Podcast appearances and mentions of Bruce Dern

Send us a text or a voicemailAfter surviving one deadly game, a group of old friends must now outrun four rival podcasts competing not for chart supremacy, but for a powerful treasure - the friends they made along the way. On Episode 723 of Trick or Treat Radio our featured film discussion is Ready or Not 2: Here I Come from the directing collective known as Radio Silence! We also talk about our favorite films to quote, how Elijah Wood can do no wrong, and we react to the trailer for the upcoming Adam Wingard film, Onslaught! So grab your favorite blood stained wedding attire, give your old Papa Bava Booey a call, and strap on for the world's most dangerous podcast!Stuff we talk about: Fall, 2000 foot towers, The Descent, Frozen, Fall 2: Deadpoint, The Spierig Brother, Undead, Meatballs 2, Police Academy 2, Moving Violations, Spaceballs, Remo Williams, Wendie Jo Sperber, Babes, Bosom Buddies, The Mandalorian and Grogu, John Wayne, mudskippers warp speed and laser guns, Star Wars, Phil Tippet, Frank Henenlotter, Travis Knight, ParaNorman, Kubo and the Two Strings, the Volume technology, Battlestar Galactica, we have Star Wars at home, Werner Herzog, The Unknown, The Hands of Orlac, Revolt of the Zombies, Captive Wild Woman, The Lost Planet, The Nutty Professor, Slaughter of the Vampires, Poltergeist, Star Trek 2: The Wrath of Khan, Harry Potter, The Crow: Wicked Prayer, Splice, Three Days in the Woods, The Battery, Black Lake, The Fun Park, TJ Miller, Cloverfield, Bad Ghost, Sean Pertwee, Dog Soldiers, The Invitation, Dead Heat, The Ring, Event Horizon, Queen of Black Magic, Keith David, They Live, The Thing, John Carpenter, Waxwork, The Prophecy, Ticks, Parker Stevenson, Bruce Dern, Silent Running, Toolbox Murders, Swamp Devil, John Barrymore, Dennis Weaver, UHF, Duel, Don Diamond, Papa Bava, Spider-Noir, Nicolas Cage, Tim Curry, The Rocky Horror Picture Show, Undead, Winchester, The Spierig Brothers, Ready or Not 2: Here I Come, Radio Silence, Southbound, The Mummy, Shawn Hatosy, Sarah Michelle Gellar, Iron Eagle, Kid Video, jump the shark, Kathryn Newton, Samara Weaving, Elijah Wood, Todd Bridges, Gen V, They Will Kill You, Fools and Folklore, Ash from Evil Dead, Shaun from Shaun of the Dead, Reggie from Phantasm, on fleek this week, Papa Bava Booey, and The Critiqueables.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Pat reminisces on his old interview skills as we continue reminiscing on Bruce Dern movies. We also talk about different showeing habits and how daily showering can actually negatively affect our microbiome.

Pat plays an old tape of him and KenDogg interviewing Bruce Dern back in the beginning of the Pat Walsh Show. He also reports on the big U-Haul exodus and CA ranking dead last in the U-haul growth index.

Pat begins the show with commentary on how Elon Musk will be the world's first billionare. We also celebrate Bruce Dern's 90th birthday and talk some of his iconic films like Thumb Tripping (1972). We also discussed how there is no ID required for voter registration.

National Cheese day. Entertainment from 2003. Young Elvis Chosen for postage stamp, Shopping cart invented, Miracle at Dunkirk, ATM invented. Todays birthdays - Clara Blandick, Bruce Dern, Freddie Fender, Michelle Phillips, Parker Stevenson, Keith David, El Debarge, Russell Brand, Angelina Jolie. John Wooden died.Intro - God did good - Dianna Corcoran        https://www.diannacorcoran.com/The cheese song - Juice Music21 Questions - 50 Cent    Nate DoggI believe - Diamond RioBirthdays - In da club - 50 Cent        http://50cent.com/Before the next teardrop falls - Freddie FenderCalifornia dreamin - The Mamas & PapasWho's Johnny - El DebargeExit - Tonight - Toby May        https://tobymayofficial.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days - May Puzzle BookGrace & Grit Christian Country Radio

The boys are back for part two of the Born to Watch fourth birthday celebration, and this week's feature is Quentin Tarantino's love letter to a vanished era, Once Upon a Time in Hollywood Review. Set against the backdrop of 1969 Los Angeles, this is Tarantino at his most nostalgic, most personal, and possibly most indulgent, but when it looks this good and feels this immersive, who cares?Whitey, Damo and G-Man dive deep into the neon-soaked streets of old Hollywood, where television cowboys still mattered, stuntmen drank beer on rooftops, and everyone smoked enough cigarettes to shorten their lifespan by 20 years. From Rick Dalton's crumbling confidence to Cliff Booth's effortless cool, the crew break down why this film becomes richer with every rewatch.The boys discuss how the movie completely subverts expectations, especially if you walk in expecting a full Charles Manson story. Instead, Tarantino delivers something far more emotional and reflective, a fairy tale about fading relevance, friendship, loneliness and the death of an era. Whitey explains how his first viewing left him confused, but his second cinema trip completely changed the way he saw the film, shifting focus away from the Manson backdrop and onto Rick Dalton's fear that Hollywood has passed him by.There's plenty of love for Leonardo DiCaprio's performance as Rick Dalton, with Damo calling it one of the actor's best ever performances. The boys unpack how brilliantly DiCaprio balances insecurity, desperation, and ego, especially in scenes where Rick spirals after forgetting his lines or fearing he's become yesterday's news. Brad Pitt's Oscar-winning turn as Cliff Booth also gets the praise it deserves, with the crew debating whether Cliff might actually be one of Tarantino's coolest characters ever.Naturally, the conversation turns toward the ridiculous depth of the cast. From Margot Robbie as Sharon Tate to Al Pacino, Timothy Olyphant, Dakota Fanning, Austin Butler, Luke Perry, Damian Lewis, Bruce Dern and Australian actor Damon Herriman as Charles Manson, this movie is stacked from top to bottom. The boys even debate whether this is Tarantino's deepest cast ever assembled.And because this is Born to Watch, things quickly descend into absolute chaos.There are discussions about Playboy Mansion parties, giant murals of yourself in your garage, Strangles learning what a queef is, and whether anyone alive could realistically resist picking up Margaret Qualley and Sydney Sweeney hitchhiking on the side of the road in 1969 Hollywood.The episode also covers:Tarantino's recreation of 1969 Los AngelesThe unbelievable soundtrack and radio advertisementsWhy the movie feels like it was made in the late '60sThe brilliance of the Spahn Ranch sequenceThe film's Oscar success and controversial lossesWhy the ending works so perfectlyBrad Pitt's effortless charismaMargot Robbie is somehow becoming even more beautiful in every sceneThe insane amount of smoking throughout the filmWhy Tarantino's "fantasy history" trilogy keeps workingThere's also another loaded Snorbs Report Special, some underrated 2019 movie recommendations, and more random nonsense than should legally fit into one podcast episode.Whether you're a lifelong Tarantino obsessive or someone who only recently discovered Once Upon a Time in Hollywood, this episode celebrates everything that makes the film unforgettable: the atmosphere, the performances, the music, the humour, and the strange, bittersweet feeling that Hollywood itself was changing forever.So if you love movie deep dives, behind-the-scenes trivia, outrageous tangents, and three Aussie blokes talking absolute rubbish while somehow stumbling into genuine film analysis, this is the episode for you.JOIN THE CONVERSATION

Tom Hanks, Carrie Fisher, Corey Feldman, and Bruce Dern in a campy ‘80s romp? Yes please! Nosy neighbors and grown adults acting like children? Debatable, but we'll get into it as we explore the original movie The Burbs this week (and tune in next week for our take on the show!).Join the Homebodies:Subscribe to Our Substack!Watch Full Video Episodes on YouTube!Credits:Podcast Art: Lunch City StudioMusic: Goosebumps by Veace D Get full access to Haunted Homebodies Podcast at hauntedhomebodies.substack.com/subscribe

Grab a cold drink and pull up a chair for this episode of Hollywood Hangout, where your host Boxman strips down the cinematic classics and cult favorites you love.On this turn, we're stepping straight into the ring with the criminally underrated 1992 sports-drama con movie, Diggstown. No endless pre-show banter or fluff here—we dive right into the dusty streets of Michael Ritchie's favorite fictional boxing town and get to work.As the scenes unfold, Boxman breaks down the heavy hitters, making this film a masterclass in cinematic grift. We talk James Woods at his slickest, peak silver-screen swagger as Gabriel Caine, and the legendary Louis Gossett Jr. as the aging, artifact-shattering fighter "Honey" Roy Palmer. Of course, you can't talk Diggstown without digging into the villainy of Bruce Dern as John Gillon, or spotting early-career appearances from stars like Oliver Platt, Heather Graham, and Jim Caviezel as they pop up on screen.Expect a steady stream of trivia, deep-dive movie facts, and a look at how this fast-paced script holds up today. It's an unscripted, narrative ride through a 90s gem that deserves way more love.So hit play, hang out, and let's talk movies.Check us out every Thursday at 9:30 PM Eastern. Live on YouTube.YouTube: https://www.youtube.com/@hollywoodhangoutpodcastSpotify: https://open.spotify.com/show/1ymX0HRkWB45ja11B2I6fmApple Podcasts: https://podcasts.apple.com/ca/podcast/hollywood-hangout/id1132940251Castbox: https://castbox.fm/channel/4647345?country=usFacebook: https://www.facebook.com/HollywoodHangout/   

Oscar-nominated actor Bruce Dern and director Mike Mendez join us to discuss Dernsie: The Amazing Life of Bruce Dern, their documentary premiering Wednesday at the Cannes Film Festival. Dern is not only one of Hollywood's greatest actors, but one of its greatest raconteurs. Learn more about your ad choices. Visit megaphone.fm/adchoices

     This week- two films about secret plots and sports.     David Kabakov, a Mossad agent, finds a pre-recorded message claiming credit and giving reasons for a future terror attack somewhere in the United States. Michael Lander, a Goodyear blimp pilot and former POW, longs for death. A spectacular death that will punish all he sees as having wronged him by turning the blimp into a bomb and detonating it during Super Bowl X. Directed by John Frankenheimer, who created the modern political thriller genre, and based on the first book by Thomas Harris- Black Sunday (1977).     Born and raised as a child soldier in Eritrea before being adopted by an affluent progressive White family, Luce is an all-star athlete and beloved by his community. When he turns in a report about a controversial political philosopher, his history teacher Harriet Wilson brings her concerns to Luce's adopted mother, Amy. The third film from Julius Onah is a brilliantly acted and complex narrative about race, class, and respectability politics- Luce.     All that and Dave gets monochromatic, Tyler shudders with anticipation, Kevin contemplates combat sports, and Craig watches from a safe distance. Join us, won't you?   Episode 465- Luce-y in the Sky with Bruce Dern

