Podcasts about sundance selects

Our dublab DJs have united for a nonstop marathon of mixes and shows to carry you through the end of our 2023 membership drive. This is a special episode by Chandler Poling, who hosts Studio Soundtracks every 1st Tuesday of the month, 9-10am. This very special episode of Studio Soundtracks sashays its way into the theme of musicals – specially musicals in television. For years, TV programs often surprise their audiences by having an episode explore the musical genre and have their characters belt out tunes and change up the pace. From Buffy the Vampire Slayer to Scrubs, this has been a trick of the trade, however this show is dedicated to the challenge of embedding musical numbers into the reality of their shows. THE MARVELOUS MRS. MAISEL explores a 60's Industrial Musical inside the 5th episode of the final season – written by Thomas Mizer and Curtis Moore – and GINNY & GEORGIA had the task of writing a full high school musical – written by Lili Haydn and Ben Bromfield – set within the drama of the show. By supporting dublab, you support an ecosystem of generous artists and activists – please consider becoming a sustaining member today! THOMAS MIZER & CURTIS MOOREThomas Mizer and Curtis Moore are an accomplished songwriting and storytelling team whose work has appeared on screens and stages around the world. On television, they are best known as the composers for the hit Prime Video series The Marvelous Mrs. Maisel, resulting in two Emmy nominations and a 2022 Hollywood Music in Media Award for Best Original Song Written for TV. Recipients of the prestigious Fred Ebb Award “for excellence in musical theatre songwriting,” Mizer & Moore's stage credits include the award-winning romantic mystery Triangle and upcoming musicals for Universal Theatrical Group and Michael Cassel Group. LILI HAYDN2x nominated GRAMMY® winner Lili Haydn is a composer, songwriter, singer, and violinist. Well known for her 6 critically acclaimed major label recordings as a solo artist, and her legendary collaborations with the likes of Herbie Hancock, Jimmy Page & Robert Plant, and George Clinton's  P-Funk All Stars, Lili has taken her unique melodic and harmonic sensibility and emotionally penetrating musical voice into composing for film and television with 18 feature films/documentaries to her credit (including ANITA, The House That Jack Built, Sundance Selects' DriverX), and the hit Netflix series Ginny & Georgia. Lili is a BMI Award winner, won Best Music at the Milan International Film Festival, and is enjoying the recent releases of Oscar winner Freida Mock's documentary RUTH: Justice Ginsburg in Her Own Words, the powerful Netflix documentary Split at the Root, and the record breaking success of Season 2 of Ginny & Georgia. As the daughter of iconic feminist comedienne Lotus Weinstock, and a graduate of Brown University in political science, Lili is a lifelong activist, and believes music and stories have the power to heal and uplift…important now more than ever.  BEN BROMFIELDBen Bromfield is a four-time BMI-award-winning composer for film, television, and video games out of Boston, MA. A lifelong jazz pianist, Ben graduated Berklee College of Music in 2010 and has lived in Los Angeles ever since. He is known for his score of the Dreamworks television series, Boss Baby: Back in Business, and the Netflix series, Ginny & Georgia. Ben is an expert in animation scoring, having composed the score for the Dreamworks Where's Waldo? series and Oddballs on Netflix. In film, Ben has made his mark scoring such indies as BOOM!: A Film About The Sonics, a documentary telling the story of one of the most influential 60's rock bands, The Salzburg Story, a romantic comedy which won ‘Best Feature Film' at the California International Film Festival, and Borderland, an action/thriller featuring performances by Bruce Dern and Peter.

Whether she's engaging in the daily three hour practices to continue honing her violin and vocal skills, pouring her passion into scoring independent films, preparing those provocative TED talks or composing and relentlessly expressing herself via her own albums, Lili Haydn greets each situation with the same self-reflective questions: How is this a gift? Where is the gift in this? With the release of More Love, her first solo collection in six years, the Grammy winning artist draws whimsy and purpose from her palette of cinematic alternative music. Lili has played on films including the feature documentary Strip Down, Rise Up on Netflix, and RUTH: Justice Ginsberg in Her Own Words, on Starz. In addition, Lili co-composed the music for Ginny & Georgia, on Netflix. Since the release of her last solo album LiliLand in 2014, the long-active member of the Alliance of Women Film Composers has scored 7 films, including Academy Award winner Freida Mock's ANITA, The House That Jack Built and Sundance Selects' Driver X; contributed additional score to seasons 2 & 3 of the Emmy winning series Transparent; won a Grammy award for her band Opium Moon's self titled debut record, done four high-impact TED presentations. http://lilihaydn.com/https://www.instagram.com/lilihaydn/@lilihaydn@thecareermusician@nomadsplace

