Podcast appearances and mentions of michael ayers

In this PracticeMadePerfect episode, Drs. Melanie Sulistio and Michael Ayers discuss the diverse ways medical education can contribute to your career plans. Listen as they delve into how to make your efforts in medical education “count” towards your promotion and career trajectory.              Subscribe to PracticeMadePerfect| Claim CME Credit 

Welcome to Tales from the Heart! This week host Lisa Salberg sits down with Dr. Michael Ayers to discuss Sudden Cardiac Awareness Month.   The conversation was recorded Oct. 4, 2024.

 Michael Ayers - Principal Teacher/Speaker | The ResurrectionMichael D. Ayers is a prominent figure in the field of Sociology and Behavioral Sciences. His extensive educational background includes a bachelor's degree in Sociology from Tougaloo College in Jackson, MS, and a master's degree in Behavioral Sciences-Sociology from the University of Houston-Clear Lake. With over 29 years of experience, Mr. Ayers has been dedicated to fighting Institutional Racism and White Supremacy through his teaching and speaking engagements.Contributions and Programs Mr. Ayers has made significant contributions through programs such as the Black History Bible Study: Discovering Blacks in the Bible, Violence Prevention, and the B.L.A.C. Leadership program for youth. He has also been a sought-after speaker, addressing numerous church and non-profit groups nationwide.Current RoleCurrently residing in Houston, TX, Mr. Ayers serves as an Instructor of Sociology and is the founder and advisor for the Black Life Studies Club for Students at Houston Community College.Philosophy Mr. Ayers' philosophy is rooted in presenting a sound argument for the righteousness of his creator and sharing nothing but truth, as stated in Job 36:3, 4 from the book of truth.Engagement with The Vanguard Resurrection SchoolMr. Ayers is actively involved with The Vanguard Resurrection School, where he shares his expertise and knowledge on topics related to Black history, sociology, and leadership development.Recommended Resources"The Chains and Images of Psychological Slavery" by Dr. Naim Akbar"No more Mr. Nice Guy" by Dr. Robert A Glover"Medical Apartheid" by Harriet WashingtonAny Biology or Sociology textbookThe BibleRecommended MusicGospelOld School R&B and Hip Hop"Help Me" by Tamela MannDarius BrooksKirk FranklinX ClanContact:Email: thevanguardresurrectionschool@yahoo.comProfessional Skills Radar Chart:Based on our findings, Michael Ayers, CM, CPS is...Giant #6: Michael AyersBy Bill Sommers on June 2, 2024"If I have seen further [than others], it is by standing on the shoulders of giants." - Isaac NewtonMichael Ayers has had a profound impact on education and leadership through his extensive knowledge and contributions to various fields. His collaboration with educational institutions and dedication to promoting equity and kindness have left a lasting impression on those he has worked with.Professor Ayers' BioMichael Ayers is a native of the Riverside Community in Fort Worth, TX, and currently resides in Houston, TX. His educational journey includes earning a bachelor's degree in Sociology from Tougaloo College in Jackson, MS, and a master's degree in Behavioral Sciences with an emphasis in Sociology from the University of Houston-Clear Lake. Throughout his career, Mr. Ayers has been actively involved in community organizations and has made significant contributions to education and leadership development.In addition to his teaching role at Houston Community College, Mr. Ayers is dedicated to promoting the Resurrection School, teaching about Blacks in the Bible, and sharing his expertise through lectures and speaking engagements across the country.Contact Information:Email: vresurrectionschool@yahoo.comPhone: +1 832-443-0826Website: yourressurection.com

Welcome to Tales from the Heart! This week host Lisa Salberg sits down with Dr. Michael Ayers to discuss Medical Management May and clinical trials.   This conversation was recorded May 24, 2024.

