Podcasts about Better Things

You're listening to Burnt Toast! Today, my guest is Denise Hamburger, founder and director of Be Real USA. Be Real is a nonprofit that imagines a world where every child can grow up with a healthy relationship to food and their body. They work with body image researchers, psychologists, teachers and public health officials to design curricula about nutrition and body image that are weight neutral, and inclusive of all genders, abilities, races and body sizes.So many of you reach out to me every September to say, “Oh my God, you're not going to believe what my kid is learning in health class.” Food logs, fitness trackers, other diet tools are far too common in our classrooms— especially in middle and high school health class. Denise is here to help us understand why those assignments are so harmful and talk about what parents and educators can do differently. This episode is free — so please, share it with the parents, teachers and school administrators in your communities! But if you value this conversation, consider supporting our work with a paid subscription. Burnt Toast is 100% reader- and listener-supported. We literally can't do this without you.PS. You can always listen to this pod right here in your email, where you'll also receive full transcripts (edited and condensed for clarity). But please also follow us in Apple Podcasts, Spotify, Stitcher, and/or Pocket Casts! And if you enjoy today's conversation, please tap the heart on this post — likes are one of the biggest drivers of traffic from Substack's Notes, so that's a super easy, free way to support the show!Two Resources You'll Want From This Episode: Here's how to access the BeReal Let's Eat Curriculum: And here's a roundup of everything I've written on diet culture in schools: Episode 211 TranscriptDeniseWell, this all started I would say about 10 years ago. Actually, about 12 years ago. I was an environmental lawyer in my first career—that's what I'm trained to do. I went to law school, was practicing in big law firms. Which has nothing to do with body image, except I was an environmental lawyer who weighed herself every day and got her mood affected by the number on the scale for 40 years. So that's four decades.VirginiaSo many times getting on a scale.DeniseI really felt like I didn't want anyone else, especially young women today, to waste the amount of time and energy that I had wasted distracting them from what they need to be doing in their lives, figuring out their own person possibilities. That's really what you're here to do. And it takes us away from what we're supposed to be doing.With that in mind, I went back to school at the University of Chicago, and I was thinking of get a social work degree and doing something with body image. But then I wrote a paper on my own body image for one of my classes at the School of Social Work and I found 50 years of research on body image. And then 30 years of discussion and research on how to prevent eating disorders and body dissatisfaction. Like, wow, there is so much out there, so much research on this. But I haven't heard any of this. It feels like it's not making its way into resources that people can use.So I started speaking on it, and I was speaking to middle-aged women, and I thought the message that we all would really benefit from would be everybody's got this. Because I feel like, especially my generation, where we didn't really talk about how we felt about our bodies. I'm at the tail end of the Baby Boom. So I'm 62 and I felt that people in my generation—again, I was 50 at the time—weren't in touch with their own feelings on body image. After talking about this for so many years, younger generations have access to it I think a lot more. But I felt like we could all benefit from knowing that everybody's got it—so kind of a common humanity. It's not our fault, which helps with the shame around it.So everyone has it, it's not our fault, and society has given it to us. And I think that this is something that would resonate with my generation. So I started speaking in local libraries and community houses to women my age, and quickly learned that it is really hard to undo decades worth of thought patterns and feelings around food, body and eating. People came to hear me talk about body image, and I think, in general, when I started out, they were hoping I had a new diet.VirginiaOh, I'm sure they were. I'm sure they were like, “Oh, we're going to go hear her talk about how to love your body by making it smaller!”DeniseAbsolutely. And all of the women, because they were women in my workshops, were starting to talk about their daughters. They're saying that my daughter's got this, and she's coming home and saying this. Then in one of my audiences, I had a health teacher at my local high school. There was a health teacher who came and said—this is about 2015—you should hear what the young girls are saying. They've got this new thing called Instagram and and they're seeing pictures of, “perfect” looking people and feeling bad about themselves or feeling flawed in comparison.So she said, “What resources are there for for the students in my class?” And I said, there has got to be something because there is 50 years' of research there, there has got to be something fabulous for you. And I called the professors listed on the the studies. The granddaddy of the industry, Michael Levine, I called him up. I said, “Michael, just tell me, what can I recommend to these teachers?” And he's like, “I don't know. I don't know. We don't have it. It's not there. Even though the research is there.”So there was a curriculum created for high risk kids. It needed to be given by facilitators called The Body Project. And I called one of the professors who wrote The Body Project and said, “Listen, I'd like to give this tool to a teacher for universal,” which means giving it to everybody in the classroom, and and she wants to bring it to her high school, but it looks like you need to be trained. And it was a script. The Body Project was a script. And this teacher said to me, I'm not reading a script in a classroom. You're not going to get a high school teacher to read a script.VirginiaYeah. I would imagine high school students sitting in a classroom aren't going to respond to someone just reading a script at them.DeniseNobody wants to hear it. It's not useful. It wasn't created for that use. So this professor, Carolyn Becker, had actually written a paper on how the academics need to work with stakeholders to make sure that their research makes it to the public. And I said, I'm calling you. I'm a stakeholder. What do you need? And she said, “We need somebody to translate it.” And I said, “I'm your girl.”VirginiaI mean, it's wild that the research has been there. We've known what works, or what strategies to use for so long, and yet it's not in the pedagogy, it's not in the classrooms.So you started with the body image curriculum, BodyKind. And now this year, you've just released your weight neutral nutrition curriculum for middle and high school students, called Let's Eat.Full disclosure: I got to be a early reader of the of the curriculum and offer a few notes. It was already amazing when I read it.DeniseThank you.VirginiaI did not have to add a lot at any by any means, but it was really cool to see the development process, and see where you ended up with it. It's really remarkable. So let's start by talking about why nutrition. You've done the body image thing, that's really powerful. Why was nutrition the next logical place to go?DeniseI have spoken at this point to probably 10,000 teachers. And they're always asking me, what nutrition curriculum do you recommend? Same deal. There's not one out thereAnd I had asked one of my interns to give me her textbook on it, like what are you learning about nutrition? And in my intern's textbook, it was 2018, you saw encapsulated the entire problem of what's wrong with nutrition curriculum.They are asking the children to weigh and measure themselves, and they're asking the children to count calories in different ways, and to track their food. Food logs. Again, these were best practices in the 90s and and 2000s on how to teach nutrition. So this is all over the nutrition curriculum.Then, of course, they're talking about good and bad foods, which foods can you eat, which foods you can't you eat, and all of these things in the research we know cause disordered eating and eating disorders, they all contribute to it. I have a list of probably nine research papers that point to each of these things and tell you why these are bad ideas to have a nutrition class.And we also know there have been two papers written, where they polled students or young people coming in for eating disorder treatment and asked them, what do you think triggered your eating disorder? And around 14% in both studies said, “My healthy eating curriculum at school was where I started getting this obsession.” So you know, what's out there hasn't been helpful, and even worse, has been part of the problem in our society.