Today's episode of The Rizzuto Show is what happens when a daily podcast completely abandons structure and just lets the chaos drive the Ford Focus directly onto the sidewalk. And somehow? It works beautifully.The gang starts off talking about language, slang, and why the word “cool” has survived for over 100 years while every other trendy word died a painful MySpace death. From there, things immediately escalate into a passionate discussion about Bob Seger, Risky Business slides at weddings, and whether wedding invitations feel exciting… or like being summoned for jury duty with chicken parmesan.Then the show uncovers a completely real service where strangers can literally BUY seats at weddings. That's right — random people are paying actual money to attend weddings they were never invited to. Because apparently the economy has gotten so weird that “professional wedding guest” is now a side hustle. Naturally, the crew debates whether crashing weddings for entertainment is genius or a fast track to getting tackled by someone's drunk uncle named Gary.Things somehow become even more ridiculous when listeners introduce “Bruce Madness,” a March Madness-style bracket dedicated entirely to ranking the greatest Bruces of all time. This launches a full-blown debate featuring Bruce Willis, Bruce Springsteen, Bruce Lee, Bruce Wayne, Bruce Campbell, Bruce Dern, Bruce Almighty, and approximately 47 other Bruces nobody expected to hear discussed in a serious context today. The arguments become passionate. Alliances shift. Friendships are tested. Batman gets involved. It's basically CNN for people who peaked at Spencer's Gifts.Chris Kerber joins the show to weigh in on hockey, the Kentucky Derby, Blues draft strategy, Dylan Holloway's extension, and yes… even MORE Bruce opinions because at this point the show has fully committed to the bit. There's also incredible Derby talk involving dorm-room air mattresses, mint juleps priced like luxury handbags, and infield stories that sound like NASCAR collided with a wedding reception.And then there's the weird news story that somehow tops everything else: a woman named Wendy allegedly chasing a dirt bike kid down a sidewalk in a silver Ford Focus while drunk and trying to “socialize her dog.” Which sounds less like a legal defense and more like the title of a rejected Florida crime documentary. The crew breaks down the viral footage, questions humanity, and collectively realizes that every neighborhood has THAT person lurking nearby.This episode is loaded with the exact kind of sarcastic humor, ridiculous arguments, weird stories, celebrity commentary, and chaotic energy that make The Rizzuto Show one of the best daily podcasts and funniest morning shows around. If you like your entertainment loud, self-aware, slightly unhinged, and aggressively St. Louis, congratulations — you've found your people.Whether you came for the comedy podcast vibes, the weird news, the Bruce discourse, or just needed a break from reality for a couple hours, this daily podcast delivers the kind of nonsense that only The Rizzuto Show can produce.And seriously… Bruce Wayne might actually have a case.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Roger Corman was born 100 years ago this month so to celebrate his centennial and 420, Greg and Bob pair pot with GAS-S-S-S (1970), Corman's hippy-dippy post-apocalyptic stoner comedy. It's definitely one of Roger's stoniest movies, if not quite his best. A doddering US senator unwittingly releases a bio-weapon that kills everyone over 25. With that premise, Peter Fonda, Bruce Dern and Dennis Hopper had aged out so we get Bud Cort (RIP), Cindy Williams, Ben Vereen (who is on fire in this), and Talia Shire (then billed as Tally Coppola). They're like the Muppet Babies of AIP druggie flicks. With dirty psychedelic rock by Country Joe (RIP) and the Fish--the second film on this podcast to feature them and their music. Barry "The Fish" Melton kicks ass. Bob also talks about seeing the 4K restoration of Micheal Mann's THEIF (1981) at the Roxie in SF with the sound cranked way up. It's a good thing. And Greg gives us an update on his record room + why do people watch podcasts with aging men sitting around in shorts? What's the appeal? Hell if we know. Hosts: Greg Franklin and Bob Calhoun. Philena Franklin and Cory Sklar are on assignment. NEXT EPISODE: Cory's Punk Rock and Shock Til You Drop with LADIES AND GENTLEMEN, THE FABULOUS STAINS (1982) and FORBIDDEN ZONE (1980) featuring special guest star writer, producer and movie geek extraordinaire Marc Edward Heuck. Please subscribe on your favorite podcast app so you don't miss it! OMFYS Theme Song courtesy of Chaki the Funk Wizard. Order Chaki's new album, "From LA to the Bay," on 12" VINYL at BandCamp: https://chaki.bandcamp.com/album/from-l-a-to-the-bay-2 "Scale the Wall" by Everet Almond courtesy of YouTube Audio Library. Trailer audio courtesy of Archive.org. Please support Archive: https://archive.org/donate?origin=iawww-TopNavDonateButton Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

It's tough out there for old sci-fi movies, as their once-cutting-edge visuals can feel dated and even silly. And then, if you are SILENT RUNNING, you have to also deal with the uncanny-valley-esque experience of watching a young Bruce Dern mugging the camera non-stop. Critics - and the Tomatometer - didn't care though, and Douglas Trumbull's directorial debut got a suspiciously fresh score. Listen to Alex & Julio try to figure out why this 90-minute movie feels like it's three hours long!TIMELINE00:01:24 Silent Running00:17:11 Contrarians Corner- Wanna know how we really feel about SILENT RUNNING? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

Not sure “Bruce Dern one-man show” was on our checklist for this Contrarians Year but that was the hand we were dealt on this episode. And yes, the drones are cute, but can we really sync with what SILENT RUNNING is trying to do, with its slow pace, and in-your-face ecological activism? Find out in this Real Talk segment!TIMELINE00:01:26 Nobody cares00:02:17 Real Talk00:38:34 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, it's time for quirky British love as we tackle the celebrated rom-com RYE LANE! In the meantime, let us know what you thought of Silent Running: Is it too slow for modern audiences? Is it too late for its message? How sentient are those drones, really? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

Mark Kermode and Jack Howard get together in The Sun Pub in London's Drury Lane to discuss PROJECT HAIL MARY and Ryan Gosling.Also, Bruce Dern in SILENT RUNNING.With thanks to Richard Gay.And to The Sun Pub in London's Drury Lane.Kermode on Film is an HLA Agency productionProduced by Hedda Lornie Archbold© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

This week we're going back to nostalgia with 1989's dark comedy The ‘Burbs.A man on a staycation at his home becomes increasingly paranoid that his neighbors are performing human sacrifices. Directed by: Joe DanteWritten by: Dana OlsenStarring: Tom Hanks, Rick Ducommun, Carrie Fisher, Bruce Dern, and moreCome on in and have a listen! What do you think of this movie? What are others like it you enjoyed? We'd love to hear from you! Please like, follow, subscribe, share.

Legendary B-movie king Roger Corman has produced and directed over 400 films, giving early career breaks to actors like Robert De Niro, Sandra Bullock, Bruce Dern, Charles Bronson and Dennis Hopper and helping to launch the directing careers of Ron Howard, Francis Ford Coppola, Martin Scorsese and Peter Bogdanovich (among others).Gilbert and Frank phoned Roger in his Hollywood home to learn more about his life and storied career, including where/how he first met longtime friend and collaborator Jack Nicholson, why the Hell's Angels threatened to murder him AND take him to court, and why “a monster should always be bigger than a leading lady.” PLUS: “The Beast with (not quite) a Million Eyes”! Roger experiments with LSD! Peter Lorre messes with Boris Karloff's head! And the enduring mystery of “The Terror”! Learn more about your ad choices. Visit megaphone.fm/adchoices

The 'Burbs - "Neighbors from Hell"It's our Podcast Producer Sierra's Birthday this week! We are celebrating by covering one of her Horror Comedy picks - THE 'BURBS (1989). Director, Joe Dante, helms this production with an all-star cast lead by Tom Hanks, Carrie Fisher, Bruce Dern & Corey Feldman. This was a fun revisit to check out as the new TV series rolls out this year on Peacock.We hope you enjoy this fresh episode!Support the show

The Driver from 1978 was written and directed by Walter Hill (Hard Times, 48 Hours, The Warriors) as a response to what he saw as coventional genre fare.  Hill was after making a film pure in intent and story without the typical Hollywood trappings.  Audiences in 1978 were not impressed but the film has since been championed by contemporary filmmakers like Quentin Tarantino and Edgar Wright as an example of adrenaline fueled style over needless substance.  The film stars Ryan O'Neal, Isabelle Adjani, Bruce Dern and Ronee Blakley. Along with this car chase classic, Dan and Vicky discuss recently seen items like Sirat, The Retreat, Solo Mio, K-Pops!, Hoppers and Netlix documentary Reality Check: Inside America's Next Top Model. Our socials:  hotdatepod.com FB:  Hot Date Podcast X: @HotDate726  

“Agent 99” herself, the funny and charming Barbara Feldon invites Gilbert and Frank to her New York City townhouse to share warm memories of “Get Smart” co-stars Don Adams, Ed Platt and Bernie Kopell and to give the boys her take on the Steve Carell feature film version. Also, Barbara looks back on working with everyone from Dean Martin to Bruce Dern and tells us how she managed to win $64,000 on a quiz show. Also in this episode: Gilbert channels John McGiver, Barbara auditions to be a stripper, and the worst TV movie ever made. PLUS: A live, all-new rendition of the "99" song! Learn more about your ad choices. Visit megaphone.fm/adchoices

1:49:34 – In this episode: the blizzards of '96 and '26, Greg's trip to Los Angeles, review of Severance and Dark Matter AppleTV series, driving through the SoCal landscape, getting to meet Bruce Dern, G.W. Bailey, Julie Newmar, Jackie Joseph, Joan Collins, etc., visiting classic filming locations like the E.T. and Back to the Future houses, a high school from […]

Joanna Cassidy has never fit neatly into one lane, and that is exactly why she is unforgettable. In this episode of Still Here Hollywood, Joanna takes us from Syracuse University as an art student to a cross-country leap that landed her in Los Angeles and changed everything. She talks about her first film set experience with Walter Matthau and Bruce Dern, the shock of realizing she could actually act, and how her creative life has always lived in two worlds, performance and painting. We also dive into the legacy roles that keep getting rediscovered. Joanna shares what it was like stepping into Blade Runner as Zhora, working with Ridley Scott's meticulous vision, and why that film's impact only grew with time. She opens up about Six Feet Under and her love of dark humor, the craft difference between comedy and drama, the realities of aging in Hollywood, and what she believes keeps a creative person alive. Plus: animals, modernism, bungee fitness in Burbank, and the mindset that keeps her curious and working. Still Here Hollywood with Steve Kmetko. New episodes weekly. Support the show and get early access and extras at patreon.com/stillherehollywood00:00 Intro: The unforgettable Joanna Cassidy00:56 From Syracuse to San Francisco to Los Angeles02:35 First steps into acting and a surprising first role03:35 The Laughing Policeman: Walter Matthau, Bruce Dern, and set nerves05:19 Joanna the artist: painting, portraits, modernism06:42 Almost quitting, and the many lives she has lived07:51 Misconceptions: beauty, comedy, and being underestimated10:29 Age, image, and America's obsession with youth12:29 Early work she is proud of, and Blade Runner's slow-burn legacy13:43 Acting vs art: the frustration of not being able to fine-tune16:52 Roles she wanted but did not get17:40 Blade Runner: first reaction to the script18:32 Philip K. Dick, sci-fi love, and “the only actor with the snake”19:18 Animals, cats, and the deep bond with them21:22 Ridley Scott's imprint and artistic vision22:22 Six Feet Under and the joy of dark humor23:36 Blade Runner stunts, revisiting Zhora, and the snake dance25:10 New generations discovering Zhora26:17 Cult status and Comic Con moments28:54 Comedy vs drama: timing, speed, and stillness30:57 Who she watches now: Emma Stone, Jessica Lange32:07 TV's best lesson: be on time, know your lines, hit your marks33:17 Actors who made an impact: Gene Hackman, Nick Nolte, Bob Hoskins35:42 Taking risks and going all-in37:40 Dabney Coleman memories39:58 Staying creatively alive: health, grounding, flow41:05 Mentors, independence, and asking for a hand44:01 Confidence, her father, and being an observer of Hollywood45:45 Film talk and character-study movies47:13 What brings her joy now49:43 Directing notes and the on-set process50:42 Roles she wants now, plus recent and upcoming projects52:40 Worries that shifted with time53:27 Dating, privacy, and a new chapter56:16 Bungee fitness in Burbank and loving the feeling of flight57:28 Closing  Show CreditsHost/Producer: Steve KmetkoAll things technical: Justin ZangerleExecutive Producer: Jim LichtensteinMusic by: Brian SanyshynTranscription: Mushtaq Hussain https://stillherehollywood.comhttp://patreon.com/stillherehollywoodSuggest Guests at: stillherehollywood@gmail.comAdvertise on Still Here Hollywood: jim@stillherenetwork.comPublicist: Maggie Perlich: maggie@numbertwelvemarketing.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 125 -  “VIRGINIA MAYO: CLASSIC HOLLYWOOD STAR OF THE MONTH” - 2/02/2026  One of the most glamorous actresses in old Hollywood undoubtedly was VIRGINIA MAYO. This peaches-and-cream, midwestern beauty started her career wrangling two men in a horse costume on stage before being discovered by producer SAMUEL GOLDWYN and transformed into a full-blown movie star. Often playing the fantasy girl to leading men like BOB HOPE and DANNY KAYE, her beauty sometimes made people miss the fact that she was a very capable actress — particularly when she played bad girls in films like “The Best Years of Our Lives” and “White Heat.” She was very adept at light comedy, romance films, and drama, appearing in over 50 feature films and many television shows throughout her career. And tune in to find out about Steve's connection to this old Hollywood glamour girl as we celebrate Mayo as our February Star of the Month.   SHOW NOTES:  Sources: The Best Years of My Life (2001), by Virginia Mayo, as told to LC Van Savage; The Forties Gals (1980), by James Robert Parish & Don E. Stanke; “Virginia Mayo's 100th Birthday,” November 30, 2020, by Vanessa Varquez, www.ashroudofthoughts.com; “Virginia Mayo, 84, Stunning Actress of 1940s Romantic Films,” January 19, 2005, Los Angeles Times; Virginia Mayo, Movie Actress, Dies at 84,” January 18, 2005, by Richard Severo, New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Follies Girls (1943), starring Wendy Barrie; Up In Arms (1944), starring Danny Kaye & Constance Dowling; Jack London (1943), starring Michael O'Shea; Seven Days Ashore (1944), starring Wally Brown; The Princess and the Pirate (1944), starring Bob Hope & Virginia Mayo; Wonder Man (1945), starring Danny Kaye, Virginia Mayo, & Vera Ellen; The Kid From Brooklyn (1946), starring Danny Kaye, Virginia Mayo, Vera Ellen & Steve Cochran; The Secret Life of Walter Mitty (1947), starring Danny Kaye, Virginia Mayo, Boris Karloff & Ann Rutherford; The Best Years of Our Lives (1946), starring Fredric March, Myrna Loy, Dana Andrews & Teresa Wright; A Song Is Born (1948), starring Danny Kaye & Virginia Mayo; Smart Girls Don't Talk  (1948), starring Bruce Bennett & Virginia Mayo; Flaxy Martin (1949), starring Virginia Mayo & Zachary Scott; Colorado Territory (1948), starring Joel McCrea & Virginia Mayo; White Heat (1949), starring James Cagney & Virginia Mayo; Red Light (1949), starring George Brent & Virginia Mayo; Always Leave Them Laughing (1949), starring Milton Berle, Virgina Mayo & Ruth Roman; Backfire (1950), starring Gordon MacRae, Virginia Mayo & Edmond O'Brien; The Flame and the Arrow (1950), starring Burt Lancaster & Virginia Mayo; The West Point Story (1950), starring James Cagney & Virginia Mayo; Captain Horatio Hornblower (1951), starring Gregory Peck & Virginia Mayo; She's Working Her Way Though College (1952), starring Ronald Reagan & Virginia Mayo; South Sea Woman (1953), starring Burt Lancaster & Virginia Mayo;   Pearl of the Pacific (1955), starring Dennis Morgan & Virginia Mayo; The Silver Chalice (1954), starring Paul Newman, Virgina Mayo * Pier Angeli; Congo Crossing (1956), starring Virginia Mayo & George Nadar; The Big Land (1957), starring Alan Ladd & Virginia Mayo; The Story of Mankind (1957), starring Vincent Price, Ronald Colman & Peter Lorre; Young Fury (1965), starring Rory Calhoun & Virginia Mayo; Castle of Evil (1966), starring Scott Brady & Virginia Mayo; Won Ton Ton, the Dog Who Saved Hollywood (1976), starring Bruce Dern & Madelyn Kahn; Hunted (1977), starring Aldo Ray; French Quarter (1978); starring Bruce Davison; The Man Next Door (1997); starring Karen Carlson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode...the blizzards of 1996 and 2026, Greg's trip to Los Angeles, review of Severance and Dark Matter AppleTV series, driving through the SoCal landscape, getting to meet Bruce Dern, G.W. Bailey, Julie Newmar, Jackie Joseph, Joan Collins, etc., visiting classic filming locations like the E.T. and Back to the Future houses, a high school from Buffy, the Rose Bowl, Twin Pines Mall from BTTF, checking out the Hollywood Sign and the Walk of Fame, Saved by the Bell on location, touring Paramount Pictures and Universal Studios, driverless cars and delivery coolers, Uncle Floyd Vivino, 1951-2026, another live action He-Man movie coming, and a reboot of The Rockford Files 110 minutes - http://www.paunchstevenson.com