Michael Ayers Trotti's The End of Public Execution: Race, Religion and Punishment in the American South (The University of North Carolina Press, 2022) documents the complex religious and cultural textures of post-Civil War executions in the U.S. South. Before 1850, all legal executions in the South were performed before crowds that could number in the thousands; the last legal public execution was in 1936. This study focuses on the shift from public executions to ones behind barriers, situating that change within our understandings of lynching and competing visions of justice and religion. Intended to shame and intimidate, public executions after the Civil War had quite a different effect on southern Black communities. Crowds typically consisting of as many Black people as white behaved like congregations before a macabre pulpit, led in prayer and song by a Black minister on the scaffold. Black criminals often proclaimed their innocence and almost always their salvation. This turned the proceedings into public, mixed-race and mixed-gender celebrations of Black religious authority and devotion. In response, southern states rewrote their laws to eliminate these crowds and this Black authority, ultimately turning to electrocutions in the bowels of state penitentiaries. In just the same era when a wave of lynchings crested around the turn of the twentieth century, states transformed the ways that the South's white-dominated governments controlled legal capital punishment, making executions into private affairs witnessed only by white people. Lane Davis is an Instructor of Religion at Huntingdon College. Find him on Twitter @TheeLaneDavis Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Michael Ayers Trotti's The End of Public Execution: Race, Religion and Punishment in the American South (The University of North Carolina Press, 2022) documents the complex religious and cultural textures of post-Civil War executions in the U.S. South. Before 1850, all legal executions in the South were performed before crowds that could number in the thousands; the last legal public execution was in 1936. This study focuses on the shift from public executions to ones behind barriers, situating that change within our understandings of lynching and competing visions of justice and religion. Intended to shame and intimidate, public executions after the Civil War had quite a different effect on southern Black communities. Crowds typically consisting of as many Black people as white behaved like congregations before a macabre pulpit, led in prayer and song by a Black minister on the scaffold. Black criminals often proclaimed their innocence and almost always their salvation. This turned the proceedings into public, mixed-race and mixed-gender celebrations of Black religious authority and devotion. In response, southern states rewrote their laws to eliminate these crowds and this Black authority, ultimately turning to electrocutions in the bowels of state penitentiaries. In just the same era when a wave of lynchings crested around the turn of the twentieth century, states transformed the ways that the South's white-dominated governments controlled legal capital punishment, making executions into private affairs witnessed only by white people. Lane Davis is an Instructor of Religion at Huntingdon College. Find him on Twitter @TheeLaneDavis Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Michael Ayers Trotti's The End of Public Execution: Race, Religion and Punishment in the American South (The University of North Carolina Press, 2022) documents the complex religious and cultural textures of post-Civil War executions in the U.S. South. Before 1850, all legal executions in the South were performed before crowds that could number in the thousands; the last legal public execution was in 1936. This study focuses on the shift from public executions to ones behind barriers, situating that change within our understandings of lynching and competing visions of justice and religion. Intended to shame and intimidate, public executions after the Civil War had quite a different effect on southern Black communities. Crowds typically consisting of as many Black people as white behaved like congregations before a macabre pulpit, led in prayer and song by a Black minister on the scaffold. Black criminals often proclaimed their innocence and almost always their salvation. This turned the proceedings into public, mixed-race and mixed-gender celebrations of Black religious authority and devotion. In response, southern states rewrote their laws to eliminate these crowds and this Black authority, ultimately turning to electrocutions in the bowels of state penitentiaries. In just the same era when a wave of lynchings crested around the turn of the twentieth century, states transformed the ways that the South's white-dominated governments controlled legal capital punishment, making executions into private affairs witnessed only by white people. Lane Davis is an Instructor of Religion at Huntingdon College. Find him on Twitter @TheeLaneDavis Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Michael Ayers Trotti's The End of Public Execution: Race, Religion and Punishment in the American South (The University of North Carolina Press, 2022) documents the complex religious and cultural textures of post-Civil War executions in the U.S. South. Before 1850, all legal executions in the South were performed before crowds that could number in the thousands; the last legal public execution was in 1936. This study focuses on the shift from public executions to ones behind barriers, situating that change within our understandings of lynching and competing visions of justice and religion. Intended to shame and intimidate, public executions after the Civil War had quite a different effect on southern Black communities. Crowds typically consisting of as many Black people as white behaved like congregations before a macabre pulpit, led in prayer and song by a Black minister on the scaffold. Black criminals often proclaimed their innocence and almost always their salvation. This turned the proceedings into public, mixed-race and mixed-gender celebrations of Black religious authority and devotion. In response, southern states rewrote their laws to eliminate these crowds and this Black authority, ultimately turning to electrocutions in the bowels of state penitentiaries. In just the same era when a wave of lynchings crested around the turn of the twentieth century, states transformed the ways that the South's white-dominated governments controlled legal capital punishment, making executions into private affairs witnessed only by white people. Lane Davis is an Instructor of Religion at Huntingdon College. Find him on Twitter @TheeLaneDavis

