Podcast appearances and mentions of Bonnie Raitt

Today, we're slowing it down a bit with one of the greatest singer-songwriters, Karla Bonoff — a writer and performer whose songs helped define a generation of West Coast folk-rock and soft rock, even if a lot of people first fell in love with them through other artists. In this bonus pod, we talk about Karla's songwriting, the stories behind some of those timeless songs, and what it's like to have music live so many different lives over the years. Her catalog has been recorded by artists like Linda Ronstadt and Bonnie Raitt, but hearing these songs from Karla herself is a completely different experience — intimate, honest, and beautifully direct. And on March 19 at 8:00 p.m., she's bringing that music to Annapolis for one night at Rams Head On Stage. We get into the craft, the career, and what fans can expect from a night with one of the most enduring voices in American songwriting. Have a listen! LINKS: Karla Bonoff (Website) Karla Bonoff (Facebook) Karla Bonoff (Instagram) Karla Bonoff (YouTube) Karla Bonoff (Spotify) Karla Bonoff (Tickets)  

Helen and Gavin chat about How to Get to Heaven From Belfast, Future Quiet by Moby, and the Oscar Nominated Animated Shorts, Documentary Shorts, and Live Action Shorts, and it's Week 37 of the list of Grammy Record of the Year Winners from 1995, which will be picked from I'll Make Love to You by Boyz II Men, He Thinks He'll Keep Her by Mary Chapin Carpenter, All I Wanna Do by Sheryl Crow, Love Sneakin' Up on You by Bonnie Raitt, and Streets of Philadelphia by Bruce Springsteen.

This week on The Sing Out! Radio Magazine we begin a two-part feature commemorating Women's History Month. We'll hear some wonderful music from musicians and singers who just happen to be women. Included will be Claudia Schmidt, Rachel Eddy, Molly Tuttle, Rory Block, Martha Spencer, Bonnie Raitt and many more. We celebrate Women's History Month with some of our favorite women … this week on The Sing Out! Radio Magazine. Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysTracey Dares / “Castle Bay Scrap” / Crooked Lake / CBC MaritimesClaudia Schmidt / “Sea of Forgiveness” / New Whirled Order / Red HouseThe Starry Mountain Singers / “Didn't It Rain” / The Starry Mountain Singers / Self-producedRachel Eddy / “Sarah Armstrong” / Hand on the Plow / Self-producedKim & Reggie Harris / “Never Go Back” / Resurrection Day / AppleseedMolly Tuttle / “Take the Journey” / When You're Ready / CompassAnna & Elizabeth / “Jeano” / The Invisible Comes to Us / Smithsonian FolkwaysMaggie Hammons Parker / “Ireland's Green Shore” / The Hammons Family / RounderTracey Dares / “Black Mary” / Crooked Lake / CBC MaritimesRory Block / “I'm So Glad” / Hard Luck Child / Stony PlainLaura Rucker / “Crying the Blues” / The Aristocrat Blues Story / One Day MusicJane Rothfield & Cathy Fink / “Mosquito Stomp” / Out of Thin Air / iFiddleMartha Spencer / “Wishful Thinking” / Martha Spencer / Self-producedRani Arbo & Daisy Mayhem / “Oil in my Vessel” / Big Old Life / Signature SoundsFront Porch String Band / “Looks Like Rain” / Lines & Traces / RebelNorman & Nancy Blake / “Texola Waltz” / Natasha's Waltz / RounderBonnie Raitt / “Too Long at the Fair” / Give it Up / Warner BrothersPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Kevin & Bethany Paige Return: Launching Saddle Up Memphis + Recapping the “All About Love” Show Derrick and Jeff welcome back Kevin and Bethany Paige for their second appearance and talk about upcoming and recent projects. The main focus is the debut of Saddle Up Memphis, an '80s/'90s (with a few exceptions) “diva country” band featuring Bethany Paige on lead vocals. They share details for the debut show on Saturday, May 2nd at Neil's Music Room, encourage listeners to follow Saddle Up Memphis on Facebook and reserve tables, and discuss plans for future gigs. The conversation includes influences and artists they plan to cover (e.g., Reba, Shania Twain, Faith Hill, Martina McBride, Trisha Yearwood, Jo Dee Messina, Patty Loveless, Bonnie Raitt, Dixie Chicks, Rascal Flatts, and more), thoughts on story-driven country vs. “beer and trucks,” and the appeal of '90s country for musicians and dance floors. They also recap Kevin and Bethany's “All About Love” event at the Esplanade Event Center in November, including theextreme effort it took to put it on, and the large band lineup (including Angelo Earl, Gerald Allen, Eric Freeman, a four-piece horn section with Victor Sawyer, Mark Franklin, Chris Barnes, and their daughter singing). Additional topics include their duo performances around Southaven and elsewhere (Tequila, casinos, Lucky Dog, Lafayette's) and their sitcom-theme segment (e.g., The Jeffersons, Facts of Life, Friends, Cheers). The episode ends with reminders to check out Saddle Up Memphis at Neil's on May 2nd Saddle Up Memphis Premier, Neil's Music Room, Saturday, May 2nd at 8 pm Event Link - https://www.facebook.com/share/1Ap6vE5a1w/   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Send a textOn this Episode Tom and Bert continue  "The Spotlight Series" on entertainment influencers thru the decades!There are Stories to tell and the Guys will cover and discuss the beginnings and the careers of some of the greatest influencers throughout ALL of the entertainment industry.Today's Podcast will cover some of the "Greatest Guitar Songs" and Axemen in Music History Part 2!From Stevie Ray Vaughn, Richie Blackmore, Jerry Garcia, Joe Bonamassa,  Allen Collins, Mark Knoffler , Jerry Cantrell and many, many others we bring you our best of the best!FEATURED CHAPTERS:(6:04)) Springsteen and The James Gang's -Joe Walsh(9:04) MJ's "Beat It" featuring Eddie Van Halen on the Guitar(17:40) Stevie Ray Vaughnand The "Dead" with Jerry Garcia(27:56) Fogerty & CCR, Bonnie Raitt & Tom Petty & The Heartbreakers!(34:52) The Classics---"Born to be Wild", Wole Lotta Love" & Rocky Mountain Way"(38:00) Clapton, "Spirit in the Sky" & Argent(45:00) Our Favorite Songs and Guitarists and It's a Wrap"!! Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

Danny Goldberg shares insider stories from his 50-year career as Led Zeppelin's publicist and Nirvana's manager, revealing Kurt Cobain's creative genius and the first-hand dynamics behind rock's biggest bands. Order Danny's book "Bumping Into Geniuses" here Topics Include: Danny discusses the 2026 reissue of "Bumping into Genius" Admits his turntables are mostly for show, prefers streaming now Kept about 100 vinyls including The Fugs on ESP Records Answered a Billboard ad not knowing music business existed Found his calling through enthusiasm and sensitivity to artists Became Led Zeppelin's US publicist in 1973 for Houses of the Holy The biggest band in the world had never gotten positive press Peter Grant described them as "just mild barbarians" Bonzo would arrive early to tune drums for each room's acoustics Jimmy Page avoided TV—felt it couldn't deliver Zeppelin's true sound Physical Graffiti era: Danny became Swan Song Records vice president His blues tribute pitch rejected—later repurposed for Foghat Robert Plant was eloquent and handled most press duties willingly Jimmy's Crowley interest rarely came up in day-to-day interactions Met Ringo, never John or George—All Things Must Pass is essential Nirvana's 92 Australian tour produced the Rolling Stone cover shoot Kurt's "Corporate magazines still suck" shirt was pure tightrope genius He storyboarded every Nirvana video shot by shot himself Appeared on Headbangers Ball in a dress to subvert metal culture Nevermind hit five radio formats simultaneously—unprecedented crossover success Kurt agreed to edit In Utero packaging for Walmart-only kids Fame invaded his privacy—tabloid coverage of Courtney infuriated him Depression and heroin predated fame—confirmed by Chris Novoselic Danny dismisses conspiracy theories—Seattle PD had no coverup motive Sub Pop planned "Cash Cow"—Kurt licensed it back as Incesticide Incesticide liner notes rank among Kurt's most remarkable creative statements Danny calls In Utero Kurt's best songwriting, his personal favorite Bonnie Raitt's Nick of Time gave Danny credibility to expand management John Silva brought Redd Kross, leading to Sonic Youth, then Nirvana Born Innocent documentary on Redd Kross earns Danny's recommendation High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Mike Smith sits is joined live in-studio by Bill Payne (Little Feat co-founder, keyboardist, singer/songwriter) and documentary director Jesse Lauter ahead of the World Premiere screening of Little Feat: The Documentary at the Big Sky Documentary Film Festival in Missoula.Now in its 23rd year, the Big Sky Documentary Film Festival (BSDFF) is the largest nonfiction film festival the American west and is presented by the Big Sky Film Institute, bringing filmmakers and audiences together for a packed slate of screenings, conversations, and community events in the heart of downtown Missoula. BSDFF is an Academy Award® Qualifying Festival.The film itself, Little Feat: The Documentary (2026, 137 min), is narrated by Jeff Bridges and dives deep into the of one of America's most influential (and often lesser-known) bands. Featuring never-before-seen footage and stories from friends and collaborators (including Bonnie Raitt, Linda Ronstadt, Jackson Browne, Elvis Costello among others, and members of the Doobie Brothers, Phish, and the Grateful Dead), the documentary fluidly traces Little Feat's remarkable musical legacy and the wide reach of their influence across generations and genres. World Premiere info: 'Little Feat: The Documentary' Wilma Theatre, Saturday, Feb. 21 @ 6:00 PM (Big Sky Documentary Film Festival). 

