202501.03.25 - 12.04.25Claye's exhibition Top (2022) is being shown again at Queer Britain 10/09/2025 - 23/11/2025Compilation of protests and actions against the Supreme Court: https://whatthetrans.com/compilation-of-protests-against-the-supreme-court/Fundraising towards five transfem causes in the UK https://www.fiveforfive.co.uk/Claye on Instagram https://www.instagram.com/clayebowler/?hl=enClaye's website: https://www.clayebowler.com/?fbclid=PAZXh0bgNhZW0CMTEAAafm3sQ4CBOg5SYofyAmlntP0rmy1-pJZufTxZbWUseEfV5LruEAwpCwAY3MVw_aem__qa4reKB4fVG85oxlrdUjwAndrew: https://researchers.arts.ac.uk/2344-andrew-cummings https://courtauld.ac.uk/research/research-resources/publications/immeditations-postgraduate-journal/immediations-online/immediations-no-18-2021/the-promise-of-parasites/ Fire Choir https://thenestcollective.co.uk/projects/fire-choirThe False Bride, Folk Song that Claye mentions with ‘I'll lie in my grave until I get over you'About the Museum Registrar Traineeship: https://ahc.leeds.ac.uk/fine-art/news/article/2675/museum-registrar-traineeship-opportunity-in-leeds-from-september-2024#:~:text=%E2%80%9CThe%20traineeship%20sees%20the%20successful,collections%20work%20amongst%20other%20students. Brandon Labelle: https://brandonlabelle.net/Gluck: https://www.npg.org.uk/schools-hub/gluck-by-gluckLiving Well Dying Well - Andrew's End-of-Life Doula foundation training - https://lwdwtraining.uk/ Grief Tending in Community https://grieftending.org/ Francis Weller, The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief, North Atlantic Books, 2015 Camille Barton, Tending Grief: Embodied Rituals for Holding our Sorrow, North Atlantic Books, 2024Top, at Henry Moore Institute https://henry-moore.org/whats-on/claye-bowler-top/ Hosted on Acast. See acast.com/privacy for more information.

Do you have a friendship that spans many seasons and plot twists of your life? Marriage, children, parenting, launching kids, career intersections, faith. You know, all the biggies. Someone you've had the privilege of being up close and personal with through the highs and lows. Alyssa Gluck is that person in my life. Alyssa is a credentialed teacher, holds a graduate degree in leadership, and works as an educational specialist for homeschool families.In our conversation, we reflect on how life doesn't take a straight path. It often has unexpected twists and turns. Plot twists, as a previous guest put it. When you have been thrown for a loop, a Good Guide coming along at just the right time is a gift. But isolation is a dangerous reaction in the middle of these plot twists. The very thing you need is a sage presence offering you a safe place to land and sort out where to go next. When the false belief “I have to do life on my own” gets replaced with the true belief “I get to reach out to a loving presence,” it makes all the difference. I love Alyssa's guidance for when a guide is no longer a good fit for where you want to go.Listen in and learn what type of guidance you need. Perhaps you'll be sparked to be a good guide for someone in the spaces you live and lead.Cheering you on!Step into The Life You're Made For, I'm cheering you on!heatherpenny.com@heatherpennyphdMusic by Jason SquiresProduction by Cody Vermillion

When Elliot Gluck recently tried to figure out how to vote in the upcoming Canadian election from abroad in Israel, he was left scratching his head. The 23-year-old Vancouver native, currently interning at a green tech company in Tel Aviv, knew there had to be a better way to help his fellow Canadians exercise their democratic rights. So the political science graduate spent a few days last week creating a new website, IsraelVotes.ca, which is already live. His goal is to make it easier for those eligible voters among the estimated 40,000 Canadians currently living in Israel to receive their ballots and cast their votes in what he's calling "one of the most consequential elections in recent memory," scheduled for April 28. Gluck's website is non-partisan and completely free, and facilitates ballot delivery, including to and from the Canadian embassy in Tel Aviv. He joins Ellin Bessner on The CJN Daily to explain his motivations, the nasty antisemitic comments he's received online, and why it matters that Jewish Canadians make their voices heard this month. Related links Check out IsraelVotes.ca to learn more about how to vote from Israel in the April 28, 2025 Canadian federal election. Elections Canada's website also explains about how to vote in Canadian elections if you are Canadian abroad, no matter how long you've lived outside of Canada. When Canada originally barred citizens living in Israel from voting from abroad, in The CJN, from 2015. Credits Host and writer: Ellin Bessner (@ebessner) Production team: Andrea Varsany (producer), Zachary Kauffman (producer), Michael Fraiman (executive producer) Music: Dov Beck-Levine Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to The CJN Daily (Not sure how? Click here)

C'est un coup fatal à l'ennui, à la morosité ambiante, aux préjugés et à tous ceux que l'altérité dérange ou incommode. Le mariage de la musique congolaise et du baroque, Vivaldi, Gluck, Bach et Haendel accompagnés au balafon au likembe et à la guitare électrique, accompagnés de chants dans les langues des Congo. Le spectacle avait été créé, il y a dix ans, le revoilà sur la scène du Théâtre du Rond Point à Paris avec un nouveau contre-ténor. Coco Diaz prend la succession de Serge Kakudji qui était là lors de la création. Coup Fatal, c'est donc un concert chorégraphié d'une énergie qui fait du bien.Rodriguez Vangama, Fredy Massamba et Alain Platel sont les invités de Sur le pont des arts. Coup Fatal est à voir au théâtre du Rond-Point à Paris jusqu'au 5 avril 2025. Au programme de l'émission :►Chronique les librairies du mondeSouleymane Gueye de la librairie Plumes du monde à Dakar, la capitale sénégalaise, nous parle de La femme brouillon d'Amandine Dhée, aux éditions La contre allée. Un livre qui interroge le rapport des femmes à la maternité. C'est un récit intime, puisque l'auteure raconte sa propre maternité.   ►Reportage Marjorie Bertin nous parle de Taire de Tamara Alsaadi. Dans cette pièce de théâtre, l'autrice propose son interprétation de la figure d'Antigone.   ► Playlist du jour- Coup Fatal - Barbaro - Coup Fatal (Keriko et Fredy Massamba) - Transition.