[Post-recording note: Here's Mallary Tenore Tarpley writing about this research in the Washington Post, and quoting Oona Hanson!]VirginiaIt's so rooted in our moral panic around “the childhood obesity epidemic.” Educators, public health officials, everyone feels like, that's the thing we have to be worried about if we're going to talk about kids and food. It all has to be framed through that lens. And what you are arguing is: That weight-centered approach causes harm. We can see from the data that it's not “fixing” the obesity epidemic. Kids aren't thinner than they were 40 years ago. So it didn't work. And it's having all these unintended ripple effects, or sometimes, I would say, intended ripple effects.DeniseYes, exactly. Studies on nutrition curriculum have shown that over 11 years, teaching diet and exercise did not do anything, in two age groups. One was elementary/middle school, another one was a high school group. And they found no changes in body size or nutritional knowledge and and only the effects of what they call weight stigma. Which is just anti-fat bias. So it only causes harm. And these meta studies were from “obesity researchers,” right? So they are even acknowledging we don't know how to prevent obesity.VirginiaSo you could see very clearly why the current landscape is harmful. How did you think about how to design a better curriculum?DeniseWe had been working on the back burner on an intuitive eating for students type of curriculum. Because the question I get from my teachers is, “What should I be teaching?” So we had been kind of working on an intuitive eating curriculum, and then one of my ambassadors, Selena Salfen, she works in Ramsey County Public Health in Minnesota, said, “Hey, we're looking for a nutrition curriculum. Why don't we do one together?”It really turned into how to eat, not what to eat. So we started working on body cues and building trust with your food. And then started really focusing on empowering the student as an authority on their own eating behavior, teaching them how to learn from their own eating experiences. Which is part of responsive feeding. And Ellyn Satter's Division of Responsibility In Feeding. So we have pieces from all of these. We are empowering students to be experts on their own eating.VirginiaIt's also so much more respectful of students' cultural backgrounds, as opposed to the way we learned, like the food pyramid or MyPlate, saying “this is what your plate should look like.” And that doesn't look like many plates around the world. That's not what dinner is in lots of families. Your curriculum is saying, let's empower students to be the experts is letting them own their own experience.DeniseAbsolutely, and trust their own experience. And trust themselves. And they don't have to go outside of themselves. We want to teach them to act in their own best interests. That's part of self-care, teaching them to take care of themselves. They need to learn it somewhere.So if you do what they've done for years and tell them you need to cut out sugar and you need to cut out carbs, or you need to get this this many grams of protein, it leaves off all of the wonderful parts of eating that we get to experience many times a day, which is the joy, the pleasure, the sharing of food. So in our curriculum, we ask the kids, what do you do in your culture around food? How do you celebrate in your culture with food? What do you eat?We get the discussion going with them and allowing them to feel pride in how their family celebrates. And so it's really bringing in all these other aspects that we experience with food every day into talking about food. And we talk about pleasure, what do you like, what food do you like, what food do you enjoy? And we want them to be able to hold what foods they like, what their needs are that day.So you talked about MyPlate, MyPlate is stagnant. It always looks the same. But your nutritional needs change every day. If I'm sick, my needs around nourishment are different from if I've got a soccer match after school that day. So we're trying to teach them to be flexible and really throw perfectionism out the window, because it's unhelpful in any area of life, but especially around eating, especially around food.VirginiaI'm wondering what you're hearing from school districts who are worrying about the federal guidelines. Because they do need to be in compliance with certain things. DeniseSo we spent a long time with the Food and Nutrition guidelines. The CDC food and nutrition guidelines, and we spent a long time with the HECAT standards, which are the health curriculum standards. We know that teachers are trying to match up what they're teaching to the federal standards and the state standards. Because every state has their own discussion of this, and they write their own rules. Usually they look like the federal standards, but we find with food and nutrition, sometimes they go off. You'll get somebody on the committee who hates soda, and will write 10 rules around soda. So every state has their own idiosyncratic rules around it as well.VirginiaI mean, on the flip side, that means there have been opportunities for advocacy. For example in Maryland, Sarah Ganginis was able to make real progress on her state standards. But yes, the downside is you're gonna have the anti-soda committee showing up.DeniseTotally. And half of the country. We really tried to hit the big standards. I'm actually thumbing through the curriculum right now. We have two pages of the HECAT model food nutrition lessons and which ones this curriculum hits. And then if you're interested in talking about some of the others — like some of them really want to talk about specifically sugary drinks— we give links in the curriculum to discussions that we agree with. So we may mention sugary drinks in a little piece of the curriculum, but if you want to get the article or the discussion on it that frames it the way we'd like to see it framed, we've got links in the curriculum for that.VirginiaSo tell me about the response so far. What are you hearing from teachers and districts?DeniseThe biggest response I'm getting is, “It's a breath of fresh air.” It's safe, as you say. And for the teachers out there that are familiar with all of the things that we've been teaching that haven't been working, this is important. And I just want to say to all the health teachers who have been teaching nutrition out there because this is the way we've taught it for years: This is how it's been done. But when you know better, you do better. And that's the point we're at now. I know people have been weighing and measuring kids and telling them to count calories for decades because that was best practices at the time. But we're beyond that. The research has figured out that that's not the best practices going forward.VirginiaThat's right.DeniseWe had about 50 teachers and 250 students trial it. We get the experts to say everything we want to say in the curriculum, and we put it in there, and then let's say that takes nine months. We have another nine months where we have expert teachers like Sarah weighing in on the curriculum. Telling us what happens when she teaches it in class with her and the students. What would you like to see different? Even down to activities. How would this activity work better? So we spent another nine months making sure that the teachers and the students like it, can relate to it, and that the activities are what are working in class.So that's an extra step after some of the other research curriculum that we really want to make sure it's user friendly and the students like it. We got a lot of feedback. We did two rounds of that.Now we released it to the public after we had a masters student write a thesis on all of the the data we collected, and felt very comfortable that it does no harm.VirginiaIt's been tested.DeniseYeah, it's been tested. It's feasible and acceptable. Now we're going to go and do the official feasibility and acceptability tests, like we've done on BodyKind with Let's Eat and then take it to schools. We use the University of North Carolina's IRB. We use the Mind Body Lab there, run by Dr. Jennifer Webb, and we are going to be doing research on Let's Eat. We've got the Portland Public Schools, and then we've got a school district in Maryland, in Arundel County, that we've identified and that we're working with to test students. And then, we'll hopefully do an official test, write an official paper, as we've done with BodyKind.VirginiaAnd I should also mention, you're making this resource free! Schools don't have to pay for this, which I think everyone who's ever tried to make any change in the school district of any kind knows, if it costs money, it's harder to get done. So that's great. DeniseYou know, it's so funny. I've been speaking on this for years. I mean, we've been in curriculum development for five years, and I always forget to say that! I don't know why. It's a free curriculum! I'm a nonprofit. I've never been paid. This is such a passion project for me, and I continue to wake up every day energized by the work I'm doing.And the mission of our nonprofit is to get the best, well tested resources out to schools. And we want to remove barriers. And how we remove barriers is offering it for free.VirginiaA lot of our listeners are parents. They're going to be listening to this thinking, “Okay, I want this in my kid's school.” How do we do that? What do you recommend parents do? DeniseSo a couple things. We find the best advocate is the person at the school, the wellness professional, charged with curriculum decisions. So there are people in your district whose job it is to make sure that the teachers have the latest and greatest curriculum on nutrition.And they want these resources because they want to make sure that