In this episode we discuss our Top 5 Bonnie Raitt songs with Val Smith 

Today's show features music performed by Mamie Smith and Bonnie Raitt

Headline: THE FANS HAVE SPOKEN!

We're setting the time machine back 20 years to a snowy Saturday night in Charleston.The Flood was on stage at the West Virginia Cultural Center for a FOOTMAD (“Friends of Old-Time Music and Dance”) concert, sharing the bill with another great band, Stewed Mulligan.As reported here earlier, it had been a fun evening of jug band songs and general silliness, blues and fiddle tunes and old-time string band music, so when Michelle Hoge started a classic 1940s jazz standard, a hush fell over the audience.In seconds, people were softly humming along, then they smiled so much during Doug Chaffin's sweet mandolin solo that he had to take a second chorus. Finally, by the time Michelle got to the end of the number, people were on the feet to cheer her. What a sweet memory.About the SongA celebrated ballad that successfully bridged the gap between 1940s R&B and 1960s pop, “Since I Fell for You” evolved from a modest hit into a timeless standard.Pianist/bandleader Buddy Johnson in late 1945 wrote the song that his publisher categorized as a “jump blues.”Johnson famously had a passion for classical music but played to the tastes of his Southern audiences andc composed the song for his sister, Ella Johnson, to sing. While their original recording had some impact, it was Annie Laurie's 1947 version — recorded with Paul Gayten — that attracted serious attention, reaching No. 3 on the Billboard “Race Records” chart.The song found its definitive voice, though, in 1963 thanks to singer Lenny Welch, who was familiar with the song through a 1954 doo-wop cover by The Harptones and suggested it to Archie Bleyer, the president of Cadence Records.When Bleyer bought the original sheet music, Welch was surprised to find a distinct piano introduction that had been omitted from the versions he had heard previously. This recovered intro became a highlight of Welch's recording. Recorded on Aug. 13, 1963, Welch's version broke out in California markets before sweeping across the U.S. It peaked at No. 4 on the Billboard Hot 100 and No. 3 on the Easy Listening chart, selling over a million copies.Welch's smooth, middle-of-the-road vocals cemented the song's status as a pop classic. Since then, the song has attracted covers across the genres, including jazz greats like Dinah Washington, country stars like Charlie Rich and Ronnie Milsap and contemporary icons like Bonnie Raitt.Further Floodifying the SongWhile the Feb. 11, 2006, show featured in the audio at the start of this report was The Flood's first public performance of the song, “Since I Fell for You” stayed in the band's repertoire for years. However, its title didn't always come readily to mind. Click the button below for a funny exchange at a rehearsal a few years later:Meanwhile, a dozen years after the song's Flood debut at FOOTMAD, the band was back in Charleston, this time at Taylor Books, where Pamela Bowen shot this video:Framing Michelle's vocals were solos by Floodster Emeritus Paul Martin and guest artist Jim Rumbaugh. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Pacific St Blues & AmericanaFebruary 8, 2026Bruce Springsteen Spotlight Show playlistPart 1 of 2 Intro & Biggest Influence: Bob Dylan: 1. Eric Church / Springsteen2. Rick Springfield / Bruce3. The Traveling Wilburys (Bob Dylan) / Tweeter and the Monkey Man4. Bruce Springsteen, Bonnie Raitt, Jackson Browne /Highway 61 Revisited  Influences: Roy Orbison & Elvis Presley: 5. Roy Orbison (Traveling Wilbury) / Only the Lonely6. Cowboy Junkies / Thunder Road,7. Bruce Springsteen / Viva Las Vegas (cover Elvis Presley)8. Bruce Springsteen / Johnny Bye ByeInfluences: Pete Seeger & Woody Guthrie:9. Pete Seeger / Where Have All the Flowers Gone.10. Woody Guthrie / This Land is Your Land11. The Carter Family / The World's On Fire12. Bruce Springsteen / Vigilante ManSoul Man? Soul Man! 13. Jerry Butler / Only the Strong Survive (2022)14. Eddie Vedder /  My City of Ruins15. Bruce Springsteen / I'm Not Sleeping16. Eddie Floyd / Raise Your Hand (Live) (Stax Records)Producers Phil Spector & Jimmy Webb: 17. Ike & Tina Turner / River Deep, Mountain High18. Southside Johnny & the Asbury Jukes / Fade Away (Spittin' Fire album)19. Glen Campbell / Wichita Lineman20. Bruce Springsteen / Sundown

The popular musical “The Pajama Game” is a staple in school and community theater productions. The plot revolves around romance and labor issues in a pajama factory. The musical premiered in 1954 on Broadway and in 1955 on London's West End. This version stars the original Broadway cast. John Raitt, father of musician Bonnie Raitt, was known for playing many lead roles on Broadway and in film. He plays the lead character Sid Sorokin. Babe Williams is played by Janis Paige, one of the last stars from The Golden Age of Hollywood. Vernon Hines is played by Eddie Foy, Jr., whose 60 plus year career spanned from vaudeville and theater to film and television.

Making a Scene Presents an Interview with Melody GuyMelody Guy is a Nashville-based Americana singer-songwriter whose unforgettable voice and fearless honesty have powered a life on the road, with more than two million miles of touring across the United States. Blending rock, country, soul, and pop, she delivers songs with the kind of emotional clarity that stops people mid-conversation. Her voice has drawn comparisons to Eva Cassidy, Linda Ronstadt, Bonnie Raitt, and Grace Slick, but her sound is ultimately her own—grounded, dynamic, and deeply human. http://www.makingascene.org

Helen and Gavin chat about Come See Me in the Good Light, Rings Acoustic, and Send Help, and it's Week 34 of the list of Grammy Record of the Year Winners from 1992, which will be picked from (Everything I Do) I Do it For You by Bryan Adams, Unforgettable by Natalie Cole with Nat King Cole, Baby Baby by Amy Grant, Something to Talk About by Bonnie Raitt, and Losing My Religion by REM.

Born in Bar Harbor, Maine, Jude Johnstone began writing songs at about age 8.  At 18, she was "discovered" by Bruce Springsteen's saxophonist, Clarence Clemons.  After spending some time in New York and New Jersey under his wing, in 1979, she moved to Los Angeles, where her songs quickly became sought after by other artists. She has been covered by Bonnie Raitt, Emmylou Harris, Bette Midler, Johnny Cash, Stevie Nicks, Mary Black, Jennifer Warnes, Trisha Yearwood and more, including a #1 song for Yearwood's debut album called "The Woman Before Me" which earned her a BMI award. Her songs then appeared on 8 other Yearwood cds. She also penned the title track to Johnny Cash's 1997 Grammy winning album "Unchained." Jude has released 9 cds of her own that run the gamut from Celtic, Gospel, Americana, to Jazz, Blues, and even Big Band. She has been featured on the CBS Early Show, and NPR Radio's "Morning Edition." Her songs have also been on several television shows including "Nurse Jackie",  "Army Wives" and "Lie To Me."Jude has opened shows for Jackson Browne, Emmylou Harris, Bonnie Raitt, Richard Thompson, Shawn Colvin, Chris Hillman, 10,000 Maniacs, David Crosby and many others and toured Europe under her own name numerous times. "If Jude Johnstone is not yet a musical household name, she sure as hell should be." Henry Carrigan, No Depression"Turning emotional pain into art is a tricky business.Sometimes I wonder if the end result is worth it.Jude Johnstone makes a good case that it is."Rodney Crowell"Jude's fertility, in regards to songwriting, is truly awe inspiring." Bonnie Raitt..."She's patently a master at capturing the heart's dark and desperate moments, just as she's capable of  encouraging belief in its resurrection." Mike Davies, Roots and Branches/The BeatTheme song: “Hollywood Faded' by Luna Halo@treymitchellphotography @feeding_the_senses_unsensoredfacebook.com/profile.php?id=100074368084848www.threads.net/@treymitchellphotographyftsunashville@gmail.com