RSS/iTunes/Spotify We’re going GUESTLESS and UNTETHERED on this episode of YOU DON’T KNOW DICK, and what a long, strange trip it is! We’re checking out the Roger Corman-directed 1967 film THE TRIP starring Peter Fonda, Bruce Dern and Dennis Hopper – and written by Jack Nicholson – and it’s full of surreal visuals, mind-expanding dialogue and hippy nonsense! Roger Corman went on an LSD trip as prep for the film, and he imbues it with plenty of independent energy (helped by Fonda and Hopper filming guerilla style on the streets of LA), but is it consciousness expanding weirdness or boring nonsense? Let’s find out!The post Episode 309 – You Don't Know Dick – The Trip (1967) first appeared on Cinema Smorgasbord.

An overlooked Tom Hanks comedy that represents the end of his pre-Oscar 1980s comedy run. This is one of Johnny's favorite Hanks comedies, though Mike doesn't feel the same. We still had a great chat about how 80's this movie is, including wondering if it would have been considered more of an iconic 80's comedy had it cast Gary Busey and Rick Moranis alongside Hanks?Either way, ya got Carrie Fisher, Bruce Dern, Corey Feldman, and the legendary BROTHER THEODORE holding it down. Plus you get an exclusive announcement from Mike on the Sharon Stone-less CASINO cut, coming soon. Thanks for listening to the program and as always be kind, rewind, relax, and enjoy the show!

Happy New Year! We're bringing back one of our favorite episodes from the recent past, this conversation with June Squibb, which originally aired in June of 2024. Since then, in 2025, June had the title role in Eleanor the Great, Scarlett Johansson's directorial debut, which premiered at Cannes.June Squibb was born an actor, and had a rich career on stage for years before becoming an on-screen performer in her sixties. It's not your typical trajectory, sure, but then neither is being 94 and carrying your first feature film – which, by the way, is an action comedy. With her new movie THELMA new in theaters this weekend, the singular June Squibb joins us to talk about how the role of Kate in Andrew Payne's NEBRASKA – for which she won an Oscar – reflected her life and shaped her career.Then, Jordan has one quick thing about the 2020s updates to her Vulture ‘Best Queer Horror Movies' List.***With Jordan Crucchiola and June Squibb Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Forrest, Kristina Oakes, Conan Neutron and Kev talk about Quentin Tarantino's Once Upon a Time in Hollywood Starring Leonardo DiCaprio as the fading film star Rick Dalton and his stunt double Cliff Booth (Brad Pitt) who live in Hollywood, next door to Sharon Tate and Roman Polanski in 1969. Starring a huge cast, Leonardo DiCaprio, Brad Pitt, Margot Robbie, Margaret Qualley, Austin Butler, Dakota Fanning, Emile Hirsch, Sydney Sweeney, Al Pacino, Bruce Dern, Timothy Olyphant, Mikey Madison, Lena Dunham Tarantino's revisionist history of the night that destroyed the 1960s. The Manson Murders. #onceuponatime #leonardodicaprio #mansonfamily #charlesmanson #sydneysweeney #alpacino #tarantinofilms #tarantino #margotrobbie #sharontate #movies #filmpodcast #film #filmmaking #margaretqualley #truecrimecommunity #truecrimestories #losangeles #pauldano #podcast #livestream #livestreaming #moviepodcast #hollywood #leo We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtra

Devin & James are back in the Den one more time in 2025 for our final 50th Anniversary celebration of the films of 1975! This time we focus on the ODDBALL MOVIES of '75, those that are too wild or weird to easily fit into the other categories in our series. We begin with a couple of moody films written by Thomas McGuaine: Stoner cowboys Jeff Bridges & Sam Waterston rustle cattle in RANCHO DELUXE, and then Peter Fonda & Warren Oates have very violent conversations about fishing in 92 IN THE SHADE. Both films also feature amazing performances by Harry Dean Stanton and Joe Spinell. We lighten the mood a bit with Michael Ritchie's underrated slice-of-life beauty pageant comedy SMILE, with fantastic performances by Bruce Dern, Annette O'Toole, and many others. We finish up our celebration with a couple of very dark Los Angeles Depression-era period pieces: Mike Nichols' THE FORTUNE, a pitch-black screwball comedy featuring Jack Nicholson, Warren Beatty, and Stockard Channing in a murdurous love triangle, and John Schlesinger's brutal poison pen letter to old Hollywood, THE DAY OF THE LOCUST, showcasing the never-better Karen Black, the never-creepier Donald Sutherland, and a rare major role by William Atherton. Throw in a lot more offbeat appearances by the likes of Slim Pickens, Burgess Meredith, William Hickey, Billy Barty, Margot Kidder, and Geoffrey Lewis, and you end up with one of the most interesting rosters of character actors we've ever discussed in one episode! These films don't all turn out to be masterpieces (most of them don't), but they are all huge creative swings that stand out from the crowd during an era known for big swings, and that's saying something. Join us to pay tribute to the films from 1975 that were too weird to be hits, but too rare to be forgotten.

Out of the normal and into the paranormal in this 2011 supernatural murder mystery by Francis Ford Coppola. Twixt now rebranded as B'Twixt Now and Sunrise which was recut as the ‘Authentic Cut' in 2022. Will his changes make a difference in this box office flop? Big guns were brought on board for this film, Val Kilmer, Bruce Dern, Elle Fanning and Ben Chaplin in their respected rolls as author, Edgar Allan Poe, the animated sheriff and the vampire/ghoulish girl.Hall Baltimore writes books about witch hunting and is in a slump so he travels to a small US town for a book signing in the hopes are reinvigorating himself.Nobody knows who he is except the sheriff who hopes that his latest idea is suitable for Baltimore's latest book. He tells a twisted tale about the murder of kids, vampires across the lake, and a ghost that haunts the town to this day. Will Hall Baltimore and Sheriff Bobby LaGrange solve this mystery and get the book written? Baltimore gets a little help along the way from a mysterious 13 year old girl and the ghost of Edgar Allan Poe who appears in his dreams.This film bombed at the box office, but was also trashed by critiques and the average movie goer alike. Stewart, Rastislav and Ken take a deep dive into the film and uncover some of the symbolism but also criticize the plot which didn't make much sense. Even with the big name actors and the comical moments, it seems this is a ghastly tale indeed.Written and Directed by Francis Ford Coppola and shot mostly at his own estate. Based on some of real events of Coppola's life.Film Rating: R for Graphic Scenes and Blood This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit unsungcinematics.substack.com

Laura Dern returns to Skip Intro with Krista Smith to discuss her new film, Jay Kelly, and reuniting with director Noah Baumbach after her Oscar-winning performance in Marriage Story. Calling it “the time of my life,” Dern shares what it was like working with George Clooney and Adam Sandler, walking in Paris Fashion Week, and having irrational fears that she playfully blames on Steven Spielberg. She also pays heartfelt tribute to the '70s cinema legends who shaped her, including her parents, Diane Ladd and Bruce Dern, and her godmother, Shelley Winters. Video episodes are available on the Still Watching Netflix YouTube Channel. Listen to more from Netflix Podcasts.

EPISODE 196 – THE HAUNTING (1999) (ft. Marrett Johnson) “Chris, no! Hide his credit card, Marrett!” At long last, Marrett is back on the show! This week, Marrett misremembers the title of Monkeybone; Brandon plots an Instagram prank; Chris discovers his Cabin in the Woods haunted object; Brian is finally Wonka-pilled; and Ashley ends the episode in the best way possible. BTW: When Harry Met Sally: The Video Game! Starring: Lili Taylor, Liam Neeson, Catherine Zeta Jones, Owen Wilson, Bruce Dern, Marian Seldes, Alix Koromzay, Todd Field, Charles Gunning, and Virginia Madsen Directed by Jan de Bont FOLLOW US:Patreon (https://www.patreon.com/trashwatch)Instagram (@trashwatchpodcast)TikTok (@trashwatchpodcast)YouTube (https://www.youtube.com/channel/UC5YpPcNIBmqNvvLvxa3WTLA)Email (trashwatchpodcast@gmail.com)Listen to Brian's music at (https://www.brianhorne.com)Support the show

On this episode of “Between the Lines,” an actor whose work defines the craft, Bruce Dern. The characters that Bruce inhabited are imbedded in our consciousness. From classic films like “Coming Home,” “They Shoot Horses Don't They?,” “The Great Gatsby" and  “That Championship Season,” to his more recent work like "Nebraska," Bruce puts his heart in every role and bares his soul in each performance.  With his unrepentant memoir, “Things I've Said But Probably Shouldn't Have,” this Oscar nominated actor gives us insight into his work and himself.  Thank you for watching and please like and subscribe to our channel.If you would like to be a patron of the show and to get additional content please go to: http://www.barrykibrick.comSupport the show

Welcome back to the Nerdy Up North Podcast! This week, we're diving into the cult classic The 'Burbs (1989) — the darkly hilarious suburban mystery starring Tom Hanks, Carrie Fisher, and Bruce Dern! Join us as we unpack the weird neighbors, wild conspiracies, and over-the-top paranoia that make this 80s gem such a strange and brilliant ride. Is The 'Burbs an underrated classic or just a bonkers fever dream? We've got thoughts… and probably too many snacks.If you love 80s movies, dark comedies, or Tom Hanks losing his mind, this one's for you!