Michael Ayers Trotti's The End of Public Execution: Race, Religion and Punishment in the American South (The University of North Carolina Press, 2022) documents the complex religious and cultural textures of post-Civil War executions in the U.S. South. Before 1850, all legal executions in the South were performed before crowds that could number in the thousands; the last legal public execution was in 1936. This study focuses on the shift from public executions to ones behind barriers, situating that change within our understandings of lynching and competing visions of justice and religion. Intended to shame and intimidate, public executions after the Civil War had quite a different effect on southern Black communities. Crowds typically consisting of as many Black people as white behaved like congregations before a macabre pulpit, led in prayer and song by a Black minister on the scaffold. Black criminals often proclaimed their innocence and almost always their salvation. This turned the proceedings into public, mixed-race and mixed-gender celebrations of Black religious authority and devotion. In response, southern states rewrote their laws to eliminate these crowds and this Black authority, ultimately turning to electrocutions in the bowels of state penitentiaries. In just the same era when a wave of lynchings crested around the turn of the twentieth century, states transformed the ways that the South's white-dominated governments controlled legal capital punishment, making executions into private affairs witnessed only by white people. Lane Davis is an Instructor of Religion at Huntingdon College. Find him on Twitter @TheeLaneDavis Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael Ayers Trotti's The End of Public Execution: Race, Religion and Punishment in the American South (The University of North Carolina Press, 2022) documents the complex religious and cultural textures of post-Civil War executions in the U.S. South. Before 1850, all legal executions in the South were performed before crowds that could number in the thousands; the last legal public execution was in 1936. This study focuses on the shift from public executions to ones behind barriers, situating that change within our understandings of lynching and competing visions of justice and religion. Intended to shame and intimidate, public executions after the Civil War had quite a different effect on southern Black communities. Crowds typically consisting of as many Black people as white behaved like congregations before a macabre pulpit, led in prayer and song by a Black minister on the scaffold. Black criminals often proclaimed their innocence and almost always their salvation. This turned the proceedings into public, mixed-race and mixed-gender celebrations of Black religious authority and devotion. In response, southern states rewrote their laws to eliminate these crowds and this Black authority, ultimately turning to electrocutions in the bowels of state penitentiaries. In just the same era when a wave of lynchings crested around the turn of the twentieth century, states transformed the ways that the South's white-dominated governments controlled legal capital punishment, making executions into private affairs witnessed only by white people. Lane Davis is an Instructor of Religion at Huntingdon College. Find him on Twitter @TheeLaneDavis Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael Ayers Trotti's The End of Public Execution: Race, Religion and Punishment in the American South (The University of North Carolina Press, 2022) documents the complex religious and cultural textures of post-Civil War executions in the U.S. South. Before 1850, all legal executions in the South were performed before crowds that could number in the thousands; the last legal public execution was in 1936. This study focuses on the shift from public executions to ones behind barriers, situating that change within our understandings of lynching and competing visions of justice and religion. Intended to shame and intimidate, public executions after the Civil War had quite a different effect on southern Black communities. Crowds typically consisting of as many Black people as white behaved like congregations before a macabre pulpit, led in prayer and song by a Black minister on the scaffold. Black criminals often proclaimed their innocence and almost always their salvation. This turned the proceedings into public, mixed-race and mixed-gender celebrations of Black religious authority and devotion. In response, southern states rewrote their laws to eliminate these crowds and this Black authority, ultimately turning to electrocutions in the bowels of state penitentiaries. In just the same era when a wave of lynchings crested around the turn of the twentieth century, states transformed the ways that the South's white-dominated governments controlled legal capital punishment, making executions into private affairs witnessed only by white people. Lane Davis is an Instructor of Religion at Huntingdon College. Find him on Twitter @TheeLaneDavis Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

