Podcasts about gluck

The Time Riders: Part 2 When you've got a time machine, practice makes perfect. Based on a post by BiscuitHammer, in 16 parts. Listen to the Podcast at Explicit Novels. Always The Student. Mark was lying on his back, panting while Becky squirmed and writhed on top of him, moaning in pleasure. His hands were on her opulent tits, kneading them just how she loved it. The lovers were covered in sweat as she ground her cunt down onto his cock, taking him deep inside. He matched her sensual rhythm, pushing up while she pressed down, squeezing his shaft with each thrust he made. "Yes, Mark;” she gasped, her hands resting on his chest while she writhed on him shamelessly. It didn't matter that she was his former high school Physics teacher, or even that she still was, in a sense, she was committed to fucking him because she'd promised herself she'd enjoy this, and Becky did her damdest to always follow her own advice. "Yes, baby, right there;” Becky now began gyrating her hips in a circle on top of him, interrupting the rhythm that would certainly had led to both of them cumming and she wanted to prolong this session. She felt Mark regain control of himself, adapting to the new pace, although he continued to molest her tits, pinching and tugging on her nipples. Her flawless skin glistened with her exertions, the wonderful scent of a woman making love permeating the air. "Hmm, good boy," she purred, smiling down at him. "You're learning." "I've got the best teacher I could ask for." Mark replied, grinning back. "Forget all the time travel stuff you're helping me figure out, you're amazing in bed, Becky. I've never cum so hard before, not like when I'm with you." "You're so sweet, darling," she cooed, reveling in the feel of his throbbing cock deep inside her. Ever since that night he'd snuck into her home and failed so miserably at trying to seduce her so she would change his Physics grade, they'd become ardent lovers, with her being nearly as addicted to their sex as he was. "You make me cum really hard too, just so you know. And the gift you brought me back from London was so thoughtful. How would you like to fuck me next?" Mark nodded, pondering her question. He had indeed brought her back a gift, from London in the 1880's. He'd come back with a lovely dress from the period and a bottle of Italian wine. Even though she had never accompanied him on a temporal trip (except that very first one, to prove he had a time machine at all), she seemed to have an innate understanding of how to time travel without screwing things up, which was very easy. He took hold of her hips and slowly rolled her onto her stomach. She purred as she pushed her legs together and then knelt over her thighs. She put her chin on her arms and sighed as he pulled her ass cheeks apart and pushed his cock down into her cunt. Her clamped legs made her feel tighter than ever and he groaned in pleasure as he bottomed out. Keeping himself up on his hands, his back arched so that she was pinned beneath him, he began to piston his hips, fucking his teacher. "Oh, Mark;” she murmured. "It's so good this way. Your cock feels so wonderful inside me." "Uh, God;” he breathed, shuddering as she squeezed her cheeks together, clamping her cunt around him as he thrust. "I never wanna stop fucking you." "I don't want you to," she gasped as he hit her sweet spot. "And because you; oh; have your time machine; we can find a way; to fuck forever;” She squirmed and writhed beneath him while he pushed up and down on her, both of them getting slick with sweat. They groaned and panted together. He leaned down and bit her shoulder Becky keened in pleasure. Trembling, she arched her hips, pushing up against him. She could feel his cock twitching and swelling inside her. "Gonna cum;” he breathed, pushing down and straining. "Uh! Yes, cum in me, Mark!" she wailed. She pressed her face into a pillow as she screamed, feeling her student's cum spurting inside and filling her spasming cunt. Mark shook and groaned loudly, so glad they were in her house and could be as loud as they needed to be. Her slammed his hips down onto her, tingling pleasure blossoming through him. Mark collapsed on top of her, both of them limp and breathing heavily. He reached under Becky and put his hands on her tits, squeezing gently. She hummed and undulated her soft cheeks beneath him, milking his cock for all of his cum, her wet cunt wanting every last drop. They said nothing for several minutes, just lying there in bliss. Becky finally slowly turned over, Mark's cock slipping out of her and they wrapped their arms around each other, kissing deeply. He pushed his still-hard cock back in and moved back and forth gently inside her and she squeezed him in rhythm. Tongues tangled and they hummed contentedly into one another's mouths. "God, I want to find a way to have multiples of you fucking me all at once," she purred, smiling into his eyes and caressing his cheek. "One in my cunt, one in my ass, another in my mouth; hmm, that sounds heavenly." "Yeah, but won't I, like, blow up spontaneously, or collapse the universe if I encounter myself?" he asked somewhat warily. He liked the idea of fucking all Becky's holes, but not if it made everything go boom. She giggled and bopped his nose. "Silly. Why are you asking me? You're the one with access to this time-travel police force. What did you say they were called? TEA?" "Yeah, they said they're called the Temporal Enforcement Agency." Mark confirmed. "I called them Teabaggers and they didn't think that was funny." "Oh, be nice to them, darling," she chided gently. "After all, they're protecting the timeline for crazy kids like you." "Yeah, I guess," he admitted, knowing she was infinitely more sensible than him about these things. She was already so much smarter at this temporal stuff than he was. The only reason his little trip to 1800's London went well was because she'd prepped him and made him think it through. "Getting myself killed is apparently pretty easy." "Boo, and then we couldn't fuck anymore," she said, sounding sad. "And even if you stopped time-travelling tomorrow, I'd still want to fuck you. You've unleashed a demon in me." "I know it," he laughed. "I have to rest a few days after our marathon fuck sessions, only to come back in your next day to keep up with your libido. Not that I'm complaining, mind." She giggled. "Well I do love to fuck," she agreed. "Maybe one day, I'll go with you. I'd love to fuck in a harem bath house or a Parisian brothel." Mark rolled off her and lay on his back, staring at the ceiling. He could almost see the steam rising off them. As tricky as time travel was, he never would have ended up in bed with his Physics teacher if it hadn't been for his time machine. "That chronometer the agents gave me comes in really handy," he said, his thoughts drifting. "It actually gives me little warnings if I'm getting too close to another temporal event. It means I can't do some things I'd like to do, but things get complicated." She smiled. "You said they called it 'the Limelight Effect' or getting clock hammered, depending on what you were trying to do." He nodded. "They didn't like it when I called it 'clock-blocking'." "You said they had no sense of humor." Becky mused. "But maybe practicing with your Holmes Field Device in minor ways will help." He turned and looked at her. "How so?" "Well," she began, turning on her side to look at him, her hand propping up her head. Her nipples gently kissed the skin of his arm. "How about you take me out for dinner? We'll pick a low-traffic area, somewhere time travelers don't go. You said that your chronometer dials are difficult to physically turn and the Holmes Field device always skews numbers if you're trying to get anywhere that would prove troublesome." He considered what she was saying. "So, take you to some remote village in the past where no one else is ever interested in going. We can try finessing my control of the device." She nodded. "Precisely. I don't know about you, but I speak flawless French, we could visit a little village in France's past and we could get some dinner. You could learn how to deal with the locals, get a feel for what you'll have to do if you keep travelling the time stream." "It's weird how you can say words like 'time stream' so naturally, like it's normal," he sighed. "Still, you're right, careful practice is probably a good thing." "It'll be fun," she said, reaching over and taking hold of his hip to turn him into her. Her tits were now squashed to his chest, his soft cock against her gooey cunt. "How bad a teacher can I be for this? You made it through my physics class without tearing a hole in reality." "And yet I failed," he sighed. "I doubt I can fuck my way out of every bit of trouble I get myself into." She giggled and took his hand, pulling him off the bed and leading him to the bathroom. She sat down on the toilet to pee while she stroked his cock gently, She shivered as she peed, feeling his cum trickling of her, pulling him closer and taking him in her mouth. She hummed as she bobbed back and forth, enjoying their mingled taste. Mark had to admit that he was enjoying how relaxed she was around him now that they were lovers. "So," she said finally, pulling his cock out of her mouth with a quiet pop. "We'll shower and get cleaned up. Then we'll head to the public library to figure out where and what we're doing. Anybody asks, I'll say I'm helping you with your schoolwork." He smiled slyly, feeling a familiar tingle in his cock at the thought of showering with her. This was going to be a good night. "So here's a question," she remarked as she watched Mark get dressed in the outfit they'd bought for the occasion, hidden from prying eyes in her basement, where he kept the Holmes Field Device. They'd visited a costume shop and found clothing that was a good fit for the period they were visiting, that being France in the 1600's. "Did they ever tell you about any contacts you can make in the time stream? You know, like dealers?" He looked at her quizzically. "Dealers?" "Sure," she said, nodding. "There must be time-travelers who make their living by providing goods and services to other travelers. I mean, you need to be able to get money and supplies somewhere, so that you don't stick out like a sore thumb, right?" "Yeah, that'd make sense," he admitted. "I mean, I got lucky when I tried going to London and got that dress, I managed to pawn off some knick-knacks I'd brought with me, because I didn't know how else to pay for anything. And they thought I was just some ignorant American. I got out a lot quicker than I thought I would." "I think we should find out," she reasoned. "If you're going to do this, you should really learn how to find what you need." "Exactly how much time-travelling do you think I'm gonna be doing?" he asked, giving her a wry look before continuing to put on his new outfit. "Well, we know you have no future as a physicist, maybe you'll find something you're good at in the time stream," she giggled, making him sigh. She moved forward to help him get into his clothes, since he clearly had no idea what he was doing. "And even if you don't know how to find a dealer, I'm willing to bet that they'll know how to find a traveler." He couldn't argue with that logic and stood still while she corrected his attire, kissing his nose as she finished. He then watched as she got into her own period garb, doing so much more efficiently than he had done. She saw him looking at her and winked. "In spite of my physics major, I also did a lot of work in theater," she quipped, holding her top loosely in place over her opulent tits. "I've been in Les Mis a few times, so I know my way around period garb." "I feel bad about you bringing that jewelry to trade for money," he said, wishing he had more to offer. He didn't just yet, however. "Oh, they're nothing, it's just old gold I never wear," she said dismissively. "I'd probably just end up selling them in a pawn shop at some point. This way, at least it's getting some use. I sell these things I never wear, we get the proper currency, then we go and have some fun. I don't see how this can be a bad thing." "I guess I just feel like it should be me paying." Mark murmured, trying not to blush. "Silly," she giggled again. "You're an eighteen year-old boy. What one earth could you possibly have accumulated that the time stream would be interested in?" "Well, you got me there," he sighed, giving up and letting her continue. "Maybe I'll make it big in the time stream and then I can keep you buying you the presents you deserve." "Ooh, you honey-dripper," she cooed, smiling and kissing his nose before stepping back and examining him. "Well, you're starting to look the part. I'll use some gel in your hair to tousle it a little and then I think we're probably as close as we can get, since neither of us has syphilis or tuberculosis." He waited while she fixed his hair and then took care of her own, pulling her golden locks back in a bow. She was wearing a peasant dress, one that accentuated her small waist and large bust. His outfit, was more akin to a gentleman of northern Europe, with a blue vest and white breeches that he found rather tight, especially around the crotch. "So, milord," she lilted, threading her arm through his and smiling at him. "Shall we sally forth?" He nodded and walked over toward the time machine, his chronometer in hand. 17th Century, France. "Combien allez-vous me donner pour ce pendentif?" Becky asked the owner of the dingy little shop they were standing in. Candles flickered on the walls, dimly illuminating the musty room. The shop-owner, a wizened little man wearing crooked spectacles, looked up her with rheumy eyes. He held out a gnarled hand and she gently put the dull gold bangle into it. Her brought it close to his face, examining it intently. He weighed it in his palm and then scratched the inner surface, testing its contents. He licked his lip as he considered her offering. Finally he put it down. "Onze Louis," he declared, nodding. "Onze Louis, quatre livres, douze sous et vingt-et-trois deniers." Mark looked at Becky, who was considering what he had told them. After a few seconds, she seemed to think he was being reasonable. "Bien. Tout en livres et sous, s'il vous plait." The man counted out one hundred and sixty-six sous and pushed them across the counter. His eyes widened slightly as she pushed a gold necklace and two rings to him for appraisal. Half an hour later, they exited the shop with a small purse containing the equivalent of nearly fifty Louis, a small fortune by the standards of the period and their locale. "Here you go, milord," she said sweetly, pressing the purse into his palm. "It's only appropriate that you carry our funds, since you're the one cosplaying as the aristocracy." "Except my French sucks balls." Mark muttered as they walked down the dirt road. It was mid-morning and they'd arrived in a fallow field outside the town. Google maps indicated that it was empty in the modern day and online archive maps from France in 1652 indicated that it was much the same way back then. With careful calculations of time and distance, they'd arrived without incident. "Well, you speak Spanish, so we'll pretend you're from Madrid or something," she said simply, holding his arm again. "And I'll be the lusty French tart from Rouen who travels with you, keeping you enamored with our fair country." "You'd be stupidly good at Larp, you're really getting into this," he sighed. Larp?” Live action role playing. Any other hidden talents I should know about?" Mark inquired. "If I told you then they wouldn't be surprises," she pointed out. "We women love to be mysterious." "Well, at least you're a woman, most of the girls I know who do that stuff are just crazy." "That's because they're teenage girls, who are, by definition, 'bugfuck insane'." Becky added. "A lot of women are too, I suppose, but at least there's a chance our hormones have straightened out. Probably not much different here, except for the mortality rate." They walked down the cobblestone rode, attracting the occasional stare as they walked into the town. They stopped a stout, middle-aged man and asked where they might get some decent food and accommodations. "You are dressed rather unusually to be walking," he said, looking at Mark. "You seem to be a gentleman of quality, sir. I am the town's physician and apothecary, my name is Henri. And yours, monsieur?" Mark stuttered. "Mark, uh; mon nom; es;” "Marco," Becky interjected suddenly, relieving him of the burden of struggling to make his name known in French. "He is Senor Marco Del Strade, and he is a baron from Valencia." "I thought I was from Madrid." Mark whispered out of the side of his mouth. "Shut the fuck up, I'm thinking on the fly here!" she hissed back. "What did the Spaniard say?" asked the portly physician. "That didn't sound Spanish." "A curse of our association," she said sweetly, beaming a radiant smile at him. "The baron speaks no French, and I no Spanish, so we communicate en Anglais, with which we both have some facility." "A rather unusual arrangement," grunted