Podcast appearances and mentions of Paul Greengrass

Matt Damon as Jason Bourne is back in the first of many sequels! This time he has to try and remember all of his memories by tracking down another old man who made him do a Treadstone. It's got action! A car chase! More things from the first movie! It also has Paul Greengrass taking over directorial duties with a script sort of from Andor's Tony Gilroy. Thanks for watching our Caravan Of Garbage reviewSUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.coQm/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Gang Of Four's moment was dramatic but brief. It was littered with times when the future seemed impossibly bright before disaster crept up with a cosh in their relentless “refusal to do the obvious”. Being a musician, he points out, is a ridiculous life best not taken seriously. His memoir ‘To Hell With Poverty!' rightly describes itself as “rich with stories”, many remembered in this spirited exchange with David and Mark, among them … … the transformational effect of a scholarship to the boarding school where he met GO4 guitarist Andy Gill and future film-makers Adam Curtis and Paul Greengrass. … life-changing records he heard in the school art department – Highway 61 Revisited, the Stooges, the MC5. … “never miss an opportunity to miss an opportunity”. … aged 11, bumping into John Lennon in Sevenoaks who'd just bought his Mr Kite poster. … signing a contract with the manager that robbed them and whose busy and efficient office of “ripped and buffed” staff turned out to be hired actors. … being thrown off Top Of The Pops for not changing an ‘offensive' song lyric – “EMI were “mortified”. … the old hippy world of the ‘70s – Hawkwind, the Whole Earth Catalog and “a Withnailesque flat where we had an airgun to shoot the mice”. … hopeless online misinterpretations of his song lyrics - “there may be soil under fuck all” (aka “there may be oil under Rockall”). … the rigours of trying to promote “outsider music”. … reaching “the point where the game is up”. … the Bourgeois Brothers, the ‘comedy' duo he formed with Andy Gill at Leeds University and why they returned to England to form a band in the mould of Talking Heads, the Ramones and Richard Hell. … and why recording the audiobook moved him to tears. Order ‘To Hell With Poverty!' here:https://www.amazon.co.uk/Hell-Poverty-Class-Inside-Gang/dp/1636142346 Gang Of Four tour dates:https://www.songkick.com/artists/393675-gang-of-four/calendarFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Gang Of Four's moment was dramatic but brief. It was littered with times when the future seemed impossibly bright before disaster crept up with a cosh in their relentless “refusal to do the obvious”. Being a musician, he points out, is a ridiculous life best not taken seriously. His memoir ‘To Hell With Poverty!' rightly describes itself as “rich with stories”, many remembered in this spirited exchange with David and Mark, among them … … the transformational effect of a scholarship to the boarding school where he met GO4 guitarist Andy Gill and future film-makers Adam Curtis and Paul Greengrass. … life-changing records he heard in the school art department – Highway 61 Revisited, the Stooges, the MC5. … “never miss an opportunity to miss an opportunity”. … aged 11, bumping into John Lennon in Sevenoaks who'd just bought his Mr Kite poster. … signing a contract with the manager that robbed them and whose busy and efficient office of “ripped and buffed” staff turned out to be hired actors. … being thrown off Top Of The Pops for not changing an ‘offensive' song lyric – “EMI were “mortified”. … the old hippy world of the ‘70s – Hawkwind, the Whole Earth Catalog and “a Withnailesque flat where we had an airgun to shoot the mice”. … hopeless online misinterpretations of his song lyrics - “there may be soil under fuck all” (aka “there may be oil under Rockall”). … the rigours of trying to promote “outsider music”. … reaching “the point where the game is up”. … the Bourgeois Brothers, the ‘comedy' duo he formed with Andy Gill at Leeds University and why they returned to England to form a band in the mould of Talking Heads, the Ramones and Richard Hell. … and why recording the audiobook moved him to tears. Order ‘To Hell With Poverty!' here:https://www.amazon.co.uk/Hell-Poverty-Class-Inside-Gang/dp/1636142346 Gang Of Four tour dates:https://www.songkick.com/artists/393675-gang-of-four/calendarFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Gang Of Four's moment was dramatic but brief. It was littered with times when the future seemed impossibly bright before disaster crept up with a cosh in their relentless “refusal to do the obvious”. Being a musician, he points out, is a ridiculous life best not taken seriously. His memoir ‘To Hell With Poverty!' rightly describes itself as “rich with stories”, many remembered in this spirited exchange with David and Mark, among them … … the transformational effect of a scholarship to the boarding school where he met GO4 guitarist Andy Gill and future film-makers Adam Curtis and Paul Greengrass. … life-changing records he heard in the school art department – Highway 61 Revisited, the Stooges, the MC5. … “never miss an opportunity to miss an opportunity”. … aged 11, bumping into John Lennon in Sevenoaks who'd just bought his Mr Kite poster. … signing a contract with the manager that robbed them and whose busy and efficient office of “ripped and buffed” staff turned out to be hired actors. … being thrown off Top Of The Pops for not changing an ‘offensive' song lyric – “EMI were “mortified”. … the old hippy world of the ‘70s – Hawkwind, the Whole Earth Catalog and “a Withnailesque flat where we had an airgun to shoot the mice”. … hopeless online misinterpretations of his song lyrics - “there may be soil under fuck all” (aka “there may be oil under Rockall”). … the rigours of trying to promote “outsider music”. … reaching “the point where the game is up”. … the Bourgeois Brothers, the ‘comedy' duo he formed with Andy Gill at Leeds University and why they returned to England to form a band in the mould of Talking Heads, the Ramones and Richard Hell. … and why recording the audiobook moved him to tears. Order ‘To Hell With Poverty!' here:https://www.amazon.co.uk/Hell-Poverty-Class-Inside-Gang/dp/1636142346 Gang Of Four tour dates:https://www.songkick.com/artists/393675-gang-of-four/calendarFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This Week fo your Daily Ratings Weekly Movie News!   Yorgos Lanthimos can't stop making movies, Speilberg has a new movie title, and Walter Hill is finally on track to make a film he's been wanting for 20 years with some big actors. Mathew McConaughey teams up with Paul Greengrass for England's 14th Century Peasant Revolt, and Magic the Gathering will have a cinematic and TV universe. All these stories and more!!  Don't forget to check out thedailyratings.com for our New Shop! You can find all kinds of Daily Ratings Shirts, Hoodies, Hats, and Mugs. Also check out the massive amount of films that Vince has rated and send a donation our way if you'd like to become a Producer!!

