Podcasts about berklee college

Join bassist, composer, and arranger Saúl Sierra and his quintet at the 35th San Jose Jazz Summer Fest on Sunday, August 10, at 1 PM at the Montgomery Theater in Downtown San Jose for a performance that combines Saúl's roots in Mexico City, the rhythms of Latin America, and the soul of jazz.In this conversation, Saúl Sierra discusses his upbringing, the power of rhythm to communicate across borders, and how improvisation keeps his music fresh, rooted in tradition, and free. With material already brewing for two more albums, Saúl remains committed to honoring tradition while expanding its possibilities through music.Born and raised in Mexico City, Saúl's early musical education wasn't found in conservatories—it was shaped by the city. He first picked up the upright bass before switching to electric to play rock en Español and rock covers with local bands. His interests evolved toward Latin music, which was hugely popular in Mexico City, encompassing Cuban, Caribbean, and folkloric styles that would later become an integral part of his artistic voice. Saúl returned to the acoustic upright bass while studying at Berklee College of Music in Boston.Since moving to the Bay Area after graduating in 1999, Saúl has been ingrained in the Latin jazz scene. A member and co-founder of bands like Vission Latina and El Tren Trio, his collaborators include Carlos Caro (percussion), Julio Perez (percussion), and Marco Díaz (piano/trumpet) —musicians who also perform on his most recent album, Caminos. With experience teaching Latin Jazz and music, Saúl also cites teaching as a source of creative inspiration, deepening his interest in cross-cultural storytelling through sound. His new album, Caminos, supported by a 2022 InterMusic SF musical grant, showcases diverse Pan-American rhythms and blends jazz with folkloric traditions across the Americas.Creating Caminos was a deeply collaborative process. Saúl laid down bass tracks, then worked with his ensemble, encouraging both structure and spontaneity. While guiding collaborators on his vision of the compositions, Saúl also allowed freedom for personal expression. Ultimately, he believed gathering contributions from diverse musicians would strengthen the tone, rhythm, and authenticity of the project. Whether recording a Cuban changüí with seamless 4/4 to 5/4 transitions or grappling with the complex rhythmic structure of Mexican Son Jarocho, each track reflects a lifetime of listening, learning, and letting go.Caminos draws influence from rhythms like Venezuelan merengue in ⅝, Joropo, and Peruvian festejo and landó, comparing them to Mexican traditions in both timing and harmonic tension. While he continues to rehearse and adapt Caminos for live quintet performances based on the energy of the performance, Saúl's musical vision extends far beyond this album, incorporating pieces from Caminos into different sets. As a bassist, he believes it is his role to provide the nuanced foundation that allows these diverse styles to shine.Follow Saúl's journey on Instagram @saulsierramusic and experience his vibrant sound at the 35th San Jose Jazz Summer Fest @sanjosejazz on August 10, at summerfest.sanjosejazz.org.Content Black Backdrop PerformanceBassist Saúl Sierra joins us in the Content Black Backdrop Studio to perform a few samples from his most recent album, Caminos.

Innovative author/renowned speaker & DJ Amani Roberts talks about his latest release “The Quiet Storm” unraveling the mystery behind the rise, influence and decline of Black R&B groups including a comprehensive history from the 50's to today, the untold stories behind the hits and the battles they face, a critical look at the industry including political and racial barriers, and forward-thinking ideas for reviving R&B's legacy today! Amani spent 30+ years in the hospitality industry & 17 years in the music business, earned his Master's degree from Berklee College of Music and an award-winning professor at CSU-Fullerton, also the author of “DJ's Mean Business” and the co-host of “Adventures in Business” podcast! Check out the amazing Amani Roberts and his latest release on all major platforms and www.amaniexperience.com today! #podmatch #amaniroberts #author #DJ #thequietstorm #R&B #hospitality #musicbusiness #berkleecollegeofmusic #csufullerton #djsmeanbusiness #adventuresinbusinesspodcast #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagneramaniroberts #themikewagnershowamaniroberts    