the man. "Nonetheless, it would not do for our humble town to allow a gentleman of quality to not be looked after. I would recommend L'Auberge Des Loups." "The Wolves' Inn?" Mark muttered out loud, knowing enough French to get that translation. "That doesn't sound too safe." "Be at ease, my friends," Henri said, chuckling. "The wolf is on our town coat of arms, and the Inn is our most reputable establishment. If you have the money, they will give you what you need." He turned and pointed down the road. "There, you can see the inn from this spot. The two-story building with the gambrel roof and all the smoke coming out of the chimney. See it?" "Yes, good sir, and we thank you." Becky said, curtseying before smiling at the man and putting his rather fat, gout-ridden hand in hers. "For all of your help." "Ah, well, yes," he said, blushing and withdrawing his hand from hers. "When you go to the inn, tell the proprietor that Henri sent you. This will make things easier for you." And with that, the man waddled off. "He seemed nice, I guess," Mark mused as they resumed their trek into the town. "I mean, I missed a lot of what you two said, but it seemed to agree with you." "We just need to mention his name when we get to the inn and that'll apparently make our lives easier." Becky replied, thinking how quaint everything was. She couldn't believe she was actually in seventeenth century France! But then, she was fucking her former student who was a time-traveler, so clearly anything was possible. She had already promised herself she would enjoy every moment of this experience. She'd chosen the year as carefully as possible, noting that there were no major Plague outbreaks mentioned and she had insisted they bring very discretely concealed medications with them. Ignoring the stares of the townsfolk, they continued down the main street until they reached the inn. They tacitly avoided stepping in the various effluences that trickled between the cobblestones and stepped over the unconscious peasants who were sprawled in the middle of the street before opening the faded green doors and entering. Dark and musty, lit by wall sconces and an ancient wrought-iron chandelier overhead in which guttered many candles, the large common room was like something out of an HBO special, minus the lighting budget. Large, round table dominated the space, while a great hearth and a long counter encompassed most of the back wall. Lots of sun-browned peasant faces turned to look at them while some stringed instrument plunked away from a corner. The place smelled of smoke and what was probably body odor. Still ignoring the stares, Becky led Mark up to the counter, behind which stood a surly-looking man with a black moustache and beard. He observed them with interest as they approached. Mark stood silently while Becky addressed the man in French. "My lord the Baron is looking for clean and welcoming accommodations for the night," she began, indicating Mark. "Henri sent us to you, saying that you were the establishment in this town worthy of his business." "If you can pay, then yes, we will be able to room you comfortably," he answered, looking at Mark. "Our best room is one livre per night. I assume the baron can afford this?" She looked at Mark now. "A single night is one livre. Those'd be the silver coins. Get one out and just give it to him, without showing how much you actually have." Mark nodded and fished out one of the coins indicated, putting it on the counter for the proprietor to inspect. Satisfied, the man nodded. "This will cover the room. If his lordship has need of a bath or food, we can provide these things as well." "Fresh food?" she asked pointedly. "Only the freshest for the lord," laughed the man loudly, causing people nearby to chuckle. "Is he a mute?" "No, he is Spanish and speaks no French," she said flatly, fixing the man with a hard look. "You can speak to me, his servant, if you feel the need to communicate. You can bring him food now, and your finest wine, good sir." She then turned and took Mark's arm, leading him over to an empty table in the corner, once again ignoring the gazes that followed them. She sat down and sighed, nodding. "We'll eat and then see about the room and a bath," she declared, looking around and taking everything in. "If it's big enough, I'm sure we can get into all sorts of trouble in the tub." "I'd like that," he said, finally relaxing. "I'm glad you're taking to this so easily, because I'm way out of my element. London in the 1880's was hard enough, and all I was doing was pretending I was an American traveler. France in the time of the Louis the Sun King, that's a little out of my league." "Don't worry, once you hit your stride, you'll do fine," she said gently, patting his hand. "I've just had more weird experiences over the course of my life than you have and am adapting a little quicker is all." A jug of wine, two goblets, some hearty bread with butter and some onions and cheese was brought over by a wench who looked like John Rhys-Davies in drag. She belched and tottered off, having delivered her goods. "Although I'm not so sure about adapting to that." Becky said, shaking her head to clear it of the image. She unstopped the jug and poured the dark red wine into their goblets while Mark portioned out the bread, butter, cheese and onions. They both dug in, finally realizing how hungry they were. "Oh, wow, that's good," Becky remarked, looking into her goblet, having tried the wine. "Just remember to eat a lot of bread and butter, Mark, or you'll have the hangover from hell." He'd never had a wine quite like this before and they quickly polished off the jug before ordering another. They finished their bread and cheeses before being presented with a roasted suckling pig and two pheasants, stuffed with local herbs. They enjoyed eating, but the wine was strong enough to eventually get through all the food they'd lined their stomachs with. Becky was giggling and tipsy within the hour. "I can't beli; believe we're here in France," she said, her head tilted to one side. "An' we're gonna fuck; in the tub; an' then in our room, because; because; defiling the timeline; sounds like fun. It's fun, you know, to fuck across history;” "It is," Mark agreed, not as drunk as Becky but still feeling rather buzzed. His tongue felt thick from the wine, which she had explained was not treated with any modern pasteurization process and therefore would be full of tannins and sediments they would need to account for or suffer an assured hangover. "And you're the person I'd want to do it with, Becks;” Becky giggled and slid her hand along his leg, finally arriving at his crotch and giving the bulged contained in the tight breeches a squeeze. "You're not; not a time cop; you're a time cock; timeless cock;” Some musicians had come in a few minutes earlier and were sitting in another corner of the common room. They struck up a lively tune on their lutes, fiddles and a small drum. Becky's eyes lit up as the music reached them. "Oh, I love this song!" she said loudly in English before hopping up from the table and dancing her way with abandon into the middle of the room. People watched on and began to clap and cheer as she stood on a table and began capering. "How the hell does she know this song?" Mark wondered, frowning as he watched his Physics teacher begin to dance and sing. Ah! Si mon moine voulait danser! Ah! Si mon moine voulait danser! Un capuchon je lui donnerais Un capuchon je lui donnerais Danse, mon moine, danse! Tu n'entends pas la danse Tu n'entends pas mon moulin, lon la Tu n'entends pas mon moulin marcher. Mark watched in wonder as she tottered back over and flopped onto the bench next to him, breathing heavily and perspiring. She grinned at him lopsidedly and winked, still obviously rather inebriated. "Why did you know the lyrics to that song?" he asked, utterly baffled. She poured herself more wine and drained her goblet in one gulp, with a very loud Gluck! noise. Clearly, she was intent on partying. "Went to; a Catholic school; run by nunsh;” she slurred, trying to fill her cup again. "Lotsh of shingin' to; keep our little teen girl mindsh; off sheksh; Fuckin' love that shong, used to shing that shong; all the' time; fuckin'; great to dansh to;” "Yes, I noticed," he said, nodding and smiling. "You were almost flashing your tits and your cunt at the; the patrons;” "They can peek; but no touchy;” she said, taking another drink. "Thish pushy; only for you; I think; we'll shee;” She turned and looked at him, her eyes glazed and her skin flush from her exertions. "We're here; together, Mark, but; if you; ya' shee a girl ya' wanna fuck; I'm okay with; with that. "Jus' don' get the crabs!" She had broken into a snickering fit, pressing her forehead against the table as she tried to not fall over completely. Mark was chuckling and feeling really good watching how silly his teacher was being. She looked up suddenly, trying to wear a serious expression. "But one thing," she cautioned, holding up a finger and wagging it at one of the Marks she was looking at. There were three of them, so she chose the one in the middle. "No, moren one thing, but th' one thing'sh; important;” She leaned forward to whisper to him. "Keep your dicky in your pantsh unlesh; unlesh you know she'sh eighteen; 'cush the lawsh right now; 'she prolly legal to fuck 'em younger; but; you're from our time; our time;” She glowered at him drunkenly. "An' we don' fuck 'em if they're not eighteen; ya' got it?" He nodded. "Eighteen or older. Got it. And you can; miss, you can' "Not mish," she interrupted, waving away his comment. "Becky. Not fuckin' mish, remember?" "Sorry," he intoned, letting out a belch and patting his chest. The wine and cheese tasted great but were really fucking with him. "I'll be better; remember;” "Well, what wash it I can do?" she asked. "You were gonna; shay; I could do; what wash it?" Mark thought about that for a moment, unable to push through the wine-induced haze in his head. "I don' remember;” They both broke into laughter, much to the amusement of nearby patrons. Becky had her head on the table again, giggling until Mark slammed his palm on it in an expression of entertainment, shocking her and making her yelp. They looked at one another and burst into more fits of laughter. They'd drained another jug and polished off the pig and pheasants. Mark felt incredibly full, and drunk. Becky could barely stand up and she asked Mark to take her arm and lead them over to the proprietor behind the long counter once again. She shook her head a few times to clear it and he waited patiently for her to speak. "Shir, we'll be needing the bath now, and our room," she said slowly, making sure she could be understood. "Would you be so kind ash to show ush the way?" He tilted his head slightly. "Comment?" "You just spoke to him in English, Becks." Mark told her. Her glassy eyes widened and she squeezed her eyes shut, willing herself not to die of embarrassment. "For fuck's sakes;” she muttered. She took a deep breath and repeated herself in labored French. He nodded and led them up the back, away from the common room. It took Becky fifteen minutes to get up the single flight of stairs because it wouldn't stop spinning. Mark sighed as he sat in the large, round wooden tub, his arms resting on the side while his hands gripped the rim. The steaming water splashed over the side as he shuddered and groaned loudly, cumming. Spent, he sank back onto the small ledge and breathed heavily. The water stirred and Becky surfaced, exhaling. Her golden hair clung to her wetly and her glorious tits glistened. She grinned at her student. "See?" she declared, obviously pleased as she pulled her hair over her shoulders. "Told you I could make you cum before having to surface for air." "Jesus, you must've been down there over two minutes," he breathed, never ceasing to be stunned by her carnal skills. "How the hell do you hold your breath that long?" Becky cricked her neck and settled onto Mark's lap, her arms around his neck. She gave him a peck on the nose. "Lots of cardio and physical training." "Obviously." Mark agreed. "Not that I'm complaining, mind." "Hmm, didn't think you would," she purred. "But only half of this equation has been solved, big boy. I haven't cum yet. Since you're friend down there is taking a nap, how good are you at holding your breath?" "Not that good," he chuckled. "I'm happy to lick your cunt, but you'll need to keep it above water." She smiled and rolled her eyes before getting off his lap. He moved aside and allowed her to kneel on the little ledge he'd been sitting on, leaning over the rim of the tub and resting her forearms on it. She looked back at him and winked while wiggling her sexy, toned behind him. Her cuntlips were dripping and looked inviting. Mark knelt in the middle of the tub, behind Becky's ass and took hold of it, kissing the wet cheeks. Becky cooed and squirmed under the attention, one of her hands cupping a tit and squeezing it. She could feel Mark's lips and tongue moving slowly inward toward her core. She bit her lip and sighed. He touched her cunt, kissing it gently and sliding his tongue up and down the twat, which parted easily before him. Her heard her moan and tasted her tang as he pushed inside her while using his thumbs to pull her inner thighs apart so he could get further into his teacher's snatch. She shivered and pushed back against him, eager for more. "Hmm, Mark;” she cooed, her eyes shut as she felt his tongue inside her. "Yes, right there, lover. Oh, you really know how to use your tongue;” He smiled at her compliment and pulled his tongue out to massage her clit with it, rolling around the little bud and making her gasp sharply. He slid a finger inside her, followed by another and she groaned. He could feel her cunt tightening around his digits and began to push them back and forth slowly while he nibbled and sucked her clit. Becky shuddered again and leaned down, biting at her knuckle while squeezing her tit harder, massaging it vigorously. Mark lashed her clit while fingering her tight twat and then slid a single finger into her ass. Her breath caught in her throat and she gripped the ledge of the tub, her fingers raking along the iron-bound wood. "Fuck, Mark," she whimpered. "Yes, make me cum. I want to cum in your mouth!" Mark worked her cunt harder, sliding the fingers back and forth, pushing in deeper each time. His tongue massaged her clit relentlessly or he sucked on it. She was squirming and writhing back against him, groaning unashamedly. He was beyond caring if anyone heard them at this point. Becky was panting heavily now, her eyes glazing over as she ground her ass against Mark's face, feeling his fingers in her cunt and her ass, wiggling and pushing her closer and closer to orgasm. She would miss his cum inside her, but she would surely get it before long, Mark was developing good stamina under her guidance. She arched her back and moaned loudly as she began to cum, pleasure blossoming through her from her cunt and out to her fingers and toes. Her body shook while she climaxed, the wet, gooey ecstasy of colors in her mind letting her; Invasion. There was a smash, like wood splintering, the creak of worn metal. Her eyes snapped open in confusion, the unreal delight of her orgasm draining away as men in masks and dark clothes surged into the room, at least five of them and more shadows in the hallway. Most were holding knives or small clubs, but she saw the one in front carrying a heavy flintlock pistol. Even in the darkness of the room, lit only by candles around the wall, she could see the wicked scar on his cheek. "Arrêtez! Reste tranquille et je ne te tuerai pas!" he rasped, pointing his pistol at her while his comrades moved into the room and began searching for something. "Qui es-tu?" Becky demanded, getting angry not only about the intruders, but the fact that her orgasm was slipping away. She could feel Mark still kneeling behind her, looking on in shock at what was happening. "Tais-toi, salope!" the man barked, moving toward her and drawing a wicked knife from his belt, his men now ransacking the room. He placed the point of the knife at her throat and Mark felt a cold fear run up his spine. "Do not speak to me in that tone if you' He never finished the sentence as Becky grabbed the wrist of the hand holding the knife and twisted, hard. The man with the scar yelped as he lost his grip on the knife and the blonde woman leapt out of the tub, her knee smashing into his face. He staggered backward and then went flying as her foot slammed into his ribcage. He crashed through a table and this got the attention of the thugs he'd brought with him. They all looked in shock at the naked blonde tigress for a moment and then surged in on her, knives and cudgels ready. "A little help here, hero!" Becky shrilled as she scampered away from the incoming bandits. "This isn't sex, don't make me do all the work!" "Hey now!" Mark protested, half-rising out of the relative protection of the tub because of her taunt. "It's not like you do all' "Goddammit, Mark!" Becky shouted as she ducked the swing of a club and punched her