Folk music recorded by women spans traditional ballads to contemporary singer-songwriters, with pioneering voices, powerful storytelling and unique musical styles. On this episode, we'll present music from Bonnie Raitt, Rachel Eddy, The Coon Creek Girls, Shemekia Copeland, Fiona Boyes, Tracy Nelson and more. An assortment of women and their music … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysRachel Eddy / “Sarah Armstrong” / Hand on the Plow / Self-producedBonnie Raitt w/ Sippie Wallace / “Women Be Wise” / Collection / Warner BrothersFrank & Allie Lee / “White Top Mountain” / Treat A Stranger Right / Bake ToneThe Coon Creek Girls / “Little Birdie” / Flowers in the Wildwood / TrikontPearl Hicks / “Pretty Polly” / On the Threshold of a Dream / BalladEllen McIlwaine / “Can't Find My Way Home” / Up from the Skies-The Polydor Years / ChroniclesDel Ray & the Blue Gators / “Nothin' in Ramblin'” / The Best of Kicking Mule / LaserlightFiona Boyes / “Hokum Rag” / Blues in my Heart / ReferenceTracy Nelson / “Ramblin' Man” / Deep Are the Roots / Wounded Bird Rachel Eddy / “Valley Forge” / Hand on the Plow / Self-producedThe Horseflies / “Cluck Old Hen” / Until the Ocean / Pest ControlStrange Creek Singers / “Today Has Been a Lonesome Day” / Strange Creek Singers / ArhoolieEmily Miller & Val Mindel / “My Shoes Keep Walking Back to You” / In the Valley / Yodel Ay HeeWhitney Shay et. al. / “Love's Creeping Up On You” / Blues Caravan 2020 / RufLisa Jeanette / “Our Face” / Jellyfish on the Moon / Self-producedShemekia Copeland / “Under My Thumb” / Uncivil War / AlligatorPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Selena Fragassi publishes more books before 9am than most people do all day. Just last year, the always hustling music writer and journalist wrote and published books about Alanis Morissette, Sabrina Carpenter, Greta Gerwig AND her latest:  PEARL JAM LIVE — a hefty and thorough tome covering the band's 35 year history as one of the world's best live acts (it also features a forward written by Scott, but we digress). In between all the manic book writing, Selena somehow finds time for her regular gigs writing for the Chicago Sun Times, monthly appearances on WFLD 32 and contributing to every publication and outlet from SPIN to Loudwire. This week we talk to Selena about life moments with Cameron Crowe, fan letters to Donnie Wahlberg, looking Chrissie Hynde in the eye, what to do when Jim DeRogatis trashes all your favorite bands, the ineffable awesomeness of Bonnie Raitt, the sue-happy UN-awesomeness of Gene Simmons, and getting mammogram advice from Debbie Harry. Pretty awesome. PLUS: Ben gets gonged and our buddy John Oakes calls in with a report from the front lines in Minneapolis.

Hey, it's Dave Jackson here! In this episode, I'm diving letting you see why patience and persistence matter more than anything else in podcasting (and, honestly, in most creative pursuits). We've all been spoiled by the microwave mentality (wanting quick results and instant gratification) but the real success stories are built over years, not weeks.I kick things off with the story of the microwave's invention as a metaphor for how society craves instant results, then flip the script to talk about why that approach just doesn't work in podcasting.What Does it Take to Be Known?You'll hear me break down the journeys of big names like Morgan Freeman, Samuel L. Jackson, Harrison Ford, Bryan Cranston, Lucille Ball, and even musicians like Bonnie Raitt and Andrea Bocelli—all of whom pushed through years (sometimes decades) before their “big break.” Yes, even Adam Sandler and Jerry Seinfeld had plenty of failures, awkward moments, and years of grinding before the world knew their names. I share how their experiences relate directly to podcasting, and why embracing your own style and sticking with what you love can make all the difference.You Need To Be More Than "Good"I also talk about the importance of consistency, cross-promotion, knowing your audience, and making your content “remarkable”—the kind people just have to talk about. I share how Seinfeld didn't become a household name overnight, and how even my own podcast journey has been about slow, steady growth, not big, sudden leaps.Plus, I get into listener engagement strategies, word-of-mouth tactics, and why you should appreciate the connections and opportunities podcasting brings, from new friendships to dream gigs. And yes, you'll hear a little power rant about the NFL's approach to consistency (or lack thereof)!Because of My Podcast Lou MongelloFinally, I wrap up with plenty of listener “because of my podcast” stories, examples of how podcasting opens doors you never imagined, and a reminder that there's nothing stopping you from growing your show except your own willingness to put in the time and effort.If you want to get inspired and set the right expectations for your own podcast journey—or just need a reminder that you're not alone in the slow grind—this episode is for you. Thanks for tuning in!Mentioned In This EpisodeLou Mongello and his WDW RadioLou Mongello on SOP 713Because of My Podcast Post on RedditBecause of my podcast showMentioned in this episode:Podcast Hot SeatAttention podcasters! Are you ready to take your show to the next level? Introducing Podcast Hot Seat, the ultimate resource for podcasters who want to elevate their game. Just like a friend who tells you you've got spinach in your teeth, we're here to give you the honest feedback you need to shine. At podcasthotseat.com, we specialize in helping good podcasts become great. Hall of Fame podcaster Dave Jackson will identify your strengths and show you how to leverage them to keep your audience hooked. Don't let small oversights hold you back from podcasting stardom. Visit podcasthotseat.com today and put your show in the hot seat. Your listeners will thank you! Order now and get a free month at the School of Podcasting included in your purchase.Podcast HotseatLive AppearancesI'd love to see you at these events.

Around the year 2000, keyboardist Jai Winding decided he didn't want to be a hugely successful musician anymore and traded in his rock star life for real estate. He made the right move for him, but boy was it fun while it lasted. Some of the collaborations we discuss this week include the Pointer Sisters, George Benson, Don Henley, Jackson Browne, Bonnie Raitt, Olivia Newton-John, Howard Jones, and more. Unfortunately, Jai's home, and the homes of many of his clients, were destroyed in the fires in the Pacific Palisades earlier this year and he lost everything including his entire community. Jai fills us in on both sides of his life in this fascinating conversation. Enjoy and Merry Christmas! Be grateful for what you have!  The Hustle Podcast | creating podcasts | Patreon

This episode of The Other Side of the Bell, featuring trumpeter performer and recording artist Paul Litteral, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Paul Litteral trumpet interview"   Find the expanded show notes, transcript and more photos here: https://bobreeves.com/blog/paul-litteral-trumpet-interview-the-other-side-of-the-bell-147   About Paul Litteral: Hollywood Paul Litteral began to build his career playing in Broadway hits such as The Best Little Whorehouse in Texas, A Chorus Line and Chess. In 1978, Paul and saxophonist Arno Hecht founded the well-known group called the Uptown Horns. As their visibility increased, the band was recruited for rock and roll gigs and played many of New York's most famous clubs. Paul and the Uptown Horns went on their first rock and roll tour with the J. Geils Band in 1981 and that led to many other opportunities including engagements with The Rolling Stones, Robert Plant, Tom Waits, Joe Cocker, James Brown, Pat Benatar, and Ray Charles. The band lists recording credits on over 150 albums including James Brown's Grammy Award winning "Living in America" and tracks for Joe Cocker, Albert Collins, Bonnie Raitt, Robert Palmer, Lou Reed and REM. In addition to continuing to play music, he began writing and found critical success with Hoboken to Hollywood, which earned him the 2011 Ovation Award for Musical Direction. Paul was also awarded Best Musical Direction by Stage Scene LA for Louis & Keely: Live' at the Sahara, which had a record run, playing to sold out audiences at the Geffen Playhouse. "Hollywood" Paul earned his nickname back in the 1980's due to his prodigious knowledge of film lore. Though his extensive contributions to the LA music scene have also helped add to that fabulous moniker. Paul's fame is within the world of Rock and Roll. On his latest album, "The Litteral Truth," he brings us a collection of songs that inspired his personal musical development. The Brecker Brothers, Edgar Winter and Steely Dan are a few of the artists we cover on the record, and revisiting these great cuts and reinterpreting them was a joyous excursion for all involved. Paul is a fun and talented man, and his records are spreading the joy of knowing him. -Bill Bodine   Episode Links: Outrageous 8 Records Find the albums here: The Litteral Truth Legacy Instagram (@paullitteralmusic) YouTube channel The Other Side of the Bell Episode #92 - Paul Litteral (first appearance)   Bob Reeves Brass Upcoming Events and Appearances: Trumpet Festival of the Southeast, Jan. 17, 2026, Kennesaw State University, Georgia Texas Music Educators Association Conference, Feb. 11-14 2026, San Antonio, Texas Dylan Music, Feb. 26-28, Woodbridge, New Jersey   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Paul Litteral Audio Engineer - Ted Cragg