their students get the best resources out there. So it takes a little bit of sleuthing to call up the school, whether it's the administrator or a health teacher, and figure out who's that person, who's the wellness coordinator. It could be a wellness coordinator. It could be a health teacher, who's responsible for curriculum. Find that person and talk to them. They're looking for this conversation. It's part of their job. You could even say I heard about this new curriculum. It's available for free. And you can hand them the postcard. That's what I hand out when I speak at conferences. And it's got a QR code. It describes what this curriculum does. We teach tuned in eating. It describes what tuned in eating does. VirginiaDownload that PDF above to QR code it right from this episode! DeniseYes. So you can send them as a PDF. You can write an email, figure out who the person is, send them the curriculum. Say “I was listening to a podcast, and there's this great curriculum out there. I'd love you to check it out.”VirginiaI think that feels really doable, it's a great starting point. What about when a kid comes home and tells a parent “Oh, we did calorie counting today?” Because that's often how parents start to think about this issue. It kind of lands on their lap. Is it useful to engage directly with the teacher? How do you think about that piece of it? Because obviously, especially the school year is underway, asking a teacher like, hey, can you just change your whole curriculum right on a dime, they probably won't appreciate that. So, what's a, better way to think about this advocacy?DeniseI thought you did a great job in your book Fat Talk on giving them scripts, giving parents scripts to walk into the school. You want to be sensitive to how overloaded the health teacher is, the nutrition teacher is. They're teaching 10 subjects in health that they need to be experts on so, you know, this is just one piece of what they're teaching.The great thing about nutrition is, most health teachers are teaching nutrition so they've got some background in it, and you can just be as sensitive as possible to their time and do as you say in the book, you know, in a in a positive, collaborative way. “I heard about this research, I thought you might be interested,” rather than a critical way. And and again, your kid might not be taking health, they might just be in the school district. So maybe you have this discussion with an administrator, and ask them, who wants to talk to me about this? And ask them, who can I speak to? It could be a guidance counselor. Could be school social worker. You know, this is eating disorder and body dissatisfaction prevention, right? So who, who is interested in this topic?VirginiaWho in the district is working on that and wants to know about this? That's super helpful.And I'll also add: One thing I learned in reporting the book and thinking more about the school issue is we do, as parents, always have the right to opt our kids out of the assignments that we know to be harmful. So if you see a calorie counting assignment coming, you can ask for an alternative assignment. You can accept that your kid might get a lower grade because they don't do it, but that might feel fair.Especially with older kids, I think it's important to involve them. Like, don't just swoop in. Never a good idea. They may want to talk to the teacher or you have do it. Work that out with your kid and figure out the best way forward. But I think it's definitely worth doing that. If your kid's like, no, don't talk to the teacher. No, I'm not opting out. You can still have the conversation at home about why this assignment is not aligned with your values, and that's yes important to do, too.DeniseI also wanted to say, we have an ambassador program at Be Real, and we have 135 ambassadors. What we've done with all of the materials we've been using for 10 years, which are presentations and worksheets for the presentations. We have frequently asked questions, where I quote you all the time. What do I do with my mother in law, who's saying this thing? We give them scripts. What do I do when people equate body size with health? What do we do when people assume that everyone could be small if they tried hard enough? We have answers for all of these questions in our materials, frequently asked questions.I have templated the presentations I give. I use the notes, I give the talk track, so my ambassadors can give a talk with a teleprompter if they're doing it on Zoom. Use the presentation as a teleprompter, and all the accompanying material we have on Canva that the ambassadors can create their own and add to it, and use their own name and picture to give talks and and things like that. We've got all of this so people are able to take this resource to their own local area,VirginiaSo they might give this talk to a PTA or a church group or any kind of community organization they're affiliated with.DeniseAbsolutely. And we've been doing this for about seven years, and the last five years, it's grown tremendously, and we have meetings every quarter. And at the meetings, people say, how do I get into my local school? And someone else will say, you know, I tried the principal and they didn't answer my phone calls. And then I went and looked up so and so and and then I started out doing this for professional development for health teachers in the state of Illinois. So we also have ways to to be certified as a professional development trainer on this topic. So that's how I initially got to health teachers. And then they also speak at conferences. So I speak at National SHAPE, which is the health teacher conference, but there are state SHAPE conferences out there that my Ambassadors will go speak at and it's really how to get all of this material, another way to get it disseminated all throughout the world.VirginiaOh, I love that. Well, we will definitely link in the show notes for anyone who's interested in becoming about an ambassador. ButterDeniseI am obsessed with Orna Guralnik, she is a psychotherapist who has a show on Showtime called Couples Therapy.VirginiaYes, I've been hearing about this.DeniseOh my God, it is so good. I don't know why I like it so much, but I just binge watched the new season. And I say every time, I've got to string it out and enjoy it, but no, it's impossible. And so I just binge watched the whole season, and as I was preparing for this interview, I just kept Googling what podcast she's been on.VirginiaThat's so satisfying. I love when you get a really good rabbit hole to dive down with the show. Another podcast I really enjoy, called Dire Straights , hosted by two writers, Amanda Montei and Tracy Clark-Flory, they just did an episode looking at the history of couples therapy and it actually has a pretty problematic history. Was not always great for women, very much developed as a way to help husbands control unruly wives—but has become other things. But you would enjoy that episode because they talk quite a bit about the show couples therapy and, she's obviously doing something quite different.DeniseOkay, that's my next one. Definitely going out and getting that.VirginiaI will also do a TV show butter, because they are so satisfying. I just started watching with my middle schooler a show that's been off the air for a few years now. It's called it's Better Things, starring Pamela Adlon and created by her. It's about a divorced mom with three daughters. She's a working actor in LA but it's just like about their life. It's very funny. It's very real and kind of gritty. My middle schooler and I have watched a lot of sitcoms together, and this is definitely a more adult show than we've watched before. But it's still a family show, and it's just, it's so so good. It's just a really incredible authentic portrayal of mothers and daughters. Which, you know, being a mother and a daughter, sometimes I'm like, is this making you like me more? Is this making you appreciate me? Probably not.DeniseHaving raised three kids, I don't aspire to that anymore.VirginiaNot the goal, not the goal.DeniseJust never going to show up.VirginiaBut it is really sweet bonding in a way that I hadn't expected. So that is my recommendation.DeniseLovely, lovely, lovely.VirginiaAll right, Denise. Tell folks again, just in case anyone missed it. Where do we find you? Where do we find the curriculums? How do we support your work?DeniseCome to berealusa.org—that's our website. We have more information on everything I've mentioned, on all of the curriculum, on how to become an ambassador, and just more explanation. On the website, we have fact sheets on everything we do. So if you go in, I think on the homepage, you drop down, they'll say fact sheets. And we also have probably have 10 fact sheets that will give you more information on this. We also talk about why you shouldn't be taking BMI school. We had a “don't weigh me in school” campaign about five years ago that kind of went viral. So anyway, that's all good on our website.The Burnt Toast Podcast is produced and hosted by Virginia Sole-Smith (follow me on Instagram) and Corinne Fay, who runs @SellTradePlus, and Big Undies.The Burnt Toast logo is by Deanna Lowe.Our theme music is by Farideh.Tommy Harron is our audio engineer.Thanks for listening and for supporting anti-diet, body liberation journalism! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit virginiasolesmith.substack.com/subscribe