C'est un coup fatal à l'ennui, à la morosité ambiante, aux préjugés et à tous ceux que l'altérité dérange ou incommode. Le mariage de la musique congolaise et du baroque, Vivaldi, Gluck, Bach et Haendel accompagnés au balafon au likembe et à la guitare électrique, accompagnés de chants dans les langues des Congo. Le spectacle avait été créé, il y a dix ans, le revoilà sur la scène du Théâtre du Rond Point à Paris avec un nouveau contre-ténor. Coco Diaz prend la succession de Serge Kakudji qui était là lors de la création. Coup Fatal, c'est donc un concert chorégraphié d'une énergie qui fait du bien.Rodriguez Vangama, Fredy Massamba et Alain Platel sont les invités de Sur le pont des arts. Coup Fatal est à voir au théâtre du Rond-Point à Paris jusqu'au 5 avril 2025. Au programme de l'émission :►Chronique les librairies du mondeSouleymane Gueye de la librairie Plumes du monde à Dakar, la capitale sénégalaise, nous parle de La femme brouillon d'Amandine Dhée, aux éditions La contre allée. Un livre qui interroge le rapport des femmes à la maternité. C'est un récit intime, puisque l'auteure raconte sa propre maternité.   ►Reportage Marjorie Bertin nous parle de Taire de Tamara Alsaadi. Dans cette pièce de théâtre, l'autrice propose son interprétation de la figure d'Antigone.   ► Playlist du jour- Coup Fatal - Barbaro - Coup Fatal (Keriko et Fredy Massamba) - Transition.

From January 30, 2024: U.S. military operations against Houthi rebels in Yemen have escalated rapidly in recent weeks, culminating in a number of major strikes aimed at degrading their ability to threaten Red Sea shipping traffic. But the war powers reports the Biden administration has provided to Congress are raising questions about how it is legally justifying this latest military campaign. To discuss the burgeoning conflict in Yemen and what it might mean for war powers, Lawfare Senior Editor Scott R. Anderson sat down with Brian Finucane, Senior Adviser at the Crisis Group; Lawfare Co-founder and Harvard Law School Professor Jack Goldsmith; and Lawfare Research Fellow Matt Gluck. They talked about their recent pieces on the topic, what we know and don't know about the administration's legal theory, and what the law might mean for how the conflict evolves moving forward. To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:13:41 - Disques de légende du lundi 24 mars 2025 - En 1983, à l'Opéra de Lyon, John Eliott Gardiner entame un admirable travail sur le répertoire français qui le conduit à revisiter une œuvre qui, en 1773, détermina toute l'histoire de l'art lyrique en France : Iphigénie en Aulide...

durée : 00:13:41 - Disques de légende du lundi 24 mars 2025 - En 1983, à l'Opéra de Lyon, John Eliott Gardiner entame un admirable travail sur le répertoire français qui le conduit à revisiter une œuvre qui, en 1773, détermina toute l'histoire de l'art lyrique en France : Iphigénie en Aulide...

In this episode, host Jethro Jones is joined by Kenny Gluck. Kenny, a senior IT consultant at isOutsource, shares insights on IT consulting, common cybersecurity threats, and essential security practices for small and medium-sized businesses. The discussion also covers the importance of endpoint detection and response, email protection software, and DNS filtering.Bridging the gap from IT needs to solutionsSame things that are happening to big companies are happening to small companies.Emails - Phishing, Smishing (SMS)Social engineering attacks.Scrapers - bots and farmersFree practices that you can do as a small and medium-sized business owner. To have good security, you do have to spend. As a business owner, you should be paranoid about it! Regular software updatesCommon sense privacy and browsing habits. Core basic cybersecurity tools regardless of company size. Endpoint Detection Response - EDREmail protection software - EPSDNS Filter - redirecting all web traffic to reputational rating of web sitesMalicious links from compromised dropbox accountsVPN vs. DNS Filter. About Kenny GluckKenny Gluck is Senior IT Consultant at ISOutsource. has over a decade of experience in the technology industry. He's held technical and operational leadership roles at several IT service providers, where he's worked with clients in nearly every industry from financial services to manufacturing. He's passionate about building long term relationships with his business partners and helping them leverage technology to solve complex business challenges. He is currently an IT consultant where he gets to do the things he loves most about technology, make it work for his partners in a way that they can sleep securely knowing they have all the right security and tools. We're thrilled to be sponsored by IXL. IXL's comprehensive teaching and learning platform for math, language arts, science, and social studies is accelerating achievement in 95 of the top 100 U.S. school districts. Loved by teachers and backed by independent research from Johns Hopkins University, IXL can help you do the following and more:Simplify and streamline technologySave teachers' timeReliably meet Tier 1 standardsImprove student performance on state assessments