This week's guest is Sociology Professor Black History Bible Historian, and a friend of mine for over 20 years, Michael Ayers. Get your note taking material. This episode is meat, not milk. We're going to the deep end this week. Facebook: The Vanguard Resurrection School Email: thevanguardresurrectionschool@yahoo.com Recommended Reads: "The Chains and Images of Psychological Slavery" by Dr. Naim Akbar "No more Mr. Nice Guy" by Dr. Robert A Glover "Medical Apartheid" by Harriet Washington Any Biology or Sociology textbook The Bible Recommended Music: Gospel Old School R&B and Hip Hop "Help Me" by Tamela Mann Darius Brooks Kirk Franklin X Clan Ya Didn't Ask: "In October, you need your Change battery out your car, because the summer heat has wreaked havoc on the battery you're using now. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/mike493/message

This podcast features the song “Were It Not for Grace"(Hannah Morgan & Michael Ayers)as well as the message "Don't Lose Your Focus" given by Pastor Stephen Pope from the pulpit of Calvary Baptist Church(Union Grove, NC).

Hello and welcome to 321 Lift Off! Today, we are joined by Michael Ayers, who is the President and CEO of the Melbourne Regional Chamber of Commerce located in beautiful Melbourne, Florida! Michael discusses his role with the Chamber and the great sights to see in the Melbourne, Florida area. We also discuss the fun things to do in the area, live entertainment and many of the amazing places to eat.   To learn more about the beautiful Melbourne, Florida area you can listen to this episode and all of our past episodes on www.spacecoastfunguide.com/321LiftOff

On this episode, my guest is Michael Ayers, President of the Melbourne Florida Regional Chamber (https://www.melbourneregionalchamber.com). We discuss how listening can create trust, how to begin to empower your team, the importance of mentors, and more! 

Michael Ayers is President of the Melbourne Regional Chamber of Commerce. In this episode we get to know Michael personally and professionally. We discussed the current business climate, exciting things happening on the Space Coast of Florida and so much more.Support the show (https://www.patreon.com/Podcast321)

The Crew sits down with Michael Ayers about the public land mule deer hunt. We talk about drinking Jameison the night before a big hike and how to survive the ensuing hangover death hike.  Please support us by giving us a review and 4 star rating!!  Check us out on social media @stormwatercreek

“The Truth” every Friday on www.soulgrooveradio.co.uk with more classic tracks from DJ Mr Jay & Love In Action who have selected some of the finest in soul and R&B. Our featured artists for podcast 109 includes Carmen Hendricks, Reel People, Ledisi, Michael Ayers, Donnie Williams and Park Place, Will Downing, Keith Sweat and J Holiday Remember to tune into www.soulgrooveradio.co.uk or download the podcasts from http://djmrjay.podomatic.com/ or simply type “Dj Mr Jay’s Podcasts” in the search box on iTunes. Find out more about “The Truth” email us at info@djmrjaylive.com. The Friday Connection celebrates its 1st Year Anniversary on Friday 27th January. Dj Mr Jay (Soul Groove Radio/iTunes Podcasting), Greg Edwards & Crouchie will be playing the best in Soul, Disco and Jazz-Funk for the jam at the plush Mandolay Hotel in Guildford. Expect soulful musical nuggets all the way from 9.00pm to late, remember it’s free before 10pm, after which tickets are £6 in advance, or £8 on the door. The Mandolay Hotel is in London Road, Guildford, Surrey, GU1 2AE.