attacker in the balls. "You'd better hope they kill us, because if I survive, I'm going to crack open your skull and suck your brain out with a straw! Help me!" Mark came to his senses and vaulted over the side of the tub, trying not to think about the fact that he was buck naked and rushing toward his teacher and her assailants. He crashed into the smallest man, bearing him to the ground and winding him. Not sure what else to do, he began punching the bandit, knocking his cloth mask askew so he could not see. The man struggled wildly to get out from underneath his naked foe. "Huh!" Mark choked out as another thug grabbed him by the throat from behind and started pulling him off the man he was on top of. He could feel his tongue beginning to bulge out of his mouth and was thinking he must look incredibly foolish, like Jabba the Hutt when Princess Leia strangled him with the chain. He couldn't die like that. He couldn't. With a limp dick and a swollen tongue? In front of Becky? He'd taken some karate, although he was no expert. His skin was still wet and he went limp, using sudden deadweight to break his attacker's hold on his throat, although he hissed in pain when he felt the man's ragged nails crease through his skin as he lost his grip. With a thud! Mark hit the floor and did the only thing he could think of doing; he grappled onto the man and took him down in a rough tumble. He desperately rolled until he was on top and rammed his knee into the man's stomach. He heard the man wheeze but then sparks exploded behind his eyes as something cracked across the back of his head. He didn't fall over but scrambled away in a panic, wishing he could see in the darkness or that the room would stop spinning. Becky landed in a heap on top of him, knocking him back to the floor. She was still naked and incredibly angry from the sounds of her. "That's it, buster!" she roared as she surged back to her feet and charged her attacker. Mark dazedly looked over and watched as his teacher sprinted across the room, her foe giving chase. She leapt in the air and to the wall, her foot making contact. Before anyone was ready, she sprang backward, smashing her foot across the man's jaw in a roundhouse kick that they must have heard on the edge of town. The man went down like a sack of flour. "Alright, who's next?" she shouted, standing in the middle of the room, naked and scratched up. She grabbed a pewter jug and slammed it backward into the head of a man coming up behind her. He went down. "I didn't know you did parkour!" Mark called out as he tackled another thug from behind, taking him to the floor. "I do a lot of things to take out my sexual frustrations!" she snapped back, picking up a bench and throwing it at two assailants to keep them off-balance. "Parkour, jiu-jutsu, archery, Krav-Maga. I was kind of hoping that fucking would allow me to vent a little steam!" "I can see why!" Mark said as he smashed the man's face into the floor repeatedly. Even in his weirdest dreams, he'd never imagined fighting French bandits while buck naked. He wondered if the Temporal Enforcement Agency would be up his ass about this incident. "Oh, shut up!" she shrilled, kicking a man between the legs from behind and then suplexing him after he doubled over in pain. The floor splintered with the impact, but Becky rolled to her feet and grabbed his cudgel. "You still owe me an orgasm, mister!" "Okay, okay!" Mark said hastily. A sallow man confronted him, wearing an eye-mask, who brandished a knobbed club. The bandit grinned at him, clearly intent on bashing his head in. Thinking quickly, Mark stood and looked somber, clasping his fist in his hand and bowing, like they did in his mom's tai chi class. The bandit looked confused for a moment before Mark bowed again and then made a motion urging the bandit to do the same. Still not sure what was happening but wanting to get on with things, the bandit bowed at the waist clumsily. Mark broke a chair over his head before grabbing the cudgel and rushing to Becky's side. "So very nice of you to join me," Becky panted as they faced off against the three remaining intruders, who were trying to surround them. Mark and Becky backed up toward the outer wall, the window behind them. The men closed in. There was a groan and a clatter as the man with the scar on his cheek slowly got to his feet from the pile of broken furniture he'd been laying in and approached them, his henchmen parting to make way for him. "Pour votre arrogance, je vous verrai mort." he growled, pointing his pistol at Mark. Trapped, Mark squeezed his eyes shut; click! Mark blinked and opened his eyes. The scar-faced man was scowling at his pistol, which was letting off a small tuft of smoke but had failed to go off. Was the powder wet? With a roar of fury, Becky was on him. "Get the other three!" she yelled as she rearranged his face. "I've got this one!" Too bewildered to be afraid and exhilarated to be alive, Mark charged the remaining three thugs, who were all backing away in confusion. None of this had gone according to plan, the majority of their fellow bandits were strewn around the room, beaten unconscious by a naked man and a crazy blonde hellion with big tits and a shaved cunt. "C'est des conneries!" she raged as she beat the man around the room, showing no mercy. "I came to the Sun King's France to drink wine, have a good time and get laid! And you fuckers just had to try and rob me, didn't you? All sorts of peasants to pick on, but no! You thought you'd get lucky with two strangers! Well va te faire enculer, pal!" Mark lost track of the whirlwind of violence his teacher had become while he ducked the swipe of a knife and then kicked the leg out from under a thug, dislocating his knee and dropping him. He whirled around and got lucky with the cudgel, cracking it across the jaw of another man, who spun like a top and fell to the ground. He was beginning to notice that he was taller than just about all these men, often by a significant margin. Some were barely taller than Becky. Had nutrition really been that bad in this era? The last one got desperate and lunged at him, but Mark twisted and used his foe's momentum to send him sailing past and smashing into the window. The unconscious man slumped halfway through the shutter and the sounds of commotion in the street below reached him. He shouldn't have been surprised that they were causing a stir. He looked around the room to see if any other foes were standing, but saw only sprawled bodies everywhere, some stirring slightly. The only other sound was that of a face being punched. He looked over to see Becky squatting on the scarred man's chest, grappling into his collar and socking him repeatedly in the mouth while swearing in French. "Nique ta mere!" thump! "Oh, you really pissed me off!" she growled as she huiled the man up by the shirt and dragged him stumbling over to the tub, where she pushed his head under the water. He thrashed about in a panic before she let him back up, gasping for air. "You like that?" she shouted, thumping his head off the side of the tub several times for emphasis. "Ya' think it's funny to barge into a girl's room when she's about to get her rocks off? Is that it?" She shoved his head back underwater again, waiting until he was thrashing around in terror again before pulling him back out and dragging him over to the bed. She threw him against it so that he was kneeling, supported by the straw-stuffed mattress as he swooned. "Hold him down, Mark;” she growled. Unsure of what to do aside from comply, Mark got on the bed and pinned the man's arms against the mattress, putting all his weight on them to keep him in place. He watched in growing confusion as Becky knelt behind the man and yanked his breeches down, exposing his pock-marked behind. She found his flintlock pistol and glared at it for a moment before fiddling with the mechanism, cocking it. The man's eye flared wide and he howled in pain and horror as she pushed the barrel inside his ass. "Alright, buttercup," she said with a sweetness that oozed cruelty. "You're going to explain who told you to come and rob us. And if you don't, I pull the trigger and put your brains on the ceiling." Mark warily shuffled aside on the bed, away from the top of the man's skull. "Do you understand me?" Becky asked quietly, giving the pistol a jiggle. "Probably not," Mark said, trying to sound conciliatory. "You're speaking English again." Becky realized he was right and swore under her breath. Rather than say it all again in French, she decided to just get to the point. She pressed the pistol in an inch further, ignoring the resistance she encountered. "Dites-mois qui vous a envoye," she growled. "Tell me or I blow an asshole in the top of your head." "Henri!" the scar-faced man gasped and whimpered. "He told us you would be here and you have much money!" "Oh, did he now?" Becky growled, forgetting to speak French as she glared at the bandit. "I am going to eat that man's children;” She roughly grabbed the man and spun him around to face her, without removing the pistol muzzle from his ass. His face was pale with fright and artfully rearranged by her fist. He was still leaning back against the bed, not daring to move, breathing heavily. "Maintenant," Becky began, still glowering at him. "You're going to tell me where to' She paused as she looked down at the man's crotch and saw that he was sporting a throbbing erection. "Are you fucking kidding me?" she shouted angrily, yanking the pistol out of his ass and then slamming the grip across his head with a loud crack! The bandit's eyes rolled into his head and he slumped to the ground, very unconscious. "Huh," Mark said as he glanced down at the prone villain. "I guess guys really can get erections from that sort of thing. I thought it was bullshit." "It ought to be, under these circumstances," Becky groused, folding her arms and looking pissed off. "You don't spring wood when a girl's got a gun shoved up your ass, especially after you try to rob her! I don't feel the least bit bad about not giving him a reach-around. Fucker;” "Would you really have pulled the trigger and blown his brains out?" he asked somewhat nervously. "Oh, of course, not," she snorted, giving him a wry look. "I'm not a monster." "You sure fight like one." Mark said, using his hand to indicate the carnage around the room. Bad guys were strewn everywhere, and he was pretty sure he couldn't claim most of them. "Well, they had it coming," she sniffed. "They interrupted my orgasm. It's just rude." She then turned and looked at him, her expression much softer. "Thank you, Mark, for all your help. You saved me, I couldn't have done it on my own." "Yeah, well, you wouldn't have been in danger if I hadn't brought you here in that damn time machine." Mark said, a feeling of guilt washing over him. She knelt next to him on the bed and hugged him close, their bodies pressing together. She smiled at him and kissed his nose. "Don't be sad," she cooed. "I haven't had this much adventure in ages." Mark smirked. "If you've got romps in your past that compare to this, I wanna hear about them." "Oh, you'll need to do a lot more fucking to coax those out of me, young man," she whispered, reaching down between them to take gentle hold of his cock and begin stroking. "But maybe I won't make it too difficult for; Mark, it's very rude to stare off into space while a girl is trying to seduce you. Mark?" "I'm not staring off into space, Becks." Mark said, staring past her shoulder. "Oh, really?" she asked, putting her hands on her hips and looking annoyed, still kneeling in front of him. "Then what is so fascinating that even my tits can't distract you?" He indicated a direction behind her with a nod. "Voyeurs." Becky turned her head slowly and looked across the room at the door. Her eyes narrowed as she noticed several dark shapes in the hallway, gazing into the room in astonishment. With a sigh, she got off the bed, grabbed a candle that hadn't been destroyed and walked over to the door, clearly beyond caring that she was still naked. She could see men and women now, backing up uncertainly at her approach. She also spied one particular silhouette, large and with a big beard, lurking near the back and trying to not be seen. "Oh no you don't, pal," she called out, snapping her fingers and then pointing at the man before making a beckoning motion. "Get your sorry ass over here;” Henri, the peasant girls, and hospitality. Mark sighed in pleasure and took another drink from the jug of wine he was holding, trying to not spill any. He pulled his lips away and looked down his body. He was sitting in a large, plush bed, blissfully naked. Between his legs, a local girl with dark brown hair girl was bobbing her mouth up and down on his cock ardently, clearly interested in pleasing him. "This one's the innkeeper's daughter?" he mused, enjoying her mouth. She paused sucking on him for a moment to look up and smile eagerly before returning to her task. "She loves cock for sure." "She's one of his daughters," Becky agreed, propped up beside him, equally naked and holding the head of a girl who was lying between her legs, her face buried in the blonde's cunt, which she was licking hungrily. "This is the other one." "You frightened him so badly that he's letting us fuck his daughters?" Mark laughed. "He's given us his personal quarters, given us all the food and drink we want and we can fuck his daughters?" "What can I say, I'm persuasive." Becky grunted, shivering and grinding herself into the face of the daughter. "He'll let us stay for the week, he doesn't want word getting around that a noble had a fiasco in his inn. He'd probably give us his wife, too, if I demanded it. We're too close to Paris and word would get around and wreck his business." "If trashing that room and leaving bandits everywhere doesn't, nothing would." Mark breathed, holding the girl by the hair. "Seriously, it looks like Metallica stayed in that room now. What'll we do about that Henri asshole?" "I'll think of it later, I'm a little busy." Becky hissed, squirming and knotting her fingers in the peasant girl's hair. "Uh, it's been so long, since a girl ate me." "You had a sexy phase? I didn't know you liked girls." Mark said, smirking at her. "Back in high school, maybe," Becky admitted. "Haven't been with one since then." "But I do have a question," he said, focusing past the daughter's wicked mouth. "In all the hassle and afterward, I never asked the innkeeper how old his daughters were." "So?" Becky gasped, eyes squeezed shut and bucking her hips. "Well, what if they're not eighteen? You said yourself that we have to hold ourselves to the standards of the time we come from, right?" "You're thinking of that now?" she groaned through clenched teeth. "I; fuck; Mark, it's 1640 right now. That means these girls can't be any less than three hundred and ninety-two in our time. Good enough?" "Good enough!" he laughed. Rationalization seemed to be a handy skill when you were time travelling. He looked over and saw Becky pull the girl away from her crotch and rustle over to him. He stayed still while she straddled his lap, facing down his body. With one hand, she took hold of his cock and held it steady while she positioned herself above it. The two sisters, every bit as naked as them, nestled on the bed below his legs, pressing against one another's sides. They grinned at one another and kissed, their tongues tangling as they waited for Becky to continue. With a sigh, his teacher lowered herself onto his cock, the mushroom head splitting her wet lips before sliding inside her. She sunk down with a groan until he was in to the hilt. She then slowly laid herself back against him, allowing Mark fondle her tits while she squirmed and writhed on him. The sisters moved in and began licking at his cock or kissing her cunt lips and clit while the two guests fucked. "Oh, Heaven;” Becky purred as she caressed his cheek, turning her head to kiss him, their tongues slithering around while she undulated slowly on his lap. "This is what time travel's all about;” Mark held her with one hand, fondling her tits and pinching her nipples while his other hand found the wine jug and poised it just over her torso. She hummed in pleasure as he trickled the dark red liquid over her fair skin, letting it cascade down her exquisite form. One of the sisters noticed and knelt up, beginning to lick it off Becky's tits and stomach while the other noisily slurped it from the Mark's cock and Becky's cunt. "God, forget the Sun King's France, we belong in Caligula's Rome," Becky moaned, shivering in delight at how decadent they were being. "We'll need to; hmm; we'll need to find time to attend an orgy, Mark; how's your Latin?" "Not as good as yours, I imagine," he replied, his tongue still swirling around with hers while they fucked. "But I'd be happy to learn it if we can attend a real orgy." He put the jug of wine aside and used both hands to molest her again, squeezing her tits and gripping her skin. Becky writhed and him, pressing down with her hips, shuddering as the two sisters licked her and nipped at her skin. She begged the universe n