This is part of a series about overlooked movies from 2005. ***Referenced media:“Distant Sky: Nick Cave & The Bad Seeds Live in Copenhagen” (David Barnard, 2018)“The Lord of the Rings: The Fellowship of the Ring” (Peter Jackson, 2001)“The Lord of the Rings: The Two Towers” (Peter Jackson, 2002)“The Lord of the Rings: The Return of the King” (Peter Jackson, 2003)“Indiana Jones and the Kingdom of the Crystal Skull” (Steven Spielberg, 2008)“Sexy Beast” (Jonathan Glazer, 2000)“Unforgiven” (Clint Eastwood, 1992)“McCabe & Mrs. Miller” (Robert Altman, 1971)“United 93” (Paul Greengrass, 2006)“World Trade Center” (Oliver Stone, 2006)“Cars” (John Lasseter, 2006)Audio quotation:“The Proposition” (John Hillcoat, 2005), including the songs “Happy Land”, “Down to the Valley”, “Martha's Dream”, “Sad Violin Thing”, “The Rider Song”, “Road to Banyon”, and “Clean Hands, Dirty Hands” by Nick Cave and Warren Ellis

In this month's bonus tie-in show we chose to discuss one of the arguable progenitors of the modern docu-drama, the Paul Greengrass-directed Bloody Sunday. Over the course of our conversation you will hear us talk about the incredible immediacy baked into this film, Paul Greengrass's journalistic background lending added realism to the movie and the many subtle ways in which the movie adds humanity and urgency to its otherwise slim narrative framework. We also talk a little bit about the Northern Irish history, the horror of watching an atrocity unfold in real time and much, much more! Tune in and enjoy! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to this show in full in addition to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons! Hosts: Jakub Flasz & Randy Burrows ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

This is part of a series about overlooked movies from 2005. ***Referenced media:“Michael Clayton” (Tony Gilroy, 2007)“Up in the Air” (Jason Reitman, 2009)“Good Night, and Good Luck.” (George Clooney, 2005)“The Big Short” (Adam McKay, 2015)“The Godfather” (Francis Ford Coppola, 1972)“The Godfather: Part II” (Francis Ford Coppola, 1974)“Traffik” (Simon Moore, 1989)“Traffic” (Steven Soderbergh, 2000)“Paradise Now” (Hany Abu-Assad, 2005)“United 93” (Paul Greengrass, 2006)“Thank You for Smoking” (Jason Reitman, 2005)“Kick-Ass” (Matthew Vaughn, 2010)“Airplane!” (Jim Abrahams, David Zucker, and Jerry Zucker, 1980)“The Constant Gardener” (Fernando Meirelles, 2005)“Everything Is Illuminated” (Liev Schreiber, 2005)“A History of Violence” (David Cronenberg, 2005)“Capote” (Bennett Miller, 2005)“North Country” (Niki Caro, 2005)“Jarhead” (Sam Mendes, 2005)“Walk the Line” (James Mangold, 2005)“Rent” (Chris Columbus, 2005)“The Three Burials of Melquiades Estrada” (Tommy Lee Jones, 2005)“Munich” (Steven Spielberg, 2005)“The New World” (Terence Malick, 2005)Audio quotation:“Syriana” (Stephen Gaghan, 2005)

EPISODE 120: Segun Akinola is a British-Nigerian composer for film and television who has strengthened many projects with his musical acumen. He is most known for his music in the three series of Doctor Who starring the first female Doctor, Jodie Whittaker. A BAFTA Breakthrough Brit 2017, Segun's other work includes scoring Sundance 2019 favourite and World Soundtrack Award nominee The Last Tree, BAFTA-nominated director Ursula Macfarlane's (Untouchable) feature The Lost Sons, Apple TV+ feature 9/11: Inside The President's War Room, ITV drama Stephen which was executive-produced by Paul Greengrass, multimedia feature A Moving Image, BBC's landmark series Black and British: A Forgotten History and more. His work has screened at acclaimed festivals like Sundance, the BFI London Film Festival, SXSW Film Festival, LA Film Festival, BlackStar Film Festival and many others. He has recently scored Milli Vanilli biopic Girl You Know It's True from Academy Award-winning producers Quirin Berg and Max Wiedemann (The Lives of Others), the BBC's Agatha Christie adaptation Murder Is Easy and a documentary series for producer Richard Brown (True Detective). segunakinola.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

And we're back! The boys kick off Year Two of the pod by viraling out on their blues and greens and revisiting the two Bourne entries post-Ultimatum, The Bourne Legacy (2012) and Jason Bourne (2016). Mateo and Chris are joined by Dylan Smith discuss the history of the Bourne films and why the creative schism within this franchise that manifested itself in these two movies is so fascinating. They compare and constrast Legacy and JB 2016 and how they display the virtues and shortcomings of the two primary authorial figures of the Bourne franchise, Tony Gilroy and Paul Greengrass, and how those two view the character and this universe. Also tune in for Dylan's review of Universal's The Bourne Stuntacular and his recently purchased Bourne Complete Collection (amongst various other thoughts). Post-Watch begins at (57:15).

In this episode of Hollywood Hangout, Boxman takes an in-depth look at the gripping 2013 thriller Captain Phillips, directed by Paul Greengrass and starring Tom Hanks. Join Boxman as he breaks down the intense true story of Captain Richard Phillips, who was taken hostage by Somali pirates in 2009, and how the film masterfully portrays the high-stakes drama at sea. Boxman analyzes standout performances, particularly Hanks' incredible portrayal of Phillips, the film's use of tension and realism, and what is fact and fiction. Whether you're a fan of tense action films or powerful true-life stories, this episode will give you a fresh perspective on Captain Phillips. Don't miss it!  Check us out on:  Live every Saturday at 9:30 PM Eastern  Live on https://hollywoodhangout.mixlr.com  Spotify: https://open.spotify.com/show/1ymX0HRkWB45ja11B2I6fm  Apple Podcasts: https://podcasts.apple.com/ca/podcast/hollywood-hangout/id1132940251  Castbox: https://castbox.fm/channel/4647345?country=us  Facebook: https://www.facebook.com/HollywoodHangout/

Today's UNWATCHABLES looks back on two very different films about the September 11th terrorist attacks. Paul Greengrass' UNITED 93 came out less than 5 years after the tragedy and was the first Hollywood film to dramatize the day that many people weren't sure needed dramatized. We'll discuss what recreating the attacks means today as well as back in 2006, and then consider the other end of the spectrum: 2017's simply titled 9/11, a chamber drama starring a post-TWO AND A HALF MEN Charlie Sheen trapped in an elevator in the World Trade Center. And if that sounds ill-advised… you have no idea. Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. You can support us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/unwatchables to get access to exclusive bonus content and weigh in on what we watch next. Find us online at www.unwatchablespod.com or shoot us an email at unwatchablespodcast@gmail.com. We're on Instagram and Twitter under @unwatchablespod.