What if architects didn't have to rely on developers to bring their designs to life? In this episode, Rion Willard sits down with Charlie Kaplan, principal at Gluck+, to explore a unique business model that gives architects more control, creativity, and financial upside. They discuss how their firm blurs the lines between architect, builder, and developer, leading to incredible efficiencies and design freedom. Charlie shares the origins of this approach, from early hands-on projects to scaling up to multimillion-dollar developments. He reveals the key mindset shift architects must make to succeed in this space and the unexpected ways this model benefits not just the firm but also clients and communities. If you've ever dreamed of taking full control of your projects, this conversation will change the way you think about architecture and business. How a simple shift can prevent budget disasters before they happen Why some architects fail when they try to take on development—and how to avoid their mistakes The overlooked skill architects already have that makes them great builders A surprising real estate opportunity hiding in plain sight   ► Transcription: https://otter.ai/u/WNms8Gjm5fNT2pcHyG_8lmJhULg?utm_source=copy_url   ► Feedback? Email us at podcast@businessofarchitecture.com   ► Access your free training at http://SmartPracticeMethod.com/   ► If you want to speak directly to our advisors, book a call at https://www.businessofarchitecture.com/call   ► Subscribe to our YouTube Channel for updates:   https://www.youtube.com/c/BusinessofArchitecture   *******   For more free tools and resources for running a profitable, impactful, and fulfilling practice, connect with me on: Facebook: https://www.facebook.com/groups/businessofarchitecture Instagram: https://www.instagram.com/businessofarch/ Website: https://www.businessofarchitecture.com/yt Twitter: https://twitter.com/BusinessofArch Podcast: http://www.businessofarchitecture.com/show iTunes: https://podcasts.apple.com/us/podcast/business-architecture-podcast/id588987926 Android Podcast Feed: http://feeds.feedburner.com/BusinessofArchitecture-podcast Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9idXNpbmVzc29mYXJjaGl0ZWN0dXJlLmxpYnN5bi5jb20vcnNz   *******   Access the FREE Architecture Firm Profit Map video here: http://freearchitectgift.com   Carpe Diem!

durée : 01:58:32 - Musique à programme, l'ouverture d'opéra II - par : Christian Merlin - Dans l'opéra baroque, l'ouverture s'appelait « Sinfonia ». L'ouverture d'opéra est donc l'ancêtre de la symphonie et du poème symphonique. Après un épisode consacré à Vivaldi, Rameau, Gluck, Mozart, Weber, Rossini et Verdi, place à Beethoven, à Wagner, aux Français et aux Russes. - réalisé par : Marie Grout

durée : 00:28:00 - Musique à programme, l'ouverture d'opéra II (4/4) : Musique légère - par : Christian Merlin - Dans l'opéra baroque, l'ouverture s'appelait « Sinfonia ». L'ouverture d'opéra est donc l'ancêtre de la symphonie et du poème symphonique. Après un épisode consacré à Vivaldi, Rameau, Gluck, Mozart, Weber, Rossini et Verdi, place à Beethoven, à Wagner, aux Français et aux Russes. - réalisé par : Marie Grout

Dr. John P. Gluck was honored with PETA's Trailblazing Advocacy Award in 2021 for being a shining example of ethics in science. In this conversation with Emil Guillermo, Dr. Gluck-- a one-time animal experimenter who studied with the infamous Harry Harlow--describes his transformation from an animal experimenter to a compassionate bioethicist committed to a cruelty-free science. Gluck's book, "Voracious Science and Vulnerable Animals," has become a guide for a new generation of scientists seeking to practice a science aligned with their ethical identity.  Gluck describes his transition and how he remains haunted by the faces of the animals he experimented on.  For more, go to PETA.org The PETA Podcast PETA, the world's largest animal rights organization, is 9 million strong and growing. This is the place to find out why.  Hosted by Emil Guillermo. Powered by PETA activism.  Music provided by CarbonWorks. Go to Apple podcasts and subscribe. Contact and follow host Emil Guillermo on X @emilamok, substack, or patreon. Or at www.amok.com,   Please subscribe, rate, and review wherever you get your podcasts. Thanks for listening to THE PETA PODCAST!  Copyright ©2020-25

durée : 00:28:21 - Musique à programme, l'ouverture d'opéra II (3/4) : Français et Russes - par : Christian Merlin - Dans l'opéra baroque, l'ouverture s'appelait « Sinfonia ». L'ouverture d'opéra est donc l'ancêtre de la symphonie et du poème symphonique. Après un épisode consacré à Vivaldi, Rameau, Gluck, Mozart, Weber, Rossini et Verdi, place à Beethoven, à Wagner, aux Français et aux Russes. - réalisé par : Marie Grout

durée : 00:28:08 - Musique à programme, l'ouverture d'opéra II (2/4) : le cas Wagner - par : Christian Merlin - Dans l'opéra baroque, l'ouverture s'appelait « Sinfonia ». L'ouverture d'opéra est donc l'ancêtre de la symphonie et du poème symphonique. Après un épisode consacré à Vivaldi, Rameau, Gluck, Mozart, Weber, Rossini et Verdi, place à Beethoven, à Wagner, aux Français et aux Russes. - réalisé par : Marie Grout

durée : 00:28:07 - Musique à programme, l'ouverture d'opéra II (1/4) : Quelle ouverture pour Fidelio ? - par : Christian Merlin - Dans l'opéra baroque, l'ouverture s'appelait « Sinfonia ». L'ouverture d'opéra est donc l'ancêtre de la symphonie et du poème symphonique. Après un épisode consacré à Vivaldi, Rameau, Gluck, Mozart, Weber, Rossini et Verdi, place à Beethoven, à Wagner, aux Français et aux Russes. - réalisé par : Marie Grout

Die Erzählung "Ritter Gluck" von E.T.A. Hoffmann, gelesen von Jan Lindner.

