Podcast appearances and mentions of Aimee Mann

In this episode of the AART Podcast, host Chris Stafford sits down with renowned American digital collage artist Maggie Taylor, whose dreamlike, surreal imagery has redefined the boundaries between photography, technology, and fine art.Known for her pioneering work in digital collage, Maggie Taylor creates richly layered visual narratives that blend 19th-century photographic elements with contemporary digital tools. Her work invites viewers into imaginative, often whimsical worlds—where memory, symbolism, and storytelling converge in unexpected ways. In this intimate and insightful conversation, Maggie shares how she discovered her distinctive artistic voice, her transition from traditional photography to digital media, and how tools like Photoshop became central to her creative process.Raised in a creative environment and married to photographer Jerry Uelsmann, Maggie Taylor developed an early appreciation for photographic experimentation. Yet she forged her own path, becoming one of the most recognized figures in digital art. Her work has been exhibited internationally and is held in major museum collections, including the Art Institute of Chicago, the George Eastman Museum, and the Smithsonian American Art Museum.On AART, Maggie reflects on the evolution of her career, the role of intuition in her artistic decisions, and the balance between control and discovery when creating complex digital compositions. She also discusses the emotional resonance of her work, the importance of curiosity, and how artists can embrace new technologies without losing their authenticity. This episode offers a fascinating look into the mind of an artist who has quietly but profoundly influenced contemporary visual culture. Whether you're an artist, photographer, or simply someone drawn to imaginative storytelling, Maggie Taylor's journey is both inspiring and deeply thought-provoking.Maggie's links website: www.maggietaylor.com Instagram: @maggietaylor.art Some favorite women artists: Julie Blackmon, Sandy Skogland, Lori Nix, Cig Harvey, Marion Peck, Lori Vrba, Claire RosenDinner party guests: Patti Smith, Aimee Mann, Laurie Anderson, Tilda Swinton, Kara Swisher, and Eve SchoolerKeywords: Maggie Taylor, digital collage artist, American artist Maggie Taylor, surreal digital art, digital collage photography, contemporary digital artists, Photoshop art, fine art photography, AART podcast, Chris Stafford podcast, women artists interview, visual storytelling, surrealism in digital art, creative process artists, modern collage art, experimental photography, women in art podcast, artist interviews, contemporary art podcast, museum exhibited artists, digital art techniques, storytelling through images, imaginative art, photography and technology, Jerry Uelsmann influence, American contemporary artists, art podcast interviews, Women Unscripted podcast networkBecome a supporter of this podcast: https://www.spreaker.com/podcast/women-unscripted--4769409/support.Host: Chris StaffordProduced by Hollowell StudiosFollow @twomenunscriptedpodcasts on InstagramOn Facebook at Women Unscripted PodcastsEmail: hollowellstudios@gmail.com

In this episode of the AART Podcast, host Chris Stafford sits down with renowned American digital collage artist Maggie Taylor, whose dreamlike, surreal imagery has redefined the boundaries between photography, technology, and fine art.Known for her pioneering work in digital collage, Maggie Taylor creates richly layered visual narratives that blend 19th-century photographic elements with contemporary digital tools. Her work invites viewers into imaginative, often whimsical worlds—where memory, symbolism, and storytelling converge in unexpected ways. In this intimate and insightful conversation, Maggie shares how she discovered her distinctive artistic voice, her transition from traditional photography to digital media, and how tools like Photoshop became central to her creative process.Raised in a creative environment and married to photographer Jerry Uelsmann, Maggie Taylor developed an early appreciation for photographic experimentation. Yet she forged her own path, becoming one of the most recognized figures in digital art. Her work has been exhibited internationally and is held in major museum collections, including the Art Institute of Chicago, the George Eastman Museum, and the Smithsonian American Art Museum.On AART, Maggie reflects on the evolution of her career, the role of intuition in her artistic decisions, and the balance between control and discovery when creating complex digital compositions. She also discusses the emotional resonance of her work, the importance of curiosity, and how artists can embrace new technologies without losing their authenticity. This episode offers a fascinating look into the mind of an artist who has quietly but profoundly influenced contemporary visual culture. Whether you're an artist, photographer, or simply someone drawn to imaginative storytelling, Maggie Taylor's journey is both inspiring and deeply thought-provoking.Maggie's links website: www.maggietaylor.com Instagram: @maggietaylor.art Some favorite women artists: Julie Blackmon, Sandy Skogland, Lori Nix, Cig Harvey, Marion Peck, Lori Vrba, Claire RosenDinner party guests: Patti Smith, Aimee Mann, Laurie Anderson, Tilda Swinton, Kara Swisher, and Eve SchoolerKeywords: Maggie Taylor, digital collage artist, American artist Maggie Taylor, surreal digital art, digital collage photography, contemporary digital artists, Photoshop art, fine art photography, AART podcast, Chris Stafford podcast, women artists interview, visual storytelling, surrealism in digital art, creative process artists, modern collage art, experimental photography, women in art podcast, artist interviews, contemporary art podcast, museum exhibited artists, digital art techniques, storytelling through images, imaginative art, photography and technology, Jerry Uelsmann influence, American contemporary artists, art podcast interviews, Women Unscripted podcast networkBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.A Hollowell Studios ProductionInstagram: @theaartpodcast Email: theaartpodcast@gmail.com© Copyright: Chris Stafford | Hollowell StudiosAll Rights Reserved

History was made last night in Los Angeles as Rush officially returned to the stage for their "Fifty Something" reunion tour. In today's Daily Metal Breakdown, we dissect the emotional 28-song setlist, the debut of drummer Anika Nilles, and the surprise guest appearance that stunned the Forum. We also dive into Anthrax guitarist Scott Ian's boldest claim yet regarding the band's new album Cursum Perficio, and a heartbreaking live tribute from Mastodon to late guitarist Brent Hinds. What You'll Hear in This Episode: The Return of the Kings: A full breakdown of the Rush reunion opener at the Forum. From the archival Neil Peart tributes to Aimee Mann's historic first-ever live performance with the band. Anthrax's "Edge of Perfection": Why Scott Ian believes the band has just written the best song of their 40-year career and the grueling 4-year journey to finish the new record. A Ghost in the Studio: Mastodon debuts "Your Ghost Again" in Prague—the first song written without the late Brent Hinds. We break down the emotional meaning behind the track. Big Four & Beyond: Scott Ian reflects on his first introduction to Iron Maiden and the "ignorant" caveman riffs that define the new Anthrax sound. Get More Loaded Radio: ⚡ Visit the Command Center: Head over to loadedradio.com for 24/7 breaking rock and metal journalism, tour dates, and exclusive features.