GRAMMY winner and Nashville Songwriters Hall of Famer Mike Reid chats about his remarkable musical life. PART ONEScott and Paul talk about the sports games and so much morePART TWOOur in depth conversation with Mike ReidABOUT MIKE REIDNashville Songwriters Hall of Famer Mike Reid has written twelve #1 country songs and has had his work recorded by Bonnie Raitt, Anita Baker, Bette Midler, Prince, George Michael, Nancy Wilson, Etta James, Kenny Rogers, Ann Murray, Wynonna Judd, Alabama, Joe Cocker, Tanya Tucker, Willie Nelson, Collin Raye and Tim McGraw. He is perhaps best known for co-writing the modern-day standard “I Can't Make You Love Me” with Allen Shamblin. Launching his music career as a staff songwriter for country star Ronnie Milsap's publishing company, Reid penned Milsap hits such as “Stranger in My House,” which won a Grammy for Best Country Song” and “Lost in the Fifties Tonight,” which was named ASCAP's Country Song of the Year. As an artist, Mike signed with Columbia Records and scored a #1 hit with the self-penned “Walk on Faith.”Others who've recorded Reid's songs include Tammy Wynette, Rita Coolidge, Don Williams, Billy Dean, Josh Turner, Shelby Lynne, The Judds, George Jones, and Shania Twain. A true Renaissance man, Reid went on to compose theatrical and operatic works, winning a Richard Rodgers Development Award from the Academy of Arts and Letters for 1997's The Ballad of Little Jo. His most recent project is a collaborative album with Joe Henry called Life and Time.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Have you ever felt like music was your lifeline, a refuge in times of struggle? In this captivating replay episode of the Music Saved Me Podcast, host Lynn Hoffman sits down with the iconic Wynonna Judd, a country music legend whose powerful voice has resonated with millions. Wynonna opens up about her deeply personal journey, revealing how music has been a source of strength and solace throughout her life, particularly during her childhood when she often felt like an outsider. Discover how the sounds of artists like Joni Mitchell, Bonnie Raitt, and Linda Ronstadt shaped her world, providing a sense of belonging and emotional healing through music. As Wynonna Judd shares her experiences, she emphasizes the crucial role of songwriting as a form of self-expression and a therapeutic outlet for coping with life's challenges. Her insights on the healing power of music are not just inspiring; they are a testament to the resilience that music can foster in our lives. In this heartfelt conversation, Wynonna also touches on her spiritual connection to music and the profound bond she shares with her fans, illustrating how music and emotional connection can create lasting relationships. For aspiring musicians, Wynonna offers invaluable advice on staying true to oneself, the importance of playing often, and the necessity of listening to one’s instincts. This episode is more than just an interview; it's a deep dive into the music history podcast landscape, exploring themes of musicians and mental health, music as therapy, and the transformative power of art. Join Lynn Hoffman as she uncovers the stories of musicians like Wynonna, who exemplify the healing power of music and the music and resilience that defines their journeys. Whether you're a fan of Wynonna Judd, a lover of new music, or someone interested in the intersections of music and personal stories, this episode is a must-listen. Tune in for insights that go beyond the stage, and explore the music industry insights that can inspire and uplift. Don't miss this opportunity to hear from one of the most beloved voices in country music, and discover how the Music Saved Me Podcast continues to highlight the incredible impact of music on our lives. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Have you ever felt like music was your lifeline, a refuge in times of struggle? In this captivating replay episode of the Music Saved Me Podcast, host Lynn Hoffman sits down with the iconic Wynonna Judd, a country music legend whose powerful voice has resonated with millions. Wynonna opens up about her deeply personal journey, revealing how music has been a source of strength and solace throughout her life, particularly during her childhood when she often felt like an outsider. Discover how the sounds of artists like Joni Mitchell, Bonnie Raitt, and Linda Ronstadt shaped her world, providing a sense of belonging and emotional healing through music. As Wynonna Judd shares her experiences, she emphasizes the crucial role of songwriting as a form of self-expression and a therapeutic outlet for coping with life's challenges. Her insights on the healing power of music are not just inspiring; they are a testament to the resilience that music can foster in our lives. In this heartfelt conversation, Wynonna also touches on her spiritual connection to music and the profound bond she shares with her fans, illustrating how music and emotional connection can create lasting relationships. For aspiring musicians, Wynonna offers invaluable advice on staying true to oneself, the importance of playing often, and the necessity of listening to one’s instincts. This episode is more than just an interview; it's a deep dive into the music history podcast landscape, exploring themes of musicians and mental health, music as therapy, and the transformative power of art. Join Lynn Hoffman as she uncovers the stories of musicians like Wynonna, who exemplify the healing power of music and the music and resilience that defines their journeys. Whether you're a fan of Wynonna Judd, a lover of new music, or someone interested in the intersections of music and personal stories, this episode is a must-listen. Tune in for insights that go beyond the stage, and explore the music industry insights that can inspire and uplift. Don't miss this opportunity to hear from one of the most beloved voices in country music, and discover how the Music Saved Me Podcast continues to highlight the incredible impact of music on our lives. Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Shawn Jones is a Blues, Roots, Americana, Rock Singer-Songwriter and Guitarist for more than 30 years. He's released six studio albums and three live albums. He's a true road warrior, performing over 200 dates a year in the U.S. and Europe. He's shared the stage with luminaries like B.B. King, Robert Cray, Buddy Guy, Bonnie Raitt, Waylon Jennings, Willie Nelson, Leon Russell and Joe Bonamassa. His latest album is “In My Blood”.My featured song is “The Fall Of Winter”, my single together with Jim Peterik of The Ides Of March and formerly with Survivor. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH SHAWN:www.shawnjonesmusic.com—----------------------------------------ROBERT'S LATEST SINGLE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Grammy-winning producer and singer-songwriter Joe Henry gives us insight into his multi-faceted careerPART ONEPaul and Scott chat about their music-themed road trip and say R.I.P. to MTV. PART TWOOur in-depth conversation with Joe HenryABOUT JOE HENRYJoe Henry is a singer-songwriter who became a record producer as a protege of T Bone Burnett. He went on to win Grammy awards for his work with Solomon Burke, Ramblin' Jack Elliott, The Carolina Chocolate Drops, and Bonnie Raitt. Additionally, he produced the final albums of the late Allen Toussaint, who credited Henry for ushering him out of retirement. Henry's contribution to American music remains somewhat enigmatic. Joe's own records often feature adventurous contributions by instrumentalists, such as one of only two cameos Ornette Coleman ever made with a singer, while his song “Stop” was reworked into Madonna's hit pop single, “Don't Tell Me.” The long list of artists Joe has produced includes Ani DiFranco, Aimee Mann, Bettye LaVette, Elvis Costello, Rodney Crowell, Aaron Neville, Hayes Carll, Joan Baez, The Milk Carton Kids, Rhiannon Giddens, and many others. As a songwriter he has collaborated with Rosanne Cash, Jakob Dylan, Loudon Wainwright III, Billy Bragg, Madonna, and many more, while releasing 17 studio albums as an artist. He received a Lifetime Achievement Award at the Americana Music Honors & Awards in 2025. Joe's most recent album is Life and Time, a collaborative project with fellow songwriter Mike Reid.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Go to www.LearningLeader.com for full show notes Join tens of thousands of leaders pursuing excellence: https://ryanhawk.kit.com/profile This is brought to you by Insight Global. If you need to hire one person, hire a team of people, or transform your business through Talent or Technical Services, Insight Global's team of 30,000 people around the world has the hustle and grit to deliver. My guest: Priya Parker is a master facilitator, conflict resolution expert, and author of the bestselling book The Art of Gathering: How We Meet and Why It Matters. Priya has spent decades facilitating difficult conversations in boardrooms, communities, and conflict zones. In this conversation, she reveals the mechanics of meaningful gathering and why most of us are doing it wrong. Key Learnings A facilitator is interested in the life of a group. I think of facilitation as working with people who are interested in the infrastructure of three or more people who need to come together and are ideally changed for the better by what transpires between them. A facilitator thinks deeply about how to set up the conditions to increase the likelihood that transformation happens. Great facilitators are obsessed with language. There's listening to make someone feel heard, but the difference between green facilitators and seasoned ones is an obsession and ability to hear, recall, and play with language. You have to understand what people are actually saying and be able to reflect it back in ways that unlock new meaning. Understanding power is essential to facilitation. You need to know how decisions are being made, who is talking more than others, when to allow for that, and what your own relationship is to holding the group. When do you shut up? When do you pull people out? When do you push back? All of this is fundamentally about understanding power dynamics. I'm a third-generation ostrich. On both sides of my family, when conflict arises, we stick our heads in the sand. Nothing to see here, folks. But I've cultivated the ability to hold heat. Even now, when facilitating a reckoning and the heat rises, my palms still get sweaty, I can feel my heart racing, blood rushing to my cheeks. But I've learned how to stay present with that discomfort. Counterintuitively, having deep empathy for people who want to flee makes me more effective. "90% of the success of what happens in the room, and as a facilitator, happens before anybody arrives." This is what my mentor Randa Slim taught me, and it's absolutely true. The construction of the house happens before anyone gets there. Dr. Hal Saunders changed everything for me. He was an American diplomat who served five presidential administrations and was part of the Camp David Accords. After leaving government, he realized that while governments can create peace treaties, people's perceptions of each other on the ground haven't necessarily changed. He trained me as a teenager in sustained dialogue, and I learned facilitation the way it should be learned—through apprenticeship. Even in his seventies and eighties, he always believed he had something to learn. The first questions people ask you signify what they value. When I arrived at the University of Virginia, people kept asking, "What are you?" I learned quickly that they meant racially. My mother, an anthropologist, had taught me that the first questions a community asks reveal what matters most to them. Race was clearly very important there. I made myself a conflict resolution facilitator. Growing up between two vastly different households—toggling every two weeks between a vegetarian, Buddhist home where the word "God" was never mentioned and an evangelical Christian home where we never ate before saying Grace. I became deeply interested in when and why and how people come together, what they think of as normal, how they create and change cultures, and how they come apart. Your highest real estate is when people are together in the same place at the same time. Wasting time in the room figuring out what to say or do is actually wasting everyone's time. A huge part of preparing for any gathering is figuring out what the right conversation is for this group to have, and how to equip them to have it well. Think of military pre-mission briefs. They're really good at setting mission objectives. This is the goal, this is what we're striving for. Then they debrief afterward to learn and do better next time. That same discipline applies to any gathering, whether it's a leadership retreat or hosting dinner at your house. Every gathering is a social contract. You're creating a temporary constitution. At a dinner party, there's an implicit rule: bring a bottle of wine. People find out they've broken the constitution when someone says, "Wow, they didn't even bring a housewarming gift." We have all these implicit norms, and in diverse groups... Which is every group, not just racially, but people with different assumptions about how things work—you need to make the contract explicit. Elizabeth Stewart ran a startup networking organization and wanted it to be a true community, not just a shark tank for pitches. She created a pop-up rule: you can't talk about what you're selling. No pitches. Super counterintuitive for a networking night, but it created exactly what she wanted... Trust and long-lasting relationships rather than transactional encounters. The rule signified what she was trying to create. Using your power as a host means protecting your guests. You're temporarily equalizing people so they can coordinate group life. Gathering is fundamentally a coordination problem: helping people understand what the rules are, protecting them, and connecting them. There are moments when you should surprise people. If a team is stuck in a 50-year-old institution that's always done things the same way, and they'll die institutionally if they don't change, maybe the purpose is to build their skills for discomfort and navigating uncertainty. In that case, maybe you don't tell them the full roadmap because the practice itself is learning to navigate the unknown. Making things explicit and transparent equalizes the room. Showing the roadmap is deeply beneficial, particularly to people with less power and knowledge. For newer people who don't know how things work, for people with other obligations like tending to an elderly parent or being a student athlete with fixed schedules, transparency helps level the playing field. But it may not always be your purpose. Before you default to a dinner party, ask what you actually need. If the goal is to laugh hysterically and create memories with friends you don't see enough, a dinner party might not be the best form. Maybe you should play kickball in the park, stage a made-up pickleball championship, go to a morning rave, or take a party bus to a concert. We're so boxed into thinking about how adults must hang out. When hosting dinner parties, keep the menu relatively simple. Increase the meaning dial and it decreases the pressure on food quality. Think about food that tells a story. The invitation matters deeply. I could send an invitation: "Come enjoy my best attempts at Ruth's BLTs." My grandmother's recipe that takes me back to childhood. I tell the story in the email, narrow the expectations, and create a social contract. This is for BLTs. If you're a vegetarian, you can take out the bacon. And please don't bring your mushroom penne, not in this context. Then I ask: bring a story of a dish that takes you back to childhood. The whole night plays itself. Magical questions are questions everyone in the group is interested in answering, and everyone would be interested in hearing each other's answers. It's a magical equation. It's subjective and relative to each group. My seven-year-old daughter once asked at dinner: "What's the naughtiest thing you've ever done that was worth it?" We laughed and shared for two hours. My son asked my elderly father: "What's the meanest thing you ever did to anybody before the age of 15?" That caveat, before age 15, temporarily equalized everyone at the table. Testing and practicing are how you develop the muscle. I test questions on my team, I think through social arithmetic: what do these specific people have in common, what don't they have in common, what's the right level of vulnerability? I ask my community on Instagram and Substack to share their magical questions. Someone from Brazil sent me: "Would you rather spend 10 minutes on the moon or one year traveling through Europe?" It inspires heated debates in his friend group. My favorite question for virtual groups: "What was the first concert you ever went to, and who took you?" People pause, then you see a waterfall of answers—Bonnie Raitt, Madonna, New Kids on the Block. Everyone's interested in seeing everyone else's answers. You realize who's here, you see there's someone behind everyone (my sister, my mother, my college girlfriend), and you increase the likelihood that people realize these are real humans.  Creating psychological togetherness on Zoom is my single most important skill. During the pandemic, I lost all my physical facilitation tools. I couldn't chase someone into the bathroom to convince them to come back, couldn't use my body to signal it's time to quiet down. I was just a little green square. Magical questions became my most powerful tool for creating psychological togetherness when people aren't in the same room. Ryan's champagne question works because it's visceral and emotional. "We're meeting exactly one year from today and popping bottles, what are we celebrating?" That's not "what's your goal for the year." That's boring. You pop champagne for something that matters emotionally. It's a somatic, physical question that forces people to think big because you're not popping champagne about something boring. The responsibility of gathering is about both connection and power. Particularly in work contexts, you can ask questions that are too vulnerable or that aren't appropriate. You need to protect your guests by ensuring questions relate to the purpose of the convening. Asking "what's a core experience from your early life that connects to why you do the work you do today?" helps people understand motivations without crossing lines. Questions can open up the world. They're a sequence of words that, if you ask them in a specific way, can fundamentally change what's possible. Being genuinely curious and fascinated about people and their stories and life experiences will change your life. Full stop. Writing The Art of Gathering let me articulate what deeply frustrated me about gatherings and try to convince other people it should frustrate them too. What's been beautiful is that people are starting to get fed up with mediocre gatherings and expect better of how we spend our time together. They're realizing we can change it with some thought, some temerity, some bumping around. The pandemic made the book even more relevant. The paperback came out in April 2020, when gathering was banned, which was super awkward. But by taking gathering from us, we began to see it. We began to see that this thing we took for granted shapes our lives—how we wed, fight battles in court, host funerals, host galas. People started asking first-order questions: when and where and why should we meet, and who decides? That's a powerful question to be asking. Anyone can gather. Many of the hundred gatherers I interviewed for the book identified as introverts, loners, people on the outside of things, people with social anxiety. As one person said, "I create the gatherings I wish existed in the world. And other people seem to like it." Reflection Questions What gathering in your life, whether a team meeting, family dinner, or community event, would be transformed if you paused to clearly define its purpose before diving into logistics and form? Think about a group you're part of where people come from different backgrounds and assumptions. What explicit "social contract" or ground rules could you create to help everyone understand how to show up and what's expected? What's a magical question you could ask in your next gathering that everyone would be interested in answering and everyone would want to hear each other's responses to? More Learning From The Learning Leader Show #126: Jayson Gaignard - Mastermind Talks #273: Chip Conley – How To Be Wise Beyond Your Years #476: Kat Cole - Reflection Questions, Humble Confidence, Building Trust