durée : 00:10:53 - Les Midis de Culture - par : Marie Labory - Avec "Iphigénie en Tauride", créée à Paris en 1779, Gluck revisite la tragédie antique en abandonnant les artifices du baroque pour privilégier clareté dramatique et sincérité. Wajdi Mouawad mêle intime et mythologie, mettant en avant les silences qui font jaillir la puissance des émotions. - réalisation : Laurence Malonda - invités : Anna Sigalevitch Journaliste et auteure; Emmanuelle Giuliani Journaliste à La Croix

durée : 00:27:37 - Les Midis de Culture - par : Marie Labory - Au menu de notre débat critique, pour bien commencer la semaine, on parle d'Opéra et de disque avec "Iphigénie en Tauride" de Gluck mis en scène par Wajdi Mouawad & le disque "Philip Glass : The Complete Piano Études" par Vanessa Wagner - réalisation : Laurence Malonda - invités : Anna Sigalevitch Journaliste et auteure; Emmanuelle Giuliani Journaliste à La Croix

Author Jonathan Gluck says most cancer stories take one of two forms:  “He or she fought valiantly and died, or he or she fought valiantly and survived.” But Gluck, who was told in the prime of life that he had an incurable type of blood cancer, has a different kind of story.  Dr. Sanjay Gupta sits down with Gluck to discuss his new book, “An Exercise in Uncertainty: A Memoir of Illness and Hope,” and what two decades of living with cancer have taught him – and might teach us – about living well. Producer & Medical Writer: Andrea KaneShowrunner: Amanda Sealy Senior Producer: Dan BloomTechnical Director: Dan Dzula Executive Producer: Steve Lickteig Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kindernachrichten: Halloween, der gruseligste Tag des Jahres / Reformationstag / Landkarte des Glücks - Eine Sendereihe von Mikado und den NDR Nachrichten

durée : 00:25:12 - Louis Langrée, chef d'orchestre - Récemment reconduit jusqu'en 2029 à la tête de l'Opéra-Comique, Louis Langrée y dirige ces prochains jours "Iphigénie en Tauride" de Gluck. Retour avec lui sur les défis de la salle Favart, d'une fermeture pour travaux la saison prochaine à la création d'un campus affilié à l'institution parisienne. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:57:34 - Musique matin du jeudi 30 octobre 2025 - par : Jean-Baptiste Urbain - Récemment reconduit jusqu'en 2029 à la tête de l'Opéra-Comique, Louis Langrée y dirige ces prochains jours "Iphigénie en Tauride" de Gluck. Retour avec lui sur les défis de la salle Favart, d'une fermeture pour travaux la saison prochaine à la création d'un campus affilié à l'institution parisienne. - réalisé par : Yassine Bouzar Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Une tragédie lyrique à l'affiche de l'Opéra-Comique ce mois-ci, Iphigénie en Tauride de Gluck. Une nouvelle production mise en scène par Wajdi Mouawad et dirigée, en alternance, par Louis Langrée et Théotime Langlois de Swarte à la tête du Consort, à découvrir du 2 au 12 novembre.  Sur scène : la jeune soprano Tamara Bounazou dans le rôle-titre aux côtés de Theo Hoffman, Philippe Talbot ou encore Jean-Fernand Setti. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Jo is feeling autumnal so pull up a chair grab a cuppa and join her for a cosy natter with tv, stage and voice actor, Claire Storey. You may recognise her from the long running, award winning, BBC series Call the Midwife.  Claire has also popped up on your tv screens in almost all our beloved soaps including Emmerdale, Coronation Street, Holly Oaks and Doctors. Find out how she became an actor, why everyone thinks she's a Northerner and all about her sensational, self-penned, one woman show about the fabulously flamboyant painter Gluck (Hannah Gluckenstein). Follow Claire here.Jo's other podcast, Utter Burke, is also available FREE wherever you listen.

The actor Richard Armitage refuses to be pigeon-holed. He first made a national impact as the mill-owner John Thornton in the BBC adaptation of Elizabeth Gaskell's North and South. Audiences around the world know him as Thorin Oakenshield in The Hobbit trilogy, directed by Peter Jackson. He's played a serial killer in Hannibal, a spy in Spooks, and has starred in four Harlan Coben thrillers on Netflix. He's also written thrillers: the most recent is The Cut, which examines childhood trauma and the dangers of buried secrets - and also draws on his own musical experiences, because the main character, like Richard, plays the cello. His choices include works by Arvo Part, Mahler, Rameau, and Gluck. Presenter Michael Berkeley Producer Clare Walker

In this week's Gramophone Podcast, the conductor Ian Page joins Editor Martin Cullingford to talk about the music of the 18th-century composer Gluck, setting him in the context of musical developments of his time. The conversation marks the release of the new album from his ensemble The Mozartists - a recording of arias from Gluck operas, sung by Ann Hallenberg, and newly released on Signum Classics.

Storia di Metastasio, poeta e drammaturgo vissuto nel 1700 famoso per aver rinnovato il melodramma italiano. Tra le sue opere più famose c'è Didone abbandonata.