Join us as we break down the intense performances, gripping storyline, and unforgettable action sequences that make this movie a standout in the Bourne series. Whether you're a longtime fan or a newcomer to the franchise, this episode is packed with insights and discussions you won't want to missMatt Damon's portrayal of Jason BourneKey action scenes and their impactThe movie's influence on the spy genreAnd much moreDon't forget to like, comment, and subscribe for more in-depth movie reviews and discussions every week. Hit the bell icon to stay updated on our latest episodes!

Welcome to the 5th episode of our Trilogies series. We hope you enjoyed our last episode where we looked at Jack Ryan Trilogy both starring Alec Baldwin and Harrison Ford as the titular character. On this episode, we look back at another espionage film franchise which is little bit of the opposite of the world seen in the Jack Ryan films. Something that is a little more dark, mysterious, dangerous and not as black and white. A world that is grey. We are going to be looking at the original Bourne Trilogy. The Bourne Identity, The Bourne Supremacy and finally The Bourne Ultimatum. Before the studio heads decided to try and milk these films with a not so well received spin-off sidequel starring Jeremy Renner and then resorting to bring back Paul Greengrass and Matt Damon as Jason Bourne in 2016, the original three Bourne Films really defined action cinema in the early to mid 2000s. Highly influential in regards its bleak and nuanced look at the US Government and Special Intelligence agencies, plus it's stylistic and visual approach to action cinematography. Shaky Cam was born with these films. We hope you continue to enjoy this new Trilogies Series we're doing and we also hope you enjoy this episode. Stay Tuned for more!As it is the summer, we are on a mini hiatus. So there won't be that many episodes out during the next couple of months. But do check out what we have recorded already. Follow us on our Instagram and (if you must) Twitter pages to stay tuned about updates.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Follow Anders on twitter.Follow Adam on twitter.Also check us out on Letterboxd!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

V novém MZ Live Speciál se podíváme na zoubek jednomu z nejlepších a nejdůležitějších akčních filmů jednadvacátého století Bournův mýtus. Matt Damon se vrací do akce jako bývalý vládní zabiják se ztrátou paměti, vyměnil režiséra a za kameru se postavil Paul Greengrass. A společně změnili tvář akčního žánru. Proč se to nelíbilo scenáristovi? Šlo by film natočit bez moskevské policie? A je možné zabít člověka časopisem? MovieZone Extended Universe: Web: https://www.moviezone.cz FB: https://www.facebook.com/moviezonecz IG: https://www.instagram.com/moviezonecz CSFD: https://www.csfd.cz/film/688751-moviezone-live-special HeroHero: https://herohero.co/moviezonelive Merch: https://www.blu-shop.cz/moviezone-merch/  

Some great titles to put into your physical media library this week and Peter Sobczynski is here with Erik Childress to help guide you through them. It all begins with one of the great films of the 1980s that put Tom Cruise on the path to stardom. Tom Hanks missed an Oscar nom but delivered one of his best performances for Paul Greengrass and Ang Lee did get the Oscar but the Academy went for another film in 2005. There are also vehicles for Burt Reynolds, Dirk Benedict and the film that Ben Affleck was the bomb in. Other underground dwellers can be found at bikini bottom and Criterion also has a pair of Wim Wenders films. Finally there are new 4K editions of one of the great sci-fi classics and the entire series that carries the name of the beloved character created by Sylvester Stallone. 0:00 - Intro 1:07 - Criterion (Risky Business, Perfect Days, Anselm) 24:52 – Kino (Invasion of the Body Snatchers (1956) 4K, Underground Aces, Paternity, Columbo: The Return, Brokeback Mountain 4K) 1:03:39 – Paramount (The SpongeBob SquarePants Movie 4K) 1:07:46 – Sony (Captain Philips 4K) 1:12:39 – Shout Factory (Phantoms 4K) 1:18:15 – Warner Bros. (The Rocky Collection 4K) 1:33:40 – New Blu-ray Announcements

Actor, filmmaker and activist Khalid Abdalla was born in Scotland to Egyptian parents and feels at home in both London and Cairo. His film credits include Paul Greengrass's United 93, in which he plays one of the hijackers in the 9/11 attacks, Green Zone, The Kite Runner and Jehane Noujaim's Oscar nominated The Square, about the Egyptian revolution of 2011 and its aftermath. Khalid also played Dodi Fayed in the Netflix series The Crown.In a wide ranging conversation with Akram, Khalid talks about his multifaceted life as a ‘symphony' within his body. He was part of the revolutionary crowd in Cairo's Tahrir Square and describes the experience vividly, while reflecting on the human impact of such demonstrations. We also find out where he feels the most physical freedom and what makes his body ‘freeze'.Move to Live is a podcast brought to you by Marquee TV and Tandem Productions and is available on all main podcast platforms.If you'd like to get in touch with the show you can email: movetolivepodcast@gmail.comOr get in touch on our socials:Twitter: @marqueeartstvInstagram: @marqueeartstvFacebook: https://www.facebook.com/marqueetvYoutube: https://www.youtube.com/@MarqueeTVThe show is also available as a video podcast via Marquee TV - https://marquee.tv/, the leading streaming platform showcasing arts and culture to millions of arts fans around the world.#movetolivepodcastCredits:Director and Producer: Alex AndersonAssistant Producer: Marion BettsworthResearcher: Charlotte Barbour-CondiniExecutive Producer: Sarah DevonaldMusic: Jay Witsey and Aref Durvesh Hosted on Acast. See acast.com/privacy for more information.

The BTS team discusses how Paul Greengrass continued what Doug Liman started, the theme of acceptance, and why the character of Pamela Landy was such a win for the franchise.