Hosts Jim DeRogatis and Greg Kot revisit a Sound Opinions classic— Songs About Giving Thanks. The hosts will share some of their favorite songs in celebration of the Thanksgiving holiday, and they'll hear selections from the production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Natalie Merchant, "Kind and Generous," Ophelia, Elektra, 1998The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Big Star, "Thank You Friends," Third, PVC, 1977Sister Sledge, "We Are Family," We Are Family, Atlantic, 1979Earth, Wind & Fire, "Gratitude," Gratitude, Columbia, 1975Tyler, The Creator, "GONE, GONE / THANK YOU," IGOR, Columbia, 2019Bonnie Raitt, "Thank You," Bonnie Raitt, Warner Bros., 1971Lucinda Williams, "Stowaway in Your Heart," Down Where the Spirit Meets the Bone, Highway 20, 2014Led Zeppelin, "Thank You," Led Zeppelin II, Atlantic, 1969Fall Out Boy, "Thnks Fr Th Mmrs," Infinity On High, Island, 2007Chance The Rapper, "Blessing (feat. Jamila Woods)," Coloring Book, Self-Released, 2016 Andrew Gold, "Thank You For Being A Friend," All This and Heaven Too, Asylum, 1978The Kinks, "Days," Days (Single), Pye 7N 17573, 1968Dido, "Thank You," No Angel, Cheeky, 1999Descendants, "Thank You," Everything Sucks, Epitaph, 1996Third Eye Blind, "Thanks a Lot," Third Eye Blind, Elektra, 1997Alanis Morissette, "Thank U," Supposed Former Infatuation Junkie, Maverick, Reprise, 1998The Flaming Lips, "Do You Realize??," Yoshimi Battles the Pink Robots, Warner, 2002The Intruders, "Be Thankful For What You Got," Energy of Love, TSOP, Philadelphia International, 1974Yes, "Going for the One," Going for the One, Atlantic, 1977See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Music industry veteran Eddie Gilreath pulls up to the Corner Booth at Skip Paige's Little Bar to trace an extraordinary journey from Philadelphia's sound to global stages. With hosts Patrick Evans and Randy Florence, he recalls faking his first bass gig at 14, serving in Panama during tense Cold War days, then rising through Motown and Warner Bros. to help break artists like the Spinners and George Benson. Eddie shares inside stories about working with icons including Frank Sinatra, Ray Charles, Smokey Robinson, Michael Jackson, Bonnie Raitt, Curtis Mayfield, and more—plus why some of the most memorable moments happened offstage. He talks about smashing industry barriers as a pioneering Black executive, his “Black Music Is Green” initiative, and how streaming has rewritten the rules for new artists. It's a masterclass in music, marketing, and humanity from a man who quietly shaped the soundtrack of our lives. From basement rehearsals to boardrooms, Eddie's story is funny, candid, and deeply inspiring.Takeaways:How a missing bass player at a Philly cabaret accidentally launched Eddie's music career at 14.Serving in Panama during a volatile Cold War era and keeping music alive even in a combat zone.Moving from musician to executive, rising through Motown and Warner Bros. during the heyday of soul and pop.The strategy behind breaking acts like the Spinners and George Benson, including the massive success of Breezin'.Becoming the first African American national sales director and vice president at Warner, and refusing to be pigeonholed into “just” Black music.Intimate, often funny stories about working with legends: Sinatra, Sammy Davis Jr., Smokey Robinson, Curtis Mayfield, Ray Charles, Michael Jackson, Cher, George Clinton, and more.Creating the “Black Music Is Green” initiative and using hard data and retail relationships to open doors for more Black professionals in the business.Reflections on Broadway cast albums, the streaming-era music economy, and why Eddie hopes his legacy is simply that he “did the right things.”#BigConversationsLittleBarPodcast #PatrickEvans #RandyFlorence #SkipsLittleBar #MutualBroadcastingSystem #CoachellaValleyResidents #SkipPaige #McCallumTheatre #EddieGilreath #MotownRecords #WarnerBrothersRecords #MusicIndustryLegends #GeorgeBenson #RayCharles #CurtisMayfield #MichaelJackson #RecordBusinessHistory #BlackMusicIsGreen #PhiladelphiaSound #PanamaVeteran