In this impactful and inspiring episode of Unstoppable Mindset, host Michael Hingson sits down with Ronald Cocking—performer, educator, and co-founder of the Looking Glass Studio of Performing Arts—to reflect on a remarkable life shaped by rhythm, resilience, and love. Ron's journey into the performing arts began at just five years old, when his passion for tap dance ignited a lifelong commitment to dance and musical theater. From his first professional role at age 15 in My Fair Lady to founding one of Southern California's most impactful arts schools, Ron's story is one of dedication, creativity, and community.   But perhaps the most moving part of Ron's story is his 49-year partnership—both personal and professional—with the late Gloria McMillan, best known as Harriet Conklin from Our Miss Brooks. Together, they created a legacy of mentorship through the Looking Glass Studio, where they taught thousands of students across generations—not just how to act, sing, or dance, but how to live with confidence and integrity.   Ron also reflects on the legacy Gloria left behind, his continued involvement in the arts, and the words of wisdom that guide his life:   “Teach a man to fish and you feed him for a lifetime.” “To find happiness, take the gifts God has given you and give them away.”   This is more than a story of a career in the arts—it's a touching tribute to passion, partnership, and purpose that will leave you inspired.   Highlights:   00:48 – Hear how early radio at home shaped a lifetime love for performance. 03:00 – Discover why drumming and tap both trained his ear for rhythm. 06:12 – Learn how a tough studio change led to ballet, jazz, and tumbling basics. 08:21 – See the “sing with your feet” method that makes tap click for students. 10:44 – Find out how a teen chorus role in My Fair Lady opened pro doors. 13:19 – Explore the drum-and-tap crossover he performed with Leslie Uggams. 15:39 – Learn how meeting Gloria led to a studio launched for $800. 18:58 – Get the long view on running a school for 44 years with family involved. 23:46 – Understand how Our Miss Brooks moved from radio to TV with its cast intact. 32:36 – See how 42nd Street proves the chorus can be the star. 41:51 – Hear why impact matters more than fame when students build careers. 43:16 – Learn what it takes to blend art and business without losing heart. 45:47 – Compare notes on marriage, teamwork, and communication that lasts. 48:20 – Enjoy a rare soft-shoe moment Ron and Gloria performed together. 56:38 – Take away the “teach to fish” approach that builds lifelong confidence.   About the Guest:   My father was a trumpet player, thus I heard music at home often in the early 50's and was always impressed and entertained by the rhythms and beats of Big Band music… especially the drummers.  Each time I would see Tap dancers on TV, I was glued to the screen.  It fascinated me the way Tap dancers could create such music with their feet!   In 1954, at age 5, after begging my Mom and Dad to enroll me in a Tap class, my Dad walked in from work and said “Well, you're all signed up, and your first Tap class is next Tuesday.  I was thrilled and continued studying tap and many other dance forms and performing and teaching dance for all of my life.     In my mid teens, I became serious about dancing as a possible career.  After seeing my first musical, “The Pajama Game” starring Ruth Lee, I new I wanted to do musical theatre.  I got my first professional opportunity at age 15 in “My Fair Lady” for the San Bernardino Civic Light Opera Association and loved every minute of it… and would continue performing for this organization well into my 30's   I met Gloria McMillan in the late 60's while choreographing a summer musical for children.  Gloria's daughter was doing the role of Dorothy in “The Wizard of Oz”.  Then, about 3 or 4 years later I would meet Gloria again and the sparks flew.  And, yes, she was Gloria McMillan of “Our Miss Brooks” fame on both radio and television.  Wow, was I blessed to have crossed paths with her.  We shared our lives together for 49 years.   On November 4, 1974, Gloria and I opened a performing arts school together named “The Looking Glass Studio of Performing Arts”.  We would teach and manage the school together for 44 years until we retired on June 30, 2018.  We moved to Huntington Beach, California and spent 3 beautiful years together until she left to meet our Lord in heaven on January 19, 2022.   Ways to connect with Ron:   Lgsparon@aol.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi there, wherever you are and wherever you happen to be today. Welcome to unstoppable mindset. I'm your host, Mike hingson, and today we get to chat with Ron Cocking, who is Ron. Well, we're going to find out over the next hour. And Ron was married for many years to another person who is very famous, and we'll get to that, probably not as well known to what I would probably describe as the younger generation, but you're going to get to learn a lot about Ron and his late wife before we're done, and I am sure we're going to have a lot of fun doing it. So let's get to it. Ron, welcome to unstoppable mindset. We're glad you're here.   Ron Cocking ** 01:59 Thank you. I'm so glad to be here. Michael, this. I've been looking forward to this.   Michael Hingson ** 02:04 I have been as well, and we're going to have a lot of fun doing it.   Ron Cocking ** 02:08 Do you one note on that last name? It is cocking. Cocking, he comes right? Comes from a little townlet in the coal mining country of England called Cockington.   Michael Hingson ** 02:20 I don't know why I keep saying that, but yeah, cocky, no   02:23 problem.   Michael Hingson ** 02:24 Well, do you go up to the reps recreations at all?   Ron Cocking ** 02:28 Oh my gosh, Gloria. And I know you and Gloria, did do you still do it? I've it's on my schedule for September.   Michael Hingson ** 02:35 I'm gonna miss it this year. I've got a speech to give. So I was going to be playing Richard diamond at recreation. Well, I'll have to be Dick Powell another time, but I thought that you you were still doing   02:50 it. I'm planning on it cool.   Michael Hingson ** 02:53 Well, tell us about the early Ron cocking and kind of growing up in some of that stuff. Let's start with that.   Ron Cocking ** 02:59 Well, the early part of my story was when I was born just a little before television came in, before everyone had a TV in their home. How old are you now? If I maybe, you know, I am now 76   Michael Hingson ** 03:12 Okay, that's what I thought. Yeah, you're one year ahead of me. I'm 75   Ron Cocking ** 03:16 I was born in 49 and so my earliest remembrances my mom and dad and my brother and I lived with our grandfather, and we had no television, but we had this big it must have been about three to four foot tall, this big box on the floor in a very prominent spot in the living room. And that was the Sunday afternoon entertainment. I remember my family sitting around, and I listened and I laughed when they did, but I had no idea what was going on, but that was the family gathering. And just, I know we'll talk about it later, but I I just have this notion that at that time I was laughing, not knowing what I was laughing at, but I bet I was laughing at my future   Michael Hingson ** 04:02 wife, yes, yes, but other things as well. I mean, you probably laughed at Jack Benny and Amos and Andy and   Ron Cocking ** 04:09 yeah, I remember listening to all those folks, and it was just amazing. Then when television came about and my father was a trumpet player, and I loved his trumpet playing, and he practiced often at home. He would sit in his easy chair and play some tunes and scales and that sort of thing. But what captured my ear and my eyes when I went to on rare occasions when I could go to his engagements, it was always the drummer that just stuck out to me. I was mesmerized by the rhythms that they could produce. And when TV came about, I remember the old variety shows, and they often would have tap dancers like. Had a stair gene, Kelly, Peg Leg Bates and the Nicholas brothers, and I just, I was just taken back by the rhythms. It sounded like music to me. The rhythms just made me want to do it. And so I started putting that bug in my parents ears. And I waited and waited. I wanted to take tap dance lessons. And one day, my dad walks in the back door, and I said, Dad, have you signed me up yet? And he said, Yep, you start next Tuesday at 330 in the afternoon. So I was overjoyed, and I went in for my first lesson. And mind you, this was a private tap class. Total Cost of $1.25 and we had a pianist for music, no record player, live piano, wow. And so I, I rapidly fell in love with tap dance.   Michael Hingson ** 05:56 And so you did that when you weren't in school. Presumably, you did go to school.   Ron Cocking ** 06:00 Oh, yeah, I did go to school. Yeah, I did well in school, and I enjoyed school. I did all the athletics. I played little league, and eventually would be a tennis player and water polo and all that stuff. But all through the years, after school was on the way to the dance classes.   Michael Hingson ** 06:16 So you graduated, or I suppose I don't want to insult drumming, but you graduated from drumming to tap dancing, huh?   Ron Cocking ** 06:24 Well, I kept doing them both together. I would dance, and then when my dad would practice, I would beg him to just play a tune like the St Louis Blues, yeah, and so that I could keep time, so I pulled a little stool up in front of an easy chair, and one of the arms of the chair was the ride cymbal, and the other one was the crash cymbal, and the seat of the chair was my snare drum. I would play along with him. And eventually he got tired of that and bought a Hi Fi for my brother and I, and in the bedroom I had a Hi Fi, and I started to put together a set of drums, and I spent hours next to that, Hi Fi, banging on the drums, and I remember it made me feel good. One day, my mom finally said to me, you know, you're starting to sound pretty good, and that that was a landmark for me. I thought, wow, somebody is enjoying my drumming,   Michael Hingson ** 07:18 but you couldn't do drumming and tap dancing at the same time. That would have been a little bit of a challenge. A challenge.   Ron Cocking ** 07:23 No, I would practice that the drums in the afternoon and then head for the dance studio later. And in this case, I was a local boy. I grew up in Riverside California, and my first tap teacher was literally maybe two miles from our house. But that didn't last long. She got married and became pregnant and closed her studio, and then I she recommended that I go see this teacher in San Bernardino by the name of Vera Lynn. And which I did, I remember walking into this gigantic classroom with a bunch of really tall kids, and I was maybe seven or eight years old, and I guess it was kind of an audition class, but after that evening, I she put me in the most appropriate classes, one of which was ballet, which I wasn't too excited about, but they all told me, If you're going to be a serious dancer, even a tap dancer, you need to get the basic body placement from ballet classes. And I said, Well, I am not going to put any tights and a T shirt on. But they finally got me to do that because they told me that the Rams football team took ballet class twice a week at that time. Ah. Said, no kidding. So they got me, they they got you. They got me into ballet class, and then it was jazz, and then it was tumbling, and so I did it all.   Michael Hingson ** 08:43 I remember when we moved to California when I was five, and probably when I was about eight or nine, my brother and I were enrolled by my mother. I guess my parents enrolled us in a dance class. So I took dance class for a few years. I learned something about dancing. I did have a pair of tap shoes, although I didn't do a lot of it, but I, but I did dance and never, never really pursued it enough to become a Gene Kelly or Fred Astaire. Well, few of us do. I didn't dislike it. It just didn't happen. But that was okay, but it was fun to, you know, to do it and to learn something about that. And so I even today, I I remember it, and I appreciate it. So that's pretty cool.   Ron Cocking ** 09:32 Well, you would understand what I always told my students, that tap dancing is like singing a song with your feet. Yeah. And I would sing, I would say, you all know, happy birthday, right? So I would sing it, and they would sing it along, and then I'd said, then I would sing it again, and I would sing it totally out of rhythm. And they would wrinkle their nose and look at me and say, okay, so what are you doing? And I'd say, Well, you don't recognize it because the rhythm is not correct. So then I would. Would tap dance Happy birthday, and I'd say, you sing along in your mind and I'm going to tap dance it. And that would always ring a bell in their mind, like, Oh, I get it. The rhythm has to be right on the button, or the people aren't going to recognize   Michael Hingson ** 10:16 that was very clever to do.   Ron Cocking ** 10:18 Yeah, thank you. And they got it, yeah, they got it, yeah,   Michael Hingson ** 10:22 which is even, even more important. That's pretty clever. Well, so you did that, and did you do it all the way through high school,   Ron Cocking ** 10:30 all the way through high school? And I think when I was 15, I was, I think I was in the eighth grade, maybe ninth, but I was 15 and got my first chance to I was cast in a professional show for San Bernardino civic light opera Association. And the show was My Fair Lady, and it was my English and journalism teacher at the junior high who had been cast. He was a performer also, but something came up and he couldn't follow through, so he had given the association my name, and I was out in the backyard. My mom came out. Said, Hey, San Bernardino clo just called and they want, they want to see it tonight at seven o'clock. So I put on my dance clothes and went over, and the director, by the name of Gosh, Gene Bayless, came out, and he showed me a couple of steps. And he said, Yeah, let's do it together. And he said, Boy, you unscramble your feet pretty well there kid. And he he looked over into the costumers and said, measure this guy. Let's put him in the show. So I was beside myself. And long story short, I Gosh, I'm over the over the years, I my first show was at age 15 with them, and I participated, did shows with them, until I think my last show, I was about 38 years old, and that last show was anything goes with Leslie uggums, wow.   Michael Hingson ** 11:52 So what part did you play on my fair lady?   Ron Cocking ** 11:55 I was just a chorus kid. I remember in the opening when Eliza sings, that wouldn't it be lovely? Wouldn't it be lovely? I was a street sweeper. I remember I had a broom, and there were three of us, and we were sweeping up that street and working in and around. Eliza Doolittle, of   Michael Hingson ** 12:11 course, being really spiteful. You just said a little while ago, you were beside yourself. And the thing that I got to say to that, quoting the Muppets, is, how do the two of you stand each other? But anyway, that's okay, good in the original Muppet Movie, that line is in there. And I it just came out so fast, but I heard it. I was going, Oh my gosh. I couldn't believe they did that. But anyway, it was so cute, very funny. That's great. So and then you were, you eventually were opposite Leslie UB,   Ron Cocking ** 12:39 yes, that was one of the high points talking about dancing and drumming at the same time. In fact, I used to give a drum a basic drum summer camp where I would teach tappers the basics of music notation, quarter notes, eighth notes, 16th notes. And then we would put a tap orchestra together. Everybody had their own music stand and their own drum pad. I would conduct, and we would play little pieces, and they would they would drum a rhythm, tap, a rhythm, drum, a rhythm, tap, a rhythm. And so anyway, it came full circle. One of the highlights of my dance slash drumming career was this show I did with Leslie uggums, the director had done this prior, and he knew it would work, and so so did the conductor in the entre Act. The top of the second act, the pit orchestra starts and plays like eight measures. And then there were six of us on stage, behind the main curtain, and we would play the next 16 bars, and then we would toss it back to the pit, and then toss it back to us, and the curtain would begin to rise, and we were right into the first song that Leslie uggums sang to get into the second act. Then she wanted to add a couple of songs that she liked, and she was very popular in with the audiences in San Bernardino, so she added a couple of songs, and I got to play those songs with her and and that was just so thrilling. And I with the scene finished, I had to have my tap shoes on, on the drum set. I had to hop down from the riser, and came out, brought one of my Toms with me, and played along with another featured tap dancer that kind of took over the scene at that point. So it was, it was really cool.   Michael Hingson ** 14:31 So with all this drumming, did you ever meet anyone like buddy rip?   Ron Cocking ** 14:35 No, I never met any famous drummers except a man by the name of Jack Sperling, which was one of my drumming idols,   Michael Hingson ** 14:44 Donnie Carson was quite the drummer, as I recall,   Ron Cocking ** 14:48 yeah, he did play yeah and boy, his his drummer, Ed Shaughnessy on his on The Tonight Show was phenomenal. Yeah, he's another of my favorites, yeah,   Michael Hingson ** 14:57 well, and I remember. I guess Johnny Carson and Buddy Rich played together, which was kind of fun. They   Ron Cocking ** 15:07 played together, and so did Ed Shaughnessy and Buddy Rich did a little competition on the show one time I realized, yeah,   Michael Hingson ** 15:15 right, yeah. Well, and it's interesting to see some of the performers do that. I remember once trying to remember whether what show it was on, maybe it was also a Tonight Show where Steve Martin substituted for Johnny, but he and the steel Canyon, the Steve Canyon band, came out. Of course, he was great on the band, and then flat and Scruggs or flat came out. Or which one? Yeah, which one did the banjo flat, I think, but they, but they banjo together, which was fun?   Ron Cocking ** 15:51 Oh, wow, yeah, yeah. Steve Martin is a tremendous band. He is, Whoa, yeah. I,   Michael Hingson ** 15:56 I have a hard time imagining fingers moving that fast, but that's okay, me too. I saved my fingers for Braille, so it's okay. So where did you go to college?   Ron Cocking ** 16:07 I went to for two years to Riverside City College, Riverside Community College, and then I went for two years to San Bernardino Cal State, San Bernardino, and I was majoring in English because I thought I may want to do some writing. But in the meantime, I became married, I became a father, and so I was trying to work and study and maintain a family life, and I just couldn't do it all. So I didn't quite finish a major at Cal State San Bernardino. I continued actually a nightclub drumming career. And now, now we're getting up to where this our performing arts studio began between Gloria and I.   Michael Hingson ** 16:50 So was it? GLORIA? You married first?   Ron Cocking ** 16:53 No, okay, no, Gloria was married. Gloria was a prior, prior marriage for 20 some years, or 20 years, I guess. And I had been married only two years, I think. And when we first, well, we actually met while we were both. I'll tell you the story in a minute, if you want to hear it. Sure, the first time I ever met Gloria Macmillan, I had no idea who she was, because she her name was Gloria Allen at the time that was, that was her married name that she took after the arm is Brooks TV show. Well, she took that the new name before the TV show even ended. But I was choreographing a children's summer musical, and the director came up said, hey, I want you to meet this young lady's mom. So the young lady was Gloria's daughter, her oldest daughter, Janet. And I said, Sure. So he said, This is Gloria. Allen, Gloria, this is Ron. And we shook hands, and I said, Nice to meet you. And that was it. And so the show happened. It ran for a couple of weeks, and Gloria was a wonderful stage mom. She she never bothered anyone. She watched the show. She was very supportive of her daughter. Didn't, didn't stage manage   Michael Hingson ** 18:09 whatsoever, which wasn't a helicopter mom, which is good,   Ron Cocking ** 18:12 definitely that, which was just really cool. So and so I was maybe three, four years later, so Gloria obviously knew that I could dance, because she had seen me choreographed. So I got a phone call from Gloria Allen, and I said, Okay, I remember her. She wanted to meet because she was thinking about starting an acting school and wanted someone to teach actors some dance movement. So I went over for a interview and took my little at that time, about two and a half year old, daughter, three year old, and we chatted, and oh my gosh, I just this, this beautiful woman swept me off my feet. And of course, I by the end of the conversation, I said, Gosh, you know, we talked about how we would integrate the acting and the dance, and I said, Can I have your phone number? Nope, I got the old well, we'll call you. Don't call us. And so I had to wait for a few days before I got a call back, but I got a call back, and I don't remember a lot of details, but the sparks flew really, really quickly, and we started planning our school. And if you can believe that this was 1973 when we started planning, maybe it was early 74 and we invested a whole total of $800 to get ourselves into business. We bought a record player, some mirrors, some paint, and a business license and a little shingle to hang out front. We had a little one room studio, and we. Opened on November 4, 1974 and we would close the studio on June 30, 2018 Wow.   Michael Hingson ** 20:08 Yeah. So you, you had it going for quite a while, almost, well, actually, more than 40 years. 44 years. 44 years, yes. And you got married along the way.   Ron Cocking ** 20:20 Well along the way, my my wife always said she fell in love with my daughter, and then she had to take me along with her. Yeah. Well, there you go. So we were together constantly, just running the school together. And then eventually I moved over to San Bernardino, and it was, gosh, some 1213, years later, we got married in on June 28 1987 and but nothing really changed, because we had already been living together and raising five children. GLORIA had four from a private prior marriage, and I had my little girl. So we we got all these five kids through elementary and junior high in high school, and they all went to college. And they're all beautiful kids and productive citizens, two of them still in show biz. Her son, my stepson, Christopher Allen, is a successful producer now and of Broadway shows. And our daughter, Barbara Bermudez, the baby that Gloria fell in love with. She's now a producer slash stage manager director. She does really well at big events with keynote speakers. And she'll, if they want her to, she will hire in everything from lighting and sound to extra performers and that sort of thing. And she's, she's just busy constantly all over the world, wow.   Michael Hingson ** 21:43 Well, that's pretty cool. And what are the other three doing?   Ron Cocking ** 21:47 One is a VP of Sales for it's a tub and shower company, jacuzzi, and the other one is a married housewife, but now she is a grandmother and has two little grandkids, and they that's Janet, the one that I originally had worked with in that children's show. And she and her husband live in Chino Hills, California, which is about 40 minutes from here. I live in Huntington Beach, California now,   Michael Hingson ** 22:14 well, and I'm not all that far away from you. We're in Victorville. Oh, Victorville, okay, yeah, the high desert. So the next time you go to Vegas, stop by on your way, I'll do that, since that's mainly what Victorville is probably most known for. I remember when I was growing I grew up in Palmdale, and Palmdale wasn't very large. It only had like about 20 703,000 people. But as I described it to people, Victorville wasn't even a speck on a radar scope compared to Palmdale at that time. Yeah, my gosh, are over 120,000 people in this town?   Ron Cocking ** 22:51 Oh, I remember the drive in the early days from here to Vegas in that you really felt like you could get out on the road all alone and relax and take it all in, and now it can be trafficking all all the   Speaker 1 ** 23:04 way. Yeah, it's crazy. I don't know. I still think they need to do something to put some sort of additional infrastructure, and there's got to be another way to get people to Vegas and back without going on i 15, because it is so crowded, especially around holidays, that one of these days, somebody will get creative. Maybe they'll get one of Tesla's tunnel boring tools, and they'll make a tunnel, and you can go underground the whole way, I don't know,   Ron Cocking ** 23:32 but that would be, that would be great. Something like that would happen.   Michael Hingson ** 23:38 Well, so you you started the school and and that did, pretty cool. Did, did Gloria do any more acting after our Miss Brooks? And then we should explain our Miss Brooks is a show that started on radio. Yes, it went on to television, and it was an arm is Brooks. Miss Brooks played by e vardin. Was a teacher at Madison High, and the principal was Osgood Conklin, played by Gail Gordon, who was absolutely perfect for the part. He was a crotchety old curmudgeon by any standards. And Gloria played his daughter, Harriet correct. And so when it went from radio to television, one of the things that strikes me about armas Brooks and a couple of those shows, burns and Allen, I think, is sort of the same. Jack Benny was a little different. But especially armas Brooks, it just seems to me like they they took the radio shows and all they did was, did the same shows. They weren't always the same plots, but it was, it was radio on television. So you, you had the same dialog. It was really easy for me to follow, and it was, was fascinating, because it was just like the radio shows, except they were on television.   Ron Cocking ** 24:56 Yeah, pretty much. In fact, there were a lot, there's lots of episodes. Episodes that are even named the same name as they had on the radio, and they're just have to be reworked for for the television screen,   Michael Hingson ** 25:08 yeah, but the the dialog was the same, which was so great,   Ron Cocking ** 25:13 yeah, yeah. And to see what was I going to add, it was our Miss Brooks was one of the very few radio shows that made the transition to television with the cast with the same intact. Yeah, everybody looked like they sounded. So it worked when they were in front of the camera. Yeah,   Michael Hingson ** 25:33 it sort of worked with Jack Benny, because most of the well, all the characters were in it, Don Wilson, Mary, Livingston, Dennis day, Rochester, world, yeah. And of course, Mel Blanc, yeah, oh.   Ron Cocking ** 25:49 GLORIA tells a story. She she and her mom, Hazel, were walking down the street on the way to do a radio show in the old days in Hollywood, and here comes Mel blank, he says, he pulls over. Says, Hey, where are you girls headed because I know that he probably recognized them from being at at CBS all the time, and they said, We're headed to CBS. He said, hop in. Oh, that's where I'm going. So Mel Brooks gave her a ride to the Mel Blanc, yeah, would have been   Michael Hingson ** 26:15 fun if Mel Brooks had but that's okay, Young Frankenstein, but that's another story. It is. But that's that's cool. So did they ever? Did she ever see him any other times? Or was that it?   Ron Cocking ** 26:30 No, I think that was it. That's the one story that she has where Mel Blanc is involved.   Michael Hingson ** 26:36 What a character, though. And of course, he was the man of a million voices, and it was just incredible doing I actually saw a couple Jack Benny shows this morning and yesterday. One yesterday, he was Professor LeBlanc teaching Jack Benny how to play the violin, which was a lost cause.   Ron Cocking ** 26:59 Actually, Jack Benny was not a bad view. No,   Michael Hingson ** 27:01 he wasn't violent. No, he wasn't. He had a lot of fun with it, and that stick went straight in from radio to television, and worked really well, and people loved it, and you knew what was going to happen, but it didn't matter. But it was still   Ron Cocking ** 27:16 funny, and I'm sure during the transition they there was a little bit of panic in the writers department, like, okay, what are we going to do? We got to come up with a few shows. We got to get ahead a little bit. So the writing being just a little different, I'm sure that's part of the reason why they went back and kind of leaned on the old, old script somewhat, until they kind of cut their teeth on the new this new thing called television   Michael Hingson ** 27:39 well, but they still kept a lot of the same routines in one way or another.   Ron Cocking ** 27:45 Yeah, when they work, they work, whether you're just listening or whether you're watching,   Michael Hingson ** 27:48 right, exactly what other shows made it from radio to television with the cast   Ron Cocking ** 27:53 intact? You know, I am not up on that number. I   Michael Hingson ** 27:57 know there were a couple that did. RMS, Brooks was, well, oh no, I was gonna say Abbott and Costello, but that was different, but our Miss Brooks certainly did. If   Ron Cocking ** 28:09 the Bickersons did, I forget the two actors that did that show, but that was a really, Francis   Michael Hingson ** 28:13 Langford and Donna Michi could be, but I think burns and Allen, I think, kept the same people as much as there were. Harry bonzell was still with them, and so on. But it was interesting to see those. And I'm awake early enough in the morning, just because it's a good time to get up, and I get and be real lazy and go slowly to breakfast and all that. But I watched the Benny show, and occasionally before it, I'll watch the burns and Allen show. And I think that the plots weren't as similar from radio to television on the burns and Allen show as they weren't necessarily in the Benny show, but, but it all worked.   Ron Cocking ** 28:58 Yeah, yeah. That's why they were on the air for so long?   