In this Episode Ruben Gices his thoughts on the Movies Godzilla x Kong: New Empire, Alex Garland's Civil War, and Dev Patel's Monkey Man. So mostly pulse pounding action is what we're talking about, but also dope trans representation and any opportunity Ruben can take to shit on Paul Greengrass. --- Send in a voice message: https://podcasters.spotify.com/pod/show/ruben-ryan/message Support this podcast: https://podcasters.spotify.com/pod/show/ruben-ryan/support

Episode 459. The Gentleman, The Covenant and Wrath of Man. Composer: Chris Benstead. Chris Benstead and Guy Ritchie have made one hell of a team the last few years. Academy and BAFTA award winner Chris Benstead, is a British composer with a distinct and captivating voice. His remarkable career spans a multitude of noteworthy projects. Collaborating extensively with director Guy Ritchie, Chris composed the score for the upcoming feature The Ministry Of Ungentlemanly Warfare starring Henry Cavil, and recently finished the much anticipated NETFLIX series The Gentlemen, a follow up to the 2019 film that Chris also scored. His music for Guy Ritchie's The Covenant (starring Jake Gyllenhaal) and the Jason Statham thrillers Operation Fortune: Ruse de Guerre and Wrath of Man were received to much critical acclaim. His work on Disney's blockbuster hits Aladdin and Beauty and The Beast showcases his versatility. In collaboration with Alan Menken, Chris not only composed additional music for these iconic films but also played a pivotal role in producing and arranging the songs for a modern audience. Recent additions to his impressive portfolio include scoring the action thrillers Jericho Ridge and Rupture directed by Hamzah Jamjoom. Chris received OSCAR and BAFTA awards for his work as re-recording mixer on Alfonso Cuaron's masterpiece Gravity, starring Sandra Bullock and George Clooney. Chris' unique skillset allowed him to mix and sculpt the music in an extremely immersive way, pushing the limits of surround sound and exploiting the new ‘Dolby Atmos' standard. Previously, as an in-demand music editor Chris worked on over 40 films including the latest James Bond film No Time to Die, Wonder Woman, Black Swan, Brave, Thor and Cinderella and has worked with some of the most high-profile directors in the industry including Paul Greengrass and Sir Kenneth Branagh. Chris is a versatile multi-instrumentalist and achieved a First-Class honours in music and sound recording from the University of Surrey. He was also named as Alumni of the year for his ground-breaking achievement in music mixing on ‘Gravity'. https://linktr.ee/mondaymorningcritic #guyritchie   #thegentleman #theojames  #movie  #moviemusic  #wrathofman  #moviescore  #thecovenant  #fyp  #shorts

Like Bourne, we didn't have a choice. This pod had to happen! Steven and Andy are joined by returning guest Kai to praise Paul Greengrass' 2004 follow-up to The Bourne Identity. Listening to this pod won't be a mistake... we don't make mistakes.

In this episode of WTF Happened to this Movie, we look at Zack Snyder's divisive big-screen adaptation of Alan Moore's Watchmen. Hollywood tried for years to turn this into a film, with directors such as Paul Greengrass, Terry Gilliam and more attached. In the end, Snyder, who was coming off of another ambitious graphic novel adaptation, Frank Miller's 300, was the one who made it work. Boasting a unique cast of character actors and a period 1980's setting, Snyder made a mostly faithful adaptation that was attacked by some critics, hated by others, and divided fans. In this episode, we dig into the film's origins and reception.

Bourne director Paul Greengrass takes on a Pacific Ocean plane crash story while a few big horror sequels are announced and some are cast.

This week's guest is Moss Barclay, an Executive Producer for TV at See-Saw Films, whose shows include SLOW HORSES  and THE ESSEX SERPENT on Apple TV+, HEARTSTOPPER on Netflix and THE NORTH WATER on BBC iPlayer. Moss started her career working for filmmaker Paul Greengrass before co-founding new-writing theatre festival, HighTide. She was also an intern at Working Title and went on to hold positions at Big Talk Pictures and Sixteen Films before spending 10 years at Pulse Films, where she led the company's expansion into scripted film and TV, developing GANGS OF LONDON for Sky AMC.  We talk about how Paul Greengrass introduced her to the film industry, her love of stories and reading and how that led her towards development, demystifying what it means to be a Head of Development, her time at Pulse Films and how she helped to redefine what Pulse did or could do, and her shift towards television, and what authored TV looks like, as well as her work at See-Saw Films. 

This week's guest is an Emmy winner, a Grammy winner, and a nine-time Oscar nominee, whose scores have graced the big and small screens since the 1980s. James Newton Howard is the voice of many of your favorite scores, from co-scoring the Dark Knight Trilogy with Hans Zimmer to his Oscar-nominated score for Paul Greengrass' News of the World. Now, he's back with several new projects, some of which hearken back to music he has written in the past.   Howard's latest solo album, Night After Night, is a beautiful look back at his eight-film partnership with filmmaker M. Night Shyamalan, recontextualizing some of his most intriguing melodies from that longtime collaboration into piano-driven suites performed by virtuoso musicians, including concert pianist Jean-Yves Thibaudet.   On the small screen, Howard recently completed a lush, yearning score for Netflix's new miniseries All the Light We Cannot See, based on the acclaimed novel by Anthony Doerr and directed by Shawn Levy. Plus, after nearly a decade away from Panem, Howard resumes his collaboration with director Francis Lawrence for the Hunger Games prequel The Ballad of Songbirds and Snakes. Now, Howard is here on the pod to talk about all of these projects and more.   You can find James Newton Howard at his official website here.   Night After Night is currently available on vinyl or your preferred streaming service, courtesy of Sony Masterworks.  Same with All the Light You Cannot See, courtesy of Netflix Music, and The Ballad of Songbirds and Snakes, care of Sony Music.