“The Truth” every Friday on www.soulgrooveradio.co.uk with more classic tracks from DJ Mr Jay & Love In Action who have selected some of the finest in soul and R&B. Our featured artists for podcast 108 includes Teri Tobin, Michael Ayers, Tyrese, Raheem DeVaughn, Will Downing, Mike Winans, T-Pain, Genita Pugh, Karyn White, Robin Thicke, Lalah Hathaway and Joe Remember to tune into www.soulgrooveradio.co.uk or download the podcasts from http://djmrjay.podomatic.com/ or simply type “Dj Mr Jay’s Podcasts” in the search box on iTunes. Find out more about “The Truth” email us at info@djmrjaylive.com. Grown & Sexy “The Ultimate Party in Antigua” Grown & Sexy was started in 2008 by Radio Broadcaster/DJ Dave VJ providing club nights for the mature clubber. The next step was to take Grown & Sexy on holiday - so where better than the beautiful Caribbean island of Antigua. The trip was so successful in 2011 that we're doing it all over again in 2012. Come and join the party in paradise from 14th - 24th June 2012. For more information contact about this exclusive event contact info@davevj.com and 07956 350 010

Michael Ayers is a singer/songwriter/producer from St. Mary Parish Louisiana & a recent signee of Atlantic Records who has crafted a sound that he affectionately calls “Free & Open”. “I get tired of hearing songs that are so full of production and sounds for the sake of having sounds on the track that you barely even hear the singer that the song is supposed to be for. Back in the day, every instrument was just another way to tell the story. Another part that added to the whole. Music is the framework, the artist is the canvas.” Born to a singing father from Ohio and a songwriting mother from Louisiana, the second youngest of eight children all singer/musicians in their own right, Mr. Ayers was literally born into music. “My mother told me that I literally rode into this world to The Isley Brothers. That’s not what most kids would want to hear from their parents, but I loved it. It let me know that this was my destiny from the get go. ”Mr Ayers has been singing since the age of two and performing professionally since the age of 13. He has been a writer and producer of his own music since the age of 15. Many have described him as a true homage to great soul singers from the past as well as a sure sign of the future. One listen to him weather LIVE or on wax leaves no mistaking who and what his influences are. “Music is like time, there are no straight lines, only circles. Everything comes back around again. The 60’s, 70’s and 80’s have all had a resurgence. It’s only a matter of time before the 90’s get their turn in the limelight once again.” That means good singing laid back production and style marrying substance, not replacing it. And if Mr Ayers has his way, then he plans on being one of music’s leading archaeologists. For more info: (404)-625-4310 Keakevene@yahoo.com

“The Truth” every Friday on www.soulgrooveradio.co.uk with more classic tracks from DJ Mr Jay & Love In Action who have selected some of the finest in soul and R&B. Podcast 105 includes an exclusive from Michael Ayers, a singer/songwriter/producer from St. Mary Parish Louisiana & a recent signee of Atlantic Records who has crafted a sound that he affectionately calls “Free & Open”. The show also features tracks by Joe, Anthony Hamilton, Antoine Dunn, Olivia, Paul Taylor, Dallas Blocker, Noel Gourdin, Robin Thicke, Mary J Blighe and Trey Songz

This coming Thursday night we will be speaking with former Bad Boy artist and legendary soul crooner Carl Thomas. Mr. Thomas will talk about his new album "Conquer" and much more. We will also speak with up and coming soul singer and recent signee to Atlantic Records, Michael Ayers. 718-508-9972 LET YOUR VOICE BE HEARD!