Mothers. Daughters. Sisters. Women. Abby and Katie check all these boxes so it's finally time they sat down and watched the incredible Pamela Adlon show Better Things! They have done so and are ready to get down to business to find the very best episode. Regardless of the outcome, all agree touch point statues are winners and should be in every home.Did we get it right or wrong? Drop us an email at mustseeIMDB@gmail.com and tell us all about it.

Kindly listen and be blessed

Sermon on Hebrews 6:9-12 by Pastor Jeff McInnis from Springhill Community Church

Video version - https://youtu.be/gCE58W9Ry9o“Taylor Swift getting engaged means we're about to see some of the worst Labor MP tweets to ever hit the timeline.” Tom is joined by returning guest host Jack Toohey, author of ‘Better Things Are Possible: How rebellious hope will change the world.’ First up, Australia has announced “credible intelligence” that Iranian proxies were responsible for anti-semitic arson attacks in Australia. What is going on?!? (8:58) Then a discussion about the ideas in Jack’s book. (28:47) In a world of hypernormalised mayhem, is hope for the future the new punk?---------- Just released on Patreon - “Posting & Boasting from WA ft. Gerard Mazza” The show can only exist because of our wonderful Patreon subscriber’s support. Subscribe for $3/month to get access to our fortnightly subscriber-only full episode, and unlock our complete library of over SEVENTY-FIVE past bonus episodes. https://www.patreon.com/SeriousDangerAU ---------- Follow Jack Toohey - https://www.instagram.com/jack_toohey/https://www.tiktok.com/@jack_tooheyhttps://www.jacktoohey.com/ Read ‘Better Things Are Possible: How rebellious hope will change the world’ - https://www.allenandunwin.com/browse/book/Jack-Toohey-Better-Things-Are-Possible-9781761471506 Produced by Michael Griffin https://www.instagram.com/mikeskillz Follow us on https://twitter.com/SeriousDangerAU https://www.instagram.com/seriousdangerau https://www.tiktok.com/@seriousdangerauSupport the show: http://patreon.com/seriousdangerauSee omnystudio.com/listener for privacy information.

Kindly listen and be blessed

Hebrews 6:9-20

Hebrews 6:9-20

Tyler Pollard joins us from the electrifying Boston-based trio Robotic Hawks, a band that may have been flying just under your radar — until now. Fresh off the release of their latest EP, New, Better Things, Tyler takes us on a deep dive into the band's journey: from their early days cutting their teeth in local clubs to collaborating with studio heavyweights Benny Grotto and Paul Q. Kolderie — two producers I've long admired.With their signature blend of pub rock punch and garage-pop hooks, Robotic Hawks are crafting a sound that's raw, infectious, and unmistakably their own. We also talk about their inspired cover of the Crowded House deep cut “Something So Strong” — which naturally gave me a reason to shout out Split Enz, a favorite from my college radio days.Whether you're a die-hard fan or just discovering Robotic Hawks, this episode is your backstage pass to the energy, chemistry, and no-nonsense grit that powers their music.MusicGang Green "Out On The Couch"The Dogmatics "I Love Rock N Roll"The Charms "So Pretty"(All music used with label and artist permission)Produced and Hosted by Steev Riccardo

Despite the warnings in Hebrews 6, we can remain confident of better things—promises and blessings that accompany salvation in Christ. Our hope is not wishful thinking; it's anchored in God's unchanging character and sealed by His unbreakable oath.Join us as we reflect on the firm assurance we have in Christ—an anchor for the soul, secure and steadfast, even in uncertain times.

May we serve each day out of love for God, nurture hope through daily diligence, and follow a faithful example to stay inspired and eager on our spiritual journey.

Fame, riches, approval, and more—chasing after these only leaves us empty and restless.The Book of Hebrews presents us with something better, and Someone greater to look to—to place all our hope, faith, and being into. Jesus is greater than anything or anyone else we could ever think of. Yet no matter how immensely superior He is to all, this same God still chooses to personally draw Himself closer to us, the same way that He did on the cross.

Fame, riches, approval, and more—chasing after these only leaves us empty and restless.The Book of Hebrews presents us with something better, and Someone greater to look to—to place all our hope, faith, and being into. Jesus is greater than anything or anyone else we could ever think of. Yet no matter how immensely superior He is to all, this same God still chooses to personally draw Himself closer to us, the same way that He did on the cross.

Fame, riches, approval, and more—chasing after these only leaves us empty and restless.The Book of Hebrews presents us with something better, and Someone greater to look to—to place all our hope, faith, and being into. Jesus is greater than anything or anyone else we could ever think of. Yet no matter how immensely superior He is to all, this same God still chooses to personally draw Himself closer to us, the same way that He did on the cross.