Attack the roles that are easy to get, make your name, and once you've made a mark, tell your agent, Hey, give me some opportunities that I can use to stretch myself creatively.Actor and Director Maximilian Carlo Martini was born in New York. His father was a Roman sculptor and Doctor of Philosophy and Phenomenology, and his mother was a law enforcement officer in Texas. Curiously enough, Max Martini's trajectory in Hollywood was strongly influenced by both parents, his father instilling curiosity for all things creative, and his mother inspiring him for law enforcement and military roles, in which he made his name on the big screen. A few frustrating experiences as a young actor got Max coming in and out of acting, so he decided to focus on his love for fine arts and attended the School of Visual Arts in Manhattan, where he received his BFA in painting and sculpture. After college, although he was working on movies and TV, he wasn't emotionally invested in becoming a successful actor. With that mindset, he disdainfully attended a casting and landed his first massive role in the movie "Contact" with Jodie Foster, Matthew McConaughey, and James Wood, directed by Robert Zemeckis. Max starred in Steven Spielberg's "Saving Private Ryan," the "Fifty Shades of Grey" trilogy, David Mamet's "Red Belt," Guillermo Del Toro's "Pacific Rim," and Paul Greengrass' "Captain Phillips," and the TV series "The Purge," to name some titles of his extensive career. He is also heavily involved in charitable work benefiting veterans and works closely with Warriors Heart Addiction and PTSD Treatment Center and the Special Operations Charity Network.Throughout this episode, you'll hear about Max's upbringing and relationship with acting, which initially had several ups and downs. You'll also hear how identifying his castability catapulted Max's career and his thoughts on self-tapes, AI, and negative feedback. In addition, Max shares valuable tips on how to own a room during auditions, how he would approach the industry if he were a young actor today, and much more.Tune in to Episode 93 of Hollywood Dream Maker and get Max's precious insight on how to make your mark in Hollywood. In This Episode, You Will Learn:About Max's first steps in acting (2:30)Don't take negative feedback personally (12:50)Know your castability. Hollywood is a business, so what are you selling? (23:10)How would Max approach the industry if he were a starting actor today (28:00)How to own a room (40:00)Max shares his thoughts on AI and the Writers Guild strike (1:00:00)Connect with Max:IMDbInstagramLet's Connect: Manhattan Actor Studio Inside the Manhattan Actor Studio on YouTubeWebsite Hosted on Acast. See acast.com/privacy for more information.

Diane and Sean discuss the one that started it all...sorta, The Bourne Identity. Episode music is, "Extreme Ways" by Moby from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show

Author of The Nolan Variations and Martin Scorsese, Tom Shone is one of the best film writers out there and a great friend of the podcast. He returns to cast his eye over the releases this year and to talk Oppenheimer and the films of Paul Greengrass, who will be the subject of his next book. Please like, leave a review, subscribe etc. Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

While United 93 avoids politics, we sure got political during this 535th episode. But the whole world supposedly changed on this very day 22 years ago and we felt the need to comment on that and what such upheaval has meant to all of our lives. More than 3000 people died during the terrorist attacks on 9/11, but our "civil" society quickly became more divided than ever. As such, we HYES'ers dealt with our complicated feelings about that horrible day, including talking about what "cowardice" and "heroism" really mean. As for the the movie itself, it's dynamite. Paul Greengrass' intense docudrama takes place (mostly) in real time and stars character actors and also people playing themselves. Greengrass uses a shaky cam and a "you are there" verisimilitude to put us in the middle of the mess as the airline passengers fight back against 4 terrorists who are determined to kill. Whatever your politics were then or are now, we can all agree that United 93 is a tremendously effective motion picture about a group of people who were legitimate heroes. Podcasts need sponsorship and we have one...Sparkplug Coffee. Use our "HYES" promo code and get a onetime 20% discount. What do you do? Type "sparkplug.coffee/hyes" into your browser. We enjoy hearing what you think about our shows. All our 2023 content is on YouTube (@hyesellis). Comment, like, share and subscribe there, but do the same in your podcast app. Rate, review, all that. To contact us directly, we are tweetable (@moviefiend51 and @bevellisellis) while our email is haveyoueverseenpodcast@gmail.com.

This month's film club is Paul Greengrass' 2002 film, Bloody Sunday, starring James Nesbitt, Tim Pigott-Smith, Nicholas Farrell, Kathy Kiera Clarke, Gerard McSorley, Mary Moulds and Simon Mann.The film is realistic depiction of one of the worst atrocities of The Troubles, when 14 unarmed civilians were shot and killed by members of the Parachute Regiment.My next episode is a discussion with legendary BBC journalist Peter Taylor, out this Saturday so subscribe to add to your feed.Email me if you have any questions or comments: history@aspectsofhistory.comBloody Sunday LinksRemember Bloody Sunday - Peter Taylor DocumentaryExcellent YouTube Channel on The TroublesOperation Chiffon by Peter TaylorEquatorial Guinea CoupDouglas Murray - Bloody Sunday:: Truths Lies and the Saville Inquiry

When the bi-weekly piracy drill turned into a real emergency, Julie delivered a tight slap to get Scott to focus. Episode #304: Captain Phillips, starring Tom Hanks, directed by Paul Greengrass. Download or listen via this link: |Episode #304| Subscribe to the podcast via this link: Feedburner Or subscribe via iTunes by clicking: |HERE|

Zack Snyder's Watchmen was relatively well-received by fans and overall was a box office success. Devoted to making a faithful adaptation of the Alan Moore/ Dave Gibbons graphic novel, the fact that Snyder's Watchmen film got made on the scale it did is a miracle. However, several other versions of Watchmen were in the works before Snyder got involved, with several coming close to being made. In this episode of WTF Happened to this Unmade Movie, we dig into versions that almost got made involving folks such as Terry Gilliam, David Hayter (who filmed a demo reel with Ray Stevenson and Rorschach and Iain Glen as Nite Owl), Darren Aronofsky and Paul Greengrass. Suppose any of these versions had gotten made. In that case, we might have gotten someone like Paddy Considine as Rorschach, Joaquin Phoenix as Nite Owl, and possibly even Tom Cruise as Ozymandias (in which case the adaptation likely would have had little to do with Moore's comic). In the end, perhaps it was best that no one succeeded in getting the movie made until Snyder, with it also paving the way for the excellent HBO limited series and maybe some future Watchmen stories to come. 