Whether she's engaging in the daily three hour practices to continue honing her violin and vocal skills, pouring her passion into scoring independent films, preparing those provocative TED talks or composing and relentlessly expressing herself via her own albums, Lili Haydn greets each situation with the same self-reflective questions: How is this a gift? Where is the gift in this? With the release of More Love, her first solo collection in six years, the Grammy winning artist draws whimsy and purpose from her palette of cinematic alternative music. Lili has played on films including the feature documentary Strip Down, Rise Up on Netflix, and RUTH: Justice Ginsberg in Her Own Words, on Starz. In addition, Lili co-composed the music for Ginny & Georgia, on Netflix. Since the release of her last solo album LiliLand in 2014, the long-active member of the Alliance of Women Film Composers has scored 7 films, including Academy Award winner Freida Mock's ANITA, The House That Jack Built and Sundance Selects' Driver X; contributed additional score to seasons 2 & 3 of the Emmy winning series Transparent; won a Grammy award for her band Opium Moon's self titled debut record, done four high-impact TED presentations.  http://lilihaydn.com/ https://www.instagram.com/lilihaydn/ @lilihaydn @thecareermusician @nomadsplace

Lili Haydn is a Grammy winner and has six critically acclaimed major label recordings as a solo artist all of which have been NPR favorites, and she's appeared on numerous TV shows, including the Tonight Show, Californication, and Transparent. Also known for her legendary collaborations; she has played violin, sung, and opened for everyone from Herbie Hancock, Sting, Jimmy Page and Robert Plant, Roger Waters, the Los Angeles Philharmonic, and George Clinton's P-Funk All Stars to name a few. Lili's film composing career started as part of Hans Zimmer's team, a fellowship with the Sundance Institute, and has blossomed into 18 feature films/documentaries to her credit (including Anita, The House That Jack Built, Sundance Selects' DriverX), and the hit Netflix series Ginny & Georgia. Lili contributed additional composition on Amazon's hit series Transparent, won Best Music at the Milan International Film Festival, and and celebrating this month's releases of Oscar winner Freida Lee Mock's documentary RUTH: Justice Ginsburg in Her Own Words, Oscar nominee Michele Ohayon's Netflix documentary Strip Down Rise Up. As the daughter of iconic feminist comedienne Lotus Weinstock, and a graduate of Brown University in political science, Lili has been a life long activist, and believes music and stories have the power to heal and uplift; important now more than ever. Episode Website: https://tinyurl.com/49LiliHaydn

mexico.sae.edu Referencias: Kevin MacLeod - Look Busy Ernst Reijseger - Cave of Forgotten Dreams Soundtrack (Winter & Winter, 2011) - Deep Cave - Science Fiction - Forgotten Dreams #4 Extracto del documental Cave of Forgotten Dreams (IFC Films, Sundance Selects, 2010)

Dealt is a 2017 American documentary film directed by Luke Korem. The film is about the life and career of Richard Turner - who is renowned as one of the world's greatest card magicians, yet he is completely blind. It's a delightful documentary where the filmmaker stays out of it, and lets Richard and his family tell their story. And often Richard's hands do the talking. In the documentary, Richard traces his journey from his troubled childhood, when he began losing his vision, to present day as he relentlessly pursues perfection while struggling with the reality that his biggest weakness might also be his greatest strength. The film features extensive vérité footage of both Richard and his family as well as archive footage of Turner's many television appearances. The film features interviews with notable magicians including Turner, Johnny Thompson, Max Maven, Armando Lucero, and Jason England. Dealt debuted at the 2017 South By Southwest Film Festival in competition where it won the Audience Award for Best Documentary Feature. Dealt went on to win four more audience awards and screened at festivals around the world including China and New Zealand. The film is distributed by IFC Films through Sundance Selects. In the US, the film can be viewed on Hulu, Amazon and iTunes. Internationally, it is available on Netflix. --- Please Like/Subscribe/Follow and check out our https://youtube.com/danfrigolette for video content. ----- Covid 19 has spawned some wonderful free time, this podcast is a result of self-quarantine, we at Tiger Crisis vehemently implore you to do the same, #stayhome #staysafe #flattenthecurve Tiger Crisis begins by following the tribulations of Netflix's Documentary Series: Tiger King: Murder, Mayhem and Madness. We've started expanding our horizons to other documentaries and are looking for suggestions for your favorites and least favorite. This is highly speculative podcast, hosted by a stand up comedian. Please fact check and operate responsibly with the information that comes from this cast. Follow our host www.instagram.com/danfrigolette www.twitter.com/danfrigolette www.facebook.com/danfrigolette Dan Frigolette is a stand up comedian and actor who has been seen on Bob and Tom Show, HBO's Boardwalk Empire, Show Me A Hero, Younger, Sexy Beasts, ElimiDate, The Following, Wendy Williams Show, and the Artie Lange Show. He is the Executive Producer of The Apartmentship with Andrew Schulz, Stonehenge Oh Yeah with James Manzello, The Hoboken Comedy Festival, NJFunnyfest, Make Me Laugh Comedy Contest, Comedy's Best Kept Secret Tour and Porn Stars Are People Podcast. He got his start in Syracuse NY in a now debunked club in the basement of the Hotel Syracuse called Viva Debris, run by Joe DeLion. Now a New York City circuit regular, Dan finds joy in traveling the country to small towns, to entertain folks. His stage prose is energetic and high paced, with a wit that stops hecklers in their tracks. You will remember seeing Frigolette in person, and love every minute of it. He travels the country with his pitmatian Tess, raising money for various animal charities, and rubbing people's bellies. His first comedy album Naked and Amused: Comedy At A Nudist Colony, came out in late 2017. He's recently been featured in South Africa on SABC3's Trending SA, WTF Tumi and The Stuart Taylor Show. --- Send in a voice message: https://anchor.fm/docdive/message