Fame, riches, approval, and more—chasing after these only leaves us empty and restless.The Book of Hebrews presents us with something better, and Someone greater to look to—to place all our hope, faith, and being into. Jesus is greater than anything or anyone else we could ever think of. Yet no matter how immensely superior He is to all, this same God still chooses to personally draw Himself closer to us, the same way that He did on the cross.

Nothing is better than knowing Christ and having a personal relationship with Him.

Jesus is not just our great High priest, He became the ultimate gift and sacrifice for our salvation.

Enjoy this episode from 2021 where the ladies relive an unfortunate story when Cecily thought it would be a good idea to call Bill Cosby…AT HOME. We also hear a clip from Rocky Paterra's (hopefully) soon to be hit musical and discuss how TV shows like "Better Things" make us wish we had better girlfriends.

Enjoy this episode from 2021 where the ladies relive an unfortunate story when Cecily thought it would be a good idea to call Bill Cosby…AT HOME. We also hear a clip from Rocky Paterra's (hopefully) soon to be hit musical and discuss how TV shows like "Better Things" make us wish we had better girlfriends.

This episode was originally published on September 12, 2023. On this week’s episode, Craig chats with his long-time friend and “The Drew Carey Show” co-star, Diedrich Bader. To quote Craig: “Diedrich Bader, a great actor who has been in everything you’ve ever liked!” He is best known for his roles in Veep, Better Things, American Housewife, The Beverly Hillbillies, Napoleon Dynamite and many, many others. EnJOY!See omnystudio.com/listener for privacy information.

River of Life is an inter-denominational, interracial, Spirit-filled church located in the heart of Wakulla County, Florida. We share the sermons from our services in the hopes they'll reach others determined to worship God in spirit and truth.

River of Life is an inter-denominational, interracial, Spirit-filled church located in the heart of Wakulla County, Florida. We share the sermons from our services in the hopes they'll reach others determined to worship God in spirit and truth.

The better things always come from God. The book of Hebrews speaks of better things ahead for the Christian. Let’s talk better things.

Num ano de séries medianas, faz bem parar e relembrar o tanto de coisa boa que já foi feita e tem por aí nos streamings. Baseados num post do nosso amigo @oqueassistirhj, listamos dezenas de séries incríveis da década passada, entre elas The Americans, The Leftovers, Fleabag, Homeland, Veep, Unbreakable Kimmy Schmidt, Search Party, Rectify, Oliver Kitteridge, Olhos que condenam, Bojack Horseman, Broadchurch, The Deuce, Legion, Atlanta, Objetos Cortantes, Big Little Lies, Girls, Better Things, Hannibal, Game of Thrones e várias outras. Também comentamos séries do momento, como Etoile, Careme, As Quatro Estações do Ano, The Last of Us, O Eternauta, Andor, Seus Amigos e Vizinhos e Hacks.

Graduate Recognition Service Sunday, May 18, 2025.

In a new installment of the Critics at Large advice hotline, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz field calls from listeners on a variety of cultural dilemmas, and offer recommendations for what ails them. Callers' concerns run the gamut from the lighthearted to the existential; several seek works to help ease the sting of the state of the world. “I can't say that we will solve those deeper issues,” Cunningham says. “But to share art with somebody is to offer them a companion.”Read, watch, and listen with the critics:The New York Issue of The New Yorker (May 12 & 19, 2025)“Birds of America,” by Lorrie Moore“Eighth Grade” (2018)“Gilead,” by Marilynne Robinson“Danny, the Champion of the World,” by Roald Dahl“Midnight Diner” (2016-19)“Sentimental Education,” by Gustave Flaubert“Middlemarch,” by George Eliot“My Life in Middlemarch,” by Rebecca Mead“How the Method Made Acting Modern,” by Alexandra Schwartz (The New Yorker)Charles Schulz's “Peanuts”“First Reformed” (2017)“Better Things” (2016-22)“The Functionally Dysfunctional Matriarchy of ‘Better Things,' ” by Alexandra Schwartz (The New Yorker)“Odes,” by Sharon OldsTJ Douglas's “Dying”Mozart's “The Magic Flute”“Peppa Pig” (2004—)Aaron Copland's “Billy the Kid”Dennis Wilson's “Pacific Ocean Blue”Caetano Veloso's “Ofertório”Crosby, Stills & Nash's début albumNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Sam Harris speaks with Rutger Bregman about Rutger's new book, Moral Ambition: Stop Wasting Your Talent and Start Making a Difference. They discuss why it seems like we are at the hinge of human history, wealth inequality, how altruism should be rewarded, how we should think about philanthropic billionaires, effective altruism, why empathy is overrated, moral entrepreneurship, universal basic income, work and meaning, existential risk, and other topics. If the Making Sense podcast logo in your player is BLACK, you can SUBSCRIBE to gain access to all full-length episodes at samharris.org/subscribe. Learning how to train your mind is the single greatest investment you can make in life. That's why Sam Harris created the Waking Up app. From rational mindfulness practice to lessons on some of life's most important topics, join Sam as he demystifies the practice of meditation and explores the theory behind it.