Innovative author/renowned speaker & DJ Amani Roberts talks about his latest release “The Quiet Storm” unraveling the mystery behind the rise, influence and decline of Black R&B groups including a comprehensive history from the 50's to today, the untold stories behind the hits and the battles they face, a critical look at the industry including political and racial barriers, and forward-thinking ideas for reviving R&B's legacy today! Amani spent 30+ years in the hospitality industry & 17 years in the music business, earned his Master's degree from Berklee College of Music and an award-winning professor at CSU-Fullerton, also the author of “DJ's Mean Business” and the co-host of “Adventures in Business” podcast! Check out the amazing Amani Roberts and his latest release on all major platforms and www.amaniexperience.com today! #podmatch #amaniroberts #author #DJ #thequietstorm #R&B #hospitality #musicbusiness #berkleecollegeofmusic #csufullerton #djsmeanbusiness #adventuresinbusinesspodcast #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagneramaniroberts #themikewagnershowamaniroberts    

**Thank you to this episode's guest, Benny of Muted Circus, for permission to use a clip of his song ("Wait for What") in this podcast episode. ** In the latest episode of the Ruthless Compassion podcast I speak with Benny, who makes music under the name Muted Circus.  Benny is a trained musician (violin, viola, electric bass, guitar, etc.) and a graduate of the Berklee College of Music. After briefly touring with a Sony artist and seeing things from the inside he got disillusioned with music and set it aside completely to do other things. But when his artist father was diagnosed with terminal brain cancer, music rushed back in. What started as one song led to two, which led to three, and on and on, which ended up becoming a 10 EP x 50 song cycle. Each song explores death, mourning, loss, and aging in its own way. Half instrumental, half vocal. Benny is gearing up to release the 10th and final EP of the Muted Circus project and is ready to share his story. You can check out his music on Spotify, YouTube, and Instagram. Listen to his song, "Wait for What" (discussed in this podcast). (https://open.spotify.com/track/07lyO9589z0elcgLg7alQr?si=7e9a6cb2d2194f4b) Follow him on Instagram: https://www.instagram.com/mutedcircus?igsh=MW52anUyczlwdHkzNg==  Listen to his music: https://open.spotify.com/artist/3BGFACqqp9d8Go9aGL26RZ?si=hb_76ZdtRvW949yeEGV2UA  Check out The Starting Gun (Spotify Track) Instrumental Songs Collection (Spotify Playlist) *Permission granted by the artist to use a clip of his song ("Wait for What") in this podcast episode.*

Kelli Scarr is an American singer, composer, and multi-instrumentalist based in New York's Hudson Valley. She is also the founder of Vera Jean Music, a pioneering record label dedicated to championing the talents of women artists over the age of 40.Raised in Northern California, Scarr's musical journey began in church, eventually leading her to Berklee College of Music. Over the years, she has woven her way through an eclectic range of projects, from fronting the bands Moonraker and Salt & Samovar to a significant collaboration writing, recording, and touring with Moby. Her artistry extends into film scoring, and she earned an Emmy nomination for her score to the HBO documentary In A Dream (2008) and has composed music for dozens of films, TV shows, and commercials. Notable projects include the documentaries Advanced Style and Far Western, and the forthcoming After All (2025), for which she composed the score and contributed six original songs.As a solo artist, Scarr has released three albums—Piece (2010), Dangling Teeth (2012), and one of Pam's all-time favorite albums, No Rush (2021)—establishing herself as a singular voice in atmospheric, deeply emotive songwriting. Her fourth album, Greater Mysteries,is out on this Friday, June 13, and marks a new creative chapter which draws on timeless mythic journeys to the underworld, and it is pulsing, potent, and sublime. This album serves as an invitation into the initiatory cycle of transformation—where endings become beginnings, and something new is ready to emerge.Though Kelli's work has spanned format and musical style, all of her projects embrace a sense of experimentation, improvisation, and sacred seeking through song. On this episode, Kelli discusses how the myth of Inanna inspired her new album, the power of song channeling and sonic embodiment, and the transformational way music connects us to the universe.Pam also talks about the divine link between songs and spells, and answers a listener question about using magic to rekindle her creativity.Songs featured in the episode are all from Greater Mysteries by Kelli Scarr:“Knowing is the Call”“Pneuma”“The Yes That Leads”Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are UBU Skills, Mixed Color, Sister Temperance Tarot, Mineralogy Project, BetterHelp, LOGOS Candles, and Black Phoenix Alchemy LabWe also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