Michael Hingson ** 29:02 Yeah, so what other kind of acting did Gloria do once? So you guys started the school   Ron Cocking ** 29:10 well after she well, when we started the school, we found ourselves, you know, raising five children. And so I continued playing nightclub gigs. I had one, one nightclub job for like, five years in a row with two wonderful, wonderful musicians that were like fathers to me. And Gloria actually went to work for her brother in law, and she became a salesperson, and eventually the VP of Sales for a fiberglass tub and shower business down here in Santa Ana. So she drove that 91 freeway from San Bernardino, Santa Ana, all the time. But in,   Michael Hingson ** 29:47 yeah, you could do it back then, much more than now. It was a little better   Ron Cocking ** 29:51 and but in, but twist in between, she managed. Her mom still did a little bit of agency. And she would call Gloria and say. Want you to go see so and so. She did an episode of perfect strangers. She did an episode with Elliot of the guy that played Elliot Ness, stack the show Robert Stack the show was called Help Wanted no see. I guess that was an in but wanted, anyway, she did that. She did a movie with Bruce Dern and Melanie Griffith called Smile. And so she kept, she kept her foot in the door, but, but not, not all that much she she really enjoyed when John Wilder, one of her childhood acting buddies, who she called her brother, and he still calls her sis, or he would call her sis, still. His name was Johnny McGovern when he was a child actor, and when he decided to try some movie work, he there was another Johnny McGovern in Screen Actors Guild, so he had to change his name to John Wyler, but he did that mini series called centennial, and he wanted Gloria for a specific role, to play a German lady opposite the football player Alex Karras. And they had a couple of really nice scenes together. I think she was in three, maybe four of the segments. And there were many segments, it was like a who's who in Hollywood, the cast of that show   Michael Hingson ** 31:28 does that was pretty cool.   Ron Cocking ** 31:32 But anyway, yeah, after Gloria finished armas Brooks, she became married to Gilbert Allen, who, who then became a Presbyterian minister. So Gloria, when you said, Did she continue acting? There's a lot of acting that goes on being a minister and being a minister's wife, and she would put together weddings for people, and that sort of thing. And she did that for 20 years. Wow. So she Gloria was a phenomenon. She did so many things. And she did them all so very well, in my   Speaker 1 ** 32:04 opinion. And so did you? Yeah, which is, which is really cool. So you, but you, you both started the school, and that really became your life's passion for 44 years. Yes,   Ron Cocking ** 32:16 we would get up in the mornings, go do a little business, come home, have a little lunch, go back about 132 o'clock, and we would normally crank up about four after the kids get out of school, and we would teach from four to nine, sometimes to 10. Go out, have some dinner. So yeah, we pretty much 24/7 and we had had such similar backgrounds. Hers on a national radio and television scale, and mine on a much more local, civic light opera scale. But we both had similar relations with our our moms after after the radio tapings and the TV things. GLORIA And her mom. They lived in Beverly Hills, right at Wilshire and Doheny, and they had their favorite chocolate and ice cream stops. And same thing for me, my mom would take me there, two doors down from the little studio where I was taking my tap classes. There was an ice cream parlor, haywoods ice cream. And that was, that was the the lure, if you go in and if you do your practicing, Ronnie, you can, I'll take it for an ice cream so that I did my practicing, had plenty of little treats on the way, so we had that in common, and we both just had very supportive moms that stayed out of the way, not, not what I would call a pushy parent, or, I think you mentioned the helicopter, helicopter, but it   Michael Hingson ** 33:37 but it sounds like you didn't necessarily need the bribes to convince you to tap dance, as you know, anyway, but they didn't hurt.   Ron Cocking ** 33:46 No, it didn't hurt at all, and it was something to look forward to, but I I just enjoyed it all along. Anyway, I finally got to to really showcase what I could do when I was cast as the dance director in the show 42nd street. Oh, wow. And I was lucky. We were lucky. San Bernardino clo was able to hire John Engstrom, who had done the show on Broadway. The earlier version that came, I think it was on Broadway in the mid or to late 70s. He had worked side by side with Gower Champion putting the show together. He told us all sorts of stories about how long it took Gower to put together that opening dance. Because everything in the opening number you you see those steps later in the show done by the chorus, because the opening number is an audition for dancers who want to be in this new Julian Marsh show. So the music starts, the audience hears, I know there must have been 20 of us tapping our feet off. And then a few seconds later, the curtain rises about two and a half feet. And then they see all these tapping feet. And then the main curtain goes out, and there we all are. And. I my part. I was facing upstage with my back to the audience, and then at some point, turned around and we did it was the most athletic, difficult, two and a half minute tap number I had ever done, I'll bet. But it was cool. There were five or six kids that had done it on Broadway and the national tour. And then during that audition, one more high point, if we have the time, we I was auditioning just like everybody else. The director had called and asked if I would audition, but he wasn't going to be choreographing. John Engstrom was so with there was probably 50 or 60 kids of all ages, some adults auditioning, and at one point, John pulled out one of the auditioners, and he happened to be one of my male tap dance students. And he said, Now I want everybody to watch Paul do this step. Paul did the step. He said, Now he said, Paul, someone is really teaching you well. He said, everybody that's the way to do a traveling timestamp so and that, you know, I'll remember that forever. And it ended up he hired. There were seven myself and seven other of my students were cast in that show. And some of them, some of them later, did the show in Las Vegas, different directors. But yeah, that, that was a high point for me.   Speaker 1 ** 36:19 I'm trying to remember the first time I saw 42nd street. I think I've seen it twice on Broadway. I know once, but we also saw it once at the Lawrence Welk Resorts condo there, and they did 42nd street. And that was a lot of that show was just a lot of fun. Anyway,   Ron Cocking ** 36:39 it's a fun show. And as John said in that show, The chorus is the star of the show.   Speaker 1 ** 36:45 Yeah, it's all about dancing by any by any definition, any standard. It's a wonderful show. And anybody who is listening or watching, if you ever get a chance to go see 42nd street do it, it is, it is. Well, absolutely, well worth it.   Ron Cocking ** 37:00 Yeah, good. Good show. Fantastic music, too. Well.   Michael Hingson ** 37:03 How did you and Gloria get along so well for so long, basically, 24 hours a day, doing everything together that that I would think you would even be a little bit amazed, not that you guys couldn't do it, but that you did it so well, and so many people don't do it well,   Ron Cocking ** 37:21 yeah, I don't know I from, from the the first time we met, we just seemed to be on the same wavelength. And by the way, I found out as time went by, Gloria was like Mrs. Humble. She wasn't a bragger, very humble. And it took me a while to find out what an excellent tap dancer she was. But when we went to the studio in the early days, we had, we just had one room. So she would teach actors for an hour, take a break. I would go in teach a tap class or a movement class or a ballet class. I in the early days, I taught, I taught it all. I taught ballet and jazz and and and and   Michael Hingson ** 38:01 tap. Well, let's let's be honest, she had to be able to tap dance around to keep ahead of Osgoode Conklin, but that's another story.   Ron Cocking ** 38:09 Yeah. So yeah, that. And as our studio grew, we would walk every day from our first studio down to the corner to a little wind chills donut shop wind chills donuts to get some coffee and come back. And about a year and a half later, after walking by this, this retail vacant spot that was two doors from our studio, we said, I wonder if that might be, you know, something for us, it had a four lease sign. So, long story short, we released it. The owner of the property loved knowing that Gloria Macmillan was that space. And so luckily, you know when things are supposed to happen. They happen as people would move out next to us, we would move in. So we ended up at that particular studio with five different studio rooms. Wow. And so then we can accommodate all of the above, acting, singing classes, all the dance disciplines, all at the same time, and we can, like, quadruple our student body. So then we made another move, because the neighborhood was kind of collapsing around us, we made another room and purchased a building that had been built as a racquetball club. It had six racquetball courts, all 20 by 40, beautiful hardwood. We made four of them, five of them into studios, and then there was a double racquetball racquetball court in the front of the building which they had tournaments in it was 40 by 40 we moved. We made that into a black box theater for Gloria. And the back wall of the theater was one inch glass outside of which the audiences for the racquetball tournaments used to sit. But outside the glass for us, we had to put curtains there, and out front for us was our. Gigantic lobby. The building was 32,000 square feet. Wow, we could it just made our heart, hearts sing when we could walk down that hallway and see a ballet class over here, a tap class over there, singers, singing actors in the acting room. It was beautiful. And again, it was just meant for us because it was our beautiful daughter, Kelly, who passed away just nine months after Gloria did. She's the one that said, you guys ought to look into that. And I said, Well, it's a racquetball court. But again, the first moment we walked in the front door, you start. We started thinking like, whoa. I think we could make this work. And it worked for another 20 years for us and broke our hearts to basically rip it apart, tear the theater down, and everything when we were moving out, because we we couldn't find another studio that was interested in in coming in, because they would have had to purchase the building. We wanted to sell the building. Yeah. So anyway, of all things, they now sell car mufflers out of there.   Michael Hingson ** 41:02 That's a little different way, way. Yeah, social shock, did any of your students become pretty well known in the in the entertainment world?   Ron Cocking ** 41:11 I wouldn't say well known, but a lot of them have worked a lot and made careers. Some of our former students are now in their 50s, middle 50s, pushing 60, and have done everything from cruise ship to Las Vegas to regional some national tours, even our son, Christopher, he did the national tour of meet me in St Louis with Debbie Boone, okay, and he's the one that is Now a successful producer. He's his latest hit. Well, his first, what can be considered legitimately a Broadway hit show was the show called shucked, and it opened about two years ago, I think, and I finally got to go back to New York and see it just a month before it closed. Very hilarious. Takes place in Iowa. The whole show is built around a county in which everybody that lives there makes their living off of corn, making whiskey. And it is a laugh, way more than a laugh a minute. But anyway, we had one of Gloria's acting students who was hired on with a Jonathan Winters TV sitcom called Davis rules. It ran for two seasons, and here he was like 16 or 17 years old, making, I think it was. He was making $8,000 a week, and he was in heaven. He looked like the Son he played, the grandson of Jonathan Winters and the son of Randy Quaid and so he, yeah, he was in heaven. And then after that, he did a very popular commercial, the 711 brain freeze commercial for Slurpee. The Slurpee, yeah, and he made the so much money from that, but then he kind of disappeared from showbiz. I don't know what he's doing nowadays,   Speaker 1 ** 43:00 but it's, it's, it's interesting to, you know, to hear the stories. And, yeah, I can understand that, that not everybody gets to be so famous. Everybody knows them, but it's neat that you had so many people who decided to make entertainment a career. So clearly, you had a pretty good influence on a lot of, a lot of kids.   Ron Cocking ** 43:20 Yes, I over the years, Gloria and I felt like we had 1000s of children of our own, that they that we had raised together. It's really a good feeling. And I still get phone calls. We got a phone call once a few years back from from one of our students who had been trying to crack the nut in New York, and she called us like 530 in the morning, because, of course, it was Yeah, but she had just signed her first national tour contract and was going to go out with the show cabaret. So fortunately, we were able to drive up to Santa not let's see, it's just below San San Jose. The show came through San Jose, and we got to see her up there. But those kinds of things are what made us keep teaching, year after year, all these success stories. Of course, we have former students that are now lawyers. Those are actors. Well, we   Michael Hingson ** 44:17 won't hold it and we understand, yeah and they are actors, by all means. How many teachers did you have in the studio when you had the big building?   Ron Cocking ** 44:26 Gosh, at one time, we had 10 or 12 teachers, teaching vocal teachers, two or three ballet teachers, jazz teachers, and you both taught as well. And we both continued teaching all through that time. We never just became managers, although that's that was part of it, and mixing business with art is a challenge, and it takes kind of a different mindset, and then what an unstoppable mindset you have to have in order to mix business with performing, because it's too. Different sides of your brain and a lot of patience and a lot of patience. And guess who taught me patience? Uh huh, Gloria Macmillan.   Michael Hingson ** 45:09 I would Conklin's daughter, yes, and I'll bet that's where she learned patience. No, I'm just teasing, but yeah, I hear you, yeah. Well, I know Karen and I were married for 40 years, until she passed in November of 2022 and there's so many similarities in what you're talking about, because we we could do everything together. We had challenges. Probably the biggest challenge that we ever had was we were living in Vista California, and I was working in Carlsbad, and the president of our company decided that we should open an office, because I was being very successful at selling to the government, we should open an office in the DC area. And so we both got excited about that. But then one day he came in and he had this epiphany. He said, No, not Virginia. I want you to open an office in New York. And Karen absolutely hated that she was ready to go to Virginia and all that.   Speaker 1 ** 46:15 But the problem for me was it was either move to New York or take a sales territory that didn't sell very much anymore. The owner wasn't really willing to discuss it, so we had some challenges over that, but the marriage was strong enough that it that it worked out, and we moved to New Jersey, and Karen made a lot of friends back there, but, you know, we always did most everything together. And then when the pandemic occurred, being locked down, it just proved all the more we just did everything together. We were together. We talked a lot, which is, I think one of the keys to any good marriages, and you talk and communicate.   Ron Cocking ** 46:56 Yes, in fact, when after we closed the studio in 2018 it took us a few more months to sell our home, and then when we moved down here, it was only about, I don't know, I don't know if it was a full year or not, but the pandemic hit and but it really didn't bother us, because we had, we had been working the teaching scene for so many years that we basically Were done. We basically walked out of the studio. We did. Neither of us have the desire to, well, let's continue in at some level, no, we cherished our time together. We have a little porch out in front of our home here, and it gets the ocean breeze, and we would sit for hours and chat. And oddly enough, not oddly, one of our favorite things to do, we have a website that we went to that had, I think, every radio show of armas Brooks ever made. And we would sit listen to those and just laugh. And, in fact, Gloria, there are some. She said, You know what? I don't even remember that episode at all. So yeah, that that was an interesting part. But yeah, Gloria and I, like your wife and you really enjoyed time together. We never talked about needing separate vacations or anything if we wanted to do something. We did it   Speaker 1 ** 48:16 together, yeah, and we did too. And you know, for us it was, it was out of desire, but also was easier for us, because she was in a wheelchair her whole life. I was I'm blind. I've been blind my whole life. And as I tell people, the marriage worked out well. She read, I pushed, and in reality, that really is the way it worked, yeah, yeah. Until she started using a power chair. Then I didn't push. I kept my toes out of the way. But still, it was, it was really did meld and mesh together very well and did everything   Ron Cocking ** 48:49 together. That's fantastic. I'm proud of you, Michael, and it really   Michael Hingson ** 48:53 it's the only way to go. So I miss her, but like, I keep telling people she's somewhere monitoring me, and if I misbehave, I'm going to hear about it. So I got to be a good kid,   Ron Cocking ** 49:04 and I'll hear I'll get some notes tonight from the spirit of Gloria McMillan too. I prayed to her before I went on. I said, please let the words flow and please not let me say anything that's inappropriate. And I think she's guided me through okay so far.   Michael Hingson ** 49:20 Well, if, if you do something you're not supposed to, she's gonna probably hit you upside the head. You know, did you two ever actually get to perform together?   Ron Cocking ** 49:30 Oh, I'm glad you asked that, because, well, it had been years since I knew that she was a darn good tap dancer. In fact, I had a tap dancing ensemble of of my more advanced kids, and if they wanted to dedicate the extra time that it took, we rehearsed them and let them perform at free of charge once they made it to that group, they they did not pay to come in and rehearse with me, because I would spend a lot of time standing there creating so. So we were doing a performance, and we wanted to spotlight, I forget the exact reason why we wanted to spotlight some of Gloria's career. Talk about radio a little bit. And I said, Gloria, would you do a little soft shoe routine? And because we had invited a mutual friend of ours, Walden Hughes, from the reps organization, and he was going to be the guest of honor, so I talked her into it. At first she wasn't going to go for it, but we had so much fun rehearsing it together. And it wasn't a long routine, it was relatively short, beautiful music, little soft shoe, and it was so much fun to say that we actually tap danced together. But the other times that we actually got to work together was at the old time radio conventions, mostly with reps, and that's really when I got to sit on stage. I was kind of typecast as an announcer, and I got to do some commercials. I got to sing once with Lucy arnazza. Oh, life, a life boy soap commercial. But when Gloria, Well, Gloria did the lead parts, and oh my gosh, that's when I realized what a superb actress she was. And if I don't know if you've heard of Greg Oppenheimer, his father, Jess Oppenheimer created the I Love Lucy shows, and so Gloria loved Jess Oppenheimer. And so Greg Oppenheimer, Jess Son, did a lot of directing, and oh my gosh, I would see he came in very well prepared and knew how the lines should be delivered. And if Gloria was not right on it, he would say, No, wait a minute, Gloria, I want you to emphasize the word decided, and that's going to get the laugh. And when he gave her a reading like that man, the next time she went through that dialog, just what he had asked for. And I thought, Oh my gosh. And her timing, after watching so many armist Brooks TV and listening to radio shows. GLORIA learned her comedic timing from one of the princesses of comedy timing is Eve Arden, right? They were so well for obvious reasons. They were so very similar. And if you have time to story for another story, do you know have you heard of Bob Hastings? He was the lieutenant on McHale's navy. McHale's Navy, right? Yeah. Well, he also did a lot of old time radio. So we went up to Seattle,   Michael Hingson ** 52:32 our two grandkids, Troy Amber, he played, not Archie. Was it Henry Aldridge? He was on,   Ron Cocking ** 52:40 I think you're right. I'm not too up on the cast of the old time radio show. Yeah, I think you're right. But anyway, he was there, and there was an actress that had to bow out. I don't know who that was, but our grandsons and Gloria and I, we walked in, and as usual, we say hi to everybody. We're given a big packet of six or eight scripts each, and we go to our room and say, Oh my gosh. Get out the pencils, and we start marking our scripts. So we get a phone call from Walden, and he said, hey, Ron Bob. Bob Hastings wants to see Gloria in his room. He wants to read through he's not sure if he wants to do the Bickersons script, because he you know, the gal bowed out and right, you know, so Gloria went down   Michael Hingson ** 53:23 couple of doors, coming   Ron Cocking ** 53:26 Yes, and she so she came back out of half an hour, 40 minutes later, and she said, well, that little stinker, he was auditioning me. He went in and she went in and he said, Well, you know, I don't know if I want to do this. It doesn't seem that funny to me. Let's read a few lines. Well, long story short, they read the whole thing through, and they were both, they were both rolling around the floor. I'll bet they laughing and so and then jump to the following afternoon, they did it live, and I was able to watch. I had some pre time, and I watched, and they were just fantastic together. I left after the show, I went to the green room, had a little snack, and I was coming back to our room, walking down the hall, and here comes Bob Hastings, and he says, oh, Ron. He said, Your wife was just fantastic. So much better than the other girl would have been. So when I told GLORIA That story that made her her day, her week. She felt so good about that. So that's my Bob Hastings story. Bob Hastings and Gloria Macmillan were great as the Bickersons.   Speaker 1 ** 54:29 Yeah, that was a very clever show. It started on the Danny Thomas show, and then they they ended up going off and having their own show, Francis Langford and Donna Michi, but they were very clever.   Ron Cocking ** 54:42 Now, did you realize when now that you mentioned Danny Thomas? Did you realize that Gloria's mom, Hazel McMillan, was the first female agent, talent agent in Hollywood? No, and that's how you know when the. They moved from from Portland, Oregon, a little city outside of Portland. They moved because Gloria's mom thought she had talent enough to do radio, and it wasn't a year after they got here to LA that she did her first national show for Lux radio at the age of five. That was in 1937 with with Edward G Robinson. I've got a recording of that show. What's what show was it? It was a Christmas show. And I don't remember the name of the of it, but it was a Christmas show. It was Walden that sent us. Sent   Michael Hingson ** 55:33 it to us. I'll find it. I've got it, I'm sure.   Ron Cocking ** 55:35 And so, yeah, so, so Gloria was a member of what they called the 500 club. There was a group of, I don't know, nine or 10 kids that by the time the photograph that I have of this club, it looks like Gloria is around 12 to 14 years old, and they had all done 500 or more radio shows. Wow, that's a lot of radio show. There's a lot of radio So Gloria did, I mean, I got a short my point was, her mom was an agent, and when Gloria was working so consistently at armas Brooks, she said, Well, I'm kind of out of a job. I don't need to take you. GLORIA could drive then. And so she came back from the grocery store, Ralph's market near Wilshire and Doheny, and she came back said, Well, I know what I'm going to do. I ran into this cute little boy at the grocery store. I'm going to represent him for television. And she that's, she started the Hazel McMillan agency, and she ran that agency until she just couldn't anymore. I think she ran it until early 1980s but she, my god, she represented people like Angela Cartwright on the Danny Thomas show and Kathy Garver on, all in the family a family affair. Family Affair. Yeah. Jane north. Jane North went in for Dennis the Menace. He didn't get the role. He came back said, Hazel, I don't think they liked me, and they didn't. They didn't call me back or anything. Hazel got on that phone, said, Look, I know this kid can do what you're asking for. I want you to see him again. He went back and they read him again. He got the part, yeah,   Michael Hingson ** 57:21 and he was perfect for it.   Ron Cocking ** 57:22 He was perfect for that part was, I'm sorry.   Michael Hingson ** 57:27 It's sad that he passed earlier this year.   Ron Cocking ** 57:29 Yeah, he passed and he had, he had a tough life, yeah,   Michael Hingson ** 57:36 well, you know, tell me you, you have what you you have some favorite words of wisdom. Tell me about those.   Ron Cocking ** 57:45 Oh, this goes back to the reason why I came across this when I was looking for something significant to say on the opening of one of our big concert programs. We used to do all of our shows at the California theater of Performing Arts in San Bernardino, it's a really, a real gem of a theater. It's where Will Rogers gave his last performance. And so I came across this, and it's, I don't know if this is biblical, you might, you might know, but it's, if you give a man a fish, you feed him for a day. If you teach a man to fish, you feed him for a lifetime. And that's what I felt like Gloria and I were trying to do. We wanted to teach these kids as as professionally. We treated our students as they were, as if they were little professionals. We we expected quality, we expected them to work hard, but again, Gloria taught me patience, unending patience. But we knew that we wanted them to feel confident when the time came, that they would go out and audition. We didn't want them to be embarrassed. We want we wanted them to be able to come back to us and say, Boy, I felt so good at that audition. I knew all the steps I was and I and I read so well it was. And thank you. Thank you. Thank you. And so that aspect of it, we felt that we were feeding them for a lifetime, but we also were creating all of these arts patrons, all these lovers of the arts, 1000s of kids now love to go to musicals and movies and plays because they've kind of been there and done that at our studio. And so anyway, that's and whether, whether or not it was their confidence in show business or whether it was their confidence we've had so many calls from and visits from parents and former students saying, Boy, I just was awarded a job. And they said my my communication skills were excellent, and I owe that to Gloria. I was on the beach the other day, and I looked over and there was this young man and his wife. I assumed it was his wife. It was they were setting. Up their beach chairs, and I looked and I say, Excuse me, is your name Brandon? And he said, No, but he said, Is your name Ron? And I said, Yes. He said, No, my name is Eric. And I said, Eric puentes. And so we reminisced for a while. He took tap from me. He took acting from Gloria, and he said, you know, he was sad to hear of Gloria's passing. And he said, You know, I owe so much to Gloria. I learned so much about speaking in front of groups. And he is now a minister. He has his own church in Redlands, California, and he's a minister. And of all the billion people on the beach, he sits next to me. So that's one of those things when it's supposed to   Michael Hingson ** 1:00:41 happen. It happens. It does. Yeah, well, and as we talked about earlier, you and Gloria did lots of stuff with reps, and I'm going to miss it this time, but I've done a few, and I'm going to do some more. What I really enjoy about people who come from the radio era, and who have paid attention to the radio era is that the acting and the way they project is so much different and so much better than people who have no experience with radio. And I know Walden and I have talked about the fact that we are looking to get a grant at some point so that we can train actors or people who want to be involved in these shows, to be real actors, and who will actually go back and listen to the shows, listen to what people did, and really try to bring that forward into the recreations, because so many people who haven't really had the experience, or who haven't really listened to radio programs sound so forced, as opposed to natural.   Ron Cocking ** 1:01:46 I agree, and I know exactly what you're saying. In fact, Walden on a couple of at least two or three occasions, he allowed us to take some of Gloria's acting students all the way to Seattle, and we did some in for the spurred vac organization Los Angeles, we did a beautiful rendition of a script that we adapted of the Velveteen Rabbit. And of all people, Janet Waldo agreed to do the fairy at the end, and she was exquisite. And it's only like, I don't know, four or five lines, and, oh my gosh, it just wrapped it up with a satin bow. And, but, but in some of our kids, yeah, they, they, they were very impressed by the radio, uh, recreations that they were exposed to at that convention.   Speaker 1 ** 1:02:37 Yeah, yeah. Well, and it's, it is so wonderful to hear some of these actors who do it so well, and to really see how they they are able to pull some of these things together and make the shows a lot better. And I hope that we'll see more of that. I hope that we can actually work to teach more people how to really deal with acting from a standpoint of radio,   Ron Cocking ** 1:03:04 that's a great idea. And I know Walden is really sensitive to that. He Yeah, he would really be a proponent of that.   Michael Hingson ** 1:03:10 Oh, he and I have talked about it. We're working on it. We're hoping we can get some things. Well, I want to thank you for being here. We've been doing this an hour already.  