This is one of those episodes that's close to my heart. The topic is fame. Or more specifically, the complex, layered, push-and-pull desire for it. Whether you've ever longed to be "big" in your industry, or found yourself chasing followers and visibility and wondering why it never quite satisfies — or maybe you've had a client who says "I want a million followers" and you weren't sure how to support them — this episode is for you. Here's the truth: the desire for fame is not bad. But it's also not simple. And as coaches and transformational practitioners, the more we can understand what's really underneath it — for ourselves and for our clients — the more empowered we become. I share a really personal story in this episode about a night I saw Aimee Mann perform live in a converted church theater in Charlotte, and how it completely shifted the way I thought about fame, success, and what it actually means to do meaningful work in the world. And then I share the even deeper layer of that story — the part where I realized I had actually put my desire for visibility into Shadow… and what it took to finally face it. Some of what we cover in this episode: The real psychology behind the drive for fame — and why it's more complex than "ego" How the coaching industry's definition of success may be quietly shaping your goals (without your permission) What it means to discern between cultural conditioning and true desire How to help clients get honest about what they actually want — versus what they've been told to want Why "going small" can be a form of both wisdom and avoidance — and how to tell the difference Shadow and fame: what happens when we make our desire for visibility "bad" How to find the healthiest expression of fame and visibility for you — and help your clients do the same This episode is especially for you if: You've ever felt shame around wanting more visibility, a bigger audience, or a louder platform You've found yourself chasing metrics that don't actually feel aligned — but couldn't stop You have clients who are driven by fame or following and you want to support them more skillfully You've used "I'm not meant to be famous" as a convenient reason to play it safe Questions to sit with after this episode: What do I actually want — not what the industry told me to want? What is the best container for the work I love to do? Am I chasing likes and followers for the sake of validation… or is there a deeper purpose here? Am I allowing myself to dream as big as I actually desire to?     Rate, Review & Follow on Apple Podcasts If you love the show, please take a moment to rate and review — it helps more coaches and practitioners find this work and join our community. Select "Write a Review" in your podcast app and let me know what landed for you.     Resources & Links Mentioned: Join our mailing list and receive 55 Effective Breakthrough Coaching Questions → https://applieddepthinstitute.com/podcast-55-questions Explore Shadow with the Work with Shadow for Deeper Levels of Client Transformation: https://applieddepthinstitute.com/podcast-working-with-shadow Learn about The Sacred Depths Transformational Practitioner Training → https://applieddepthinstitute.com/podcast-sacred-depths Connect with Joanna:  Instagram: https://applieddepthinstitute.com/podcast-instagram The Coaching Revolution on Facebook: https://applieddepthinstitute.com/podcast-facebook-group  Suggest a podcast topic: email info@applieddepthinstitute.com with the subject line "podcast topic"  

Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! Today, as we frustratingly say goodbye (for now) to Stephen Colbert on Late Night, I bring you the sweetest and most honest discussion from The Late Show With Stephen Colbert writer & performer, the legendary Brian Stack. Not only did we discuss his love and passion for Townes Van Zandt (whose documentary he chose to discuss), but he was also really open about his time at Late Night With Conan O'Brien and his transition to working on Colbert's show, offering a fascinating glimpse into the world of late-night.Hope to see you again soon, Dr. Frankenstein's Monster!(Episode 104 originally aired on July 17th, 2025).This week, I am joined by one of the greatest late-night writers & performers of all time, BRIAN STACK (Late Night With Conan O'Brien, The Late Show with Stephen Colbert), who picked a beloved music documentary to discuss: Be Here To Love Me - A Film About Townes Van Zandt.We discuss the differences between working on Conan and Stephen's shows, the last-minute panic of doing a late night show, my experience performing on Conan, accidental mistakes turning into magic, how many of Brian's characters are tragically musical, band banter, the melancholy edge of the best comedy, how musicians who write the best sad songs are often the funniest people, the creation of the band Slipnutz, how Townes' music came into both our lives later in life, songs that tear you heart out, being a musician's musician, The Stooges, Aimee Mann, Dave Alvin, The Chelsea Hotel being the headquarters of Zandt's record label, how Townes is his own storyteller in this documentary, self-destructive tendencies in comedy and music, Dylan and Townes relationship, our Chris Elliott obsessions, being under-heard and misunderstood, Steve Shelley of Sonic Youth trying to help Townes make a record, the documentary Heartworn Highways, Neko Case, Mick Jagger's country accent, writing songs in your dreams and so much more.So let's laugh through the pain on this week's episode of Revolutions Per Movie.BRIAN STACK:https://teamcoco.com/celebs/brian-stackREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

I denne udgave af Rockhistorier tager de to musik entusiaster Henrik Queitsch og Klaus Lynggaard lytterne med på en guided tur ned i den magiske mellotrons lydunivers, der er et fascinerende men desværre også lidt glemt instrument.Værter: Henrik Queitsch og Klaus LynggaardKlip: Karla BeckerSpilleliste:The Beatles: “Strawberry Fields Forever” (single; 1967)Manfred Mann: “Ha! Ha! Said the Clown” (single; 1967)Simon Dupree and the Big Sound: “Kites” (single; 1967)Moody Blues: “Nights in White Satin” (Days of Future Passed; 1967)The Rolling Stones: “On with the Show” (Their Satanic Majesties Request; 1967)Traffic: “House for Everyone” (Mr. Fantasy; 1967)Pink Floyd: “Julia Dream” (b-side; 1968/Relics; 1971 )The Zombies: “Changes” (Odessey and Oracle; 1968)Family: “Voyage” (Music in a Dolls House; 1968)The Move: Blackberry Way (single; 1968)King Crimson: “In the Wake of Poseidon” (In the Wake of Poseidon; 1970)Genesis: “Watcher of the Skies” (Foxtrot; 1972)Big Star: “Give Me Another Chance” (#1 Record; 1972)Roxy Music: “Ladytron” (Roxy Music; 1972)Be-Bop Deluxe: “Crying to the Sky” (Sunburst Finish; 1976)Paul McCartney: “Summer's Day Song” (McCartney II; 1980)Orchestral Manoeuvres in the Dark: “Joan of Arc (Maid of Orleans)” (Architecture & Morality, 1981)Aimee Mann: “4th of July” (Whatever; 1993)Air: “New Star in the Sky” (Moon Safari; 1998)Richard Hawley: “I Still Want You” (Hollow Meadows; 2015)

Songwriter's songwriter Joe Pernice (The Pernice Brothers, Scud Mountain Boys, The New Mendicants) joins us for his third appearance on the podcast, this time to unpack his impressive new album Sunny, I Was Wrong (New West Records), on which he's assisted by an A list of guests that include Aimee Mann, Jimmy Webb, Norman Blake (Teenage Fanclub), Rodney Crowell, and Jale's Laura Stein, who also happens to be married to Joe. Heck, Warren Zanes (Deliver Me From Nowhere) even wrote a liner note for it.   For the most up-to-date news about all things RSD, visit RecordStoreDay.com Didn't find everything on your RSD lists? Maybe you'll still find it on RSDMRKT.com.   The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!

Our music this go round is provided by these wonderful artists: Thelonious Monk, Aimee Mann, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

This week, Wes and Todd sit down with Canadian Contemporary Fine Artist and Illustrator, Gary Taxali. Gary discusses how his style doesn't differ between his personal and commercial work, business sense, work/life balance, his early career and moving to New York City, being exposed to the fine art world in New York, La Luz de Jesus Gallery, transition from illustration to the fine art world, his early engagement in art, drawing at an early age in school, the support of his family, the importance of doodling and mark making, teaching at OCAD and how it informs his work, creativity and problem solving, voice and personal style, philosophy of his creativity, trusting yourself and the process, confidence, play being the essence of creativity, having the support of music, Mississippi Delta Blues, feeding his soul, the Russian Avant Garde, connecting to people through art, his style and how it has evolved, the Fleischer Brother, Mad magazine, how he found inspiration from Depression era America, his political art, the Library of Congress acquiring some of his work, not self-editing, tattoos, charity, using old textbook pages to create on, process over work, being a working Artist, classical Indian music, spontaneity, rolling the dice of your creativity, embracing the flaws, working with musicians creating album covers and concert posters, Aimee Mann, his name Taxali, being commissioned by the Royal Canadian Mint to design six quarters, his children's book “This is Silly”, upcoming exhibitions, pricing art, and his parting thoughts on creativity and it's importance.Join us for a riveting and thoughtful conversation with Gary Taxali!Check out Gary's website – www.garytaxali.comFollow Gary Taxali on social media:Instagram - www.instagram.com/taxali/ - @taxaliFacebook – www.facebook.com/GaryTaxaliArtSend us Fan MailFollow us on Instagram:@tenetpodcast - www.instagram.com/tenetpodcast/@wesbrn - www.instagram.com/wesbrn/@toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook:www.facebook.com/TenetPodcast/Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking  a moment and leaving us a review on your favorite podcast platform.Thanks for listening! 