Routine vaginal examinations (VEs) are a standard component of intrapartum care, traditionally performed at regular intervals to monitor cervical dilation, effacement, and fetal station, which are indicators of labor progression. Yet, the American College of Obstetricians and Gynecologists states that there is insufficient evidence to recommend a specific frequency for cervical examinations during labor, and examinations should be performed as clinically indicated. Now, a recently published RCT form AJOG MFM is adding additional credence to that. Can we space out clinical exams in otherwise “low-risk” laboring women to 8 hours? Listen in for details. 1. AJOG MFM: (08/18/25) Routine Vaginal Examination Scheduled At 8 vs 4 Hours In Multiparous Women In Early Spontaneous Labour: A Randomised Controlled Trial https://www.sciencedirect.com/science/article/abs/pii/S25899333250016122. Nashreen CM, Hamdan M, Hong J, et al.Routine Vaginal Examination to Assess Labor Progress at 8 Compared to 4 h After Early Amniotomy Following Foley Balloon Ripening in the Labor Induction of Nulliparas: A Randomized Trial. Acta Obstetricia Et Gynecologica Scandinavica. 2024;103(12):2475-2484. doi:10.1111/aogs.14975.3. First and Second Stage Labor Management: ACOG Clinical Practice Guideline No. 8. Obstetrics and Gynecology. 2024;143(1):144-162. doi:10.1097/AOG.0000000000005447.4. Moncrieff G, Gyte GM, Dahlen HG, et al. Routine Vaginal Examinations Compared to Other Methods for Assessing Progress of Labour to Improve Outcomes for Women and Babies at Term. The Cochrane Database of Systematic Reviews. 2022;3:CD010088. doi:10.1002/14651858.CD010088.pub3.5. Gluck, O., et al. (2020). The correlation between the number of vaginal examinations during active labor and febrile morbidity, a retrospective cohort study. [BMC Pregnancy and Childbirth]6. Pan, WL., Chen, LL. & Gau, ML. Accuracy of non-invasive methods for assessing the progress of labor in the first stage: a systematic review and meta-analysis. BMC Pregnancy Childbirth 22, 608 (2022). https://doi.org/10.1186/s12884-022-04938-y

#805 Show Notes: https://wetflyswing.com/805 Presented By: Stonefly Nets, Intrepid Camp Gear, Mountain Waters Resort, Patagonia Sponsors: https://wetflyswing.com/sponsors Ever find yourself standing on a river's edge, the line in the water, and somehow everything makes sense, even when nothing should? That's where I landed with Jonathan “Jon” Gluck, a writer, editor, and fly-fishing lifer—or at least, someone whose lifeline came through steelhead-strength treatments and the quiet grace of a swing. Jon was told he had about 18 months to live after a multiple myeloma diagnosis more than two decades ago. Instead of slowing down, he found healing where you'd expect it least—in the gentle arc of a cast, the flash of the fly, the now. There's a lot of power in An Exercise in Uncertainty, his memoir, but even more in the way Jon leans into what fishing gives us: calm, clarity, and a reminder that presence is everything. #805 Show Notes: https://wetflyswing.com/805

In this episode of Lab Rats to Unicorns, John Flavin is joined by Jonathan Gluck—award-winning writer, longtime magazine editor, and now author of the deeply personal memoir An Exercise in Uncertainty: A Memoir of Illness and Hope. For more than two decades, Jonathan helped shape cultural conversations at New York Magazine, Vogue, The New York Times, and The Washington Post. But in his book, he turns the lens inward, chronicling his unexpected cancer diagnosis, the maze of the healthcare system, and the breakthroughs in biomedical research that helped him outlive the odds. From his first shocking diagnosis of multiple myeloma in his late thirties to the cutting-edge therapies like CAR T-cell treatment that have sustained him two decades later, Jonathan's journey reflects both the fragility and resilience of the human spirit. Along the way, he shares how writing helped him process uncertainty, why patient storytelling matters for science and society, and what lessons living “one stone at a time across the river” can offer to entrepreneurs, innovators, and anyone facing the unknown.

If the exceptional Illinois-born contralto Carol Smith (20 February 1926 – 06 June 2021) has previously escaped your notice, now is the perfect opportunity to get to know her better. She began her career singing the music of Bach with the legendary Bach Aria Group, founded in 1946 by philanthropist, scholar, and collector William H. Scheide. Smith then went on for further vocal training in Italy, making her operatic stage debut in 1961 in Napoli. There followed a glorious operatic career as one of the world's leading dramatic mezzo-sopranos, with performances throughout Italy and Germany as well as with her home company in Zürich. She went on to become an esteemed and highly respected voice teacher on two continents. This episode digs deep into her recorded legacy, featuring cantata arias of Bach, Lieder of Brahms, arias by Gluck, Verdi, and Saint-Saëns, and scenes from Cavalleria rusticana, Roberto Devereux, and Penthesilea, a hidden early 20th-century masterpiece by Swiss composer Othmar Schoeck. No matter what repertoire Smith was singing, she was, by virtue of her chocolate-timbred voice, dramatic flair, and vocal glamour, power, and flexibility, a true Queen of Song. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Journey to the underworld and back with Opera Australia, presenting Opera Queensland's production of Orpheus and Eurydice in association with Circa for the 2025 Edinburgh International Festival (EIF). Opera and circus acrobatics combine for this striking production with the Scottish Chamber Orchestra and a chorus from Scottish Opera for the European premiere of this electrifying production of Gluck's seminal opera. Amelia spoke to audiodescribers Veronica Kinahan and Trina Gilles to learn more about the production and their process. Learn more about the production on the EIF website - Orpheus and Eurydice | Edinburgh International Festival

Chanie Gluck is the Founder and CEO of 4D Global, a medical billing and healthcare outsourcing company specializing in Revenue Cycle Management (RCM). 4D Global helps US-based medical billing companies scale by providing experienced offshore teams based in India, delivering cost-effective and efficient solutions. She has over two decades of experience in the industry, has led two successful companies, and has been recognized by the Titan 100, Forbes Next 1000, and Enterprising Women of the Year awards. Chanie is also the host of the Leaders in Medical Billing podcast and a respected voice in RCM innovation and AI integration. In this episode… Starting and scaling a business is tough — doing it while raising four children is even tougher. Entrepreneurs in demanding industries often face isolation, overwhelm, and uncertainty around how to grow sustainably while balancing personal responsibilities. So how do you create a thriving, people-first company that scales globally without sacrificing your family or sanity? Chanie Gluck offers an inspiring answer. With nearly 30 years of experience in the medical billing field, she shares her playbook for solving these challenges. Chanie emphasizes the importance of curiosity, problem-solving, and self-education — crediting her early library deep dives on sales and operations as foundational. She discusses how taking bold risks, like pitching herself to doctors and embracing offshoring in India years before it was trendy, enabled her to scale with efficiency. Chanie also stresses building trust with clients through free value-added services and fostering community among introverted industry professionals through podcasts and webinars. Tune in to this episode of the Smart Business Revolution Podcast as John Corcoran interviews Chanie Gluck, CEO of 4D Global, about scaling a medical billing business while raising a family. Chanie shares how she transitioned from local services to global operations, along with insights on offshoring, thought leadership, and adapting to AI in healthcare. Listeners will also learn why podcasts are powerful marketing tools and the importance of community-driven leadership.

This week on the Tom Roland podcast, I sit down with John Gluck, the author of 'An Exercise in Uncertainty.' We dive deep into discussions about fishing, life, and John's incredible journey battling Multiple Myeloma—a rare blood cancer.  Diagnosed with only 18 months to live, John has now thrived for over 21 years, thanks in part to breakthrough treatments and his passion for fishing. We also explore how fishing became a therapeutic escape for John, the power of mindset in overcoming challenges, and the role of family and career in his ongoing battle.  Tune in to hear this inspiring story and learn from John's experiences. You can also buy Jonathan's book, “An Exercise in Uncertainty” wherever books are sold.  00:00 Introduction and Greetings 00:18 Fishing in Idaho and Jackson 00:47 The Glory Days of Fishing 01:16 Challenges of the Salmon Fly Hatch 02:54 Introducing the Book: An Exercise in Uncertainty 03:17 John's Illness and Diagnosis 03:51 Fishing as a Lifeline 04:47 Writing and Fishing Adventures 08:17 Career and Writing Focus 10:23 The Diagnosis Journey 18:26 Coping with Uncertainty 26:02 Purpose and Priorities 29:10 Fishing Dreams and Realities 33:25 Reflections on Health and Life 35:42 Facing Mortality and Embracing Life 36:45 Dealing with Remission and Relapse 39:22 Finding Solace in Fishing 42:36 The Role of Diet and Exercise 44:56 Advice for Cancer Patients 48:08 Writing the Book: A Journey of Reflection 53:53 The Importance of Mindset 01:05:08 Publishing and Promoting the Book 01:13:12 Final Thoughts and Future Plans

When he was 38, journalist Jonathan Gluck received a sudden diagnosis of a rare, incurable cancer. He was given 18 months to live. And yet, more than 20 years later, he is still here. Gluck discusses his new memoir about living with a terminal illness, An Exercise in Uncertainty: A Memoir of Illness and Hope.

Jon Gluck is a celebrated writer, editor, and advocate whose two-decade journey with multiple myeloma forms the deeply personal backbone of his memoir, An Exercise in Uncertainty: A Memoir of Illness and Hope. Jon spent ten years as Deputy Editor at New York magazine, later serving as Managing Editor of Vogue, and in 2025 he became a Senior Editor for Fast Company.  Jon's story is one of perseverance, perspective, and purpose—both as an accomplished editor in the cultural world and as an individual reconciling creativity, caregiving, and chronic illness. In this episode of Anchored, he shares his story… one I'm hoping many of you will find inspiring. This episode of Anchored is brought to you by Bear Mattress. If you've been meaning to upgrade your mattress, now's the time. Go to bearmattress.com and use promo code ANCHORED at checkout to get 40% off sitewide. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gluck (1895-1978) was a mid-century queer painter from London. She showcased in dozens of solo shows throughout her career, ranging in style, technique, and topic. She is most famous for her painting, Medallion, which is still considered one of the most important lesbian portraits. For Further Reading Gluck: A Forgotten Queer Artist of the 1920s Stunningly Modern Paintings by a Gender Bending 1920’s Artist Gluck by Gluck This month we're talking about Outsiders -- women who marched to the beat of their own drum and rejected stereotypes about what women "should" be. They are aesthetic pioneers, norm-benders, and often the only woman in their field. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Original theme music by Brittany Martinez. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

Wie schafft man es, Dinge zu tun? Wir alle prokrastinieren, schieben auf. Gerade wenn unsere Kreativität gefragt ist, erleben viele Blockaden und lenken sich dann lieber ab, statt weiter zu schreiben, zu malen oder Ideen für ihr eigenes Café zu sammeln. Das geht anders! In dieser Folge, öffnen Atze und Leon einen Werkzeugkoffer auf dem steht »getting things done«. Und wenn ihr tiefer einsteigen wollt, wir haben noch 2 andere Folgen mit einem ganz anderen Blick aufs Aufschieben. Die heißen: Aufschieben besiegen UND Mach's später - wann Aufschieben hilft! Wir sagen in der Folge, dass Kafka am 4.6. starb, korrekt wäre der 3.6. Sorry! Es steht auf der Seite, auf der Prinz die Szene beschreibt, falsch in seinem Buch. Fühlt euch gut betreut Leon & Atze Instagram: https://www.instagram.com/leonwindscheid/ https://www.instagram.com/atzeschroeder_offiziell/ Mehr zu unseren Werbepartnern findet ihr hier: https://linktr.ee/betreutesfuehlen Tickets: Atze: https://www.atzeschroeder.de/#termine Leon: https://leonwindscheid.de/tour/ VVK Münster 2025: https://betreutes-fuehlen.ticket.io/ Start ins heutige Thema: 07:40 min. Mahy, C. E., Munakata, Y., & Miyake, A. (2024). Mutual implications of procrastination research in adults and children for theory and intervention. Nature Reviews Psychology, 3(9), 589-605. TED Talk Tim Urban: Inside the Mind of a Master Procrastinator | Tim Urban | TED https://www.youtube.com/watch?v=arj7oStGLkU Und Tim Urban zu Planning: https://waitbutwhy.com/2013/11/how-to-beat-procrastination.html Maria Popova dazu, wie Kafka seine Blockaden anging: https://www.themarginalian.org/2024/10/20/kafka-diaries-self-doubt/ Was Picasso über das Tun (just do it) sagt: https://www.themarginalian.org/2014/06/24/picasso-brassai-ideas-creativity/ Alain de Botton zur Prokrastination: https://www.theschooloflife.com/article/natureandcausesofprocrastination/ Nick Wignall zum Prokrastinieren: https://nickwignall.com/3-procrastination-tips-that-nobody-wants-to-hear/ Im Bus sitzen bleiben: Burkeman, O. (2024). Four Thousand Weeks. Loudly. 20 statt 10 Ideen: Burkeman, O. Meditations for Mortals Prinz, A. (2005). Auf der Schwelle zum Gluck. Die Lebensgeschichte des Franz Kafka. Redaktion: Dr. Leon Windscheid Produktion: Murmel Productions