Noirvember 2025 roars to life with Walter Hill's sleek, existential chase film The Driver (1978). Ryan O'Neal plays the nameless getaway specialist who moves through Los Angeles like a ghost, pursued by Bruce Dern's manic lawman hell-bent on taking him down. It's a lean, hypnotic duel between predator and prey where style is substance and silence is power. Mike rides shotgun with Beth Accomando and Walter Chaw to unpack Hill's minimalist approach, his homage to Melville's Le Samouraï, and the cold precision that makes The Driver a high-octane hymn to professionalism and control.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Noirvember 2025 roars to life with Walter Hill's sleek, existential chase film The Driver (1978). Ryan O'Neal plays the nameless getaway specialist who moves through Los Angeles like a ghost, pursued by Bruce Dern's manic lawman hell-bent on taking him down. It's a lean, hypnotic duel between predator and prey where style is substance and silence is power. Mike rides shotgun with Beth Accomando and Walter Chaw to unpack Hill's minimalist approach, his homage to Melville's Le Samouraï, and the cold precision that makes The Driver a high-octane hymn to professionalism and control.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Welcome to It's A Wonderful Podcast!A bizarre world of exploitational B-movie Sci-Fi Horror takes over the main show for spooky season as Morgan and Jeannine are looking at a very specific set of oddities in TWO HEADS ARE BETTER THAN ONE!Moving into the big hitters of this series now with the duo of successful early 70s "two heads" movies that allowed this series to happen. Bruce Dern is our mad scientist, alongside Pat Priest as his wife, and Casey Kasem as his best friend as Morgan and Jeannine talk potentially problematic stereotypes, and surprising levels of enjoyment in THE INCREDIBLE 2-HEADED TRANSPLANT (1971)!Our YouTube Channel for all our video content: ⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