Ready for a refreshing pause? This week on A Mental Health Break, we're honored to welcome Janet Kathleen Ettele, a remarkable musician and author who gracefully bridges the wisdom of Buddhist dharma with the rhythm of contemporary life. Janet, a Berklee College of Music graduate and performer with esteemed artists like Tencho Gyatso and Nawang Khechog, shares her unique journey from the entertainment industry to becoming a profound voice in spiritual practice.In this deeply calming and insightful conversation, Janet will guide us through:Practical ways to integrate spiritual teachings into your everyday routine.The true meaning of mindfulness and its transformative impact on well-being.Understanding universal truths that can positively reshape your life, regardless of your background.Cultivating equanimity amidst life's challenges and the power of examining your motivations.Join us for a session dedicated to finding peace, purpose, and profound joy in the everyday. Janet's gentle wisdom offers a vital antidote to our fast-paced world.Janet also touches on:Navigating disoriented time as a childWe have the divine within us allThe value of silence in providing the answers Support the showHave a question for the host or guest? Want their freebee? Are you looking to become a guest or show partner? Email Danica at PodcastsByLanci@gmail.com.This show is brought to you by the Empathy Set and Coming Alive Podcast Production.CRISIS LINE: DIAL 988

Welcome to the show Wisconsin native Andrew Nesbitt! In this wide-ranging interview, Andrew shares his journey through the music industry, the challenges and opportunities of breaking into the Nashville drumming scene, and his innovative approach to creating custom percussion accessories. Andrew recalls his time at Berklee College of Music studying under legendary drummer Mike Mangini, and his transition from the small town of Sturgeon Bay to NYC, and eventually to Nashville. We hope you enjoy!Chapters:0:00 Intro 2:16 Welcome, Andrew! 3:30 Making Percussion Accessoroies 11:47 Playing to the Click 15:18 Body Awareness and Posture 22:08 Drum Box (Sponsor) 22:48 Meeting on Broadway 28:49 Growing up in Wisconsin 37:11 Low Boy Beaters (Sponsor) 37:53 School and Early Years 40:35 Navigating the Music Industry 41:31 Breaking into Broadway 50:10 Josh Freese and The Foo Fighters 54:30 Drum Supply (Sponsor) 55:26 The Impact of Music Education 1:17:57 Sonique Drums (Sponsor) 1:18:37 Transitioning Between Cities and Music Scenes 1:22:29 What to Do During Slow Season 1:24:19 Groove MPL (Sponsor) 1:25:28 Snacks and Gig Essentials 1:27:52 Dreadlocks and Tattoos 1:29:36 Music City Audiology (Sponsor) 1:30:19 Andrew's Cat 'Pandora' 1:34:40 Influential Guitarists and Drummers 1:56:23 Closing Questions 2:01:37 OutroThank you to our Episode Sponsors:Drum Boxhttps://drumbox.spaceDrum Supplyhttps://www.drumsupply.comLow Boy Beatershttps://lowboybeaters.comGroove MPLhttps://www.groovempl.comSonique Drumshttps://soniquedrums.comMusic City Audiologyhttps://www.musiccityaudiology.comConnect with Andrew:Instagram: https://www.instagram.com/nezplaysmusicMusic Featured in this Episode:"Realms" - Escaper------Interview by: Dan Ainspan, Nathan SletnerRecorded May 2025 in Nashville, TNSupport the showConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Garden Groove Recording Space, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2025 Nashville Drummers Podcast, LLC

In this episode, Kiara Cristina Ventura sits down with multidisciplinary artist Avila Santo to explore the rituals, rhythms, and revelations behind his evolving creative practice. From ancestral memory to the dream realm, Avila shares insights on his latest work, his connection to the spiritual, and the power of art as portal and provocation. This intimate conversation dives into the textures that shape his world—both seen and unseen.About Avila Santo:Born in Los Angeles in 1991, Avila Santo is a multidisciplinary artist of Afro-Brazilian and Jewish descent working across music, sound, and ritual. A graduate of Berklee College of Music with a B.A. in Professional Music and Latin Percussion, he is also a Capoeira professor and an initiated Awo of Isese Ifa in Nigeria. His work, rooted in rhythm and reverence, explores the intersections of diasporic identity, spirituality, and the natural world. Avila has collaborated with institutions like A24, LACMA, HBO, and Sony Music, and is currently a 2025 Music Resident at Pioneer Works in Brooklyn. (avilasanto.com | @avilasanto )This episode is part of PROCESSA TALKS, a podcast and curatorial series produced by Processa—a roving platform founded by Kiara that supports experimental exhibitions, conversations, and collaborations with Black and Brown artists.Learn more and donate to support our work at processa.art