Tune in as Fake-Dating February keeps rolling onward with this second episode of the month, where Tyler Hewitt (Dumb-Dumbs & Dragons, Jesters of Ravenloft) teams up with Arthur again to review and recap Anyone But You, the 2023 enemies-to-lovers and fake-dating rom-com that's loosely based off of the Shakespeare play Much Ado About Nothing. The terrifying nature of those huge huntsman spiders (a topic that 2CC has already touched on previously), the most off-putting dick shot that Tyler has ever seen, and the farcical shenanigans that range from the miscommunication to the eavesdropping stand out as a few of the subjects for this episode.Directed by Will Gluck, Anyone But You stars Sydney Sweeney, Glen Powell, Alexandra Shipp, Hadley Robinson, GaTa, Dermot Mulroney, Rachel Griffiths, Charlee Fraser, Joe Davidson, Bryan Brown, Michelle Hurd, and Darren Barnet.Spoilers start at 32:25Create your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Tyler: Between Two Fires by Christopher Buehlman• Arthur: The PackageReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic Linktree

Полное и безвозвратное погружение в пучину психоделического транса на батискафе "Глюк-25", умело управляемым капитаном XPVOODOO на скорости 148 BPM. Идеальный микс для создания триповой атмосферы в любой точке времени и пространства. Слушать на хорошем звуке! A complete and irrevocable immersion into the depths of psychedelic trance on the Gluck-25 bathyscaphe, expertly guided by Captain XPVOODOO at 148 BPM. The perfect mix to create a typical atmosphere at any point in time and space. Listen to a good sound!

Exploring Louise Glück's 'Snowdrops': A Tale of Resilience and RenewalIt's a new year and with it comes the common pressure cooker that is January. You will be awash in a sea of resolutions and you might be feeling the need to ''hit the ground running'' so to speak. In short; I think it's awful. So for the start of 2025, this episode focusing Snowdrops by Louise Glück, a Nobel Prize-winning poet whose work captures the delicate balance of grief, resilience, and renewal.The snowdrop, a fragile yet tenacious bloom of winter, serves as the perfect metaphor for this reflective time of year. Glück's poem speaks to survival, transformation, and the quiet strength required to embrace a new beginning—even amid life's harshest winters.Join me as I unpack Glück's masterful use of nature as allegory, her stark yet hopeful language, and the universal human experience reflected in her verse. This episode is a poignant reminder that growth often emerges from hardship and that taking time to rest, like the snowdrop buried in the earth, is an essential part of resilience.As we step into 2025, let this poem inspire you to embrace not a blank slate but a continuation—an opportunity to thrive in the raw winds of a new world.Tune in for an insightful and hopeful start to the year. And as always, I'd love to hear your thoughts—get in touch via email or on social media.Happy New Year, and thank you for being part of the Words That Burn journey.00:00 Introduction and Opening Thoughts00:47 Welcome to Words That Burn01:19 Louise Gluck and Her Poetic Voice02:23 Themes and Techniques in Gluck's Poetry04:48 Analysis of 'Snowdrops' - First Stanza08:40 Analysis of 'Snowdrops' - Second Stanza11:03 Human Resilience and Renewal14:52 Final Thoughts and Reflections17:17 Thank You Follow the Podcast:Read the Script on SubstackFollow the Podcast On InstagramFollow the Podcast on X/TwitterFollow the Podcast on TiktokFollow the podcast on BlueskyThe Music In This Week's Episode:'At The End Of All Things' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au Hosted on Acast. See acast.com/privacy for more information.

To hear the full discussion, please join us on Patreon at - https://www.patreon.com/posts/patreon-tony-118747245 Katie talks to Tony Greenstein, the co-founder of Britain's Palestine solidarity campaign and the author of "Zionism During the Holocaust: The Weaponisation of Memory in the Service of State and Nation." Then Katie speaks to Rabbi Hershel Gluck is a British rabbi, chairman of the Arab-Jewish Forum and chairman and founder of the Muslim-Jewish Forum. Jenny Manson a British Jewish activist, author, former civil servant, former Labour Party councillor for Colindale on Barnet London Borough Council, and co-chair of Jewish Voice for Labour. ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: @kthalps