Is The 'Burbs a Halloween movie? We think so! Join us as explore the movie, The 'Burbs, with Tom Hanks. A microscopic look at the mundanity of the suburbs and how easy it is to imagine your neighbors are up to no good, even if they actually are. Directed by Joe Dante, with Bruce Dern, Carrie Fisher, Rick Ducommun, and Corey Feldman.

The Incredible 2-Headed Transplant (1971)AIP Production #7104Jeff and Cheryl put their heads together to figure out what to make of The Incredible Two-Headed Transplant. Written by James Gordon White and John Lawrence  Co-Producer, Volodymyr Kowal  Executive Producer, Nicholas Wowchuk  Produced by John Lawrence  Directed by Anthony M. Lanza  Cast:  Bruce Dern as Dr. Roger Girard  Pat Priest as Linda Girard  Casey Kasem as Dr. Ken Anderson  Albert Cole as Manuel Cass  John Bloom as Danny Norton  Leslie Cole as Young Danny  Berry Kroeger as Dr. Max Larry Vincent as Andrew Norton  Jack Lester as the Sheriff  Jerry Patterson as the Deputy  Darlene Duralia as Miss Pierce  View the trailer for The Incredible Two-Headed Transplant  here.  You can stream The Incredible Two-Headed Transplant on Amazon Prime or Fawesome or rent it on Apple TV+. Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