The co-founders of Greenlight Group join for a very inside look at the creator economy. We talk about the many opportunities and some challenges facing the creator economy, how to be the best advocate for talent, where to find talent and Italian Brainrot. IYKYK. It's a Masterclass without the subscription. Michael Berkowitz is A Berklee College of Music graduate, Michael majored in Professional Music with a concentration in Music Business, Creative Entrepreneurship, and Songwriting. This unique blend of creative and business acumen has positioned how well. Since the inception of Greenlight Group in 2020, Michael has leveraged his keen eye for talent and industry foresight to build a powerhouse roster, securing game-changing partnerships and opportunities. Doug Landers holds a degree in Mandarin Chinese from Duke University. His philosophy centers on the idea that true success stems from nurturing talent, fostering entrepreneurial ventures, and building lasting online and offline careers. Under his leadership, Greenlight Group has flourished, representing TikTok and YouTube's most well-known and pioneering figures. 

On this episode of the Lin. Woods Gospel Entertainment Podcast, Lin. is sitting down with platinum-selling recording artist, actor, and the self-proclaimed “Hope Dealer”—MAJOR.From the moment his soulful anthem “Why I Love You” touched hearts around the world, MAJOR. has been on a mission to spread love, light, and faith through music. But did you know that smash hit was inspired by a chicken salad sandwich? Yup—you'll hear the full story straight from the source!In this powerful and emotional episode, MAJOR. opens up about:Losing his dear friend and brother in purpose, Chadwick Boseman, Advocating for overlooked and underestimated church kids at his alma mater, Berklee College of Music, the story behind his current hit, “I Prayed For You” and how faith fuels his creativity and mission to heal the world with hope.Get ready to laugh, reflect, and be inspired by this unforgettable conversation.

Po absolvování Janáčkovy konzervatoře vedly jeho kroky do zahraničí. Ve studiu hry na cimbál nechtěl pokračovat ani na Slovensku, ani v Maďarsku a oslovil 80 univerzit ve Spojených státech amerických. „Naučilo mě to být produkčním se vším všudy, protože jsem musel podávat žádosti, opravdu se ptát lidí na pomoc, protože bez toho by to nebylo možné,“ popisuje cimbálista Matěj Číp cestu na Berklee College of Music. Co mu otevřelo obzory do Číny k tamní verzi cimbálu jang-čchin?Všechny díly podcastu Host Lucie Výborné můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Po absolvování Janáčkovy konzervatoře vedly jeho kroky do zahraničí. Ve studiu hry na cimbál nechtěl pokračovat ani na Slovensku, ani v Maďarsku a oslovil 80 univerzit ve Spojených státech amerických. „Naučilo mě to být produkčním se vším všudy, protože jsem musel podávat žádosti, opravdu se ptát lidí na pomoc, protože bez toho by to nebylo možné,“ popisuje cimbalista Matěj Číp cestu na Berklee College of Music. Co mu otevřelo obzory do Číny k tamní verzi cimbálu jang-čchin?

Josée Champoux is a powerhouse singer-songwriter hailing from Antigonish, Nova Scotia, where the rugged beauty of the landscape mirrors the raw soul of her music. Blending the twang of country with the grit of rock, Josée's sound is infused with the kind of sincerity and storytelling that only an East Coast songwriter can deliver. Josée is both a Berklee College of Music and a Holland College School of Performing Arts alum, and uses the knowledge both institutions gave her everyday; from performing downtown Nashville to jumping into writers rounds all over the city. Josée hopes her songs and performances can always bring listeners a little joy and warmth in their lives.https://linktr.ee/joseechampoux"Still on the Run" - https://www.fbrmusic.com/Host - Trey MitchellIG - treymitchellphotography IG - feeding_the_senses_unsensoredFB - facebook.com/profile.php?id=100074368084848Threads - www.threads.net/@treymitchellphotographySponsorship Information/Guest Suggestions  -  ftsunashville@gmail.com

Episode #24 of Impact in the 21st Century features the legendary author, editor, and bibliophile Alberto Manguel. Alberto Manguel is the acclaimed author of A History of Reading, The Library at Night, and dozens of other works exploring literature, memory, and the profound human need for stories. A lifetime reader and former Director of the National Library of Argentina, Manguel has lived a life shaped by books—reading to Jorge Luis Borges as a teenager, curating libraries across continents, and writing deeply about the roles books play in our personal and collective lives. In this episode, Manguel offers a masterclass on the power of reading in shaping empathy, identity, and civilization itself. We explore: What it means to read deeply in a distracted age How libraries function as the “memory of humanity” Why stories hold the key to understanding ourselves and our societies His reflections on the current state—and future—of reading This is a timeless conversation for lovers of language, ideas, and the written word.  

