Podcast appearances and mentions of Paul Q Kolderie

With their tenth album, Jump Rope, just released, a fortunate stroke of serendipity landed Buffalo Tom's third album Let Me Come Over at the top of our most recent Patreon album poll. Having recorded their first two albums with J Mascis of Dinosaur Jr., the band took a different approach for their 1992 release, heading to Fort Apache Studios to work with Sean Slade and Paul Q. Kolderie. With guitars and tempos dialed down a bit, introspective lyrics and melancholy melodies become clearer in the mix, while tasteful layers of acoustic guitars, keys, and other additions help fill-out the three-piece sound.   Songs In This Episode Intro - Staples 15:27 - Mineral 17:24 - Stymied 26:25 - Taillights Fade 29:54 - I'm Not There Outro - Porchlight   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

With their tenth album, Jump Rope, just released, a fortunate stroke of serendipity landed Buffalo Tom's third album Let Me Come Over at the top of our most recent Patreon album poll. Having recorded their first two albums with J Mascis of Dinosaur Jr., the band took a different approach for their 1992 release, heading to Fort Apache Studios to work with Sean Slade and Paul Q. Kolderie. With guitars and tempos dialed down a bit, introspective lyrics and melancholy melodies become clearer in the mix, while tasteful layers of acoustic guitars, keys, and other additions help fill-out the three-piece sound.   Songs In This Episode Intro - Staples 15:27 - Mineral 17:24 - Stymied 26:25 - Taillights Fade 29:54 - I'm Not There Outro - Porchlight   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

In this episode we review the 2nd album from ska legends The Mighty Mighty Bosstones.Blenderstyle Hosts: Casey, Matthew, NathanFollow/Subscribe:YouTube: https://www.youtube.com/c/blenderstylePodcast: https://blenderstyle.buzzsprout.comBlenderstyle Merch: https://blenderstyle.square.siteInstagram: https://www.instagram.com/blenderstylemusicFacebook: https://www.facebook.com/blenderstylemusicWebsite: http://blenderstyle.netListen to the albumYouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_nFZl_Eh3INkoNXQlPDKNDAAYlo8TgHODISpotify: https://open.spotify.com/album/28xDdUxyWOjPzZKbcQMJlOApple Music: https://music.apple.com/us/album/more-noise-and-other-disturbances/321176085The Mighty Mighty Bosstones, More Noise and Other Disturbances, Album Review, Ska, Awfully Quiet, Where'd You Go, Dr. D, It Can't Hurt, What's at Stake, Cowboy Coffee, I'll Drink to That, Guns and the Young, He's Back, Bad in Plaid, They Came to Boston, Boston, Boston Music, Dicky Barrett, Nate Albert, Joe Gittleman, Tim Johnny Vegas Burton, Kevin Lenear, Dennis Brockenborough, Joe Sirois, Josh Dalsimer, Tyler Oulin, Paul Q. Kolderie, Steve Malone, Frank Gaide, Randy Hughes, Mim Michelove, Bakersfield, Blenderstyle0:00 Intro0:25 Album Review10:30 Casey's Rating11:17 Matt's Rating11:45 Nathan's Rating13:15 Outro

El 22 de febrero de 1993 Radiohead publicó “Pablo Honey”, el álbum que los capultaría a la fama internacional con el himno "Creep". El debut de los ingleses debe su título a un sketch del dúo cómico The Jerky Boys, en el que realizaban una broma telefónica donde los cómicos le decían a la víctima: «Pablo, honey? Please come to Florida!». Además, un sample de ese fragmento del sketch puede oírse hacia el final de la tercera canción del disco, ‘How Do You?’. 25 años después de su debut, y analizando en perspectiva todos los trabajos que han publicado hasta la fecha, «Pablo Honey» está muy alejado de lo que hoy en día consideraríamos el sonido Radiohead. En él coquetearon y se acercaron al grunge que inundaba los radios en aquellos años, dejando la experimentación para álbumes como "Ok Computer" o "Kid A". Yorke y compañía escuchaban principalmente a iconos del rock alternativo americano como Dinosaur Jr., Sonic Youth o los Pixies. De hecho, los productores del disco fueron Sean Slade y Paul Q. Kolderie, que habían producido a Dinosaur Jr. y a Buffalo Tom y dejaron patente esta huella en el resultado final del LP, que fue grabado entre septiembre y noviembre de 1992 en Chipping Norton Recording Studios y en Courtyard Studio de Sutton Courtney, Oxfordshire, Inglaterra. - - Somos @ruta89radio un proyecto autosostenible, si te interesa que tu marca sea reconocida y la escuchen en todo el mundo, escríbenos! Síguenos en instagram, facebook y twitter. Escúchanos en las plataformas de audio digital y emisoras aliadas. Comenta, dale like y comparte estos especiales con todos los que les gusta la buena música #Rock #Pop #80s #90s. Descarga nuestros programas desde ivoox. Conducen: Juan Carlos López y Mauricio Parada Beltrán desde Colombia para el mundo.