Hi everyone! Just me today, as I continue taking a deep dive into documentaries, a semi-revival of our Documentary Thursdays segment from last year. This week, I’ll be tackling “Framing John DeLorean”, a film that promises a lot more than it delivers, much like the car of the same name. You’ll find out what I mean in a little bit, but for two other recommendations, definitely check out “Meeting Gorbachev” (Episode #641), last week’s documentary feature, and “Casting JonBenét”, a 2017 Netflix documentary that actually delivers what this film promises. Before the review, we’ll be showing more love for our friends at the Ocho Duro Parlay Hour. Every week, the whole crew sit down and go over a bunch of topics, from sports to comics to television and movies. Huge shoutout to the ODPH crew for all their support during Reign of Terror 2019. You can find them on Twitter and Instagram @ODParlayHour and on Facebook @ochoduroparlayhour. Lots of great content on a variety of topics! Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// Today’s movie is “Framing John DeLorean”, the Sundance Selects documentary directed by Don Argott and Sheena M. Joyce and written for the screen by Dan Greeney and Alexandra Orton. The documentary tracks the rise and fall of pathological businessman John DeLorean, with a combination of actual footage and contemporary interviews, along with a series of re-enactments by well-known celebrities who give their thoughts in-between filming scenes. No spoilers. I’m starting today’s interview with how a majority of people will learn about this documentary – the marketing campaign. The trailer bills “Framing John DeLorean” as a revolutionary new kind of documentary, one that will change the way we look at documentaries forever, some new blend of documentary, re-enactment, actual footage, and commentary. Of course, this kind of experience definitely intrigues me, a new take on a standard film process. A similar promise was made and delivered in the 2017 documentary film “Casting JonBenét”, which examined the case of JonBenét Ramsey through the eyes of families auditioning for parts in a dramatization of the infamous events. If you want to see a film that actually pushes the boundaries, then check out that film, because “Framing John DeLorean” definitely does not deliver on its promise. Of course, it’s only as I sat down to write this review that I began to appreciate the wry irony of such a marketing campaign for this particular story. When it comes to the career of John DeLorean, perception always outweighs reality, from his invention of the American muscle car in the Pontiac GTO at General Motors, through his failed attempt to sustain a fledgling car company through a series of mistakes. I went into this film much like the buyers of the DMC, sold a new kind of documentary that would stand out amongst the competition, and ending up with a mildly unique documentary about a slightly extraordinary figure. I’m not sure whether to be angry or disappointed or impressed, and maybe that is the best way to approach the documentary. “Framing John DeLorean” is structured pretty much like any other documentary that relies upon dramatizations to recreate pivotal moments. John DeLorean is played by Alec Baldwin, supermodel wife Cristina Ferrare by Morena Baccarin, former business partner Bill Collins by Josh Charles, and other roles by Dean Winters, Michael Rispoli, Jason Jones, and others. The only slightly revolutionary move here is some behind-the-scenes interviews with Baldwin and Baccarin, which would normally be played in the special features portion of a DVD, but instead are inserted throughout the film. Aside from one story about DeLorean calling Baldwin to have him consider playing DeLorean in a movie, there’s really not much insight brought into DeLorean’s story. I think it also lessened the impact of the dramatizations themselves, having to switch between actors as themselves and actors as their roles, perhaps another wry, unintentional similarity to DeLorean’s private and public personas. “Framing John DeLorean” might not be revolutionary, but the documentary itself is well-made. Dramatizations aside, the standard documentary portions have a great selection of media assets, including still frames, varying qualities of video from his decades-long career, and audio recordings, especially surrounding the famous attempt by the FBI to frame him for a cocaine deal. Well-chosen assets help tell the rise of John DeLorean, but the interviews with his kids, Zach DeLorean and Kathryn DeLorean, shows the real contempt for the effects of DeLorean’s actions, from the destruction of his family, to the massive disruptions to the economy of Northern Ireland after the closure of the DeLorean plant due to financial maleficence. In fact, by the end of the documentary, I had kind of wished Zach had narrated his father’s story the whole way. Two asides. First, the story of the DeLorean Motor Company is frighteningly similar to the troubles in the rise of Tesla, which also only survived after an injection of cash from the government to continue operations, and shows another executive learning the hard way that starting a company takes a lot more than money or investors. You can see some of those similarities in 2011’s “Revenge of the Electric Car” that tracked the recent rise of the modern electric car at Tesla, Nissan, Chevy, and independent converters. Second, they most definitely have a segment about featuring the DeLorean in the “Back to the Future” franchise and speculate about the potential for the DeLorean car itself if it had survived to see the film. I certainly wanted one as a kid, knowing nothing about the disappointment in the cars by actual owners. “Framing John DeLorean” is a documentary that promises a lot more than it delivers, quite similar to the DeLorean Motor Company. However, instead of a failed product, Argott and Joyce deliver a well-made, mostly standard documentary complete with re-enactments, and perhaps too-intrusive commentaries from the actors involved. Documentary fans, or folks interested in learning more about John DeLorean, should absolutely see this film. Just be ready to have a few reservations when you’re done. Rotten Tomatoes: 91% (CERTIFIED FRESH) Metacritic: 67 One Movie Punch: 7.8/10 “Framing John DeLorean” (2019) is not rated and is currently playing on Hulu.