In this episode, meet journalist and Fast Politics podcast host Molly Jong-Fast, writer Anelise Chen, and writer and editor Jonathan Gluck. Hear Molly Jong-Fast on surviving a year in which everything went wrong, Anelise Chen on finding profound meaning in an auspicious typo, and Jonathan Gluck on the “unique universe” of those living with cancer. How to Lose Your Mother by Molly Jong-Fast: https://www.penguinrandomhouse.com/books/738849/how-to-lose-your-mother-by-molly-jong-fast/audio Clam Down by Anelise Chen: https://www.penguinrandomhouse.com/books/599888/clam-down-by-anelise-chen/audio An Exercise in Uncertainty by Jonathan Gluck: https://www.penguinrandomhouse.com/books/760582/an-exercise-in-uncertainty-by-jonathan-gluck/audio

In his new memoir, An Exercise In Uncertainty, journalist and editor Jonathan Gluck chronicles more than 20 years of living with multiple myeloma, an incurable but treatable cancer. He joined me to talk about how he's coped with illness, why he chose this moment to write about it, and, most importantly, how he's learned to deal with a condition all of us face to one degree or another: uncertainty. Jon explains the concept of “predemption”—a mindset that's helped him find something positive, even in the toughest moments—and describes the invisible aspects of cancer, how it affected family dynamics, and the honest conversations he's had with his kids about his condition. He reflects on the strain illness can have on relationships, especially marriage, and how fly fishing became a crucial form of therapy and connection. GUEST BIO Jonathan Gluck is a writer and editor whose work has appeared in The New York Times and The Washington Post. He was deputy editor of New York magazine for ten years, after which he worked as managing editor of Vogue. His work has been recognized with multiple National Magazine Awards. Want to hear the whole conversation? Upgrade your subscription here. HOUSEKEEPING

00:00 Introduction and Guest Welcome00:18 Jonathan's Background and Cancer Journey00:46 Living with Uncertainty02:10 Coping Mechanisms and Mindfulness04:58 Life Lessons and Mindful Living06:45 Optimistic Realism and Spirituality10:02 Supporting Others with Cancer11:37 Final Advice and ConclusionFull podcast at https://self-growth.captivate.fm/episode/surviving-the-unsurvivable-optimistic-realism-with-jonathon-gluck/Join us on The Science of Self as we welcome Jonathan Gluck, author of 'An Exercise In Uncertainty'. Jonathan shares his 20+ year journey as a cancer patient, thriving in a state of treatable yet incurable cancer. We delve into the emotional and practical strategies he has learned to cope with uncertainty, drawing insights from his life and his extensive research, including interviews with experts like sociology professor Kate Sweeney. Discover valuable life lessons on mindfulness, realistic optimism, and the importance of taking action now. Whether you're facing serious challenges or seeking self-improvement, this episode offers wisdom and inspiration for everyone.https://www.amazon.com/Exercise-Uncertainty-Memoir-Illness-Hope/dp/0593735781https://www.audible.com/pd/An-Exercise-in-Uncertainty-Audiobook/B0DJHBLVQ6https://www.penguinrandomhouse.com/authors/2320094/jonathan-gluck/#https://lithub.com/the-craft-of-this-mortal-coil-jonathan-gluck-on-writing-a-different-cancer-story/

In this episode of The Science of Self, we welcome Jonathan Gluck, author of 'Exercise In Uncertainty.' Jonathan shares his journey as a longtime magazine editor and cancer patient, navigating life with an incurable but treatable form of cancer. He offers insights into his career at New York Magazine and Vogue, the pressures of journalism, and the stories he's encountered. Jonathan delves into how uncertainty impacts mental health, coping mechanisms, and the life lessons he's learned. This heartfelt and insightful conversation touches on hope, spirituality, practical advice for self-improvement, and the power of acceptance in the face of adversity. Tune in for an inspiring episode on resilience and personal growth.00:00 Welcome and Guest Introduction00:24 Jonathan's Career in Journalism05:13 Life as a Cancer Patient10:22 Insights from Jonathan's Book11:26 Coping with Uncertainty14:41 Mindfulness and Life Lessons20:43 Optimistic Realism22:32 Living Mindfully Through Difficult Times23:31 Coping with Recurring Cancer Diagnoses23:58 The Stages of Grief28:14 Dealing with Anger and Bargaining30:15 Depression and Acceptance33:19 The Power of Hope and Spirituality39:16 Supporting a Loved One with Cancer41:57 Practical Advice and Final Thoughtshttps://www.amazon.com/Exercise-Uncertainty-Memoir-Illness-Hope/dp/0593735781https://www.audible.com/pd/An-Exercise-in-Uncertainty-Audiobook/B0DJHBLVQ6https://www.penguinrandomhouse.com/authors/2320094/jonathan-gluck/#https://lithub.com/the-craft-of-this-mortal-coil-jonathan-gluck-on-writing-a-different-cancer-story/

Episode 193: Gestational Diabetes IntroJesica Mendoza (OMSIII) describes the pathophysiology of gestational diabetes and the right timing and method of screening for it. Dr. Arreaza adds insight into the need for culturally-appropriate foods, such as vegetables in Mexican cuisine.    Written by Jesica Mendoza, OMSIII, Western University of Health Sciences, College of Osteopathic Medicine of the Pacific. Editing by Hector Arreaza, MD.You are listening to Rio Bravo qWeek Podcast, your weekly dose of knowledge brought to you by the Rio Bravo Family Medicine Residency Program from Bakersfield, California, a UCLA-affiliated program sponsored by Clinica Sierra Vista, Let Us Be Your Healthcare Home. This podcast was created for educational purposes only. Visit your primary care provider for additional medical advice.DefinitionGestational diabetes mellitus (GDM) is a condition that occurs to previously non-diabetic pregnant women, caused by glucose intolerance at around the 24th week of gestation. PathophysiologyGDM arises due to an underlying pancreatic beta cell dysfunction in the mother which leads to a decrease in the amount of insulin produced and thus leads to higher blood sugar levels during pregnancy. The placenta of the fetus will produce hPL (human placental lactogen) to ensure a steady supply of sugars to the fetus, creating an anti-insulin effect. However, hPL readily crosses the placental barrier causing the mothers insulin requirement to increase, when the mother's pancreas cannot increase production of insulin to that level needed to counter the effect of hPL they become diabetic, and this leads to gestational diabetes. So, basically the placenta is asking for more glucose for the baby and the mother's pancreas struggles to keep the glucose level within normal limits in the body of the mother. If left untreated, high levels of glucose in the mother can cause glucotoxicity in the mother.“Glucotoxicity” refers to the toxic effect of glucose. Glucose is the main fuel for cell functions, but when it is high in the bloodstream, it causes toxicity to organs. Prevalence of GDM.The CDC reports mean prevenance of GDM is 6.9%. In U.S. mothers the prevenance increased from 6.0% in 2016 to 8.3% in 2021. Many different factors have played a role in increasing gestational diabetes in American mothers, some of those being the ongoing obesity epidemic with excess body weight being a known risk factor for insulin resistance. Another being advanced maternal age (AMA) as more American women have children later in life their body becomes less sensitive to insulin and requires a higher insulin output on top of the insulin that is required for the fetus. The “American diet” is also something that has a big effect in diabetes development. With the increase of high-carb foods that are readily available, the diet of Americans has declined and is affecting the metabolic health of mothers as they carry and deliver their children. Despite ongoing awareness of GDM, 6% to 9% of pregnant women in the United States are diagnosed with gestational diabetes, and the prevalence continues to increase worldwide. It is estimated that in 2017 18.4 million pregnancies were affected by GDM in the world, which then continued to increase to 1 in 6 births to women with GDM in 2019. It was also found that women living in low-income communities were disproportionately affected due to limited healthcare access. Additionally, women with GDM had a 1.4-fold increase in likelihood of undergoing a c-section, with 15% increase in risk of requiring blood transfusion. Screening for GDMGestational diabetes is screened between the 24th to 28th week of gestation in all women without known pregestational diabetes. In women who have high-risk for GDM the screening occurs during the first trimester, these women usually have at least one of the following: BMI > 30, prior history of GDM, known impaired glucose metabolism, and/or a strong family history of diabetes. The screening during the first trimester is to detect “pregestational diabetes” because we have to keep a good glycemic control to improve outcomes of pregnancy. So, if it's positive, you start treatment immediately. If these women are found to have a normal glucose, they repeat the testing again as done normally, at 24-28 weeks of gestation. How do we screen?The screening itself consists of two types of approaches. The two-step approach includes a 50-gram oral glucose tolerance test (OGTT), where blood glucose is measured in an hour and if it is below 140 they are considered to not have GDM, however if the reading is greater than 140 they must then do a 3-hour, 100g oral glucose tolerance test. The 3-hour OGTT includes measuring the blood sugars at Fasting which should be less than 95, at 1 hour at less than 180, at 2 hours at less than 155, and at 3 hours at less than 140. If 2 or more of these values exceed the threshold the patient is diagnosed with gestational diabetes mellitus. The one-step approach includes 75g after an overnight fast. Blood glucose is measured while fasting which should be less than 92, at 1 hour less than 180 and at 2 hours less than 153. If any one of these values is exceeded, the patient is diagnosed with GDM.If the mother is found to be GDM positive during pregnancy she will also need continued screening post-partum to monitor for any development of overt diabetes. The testing is usually 75g 2-hour OGTT at 6-12 weeks postpartum. If this testing is normal, then they are tested using HbA1c every 3 years. If the post-partum testing shows pre-diabetes, annual testing is recommended using HbA1c measurements. Maternal complications Women with GDM are at an increased risk for future cardiovascular disease, T2DM, and chronic kidney disease. GDM is also associated with increased likelihood of developing pre-eclampsia following delivery. Pre-eclampsia is a complication seen in pregnancy characterized by high blood pressure, proteinuria, vision changes, and liver involvement (high LFTs). Pre-eclampsia can then progress to eclampsia or HELLP syndrome, both of which can include end organ damage. Additionally, she can develop polyhydramnios which leads to overstretching of the uterus and can induce pre-term labor, placental abruption, and or uterine atony, all of which additionally put the mother at increased risk for c-section. All of these maternal complications that stem from GDM lead to complications and extended hospitalization. Child's complications Although there is an increased set of risks for the mother, the neonate can also develop a variety of risks due to the increased glucose while in utero. While the fetus is growing, the placenta is the source of nutrition for the fetus. As the levels of glucose in the mother increase so does the amount of glucose filtered through the placenta and into the fetal circulation. Over time the glucose leads to oxidative stress and inflammation with activation of TGF-b which leads to fibroblast activation and fibrosis of the placenta. This fibrosis decreases the nutrient and oxygen exchange for the fetus. As the fetus attempts to grow in this restrictive environment its development is affected. The fetus can develop IUGR (intrauterine growth restriction) leading to a small for gestation age newborn which can then lead to another set of complications. The low oxygen environment can lead to increased EPO production and polycythemia at birth which can then lead to increased clotting that can travel to the newborn brain. Newborns can also be born with fetal acidosis due to the anerobic metabolism and lactic acid buildup in fetal tissues which can cause fetal encephalopathy leading to cerebral palsy and developmental delay. And the most severe of newborn complications to gestational diabetes can lead to fetal demise. Furthermore, the increase of glucose can also lead to macrosomia in the infant which can often lead to a traumatic delivery and delivery complications such as shoulder dystocia and brachial plexus injury. Brachial plexus injury sometimes resolves without sequela, but other times can lead to permanent weakness or paralysis of the affected arm. The baby can be born too small or too big.Additionally, once the fetus is born the cutting of the umbilical cord leads to a rapid deceleration in blood glucose in the fetal circulation and hypoglycemic episodes can occur, that often lead to NICU admission. The insulin that is created by the fetus in utero to accommodate the large quantities of glucose is known to affect lung maturation as well. The insulin produced inhibits surfactant production in the fetus. Upon birth some of the newborns also have to be placed on PEEP for ventilation and some children require treatment with surfactant to prevent alveolar collapse and/or progression to NRDS created by the low surfactant levels. Additionally, neonates who are macrosomic, which is usually seen in GDM mothers, are larger and stronger and when put on PEEP to help increase ventilation the newborn's stronger respiratory effort can lead to higher pulmonary pressures and barotrauma such as neonatal pneumothorax.Long term complications to the child of a mother with GDM also occur. As the child grows, they are also at an increased risk for developing early onset obesity because of the increased adipose storage triggered by the increase in insulin in response to the high glucose in utero. This then can lead to a higher chance of developing type 2 diabetes mellitus in the child. With diabetes, also comes an increase in cardiovascular risk as the child ages and becomes an adult. The effects of GDM go beyond the fetal life but continue through adulthood.What can be done?Gestational Diabetes Mellitus has many severe and lifelong consequences for both the mother and the child and prevention of GDM would help enhance the quality of life of both. Many of the ways to prevent GDM complications include patient education and dietary modifications with a diet rich in whole grains, fruits, vegetables and lean proteins. Benefits of some vegetables in the Mexican cuisine that may be beneficial: Nopales, Chayote, and Jicama. Those are good alternatives for highly processed carbs.Mothers are usually offered nutritional counseling to help them develop a tailored eating plan. This and 30 minutes of moderate exercise daily is recommended to increase insulin sensitivity and lower the post-prandial glucose levels. If within 2 weeks of implementing lifestyle changes alone the glucose measurements remain high, then medications like insulin can be put onboard to manage the GDM. If they require insulin, I think it is time to refer to a higher level of care, if available, high risk OB clinic.Conclusion: Now we conclude episode number ###, “[TITLE].” [summary here]. _____________________References:Eades CE, Burrows KA, Andreeva R, Stansfield DR, Evans JM. Prevalence of gestational diabetes in the United States and Canada: a systematic review and meta-analysis. BMC Pregnancy Childbirth. 2024 Mar 15;24(1):204. doi: 10.1186/s12884-024-06378-2. PMID: 38491497; PMCID: PMC10941381. https://pubmed.ncbi.nlm.nih.gov/38491497/QuickStats: Percentage of Mothers with Gestational Diabetes,* by Maternal Age — National Vital Statistics System, United States, 2016 and 2021. Weekly / January 6, 2023 / 72(1);16. https://www.cdc.gov/mmwr/volumes/72/wr/mm7201a4.htm?utmAkinyemi OA, Weldeslase TA, Odusanya E, Akueme NT, Omokhodion OV, Fasokun ME, Makanjuola D, Fakorede M, Ogundipe T. Profiles and Outcomes of Women with Gestational Diabetes Mellitus in the United States. Cureus. 2023 Jul 4;15(7):e41360. doi: 10.7759/cureus.41360. PMID: 37546039; PMCID: PMC10399637. https://pmc.ncbi.nlm.nih.gov/articles/PMC10399637/?utmPerlman, J. M. (2006). Summary proceedings from the neurology group on hypoxic-ischemic encephalopathy. Pediatrics, 117(3), S28–S33.DOI: 10.1542/peds.2005-0620C.Low, J. A. (1997). Intrapartum fetal asphyxia: definition, diagnosis, and classification. American Journal of Obstetrics and Gynecology, 176(5), 957–959.DOI: 10.1016/S0002-9378(97)70609-0.Hallman, M., Gluck, L., & Liggins, G. (1985). Role of insulin in delaying surfactant production in the fetal lung. Journal of Pediatrics, 106(5), 786–790.DOI: 10.1016/S0022-3476(85)80227-0.Sweet, D. G., Carnielli, V., Greisen, G., et al. (2019). European Consensus Guidelines on the Management of Respiratory Distress Syndrome – 2019 Update. Neonatology, 115(4), 432–450.DOI: 10.1159/000499361.Raju, T. N. K., et al. (1999). Respiratory distress in term infants: when to suspect surfactant deficiency. Pediatrics, 103(5), 903–909.DOI: 10.1542/peds.103.5.903.Burns, C. M., Rutherford, M. A., Boardman, J. P., & Cowan, F. M. (2008). Patterns of cerebral injury and neurodevelopmental outcomes after symptomatic neonatal hypoglycemia. Pediatrics, 122(1), 65–74.DOI: 10.1542/peds.2007-2822.Dabelea, D., et al. (2000). Long-term impact of maternal diabetes on obesity in childhood. Diabetes Care, 23(10), 1534–1540.DOI: 10.2337/diacare.23.10.1534.Dashe, J. S., et al. (2002). "Hydramnios: Etiology and outcome." Obstetrics & Gynecology, 100(5 Pt 1), 957–962.DOI: 10.1016/S0029-7844(02)02279-6.Long-term cost-effectiveness of implementing a lifestyle intervention during pregnancy to prevent gestational diabetes mellitus: a decision-analytic modelling study. Diabetologia.American College of Obstetricians and Gynecologists. (2018). Practice Bulletin No. 190: Gestational Diabetes Mellitus. Obstetrics & Gynecology, 131(2), e49–e64. https://doi.org/10.1097/AOG.0000000000002501Theme song, Works All The Time by Dominik Schwarzer, YouTube ID: CUBDNERZU8HXUHBS, purchased from https://www.premiumbeat.com/. 