El 22 de febrero de 1993 Radiohead publicó “Pablo Honey”, el álbum que los capultaría a la fama internacional con el himno "Creep". El debut de los ingleses debe su título a un sketch del dúo cómico The Jerky Boys, en el que realizaban una broma telefónica donde los cómicos le decían a la víctima: «Pablo, honey? Please come to Florida!». Además, un sample de ese fragmento del sketch puede oírse hacia el final de la tercera canción del disco, ‘How Do You?’. 25 años después de su debut, y analizando en perspectiva todos los trabajos que han publicado hasta la fecha, «Pablo Honey» está muy alejado de lo que hoy en día consideraríamos el sonido Radiohead. En él coquetearon y se acercaron al grunge que inundaba los radios en aquellos años, dejando la experimentación para álbumes como "Ok Computer" o "Kid A". Yorke y compañía escuchaban principalmente a iconos del rock alternativo americano como Dinosaur Jr., Sonic Youth o los Pixies. De hecho, los productores del disco fueron Sean Slade y Paul Q. Kolderie, que habían producido a Dinosaur Jr. y a Buffalo Tom y dejaron patente esta huella en el resultado final del LP, que fue grabado entre septiembre y noviembre de 1992 en Chipping Norton Recording Studios y en Courtyard Studio de Sutton Courtney, Oxfordshire, Inglaterra. - - Somos @ruta89radio un proyecto autosostenible, si te interesa que tu marca sea reconocida y la escuchen en todo el mundo, escríbenos! Síguenos en instagram, facebook y twitter. Escúchanos en las plataformas de audio digital y emisoras aliadas. Comenta, dale like y comparte estos especiales con todos los que les gusta la buena música #Rock #Pop #80s #90s. Descarga nuestros programas desde ivoox. Conducen: Juan Carlos López y Mauricio Parada Beltrán desde Colombia para el mundo.

Adam sits down with music producer Paul Q. Kolderie to discuss mixing techniques, the music industry, and his work producing Pablo Honey by Radiohead.They talk about how Paul became a music producer, how he got started with his producing partner, Sean Slade, and how they started working with Radiohead. Paul gives insight into how the band were in the studio, and touches on the respeonse to, and legacy of the album.They also, of course, talk about Creep and find time to chat about Paul's work on mixing Radiohead's next album, The Bends. Our next episode is out on Monday May 23rd and will begin our coverage of Radiohead's second album, The Bends.You can now wear your fandom on your (literal) sleeve!What Is Music? now has a RedBubble shop with lots of cool and stupid designs. You can get the designs on basically any product you like, from t-shirts and mugs, to bath mats and jigsaws, via clocks and phone cases! Head to https://whatismusicpod.redbubble.comIf you'd like a different way to donate to usYou can do so at https://ko-fi.com/whatismusicAny donations very gratefully received and go towards our running costs!Join the conversation on:Twitter: https://twitter.com/whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comhttp://whatismusic.buzzsprout.com/Support the show

In this bonus ep Bakko chats with the producer of Hole's record, Live Through This, Paul Q. Kolderie. Paul Q. Kolderie is an American record producer, engineer, and mixer. He has worked with Pixies, Radiohead, Orangutang, Hole, Dinosaur Jr., Juliana Hatfield, Wax, Warren Zevon, Uncle Tupelo, Throwing Muses, Morphine, the Mighty Mighty Bosstones, Abandoned Pools, the Go-Go's, and Mike Gordon of Phish. He usually works with production partner Sean Slade. Kolderie and Slade were friends from Yale University, where they played in bands together. They also became members of Sex Execs, a Boston-based new wave music band of the early 1980s. The duo had their formative experience as producers while they were in Sex Execs. Most of the group lived in a house in Dorchester, Boston that was wired up as a primitive studio. Other bands came over to record as well, including a local act called Three Colors, which featured saxophonist Dana Colley, later of Morphine. As Sex Execs became more successful, they started recording in professional studios such as Syncro Sound, which was owned by The Cars. Kolderie learned a lot from the engineers there. He got to record an EP for Three Colors at Syncro, earning his first production credit.