jQuery(document).ready(function(){ cab.clickify(); }); Original Podcast with clickable words https://tinyurl.com/2d52u8pp Contact: irishlingos@gmail.com New information about WB Yeats' remains available in State documents. Eolas nua faoi thaisí WB Yeats ar fáil i gcáipéisí an Stáit. RTÉ News and Current Affairs The Department of Foreign Affairs decided to suppress information given to them in the late seventies about the remains of the poet WB Yeats. Nuacht agus Cúrsaí Reatha RTÉ Chinn an Roinn Gnóthaí Eachtracha eolas a tugadh dóibh ag deireadh na seachtóidí faoi thaisí an fhile W B Yeats a chur faoi chois. In fact, the Department thought that a member of the famous Gluckstein family in London was blackmailing the State when he claimed to have evidence that the bones were not WB's. Go deimhin, shíl an Roinn go raibh ball de theaghlach cáiliúil Gluckstein i Londain ag déanamh dúmhál ar an Stát nuair a mhaígh sé go raibh fianaise aige nárbh iad cnámha W.B. Yeats was buried in Sligo. Yeats a bhí curtha i Sligeach. It emerged 10 years ago in French State documents that the remains buried in the cemetery in Drumcliabh in Sligo are unlikely to be those of WB Yeats. Tháinig sé chun solais 10 mbliana ó shin i gcáipéisí Stáit de chuid na Fraince nach dócha gur taisí W B Yeats atá curtha sa reilig i nDroim Chliabh i Sligeach. The poet died in Roquebrune, France, in 1939 and was buried in a pauper's grave. Cailleadh an file i Roquebrune na Fraince sa bhliain 1939 agus cuireadh é in uaigh bhochtáin. A grand ceremony was held in Ireland in 1948 when a naval ship brought his remains back to his homeland. Reáchtáladh searmanas mór in Éirinn in 1948 nuair a thug long cabhlaigh a chuid taisí ar ais go dtí a thír dhúchais. He was buried in Drumcliabh in County Sligo with great pomp and ceremony. Cuireadh é i nDroim Chliabh i gContae Shligigh le mustar is mórdháil. But Yeats' remains were so mixed with many others in the morgue that there was no way to distinguish them from other people buried there. Ach b'amhlaidh go raibh taisí Yeats measctha le go leor eile sa mharbhlann agus nach raibh aon dóigh go bhféadfaí idirdhealú a dhéanamh idir iad agus daoine eile a bhí curtha ann. The pauper's grave had a five-year lease and was exhumed in 1946 and the poet's bones were interred with those of many others. Bhí léas cúig bliana ar uaigh an bhochtáin agus dí-adhlacadh é i 1946 agus cuireadh cnámha an fhile isteach le cnámha go leor daoine eile. Therefore, it is unlikely that the collection of bones sent back to Ireland belonged to Yeats at all. Mar sin, ní dócha gur le Yeats an cnuasach cnámha a seoladh ar ais go hÉirinn in aon chor. A Department of Foreign Affairs file now available in the National Archives due to the 30 Year Rule, provides fresh insight into the controversy. Tugann comhad de chuid na Roinne Gnóthaí Eachtracha atá ar fáil anois sa Chartlann Náisiúnta de bharr na Rialach 30 Bliain, léargas úr ar an chonspóid. On June 29, 1978, the Irish Ambassador to Britain submitted a confidential report to the Department on the matter. An 29 Meitheamh, 1978 chuir Ambasadóir na hÉireann chun na Breataine tuairisc rúnda faoi bhráid na Roinne faoin scéal. A member of the Gluckstein family contacted Ambassador Paul Keating with updated information about the situation. Chuaigh ball de theaghlach Gluckstein i dteagmháil leis an ambasadóir Paul Keating le heolas úr faoin scéal. Aunt R. was Bhí aintín R. J. J. Gluckstein (Ms Gluck) was very close to Edith Heald, a close friend of Yeats. Gluckstein (Ms Gluck) an-mhór le Edith Heald, dlúthchara de chuid Yeats. Heald had documents in his possession relating to Yeats' burial and these were left in Ms Gluck's will. Bhí doiciméid i seilbh Heald a bhain le hadhlacadh Yeats agus fágadh iad sin le huacht ag Ms Gluck. Gluckstein handed copies of these letters to the Ambassador. Thug Gluckstein cóipeanna de na litreacha seo ar lámh don Ambasadóir.

Big Gluck is back! We talk to him about the best new equipment of 2024 and what we can look forward to in 2025. We also dig into his big changes on his own home gym. Build Fast Formula Use code MASSENOMICS to save 10% on every order! BearFoot Shoes Use code MASSENOMICS to save 10% on every order! Juggernaut AI Use code MASSENOMICS to save 10%! The Strength Co Get some Go-To Plates! Swiss Link Use code MASS to save 15%! Texas Power Bars Get the Barbell that changed the game!

In this episode, Cherise is joined by Stacie Wong, Principal at GLUCK+ in New York. They discuss the Van Sinderen Plaza Project in Brooklyn.You can see the project here as you listen along.Van Sinderen Plaza is a model of transformation and opportunity in Brooklyn, serving a neighborhood where the need for affordable housing is urgent. Located on the border between East New York and Brownsville, where over half the residents live below the poverty line, the development turns long-abandoned land into a vibrant community asset. The project incorporates green building practices, featuring a ventilated rain-screen system on the facade built from fiber cement panels, using fully recyclable and mostly natural materials.If you enjoy this episode, visit arcat.com/podcast for more. If you're a frequent listener of Detailed, you might enjoy similar content at Gābl Media. Mentioned in this episode:ARCAT Detailed on Youtube