The amazing story and success of  Winnipeg's David and Joey Landreth continues with the release of their 9th studio album, Dog Ear. The brothers join us from home base as they prepare for a full European tour and select key American dates this year. The new album deals with finding a balance between making music and raising their families. In the music business, with all its touring, it can be really hard on the whole family. After having a Grammy hit with the Landreth's  Made up Mind,  their music hero, Bonnie Raitt, asked the boys to send her songs from their new album. She came back saying, "I can't decide which one I want to sing on - so how about two songs?". She sang harmony on Knuckles and background on Half Moon Eyes.David and Joey grew up in a musical family and listened to Bonnie and Little Feat growing up.  They can't begin to describe what it's like to not only meet your heroes but to play and sing with them!!  As you can imagine, it's out of this world.

Bonnie Lynn Raitt is an American singer, guitarist, and songwriter.

Send us a textMulti-instrumentalist Maia Sharp has written songs for the likes of Cher, Bonnie Raitt, Trisha Yearwood, Keb' Mo', Taj Mahal and Art Garfunkel, just to name a few. Hailing from L.A., Maia is currently based in Nashville, often collaborating with many musicians and songwriters in that creative community. She also collaborates often with her dad, three-time Grammy Award winning singer/songwriter and guitarist Randy Sharp. Randy's songs have been recorded by artists including Linda Ronstadt, Delaney Bramlett, Glen Campbell, Tanya Tucker, Edgar Winter, the Dixie Chicks, Emmylou Harris, and of course, Maia. Tomboy is Maia Sharp's 10th solo album and her musical talent is on full display. In addition to her wonderful vocals and guitar, Maia, who's played saxophone for years, supplied a very cool sax solo on “Edge of the Weatherline”, one of many great tracks on the record. Stay tuned for my talk with the very talented Maia Sharp.You can find out more about Maia Sharp and also purchase music at maiasharp.comPhoto by Emma Lee. Check out her work here.Save on Certified Pre-Owned ElectronicsPlug has great prices on refurbished electronics. Up to 70% off with a 30-day money back guarantee!Euclid Records – Buy and sell records.A gigantic selection of vinyl & CDs. We're in St. Louis & New Orleans, but are loved worldwide!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms.And now, Frets is available on YouTube. There are a lot of fun extras like videos and shorts and audio of all episodes. Subscribing for FREE at YouTube helps support the show tremendously, so hit that subscribe button! https://www.youtube.com/@DJFey39 You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned… Contact Dave Fey at davefey@me.com or call 314-229-8033

230 - Hunter Metts In episode 230 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine host James Patrick Regan speaks with singer/songwriter Hunter Metts. In their conversation Hunter tells us about his touring schedule and the lineup of his band while touring and the types of venues he's playing. Hunter describes growing up in the outskirts of Nashville singing and playing guitar at a young age at church and listening to Nick Drake and Little Feat and Bonnie Raitt. Hunter talks about his different tunings and playing finger style. Hunter tells us about his new EP “A Crater Wide” and driving to Colorado to record the album and he talks about the instrumentation on the album and he describes his guitars. Hunter gives us his strategy for finding cheap hotels while on tour and he talks about self managing his career. Hunter tells us what he does with his days off while on the road and while he's at home. To find out more about Hunter you can go to his website: huntermetts.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #HunterMetts #ACraterWide #JamesPatrickRegan #GibsonGuitar #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

Jack Prine shares intimate stories about his legendary father John Prine, discusses the new "You Got Gold" movie, the history and state of "Oh Boy Records" and reveals intentions for unreleased recordings from the family archives. Check out screenings of "You Got Gold - A Celebration of John Prine" here Topics Include: Jack Prine discusses "You Got Gold" film celebrating his father John Prine's legacy Film originated through family friend connection at Radical Media, directed by Michael John Warren Documentary captures 2022 Ryman concert series benefiting the Hello In There Foundation Foundation started after John's death in April 2020, helping family navigate grief Jack reflects on balancing family's personal grief with fans' collective loss Film features collaborators like Bonnie Raitt, Lucinda Williams sharing stories and performances Many people know John Prine's songs without realizing he wrote them Movie bridges generations from Dwight Yoakam to Tyler Childers and Jason Isbell Tyler Childers shares quirky story about John keeping Dairy Queen coupon in wallet Jack's legal name is John Patrick Prine; uses Jack to separate identity Growing up in Nashville, didn't have special musicians' kids friend group Jack joined family business at Oh Boy Records after college, learning the ropes Worked in warehouse initially, understanding physical product and distribution fundamentals Oh Boy Records started in 1984 as fiercely independent label maintaining creative control Archives contain decades of unreleased recordings being carefully curated for future releases Lost Dogs deluxe edition recently released with unheard track "Hey, Aw, Nothing" John Prine disliked his debut album cover showing him on hay bale John was technologically simple, kept flip phone until he died, browsed cars on eBay 80th birthday celebration planned for October, possibly in Chicago rather than Nashville Jack's lessons from father: live in the moment and always give to others Extended and High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Following a celebrated national headline tour and a wonderful run supporting the legendary Bonnie Raitt, Dear John sees  Royal Wood collaborating with five-time Grammy-winning Mixer Ryan Freeland (Bonnie Raitt, Ray LaMontagne).  Royal describes Dear John as a "letter to a younger Royal". The album captures both his sincerity and artistry.     Royal Wood's music continues to resonate worldwide, amassing over 30 million streams.   Royal stepped away from the music business and his strong part in it,  to have 2 sons and make the family home much more important than the stage.   He and his family also decided to move from Ontario to Saskatoon, Saskatchewan. He makes music wherever he goes.        His last album, What Tomorrow Brings, received critical acclaim and was considered for "Best Folk Album" at the 2024 Grammy Awards.    Known for translating his recorded work into captivating live performances, Royal Wood has headlined prestigious venues like Massey Hall in Toronto and Paradiso in Amsterdam, and toured extensively with acclaimed artists including Bonnie Raitt and David Gray.     The interview includes 5 tracks from Dear John. Back Home. End of the Road, Killer Love, To be in Love, Fever.    Tour Dates NOV 07 - Madison, WI - Overture Centre NOV 14 - Toronto, ON - Koerner Hall - Make Music Matter Event x Matthew Perry House NOV 28 - Calgary, AB - Dalhousie Community Centre NOV 29 - Lethbridge, AB - Geomattic Attic NOV 30 - Lethbridge, AB - Geomattic Attic DEC 02 - Canmore, AB - ArtsPlace FEB 04 - East Lansing, MI - Wharton Performing Arts FEB 05 - Yellow Springs, OH - The Foundry Theater APR 09 - Truro, NS - Marigold Cultural Centre APR 10 - East Margaretsville, NS - Evergreen Theatre APR 11 - Liverpool, NS - The Astor Theatre