Its dangerous work driving a big boat around the horn of Africa. Here's two movies about it. A Hijacking(2012) Directed by Tobias Lindholm. Starring Pilou Asbaek, Soren Malling and Roland Moller. Trailer: https://www.youtube.com/watch?v=EF-hdzajRjU Captain Phillips(2013) Directed by Paul Greengrass. Starring Tom Hanks, Barkhad Abdi and Barkhad Abdirahman. Trailer: https://www.youtube.com/watch?v=GEyM01dAxp8 Twitter: @DoubledFeature Instagram: DoubledFeature Email: DoubledFeaturePodcast@Gmail.com Dan's Twitter: @DannyJenkem Dan's Letterboxd: @DannyJenkem Max's Twitter: @Mac_Dead Max's Letterboxd: @Mac_Dead Executive Producer: Koolaid --- Send in a voice message: https://anchor.fm/doubledfeature/message

In today's Friday special, we are back with a classic TFP episode. Hosts, Giles Alderson & Phil Hawkins, welcome writer/director Julian Gilbey to the show to talk about his inspiring journey as a filmmaker and his exciting features films. You might know him from films like Rise of the Footsoldier (2007), A Lonely Place to Die (2011), or Plastic (2014). Now he's back with his intense Drama/Thriller Summit Fever (2022).Julian chats about· starting one's career in today's world· his film Rise of the Footsoldier· his film A Lonely Place to Die· shooting Summit Fever in the mountains· pre-production· formats & lenses· action sequencesAnd on Patreon, he talks about· watching films with your kids· meeting Paul Greengrass· his film Plastic· Pros & Cons of operating the camera yourself· script ideas drawn from real lifeJulian was a great guest! He had so many stories, tips & tricks to share. Just hearing him talk will make you want to go out and shoot your next movie. So sit back, relax and enjoy our exciting chat with Julian Gilbey. SUMMIT FEVER is out!A daring dream to scale the world's most challenging trio of mountains soon turns into a terrifying nightmare for a group of friends when a deadly storm traps the climbers near the summit and cuts off all hope of rescue. With the odds stacked against them, the friends are forced to trust each other to save themselves by any means necessary. EPISODE LINKSWatch Summit Fever | TRAILERGet your tickets: Three Day Millionaire Q and A Tour | Three Day MillionaireSupport When It's Over by Bruno Chiecco — Kickstarter SPONSORSSoldo: Prepaid Company Cards & Automated Expenses Platform PATREONBig thank you to:Lee HutchingsMarli J MonroeKaren NewmanWant your name in the show notes or some great bonus material on filmmaking?Join our Patreon for bonus episodes, industry survival guides and feedback on your film projects! Hosted on Acast. See acast.com/privacy for more information.

Original Airdate 8/4/16 Andrew Graham joins Sean Comer and Mark to talk about the the #BourneTrilogy! The Bourne films are a series of action spy thriller films based on the character #JasonBourne starring #MattDamon, a CIA assassin suffering from extreme memory loss who must figure out who he is, created by author Robert Ludlum. All three of Ludlum's novels were adapted for the screen, featuring Matt Damon as the title character in each. Doug Liman directed The Bourne Identity (2002), and Paul Greengrass directed The Bourne Supremacy (2004), The Bourne Ultimatum (2007) and Jason Bourne (2016). Tony Gilroy co-wrote each film except for Jason Bourne.

Original Airdate 8/4/16 Andrew Graham joins Sean Comer and Mark to talk about the the #BourneTrilogy! The Bourne films are a series of action spy thriller films based on the character #JasonBourne starring #MattDamon, a CIA assassin suffering from extreme memory loss who must figure out who he is, created by author Robert Ludlum. All three of Ludlum's novels were adapted for the screen, featuring Matt Damon as the title character in each. Doug Liman directed The Bourne Identity (2002), and Paul Greengrass directed The Bourne Supremacy (2004), The Bourne Ultimatum (2007) and Jason Bourne (2016). Tony Gilroy co-wrote each film except for Jason Bourne.

When I recorded this, I'd only read half of the new release in order to keep spoilers to a minimum.  So, click play and enjoy!

Devon introduces David to Paul Greengrass' 2002 dramatization of the Irish Civil Rights riot of 1972 BLOODY SUNDAY. A powerful experience. 

Working her way up from entry level jobs in Hollywood, Elizabeth Cantillon used her love of film and storytelling coupled with her expertise in film theory and criticism to forge a path for herself in the film industry.   From secretary to studio executive and producer, Elizabeth learned the levers of power and the power of self advocacy through her climb.  Elizabeth serves as principal of Bisous Pictures, a romance label under MRC Film since 2020. She has served as principal of The Cantillon Company which was housed at Sony Pictures. She produced Elizabeth Banks' reboot of Charlie's Angels, starring Kristen Stewart, Naomi Scott and Ella Balinska, released in 2019. She produced the follow up to The Girl with the Dragon Tattoo, Fede Alvarez's The Girl in the Spider's Web, starring The Crown's Claire Foy as Lisbeth Salander. Her first film under her Columbia deal was Concussion starring Will Smith in 2015. The Cantillon Company include the film adaptation of Kristin Hannah's bestsellers, The Nightingale and The Great Alone, for TriStar Pictures. For MGM and Warner Bros, Cantillon is developing Tomb Raider 2 with producer Graham King. Elizabeth previously served as Executive Vice President of Production at Columbia Pictures. During her tenure at Columbia, she oversaw Academy Award winners The Social Network and The Girl with the Dragon Tattoo, the last four installments of the James Bond franchise, Casino Royale, Quantum of Solace, Skyfall and Spectre, as well as Captain Phillips directed by Paul Greengrass, Eat, Pray, Love directed by Ryan Murphy and The Monuments Men directed by George Clooney. Prior to joining Columbia Pictures, she served as Executive Vice President at MGM Studios, where she was responsible for a number of movies, including Be Cool, F. Gary Gray's sequel to Get Shorty, and Carl Franklin's Out of Time, starring Denzel Washington. Elizabeth produced The Banger Sisters for Fox Searchlight, Galaxy Quest for Dreamworks, and co-produced Sunset Park for TriStar Pictures. She graduated from the University of California at Berkeley with a Bachelor of Fine Arts degree in Film Theory & Criticism. Projects in development at Bisous Pictures include film adaptations of the bestselling novels 28 Summers by Elin Hilderbrand, The Return by Nicholas Sparks, The Love Hypothesis by Ali Hazelwood, and You Had Me at Hola by Alexis Daria. Along with the adaptation of bestselling book Photos Of You by Tammy Faye, to be directed by Jenny Gage &Tom Betterton. Elizabeth is also developing original scripts by Pulitzer Prize finalist and playwright Christopher Shinn and James Beard-winning writer Aleksandra Crapanzano. What You Will Hear in This Episode:  Elizabeth's personal story Difference between a producer and a studio executive From secretary to Showtime Challenges as a woman in film Work/Life balance Advocating for yourself Equity and Inclusion Self inflicted obstacles  Mentorship in the industry Quotes “Advocacy is a big part of being a studio executive.” “It has to be more than just passion. You have to figure out the levers of the power.” “The lessons that I've learned is you have to advocate for yourself.  You have to set your own boundaries.” “It's always a reset every day. It's a work in progress every day. Everyday you feel masterful and every day you feel like you fail.” “I think that television as an ecosystem, has many more powerful women in it.” Mentioned: MRC Entertainment https://bonniemarcusleadership.com/ https://web.facebook.com/bonnie.marcus/  https://www.linkedin.com/in/bonniemarcus https://twitter.com/selfpromote https://www.instagram.com/self_promote_/ Gendered Ageism Survey Results Forbes article 5 Tips to own the superpower of your age IAMMusicGroup Purchase my book Not Done Yet on Amazon:  If you enjoyed this episode of Badass Women Podcast, then make sure to subscribe to the podcast and drop us a five-star review.  