AI skepticism – much like AI itself – is here to stay, whether we like it or not. While getting buy-in can be difficult, and deploying it as a solution within a company is even harder, the key thing to remember is that AI, like any new tool, must address a pain point. The only way folks will be persuaded as to its use will be when it solves a problem that was previously thought unsolvable.In this episode, we are joined by Adam Gluck, the CEO and Founder of Copia Automation. Join us as we explore the problems that AI is solving, why a customer-centric culture is so key to developing useful products, and the need for Silicon Valley to overlap with industries that have existed for over two hundred years.The problem-first mindset is one that's helped Copia evolve since July 2020 and navigate hype cycles in tech. What's more, by keeping users front of mind, they can use AI as a “painkiller” rather than a “vitamin”. This means Copia create proactive, targeted solutions that deliver value where it matters most.In this episode, find out:Adam shares his career path, including his work for Uber and his sociology undergraduate degreeWhy it is harder for graduates to get software engineering jobsHow, in engineering, a self-taught approach can be less restrictive when learning new approaches or facing new problemsHiring smart people is often the most important step in solving hard problemsCopia has evolved since July 2020, and the key to this has been their market understanding, adoption, activation, and backup and disaster recoveryHow DevOps AI for the software space has transformed the way software gets writtenAdam chose to move to New York from San Francisco because of the large number of seed rounds, proximity to venture capital and large amount of talentHow the current enthusiasm for industrialization and manufacturing among venture capitalists and young companies will persist long-termEnjoying the show? Please leave us a review here. Even one sentence helps. It's feedback from Manufacturing All-Stars like you that keeps us going!Tweetable Quotes:“I want to build something people can use every single day as part of their standard workflow and that solves material problems for them.”“DevOps AI for the software space has transformed the way software gets written.”“Ultimately, you can try and solve things with processes organization, but you're going to actually solve problems with really smart people.”Links & mentions:Copia Automation, bringing modern DevOps tooling to industrial automation, standardizing processes to drive quality, efficiency, and uptime at scaleReindustrialize, a summit exploring how technology will shape the future of the US industrial baseAmerican Dynamism, part of a16z, investing in founders and companies supporting the national interest: aerospace, defense, safety, education, and manufacturingFounders Fund, a San Francisco based venture capital firm organized by Peter Thiel and others, investing in companies building revolutionary technologies

durée : 01:29:29 - Relax ! du mardi 26 novembre 2024 - par : Lionel Esparza - Une année en majesté : 1749. On y découvre la Messe en si de Bach et les Fireworks de Haendel. Cette année profile aussi le futur de la musique avec Gluck et Carl Philipp Emanuel Bach.

durée : 00:16:26 - Disques de légende du mercredi 06 novembre 2024 - Cette intégrale est d'abord celle d'un chef, Marc Minkowski, qui a toujours magnifiquement fait la musique de Gluck. Il enregistre ici une version d'anthologie, au même titre que celles d'Armide ou d'Iphigénie en Tauride.

DescriptionEchoes of Love: The Enduring Opera of Orpheus and Euridice in 60 Seconds. Take a minute to get the scoop!Fun FactThe first performance of Gluck's "Orfeo ed Euridice" took place on October 5, 1762, at the Burgtheater in Vienna. This opera marked a revolutionary shift in the genre, emphasizing simplicity and dramatic expression over elaborate arias. Gluck sought to reform opera, focusing on seamless storytelling, cohesive music, and emotional impact, influencing future composers significantly.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

durée : 00:09:30 - Le Disque classique du jour du jeudi 31 octobre 2024 - Nathan Granner présente des airs de ténor de Paër, Mozart, Gluck, Salieri et Bologne, mettant en valeur l'essor du ténor à la fin du XVIIIe siècle, ainsi que l'esprit des Lumières de l'époque.

durée : 00:09:30 - Le Disque classique du jour du jeudi 31 octobre 2024 - Nathan Granner présente des airs de ténor de Paër, Mozart, Gluck, Salieri et Bologne, mettant en valeur l'essor du ténor à la fin du XVIIIe siècle, ainsi que l'esprit des Lumières de l'époque.

Bob Gluck, whose perspective as pianist, composer, and educator has illuminated the music of Herbie Hancock and Miles Davis in his two previous books, now focuses his lens on the music of Metheny. Neither a biography nor chronological record of Metheny's musical output, "Pat Metheny: Stories Beyond Words" instead captures Metheny's self-conception as a musician and the threads that unite and distinguish his creative process.

durée : 00:16:14 - Iphigénie en Aulide : Gluck - Julien Chauvin - Depuis le renouveau baroque de la fin des années 1980, Iphigénie en Aulide est le seul des opéras français de Gluck à ne pas avoir été enregistré sur instruments d'époque.

durée : 00:16:14 - Iphigénie en Aulide : Gluck - Julien Chauvin - Depuis le renouveau baroque de la fin des années 1980, Iphigénie en Aulide est le seul des opéras français de Gluck à ne pas avoir été enregistré sur instruments d'époque.

Bet The Board FREE Newsletter with more Content & Advice. Sign Up Here: https://t.ly/sIXQl ▶️ Stage 1: Hollywood Casino 400 Recap (2:07) ▶️ Stage 2: Jeff Gluck interview (9:39) ▶️ Stage 3: Odds Tracker (29:36) In the latest Stay Green podcast, Todd Fuhrman and Chris Werme break down the YellaWood 500 at Talladega, touching on several key topics across three stages. Stage 1: Hollywood Casino 400 Recap Todd and Chris revisit the Hollywood Casino 400 at Kansas Speedway, noting the chaotic race and unexpected winner. They discuss how his triumph shook up the playoff picture and highlight standout performances from key drivers. The duo reflects on team strategies and tire management, which played a crucial role throughout the race. Stage 2: Jeff Gluck Interview Next, the hosts welcome The Athletic's Jeff Gluck to the show, discussing Talladega's unpredictable nature. Gluck provides insights on the impact of superspeedways and restrictor-plate racing on playoff outcomes. He also shares thoughts on fan engagement and how drivers approach the volatile environment at Talladega, making it one of the most exciting and nerve-wracking tracks on the circuit. Stage 3: Odds Tracker In the final stage, Todd and Chris delve into the betting landscape for the YellaWood 500, examining the odds on favorites like Brad Keselowski, Joey Logano, and Ryan Blaney. They stress the importance of avoiding heavy favorites in superspeedway races, where chaos can quickly derail expectations. The hosts also point out some value in long shots, emphasizing underdogs with strong drafting skills who could surprise. Subscribe to Bet The Board Podcast