Vocalist and composer Andromeda Turre hails from New York City and was raised within the legacy of jazz's foremost voices—immersed in the presence of legends like Dizzy Gillespie, Max Roach and Ray Charles. As the daughter of trombonist Steve Turre and cellist Akua Dixon, this lineage does more than inform her artistry; it offers a foundation from which she redefines boundaries, bridging heritage with innovation. Educated at Boston Conservatory and Berklee College of Music, Turre bridges classical, contemporary, and theatrical frameworks into jazz, creating a voice uniquely her own. Andromeda Turre - photo credit Michael Webber

Jxmie Blake is a genre-blending artist, producer, and educator whose work fuses jazz, soul, hip hop, pop, and electronic music into a bold and expressive signature sound. Known for his innovative approach to Ableton Push as a chromatic instrument, Jxmie is a multi-talented creator with a deep background in audio engineering, songwriting, and sound design. With degrees from Berklee College of Music and a client list including Ableton, Red Bull, and Ludacris, he's quickly becoming a leading voice in modern music education and performance. In this conversation, Jxmie and I dive into the creative mindset—how breaking the rules, following sparks of inspiration, and simplifying your workflow can lead to unexpected breakthroughs. We explore the power of limitations, the importance of finishing ideas (even imperfect ones), and how developing a strong relationship with your tools—like Push—can unlock musical freedom. It's an honest look at the balance between discipline and play, structure and spontaneity, and why sometimes the best thing you can do is stop overthinking and just make something. Listen on Apple, Spotify, YouTube Takeaways: Push as a Chromatic Instrument – Jxmie breaks down how Push can function like a guitar fretboard, opening up intuitive, expressive playing that bridges the gap between traditional instruments and digital music-making. Creative Freedom Through Limitations – Embracing limited gear or working with only stock tools can actually foster more creativity and deeper exploration. Breaking the Rules Is the Point – Jxmie encourages musicians to intentionally break conventions—whether it's stacking effects, pushing gear beyond intended use, or warping samples into unrecognizable textures. Music as Self-Expression – The ultimate goal isn't perfection, but expressing what's inside you—your mood, your perspective, your story. Reckless Experimentation Leads to Inspiration – Playing without a specific goal, just to see what happens, often leads to surprising and exciting results. Gear Doesn't Make the Artist – Even basic tools like GarageBand or stock Ableton devices can be powerful when fully understood and creatively applied. Teaching as Empowerment – Through his work at 1500 Sound Academy and his online courses, Jxmie focuses on empowering students to unlock their own creative voices, regardless of background or skill level. Creative Blocks Are Often Internal – As we gain technical skills, creative challenges become more mental and emotional—expectations, self-judgment, and overthinking can block our flow. Start with Play, Not Pressure – Some of the best creative moments happen when you approach music playfully, without the weight of needing to make something great. The Process Is the Product – Whether it's creating sounds, building devices, or finishing songs, the act of exploring, tweaking, and iterating is as valuable as the final result. Links: Jxmie's Website and Push Classes - https://jxmieblake.sellfy.store Jxmie's Free Ableton Live Packs - https://jxmieblake.sellfy.store/packs-2/ Jxmie's YouTube - https://www.youtube.com/@jxmieblake Jxmie's Instagram - https://www.instagram.com/jxmieblake/ 1500 Sound Academy - https://1500soundacademy.com/ Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store This episode was edited by Animus Invidious of PerforModule - https://performodule.com/ Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk  