Designing Hollywood & John Campea Presents!!! Award Winning Costume Designer Shay Cunliffe  Shay is best known for her designs in:  • Peacemaker (2022) 5 Episodes  • We're The Millers (2013) • The Bourne Legacy (2012) • The Bourne Ultimatum (2007) • 2012 (2019) • The Family Stone (2005) • Because I Said So (2007) Shay CunLiffe is an internationally recognized and prolific costume designer, Cunliffe most recently designed James Foley's 50 Shades Darker and the upcoming 50 Shades Freed. Other credits include Billy Ray's English language remake of the Argentinian Academy Award-winning film The Secret in Their Eyes, Lasse Hallström's A Dog's Purpose, and the comedy Get Hard, starring Will Ferrell and Kevin Hart. Earlier credits include The Bourne Legacy, directed by Tony Gilroy–the Jeremy Renner-starring sequel to The Bourne Ultimatum, directed by Paul Greengrass, for which she also designed the costumes. She has worked with an array of distinguished filmmakers, such as James L. Brooks, John Sayles, Gary Sinise, Taylor Hackford, Rob Reiner, Harold Ramis, Steve Zaillian, Brad Silberling, Amy Heckerling, David Mamet, Tarsem Singh, and Ken Kwapis. Cunliffe tapped into her musical theater roots when she teamed with Rob Marshall on the television movie version of Annie, for which she won a Costume Designers Guild Award and received an Emmy  nomination.

Episode 311."The Town"Composer: David Buckley.Emmy nominated composer David Buckley is currently scoring Kandahar starring Gerard Butler. Recent film scores include Universal's Nobody starring Bob Odenkirk, Greenland also starring Butler, the remake of Papillon starring Charlie Hunnam & Rami Malek, Jason Bourne directed by Paul Greengrass and The Nice Guys for Shane Black and Joel Silver. Previous scores include the Joel Schumacher-directed thriller Blood Creek, Ben Affleck's crime drama The Town, Taylor Hackford's action feature Parker and Rob Minkoff's fantasy adventure The Forbidden Kingdom.For television, David composed the music for the hit Scott Free/CBS drama series The Good Wife and continues to score the spin-off, now in its sixth season, The Good Fight (for which he received an Emmy nomination for Outstanding Title Music). He also composed the scores for Mercy Street (PBS), BrainDead (CBS), The Gifted (Marvel/FOX), The Stranger (Netflix), Stay Close (Netflix) and The Lincoln Lawyer (Netflix). He is currently scoring the third season of Evil (CBS).Born in England, David's first involvement with film music was as a cathedral choirboy performing on Peter Gabriel's score for Martin Scorsese's The Last Temptation of Christ. He continued his musical education at Cambridge University. In 2006, David moved to Los Angeles where he began collaborating with Harry Gregson-Williams on film scores, including Shrek The Third and Gone Baby Gone. He has written music for films including Wonder Woman, all the Fifty Shades movies, Big Eyes and American Hustle, and his music was featured in David O'Russell's Joy. David was honored as a ‘Brit to Watch' by BAFTA.As well as film and TV, David has written the music for a number of games, including Batman Arkham Knight (Warner Bros/Rocksteady).Welcome, David Buckley.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:@mdmcriticEmail: Mondaymorningcritic@gmail.comYouTube: Monday Morning Critic Podcastwww.mmcpodcast.com

In his first western, Tom Hanks plays an itinerant news reader from Texas who tries to transport a young girl who was an Indian captive to her relatives. The traditional conventions of the western presuppose a lot of assumptions about America that we've since learned are untrue or at least are much more complex. English director Paul Greengrass, now established as a prominent Hollywood filmmaker, has crafted a western that emphasizes different aspects of the West than we're used to—based on a Paulette Giles novel and starring Tom Hanks, it's called News of the World. The title comes from an interesting premise. Hanks plays a Civil War veteran, Captain Jefferson Kidd, who scrapes together a tenuous living by going from town to town, reading stories from national newspapers to public gatherings, for which he charges a dime a person. I immediately wondered if this was a real thing that people did back then, and it turns out that it is. There was a real Captain Kidd, one of the author's ancestors, who did just that. Americans in isolated western towns didn't have much opportunity to learn what was happening in other places or nationally. Hanks's character has a clear and simple delivery; he's providing an education, but he lends the reading enough drama to make it entertaining as well. We then see the Captain on the road in Texas, where by chance he finds a little white girl hiding in an overturned wagon, but only speaking Kiowa. Eventually he pieces together the truth: she was taken by the Indian tribe after her parents were killed. Now this is one case where an old western theme is being employed. There were Indian captivities, but the consensus now is that they became famous beyond their frequency, which means, in other words, that the captivity stories were sensationalized. In this film it's a plot element that is not lent much resonance. In any case, the girl, Johanna, played by 11-year-old Helena Zengel, thinks of herself as Kiowa, doesn't want to be taken into white society, and is suspicious of Captain Kidd. He tries to get her turned over to authorities, but meeting resistance, decides to take the girl himself to her surviving relatives in southeast Texas. He's a fundamentally decent person, which we expect from a Tom Hanks character, but the film wisely places his decency in the context of war weariness and regret—he seems to have left a wife in San Antonio, under dark circumstances that we don't learn about until later. As the Captain and the young girl travel together, they encounter serious threats, from some ex-soldiers who want to buy the girl from the Captain, and from a racist outlaw officer basically running a Texas county on behalf of his gang—a menacing situation when he takes a dislike to Kidd. The vision of the West presented by News of the World is of a very dangerous place in which men's worst instincts come to the fore. This isn't a time of romance or glory or even the pioneer spirit—this is a painful and difficult time. And it gives the film a dark edge, but the remarkable aspect is how Kidd gradually makes the girl feel safe, and in the process starts to have parental-like feelings for her, feelings of which he is only partly conscious. I tried to remember some other western with Tom Hanks, and I couldn't, because it turns out that this is his first western. His personality fits so well into the genre that it seems as if he's been acting in them for years. He's worked with Greengrass before, as another captain, Captain Phillips, and just like in that movie, the director displays a talent for depicting people in extreme situations. In News of the World he gives us some tense and exciting scenes—this is someone who also directed a