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The boys finish out their Tarantino month with his 9th film Once Upon a Time in Hollywood from 2019 written and directed by Quentin Tarantino. The film stars Leonardo DiCaprio (in his best role) Brad Pitt, Margot Robbie, Emile Hirsch, Margaret Qualley, Timothy Olyphant, Julia Butters, Austin Butler, Dakota Fanning, Bruce Dern, Mike Moh, Luke Perry, Damian Lewis, Al Pacino, Mikey Madison. Maya Hawke, Sydney Sweeney, Harley Quinn Smith, Kansas Bowling, Danielle Harris, Scoot McNairy, Clifton Collins Jr, Kurt Russell, Clu Gulager and Zoe Bell!!! Thanks for checkin us out!!! If you'd to find our past and most recent episodes go to Podbean.com and you can find us on where most other podcasts are found. Intro & Outro music from the Once Upon a Time in Hollywood soundtrack 1. Ready for action by Syd Dale https://youtu.be/6hS01XjnY5s?si=mxLCCxvZxx9jzd9y 2. Mexico Western by Francesco De Masi https://youtu.be/Y3TYVB1CHKw?si=7yVH3K3-UcVb1oBg  

WELCOME BACK TO PURGATORY!!!! This week the boy's trek on in Tarantino month with his eighth film 2015 The Hateful Eight!!! Written and directed by Quentin Tarantino. The score used in the film is by Ennio Morricone, originally created for John Carpenter's The Thing and it's pretty incredible. The film stars Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Demian Bichir, Tim Roth, Michael Madsen, Bruce Dern, James Parks, Dana Gourrier, Zoe Bell, Lee Horsley, Gene Jones, Keith Jefferson, Craig Stark, Belinda Owino and Channing Tatum!!! Thanks for checkin us out!!! You can find our back and most recent episodes on Podbean.com and you can find us on where most other podcasts are found!!! Intro & Outro music by Ennio Morricone from The Hateful Eight soundtrack score. 1. l'Ultima Diligenza di Red Rock (Versione Integrale) https://youtu.be/qKQxJV5yX-A?si=QTbYQb3FjiRMW3lj 2. Neve #3 https://youtu.be/nkOlJPRiw6Y?si=sW27k-o0a_C67tKu  

WELCOME BACK TO PURGATORY!!!! This week the boys continue on with Tarantino month with one of the most epic westerns ever made with Django Unchained from 2012. Written and Directed by Quentin Tarantino and the film stars Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, Samuel L. Jackson, James Remar, Atp Essandoh, Sammi Rotibi, Clay Donahue Fontenot, Escalante Lundy, Nichole Galicia, Dana Gourrier, Walton Goggins, Laura Cayouette, Don Johnson, James Russo, Russ & Amber Tamblyn, Bruce Dern, M. C. Gainey, Don Stroud, Zoe Bell, Robert Carrradine, Tom Savini, Michael & James Parks and Franko Nero!!! Thanks for checkin us out! You can find our back catalog and more recent episodes on Podbean.com and you can find us where most podcasts are found! Intro & Outro tracks are from the Django Unchained soundtrack 1. Django Theme by Luis Bacalov & Rocky Roberts https://youtu.be/v42Dx5eIoFQ?si=PCPQM4T4forp0wes 2. Un Monumento, Pt 1 (Colonna Sonora Originale -I Crudeli) by Ennio Morricone from the original soundtrack 1967  https://youtu.be/7npy_AqN3QY?si=TC8qUHzBOya8SmZL  

1981's Tattoo, the lone feature effort of commercial director/co-writer Bob Brooks, was fraught with pre and post production problems.  The film, about a tatto artist (Bruce Dern) unnaturally obsessed with a fashion model (Maud Adams), had it's release date pushed back after Brooks protested the edit producer Joseph Levine created without his input or approval.  Transit authorities in NY took down pre-release posters for the film in response to complaints about the images presented - a woman's bare bound legs covered in tattoos.  And Dern insinuated on the press tour that he and Adams had had actual sex in the film - a claim Adams disputed. But the publicity didn't seem to help the film find an audience.  It pretty much came and went in theaters and is currently out of print.  Dan and Vicky discuss the controversial erotic thriller along with lots of recently seen including the new Superman, Jurrasic World: Rebirth, Oh Hi, Disney+'s Behind the Attraction documentary, Jaws @ 50: The Definitive Inside Story and And Just Like That.  Our socials:  hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

“Bottle of red, bottle of white, whatever gets me laid tonight!” - Eric as Matt Hooper On this month's We ❤️ Movies episode, we're celebrating the 50th anniversary of the modern Hollywood Blockbuster with a chat all about the perfect film, Jaws! Is there a more memorable film score in existence? How amazing is this cast, like, top to bottom? Is there a more haunting monologue than Robert Shaw's U.S.S. Indianapolis speech? Is that old Leg Guy in the pond a pervert? And why in the world did they cut out all the cucking? PLUS: This summer, don't miss Bruce Dern and Jack Nicholson in: King Crab! Jaws stars Roy Scheider, Richard Dreyfuss, Robert Shaw, Lorraine Gary, Murray Hamilton, Carl Gottlieb, Jeffrey Kramer, Susan Backlinie, Jonathan Filley, Chris Rebello, Jay Mello, Lee Fiero, Jeffrey Voorhees, and Bruce as The Shark; directed by Steven Spielberg.   THIS IS JUST A SMALL BITE FROM OUR WE ❤️ MOVIES EPISODE ON JAWS! TO HOOK THE WHOLE THING, HEAD OVER TO OUR PATREON AND SIGN UP TODAY! INSTANTLY UNLOCK THIS EP, ALONG WITH OVER 70 ADDITIONAL W❤️Ms! Tickets are on sale now for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20, doing shows like WHM, W❤️M, The Nexus, The Gleep Glossary, and Animation Damnation! Tickets are going fast, and two shows are already sold out, so friends over there, snag your tix! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Want to watch the video version of this podcast? Check it out on YouTube here: https://www.youtube.com/watch?v=BkLXkS6rfns Our two new books... STORY QUESTIONS: How To Unlock Your Story One Question At A Time - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd 0:00 - True Story Behind One Of The Biggest Screenplay Sales In History 15:37 - This Is The Story I Tell New Screenwriters 26:32 - What I Finally Understand About The Screenwriting Business 20 Years Later 36:44 - Why The Logline Is The Most Important Part Of The Screenwriting Process 47:37 - Difference Between A Hollywood Movie Idea And One That Isn't Good Enough 58:42 - If You Don't Cry While Writing A Screenplay... Throw It Away 1:10:06 - Truth About The First 10 Pages Of A Screenplay 1:19:57 - How A Screenplay Sale Actually Works Mike Thompson is a veteran Hollywood writer/producer, perhaps best known for his feature films, Dragonfly, starring Academy Award-winner, Kevin Costner, and Love Happens, featuring Emmy-winner Jennifer Aniston. He also co-created and was a showrunner of the FOX television series, John Doe, starring Dominic Purcell, and co-wrote and produced the indie horror film, Choose, starring Academy Award-nominee, Bruce Dern. In the documentary realm, he executive produced the multi-award-winning feature, A Lawyer Walks Into a Bar, and appears as himself in the cult classic award-winner, The King of Kong: A Fistful of Quarters. In addition to his produced credits, he is uniquely distinguished for having written and sold dozens of high-profile spec scripts, pitches and teleplays to nearly every major Hollywood studio, including multiple seven-figure deals and at one point, the “highest-paying scripter deal ever" ~ Variety. He has collaborated on projects involving the likes of Tom Cruise, Denzel Washington, Johnny Depp, George Clooney, Will Smith, Edie Falco, Chris Pine, Michael Keaton, Richard Gere, Academy Award-winning director Robert Zemeckis (Forrest Gump), and presently, blockbuster producer Jerry Bruckheimer (Top Gun: Maverick). Upon graduation from film school at New York University's Tisch School of the Arts, Mike began his career at Paramount Pictures, where he worked as an assistant to Academy Award-winning producer, Scott Rudin (No Country for Old Men), and subsequently for legendary producer, Larry Gordon (Field of Dreams), who set up Mike's very first spec script sale at Walt Disney Studios. Mike lives and works in the mountains outside of his hometown of Seattle. MORE VIDEOS WITH MIKE THOMPSON https://tinyurl.com/5bk7st83 CONNECT WITH MIKE THOMPSON https://themissilesite.com https://www.imdb.com/name/nm0860513

GGACP celebrates the birthday (b. June 4) of Oscar-nominated actor Bruce Dern by presenting this ENCORE of a memorable 2016 interview. In this episode, Bruce joins the boys for a refreshingly candid conversation about acting, risk taking, the definition of genius and the value of teamwork. Also, Bette Davis bashes Joan Crawford, Alfred Hitchcock “punks” Karen Black, Jack Nicholson coins a new phrase and Bruce attends the “University of Corman.” PLUS: Paging Dr. Death! The wisdom of Elia Kazan! The brilliance of Douglas Trumbull! Bruce “kills” the Duke! And “The Incredible 2-Headed Transplant”! Learn more about your ad choices. Visit megaphone.fm/adchoices

TVC 689.2: Dore Page, author of Leslie Stevens Goes to Hollywood: Daystar Productions, Kate Manx and the Making of Private Property, talks to Ed and guest co-host Chuck Harter about Stoney Burke (ABC, 1962-1963), the “art house” look at the lives of 20th-century rodeo riders starring Jack Lord, Bruce Dern, and Warren Oates and produced by Leslie Stevens that ABC canceled after one season—despite garnering a 38 share—partly because the show was considered too ethereal for sponsors to get behind. Other topics this segment include how Warren Oates' character on Stoney Burke can be considered a forerunner to Angel Martin (the character that Stuart Margolin later played on The Rockford Files), and how Stevens came to pattern his independent production company, Daystar Productions, after Quinn Martin Productions once Stevens decided to focus on developing projects for television. Leslie Stevens Goes to Hollywood is available through McFarland Books.

In this episode of "Normal World," Dave Landau, 1/4 Black Garrett, and Angela return with a chaotic blend of conspiracy, nostalgia, and dark comedy. They open by digging into Nazi fugitives hiding in Argentina, the mystery of the Ark of the Covenant, and bizarre CIA psychic experiments. Indiana Jones gets fact-checked, ancient relics are questioned, and things spiral from there. Pop culture takes hits with jabs at Jamie Lee Curtis, Ozempic knockoffs like Lean, and "The Passion of the Christ" getting compared to "Shrek 2." That kicks off a full-blown Mel Gibson breakdown, covering everything from "Payback" to "Blood Father," "What Women Want," and "Conspiracy Theory." Then it's Nicolas Cage's turn: "Pig," "Face/Off," "Con Air," and his legendary spending habits. A deep dive into "Mask" leads to savage takes on Eric Stoltz's prosthetics, Rocky Dennis, and Laura Dern's skull. The crew debates "Lethal Weapon" rankings, mourns spoof comedies, praises Bruce Dern's Tarantino roles in "The Hateful Eight" and "Django Unchained," and shouts out forgotten gems like "The 'Burbs" and "Nebraska." It wraps with Meghan Markle's billion-dollar podcast, Elton John's AA opener, and the glory of "Walk Hard" and "Popstar." This episode of "Normal World" features comedian Kris Fried. Merch: https://shop.blazemedia.com/collections/normal-world  Sponsors  Brickhouse/Lean: Get 20% OFF when you enter code NORMAL20 at www.takelean.com. Learn more about your ad choices. Visit megaphone.fm/adchoices