If you've ever felt like joy is just out of reach, this episode will challenge everything you thought you knew—revealing how meaningful effort, not ease, might be the key to lasting fulfillment.In today's episode, I'm joined by Janet Ettele, a novelist, meditation practitioner, and devoted student of Buddhist philosophy whose mission is to bring timeless spiritual teachings to life through accessible, story-driven fiction. She is the author of a four-book series inspired by the six perfections of Buddhism, with her latest release, How Joyous Effort Works: The Energy to Benefit Others, featuring a foreword by His Holiness the Dalai Lama. Janet's writing blends insight and emotional depth, drawing from her background as a trained musician and Berklee College of Music graduate to create prose that is both lyrical and grounded. Her journey into Buddhism began at a Tibetan monastery just five miles from her home in Connecticut, where she continues to live, write, and teach with quiet dedication.Throughout this episode, Janet brings these influences to life, offering a grounded yet inspiring perspective on joy, effort, and spiritual growth. She shares how the teachings of Shantideva and her connection with Tibetan monks shaped both her personal evolution and the character arc of Troy, the protagonist of her series. Their parallel journeys reveal how challenges can become turning points when met with mindfulness and compassion. Janet's reflections on meditation, silence, and intentional action illustrate how spiritual practice translates into everyday life. With warmth and clarity, she reminds us that lasting joy doesn't come from striving for perfection, but from showing up—consistently, consciously, and with an open heart.Tune in to episode 210 of Joy Found Here as Janet Ettele shares how Buddhist wisdom, storytelling, and intentional effort can lead to inner peace and purposeful living. Learn how meditation and spiritual practice bring more clarity, joy, and connection.In This Episode, You Will Learn:The roots of Joyous Effort (3:35)From silence to spiritual seeking (6:23)Music, poetry, and the first steps toward Dharma (9:30)Finding her teacher—Just five miles away (11:20)What Joyous Effort really means (16:41)Compassion over judgment (19:15)From the Dalai Lama to DIY publishing (22:48)Building a daily practice with coffee (31:11)The unexpected joy of grandparenthood (34:34)Life is a patchwork, not a tapestry (38:49)A tribute to Aunt Gertrude (39:39)Connect with Janet Ettele:WebsiteInstagramFacebookXSpotifyLet's Connect:WebsiteInstagram Hosted on Acast. See acast.com/privacy for more information.

In this episode, I talk with the talented trumpeter, composer, and arranger Milena Casado. Born and raised in Spain, she's a graduate of the Berklee College of Music, where she honed her skills working with amazing teachers. She shares about growing up in a small village town, looking different from other members of that community; about meeting her father for the first time; about getting in touch with her Dominican roots; and about her acceptance to Berklee. We also discuss the major influence of her mentor, drummer extraordinaire Terri Lyne Carrington, and dive into her album Reflection of Another Self, a stunning debut that's a deeply personal journey of self-discovery and resilience. https://www.milenacasado.com

Amanda Jones has had quite a career, as evident in this really insightful conversation about her journey as a film and television composer. One of her latest projects, Number One on the Call Sheet, is a prolific, eye-opening two-part Apple TV+ documentary featuring candid conversations with some of the entertainment industry's biggest stars, like Angela Bassett, Halle Berry, Jamie Foxx, Idris Elba, Whoopi Goldberg, Viola Davis, Denzel Washington and Dwayne “The Rock” Johnson, to name just a few.Amanda's career includes BET's Twenties from Lena Waithe, OWN's Cherish the Day, produced by Ava DuVernay and A Black Lady Sketch Show, produced by Robin Thede and Issa Rae. We learn about the empowerment she received from this powerful group of Black women so early in her journey.Amanda earned her first Emmy nomination for Home, an Apple TV+ series and became the first Black woman nominated for an Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score) Emmy. Later, Amanda was awarded a Daytime Emmy Award for Home.The idea of following one's passion resonates heavily throughout this conversation. Amanda shares that her love of sounds, more specifically music, started around the age of 3. After graduating from Vassar College and later, studying film scoring and orchestration at Berklee College of Music, she landed an internship with Hans Zimmer and it was an opportunity at Lionsgate that helped give her a more 360-degree sense of the business side of things.Other takeaways from this multifaceted chat hone in on creating a sonic language for films and TV, the importance of asking questions, communication and collaboration during the creative process, having a strong creative voice, knowing when to delegate as well as fighting off stigmas reserved for women of color and mothers.A co-founder of Composers Diversity Collective, Amanda's other credits include Somebody Somewhere, Good Trouble, Naomi, Young Love, 7 Days, Dreamland: The Rise and Fall of Black Wall Street, Definition Please, Moving On, The Perfect Find, Mea Culpa, Jodie and the new Apple TV+ series, Murderbot.  