With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Emmy, Tony, and SAG Award nominee Norm Lewis joins The Art of Kindness with Robert Peterpaul to discuss leading a cast with kindness, the unique way advertising influenced his career, his new show Ceremonies in Dark Old Men and more. NORM LEWIS was recently seen onstage starring in the national tour of the Tony Award-winning production of A Soldier's Play and in Andrew Lloyd Webber's West End Concert of Love Never Dies. He starred in Spike Lee's critically acclaimed, "Da 5 Bloods," and in the groundbreaking FX series, Pose. Additionally, Mr. Lewis can be seen starring opposite Hilary Swank in the feature "The Good Mother," Amazon Prime's newest series, Swarm, and Hulu's, Up Here. He was also seen as 'Caiaphas' in the award-winning NBC television special, “Jesus Christ Superstar Live in Concert!,” alongside John Legend, Sara Bareilles, and Alice Cooper. Mr. Lewis returned to Broadway in the Fall of 2021, starring in Chicken and Biscuits at the Circle In The Square Theatre. He previously appeared in the Broadway revival of Once on This Island and as Sweeney Todd in the Off-Broadway production of Sweeney Todd: The Demon Barber of Fleet Street at the Barrow Street Theatre, receiving the AUDELCO Award for his performance. In May of 2014, he made history as The Phantom of the Opera's first African American Phantom on Broadway. He has been seen on PBS in the Live From Lincoln Center productions of Showboat with Vanessa Williams, Norm Lewis: Who Am I?, New Year's Eve: A Gershwin Celebration with Diane Reeves, as well as American Voices with Renée Fleming and the PBS Specials First You Dream – The Music of Kander & Ebb and Ella Wishes You A Swingin' Christmas. He can be seen recurring in the VH1 series, Daytime Divas, also alongside Vanessa Williams. His additional television credits include Women of The Movement, Law & Order, Dr. Death, Mrs. America, Better Things, The Unbreakable Kimmy Schmidt, Bull, Chicago Med, Gotham, The Blacklist, and Blue Bloods, as well as in his recurring role as Senator Edison Davis on the hit drama Scandal. Mr. Lewis is a proud, founding member of Black Theatre United, an organization which stands together to help protect Black people, Black talent and Black lives of all shapes and orientations in theatre and communities across the country. He received Tony, Drama Desk, Drama League, and Outer Critics Circle award nominations for his performance as Porgy in the Broadway production of The Gershwins' Porgy & Bess. Other Broadway credits include Sondheim on Sondheim, The Little Mermaid, Les Misérables, Chicago, Amour, The Wild Party, Side Show, Miss Saigon, and The Who's Tommy. In London's West End he has appeared as Javert in Les Misérables and Les Misérables: The 25th Anniversary Concert, which aired on PBS. Off-Broadway Mr. Lewis has performed in Dessa Rose (Drama Desk nomination, AUDELCO Award), Shakespeare in the Park's The Tempest, The Two Gentlemen of Verona (Drama League nomination), Captains Courageous, and A New Brain. His regional credits include Porgy in The Gershwins' Porgy and Bess (A.R.T.), Ragtime, Dreamgirls (with Jennifer Holliday), First You Dream, Sweeney Todd, and The Fantasticks. His additional film credits include Christmas In Tune (starring opposite Reba McEntire), Magnum Opus, Winter's Tale, Sex and the City 2, Confidences, and Preaching to the Choir. Norm's albums "The Norm Lewis Christmas Album" & "This is The Life" can be found on Amazon.com as well as cdbaby.com. Ceremonies in Dark Old Men Tickets: https://www.thepeccadillo.com/ Follow Norm: @thenormlewis Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Being [at Work] offers a daily dose of leadership focused on helping you, the leader. During challenging times we need all of the encouragement we can get. Sometimes there's simply no playbook and we just need to do the best we can. Sometimes the best we can is being reminded of the gifts and insight you already have within. Be sure to subscribe and get your daily dose.  

Editors - Mark Strand ACE, Joey Reinisch, Lauren Pendergrass and Annie Eifrig In this episode, we explore how THE PITT editing team of Mark, Annie, Joey, and Lauren navigated the unique challenges of cutting this intense medical drama. From their experiences working with producer John Wells to dealing with emotionally charged scenes, they reveal their techniques for maintaining authenticity and managing the show's fast-paced environment. They also share their personal connections to the material and how they balance relentless action with powerful storytelling. Created by R. Scott Gemmill and executive produced by John Wells and Noah Wyle, THE PITT follows an emergency department staff as they attempt to overcome the hardships of a single 15-hour work shift at the fictional Pittsburgh Trauma Medical Hospital. They do this while having to navigate staff shortages, underfunding, insufficient resources and a handful of rats run amok in the ER. Each episode of the season covers approximately one hour of the work shift. MARK STRAND, ACE Mark Strand is a Los Angeles-based editor with 25 years of experience in scripted drama, comedy, and procedurals, as well as long format documentaries, reality television, clip shows, news programs, television commercials, and everything in between.  Past projects include ANIMAL KINGDOM, RIZZOLI & ISLES and SHAMELESS. JOEY REINISCH Joey Reinisch is a seasoned editor known for his work on "Better Call Saul," with extensive experience in editing various genres including one-hour films, features, drama, dramedy, and horror. LAUREN PENDERGRASS Editor and director Lauren Pendergrass is known for her work on NEW AMSTERDAM, MAYANS MC and THE SONS OF ANARCHY. ANNIE EIFRIG Annie fell in love with editing at the Minneapolis College of Art & Design where she received a Bachelor of Fine Arts degree. Since then she's worked with a wide variety of directorial talents, always striving to bring an internal vision to the screen.  Past projects include MAID, BETTER THINGS and TOO OLD TO DIE YOUNG. The Credits Visit ExtremeMusic for all your production audio needs Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

In today's episode of Pie, Kurt and Katey are joined by the incredible Pamela Adlon. Pamela and Katey, who grew up together, share some unforgettable stories from their early days in Hollywood. Pamela also opens up about her iconic roles in Grease 2 and King of the Hill, as well as her work on Better Things. She dives into what it's like to balance writing and acting in the industry. This episode is a total gem and one you won't want to miss! Give Pamela a follow on Instagram at @pamelaadlon Pie is sponsored by AquaTru, receive 20% OFF any AquaTru purifier! Just go to AquaTru.com and enter code PIE at checkout. Pie is sponsored by Field of Greens, head over fieldofgreens.com and use code PIE for 20% off. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are thrilled to present our first Writer Interview featuring the incomparable Gina Fattore! During her time on Dawson's Creek, Gina wrote an astounding 20 episodes, including The "Longest Day" and "True Love" — two of the most beloved and critically acclaimed episodes of the entire series.In Part 1, she takes us behind the scenes of the season three writer's room, offering insights into the creative process and revealing how the Dawson/Joey/Pacey saga came to life.Gina's extensive writing credits also include Dare Me, Better Things, Gaslit, UnREAL, Parenthood, Masters of Sex, Californication, Gilmore Girls, and King of the Hill.

TODAY'S VIDEO: A free prayer providing context about the work of the blood and sacrifice of Jesus Christ and the refiner's fire of God. THE FIRE OF REFINEMENT IS NOT EASY NOR IS IT MEANT TO BE EASY. Warfare by definition is not easy, but what makes it harder is presumption of a higher office & station than we're able to stand at. What are the rules of engagement, are you familiar with them? YOU CANNOT GET ANY MORE TERRITORY THAN YOU ARE ABLE OR WILLING TO MAINTAIN. YOU CANNOT HOLD ANY HIGHER OFFICE THAN YOU ARE WORTHY OF. YOU CANNOT BE PROMOTED WITHOUT COMPLETING THE LAST STAGE YOU WERE TESTED AT. IF YOU BUILD POORLY YOU WILL BE SENT BACK TO THE BEGINNING TO BUILD BETTER. IF YOU BUILD WELL HOLD YOUR POSITION AND YOU WILL BE PROMOTED. PROMOTION, HIGHER OFFICE, AND ALL "BETTER THINGS" COME AT A COST. PAY IT. GOD IS THE ONE SETTING THE COURSE, THE PACE, AND THE TESTS IN JESUS NAME. REFINEMENT IS WHAT MAKES YOU FIT TO COMMAND MORE TERRITORY AND HAVE MORE. PROCESSING IS WHAT MAKES YOU STRONG ENOUGH TO DO MORE, FOR YOU & FOR OTHERS.