Pat's back on the Record Night Podcast, but this time we're subjecting him to an album of our choosing. It was Collin's turn to pick and he went with "Life'll Kill Ya" by Warren Zevon (2000). As the title would indicate, this album centers around mortality. Two years after the release of this album, Warren Zevon was diagnosed with terminal lung cancer (Mesothelioma) and passed away a year later on Sep. 7th, 2003. At the end of this episode, Pat reveals his selection which was also released in 2000, 20 years to the day we recorded the episode (Oct. 24th). Produced by Paul Q. Kolderie and Sean Slade 1. I Was in the House When the House Burned Down 2. Life'll Kill Ya 3. Porcelain Monkey (Jorge Calderón, Zevon) 4. For My Next Trick I'll Need a Volunteer 5. I'll Slow You Down 6. Hostage-O Side B 7. Dirty Little Religion 8. Back in the High Life Again (Steve Winwood, Will Jennings) 9. My Shit's Fucked Up 10. Fistful of Rain (Jorge Calderón, Zevon) 11. Ourselves to Know 12. Don't Let Us Get Sick Purchase "Life'll Kill Ya" on vinyl: https://www.amazon.com/Lifell-Kill-Ya-WARREN-ZEVON/dp/B087349QT5/ref=tmm_vnl_swatch_0?_encoding=UTF8&qid=&sr= Support local record stores! Here's a directory of local record stores across the country: https://www.coleminerecords.com/blogs/news/indie-retail-online-store-directory Follow us on Instagram: https://www.instagram.com/recordnightpodcast/ Email: recordnightpodcast@gmail.com

My guest today is Kim Rosen a mastering engineer working out of her own studio, Knack Mastering, located in Ringwood, NJ. Kim’s mastered six Grammy® nominated albums in the past four years; one winning for Best Folk Album (Aimee Mann), three nominated in Best Blues Album categories (Bettye LaVette, Victor Wainwright and Theresa James) as well as two nominations in the Best Engineered Album/Non-Classical category (Bonnie Raitt and The Milk Carton Kids). Kim grew up in Northampton, Massachusetts and poured herself into the vibrant college music scene. In the summer of 2002, a friend turned her on to a mastering studio in NJ that was looking for an intern. Kim jumped at the opportunity, moved to NJ and began her journey at West West Side Music with Alan Douches (RSR092). In 2009, after working her way up to Staff Mastering Engineer at West West Side, Kim decided to go out on her own and has built a growing list of clients that includes producers and engineers such as Ryan Freeland, Ed Cherney, Joe Henry, Matt Ross-Spang, Paul Q. Kolderie and artists such as Rhiannon Giddens, Aimee Mann, Belly, Bonnie Raitt, Billy Bragg, Wynonna Judd, The Birds of Chicago, The Barr Brothers, Over The Rhine, Sarah Jaffe, Anthony Green and Title Fight.  Thanks to our sponsors! WhisperRoom: https://whisperroom.com Get 10% off the 4x4 or 4x6 booths now when you mention Recording Studio Rockstars: http://whisperroom.com Eventide: https://www.eventideaudio.com OWC - Other World Computing: https://www.OWC.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/214

Chuck Prophet describes his new disc BOBBY FULLER DIED FOR YOUR SINS as “California Noir.”   He says, “the state has always represented the Golden Dream, and it’s the tension between romance and reality that lurks underneath the surface in all noir films and paperbacks, and that connects these songs.  Doomed love, inconsolable loneliness, rags to riches to rags again, and fast-paced violence are always on the menu on the Left Coast. Who is Bobby Fuller? He’s the star of the ultimate Rock and Roll Babylon feel-bad story. The title track came out of an obsession Prophet shares with co-conspirator klipschutz. Prophet explains, “One day we were sitting in my so-called office South of Market listening to LPs, when out of frustration –I picked up a guitar and shouted, ‘I hear that record crackle, the needle skips and jumps!’ and klipschutz shot back, ‘“Bobby Fuller died for your sins! One thing led to another, and ten months later he found himself at the legendary Hyde St. Studios in the heart of the Tenderloin “slaving over a hot two-inch tape machine, cutting tracks with Brad Jones, Paul Q. Kolderie, and Matt Winegar riding herd.”  And pumping it all into the echo chamber. No computer in sight and two-inch tape boxes stacked up to the ceiling. The Mission Express, Prophet’s band, which includes his wife Stephanie Finch, provided the backing. “Talented, difficult people who all played their hearts out. You can hear it,” he says. And recording at Hyde Street – walking distance from his apartment – was a homecoming of sorts. “I did my first session there, in high school no less,” says Prophet.  He even dragged out his ’64 Stratocaster, a guitar that Jonathan Richman said sounds, “like gasoline in the sand, like a motorcycle at a hot dog stand.”