This week on Rush Rash, Chaz and Schatz welcome Jillian Maryonovich of RushCon back into the co-host chair—fresh off a surreal, boots-on-the-ground experience at the JUNOS where Rush did the unthinkable: they got back on stage as Rush with some Noobs.Jillian walks us through the emotional rollercoaster:From spotting the gear…To locking eyes with fellow Rush-shirt-wearing lifers…To realizing this is actually happening when Geddy walks out.We break down the performance of “Finding My Way”—a bold, risky, slightly bananas choice—and debate:Was it genius symbolism, inspired management, or both?Did Geddy prove he's still got it… or is the voice the elephant in the room?How did the new lineup chemistry land?And why were there teenagers at the JUNOS who had NO IDEA who Rush is?! (Psst...the JUNOS are in Canada - for you non-Canadians)Plus:The 70/30 fan reaction divide on the comebackThe pressure on the “new era” membersAlex Lifeson still being an absolute wizard with hands that should legally require WD-40And the emotional weight of moving forward without NeilJillian also opens up about the deeper struggle: loving this band so much… but not being sure she's ready for what they are now.Oh—and yes: there's a straw-less beverage incident that may be the true emotional climax of the episode.THIS WEEK'S SONGA surprise pull from the wheel—and an instant favorite. Jillian calls it a “top five… it's a keeper,” while the crew dives into the legacy of the track, its place in the catalog, and the unique role of guest vocals from Aimee Mann.The conversation also veers into modern-day “what ifs” around the current lineup.Indeed, even in someone like our intrepid co-host, the RushRash does not stand still, it just keeps on spreading...so come along and give us an itchy scratchy, hmm?SCHATZ'S SCRATCH LIST - RUSH TRIBUTE BANDSScratch your itch to hear RUSH music played live by going to check out any of these great RUSH Tribute Bands - these bands are keeping the community and the music alive - the most current, curated, and rockin' list of RUSH Tribute Bands in the world! Yeah!⁠⁠⁠⁠Click here: ⁠Schatz's Scratch List⁠ ⁠⁠⁠⁠(And say it 5 times fast!)GO BONELESSCertified boneless in the state of Ohio by the Boneless Podcasting Network. Go Boneless. Boneless Makes a Better Podcast. Hosted on Acast. See acast.com/privacy for more information.

Joe Pernice is here to discuss his excellent new album, Sunny, I Was Wrong, living in frigid Canada as a well-informed American, his obsession with bicycles and riding bikes, his close friendship with music writer Warren Zanes who penned lovely liner notes for this new record, being a dad and coaching baseball with some encouragement from Buck 65, writing music again after a substantial break and from a very honest, reflective perspective, why he chose to release a record under his own name, the killer studio band he assembled featuring Jim Creeggan, Mike Belitsky, and Mike Evin, bringing in very special guests like Aimee Mann, Norman Blake of Teenage Fanclub, Rodney Crowell, and Jimmy Webb, what will become of the large number of unreleased songs he wrote and recorded towards this album, upcoming shows, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1071: Buck 65Buck 65 on Bike For Three! (2009)Grandaddy's Jason Lytle (2012) – TeaserEp. #889: Rick White and The SadiesEp. #800: Buck 65Ep. #703: The SadiesEp. #335: The Sadies on Long NightSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

This episode originally aired November 19, 2024 It was a real magic moment to connect with Aimee Mann, a musician I’ve listened to for decades. She indulges my curiosities about lyric choices and instrumental training, and I learn how much goes on behind the scenes of an Aimee Mann production. We talk about the traumas of her past, which hardships do and do not influence her work, and why there feels like a creative imperative to turn pain into art. Then, to lighten things up (at least a little) we bond over some of our favorite artists of years past, like the sneakily somber Steely Dan. Follow me on Instagram at @davidduchovny. Stay up to date with Lemonada on Twitter, Facebook and Instagram at @LemonadaMedia. Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium. And if you want to continue the conversation with other listeners, join the My Lemonada community at https://lemonadamedia.com/mylemonada/ For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors.See omnystudio.com/listener for privacy information.

THE PARANOID STYLE – “Tearing The Ticket” ROLLING BLACKOUTS COASTAL FEVER – “Sunburned In London” LIZ COOPER – “Better Than Ever” RAILCARD – “Narcissus” LITTLE BARRIE – “More Bad Miles Of Road” ACCESSORY – “Safe Word” BIC RUNGA – “Ghost In Your Bed” TWISTED TEENS – “Is It Real?”” COOTIE CATCHER – “Quarter Note Rock” WHITE FENCE – “Your Eyes” JOE PERNICE, AIMEE MANN – “Deep Into The Dawn” PRISM SHORES – “I Didn't Mean To Change” NOTHING – “never come never morning” ALTIN GUNN – “Oldurme Bene” DOUG GILLARD – “Face Of Smiles” NOTHING – “never come never morning” THE MOLOTOVS – “Wasted On Youth” GNARLS BARKLEY – “Pictures” CARWYN ELLIS AND RIO – “Shades Of Red” THE BURKHARTS – “Please Don't Wake Me Up” HEAVENLY – “Good Times” SNAIL MAIL – “My Maker” EZRA COLLECTIVE, GREENTEA PENG – “Helicopters” THE COLOURFIELD – “Thinking Of you” LABI SIFFRI – “Far Away”  

This week's show, after a 1953 Otis Blackwell bleat: brand new Joe Pernice (with Aimee Mann), U2, Telephone Numbers, Young Fresh Fellows, White Fence, New Pornographers, Triptides, and Snail Mail, plus The Miracles, Animals, Manfred Mann, Big Youth, Ti...

Reports of the death of Music Television were greatly exaggerated—or 25 years late, depending on your point of view.  Wherever you stand on that question, we Gen Xers thought we'd set aside an hour to talk about four of our favorites from the good old days.Hush, hush, Rio—and don't come around here full of love no more.Find the Playlist on Spotify + Apple Music.  If you like what you hear, please share, rate and review us!For mini playlists, follow us on The Mixtape Diaries Substack.Give us a follow on Twitter and Insta or send us an email at themixtapediariespodcast@gmail.com. Credits: Intro/Outro — the Februarys, "Does Your Father Know" / "...in a Letter"

durée : 00:55:39 - Very Good Trip - par : Michka Assayas - Michka Assayas nous emmène dans un voyage musical où se côtoient les voix de la folk d'aujourd'hui de Friko à Aimee Mann. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