FoMO del 08/03/2025 - FoMO, la playlistHoy en FoMO:#TurismoSeco y lugares donde tengas el pelo espléndido (dejen sus sugerencias en los comentarios), elige tu propio pelo, la verdulería es el nuevo Zara, UnREAL, Tomi Lago, se viene el apocalipsis pero a paso de homo, perdió El Brutalista y ganó La Putalista, Mikey Madison, Better Things con Pamela Adlon, Oscars para TODAS, Common Side Effects, Global RadioX, borrar caché en Spotify, La radio de Peggy Gou, Tidal por 500 pesos por mes, ganas de peinar a Navaja Crimen, ¿la gatearon a Mecha? dudosísimo, prehistoria de internet: la página de estados de actividad de la gente que seguías, RedNote el (otro) TikTok chino, Bluesky vs Truth, el maquillaje de las Trumpistas: ¿hay algo de New Jersey?, Busquen “GlitterGate” si quieren perder mucho tiempo en una teoría conspirativa sobre la brillantina, Gran Theft Hamlet en Mubi, Romeo + Julieta (la de DiCaprio), Sean Baker's Tangerine, ¿Por qué no ganó Civil War?, los huevos en EEUU, FomoToFollow a-la-Erivo, White Lotus temporada 3, la nota a Cristobal Tapia de Veer (el que hace la música de The White Lotus) https://www.youtube.com/watch?v=xMYPAxSiuMo, Aimee Lou Wood (la de los dientitos) generando contenido alrededor de The White Lotus, Severance (el nuevo Lost) y el podcast de Ben Stiller (sobre el universo de la serie), los “nuevos” influencers con data de primera mano, el X del director de Flow: https://x.com/gintszilbalodis/, SHOP CATS en TikTok: https://www.tiktok.com/@shopcatsshow, MaccMix Motovlog y sus observaciones diarias: https://www.youtube.com/@MaccMixMOTOVLOG, Sebastián Villanueva (de Ushuaia a Alaska en moto): https://www.youtube.com/@Seba.adventure, Godzilla en Santa Fe: https://x.com/alexanderdure, Limp Bizkit en Shrek 5? TAL VEZ!, Megan Thee Stallion para pelearse? Raaaaro, LADY GAGA EN RIO GRATIS el 3 de mayo: ¿vamos a robar?, Katy Perry vs Lady Gaga en México, Katy Perry y un cohete de besos? No, de Bezos, low-key-gerontofobia by Mecha, Zane Lowe: a Gaga https://www.youtube.com/watch?v=ts-r3J0uqdk y a Messi https://www.youtube.com/watch?v=VC-lJrNaQH4, (un beso a los pelados), [FE DE ERRATAS]: Apple TV+ sale 7 dólares por mes y el SeasonPass de la MLS (AKA: ver a Messi en el Inter) sale 2 dólares por mes o 3 por temporada, Lady Gaga en el detector de mentiras de Vanity Fair: https://www.youtube.com/watch?v=3EVrS7yU1Qc, y una polemiquísima opinión sobre Rihanna? Tal vez! 

We’re excited to introduce you to a show we know you’ll love: Talk Easy. Hosted by Sam Fragoso, Talk Easy is a weekly series of intimate conversations with artists, activists, and politicians—where people sound like people. In this episode, actor Mikey Madison has delivered the performance of the season with her star-making turn in Anora. She joins us this week on the heels of her recent Oscar nomination for Best Actress. We begin by discussing the organic partnership she formed with writer/director Sean Baker, the ‘emotional preparation’ required to tell this vulnerable story, her San Fernando Valley upbringing, and her formative years working with Pamela Adlon on Better Things. On the back-half, Mikey reflects on her breakout part in Quentin Tarantino’s Once Upon a Time… in Hollywood, the sex professionals who helped inform her work in Anora, how she excavated her past to create in the present, and where she hopes to go on the other side of this towering achievement. For more, listen to Talk Easy wherever you get your podcasts or head to: https://lemonada.lnk.to/TalkEasywithSamFragosofdSee omnystudio.com/listener for privacy information.

We’re excited to introduce you to a show we know you’ll love: Talk Easy. Hosted by Sam Fragoso, Talk Easy is a weekly series of intimate conversations with artists, activists, and politicians—where people sound like people. In this episode, actor Mikey Madison has delivered the performance of the season with her star-making turn in Anora. She joins us this week on the heels of her recent Oscar nomination for Best Actress. We begin by discussing the organic partnership she formed with writer/director Sean Baker, the ‘emotional preparation’ required to tell this vulnerable story, her San Fernando Valley upbringing, and her formative years working with Pamela Adlon on Better Things. On the back-half, Mikey reflects on her breakout part in Quentin Tarantino’s Once Upon a Time… in Hollywood, the sex professionals who helped inform her work in Anora, how she excavated her past to create in the present, and where she hopes to go on the other side of this towering achievement. For more, listen to Talk Easy wherever you get your podcasts or head to: https://lemonada.lnk.to/TalkEasywithSamFragosofdSee omnystudio.com/listener for privacy information.

We’re excited to introduce you to a show we know you’ll love: Talk Easy. Hosted by Sam Fragoso, Talk Easy is a weekly series of intimate conversations with artists, activists, and politicians—where people sound like people. In this episode, actor Mikey Madison has delivered the performance of the season with her star-making turn in Anora. She joins us this week on the heels of her recent Oscar nomination for Best Actress. We begin by discussing the organic partnership she formed with writer/director Sean Baker, the ‘emotional preparation’ required to tell this vulnerable story, her San Fernando Valley upbringing, and her formative years working with Pamela Adlon on Better Things. On the back-half, Mikey reflects on her breakout part in Quentin Tarantino’s Once Upon a Time… in Hollywood, the sex professionals who helped inform her work in Anora, how she excavated her past to create in the present, and where she hopes to go on the other side of this towering achievement. For more, listen to Talk Easy wherever you get your podcasts or head to: https://lemonada.lnk.to/TalkEasywithSamFragosofdSee omnystudio.com/listener for privacy information.