durée : 00:28:35 - Les Midis de Culture - par : Marie Labory - Jordi Savall dirige actuellement son ensemble Le Concert des Nations pour le programme "Sémiramis et Don Juan", l'association inédite de deux opéras ballets du compositeur C.W. Gluck. Batifolages, spectres et drames sont au programme. - réalisation : Laurence Malonda - invités : Jordi Savall Gambiste et chef d'orchestre catalan

The German baritone Dietrich Fischer-Dieskau's 100th birthday falls on May 28. One of the most versatile singers of the last century – his operatic repertoire alone ranged from Gluck, Handel and Mozart via Verdi, Wagner and Richard Strauss to Berg, Busoni and Reimann – it's his devotion to song that remains his lasting legacy. To mark the anniversary of Fischer-Dieskau's birth, Gramophone's James Jolly spoke to song specialist and author of Schubert: The Complete Song Texts (Schirmer: 1988), Richard Wigmore. They focused on Fischer-Dieskau's audio recordings of Schubert's greatest song-cycle Winterreise (1828) which include three with Gerald Moore, as well as versions with Klaus Billing, Hermann Reuter, Daniel Barenboim, Jörg Demus, Alfred Brendel, Murray Perahia and Maurizio Pollini.

Carlos Iribarren | Hoy Toca sube el telón y empieza una representación en la que esperamos que disfrutes al máximo. Queremos conocer mejor cómo se vive desde dentro una función de teatro y qué se siente en el estreno de una nueva obra, así que hemos invitado a Joaquín Notario, un actor que lleva décadas demostrando su talento en cine, series y por supuesto, en el teatro. Hace poco participó como narrador en las representaciones de Fidelio, la única ópera de Beethoven, en el Auditorio Nacional y reconoce que fue un regalo absoluto para su vida profesional ¿Teatro griego? ¿Shakespeare? ¿El siglo de oro español? De todo esto hablamos mientras escuchamos música relacionada con el teatro y proveniente de películas y óperas basadas en obras teatrales, compuestas por genios de la talla de Verdi, Gluck, Orff, Alex North y nuestro José Nieto. Disfruta con nosotros de la nueva y escénica entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Do you have a friendship that spans many seasons and plot twists of your life? Marriage, children, parenting, launching kids, career intersections, faith. You know, all the biggies. Someone you've had the privilege of being up close and personal with through the highs and lows. Alyssa Gluck is that person in my life. Alyssa is a credentialed teacher, holds a graduate degree in leadership, and works as an educational specialist for homeschool families.In our conversation, we reflect on how life doesn't take a straight path. It often has unexpected twists and turns. Plot twists, as a previous guest put it. When you have been thrown for a loop, a Good Guide coming along at just the right time is a gift. But isolation is a dangerous reaction in the middle of these plot twists. The very thing you need is a sage presence offering you a safe place to land and sort out where to go next. When the false belief “I have to do life on my own” gets replaced with the true belief “I get to reach out to a loving presence,” it makes all the difference. I love Alyssa's guidance for when a guide is no longer a good fit for where you want to go.Listen in and learn what type of guidance you need. Perhaps you'll be sparked to be a good guide for someone in the spaces you live and lead.Cheering you on!Step into The Life You're Made For, I'm cheering you on!heatherpenny.com@heatherpennyphdMusic by Jason SquiresProduction by Cody Vermillion

When Elliot Gluck recently tried to figure out how to vote in the upcoming Canadian election from abroad in Israel, he was left scratching his head. The 23-year-old Vancouver native, currently interning at a green tech company in Tel Aviv, knew there had to be a better way to help his fellow Canadians exercise their democratic rights. So the political science graduate spent a few days last week creating a new website, IsraelVotes.ca, which is already live. His goal is to make it easier for those eligible voters among the estimated 40,000 Canadians currently living in Israel to receive their ballots and cast their votes in what he's calling "one of the most consequential elections in recent memory," scheduled for April 28. Gluck's website is non-partisan and completely free, and facilitates ballot delivery, including to and from the Canadian embassy in Tel Aviv. He joins Ellin Bessner on The CJN Daily to explain his motivations, the nasty antisemitic comments he's received online, and why it matters that Jewish Canadians make their voices heard this month. Related links Check out IsraelVotes.ca to learn more about how to vote from Israel in the April 28, 2025 Canadian federal election. Elections Canada's website also explains about how to vote in Canadian elections if you are Canadian abroad, no matter how long you've lived outside of Canada. When Canada originally barred citizens living in Israel from voting from abroad, in The CJN, from 2015. Credits Host and writer: Ellin Bessner (@ebessner) Production team: Andrea Varsany (producer), Zachary Kauffman (producer), Michael Fraiman (executive producer) Music: Dov Beck-Levine Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to The CJN Daily (Not sure how? Click here)

From January 30, 2024: U.S. military operations against Houthi rebels in Yemen have escalated rapidly in recent weeks, culminating in a number of major strikes aimed at degrading their ability to threaten Red Sea shipping traffic. But the war powers reports the Biden administration has provided to Congress are raising questions about how it is legally justifying this latest military campaign. To discuss the burgeoning conflict in Yemen and what it might mean for war powers, Lawfare Senior Editor Scott R. Anderson sat down with Brian Finucane, Senior Adviser at the Crisis Group; Lawfare Co-founder and Harvard Law School Professor Jack Goldsmith; and Lawfare Research Fellow Matt Gluck. They talked about their recent pieces on the topic, what we know and don't know about the administration's legal theory, and what the law might mean for how the conflict evolves moving forward. To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:13:41 - Disques de légende du lundi 24 mars 2025 - En 1983, à l'Opéra de Lyon, John Eliott Gardiner entame un admirable travail sur le répertoire français qui le conduit à revisiter une œuvre qui, en 1773, détermina toute l'histoire de l'art lyrique en France : Iphigénie en Aulide...