Chris Hajian takes some time to talk about two upcoming documentaries he scored. On April 13, 2012 the Marc Dreier documentary Unraveled opens in select theatres and in May the Sundance Selects documentary First Position will be rolling out in theatres. Chris gives an insightful look into each of the projects as well as documentary scoring as a whole. He also talks about scoring a handful of direct to video Disney sequels and what that entails when a composer jumps into a big name franchise for the home video market. Chris is a great and charismatic guy and his passion for his work speaks for itself.

Kat's award winning short films, Hellion and Black Metal, have screened at Sundance, SXSW, Los Angeles Film Festival, San Francisco International Film Festival, Sarasota Film Festival, Maryland Film Festival, and more.  Kat is also a Film Production Lecturer at the University of Texas. Kat's feature film, Hellion, starring Aaron Paul and Juliette Lewis, premiered at the Sundance Film Festival. Hellion was a Sundance Creative Producing Lab participant and San Francisco Film Society/Kenneth Rainin Foundation Grant recipient for Hellion and for her upcoming feature script for Black Metal.  Hellion was released both on VOD and in theaters through IFC and Sundance Selects. 

Is it selfish to have a vasectomy?  Lesbian roller derby sleepover! A lesbian couple are hosting a sleepover for the all-girl roller derby team that they coach. Some of the girls are gay, and coupled. Should the girls all sleep in one big dog pile where they can be monitored, or should the couples have their own private suites?  A man who blogs about his dating adventures asks if he is morally obliged to tell his dates that they may be written about.  On the Magnum version, what should you tell your kids when you're going to have Thanksgiving with some family members who are in a loving triad?  Speaking of triads, Dan works himself into a froth trying to figure out how to help a woman realize her fantasy of sleeping with two men. Will she succeed? Stay tuned... And more!  206-201-2720 This episode is brought to you by Audible. Download a free audiobook of your choice today at   Today's Lovecast is brought to you by Sundance Selects, presenting the wildly romantic film Blue Is the Warmest Color, now playing in theaters nationwide.

Is it selfish to have a vasectomy?  Lesbian roller derby sleepover! A lesbian couple are hosting a sleepover for the all-girl roller derby team that they coach. Some of the girls are gay, and coupled. Should the girls all sleep in one big dog pile where they can be monitored, or should the couples have their own private suites?  A man who blogs about his dating adventures asks if he is morally obliged to tell his dates that they may be written about.  On the Magnum version, what should you tell your kids when you're going to have Thanksgiving with some family members who are in a loving triad?  Speaking of triads, Dan works himself into a froth trying to figure out how to help a woman realize her fantasy of sleeping with two men. Will she succeed? Stay tuned... And more!  206-201-2720 This episode is brought to you by Audible. Download a free audiobook of your choice today at   Today's Lovecast is brought to you by Sundance Selects, presenting the wildly romantic film Blue Is the Warmest Color, now playing in theaters nationwide.