Hawk saw a bird and the guys react, Bonnie Raitt songs are rated, the McDonald's Monopoly return is starting to slip

Hawk saw a bird and the guys react, Bonnie Raitt songs are rated, the McDonald's Monopoly return is starting to slipSee omnystudio.com/listener for privacy information.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Stax legend David Porter.ABOUT DAVID PORTER Named one of Rolling Stone magazine's “100 Greatest Songwriters of All Time,” Porter is best known for his songwriting partnership with Isaac Hayes that helped define the sound of Memphis's legendary Stax Records. As the first African American staff songwriter at Stax, Porter, along with his partner, wrote and produced songs such as “B-A-B-Y” for Carla Thomas, “Your Good Thing (Is About to End)”—an R&B hit for Mable John that later became a pop and R&B smash for Lou Rawls, and his own recording of “Can't See You When I Want To.” Hayes and Porter are best known, however, for their work with Sam & Dave, including such classic hits as “You Don't Know Like I Know,” “You Got Me Hummin',” “Hold On! I'm Comin'” (which later became a country hit for Waylon Jennings and Jerry Reed), “Soul Man” (which became a hit a second time thanks to the Blues Brothers), “I Thank You” (which was later covered by ZZ Top), and “When Something is Wrong with My Baby” (which was reimagined as a memorable duet between Otis Redding and Carla Thomas, a country hit for Sonny James, and an adult contemporary hit for Linda Ronstadt and Aaron Neville). The list of artists who've covered Porter's songs includes Aretha Franklin, Bruce Springsteen, William Bell, Melissa Ethridge, Bonnie Raitt, Garth Brooks, Etta James, Celine Dion, Wilson Pickett, George Benson, Dusty Springfield, Jerry Lee Lewis, The Staple Singers, Solomon Burke, James Brown, Eric Clapton, B. B. King, Tina Turner, Jackie Wilson, and more. His songs have been used as samples in countless recordings by artists such as Jay-Z, Eminem, Wu-Tang Clan, The Notorious B.I.G., Justin Bieber, Mariah Carey, and others. A highly celebrated giant among celebrated songwriters, Porter was inducted into the Songwriters Hall of Fame in 2005.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pacific St Blues October 26, 20251.Joe Bonamassa & Bobby Rush / Why I Sing the Blues 2. BB King w/ Mick Hucknall (Simply Red) / Please Send Me Someone to Love 3. The Jeff Beck Group / Drinkin' Again 4. Roomful of Blues DD Bastos / Steppin' Out 5. Sheryl Crow, Bonnie Raitt, Mavis Staples / Live Wire6. Christone Kingfish Ingram / Voodoo Charm 7. Rex Granite Band / Haunted 8. Blood Brothers (Mike Zito & Albert Castiglia) / Running Out of Time 9. Sam Fender / That Sound 10. Rhiannon Giddens / You Put the Sugar in My Bowl11. Beth Hart & Eric Gales / Suga N' My Bowl 12. Alvin Youngblood Hart & James Cotton / Hellhound on My Trail 13. Susan Tedeschi / Voodoo Woman 14. Bob Malone / So What If It's Halloween 15. Lucinda Williams / Sympathy for the Devil 16. Linda Ronstadt / The Waiting 17. Susannah Hoffs & Matthew Sweet / Here Comes My Girl 18. Johnny Cash / I Won't Back Down 19. Marty Stuart & His Fabulous Superlatives / I Need to Know 20. Glen Campbell / Angel Dream 

Eleanor Goldfield hosts this week's show. In the first part of the program, cohost Eleanor Goldfield welcomes back to the show US marine veteran Matthew Hoh to talk about the realities vs. the stories of the US military. How much does the oath to defend the Constitution really mean in practice? They look at Secretary of Defense Pete Hegseths recent performance and how this relates to the hierarchy of complicity within the higher ranking military brass. Matt and Eleanor also give some historical context to the use of the US military as a domestic police force, and how Hollywood and the stories we consume as Americans bolster these ideas of a top-down restorative violence, affecting how we think about the idea of the worlds largest military taking over our streets. Next up, author Danny Goldberg joins the show to talk about his most recent book, Liberals with Attitude: The Rodney King Beating and the Fight for the Soul of Los Angeles. Danny discusses how this history can serve us in the present, how building coalitions with those we disagree with is critical work, and how using the media – even legacy media – can support our grassroots goals. —— Matthew Hoh is the Associate Director of the Eisenhower Media Network and an Emeritus Senior Fellow with the Center for International Policy. He is a disabled Marine Corps combat veteran. In 2009, Matt resigned his post with the State Department in Afghanistan in protest over the escalation of that war. Danny Goldberg is the author of six books including the one were here to discuss today: Liberals With Attitude: The Rodney King Beating and the Fight for the Soul of Los Angeles. He was the chair of the ACLU Foundation of Southern California from 1987-1994 during which the events described in this latest book took place. He is a political activist and serves on the boards of Public Citizen, New Jewish Narrative and Brave New Films, and he is currently the president of Gold Village Entertainment having worked in the music business since the early 1970s as a personal manager for Nirvana, Sonic Youth, Bonnie Raitt, the Alman Brothers and Steve Earle, among others, and as president of three major record companies: Atlantic, Warner Bros, and Mercury.   The News That Didn't Make the News. Each week, co-hosts Mickey Huff and Eleanor Goldfield conduct in depth interviews with their guests and offer hard hitting commentary on the key political, social, and economic issues of the day with an emphasis on critical media literacy. The post Confronting the Warrior Ethos / Liberals With Attitude appeared first on KPFA.

We get into the thwackfuck, which Kev's not having and has decided to fix next year. Randy's been at communist headquarters again getting all bolshie and shit. Tay Tay rears her inoffensive head, we talk at some length about the relative merits of panning in popular music, and we're introduced to a band from the 60s that neither of us have listened to named "Love". And look, we like love. We might ever go so far as to say we love it. But you know what we won't say? We definitely won't say "Ni!" to passers by. Oh and Alice's Dad is back with another pair of questions for us! If Kev were to title this episode, he'd probably call it "Alone Again Or", or possibly, "I refuse to finish that thought"!The ninteenth installment in this podcast-within-a-podcast covers a song submitted by the ever lovely Dan Flett; the trippy, classical-infused lead track from Love's 1967 album "Forever Changes". So power your flowers, dig out your flares and prepare to get grooby man. It's time for "Alone Again Or"!The song at the end is the beautiful performance of "Angle From Montgomery" by Bonnie Raitt and John Prine at the ACL Presents: Americana 18th Annual Honors which aired on November 23, 2019 on PBS. Bear in mind that Bonnie is 70 years old here and John is 73 and giving one of his last performances before succumbing to Covid just 5 short months later. He is sorely missed. You can watch the performance here: https://youtu.be/MaHNUYAKDn4If you want to get involved in the Kofi Klub, you can make a donation here: https://ko-fi.com/seasidepodreview and let us know which song you want us to add to the wheel! We also have a private channel in our Discord community for donors.Follow us onFacebook: @seasidepodreviewDiscord: https://discord.gg/nrzr2mQjBluesky: @seasidepodreview.bsky.socialAlso, check out Kev's other podcastsThe Tom Petty Project: https://tompettyproject.comThe Ultimate Catalogue Clash: https://shows.acast.com/uccAnd if you want to check out Randy's music, you can find it here:https://randywoodsband.com Hosted on Acast. See acast.com/privacy for more information.

In the Nick of Time, Phil & David are sharing take two of their jazzy, improvised, epic conversation with the legendary music producer, artist and timelessly cool cat Don Was. Don shares wonderful stories about working with the great Bonnie Raitt on albums that changed both of their lives, building "Love Shack" with The B-52's, how Don helped bring together John Mayer and Bob Weir. Then, Don tells the story of starting The Pan-Detroit Ensemble and offers a quick, fun track-by-track trip through the group's excellent new album, "Groove In The Face Of Adversity." For more on Don, go to https://donwas.com.  To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com

Don Was talks about Groove in the Face of Adversity, his new album with the Pan-Detroit Ensemble — and takes a wide-ranging look at his incredible career in an interview with host Brian Hiatt. Was goes deep on everything from opening for Black Sabbath to producing Bob Dylan and the Rolling Stones to unlikely moments like helping Garth Brooks create The Life of Chris Gaines. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Muriel "Aggie" Murch and her husband, Academy Award winning film editor and sound designer Walter Murch, have lived on Blackberry Farm in Bolinas for some five decades, along with their children, chickens, and horses. The two just celebrated their 60th wedding anniversary.They both have newly published books, and are out on the circuit telling their stories that stand at the intersection of the organic farming movement and the independent filmmaking movement of the 1970's.Director Francis Coppola, Walter's longtime collaborator, describes his new book, Suddenly Something Clicked, as "a vast encyclopedia of cinema and everything that can be touched by it."Director Phillip Kaufman said this about Harvesting History While Farming the Flats: "Blackberry Farm is Aggie Murch's Walden Pond. She made existence sustainable, rebuilt life over and over, helped spirits enter the world and gently helped them leave. She's got the gift."We have known and admired the Murches for some four decades and asked if we might do a story to celebrate this moment of love and publishing and graciously they said yes.Produced by The Kitchen Sisters, Davia Nelson & Nikki Silva, in collaboration with Nathan Dalton, Brandi Howell and Hannah Kaye. Mixed by Jim McKee.  Special Thanks to City Lights Bookstore and Peter Maravelis.Funding for our stories comes from listener contributions to The Kitchen Sisters Productions, The Robert Sillins Family Foundation, The Every Page Foundation, The Susie Tompkins Buell Foundation, The Buenas Obras Fund, The TRA Fund, Barbara & Howard Wollner, Michael Pollan & Judith Belzer, Bonnie Raitt, and you.Our deep thanks to our community for your spirit and for supporting the stories.The Kitchen Sisters Present is part of Radiotopia from PRX, a network of independent podcasts that widen your world.Thank you for subscribing and thanks for listening. 

Amye and Amanda chat about the 2025 HULU documentary, Lilith Fair: Building a MysteryLilith Fair changed everything. Upon its emergence in 1997, this revolutionary travelling music festival, helmed by superstar Canadian singer-songwriter Sarah McLachlan and featuring exclusively women or women-led acts, exploded the notion that popular music could only support a token quota of women's voices. This galvanizing documentary from director Ally Pankiw (I Used To Be Funny) chronicles Lilith Fair's triumphant three-year run and features new interviews with key performers such as Jewel, Bonnie Raitt, Erykah Badu, and Emmylou HarrisFor ad-free and BONUS episodes, please support the show by signing up for Little Miss Recap PREMIUM:https://www.patreon.com/littlemissrecap or click subscribe on Apple Podcasts!Listen to my true crime podcast: Murder She Watched at www.murdershewatchedpod.comGet in touch with us:Facebook: https://www.facebook.com/groups/littlemissrecapFacebook group: https://www.facebook.com/groups/littlemissrecapInstagram: @littlemissrecap Voicemail: www.littlemissrecap.comEmail: amye@littlemissrecap.comGrab yourself some Little Miss Recap merch at: https://littlemissrecap.myshopify.com/ Hosted on Acast. See acast.com/privacy for more information.

In this episode, the dl discusses various iconic albums, including Bonnie Raitt's 'Nick of Time', Harry Styles' 'Harry's House', and Linda Ronstadt's 'Heart Like a Wheel'. The conversation also touches on Phil Spector's 'Back to Mono' compilation, Guns N' Roses' 'Welcome to the Jungle', and Lil Nas X's 'Old Town Road'. Each album is analyzed for its cultural significance, musical style, and the impact it has had on the music industry. 00:00Introduction to the Podcast and Current Events 04:50Bonnie Raitt: A Deep Dive into 'Nick of Time' 24:36Harry Styles: Analyzing 'Harry's House' 31:37Linda Ronstadt: The Impact of 'Heart Like a Wheel' 37:01Linda Ronstadt's Influence and Best Album 41:13Phil Spector's Back to Mono: A Compilation Controversy 50:41Miles Davis's Kinda Blue: A Jazz Landmark 56:31Guns N' Roses: Welcome to the Jungle's Legacy 01:02:15Lil Nas X's Old Town Road: A Genre-Bending Hit 01:06:04The Breeders' Cannonball: A Look Back

Offering a perspective of hope and unity, Danny Goldberg and Raghu Markus explore morality, polarization, and how negative media drives collective anxiety.Pre-order Danny's upcoming book, Liberals with Attitude: The Rodney King Beating and the Fight for the Soul of Los AngelesThis time on Mindrolling, Raghu and Danny discuss:The uproar surrounding the brutal beating of Rodney King by the L.A. policeSeeing history as the study of change, and looking into how history impacts our lives todayHow the human condition largely remains the same century after centuryThe inner conflict between morals: choosing what is right vs. what feels safeBuilding bridges by connecting over universal human values instead of polarizing politicsHealing our felt sense of separation by remembering that we are all interconnectedThose who feel they are losing power when others make progressThe seduction of negative news media and how it feeds collective anxiety and divisionFinding perspective by remembering that every era faces troubling timesConsidering the Sermon on the Mount as a moral compassLearning to honor fear without being a slave to it Click HERE to pre-order There is No Other by Ram Dass, with contributions from Sharon Salzberg, Jack Kornfield, and more. About Danny Goldberg:Danny Goldberg is an author and music executive who has spent decades in the business. As a manager, Danny's clients included Bonnie Raitt, Nirvana, The Allman Brothers Band, and Sonic Youth. As a label executive he was President of Atlantic Records, and Chairman of Warner Bros Records and the Mercury Records Group – among others. Danny Goldberg's previous books include Bloody Crossroads 2020: Art, Entertainment and Resistance to Trump, Serving The Servant: Remembering Kurt Cobain, How The Left Lost Teen Spirit, Bumping Into Geniuses: My Life Inside The Rock and Roll Business and In Search of The Lost Chord: 1967 and the Hippie Idea. Learn more about Danny and his work HERE.Check out the article Culture, Empathy and Resistance by Danny Goldberg and the book NEXUS by Yuval Noah Harari“People always say to me, ‘It's never been this way'. That's just absolutely not true. We had slavery in this country. Women couldn't vote until 1920. Homosexuality, you could still go to jail up until the 60s for it. The AIDS epidemic during the Reagan period. Not to mention human history, the Crusades, and the Holocaust. There have been many, many dreadful times.'” – Danny GoldbergSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-14:00) Who do you like more, Harry Connick Jr or Gabe's new snack? Happy birthday to Jeff Burkett! Jackson liking guys with facial hair is a jealousy thing. A visually appalling genetic mistake. Does Wally's have house shoes? Following through on the Nolan Arenado audio tease. Nolan Arenado interviewed in Springfield ahead of a rehab start as he reflects on the year. Beards. Give me buzz cut Pitt.(14:08-27:37) Happy 48th Birthday to Ludacris. Don't get Jackson started on Crash. The Border War will be put on hold after next year's rematch in Lawrence. Audio of Lance Leipold talking about needing to play the border war “as often as they can.” Should we do a remote from Provo? A nasally cuckold.(27:47-52:41) So What'd Your Grandma Think featuring Dan Campbell of the Detroit Lions. People are wondering. Bonnie Raitt. Mt. Rushmore of Julia Roberts films. Late 80's loving. Biff is on the line and he's got the top chicken joints in St. Louis. Chicken wings with girls in the background without clothes on. Isn't it nice to get a double Mount Rushmore? How small are Ky's hands? Jackson putting together a Dream Team for the Lemmings Open.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Maia has released ten lush, Americana-influenced singer-songwriter albums since 1997 and has collaborated with artists like Art Garfunkel, Bonnie Raitt, and Trisha Yearwood, and been covered by Cher, Paul Carrack, etc. We discuss "Counterintuition" (and listen to the title track) from Tomboy (2025), "Phoenix" from The Dash Between the Dates (2015), and "A Home" from Fine Upstanding Citizen (2005) (co-written with her father Randy Sharp and popularized in a cover version by The Chicks). Intro: "I Need This to Be Love" from Hardly Glamour (1997). More at maiasharp.com. Hear more Nakedly Examined Music. Support us on Patreon. Sponsor: Visit functionhealth.com/NAKEDLY to take control of your health through testing and get $100 off your membership.

Phil & David are thrilled to welcome Don Was -- famed record producer, musician and Blue Note Records President -- for Jersey Mike's sandwiches and the first part of an epic conversation about Don's remarkable life in music and all that jazz. They start by paying tribute to the late great Brian Wilson, the subject of Don's brilliant 1995 documentary, "I Just Wasn't Made For These Times."  Coming in Part 2: Don talks about working with Bonnie Raitt, The B-52s, John Mayer, Was (Not Was) and much more. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.