You may have noticed a trend on social media the past few years of people praising something as "absolute cinema." Wrestling seems to be no different, as internet cinephiles are quick to scream "absolute cinema" at Roman Reigns staring at Jey Uso or Seth Rollins making a face. On this episode, Andrew and returning guest Paul Wedding will discuss some actual cinema, namely songs from movies. They could be songs made specifically for the movie's soundtrack, songs that are just in the movie and come from somewhere else, or film score. Artists played include Aimee Mann, Quincy Jones, Townes Van Zandt, Moby, Motörhead, Carly Simon, Roy Orbison, Geto Boys, and many more. Grab some popcorn and put your cellphones on silent, we're going to the movies!Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrewAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today's guest may be one of the hardest working guests I've ever had. Please welcome, straight from Normandy, France, Stephane Schuck. Stephane talks about the music that inspired him as a kid. It isn't your standard rock and roll background. Maybe part of that is growing up in France, maybe part is just Stephane's unique angle on music. He formed a group that eventually came to known as The Salt Collective. But that isn't his day job. Instead of music, Stephane went into medicine. Both hemispheres of his brain are constantly working! He talks about working with some of his heroes with his own music, changing his band's name, and what happened when he was diagnosed with leukemia.  The Salt Collective has a new album out called A Brief History of Blindness. It features Mike Mills, Aimee Mann, Pat Sansone, and former podcast guests Chris Stamey and Django Haskins (among others). It's a wonderful album that you can stream in the usual places or buy it on Bandcamp or thesaltcollective.propellersoundrecordings.com. Follow the group @thesaltcollective on Instagram & Facebook. Follow us @PerformanceAnx. Support us through performanceanx.threadless.com or ko-fi.com/performanceanxiety. Now let's get salty with Stephane Schuck on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

This season we discuss over 300 albums of the 2000s selected from https://besteveralbums.com. The Six Singles segment starts at (6:14). This episode covers the following albums: Emmylou Harris - Red Dirt Girl (41:18), Limp Bizkit - Chocolate Starfish and the Hotdog Flavored Water (1:01:53), Aimee Mann - Bachelor No. 2 or, the Last Remains of the Dodo (1:26:05), and Coldplay - Parachutes (1:46:14).Check out our YouTube page here: http://www.youtube.com/@combingthestacks1470Check out the Combing the Stacks Letterboxd list here: https://boxd.it/bS98c

BEST SHOW BESTS! This week's more than just a classic clip. It's one of the most infamous nights in the show's history. It's the entire 2010 Best Show Holiday Party! Tom is joined in the studio by JOHN HODGMAN and many other friends, and all the Four Loko they can drink! Mike dances! Tom giggles! AIMEE MANN calls in! So does 80s Rick! Happy Holidays to all! (Originally aired on WFMU on December 14th, 2010)SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES!https://www.patreon.com/TheBestShowWATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCHhttps://www.twitch.tv/bestshow4lifeFOLLOW THE BEST SHOW:https://twitter.com/bestshow4lifehttps://instagram.com/bestshow4lifehttps://tiktok.com/@bestshow4lifehttps://www.youtube.com/bestshow4lifeTHE BEST SHOW IS A FOREVER DOG PODCASThttps://thebestshow.nethttps://foreverdogpodcasts.com/podcasts/the-best-showHEARD IT ON THE BEST SHOW PLAYLISThttps://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A Brief History of Blindness is the follow-up to Life, the critically acclaimed 2023 album debut from French songwriter-guitarist Stéphane Schück's international collaborative project, The Salt Collective. The new album is a widescreen exploration of hope, memory, and resilience that features contributions from Aimee Mann ('Til Tuesday), Mike Mills (R.E.M.), Andy Partridge (XTC), Jason Falkner (Jellyfish), Matthew Caws (Nada Surf), Pat Sansone (Wilco), Mitch Easter (Let's Active), Chris Stamey (The dB's) and more. While The Salt Collective's first outing was recorded remotely with many vocalists and instrumentalists working separately on multiple continents at different times, A Brief History of Blindness features the core musicians gathered in the same space interacting together in real time. The bulk of the music was laid down by Rob Ladd (The Connells) on drums, Gene Holder (The dB's) on bass, Stéphane Schück on guitars & sound design, Mitch Easter (Let's Active) on guitars, and Wes Lachot on organ, piano, and Nord. These full-band sessions took place at the Fidelitorium (Kernersville, NC), with other work at Studio Ferber (Paris), and various home studios. The album was produced by Chris Stamey and mastered by Dave McNair.   French songwriter-guitarist Stéphane Schück's international collaborative project, The Salt Collective, is releasing the follow-up to their critically acclaimed 2023 album debut, Life. Their second full-length release, A Brief History of Blindness, is a widescreen exploration of hope, memory, and resilience that features contributions from Aimee Mann, Mike Mills (R.E.M.), Andy Partridge (XTC), and Matthew Caws (Nada Surf) among others (writing credits and list of featured performers below). A Brief History of Blindness is being released on 12” LP vinyl, CD, digital download and streaming services by Propeller Sound Recordings November 21.   https://thesaltcollective.bandcamp.com/album/a-brief-history-of-blindness

Stacy Jones grew up thinking he was a drummer. Nope. Turns out he's a "musical director". And no — that's not a fancy euphemism for “drummer”. Don't worry, Stacy will explain it to you. He'll also talk about Letters To Cleo, Veruca Salt, American Hi-Fi, Miley Cyrus, Olivia Rodrigo, Aimee Mann, John Brion, Joan Jett, Fuzzy, Flaming Lips, Sheryl Crow and Madonna. That's right. He's played with all of them. (Still no Skunk Baxter sighting, though.) PLUS!: A new American Hi-Fi song?

Grammy-winning producer and singer-songwriter Joe Henry gives us insight into his multi-faceted careerPART ONEPaul and Scott chat about their music-themed road trip and say R.I.P. to MTV. PART TWOOur in-depth conversation with Joe HenryABOUT JOE HENRYJoe Henry is a singer-songwriter who became a record producer as a protege of T Bone Burnett. He went on to win Grammy awards for his work with Solomon Burke, Ramblin' Jack Elliott, The Carolina Chocolate Drops, and Bonnie Raitt. Additionally, he produced the final albums of the late Allen Toussaint, who credited Henry for ushering him out of retirement. Henry's contribution to American music remains somewhat enigmatic. Joe's own records often feature adventurous contributions by instrumentalists, such as one of only two cameos Ornette Coleman ever made with a singer, while his song “Stop” was reworked into Madonna's hit pop single, “Don't Tell Me.” The long list of artists Joe has produced includes Ani DiFranco, Aimee Mann, Bettye LaVette, Elvis Costello, Rodney Crowell, Aaron Neville, Hayes Carll, Joan Baez, The Milk Carton Kids, Rhiannon Giddens, and many others. As a songwriter he has collaborated with Rosanne Cash, Jakob Dylan, Loudon Wainwright III, Billy Bragg, Madonna, and many more, while releasing 17 studio albums as an artist. He received a Lifetime Achievement Award at the Americana Music Honors & Awards in 2025. Joe's most recent album is Life and Time, a collaborative project with fellow songwriter Mike Reid.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"Lived Through That” is the companion podcast to my book where I look at influential musicians of the 80s and 90s and where they are today. On this podcast, we'll delve deeper into a single pivotal moment in the lives of some of the artists I feature in that book, as well as other artists I love and admire. The stories they tell are open, honest, and inspiring. This week, we have Stéphane Schuck on the show, perhaps the luckiest guy in indie rock. His band The SALT Collective features collaborations with Chris Stamey, Aimee Mann, Andy Partridge, Juliana Hatfield, Matthew Caws of Nada Surf, Matthew Sweet, and so many others.  We talk about how The Salt Collective came to be and why Stéphane Schück is proof that sometimes, the universe really does reward the bold. Salt Collective's Website Music Credits: ⁠⁠Blue Dot Sessions⁠⁠ If you like the podcast, please subscribe and maybe leave a tip at⁠⁠ Buy Me A ⁠⁠Coffee!  I'd really appreciate your support! Be sure to look for my books, "Lived Through That" and "80s Redux" where ever you buy your books. You can find out more about my work at my website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

DE LA SOUL - “The Package” JUST MUSTARD - “We Were Just Here” PAUL KELLY, REBECCA BARNARD - “Made For Me” GOOD FLYING BIRD - “Fly Away” ENGLISH TEACHER, DANIEL AVERY - “The World's Biggest Paving Slab” VALERIE JUNE - "Rollin' and Tumblin” WORLD NEWS - "Everything's Coming Up Roses” DRY CLEANING - “Cruise Ship Director" THE FORMAT - “Shot In The Dark” ROBIN - “Dopamine” SUCCESSFUL FAILURES-  ”Guts” SPRINTS - “Better” THE DEARS - “Tomorrow And Tomorrow" ANNIE AND THE CALDWELLS - “Wrong”  INSECURE MAN - “Alien” CHINESE AMERICAN BEAR - "Forever Lover” THE SALT COLLECTIVE - “You Swallowed The Sun” MOMMA - “Cross Your Heart” COOKIN' ON THREE BURNERS - “I”m Coming Home To You” BARRY ADAMSON - “Babs Johnson Is Divine” SUPERCHUNK - “I Don't Want To Get Over You” SORRY  “Echoes” WHITNEY, MADISON CUNNINGHAM - “Evangeline” CHRISSIE HYNDE, SHIRLEY MANSON - “Love Letters” AIMEE MANN - “Rainy Days And Mondays” SHOVELS AND ROPE, JAMES FELICE - “People Ain't No Good”      

This week, Scott sat down with his Lawfare colleagues Anna Bower, Michael Feinberg, and Roger Parloff to talk through the week's big domestic news stories, including:“Diving Head First into the Shallow End of the Jury Pool.” A federal magistrate judge has concluded that the government may well have made substantial misrepresentations and other errors before the Grand Jury in the prosecution of former FBI director James Comey, and has ruled that Comey is entitled access to extraordinary discovery to make his case that these errors warrant dismissal, among other possible remedies. What does this ruling—which is now on appeal—mean for the Comey prosecution and for the Trump administration's other efforts to prosecute the president's enemies?“The Ep Files: Fight the Future.” Republicans in Congress are hotly divided on the question of the Epstein files. While some Republicans (along with many Democrats) have sought broader disclosures from the Justice Department, among other sources, Speaker Mike Johnson and others have thrown up roadblocks to relevant requests, in part out of apparent concern that they may contain damaging revelations about President Trump. But the White House did an about-face this week, switching to support legislation that would compel disclosure of the investigatory materials—clearing the way for it to move forward. What explains the switch in time? And where might it lead?“Pipe Dreams.” The right wing media outlet The Blaze released a bombshell report last week, indicating that they had identified a law enforcement and intelligence official as the likely perpetrator of the Jan. 6, 2021, attempted pipe bombing of the DNC and RNC headquarters in Washington, D.C.—a longstanding obsession in certain corners of the internet. But its claims were quickly rebuked by senior FBI officials, triggering a round of mutual incrimination and accusation. What does this tell us about the state of the investigation and the broader relationship between the Trump administration, law enforcement officials, and prominent portions of his support base?In object lessons, Anna revisits an older novel, echoed by some current events: Nora Ephron's “Heartburn.” Roger revisits the November 13, 2015, terrorist attacks across Paris, commemorating the event's 10-year anniversary with a recommendation of a video on Le Monde. Scott will be revisiting one of his favorite holiday events in the DC area: the Aimee Mann and Ted Leo Christmas Show. And Mike is revisiting novels of the past, bit by bit, through Edwin Frank's “Stranger than Fiction: Lives of the Twentieth Century Novel.”To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

This week, Scott sat down with his Lawfare colleagues Anna Bower, Michael Feinberg, and Roger Parloff to talk through the week's big domestic news stories, including:“Diving Head First into the Shallow End of the Jury Pool.” A federal magistrate judge has concluded that the government may well have made substantial misrepresentations and other errors before the Grand Jury in the prosecution of former FBI director James Comey, and has ruled that Comey is entitled access to extraordinary discovery to make his case that these errors warrant dismissal, among other possible remedies. What does this ruling—which is now on appeal—mean for the Comey prosecution and for the Trump administration's other efforts to prosecute the president's enemies?“The Ep Files: Fight the Future.” Republicans in Congress are hotly divided on the question of the Epstein files. While some Republicans (along with many Democrats) have sought broader disclosures from the Justice Department, among other sources, Speaker Mike Johnson and others have thrown up roadblocks to relevant requests, in part out of apparent concern that they may contain damaging revelations about President Trump. But the White House did an about-face this week, switching to support legislation that would compel disclosure of the investigatory materials—clearing the way for it to move forward. What explains the switch in time? And where might it lead?“Pipe Dreams.” The right wing media outlet The Blaze released a bombshell report last week, indicating that they had identified a law enforcement and intelligence official as the likely perpetrator of the Jan. 6, 2021, attempted pipe bombing of the DNC and RNC headquarters in Washington, D.C.—a longstanding obsession in certain corners of the internet. But its claims were quickly rebuked by senior FBI officials, triggering a round of mutual incrimination and accusation. What does this tell us about the state of the investigation and the broader relationship between the Trump administration, law enforcement officials, and prominent portions of his support base?In object lessons, Anna revisits an older novel, echoed by some current events: Nora Ephron's “Heartburn.” Roger revisits the November 13, 2015, terrorist attacks across Paris, commemorating the event's 10-year anniversary with a recommendation of a video on Le Monde. Scott will be revisiting one of his favorite holiday events in the DC area: the Aimee Mann and Ted Leo Christmas Show. And Mike is revisiting novels of the past, bit by bit, through Edwin Frank's “Stranger than Fiction: Lives of the Twentieth Century Novel.”To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute. Hosted on Acast. See acast.com/privacy for more information.

Baxie welcomes back Juliana Hatfield! After releasing more than 20 solo albums over the years (along with her four albums with The Blake Babies and a host of amazing collaborations with the likes of Paul Westerberg, Evan Dando, The Salt Collective, Aimee Mann, Nada Surf, and John Doe) she's about to release her latest album, "Lightening May Strike," on December 12th. This is an album loaded with deeply personal stuff that includes family illness, loss, isolation, vulnerability, grief. and a sudden move to Western Massachusetts! But don't kid yourself. This is a record that completely kicks ass as only Juliana can! Just awesome! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee!

This week we're joined by Tate Brooks and Silas Lourenco Lang (two-thirds of the New Haven, CT band The Problem With Kids Today) as we unpack Jon Brion's long lost debut album, 'Meaningless'. Initially released independently by Brion in 2001 on his own "Straight to Cut-Out" label and sold through his website and CD Baby, it finally became more widely available in 2022 when it was re-released on Jealous Butcher Records. This collection of catchy power-pop tunes are a perfect representation of what Brion eventually brought to the production and film-score work he became most well-known for. Songs discussed in this episode: I Believe She's Lying (Jon Brion cover) - Rhett Miller; Take It!, Spongebob Squarepants and Patrick Star - The Problem With Kids Today; Very Best Years - The Grays; I Should've Known - Aimee Mann; Gotta Start Somewhere, I Believe She's Lying, Meaningless, Ruin My Day, Walking Through Walls, Trouble, Hook, Line and Sinker - Jon Brion; Try Again - Big Star; Dead To The World, Her Ghost, Same Mistakes - Jon Brion; Voices - Cheap Trick; Voices (Cheap Trick cover) - Jon Brion; Ace Starchild - The Problem With Kids Today

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.On the occasion of Paul Thomas Anderson's latest film One Battle After Anotherin theaters, we look back at the director's ambitious, unwieldy, and under-loved 1999 feature Magnolia starring a massive ensemble that includes returning PTA collaborators Julianne Moore, John C. Reilly, Melora Walters, Philip Seymour Hoffman, William H. Macy and Philip Baker Hall alongside a career-best Tom Cruise in a showstopper supporting turn that would net him his third (and, to date, last) Academy Award nomination for a performance. Still his longest, most sprawling effort, Magnolia is a definitively Paul Thomas Anderson picture in both milieu and concern setting its sights on flawed, idiosyncratic characters living in and around the San Fernando Valley. But Magnolia also represents a distinctive pivot in Andersons career, as he begins to operate in a decidedly more minor key that would come to define the second act of his career in the 21st century.We begin with a thorough examination of Paul Thomas Anderson as filmmaker, his strengths and his shortcomings. Then, we ask an obvious, but slyly difficult question - What exactly is Magnolia about? Finally, we discuss the film as it relates to Anderson's oeuvre, how it informs and supplements his later work and how its flaws become more apparent as his filmography evolves.Read Nick Pinkerton's piece The Master? at The Point....Our theme song is "Mirror" by Chris Fish

The queens talk with David Duchovny about poetry, Lacanian psychotherapy, love, the future perfect, and the lost past. Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series.James's ROMANTIC COMEDY is available from Four Way Books.SHOW NOTES:David Duchovny's new book, About Time, is just out from Akashic Books. David was interviewed about the book on PBS--watch it here. You can catch some of David's music here. For more about the Aymara of the Andean highlands, check out this NPR story.Randall Jarrell's poem "The Woman at the Washington Zoo" ends, "You see what I am: change me, change me!" Read it here.Check out the Fail Better Podcast interviews with Aimee Mann, Melissa Febos, and Jack HalberstamFor more about Lacan's short therapy sessions, click here.  For more about the future perfect tense, read here. Christopher Walken talks here about his resentment of punctuation.David talked with writer Chris Carter about ellipsis and his writing of the character Fox Mulder here. If you'd like to check out Matthew McConaughey reading his poems, here's a link for you.

The International group "The Salt Collective" are releasing the follow-up to their critically acclaimed 2023 album debut, Life. Their second full-length release "A Brief History of Blindness" is a widescreen exploration of hope, memory, and resilience that features contributions from Aimee Mann, Mike Mills (R.E.M.), Andy Partridge (XTC), and Matthew Caws (Nada Surf) among others (writing credits and list of featured performers below). A Brief History of Blindness is being released on 12" LP vinyl, CD, digital download and streaming services by Propeller Sound Recordings November 21. While the Salt Collective's first outing was recorded remotely with many vocalists and instrumentalists working separately on multiple continents at different times, A Brief History of Blindness features the core musicians gathered in the same space interacting together in real time. The bulk of the music was laid down by Rob Ladd (The Connells) on drums, Gene Holder (The dB's) on bass, Stéphane Schück on guitars & sound design, Mitch Easter (Let's Active) on guitars, and Wes Lachot on organ, piano, and Nord. These full-band sessions took place at the Fidelitorium (Kernersville, NC), with other work at Studio Ferber (Paris), and various home studios. The album was produced by Chris Stamey and mastered by Dave McNair. The first single, "In the Shadow of the Moon," followed up by the groups second single "Cloud To Cloud."  Instagram.com/thesaltcollectivemusic  Facebook https://www.facebook.com/profile.php?id=100036783560990 About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell     

We pay a visit to the year 1995 to talk about some of the music that was released that year. Anthony gives us the lowdown on the metal and prog scene at the time; Stephanie shares stories from her time at Virgin Records; Rob catches us up on the electronic scene, Alan fills us in on what a few legacy acts are getting up to at this point in their career; and the whole gang talks about the battle for radio supremacy between the two big BritPop bands. During the discussion we cover albums by Oasis, Blur, Pulp, Prince, Pink Floyd, Aimee Mann, Matthew Sweet, The Chemical Brothers, and Shaggy, debuts by Garbage, Natalie Merchant, Jill Sobule, and The Foo Fighters, and the juggernaut that was Jagged Little Pill.  As always, follow along with this exploration of 1995 with our handy-dandy Spotify Playlist! These are some of our faves -- what about yours? Is there an album from 1995 that you love that we didn't mention? Drop us a line and let us know at modernmusicology1@gmail.com or just leave a comment on our socials or whatever podcast platform you're listening to us.  Find us on Facebook: https://www.facebook.com/ModernMusicology  Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/  Follow us on Twitter: https://twitter.com/ModrnMusicology  Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw  Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/  Find more about us: Rob Levy: https://kdhx.org/shows/show/juxtaposition  Stephanie Seymour: www.therearebirds.com   R. Alan Siler: www.kozmiccreative.com   Anthony Williams: https://watchers4d.podbean.com/

Die LA-Singer-Songwriterin Aimee Mann schaut genau hin und findet perfekte Reime für ihre oft traurigen Geschichten. Diese sind jedoch nie destruktiv, sondern voller Hoffnung und lakonischem Trost. Die 65-jährige Mann hat eine loyale Fangemeinde, zu der unter anderem auch Prominente wie Michelle und Barack Obama sowie zahlreiche Musikerinnen und Künstler gehören. Kritiker loben ihr Werk, kommerziell erfolgreich ist sie jedoch nie – wohl auch, weil sie sich früh abseits vom Musikbusiness eigene Wege ging. Für ihr Schaffen lässt sie sich viel Zeit: in 30 Jahren hat Mann 10 Alben veröffentlicht. Ihre Songs sind originell und detailverliebt arrangiert und bleiben so lange Zeit im Gedächtnis hängen. Chris Weber, Tontechniker bei SRF, Musiker und Singer-Songwriter, erzählt im Gespräch mit Annina Salis, warum ihn Aimee Mann als «Gesamtpaket» so inspiriert. Die gespielten Titel: Interpret:in: Titel (Album / Label) - Aimee Mann: One (Magnolia. Music from the Motion Picture / Reprise Records 1999) - Aimee Mann: Fifty Years After the Fair (Whatever / Original release: Imago 1993; Reissue: Geffen Records) - Til Tuesday: Voices Carry (Til Tuesday: Voices Carry / Epic 1985) - Aimee Mann: Jacob Marley's Chain (Whatever / Original release: Imago 1993; Reissue: Geffen Records) - Aimee Mann: Momentum (Magnolia. Music from the Motion Picture / Reprise Records 1999) - Aimee Mann: Humpty Dumpty (Lost in Space / SuperEgo, V2, 2002) - Aimee Mann: That's How I Knew This Story Would Break My Heart (The Forgotten Arm / SuperEgo, V2, 2005) - Aimee Mann: Freeway (@#%&*! Smilers / SuperEgo 2008) - Aimee Mann: Give Me Fifteen (Queens of the Summer Hotel / SuperEgo Records 2021)

New York City singer/songwriter Robert Scheffler joins us this week with an artist Rob somehow slept on all these years - Aimee Mann. Her second full-length, 1995's "I'm With Stupid", is the one that did it for Robert, and her deceptively biting songcraft and the record's dense, layered guitars made a true believer of your humble host. Songs discussed in this episode: Voices Carry ('Til Tuesday cover) - Gang Green; Always, Excuse The Mess, Basher - Robert Scheffler; Up The Junction - Squeeze; Long Shot, Choice In The Matter - Aimee Mann; Animal Nitrate - Suede; Sugarcoated, You Could Make A Killing, Superball, Amateur - Aimee Mann; When The Hangover Strikes, I Think I'm Go Go - Squeeze; All Over Now, Par For The Course, You're With Stupid Now, That's Just What You Are, Frankenstein, Ray, It's Not Safe, *hidden track - Aimee Mann; We're All Waiting - Robert Scheffler

For her 65th birthday, let’s listen to covers of Aimee Mann, ‘Til Tuesday, and some covers by her and various colleagues! (64 minutes)

For her 65th birthday, let’s listen to covers of Aimee Mann, ‘Til Tuesday, and some covers by her and various colleagues! (64 minutes)

This week on Fangs for the Memories, we are joined by @reachrachelkahn! Leslie has questions about vampire creampies, Aimee Mann comes to the Bronze, and we talk about why vamps are all bisexual.Follow Fangs on Twitter!Join our Patreon for special episodes!

"Can You Fly" Yes, Freedy Johnston did his California Thing and it was immortalized on his 1992 album Can You Fly. When you're an artist you can go one of two ways: east or west and he Kansas-born singer-songwriter Freedy Johnston went east, landing in New York after college. Firmly planted in the 212, Johnston worked odd jobs and wrote songs and after keeping at it, he signed with the fledgling indie label Bar/None and that kicked off a career that has yielded classic albums like This Perfect World, Never Home, Back On The Road To You and, of course Can You Fly, which, after almost 30 years is available again in a remastered on CD and clear vinyl pressing. More on that in a second. Johnston has worked with Butch Vig, Aimee Mann, T-Bone Burnett, The Embarrassment and John Dee Graham, he's played all over the world, been praised by everyone from Rolling Stone to The New York Times, had a hit song with "Bad Reputation," played Conan, SXSW and signed to a major label. It's a partial list, but you get the idea: Freedy Johnston has had quite a career. With a new album on the way, Johnston has never sounded better. And Can You Fly has never sounded better either; a storming set of jagged pop like Trying To Tell You I Don't Know and In The New Sunshine along with wistful ballads like Tearing Down This Place and We Will Shine, Can You Fly is a timeless classic that remains dynamic and vital. www.freedyjohnston.com (http://www.freedyjohnston.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.bombshellradio.com (http://www.bombshellradio.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers The Podcast: Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com) BLUESKY + IG: @emberspodcast

Flopcast episode 690! We’re packing all our summer concert reports into one big show! First it’s Aimee Mann in New Hampshire with her regular opener (and no stranger to the nerd world) Jonathan Coulton. (As longtime Aimee fans, we’re still a little grumpy about missing the recent ‘Til Tuesday reunion show…) Then we have two […] The post Flopcast 690: Weird Al Speedwagon appeared first on The ESO Network.

We're packing all our summer concert reports into one big show! First it's Aimee Mann in New Hampshire with her regular opener (and no stranger to the nerd world) Jonathan Coulton. (As longtime Aimee fans, we're still a little grumpy about missing the recent 'Til Tuesday reunion show...) Then we have two shows from the same exhausting weekend! First up is "Weird Al" Yankovic, who brought his Bigger and Weirder Tour (with weird opening act Puddles Pity Party) to a giant casino in Connecticut. Then the very next night, there was REO Speedwagon (sort of) and Styx, with opener Don Felder of the Eagles, at Great Woods back here in Massachusetts. (Mr. Roboto, we've missed you.) It was a fine bunch of super-fun nostalgic shows (including some random meetups with old friends of the Flopcast), and now we're ready to flop over and relax until Dragon Con. But do you still have any summer concerts coming up? If you're planning to Wang Chung tonight, do please let us know. The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: The 42cast!      

This week, I am joined by one of the greatest late-night writers & performers of all time, BRIAN STACK (Late Night With Conan O'Brien, The Late Show with Stephen Colbert), who picked a beloved music documentary to discuss: Be Here To Love Me - A Film About Townes Van Zandt.We discuss the differences between working on Conan and Stephen's shows, the last-minute panic of doing a late night show, my experience performing on Conan, accidental mistakes turning into magic, how many of Brian's characters are tragically musical, band banter, the melancholy edge of the best comedy, how musicians who write the best sad songs are often the funniest people, the creation of the band Slipnutz, how Townes' music came into both our lives later in life, songs that tear you heart out, being a musician's musician, The Stooges, Aimee Mann, Dave Alvin, The Chelsea Hotel being the headquarters of Zandt's record label, how Townes is his own storyteller in this documentary, self-destructive tendencies in comedy and music, Dylan and Townes relationship, our Chris Elliott obsessions, being under-heard and misunderstood, Steve Shelley of Sonic Youth trying to help Townes make a record, the documentary Heartworn Highways, Neko Case, Mick Jagger's country accent, writing songs in your dreams and so much more.So let's laugh through the pain on this week's episode of Revolutions Per Movie.BRIAN STACK:https://teamcoco.com/celebs/brian-stackREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2017 conversation with Jimmy Webb. ABOUT JIMMY WEBBJimmy Webb emerged as a superstar songwriter and arranger in 1967 when two of his songs – The 5th Dimension's “Up, Up and Away” and Glen Campbell's “By the Time I Get to Phoenix” - were among the five nominees for the Grammy's Song of the Year award. He went on to write a string of major hits for Campbell, including “Wichita Lineman,” “Galveston,” "Where's the Playground Susie,” “Honey Come Back,” and many others. Additionally, he penned “MacArthur Park,” which was a hit for a diverse range of artists, including Richard Harris, Waylon Jennings, Tony Bennett, Andy Williams, and Donna Summer; “The Worst That Could Happen,” which was a Top 5 hit for The Brooklyn Bridge; “Didn't We,” which was recorded by Thelma Houston, Frank Sinatra, Diana Ross, and Barbra Streisand; “All I Know,” which became a Top 10 hit for Art Garfunkel; “The Moon's a Harsh Mistress,” which has been recorded by Joe Cocker, Judy Collins, Linda Ronstadt, and Josh Groban; and “If These Walls Could Speak,” which was recorded by Glen Campbell, Amy Grant, Nanci Griffith, and Shawn Colvin. Others who've covered material from the Jimmy Webb songbook include Diana Ross, Dusty Springfield, Nina Simone, The Four Tops, Roberta Flack, The Temptations, The Association, Tom Jones, Dionne Warwick, Cass Elliot, Harry Nilsson, Nancy Wilson, Cher, Bob Dylan, The Everly Brothers, Nick Cave, John Denver, Kenny Rogers, Sheena Easton, David Crosby, Rosemary Clooney, Michael Feinstein, R.E.M., Aimee Mann, America, Aretha Franklin, Isaac Hayes, Peggy Lee, Bette Midler, James Taylor, Carrie Underwood, Dwight Yoakam, and The Highwaymen (consisting of Johnny Cash, Willie Nelson, Waylon Jennings, and Kris Kristofferson), who took Jimmy's song “Highwayman” to #1, earning him a Grammy for Country Song of the Year. As an artist, he has released more than a dozen albums. One of the most celebrated songwriters on the planet, Jimmy is the only individual to win Grammy awards for music, lyrics, and orchestration. He was inducted into the Songwriters Hall of Fame, the Nashville Songwriters Hall of Fame, and the Great American Songbook Hall of Fame. Additionally, he has received ASCAP's Lifetime Achievement Award, the Influential Songwriter Award from the National Music Publishers Association, and the Academy of Country Music's prestigious Poets Award. In 2015 he was named among Rolling Stone magazine's 100 Greatest Songwriters of All Time. Jimmy's memoir, The Cake and the Rain, details his formative years and early career through 1973. It's available now from St. Martin's Press. 

Send us a textIntro song: Run For Your Life by Nancy Sinatra30. A Hard Day's NightCover 1: Dionne WarwickCover 2: Otis ReddingCover 3: John Bayless29. Here, There and EverywhereCover 1: George BensonCover 2: Mikal BlueCover 3: Meme28. And I Love HerCover 1: Bobby WomackCover 2: Kurt CobainCover 3: Harry Connick Jr.27. Two Of UsCover 1: Boney M.Cover 2: Aimee Mann & Michael PennCover 3: Kenny Loggins26. RevolutionCover 1: Stone Temple PilotsCover 2: GrandaddyCover 3: Leo SayerOutro song: Hey Jude by Joe AndersonLink to Take Cover!! episode with "Hey Jude"

We climb to the top of a mountain to ask Radisson Cawthorn, the magical crow, life's most important questions.CreditsArnie: Arnie NiekampChunt: Adal RifaiUsidore: Matt YoungRadisson Cawthorn: Aimee MannMysterious Man: Tim SniffenProducers: Arnie Niekamp, Matt Young, and Adal RifaiAssociate Producer: Anna HavermannPost-Production Coordination: Garrett SchultzEditor: Sage G.C.Magic Tavern Logo: Allard LabanTheme Music: Andy PolandNew T-Shirts in the Merch Store!Check out our upcoming LIVE SHOWS!You can support the show directly and receive bonus episodes and rewards by joining our Patreon at https://www.patreon.com/magictavern for only $5 per month. Follow us on Bsky, Instagram and YouTube!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Aimee Mann released her third album, Bachelor No. 2 or, the Last Remains of the Dodo, on May 2, 2000. It featured some songs from her soundtrack for Paul Thomas Anderson's "Magnolia" alongside newer tracks and became one of the best reviewed albums of the decade. For our series Silver Liner Notes, writer Carrie Courogen joins us to talk about the album's legacy and take listeners' calls.

But it did happen. Jack and Corey are joined by writer/director Charles Ingram (Lords of Synth, Funny Or Die) to talk Paul Thomas Anderson's sprawling Valley based epic mosaic, MAGNOLIA (1999)! The three talk the Valley, breaking bones, The Worm, PTA's cocaine energy, Tom Cruise's thetans, The Largo, Jon Brion's amazing score, long prologues, Charles Fort, running into celebrities, double tape movies, making masterpieces, The Anderson Directors, adult braces, good CGI, DVD easter eggs, Cinema Secrets, Movie Magic, Coolio, Anna Nicole Smith, Jerry Maguire, Aimee Mann, Kevin Smith and Frogs.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

This week, Scott was joined by his Lawfare colleagues Eric Ciaramella and Anastasiia Lapatina, as well as special guest Kyiv Independent reporter Francis Farrell, for an episode committed to one big topic: what Trump's return to the White House might mean for Ukraine. They tackled the issue in three parts:“What Condition My Attrition Is In.” By most accounts, after more than two years of fighting, the conflict in Ukraine has come to look very much like a war of attrition. How do Ukrainians feel about the state of the conflict and the prospects looking forward? What steps are the outgoing Biden administration taking to change the calculus—and what impact might they still have, if any?“New Boss, Same as the Old Boss.” Donald Trump's return to the White House promises a sea change in how the United States has approached the conflict in Ukraine. What do his early national security appointments—and engagements with, among others, Ukrainian President Volodymyr Zelensky—tell us about his plans? And where do they seem likely to lead?“Flipping the Board.” Trump's election—and whatever outcome he is able to bring about in Ukraine—has the potential to reset the strategic environment in Europe (and the U.S. strategic relationship with Russia) more generally. What might regional security—and security for Ukraine specifically—look like by 2028?For object lessons, Nastya recommended Catherine Belton's new book, “Putin's People,” on the return and rise to power of the KGB. Eric gave a belated endorsement for the Oscar-winning South Korean film “Parasite,” and urged folks to watch it as a celebration of the democratic resilience South Korea demonstrated this week. Scott plugged the holiday variety show he was attending that evening and urged listeners to welcome the season with Aimee Mann's “One More Drifter in the Snow.” And Francis recommended GeoGuessr, the geolocation game that has taken the KI newsroom by storm.Rational Security will be saying goodbye to 2024 in its traditional fashion: by discussing listener-submitted topics and object lessons! To submit yours, call in to (202) 743-5831 to leave a voicemail or email rationalsecurity@lawfaremedia.org. Just do it by COB on December 18!To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

This week, Scott was joined by his Lawfare colleagues Eric Ciaramella and Anastasiia Lapatina, as well as special guest Kyiv Independent reporter Francis Farrell, for an episode committed to one big topic: what Trump's return to the White House might mean for Ukraine. They tackled the issue in three parts:“What Condition My Attrition Is In.” By most accounts, after more than two years of fighting, the conflict in Ukraine has come to look very much like a war of attrition. How do Ukrainians feel about the state of the conflict and the prospects looking forward? What steps are the outgoing Biden administration taking to change the calculus—and what impact might they still have, if any?“New Boss, Same as the Old Boss.” Donald Trump's return to the White House promises a sea change in how the United States has approached the conflict in Ukraine. What do his early national security appointments—and engagements with, among others, Ukrainian President Volodymyr Zelensky—tell us about his plans? And where do they seem likely to lead?“Flipping the Board.” Trump's election—and whatever outcome he is able to bring about in Ukraine—has the potential to reset the strategic environment in Europe (and the U.S. strategic relationship with Russia) more generally. What might regional security—and security for Ukraine specifically—look like by 2028?For object lessons, Nastya recommended Catherine Belton's new book, “Putin's People,” on the return and rise to power of the KGB. Eric gave a belated endorsement for the Oscar-winning South Korean film “Parasite,” and urged folks to watch it as a celebration of the democratic resilience South Korea demonstrated this week. Scott plugged the holiday variety show he was attending that evening and urged listeners to welcome the season with Aimee Mann's “One More Drifter in the Snow.” And Francis recommended GeoGuessr, the geolocation game that has taken the KI newsroom by storm.Rational Security will be saying goodbye to 2024 in its traditional fashion: by discussing listener-submitted topics and object lessons! To submit yours, call in to (202) 743-5831 to leave a voicemail or email rationalsecurity@lawfaremedia.org. Just do it by COB on December 18!To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute. Hosted on Acast. See acast.com/privacy for more information.

#1 ACS #694 (feat. Aimee Mann) (2011) #2 ACS #695 (feat. John Cho, Alison Rosen and Bryan Bishop) (2011) #3 ACS #705 (feat. Sonny Carolla, Jim Carolla and Ray Oldhafer) (2011) #4 ACS #710 (feat. Mariel Hemingway) (2011) Hosted by Superfan Giovanni Request clips: Classics@adamcarolla.com Subscribe and Watch Clips on YouTube: https://www.youtube.com/@AdamCarollaCorner