In this episode, host Jethro Jones is joined by Kenny Gluck. Kenny, a senior IT consultant at isOutsource, shares insights on IT consulting, common cybersecurity threats, and essential security practices for small and medium-sized businesses. The discussion also covers the importance of endpoint detection and response, email protection software, and DNS filtering.Bridging the gap from IT needs to solutionsSame things that are happening to big companies are happening to small companies.Emails - Phishing, Smishing (SMS)Social engineering attacks.Scrapers - bots and farmersFree practices that you can do as a small and medium-sized business owner. To have good security, you do have to spend. As a business owner, you should be paranoid about it! Regular software updatesCommon sense privacy and browsing habits. Core basic cybersecurity tools regardless of company size. Endpoint Detection Response - EDREmail protection software - EPSDNS Filter - redirecting all web traffic to reputational rating of web sitesMalicious links from compromised dropbox accountsVPN vs. DNS Filter. About Kenny GluckKenny Gluck is Senior IT Consultant at ISOutsource. has over a decade of experience in the technology industry. He's held technical and operational leadership roles at several IT service providers, where he's worked with clients in nearly every industry from financial services to manufacturing. He's passionate about building long term relationships with his business partners and helping them leverage technology to solve complex business challenges. He is currently an IT consultant where he gets to do the things he loves most about technology, make it work for his partners in a way that they can sleep securely knowing they have all the right security and tools. We're thrilled to be sponsored by IXL. IXL's comprehensive teaching and learning platform for math, language arts, science, and social studies is accelerating achievement in 95 of the top 100 U.S. school districts. Loved by teachers and backed by independent research from Johns Hopkins University, IXL can help you do the following and more:Simplify and streamline technologySave teachers' timeReliably meet Tier 1 standardsImprove student performance on state assessments

What if architects didn't have to rely on developers to bring their designs to life? In this episode, Rion Willard sits down with Charlie Kaplan, principal at Gluck+, to explore a unique business model that gives architects more control, creativity, and financial upside. They discuss how their firm blurs the lines between architect, builder, and developer, leading to incredible efficiencies and design freedom. Charlie shares the origins of this approach, from early hands-on projects to scaling up to multimillion-dollar developments. He reveals the key mindset shift architects must make to succeed in this space and the unexpected ways this model benefits not just the firm but also clients and communities. If you've ever dreamed of taking full control of your projects, this conversation will change the way you think about architecture and business. How a simple shift can prevent budget disasters before they happen Why some architects fail when they try to take on development—and how to avoid their mistakes The overlooked skill architects already have that makes them great builders A surprising real estate opportunity hiding in plain sight   ► Transcription: https://otter.ai/u/WNms8Gjm5fNT2pcHyG_8lmJhULg?utm_source=copy_url   ► Feedback? Email us at podcast@businessofarchitecture.com   ► Access your free training at http://SmartPracticeMethod.com/   ► If you want to speak directly to our advisors, book a call at https://www.businessofarchitecture.com/call   ► Subscribe to our YouTube Channel for updates:   https://www.youtube.com/c/BusinessofArchitecture   *******   For more free tools and resources for running a profitable, impactful, and fulfilling practice, connect with me on: Facebook: https://www.facebook.com/groups/businessofarchitecture Instagram: https://www.instagram.com/businessofarch/ Website: https://www.businessofarchitecture.com/yt Twitter: https://twitter.com/BusinessofArch Podcast: http://www.businessofarchitecture.com/show iTunes: https://podcasts.apple.com/us/podcast/business-architecture-podcast/id588987926 Android Podcast Feed: http://feeds.feedburner.com/BusinessofArchitecture-podcast Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9idXNpbmVzc29mYXJjaGl0ZWN0dXJlLmxpYnN5bi5jb20vcnNz   *******   Access the FREE Architecture Firm Profit Map video here: http://freearchitectgift.com   Carpe Diem!

durée : 01:58:32 - Musique à programme, l'ouverture d'opéra II - par : Christian Merlin - Dans l'opéra baroque, l'ouverture s'appelait « Sinfonia ». L'ouverture d'opéra est donc l'ancêtre de la symphonie et du poème symphonique. Après un épisode consacré à Vivaldi, Rameau, Gluck, Mozart, Weber, Rossini et Verdi, place à Beethoven, à Wagner, aux Français et aux Russes. - réalisé par : Marie Grout

durée : 00:28:00 - Musique à programme, l'ouverture d'opéra II (4/4) : Musique légère - par : Christian Merlin - Dans l'opéra baroque, l'ouverture s'appelait « Sinfonia ». L'ouverture d'opéra est donc l'ancêtre de la symphonie et du poème symphonique. Après un épisode consacré à Vivaldi, Rameau, Gluck, Mozart, Weber, Rossini et Verdi, place à Beethoven, à Wagner, aux Français et aux Russes. - réalisé par : Marie Grout

Dr. John P. Gluck was honored with PETA's Trailblazing Advocacy Award in 2021 for being a shining example of ethics in science. In this conversation with Emil Guillermo, Dr. Gluck-- a one-time animal experimenter who studied with the infamous Harry Harlow--describes his transformation from an animal experimenter to a compassionate bioethicist committed to a cruelty-free science. Gluck's book, "Voracious Science and Vulnerable Animals," has become a guide for a new generation of scientists seeking to practice a science aligned with their ethical identity.  Gluck describes his transition and how he remains haunted by the faces of the animals he experimented on.  For more, go to PETA.org The PETA Podcast PETA, the world's largest animal rights organization, is 9 million strong and growing. This is the place to find out why.  Hosted by Emil Guillermo. Powered by PETA activism.  Music provided by CarbonWorks. Go to Apple podcasts and subscribe. Contact and follow host Emil Guillermo on X @emilamok, substack, or patreon. Or at www.amok.com,   Please subscribe, rate, and review wherever you get your podcasts. Thanks for listening to THE PETA PODCAST!  Copyright ©2020-25

durée : 00:28:21 - Musique à programme, l'ouverture d'opéra II (3/4) : Français et Russes - par : Christian Merlin - Dans l'opéra baroque, l'ouverture s'appelait « Sinfonia ». L'ouverture d'opéra est donc l'ancêtre de la symphonie et du poème symphonique. Après un épisode consacré à Vivaldi, Rameau, Gluck, Mozart, Weber, Rossini et Verdi, place à Beethoven, à Wagner, aux Français et aux Russes. - réalisé par : Marie Grout

durée : 00:28:08 - Musique à programme, l'ouverture d'opéra II (2/4) : le cas Wagner - par : Christian Merlin - Dans l'opéra baroque, l'ouverture s'appelait « Sinfonia ». L'ouverture d'opéra est donc l'ancêtre de la symphonie et du poème symphonique. Après un épisode consacré à Vivaldi, Rameau, Gluck, Mozart, Weber, Rossini et Verdi, place à Beethoven, à Wagner, aux Français et aux Russes. - réalisé par : Marie Grout

durée : 00:28:07 - Musique à programme, l'ouverture d'opéra II (1/4) : Quelle ouverture pour Fidelio ? - par : Christian Merlin - Dans l'opéra baroque, l'ouverture s'appelait « Sinfonia ». L'ouverture d'opéra est donc l'ancêtre de la symphonie et du poème symphonique. Après un épisode consacré à Vivaldi, Rameau, Gluck, Mozart, Weber, Rossini et Verdi, place à Beethoven, à Wagner, aux Français et aux Russes. - réalisé par : Marie Grout

Tune in as Fake-Dating February keeps rolling onward with this second episode of the month, where Tyler Hewitt (Dumb-Dumbs & Dragons, Jesters of Ravenloft) teams up with Arthur again to review and recap Anyone But You, the 2023 enemies-to-lovers and fake-dating rom-com that's loosely based off of the Shakespeare play Much Ado About Nothing. The terrifying nature of those huge huntsman spiders (a topic that 2CC has already touched on previously), the most off-putting dick shot that Tyler has ever seen, and the farcical shenanigans that range from the miscommunication to the eavesdropping stand out as a few of the subjects for this episode.Directed by Will Gluck, Anyone But You stars Sydney Sweeney, Glen Powell, Alexandra Shipp, Hadley Robinson, GaTa, Dermot Mulroney, Rachel Griffiths, Charlee Fraser, Joe Davidson, Bryan Brown, Michelle Hurd, and Darren Barnet.Spoilers start at 32:25Create your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Tyler: Between Two Fires by Christopher Buehlman• Arthur: The PackageReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic Linktree

To hear the full discussion, please join us on Patreon at - https://www.patreon.com/posts/patreon-tony-118747245 Katie talks to Tony Greenstein, the co-founder of Britain's Palestine solidarity campaign and the author of "Zionism During the Holocaust: The Weaponisation of Memory in the Service of State and Nation." Then Katie speaks to Rabbi Hershel Gluck is a British rabbi, chairman of the Arab-Jewish Forum and chairman and founder of the Muslim-Jewish Forum. Jenny Manson a British Jewish activist, author, former civil servant, former Labour Party councillor for Colindale on Barnet London Borough Council, and co-chair of Jewish Voice for Labour. ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: @kthalps

Big Gluck is back! We talk to him about the best new equipment of 2024 and what we can look forward to in 2025. We also dig into his big changes on his own home gym. Build Fast Formula Use code MASSENOMICS to save 10% on every order! BearFoot Shoes Use code MASSENOMICS to save 10% on every order! Juggernaut AI Use code MASSENOMICS to save 10%! The Strength Co Get some Go-To Plates! Swiss Link Use code MASS to save 15%! Texas Power Bars Get the Barbell that changed the game!

AI skepticism – much like AI itself – is here to stay, whether we like it or not. While getting buy-in can be difficult, and deploying it as a solution within a company is even harder, the key thing to remember is that AI, like any new tool, must address a pain point. The only way folks will be persuaded as to its use will be when it solves a problem that was previously thought unsolvable.In this episode, we are joined by Adam Gluck, the CEO and Founder of Copia Automation. Join us as we explore the problems that AI is solving, why a customer-centric culture is so key to developing useful products, and the need for Silicon Valley to overlap with industries that have existed for over two hundred years.The problem-first mindset is one that's helped Copia evolve since July 2020 and navigate hype cycles in tech. What's more, by keeping users front of mind, they can use AI as a “painkiller” rather than a “vitamin”. This means Copia create proactive, targeted solutions that deliver value where it matters most.In this episode, find out:Adam shares his career path, including his work for Uber and his sociology undergraduate degreeWhy it is harder for graduates to get software engineering jobsHow, in engineering, a self-taught approach can be less restrictive when learning new approaches or facing new problemsHiring smart people is often the most important step in solving hard problemsCopia has evolved since July 2020, and the key to this has been their market understanding, adoption, activation, and backup and disaster recoveryHow DevOps AI for the software space has transformed the way software gets writtenAdam chose to move to New York from San Francisco because of the large number of seed rounds, proximity to venture capital and large amount of talentHow the current enthusiasm for industrialization and manufacturing among venture capitalists and young companies will persist long-termEnjoying the show? Please leave us a review here. Even one sentence helps. It's feedback from Manufacturing All-Stars like you that keeps us going!Tweetable Quotes:“I want to build something people can use every single day as part of their standard workflow and that solves material problems for them.”“DevOps AI for the software space has transformed the way software gets written.”“Ultimately, you can try and solve things with processes organization, but you're going to actually solve problems with really smart people.”Links & mentions:Copia Automation, bringing modern DevOps tooling to industrial automation, standardizing processes to drive quality, efficiency, and uptime at scaleReindustrialize, a summit exploring how technology will shape the future of the US industrial baseAmerican Dynamism, part of a16z, investing in founders and companies supporting the national interest: aerospace, defense, safety, education, and manufacturingFounders Fund, a San Francisco based venture capital firm organized by Peter Thiel and others, investing in companies building revolutionary technologies

Bob Gluck, whose perspective as pianist, composer, and educator has illuminated the music of Herbie Hancock and Miles Davis in his two previous books, now focuses his lens on the music of Metheny. Neither a biography nor chronological record of Metheny's musical output, "Pat Metheny: Stories Beyond Words" instead captures Metheny's self-conception as a musician and the threads that unite and distinguish his creative process.

Bet The Board FREE Newsletter with more Content & Advice. Sign Up Here: https://t.ly/sIXQl ▶️ Stage 1: Hollywood Casino 400 Recap (2:07) ▶️ Stage 2: Jeff Gluck interview (9:39) ▶️ Stage 3: Odds Tracker (29:36) In the latest Stay Green podcast, Todd Fuhrman and Chris Werme break down the YellaWood 500 at Talladega, touching on several key topics across three stages. Stage 1: Hollywood Casino 400 Recap Todd and Chris revisit the Hollywood Casino 400 at Kansas Speedway, noting the chaotic race and unexpected winner. They discuss how his triumph shook up the playoff picture and highlight standout performances from key drivers. The duo reflects on team strategies and tire management, which played a crucial role throughout the race. Stage 2: Jeff Gluck Interview Next, the hosts welcome The Athletic's Jeff Gluck to the show, discussing Talladega's unpredictable nature. Gluck provides insights on the impact of superspeedways and restrictor-plate racing on playoff outcomes. He also shares thoughts on fan engagement and how drivers approach the volatile environment at Talladega, making it one of the most exciting and nerve-wracking tracks on the circuit. Stage 3: Odds Tracker In the final stage, Todd and Chris delve into the betting landscape for the YellaWood 500, examining the odds on favorites like Brad Keselowski, Joey Logano, and Ryan Blaney. They stress the importance of avoiding heavy favorites in superspeedway races, where chaos can quickly derail expectations. The hosts also point out some value in long shots, emphasizing underdogs with strong drafting skills who could surprise. Subscribe to Bet The Board Podcast