We’re excited to introduce you to a show we know you’ll love: Talk Easy. Hosted by Sam Fragoso, Talk Easy is a weekly series of intimate conversations with artists, activists, and politicians—where people sound like people. In this episode, actor Mikey Madison has delivered the performance of the season with her star-making turn in Anora. She joins us this week on the heels of her recent Oscar nomination for Best Actress. We begin by discussing the organic partnership she formed with writer/director Sean Baker, the ‘emotional preparation’ required to tell this vulnerable story, her San Fernando Valley upbringing, and her formative years working with Pamela Adlon on Better Things. On the back-half, Mikey reflects on her breakout part in Quentin Tarantino’s Once Upon a Time… in Hollywood, the sex professionals who helped inform her work in Anora, how she excavated her past to create in the present, and where she hopes to go on the other side of this towering achievement. For more, listen to Talk Easy wherever you get your podcasts or head to: https://lemonada.lnk.to/TalkEasywithSamFragosofdSee omnystudio.com/listener for privacy information.

Series - Hebrews: The Supremacy of the Son of the God Text - 6:9-10 by Paul Abeyta, pastor | Lord's Day Morning | 02.23.25

There aren't many better things than sitting down with the amazing Pamela Adlon, and that's exactly what Jim did this week! They discuss their time working on 'King of the Hill', directing her film 'Babes', being a nepo baby, Pam's work in anime and more.Listen on Spotify: bit.ly/4fHWwxa Listen on Apple: bit.ly/3AmUYZi Support on Patreon: patreon.com/jimcummingspodcast Order a Cameo from Jim: cameo.com/toondinjimcummingsCHECK OUT OUR OTHER PODCASTS:Four Finger Discount (Simpsons) - spreaker.com/show/four-finger-discount-simpsons-podcastGoin' Down To South Park - spreaker.com/show/goin-down-to-south-parkThe Movie Guide with Leonard Maltin - http://www.themovieguidepodcast.comThe One About Friends - spreaker.com/show/the-one-about-friends-podcastSpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-Talking Seinfeld - spreaker.com/show/talking-seinfeldBecome a supporter of this podcast: https://www.spreaker.com/podcast/toon-d-in-with-jim-cummings--5863067/support.

Pamela Adlon landed her first movie role when she was sixteen, and then twenty years later, she won an Emmy... for playing a teenage boy. Her thirteen seasons as Bobby Hill on King of the Hill made her a world-famous voice actor, but she's equally renowned for creating and starring in Better Things. Pam is also a director – her first feature, Babes, came out last year – and she sits down with Ben Mankiewicz to discuss her deep love of movies, which includes everything from musicals to the films of John Cassavetes. Films Mentioned: Grease 2 Babes Biosphere Creep The Animatrix Anora Deadwood* Porky's Love Streams Fame Bugsy Malone The Wiz One Flew Over the Cuckoo's Nest The Shining To Kill a Mockingbird The Guns of Navarone Abbott and Costello Meet Frankenstein Mamma Mia!* My Old Ass Schindler's List The Notebook Terms of Endearment Coming Home The Birdcage* Merrie Melodies - Rabbit Hood *Available on Max as of 1/28 (Availability of titles subject to change) Learn more about your ad choices. Visit podcastchoices.com/adchoices

learn the beginning rule of forming the perfect tense in German which is very important

Friends, today's episode is a powerhouse! We've got Sharon McMahon, aka “America's Government Teacher,” bringing some serious wisdom from her new book, "The Small and the Mighty." Even the drafters of the Constitution worried about chaos, but they hoped for better things—and Sharon's here to show us how twelve lesser-known heroes in American history made a huge impact on democracy. She's drawing parallels to how we can still shape our future today, no matter how small we feel. Get ready to be inspired, y'all! Let's dive in! In this hope-filled chat: Jen and Amy muse around which historical figures they would most like to meet and we get a glimpse of their preferred election night routines Sharon highlights the arc of her career from an award-winning yarn influencer known as the Yarnista, to a photographer, to “America's Government Teacher” We discuss the need for reliable sources of factual information in a world filled to the brim with fake news and disinformation Sharon explains why we shouldn't sit out during state and local elections We talk about a variety of ways to engage in democracy beyond just voting And Sharon fields questions from members of our audience. *** Thought-provoking Quotes: “We're all tired, we're exhausted from the endless partisanship and the fake news and the disinformation and vitriol.” – Jen Hatmaker “I started noticing that there were a lot of people that were just really confidently wrong on the internet, saying things like ‘the electoral college is a university you can graduate from'.”– Sharon McMahon “There's a big list of people, especially women, who never, ever get the credit when it comes to the civil rights movement – it's the attorneys, it's the Thurgood Marshalls, it's the Freddie Grays,  it's the Martin Luther Kings.,and, of course, what they did is incredibly important but… there are a lot of women with whom this hot air balloon does not get off the ground. There is no leaving the ground without the significant contributions of women.” – Sharon McMahon “We have to stop viewing this as a zero sum game in which our enemies must be defeated or destroyed. That's an onramp to dictatorship.” – Sharon McMahon “There are many ways to be involved in democracy. It's not just voting and running for office. There's not one prescription for how to be involved. Do things you are good at and contribute in your own way. We can't all be parade goers.” – Sharon McMahon “We tend to put all of our eggs in this basket of who will win the presidential election but who gets elected in your state matters so much. The things that really affect your daily life are defined at the state and local level.” – Sharon McMahon Resources Mentioned in This Episode: The Henry Fite House of Baltimore - https://en.wikipedia.org/wiki/Henry_Fite_House The Angry Trout Cafe, Grand Mariais, MN - https://www.angrytroutcafe.com/ The Small and the Mighty: Twelve Unsung Americans Who Changed the Course of History, from the Founding to the Civil Rights Movement by Sharon McMahon - https://amzn.to/3NsoqjI Guest's Links: Sharon's website - https://sharonmcmahon.com/ Sharon's Newsletter, The Preamble - https://thepreamble.com/ Sharon's Governerds Book Club - https://sharonmcmahon.com/products/governerds-insider Sharon's Here's Where It Gets Interesting Podcast - https://sharonmcmahon.com/podcast Sharon's Instagram - https://www.instagram.com/sharonsaysso Sharon's Twitter - https://x.com/sharon_says_so Sharon's Facebook - https://www.facebook.com/sharonsaysso/ Sharon's YouTube - https://www.youtube.com/@sharonsaysso Connect with Jen! Jen's website - https://jenhatmaker.com/ Jen's Instagram - https://instagram.com/jenhatmaker Jen's Twitter - https://twitter.com/jenHatmaker/ Jen's Facebook - https://facebook.com/jenhatmaker Jen's YouTube - https://www.youtube.com/user/JenHatmaker The For the Love Podcast is presented by Audacy. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices