Podcasts about Dorchester

Richard Young is a photographer who was once known as the “king of the paparazzi”.His portfolio is a who's who of some of the biggest stars in film, music, stage and popular culture from the past fifty years. From gatecrashing Elizabeth Taylor's party for Richard Burton's 50th at the Dorchester to later being invited to photograph her Damehood celebrations. He can count the first photographs of Paul Getty Jr. after his kidnapping as just one of his many scoops.He was born in Hackney to a Jewish family and his father ran a hosiery stall in Berwick Street market for more than sixty years. Richard has dyslexia and after being expelled from school at fourteen, he went to Soho and landed a job in fashionable clothes shop frequented by Leonard Cohen, Bob Dylan, David Hockney and Francis Bacon.A two-year stint in New York followed, working as a studio assistant at Electric Lady Studios, before he returned to London and found himself in a bookshop handed a camera and told to get on with photographing authors.For the past fifty years, he has lived a nocturnal, high octane life of private jets, parties and exclusive events, eventually becoming as much a fixture in the world of celebrity as the people he photographed.Richard lives in London with his wife Susan. His photography gallery is in London and has visitors from around the world.DISC ONE: Rehab - Amy Winehouse DISC TWO: Just Walkin' in the Rain - Johnny Ray DISC THREE: Cosmic Dancer - T. Rex DISC FOUR: Positively 4th Street - Bob Dylan DISC FIVE: Point Blank - Bruce Springsteen DISC SIX: Isn't It a Pity - George Harrison DISC SEVEN: A Beautiful Day - Queen DISC EIGHT: The Gypsy's Wife - Leonard Cohen BOOK CHOICE: Siddhartha by Herman Hesse LUXURY ITEM: Caviar CASTAWAY'S FAVOURITE: Point Blank - Bruce Springsteen Presenter: Lauren Laverne Producer: Sarah TaylorDesert Island Discs has cast other photographers away to the island over the years including David Bailey, Sally Mann and Vanley Burke. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

We discussed the case of Patrick Kelley who was just granted parole at 61 years old after spending 31 years behind bars for beating, raping, and robbing a 76-year-old Dorchester woman along with a visiting home nurse who came to the Dorchester woman’s home. He was sentenced to three concurrent life sentences back in 1995. Does the time served and rehabilitation efforts made in prison warrant his release? The MA Parole Board thinks so, do you?See omnystudio.com/listener for privacy information.

We discussed the case of Patrick Kelley who was just granted parole at 61 years old after spending 31 years behind bars for beating, raping, and robbing a 76-year-old Dorchester woman along with a visiting home nurse who came to the Dorchester woman’s home. He was sentenced to three concurrent life sentences back in 1995. Does the time served and rehabilitation efforts made in prison warrant his release? The MA Parole Board thinks so, do you?See omnystudio.com/listener for privacy information.

In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist. Kelly's law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered. Inside the Gardner Heist Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations. The FBI's Art Crime Evolution Following the 2003 looting of Iraq's National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft. Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market. Organized Crime and the Reality of Stolen Art Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset. Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall. A Case Still Waiting for Closure More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads.  The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95. [1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation, [2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist. [2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it. [2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support. [3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston. [4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft. [4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew. [5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card. [6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one. [6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak. [7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever. [7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break. [8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that. [10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged. [10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery [10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through. [11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved. [13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about [13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting. [14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle. [15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic. [15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah. [16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the [17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia. [17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so. [18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI. [19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years. [20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s. [20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth. [22:24] So yeah, and then Gentile took 30 months. [22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time. [23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting. [25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington. [25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items. [26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah. [26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces. [27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing. [28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah. [28:38] I think I saw that somewhere in this news program or on this podcast. [28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah. [29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me. [29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies. [30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.

Headlines from History! George Washington: Fortifying Dorchester Heights over Boston! www.celebrateamericapodcast250.com Find all the conversations at: www.celebrateamericapodcast250.com Brought to you by Eric Buchanan and Associates: www.buchanandisability.com This podcast is hosted by ZenCast.fm ===== THANK YOU TO OUR SPONSORS: Nutrition World: https://nutritionw.com/ Vascular Institute of Chattanooga: https://www.vascularinstituteofchattanooga.com/ The Barn Nursery: https://www.barnnursery.com/ Optimize U Chattanooga: https://optimizeunow.com/chattanooga/ Guardian Investment Advisors: https://giaplantoday.com/ Alchemy Medspa and Wellness Center: http://www.alchemychattanooga.com/ Our House Studio: https://ourhousestudiosinc.com/ Team Montieth Real Estate - Lori Montieth: https://www.findchattanoogarealestate.com/ Ballinger and Associates - Risk Management: https://ballingerandassociates.com/ AirSpace Acoustics: https://www.airspaceacoustics.com/ ALL THINGS JEFF STYLES: www.thejeffstyles.com PART OF THE NOOGA PODCAST NETWORK: www.noogapodcasts.com Please consider leaving us a review on Apple and giving us a share to your friends! This podcast is powered by ZenCast.fm

Limited outbound flights have begun operating in Isreal for the first time since the war began. One person was injured in a shooting in Dorchester. Stay in "The Loop" with WBZ NewsRadio.See omnystudio.com/listener for privacy information.

March 17th is known to many as Saint Patrick's Day, but for Bostonians, it's also Evacuation Day. Centuries ago, during the buildup of the American Revolution, Boston was a city under siege. It took a drastic, strategic standoff by Patriot colonists at Dorchester Heights to send the British sailing off to Canada, and it all played out on what we now know as Evacuation Day. Jonathan Lane, Executive Director of Revolution 250 in Boston, joins the show to tell the dramatic story and share details of this year's commemoration in Dorchester. This segment is the seventh interview in our series "Revolutionary Roots", where we take a closer look at the stories, people, events, and local ties that connect New England to the nation's 250th anniversary in 2026.See omnystudio.com/listener for privacy information.

### HEADLINE: EXTRAORDINARY RENDITION AND THE RESTORATION OF CHARLES IISUMMARY: Dennis Sewall describes Downing's betrayal of former allies, his role in capturing regicides, and the grisly display of Cromwell's head at the House of Commons. GUEST: Denniis Sewall NUMBER:12 (12)1838 Dorchester looking to Boston

A truly astonishing feat, which becomes a turning point in Boston and in the entire war. Tune in for this ruse and how it goes down, causing British Gen. Howe to reportedly remark (although it is not attributed in a primary document, so let's attribute it to very cool legend): "The rebels have done more in one night than my whole army would have done in a month." Learn more about your ad choices. Visit megaphone.fm/adchoices

A war is a series of battles won.  The American Revolution is no different.  For the colonies and George Washington to beat the larger British military force, individual battles had to be fought.  One victory won by the Patriots early on, did not involve a direct battle.  The Fortification of Dorchester Heights, and the subsequent British Evacuation of Boston, exemplifies the early genius of General Washington and the fortitude of hero Henry Knox.  Join our special guest, Professor Robert Allison, Professor of History at Suffolk University and Chair of Revolution 250, as we learn about these incredible events.

This is fascinating! Abigail Adams begins a letter to John Adams in Philadelphia that she won't finish until eight days later on March 10. Why? Because she is continually interrupted by bombing in nearby Boston, which unbeknownst to her is the beginning of the consequential taking of Dorchester Heights by the Colonial Army. She also talks about attacks on Adams' reputation, the trouble some friends get into defending him, and her thoughts on "Common Sense." Learn more about your ad choices. Visit megaphone.fm/adchoices

Jared Brosnan reports. See omnystudio.com/listener for privacy information.

WBZ NewsRadio’s James Rojas reports.See omnystudio.com/listener for privacy information.

(00:00) Zolak & Bertrand start the hour talking about the comparison between the blizzard this week compared to 1978's blizzard.(11:40) The crew estimates how much snow we've received up to this point and recaps all the calls we've had so far.(21:38) We continue hearing from callers about their craziest stories from the 1978 storm.(32:12) Today's TakeawaysSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Twenty-five year-old bookseller Henry Knox, his 19 year-old brother Will, and teamsters led by John Becker, Sr., move a long “noble train” of 59 pieces of salvaged artillery from Fort Ticonderoga to Cambridge. The route crossed frozen rivers and the not-dreamlike Berkshire Mountains under unbelievably arduous conditions. As word spread, crowds of Americans would turn out to cheer them on, and serve them cider and whiskey. The artillery, when hoisted to the commanding heights of Dorchester above Boston, would drive the British from their long occupation of that city, and they would never return. It is a story of initiative, ingenuity, tenacity, survival, and charismatic leadership, and was perhaps the first miracle of many that would bless the American Revolution. Map of the Noble Train’s route (not reflecting all the river crossings discussed in the episode): Subscribe to my Substack! X – @TheHistoryOfTh2 – https://x.com/TheHistoryOfTh2 Facebook – https://www.facebook.com/HistoryOfTheAmericans Primary references for this episode (Commission earned for Amazon purchases through the episode notes on our website) William Hazelgrove, Henry Knox's Noble Train: The Story of a Boston Bookseller's Heroic Expedition That Saved the American Revolution Thomas M. Campeau, Major, U.S. Army, “The Noble Train of Artillery: A Study Comparison of Current Doctrinal Concepts of the Mission Command Philosophy in History.” (Master's thesis, pdf)

Watch the Devotion Based on Luke 7:1-10 Under Authority: The Word That Saves A Soldier needed a chaplain, so he sent for a Jewish rabbi. This might have made sense if the Soldier was Jewish, but he was not. When the officer's messengers reached the rabbi they pleaded with him, “This man deserves to have you come immediately. One of his subordinates is very sick and about to die. You need to come with us now!” The Jewish rabbi went with them. While he was on his way the rabbi was met by friends of the Soldier. They said, “Rabbi, the captain wanted us to share this message, ‘I am not worthy to have you set foot in my home. But I am a man of authority, and I understand the chain of command. I give a Soldier an order and he gets after it. I know who you are. I know your authority supersedes my authority. All you need to do is say a word and my subordinate will be saved.” The rabbi was speechless. He said to those around him, “I have not found faith like this in all of the places I have traveled.” The friends rushed back to the home of the Roman centurion and found his servant completely restored to full strength. A Soldier needed a chaplain and he sent for a Jewish rabbi. This Roman centurion knew and believed that this rabbi was not just a rabbi, but the Son of God, Jesus, who came to save him. Jesus came not just to restore the servant's health, but to save his life for eternity. This is what Jesus does. He saves through his words. This week we observe Four Chaplains Day, to honor the service and sacrifice of four US Army chaplains who gave up their own lifejackets to fellow Soldiers as the Dorchester sank into the icy waters of the Atlantic on February 3rd, 1943. In a similar way, Jesus saves. He still carries out his work of saving. He does this by wearing the mask of chaplains. When chaplains open their mouths to speak a word from Jesus to you, Jesus saves through that word. When water was poured and Jesus words were spoken over your head, “I baptize you in the name of the Father and of the Son and of the Holy Spirit”, Jesus saved you with those words and that water. In baptism he put his name on you, adopted you into his family, saved you from sin, guilt, and the grave. He saved you for a life eternal in heaven after a resurrection from the dead. Jesus opens his mouth to speak: “So do not fear, for I am with you; do not be dismayed, for I am your God. I will strengthen you and help you; I will uphold you with my righteous right hand” (Isaiah 41:10). Jesus saves you from fear and anxiety and despair with those words. Jesus opens his mouth to speak through his Apostle John and says to you, “. . . If anybody does sin, we have an advocate with the Father—Jesus Christ, the Righteous One.  He is the atoning sacrifice for our sins, and not only for ours but also for the sins of the whole world” (1 John 2:1-2). You are part of the world. You are someone for whom Jesus sacrificed himself to save. Take a moment today to pause and thank God for chaplains – those who serve in our nation's military, but also those who serve first responders, EMS, firefighters, police, in hospice care facilities, in hospitals, in schools and corporations, and those who serve the incarcerated. Chaplains serves as faithful masks of God. When they open their mouths to speak the words of Jesus, Jesus saves through his words. His words save you. Prayer: All-holy, all-loving God, provide workers for your harvest field, both inside and outside the walls of the church, so that more may hear the story of your everlasting love and your desire that all sinners be saved; through Jesus Christ, your Son and our Savior. Amen. Written and recorded by Rev. Paul Horn, WELS National Civilian Chaplain to the Military, San Diego, California. All Scripture quotations, unless otherwise indicated, are taken from the Holy Bible, New International Version®, NIV®. Copyright ©1973, 1978, 1984, 2011 by Biblica, Inc.™ Used by permission of Zondervan. All rights reserved worldwide. Note: Scripture reading footnotes are clickable only in the web version.

A man from Dorchester is accused of stabbing another over a parking dispute. Border Czar Tom Homan says about 2,000 immigration officers will remain in Minnesota after announcing plans to withdraw 700 officers. Stay in "The Loop" with WBZ NewsRadio. See omnystudio.com/listener for privacy information.

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Today on the Christian History Almanac, we remember the four chaplains who gave their lives aboard the U.S.S. Dorchester during World War II. Show Notes: Germany / Switzerland - Study Tour  Support 1517 Podcast Network 1517 Podcasts 1517 on YouTube 1517 Podcast Network on Apple Podcasts 1517 Events Schedule 1517 Academy - Free Theological Education What's New from 1517: Being Family by Dr. Scott Keith The Essential Nestingen: Essays on Preaching, Catechism, and the Reformation Philip Melanchthon's Commentary on Ecclesiastes Face to Face: A Novel of the Reformation by Amy Mantravadi Untamed Prayers: 365 Daily Devotions on Christ in the Book of Psalms by Chad Bird More from the hosts: Dan van Voorhis SHOW TRANSCRIPTS are available: https://www.1517.org/podcasts/the-christian-history-almanac CONTACT: CHA@1517.org SUBSCRIBE: Apple Podcasts Spotify Stitcher Overcast Google Play FOLLOW US: Facebook Twitter Audio production by Christopher Gillespie (outerrimterritories.com).

We talk with Mack Maloney about his latest book, Beyond Area 51, and also touch upon his previous book, UFOs in Wartime: What They Didn't Want You To Know. We discuss the facts about secret military bases all around the world. Some of it is probably much stranger than you realize, and not in the way you expect! Mack Maloney grew up in the Dorchester section of Boston and was taught to read and write by the nuns at St. Ann's School. His father was a veteran of World War II and he used to read military books all the time. As a child, Mack started reading them too, along with a lot of science fiction. He received a BS in journalism and a graduate degree in filmmaking from Emerson College. He was a sports reporter for two years after college before joining corporate America as a publicist for General Electric Company. Mack started writing books in 1984, and have been doing it full time since 1987, penning over 30 books. https://www.mackmaloney.com/ Hosted on Acast. See acast.com/privacy for more information.

On this week's episode of True Crime New England's case profile mini-episode series, Katie and Liz discuss two murders, both by gun violence. First, Liz tells the upsetting story of the murder of 22-year-old Ciera Jones, who was shot and killed in New Haven, Connecticut in July of 2021. While someone has confessed to the crime, no sentencing has been done. Then, Katie talks about the tragic murder of Treyshawn Boyd in January of 2020 in Dorchester, Massachusetts. Tragically, Treyshawn also lost his father, Jamil Harmon, to homicide in 2010. Anyone with any information on the murders of Treshawn Boyd and Jamil Harmon is asked to please call Boston police detectives at 617-343-4470, the CrimeStoppers anonymous tip line by calling 1-800-494-TIPS or by texting the word ‘TIP' to CRIME (27463).

We kicked off the program with four news stories and different guests on the stories we think you need to know about! Who burned down St. Ambrose church in Dorchester?Guest: Emily Sweeney – Boston Globe Cold Case Files Reporter2026 Best Cars for the MoneyGuest: Alex Kwanten - U.S. News Autos’ Managing Editor Escape the Technology Trap, Eliminate Stress, and Reclaim Rest. How constant digital stimulation dysregulates cortisol, the body’s master stress hormone, leading to chronic fatigue, anxiety, poor sleep, and strained relationships. Guest: Justin Hai - serial entrepreneur, product designer, and innovator whose career spans health, wellness, biotechnology, and consumer products. & Author of this book: Stress Nation: Escape the Technology Trap, Eliminate Stress, and Reclaim Rest Severe blood shortage: Red Cross blood supply drops 35%Guest: Kelly Isenor – Director of Communications for the American Red Cross of Massachusetts See omnystudio.com/listener for privacy information.

It's time for another installment of True Crime New England's case profile mini-episode series. Today, Katie begins the episode by telling the story of the random murder of 31-year-old mom Grisel Sanchez in Dorchester, Massachusetts in 2015. Then, Liz shares the details of the senseless murder of 28-year-old Dantley Leonard, also in Dorchester, Massachusetts in 2016. Grisel's murder remains unsolved while Dantley's murder is in the middle of being prosecuted. Anyone with any information about the murder of Grisel Sanchez is asked to please call homicide detectives at 617-343-4470 or anonymously at 1-800-494-TIPS.

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This week on Hospitality Meets, Phil sits down with Matt McCabe, Founder of Subu Connect - a platform created to bridge the gap between food and beverage suppliers and global buyers across airlines, foodservice and hospitality.Matt's story is one of curiosity, courage, accidental brilliance, and a lot of beautifully human learning along the way. From a 19-year-old Irish hotel management student taking a leap into a German kitchen… to buying food for prisons, parliaments and planes… to building his own tech platform from scratch - this is a masterclass in connection, leadership, humility and trust.It also includes one of the greatest stories ever told on the podcast involving… mayonnaise.In This EpisodeHow a leap of faith took Matt from hotel school in Ireland to cooking in Germany, Switzerland and London — including a stint at The Dorchester with 120 chefs in the kitchenThe moment Matt realised chefs don't buy food and how that insight led him into procurement and supply chain leadershipWhy asking for help (and admitting you don't know something) is one of the most powerful leadership skills you can developWhat running food supply for UK prisons, the House of Lords, and then Emirates Airline Catering taught him about scale, systems and humanityThe emotional and cultural challenge of moving his family to Dubai - and what that transition really felt likeHow a chance LinkedIn event invitation on holiday led to the creation of Subu Connect almost overnightThe reality of becoming a founder: self-belief, risk, financial uncertainty, and emotional investmentWhy Matt believes “Every Connection Matters” - and how relationships compound over timeStand-Out Quotes“I never really believed in myself. I was waiting for the lightbulb moment — and I used that as an excuse not to start”“Every connection matters. No conversation is ever wasted”“I physically feel it when the company struggles — like you would with a child or a loved one”“We're not the stars — the suppliers are. We're just the stage”“People didn't invest in the platform. They invested in me and what I stand for”Why ListenThis episode is a beautiful exploration of:Career reinvention and courageThe hidden emotional side of entrepreneurshipLeadership through vulnerability and trustThe power of curiosity and asking better questionsWhy hospitality skills translate into almost every other industryHow values shape sustainable businessesIt's a reminder that...

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Brian Walshe's fate is now in the hands of the jury. A fire broke out last night in Dorchester at a multi-family home at 20 Normandy Street. The city of Boston is extending its tax incentive program for developers to convert office spaces into apartments. Stay in "The Loop" with WBZ NewsRadio. See omnystudio.com/listener for privacy information.

WBZ NewsRadio's Jay Willett has more.See omnystudio.com/listener for privacy information.

Mark Hix's Part 1 is basically a greatest hits album of British restaurant stories, told by the bloke who lived them. From boozy late nights at the Groucho with Richard Corrigan, to being Tonksed at 3 a.m, the episode opens in full chaos mode. From there, you get deep into the London years. Hix walks us through the Ivy, the Caprice, Scott's and J Sheekey, the creation of dishes like the crispy duck and watercress salad that started life as pork, and a black ink risotto that made Jonathan Meades sit up and take notice. He tells the story of Challenge Hix in the Tram Shed kitchen library, where head chefs cooked against him under a 30 minute clock, and the rules were simple: no more than three main ingredients on the plate and a menu line that actually tells you how a dish is cooked. His disgust at the modern “ingredient, comma, ingredient, comma, ingredient” menu gets a full, glorious rant.The episode is packed with the kind of stuff chefs whisper about. Mark remembers the days when critics like A. A. Gill, Faye Maschler and Jonathan Meades could make or break a restaurant, from rave reviews to absolute shockers. He talks about Gill slagging off the Tram Shed, texting him mid review over oyster details, and the surreal moment he opened a Sunday paper to see his cookbook recipes lined up against Gordon Ramsay's pub dishes in a double page spread. There are tales of the Rivington Grill as a near empty bar that had to “rent a crowd” of Shoreditch artists, his art-for-food deals, and the moment he texted Damien Hirst for a sculpture and ended up with a giant cow and chicken in formaldehyde at the heart of Tram Shed.Underneath the mischief there is a harder story too. Hix talks about growing up in Bridport, watching his grandfather run the local pub and paint business, getting steered into catering college by a family friend, and grinding through the Hilton staff canteen, the Grosvenor House and the Dorchester before landing at the Caprice. He also begins to lift the lid on the brutal side of restaurant ownership, from insane London rents to the moment his business partners put his restaurants into administration two days before lockdown, leaving him to stand in Tram Shed and tell 130 staff they no longer had jobs. It is funny, furious, nostalgic and very human. Part 1 feels like sitting at the bar with Mark Hix while he finally tells you how it all really happened.-------- Hosted on Acast. See acast.com/privacy for more information.

Today:Franchie Viaud, bookstore manager at Just Book-ish in Dorchester, and Cathy and Bruce Jacobs, co-owners of Turtle Books in Brookline, discuss the importance of independent bookstores.And, musician Will Dailey joins ahead of a show at the Paradise Rock Club.

The Culture Show's Jared Bowen discusses ABC signing Kimmel to a one-year contract a social media ban for kids in Australia and his interview with Patti Smith.Harvard national security expert Juliette Kayyem on cracks showing in the Trump Cabinet — namely, Pete Hegseth and Kristi Noem.Franchie Viaud of JustBookish in Dorchester and Cathy and Bruce Jacobs of Turtle Books in Brookline join for an indie bookstore panel.Musician Will Dailey performs ahead a show at the Paradise Rock Club this weekend.Naturalist Sy Montgomery joins via zoom for the Afternoon Zoo to talk piano-playing octopuses and falcons protecting cherry crops in Michigan.

WBZ NewsRadio’s Emma Friedman reports.See omnystudio.com/listener for privacy information.

When Tam o' Braan began marketing Scottish Tea from his Wee Tea Plantation, the response was astonishing. Upmarket retailers such as Fortnum and Mason and hotels from the Dorchester in London to the Balmoral in Edinburgh paid top prices for the supplies of this rare treat. Scottish farmers caught the bug and bought tea bushes from Tam's plantation that he promised were bred especially for harsh Scottish conditions. Magazines, national newspapers and even the BBC profiled the entrepreneur behind the innovations that were putting Scotland on the tea map of the world. The only problem was that Tam's business was based on lies. His name wasn't Tam o' Braan, he wasn't an award-winning tea grower and his tea certainly wasn't Scottish. Jaega Wise follows the story of Tam and his tea from the hills of Perthshire through the tea salons of London to Falkirk's Sheriff Court. Producer: Nina Pullman

What does it take to build your dreams when the path isn't easy? In today's episode, I sit down with Sarai Martinez—a rising voice in beauty and TV—to chat about perseverance, passion, and what it really takes to build something meaningful as a woman of color. Sarai shares her natural love for self-care and fashion, how those early interests evolved into public-facing work, and how she's navigating the challenge-heavy path of entrepreneurship with power and grace. We dig into identity, confidence, and what happens when you don't wait until you "have it all figured out" to go for it.   In this conversation, we cover:   → What it means to truly persevere as a woman of color  → The link between beauty, confidence, and performance  → Sarai's latest work in television segments and what lights her up  → Her long-term vision for building a brand empire—and involving her kids along the way  → And yes, some beauty truths, like why it's never a good idea to cut your own bangs   Other Episodes You Might Love  → Episode 153: Loneliness: The Truth About Entrepreneurship That No One Tells You About https://sarahwalton.com/loneliness-entrepreneurship/   → Episode 50: The Power of Grit (and YES! You can learn it!) https://sarahwalton.com/grit/   → Episode 300: 300 Episodes: What I've Learned About Consistency, Confidence & Refusing to Quit https://sarahwalton.com/dreams-in-progress-300-episodes/  Connect with Sarai Martinez Website: saraibyday.com Instagram: @saraibyday   About  Sarai Martinez Sarai Martinez is a hair stylist and make-up artist serving all of New England represented by Anchor Artist. She is Ambassador and brand executive to Electric London Hair care products. In her early years, Sarai worked in a local neighborhood salon in Dorchester where she tapped into her skills; little did she know it would be her life calling. She attended college in Canada to pursue fashion design, and afterwards found her way to hair school, earning her cosmetology license in 2004. Sarai assisted for 4 years at Dellaria's on Newbury Street in Boston, MA. Constantly looking for new challenges, Sarai continued her education on the North Shore, bringing fresh city vibes and the newest trends along with her. With over 20 years experience, Sarai has quickly become a guru in the industry, being showcased at New York Fashion Week, Paris Fashion Week, Milan Fashion Week, Miami Swim Week, and in Glam Hair Magazine also New Yorker Magazine, Northshore Magazine, and Boston Common Magazine. Sarai has worked alongside celebrity stylists such as Ted Gibson, Jason Backe, and Aubrey Loots, Gary Barker, Mark Wholley, Brendan O'Sullivan. Has worked with celebrities such as Shohei Ohtani, Willie Geist, Dana Walden, Ty Law and Lisa Henry,Tyson Beckford, Suzi Welch, and Meghan Moss. Sarai has made it her life to focus on fashion, beauty, apparel and all it brings, which allows her to distinguish her work from the rest with the most current trends. Sarai has won several awards for example : best of salem, readers choice award, to most recently Boston Common Magazines Best of Beauty Award!    Free gift from Sarah Book a free 15-minute call to explore working together: https://app.acuityscheduling.com/schedule.php?owner=13047670&appointmentType=34706781 Ready to shift from chasing to receiving in your business? Book your call with Sarah today and discover how The Abundance Academy can help you scale with soul, strategy, and sanity. Work with Sarah Apply for The Abundance Academy group coaching program https://sarahwalton.com/abundance-academy/   Connect with Sarah Website: https://sarahwalton.com/ Instagram: https://www.instagram.com/thesarahwalton/ You can check out our podcast interviews on YouTube, too! http://bit.ly/YouTubeSWalton Thank you so much for listening. I'm honored that you're here and would be grateful if you could leave a quick review on Apple Podcasts by clicking here, scrolling to the bottom, and clicking "Write a review." Then, we'll get to inspire even more people! (If you're not sure how to leave a review, you can watch this quick tutorial.)   About Sarah Walton Sarah Walton is a business coach specializing in helping women entrepreneurs overcome internal barriers to success. With a background in trauma-informed coaching and nervous system regulation, she takes a holistic approach that addresses both mindset and tactical business skills. Featured on The Today Show and speaking at women's conferences worldwide, Sarah has helped hundreds of women build profitable, sustainable businesses aligned with their values while healing the deeper blocks that keep them playing small. She's the creator of The Money Mindset Course, The Abundance Academy, and Effortless Sales, and the host of the 5-star-rated Game On Girlfriend® Podcast, becoming the go-to source for women who want to build businesses that honor both their ambition and their nervous system's need for safety.  

Episode 255- Brian Yandle and Mike Mottau are back with a new episode of The Rink Shrinks featuring an interview with long time hockey coach and now podcaster, Mark Dennehy! Before Mark joins the show, BY & Motts catch up on their time spent at the rinks over the weekend and talk about the newest Hockey Hall of Fame inductees. Then the boys welcome in Mark to the show to chat about his life in hockey and more including: Growing up in Dorchester and getting into hockey Deciding to attend Boston College Getting behind the bench as a coach What youth sports is all about: creating an environment where they are having fun Starting up the podcast with his daughter, Kelsey! BY & Motts wrap up the show answering the My Hockey Rankings question of the week! Then, BY gives Motts' moment lock of the week presented by FanDuel! Thank you for listening! Please rate, review, and subscribe! If you're interested in sponsoring the show, please reach out to us by email or DM us on Instagram! Leave us a voicemail: 347-6-SHRINK Email: RinkShrinks@gmail.com Instagram: @TheRinkShrinks Twitter: @RinkShrinks Website: www.therinkshrinks.com Join the community! https://community.thehockeythinktank.com/signup?am_id=rinkshrinks Youtube: www.YouTube.com/Bleav Check out the Youth Sports Positive Podcast here: Youth Sports Positive: Introduction Today's Episode Was Sponsored By: TSR Hockey Franklin Sports My Hockey Rankings Neutral Zone Bando Performance FanDuel Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Deep underneath the Dorchester, the stage is set and the audience is seated. From a far off place, strange music begins. What happens next is anyone's guess.

This week on The Codcast, CommonWealth Beacon reporters Jennifer Smith and Hallie Claflin talk about Claflin's deep dive into the fallout from Steward Health Care's bankruptcy. Two communities – the Boston neighborhood of Dorchester and the rural Nashoba Valley – lost their community health centers. Just over a year later, the local emergency health systems are strained and residents say they still feel confused about why the state allowed their centers to close while others were saved. https://commonwealthbeacon.org/health-care/when-communities-lose-trust-one-year-after-steward-healths-bankruptcy-and-the-death-of-two-hospitals/ https://commonwealthbeacon.org/health-care/accord-pledges-234m-for-hospitals-health-centers/

WBZ NewsRadio's Chaiel Schaffel reports.

Good Vibe Tribe: Boys & Girls Club of Dorchester full 346 Tue, 28 Oct 2025 13:24:38 +0000 czmO1MymHMA4Rmu9qrOJAeImVAcbjLWU latest,wwbx,society & culture Karson & Kennedy latest,wwbx,society & culture Good Vibe Tribe: Boys & Girls Club of Dorchester Karson & Kennedy are honest and open about the most intimate details of their personal lives. The show is fast paced and will have you laughing until it hurts one minute and then wiping tears away from your eyes the next. Some of K&K’s most popular features are Can’t Beat Kennedy, What Did Barrett Say, and The Dirty on the 30! 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-

ORIGINAL AIR DATE: DEC 7, 2011Mack Maloney grew up in the Dorchester section of Boston and was taught to read and write by the nuns at St. Ann's School. His father was a veteran of World War II and he used to read military books all the time. As a child, Mack started reading them too, along with a lot of science fiction. He received a BS in journalism and a graduate degree in filmmaking from Emerson College. He was a sports reporter for two years after college before joining corporate America as a publicist for General Electric Company. Mack started writing books in 1984, and have been doing it full time since 1987, penning over 30 books.

This week we're joined by British acting royalty - in every sense of the word - it's the newly knighted Sir Gary Oldman! Mum & I popped over to the Dorchester in London where Gary treated us to his (and Jackson Lamb's) very favourite Chinese meal. We heard all about Gary living in Palm Springs, the meals his mum would cook as a child, growing up in New Cross, playing Lee Harvey Oswald in JFK, living in an empty hotel during lockdown, the future of Slow Horses, and we hear an incredibly touching story of his friendship with the late John Hurt. Thank you Gary for such a delightful afternoon, what a treat to eat and chat with such an icon. The new fifth series of Slow Horses is now streaming on Apple TV+. Hosted on Acast. See acast.com/privacy for more information.

Our Agents have a long conversation with Dr Friend as they visit the Cotton Candy room deep inside the Dorchester. 

In the heart of Dorset lies a place where history and horror are tightly bound in stone — Dorchester Prison. Built in 1795, this grim institution stood for over two centuries, its walls witnessing the cries of the condemned, the despair of the forgotten, and the shadow of death itself.From the public hangings that drew crowds in the thousands to the chilling stories of restless spirits said to linger long after the last execution,Dorchester Prison is more than just a relic of the past.It is a place where England's justice system, in all its brutality, left its mark on countless lives. In this episode we step inside those heavy gates,to uncover tales of punishment, suffering, and the echoes that still haunt its crumbling corridors. Welcome… to the story of Dorchester Prison.

Nebraska farmers entering harvest season with near record high corn and soybean yields have been met with low prices for their crops. Coupled with higher than usual input prices due to tariffs, many will lose money this year. Smith, who serves as chair of the Congressional Agriculture Trade Caucus, says he is hopeful that President Trump will work to open up new markets for farmers and reach trade deals to bring down tariffs. Brian Kuehl, the co-executive director of Farmers for Free Trade, says time is running out.

Morning Prayer for Thursday, September 4, 2025 (Proper 17; Birinus, Bishop of Dorchester and Evangelist to Wessex, 650).Psalm and Scripture readings (60-day Psalter):Psalms 8, 112 Samuel 22:1-7, 14-20, 32-51Ephesians 3⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to access the text for the Daily Office at DailyOffice2019.com.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to support The Daily Office Podcast with a one-time gift or a recurring donation.

Evening Prayer for Thursday, September 4, 2025 (Proper 17; Birinus, Bishop of Dorchester and Evangelist to Wessex, 650).Psalm and Scripture readings (60-day Psalter):Psalms 15-16Micah 2Matthew 6:1-18⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to access the text for the Daily Office at DailyOffice2019.com.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to support The Daily Office Podcast with a one-time gift or a recurring donation.

We took economics to a music festival, and somehow packed the tent. In this Electric Picnic highlights episode from Mindfield, we rock up bleary-eyed and buzzing, then dive straight into the big stuff: what Trump's assault on America's institutions means for money, markets, and the rest of us. We map the new super-cycle from post-war social democracy to Reagan-Thatcher finance, to today's populist reboot, and why we think the US is flirting with a fiscal, monetary, and dollar crunch. Closer to home, we ask why Ireland looks rich on paper but feels poor in reality. In between, we tell the story of the 1992 currency crisis, a lo-fi mission to the Dorchester, and accidentally swapping the Central Bank for UBS and because we were literally in a field surrounded by stages, we tackle the music economy: streaming's winner-takes-all logic, Daniel Ek's “music costs almost zero,” algorithms that feed nostalgia over novelty, and why culture only renews when the young can afford to create. Hosted on Acast. See acast.com/privacy for more information.

The investigation into the Dorchester deepens, as O-Cell tours each floor. Dr. Webber has a strange encounter with a man named Timothy. Hart has a private chat with Dr. Dallan. 

O-Cell meets with the head of the Dorchester, Dr. Dallan, to learn more about the missing agents, before taking a tour of the facility.