This is a free preview of a paid episode. To hear more, visit www.thelesbianprojectpod.comLesbian fashion again: https://www.dazeddigital.com/fashion/article/64671/1/london-fashion-week-ss25-lesbian-renaissance-fashionhttps://www.thebutchclothingcompany.com/ Gluck: https://en.wikipedia.org/wiki/Gluck_(painter))Gender fluid dachsunds etc https://www.dailymail.co.uk/news/article-13860699/Pictured-Gender-fluid-dress-wearing-dachshund-called-Pab…

Donald Macleod showcases the life and music of Christoph Willibald Gluck Christoph Willibald Gluck (1714-1787) arguably did more to transform opera than any composer of his generation: thinking deeply about how text and music should work together, and trying to strip away fripperies to ensure it was urgent, powerful and arresting. His radical approaches made him one of the most influential composers in history - and yet today, he's known in the concert hall almost exclusively for one work: his masterpiece “Orpheus and Eurydice”. This week, Donald Macleod puts that right: showcasing Gluck's dazzling and enchanting music from across his life - whilst also showing off his most famous work.Music Featured: Dance of the Blessed Spirits (Orfeo ed Eurydice) Non hai cor per un'impresa (Ipermestra, Wq 7) Sperai vicino il lido (Demofoonte, Wq 3) Se in campo armato (La Sofonisba, Wq 5) Nobil onda (La Sofonisba, Wq 5) Orfeo ed Euridice (excerpts) M'opprime, m'affanna (La Sofonisba, Wq 5) Qual ira intempestiva … Oggi per me non sudi; Oggi per me sudi (La Contesa de'numi, Wq 14) Trio Sonata no I in C Major (1st mvt) Ciascun siegua il suo stile...Maggior follia non v'e (La Semiramide riconosciuta, Wq 13) Misera, dove son…; Ah! non son io (Ezio, Wq 15) Dance of the Furies (Orphee et Eurydice: Act 2, Scene 1) Tremo fra dubbi miei (La Clemenza di Tito, Wq 16) (Act 3) Son lungi e non mi brami (Le Cinesi, Wq 18) Berenice che fai (Antigono, Wq 21) Don Juan (selection) Divinités du Styx (Alceste, Wq 37) O Del Mio Dolce Ardor; Le Belle Immagini (Paride ed Elena, Wq 39) Vous essayez en vain - Par la crainte; Adieu, conservez dans votre âme (Iphigénie en Aulide, Wq 40) Gluck (arr Schubert) Rien de la nature (Echo et Narcisse) Armide (Act 5 opening) Iphigenie en Tauride, Wq 46 (excerpts) De Profundis Orphee et Eurydice (1774 Paris edition): Act 3 (finale)Presented by Donald Macleod Produced by Steven Rajam for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Christoph Willibald Gluck (1714-1787) https://www.bbc.co.uk/programmes/m0022znr And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

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Nachum Segal presents great Jewish music, the latest news from Israel, Harry Rothenberg's parsha vlog, the Weekly Update with Malcolm Hoenlein, the Torah portion of the week with Rabbi Benjamin Yudin and an interview with Rabbi Zvi Cluck, CEO of Amudim, about the 2024 Unite to Heal campaign.

Claudia Muzio was known as “the Duse of Song,” a title that might be lost somewhat in time, since it refers to the great stage actress Eleanora Duse, felt to rank among the greatest actresses of all time. She is one of a handful of singers that number among my most beloved vocal artists of all time and all genres. As such, Muzio is not only featured in the theme music to every single Countermelody episode, she was also the rightful star of Countermelody's hundredth episode. In choosing the repertoire for that episode, I made a too-large selection of must-hear Muzio selections. These spilled over into a bonus episode which I am now releasing for all of my listeners. Among those recordings we hear: Muzio singing Handel; two recordings of Muzio singing Mimì, including her earliest recording, made in 1911; several unusual so-called verismo arias; Muzio as both classicist (Gluck) and bel cantista (Bellini); Muzio singing light classical parlor songs; and then two capstones of her recorded legacy: the “Dio ti giocondi” duet from Otello with the Italian dramatic tenor Francesco Merli; and the death scene from Licinio Refice's Cecilia, a staged sacra rappresentazione written expressly for Muzio. These last two works were also heard in my recent Renata Scotto memorial tribute, and make for a fascinating comparison between these two great artists.

CrossFit General Manager of Sport and Education Dave Castro talks with Claudia Gluck about the upcoming 2024 CrossFit Games.—Watch the interview on YouTube: https://youtu.be/KvAr_jj4TfU?feature=shared—The CrossFit Games are the ultimate proving grounds for the Fittest Man and Fittest Woman on Earth™ and are world-renowned as the definitive test of fitness.Every year since 2007, fans from around the world have attended the multi-day sporting event, streamed the competition online, or watched on ESPN, CBS, or a wide range of international broadcasts.The international field of play has included athletes from more than 120 countries. The CrossFit Games starts in the qualifying round with 300,000+ athletes competing around the world. Throughout the season the field is whittled down to just 560 athletes. Learn more about the CrossFit Games → https://cf.games/games-learn-more Learn more about CrossFit → https://www.crossfit.com/what-is-cros... Find a CrossFit gym near you → https://www.crossfit.com/map?utm_sour... View CrossFit workouts → https://www.crossfit.com/workout?utm_... Subscribe to CrossFit email newsletters → https://www.crossfit.com/newsletters/...