Elizabeth Marvel currently stars in the Hulu limited series The Dropout about the rise and fall of Elizabeth Holmes and her company, Theranos. Prior to this, Marvel was seen in Paul Greengrass' News of the World for Universal and in the critically acclaimed limited series Unbelievable for Netflix. Additional work on Netflix includes The Meyerowitz Stories co-starring Adam Sandler and Ben Stiller and directed by Noah Baumbach. This was a stark contrast to her series regular role of the first female President on Homeland for Showtime. Elizabeth also played series regular Heather Dunbar' on House of Cards for yet another Netflix collaboration. Up next, Marvel will star in the David E. Kelley and HBO Max limited series Love & Death about the true story of Texas housewife Candy Montgomery's murder of Betty Gore in 1980. Philanthropic/Activist Causes: National Alliance on Mental Illness and Physicians for Reproductive Health.

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture As the Oscar season of 2020 comes to a close, we now find ourselves in our 2013 retrospective. The first film on the list we are reviewing is the Paul Greengrass-directed Best Picture nominee "Captain Phillips" starring Tom Hanks and Barkhad Abdi. How well does the film hold up today nearly ten years later? What did we think of the performances? The writing? Action and tension? Joining me for this podcast retrospective review, I have Nicole Ackman, Josh Parham & Ryan C. Showers. We hope you enjoy our first of many discussions on the film year that was 2013. Thank you! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Welcome to The B-Side, from The Film Stage. Here we talk about movie makers! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we chat with someone who bends light and shadows to sculpt a beautiful frame. He's also an Academy Award nominee for Cinematography! His name is Dariusz Wolski and he was nice enough to join us on The B-Side to discuss his recent, nominated work on Paul Greengrass' News of the World (now available to own on Blu-Ray and 4K), his current Ridley Scott projects The Last Duel and House of Gucci, and the whole of his impressive career. Other highlights include Romeo is Bleeding, Dark City, A Perfect Murder, and The Counselor. Wolski discusses breaking into the cinematography world by making music videos with artists like Alex Proyas and David Fincher, and then parlaying what they learned into making feature films. On the topic of A Perfect Murder (an adaptation of Hitchcock's Dial M For Murder), Wolski talks about how not to remake a movie when you're remaking a movie. On the difference between film and digital cameras, he's refreshingly candid about the evolution of technology: “If you have a better brush and better paint, why not use it?” Referenced in this interview is a wonderful talk he had with fellow cinematographer Shelly Johnson and a curated collection of moments from his commentary on Dark City. There's also this recollection by Clint Eastwood from The Eiger Sanction. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!

Cinematographer Dariusz Wolski has worked with great directors such as Gore Verbinski, Tim Burton, Tony and Ridley Scott throughout his career. His first collaboration with Paul Greengrass for "News Of The World" has brought about a tremendous amount of praise. As of today, he's been nominated for the Critics Choice, BAFTA and ASC Awards for Best Cinematography. Dariusz has never received an Oscar nomination in his nearly thirty-year career but he may be on the verge of achieving that with this film. He was kind enough to talk to us about his work on the project, what it was like collaborating with Greengrass and star Tom Hanks & Helena Zengel, the challenges he faced during production and more! Take a listen down below and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

We fight disinformation in Paul Greengrass' News of the World, then breakdown the Godzilla vs. Kong trailer, the Justice League Snyder Cut release date plus we also talk Gattaca, Interstellar 4K, Night at the Museum, Master and Commander: The Far Side of the World, The 40-Year-Old Virgin, and The Guardian. 0:00 - Intro3:00 - Review: News of the World22:20 - News: Godzilla vs. Kong Trailer / Justice League Snyder Cut Release Date34:05 - Picks of the Week: Gattaca, Interstellar 4K, Night at the Museum, Master and Commander: The Far Side of the World, The 40-Year-Old Virgin, and The Guardian39:54 - Outro You can also support the show through donations by going to TheFilmBuds.com and hitting the "donate" tab! Thank you very much, it means the world to us :) Patreon: Patreon.com/TheBudsWebsite: TheFilmBuds.comBonus Shows: Thefilmbuds.bandcamp.comEmail: Thefilmbudspodcast@gmail.comTwitter: @filmbudsLetterboxd: @HenryFahertyInstagram: @thefilmbudspodcastThe Music Buds: TheMusicBuds.com

John Wayne, Petey, and Stew check out the new Tom Hanks western, "News of the World" directed by Paul Greengrass.

For our next review, I am joined by Josh Parham & Ryan C. Showers. This week, we are reviewing the latest collaboration between Tom Hanks & director Paul Greengrass titled "News Of The World." How does this western compare to their last Best Picture nominated collaboration, "Captain Phillips?" What did we think of the crafts on display? How about the chemistry between Hanks and newcomer Helena Zengel? We discuss all of this and more in our review which you can listen to down below. Enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Congresswoman Elissa Slotkin of Michigan joins Christiane Amanpour to discuss the ongoing House impeachment proceedings. Paul Greengrass, the director of the hugely successful "Bourne" franchise, delves into his new film, "News of the World" starring Tom Hanks. And, as Youtube becomes the latest social media platform to ban President Trump, our Hari Sreenivasan talks to Roger McNamee, author and early investor in Facebook about why platforms must pay for their role in last week's riots on Capitol Hill. To learn more about how CNN protects listener privacy, visit cnn.com/privacy