This episode we have our Good Friend Chanie Gluck on to tell us her story. Chanie is basically the carbon copy of Ben and we learn this throughout our time together. She talks about her role as the CEO and founder of 4D Global, a company that helps doctors get paid. She also discusses her podcasts, Growing Global and Leaders in Medical Billing, and the importance of community and mentorship in the entrepreneurial space. Chanie shares her upbringing in an Orthodox Jewish family, her early desire to start a business, and the influence of her parents in teaching her self-sufficiency and the value of hard work. She also talks about the impact of her entrepreneurial journey on her children and the importance of finding mentors who have success in all areas of life. She discusses the challenges she faced, including getting divorced and dealing with a shady boss, and how these experiences fueled her determination to succeed. Chapters 00:00 The Role of the 'Uninformed Sidekick'  06:23 Chanie's Podcasts: Growing Global and Leaders in Medical Billing 13:53 The Challenge of Finding Mentors 20:50 Chanie's journey and challenges 29:14 The power of Kairos moments 38:17 Building an offshore operation 41:13 Selling the billing company and focusing on 4D Global  43:49 Navigating the Challenges of the Workplace  45:06 The Power of Self-Awareness in Entrepreneurship 46:11 Creating Community and Connecting People 47:23 The Importance of Saying No 49:41 Personal Growth and Transformation in Entrepreneurship

This episode of the Sports Media Podcast with Richard Deitsch features Jordan Bianchi and Jeff Gluck. Both are Motorsports reporters for The Athletic and the co-hosts of The Teardown podcast. In this podcast, Gluck and Bianchi discuss the confrontation between Ricky Stenhouse Jr. and Kyle Busch,  following the NASCAR All-Star Race on Sunday night at North Wilkesboro Speedway; the events that led up to that; how Jordan got viral footage of the fight; how they prepare for fights as reporters; how NASCAR views this regarding publicity; NASCAR's new media rights deal, beginning with the 2025 season; new partners Amazon Prime and Warner Bros. Discovery; NASCAR's first foray into streaming; the CW's exclusive rights to 33 Xfinity races; the Miami Grand Prix setting a new Formula One viewership record for its live U.S. TV audience; will NASCAR race outside of the U.S. and more. You can subscribe to this podcast on Apple Podcasts, Google Play, Spotify, and more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

"People thought I was a dirty skank? Fine. I'd be the dirtiest skank they've ever seen" We watched the 2010 teen film Easy A with our friend Evelyn. We truly used to be a proper country. When we used to get teen comedies like this in movie theaters, not just dropped on streaming platforms. Directed by Will Gluck and written by Bert V. Royal, Easy A helped catapult Emma Stone into massive stardom. Fourteen years  and two best actress Oscars later Miss Stone might be the most beloved, and talented of her generation. And they say the modern movie star is dead! When Olive Penderghast lies to her best friend about losing her virginity to a college boy, the rumour mill catches on like wildfire, branding Olive as the school harlot. We discuss dated elements of the film that feel painfully 2010, Emma Stone's star is born performance, and the last screen credit for Amanda Bynes. And don't worry, we discuss Patricia Clarkson and Stanley Tucci's unhinged performances as Olive's "cool" parents. Truly only Tom Cruise can judge us for our incedencies!  Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Twitter: @MTMUGPod   Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

GAZA/WEST BANK RESOURCES- https://medium.com/@scholarscoalition/for-immediate-release-u-s-4c2aecd11535 https://irusa.org/middle-east/palestine/ https://buildpalestine.com/2021/05/15/trusted-organizations-to-donate-to-palestine/ https://www.vox.com/2015/5/14/18093732/israel-palestine-misconceptions https://www.goodreads.com/en/book/show/52045757   WE'RE GOING ON TOUR - ladiesandtangents.com WE'RE ON PATREON - patreon.com/ladiesandtangents MERCH - ladiesandtangents.com/lt-merch *NEW* SUBMIT YOUR STORIES - landtstories@gmail.com FOLLOW ALONG WITH US ON SOCIAL MEDIA - @ladiesandtangents  

The National Defense Authorization Act, or NDAA, is considered must-pass legislation and is increasingly becoming the only reliable vehicle for national cyber policymaking. Lawfare Senior Editor Stephanie Pell sat down with Jonathan Cedarbaum, Professor of Practice at George Washington University Law School and Book Review Editor at Lawfare, and Matt Gluck, Research Fellow at Lawfare, to talk about the key cyber provisions of the NDAA for Fiscal Year 2024. They talked about new cyber provisions that address threats from Mexican criminal organizations and China, along with how some of the new cyber provisions expand the military's role in protecting against threats to critical infrastructure. They also discussed what Jonathan and Matt would like to see in future versions of the NDAA.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

U.S. military operations against Houthi rebels in Yemen have escalated rapidly in recent weeks, culminating in a number of major strikes aimed at degrading their ability to threaten Red Sea shipping traffic. But the war powers reports the Biden administration has provided to Congress are raising questions about how it is legally justifying this latest military campaign. To discuss the burgeoning conflict in Yemen and what it might mean for war powers, Lawfare Senior Editor Scott R. Anderson sat down with Brian Finucane, Senior Adviser at the Crisis Group; Lawfare Co-founder and Harvard Law School Professor Jack Goldsmith; and Lawfare Research Fellow Matt Gluck. They talked about their recent pieces on the topic, what we know and don't know about the administration's legal theory, and what the law might mean for how the conflict evolves moving forward.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.