JJ's "Wasted Love" has consistently been near the top of the Eurovision 2025 betting odds since its reveal in Austria. But will this emotional ballad get lost in a sea of jury favourites? Combining Filipino telenovela with Austrian classical opera, JJ has crafted a song like no other this year.  In this episode of "What Really Happened at Eurovision?", Professor Joe Bennett, a musicologist from the Berklee College of Music, tells us about the oscillating vocal effects that take Austria's entry this year from ballroom to club. Hosts: Freddy: http://instagram.com/freddyt234 William: http://instagram.com/williamleeadams  

Claude Kiambe will sing for The Netherlands at Eurovision 2025. Born in the Congo before fleeing to Europe aged 9, Claude is recognised for his merging of languages in much of his music. But does his song C'est La Vie have what it takes to rouse audiences all over Europe? In this episode of What Really Happened at Eurovision? Professor Joe Bennett, musicologist from the Berklee College of Music, tells us about C'est La Vie and the circle of fourths - and how musical greats have been use the chord progression to capture audiences.  Presenters: Freddy: http://instagram.com/freddyt234 William: http://instagram.com/williamleeadams        

I'm lucky enough to live in a spot where there are a lot of trails that I can enjoy whether running, walking, biking, and even snowshoeing if we get enough snow. No matter what I am doing, I have one simple rule: if there is a friendly dog on the trail, I must stop to pet it. The opportunity to pet and engage with random dogs is one of the things that just brings me a lot of happiness. It is hard for me to understand those who are not “dog people”, especially since I mostly prefer dogs to people. I'm a sucker for dogs. It turns out that those cute faces that dogs make and the way they endear themselves to us is not by accident, but by evolution. Being cute helps them to worm their way into our worlds. In that way, dogs are a bit of a salesperson, selling us on giving out treats, walks, toys, outfits, food, cuddles, and all kinds of pampering. I mean, sales is just about convincing someone of a course of action. Dogs are great at this, or at least they are to me because I am such an easy mark for dogs because they play on my emotions. In preparing this, I hesitated at connecting dogs with sales because dogs are revered people and sales people less so. In fact, you could say that sales has a bad rap. Rather than seeing sales as a way of getting people what they need, sales is often viewed as a way of convincing people to get things that they don't need and will not be helpful. But our guest today is here to talk about how when sales is done well, it is a win-win-win situation. Doug C. Brown has spent a career trying to do sales right, creating positive experiences for customers and sellers alike. Doug talks about how sales is probably the world's “oldest profession.” He also talks about the challenge of overcoming the bad rap of selling to get to a better outcome for customers. He describes how the metrics being tracked often are not those connected to CX success, which lead to worse outcomes. He finally takes us on the long strange trip of starting out as a vocal major at Berklee College of Music, moving to nuclear medicine, serving in the Army for 12 years, and finally ending up in sales (all of which have more in common than you might think!).LinkedIn: https://www.linkedin.com/in/dougbrown123/CEO Sales Strategies: https://ceosalesstrategies.com/

What does Miriana Contes 'Serving' have in common with songs by Kesha, the Ying Yang Twins and 17th century Algerian folk music? In this episode of "What Really Happened At Eurovision?" William and Freddy dissect the Arabian riff — a motif that plays in one of Eurovision 2025's most talked about songs. Professor Joe Bennett from the Berklee College of Music explains how Arab influences make "Serving" such a special song and why, no matter how hard you try, you Kant just censor certain elements of it. He also discusses the foundations of creativity and how the notion of "exoticism" frequently shows up in music. 

Prepare for a captivating episode of Mouthful of Graffiti as we host the incredibly talented Mark Hopkins! Not only is Mark an original singer and songwriter with a unique voice, but he also lends his expertise as an academic advisor at the renowned Berklee College of Music. 1 Beyond his academic role, Mark actively enriches the vibrant Mid-Atlantic music scene with his engaging performances and skillful interpretations of popular songs. Get ready to delve into the musical world of Mark Hopkins! Sponsored by the Harford County Cultural Arts Board.

This episode features Benny, a musician and producer who performs under the name Muted Circus. Benny, originally from Orange County, California, is currently based in Brooklyn, New York. He spent seven years in Tokyo, Japan, and attended the prestigious Berklee College of Music in Boston. The discussion starts with Benny sharing the story of his first rock concert at the age of 13, where he saw The Get Up Kids in a small, intimate venue in his hometown. This concert sparked his lifelong passion for live music, leading him to attend concerts frequently, including during his college years and time in Japan. Benny reminisces about the DIY music scene of Orange County in the '90s and shares anecdotes about attending shows with his older brother and friends. He also recalls a memorable yet disappointing encounter with Dave Mustaine from Megadeth during a concert in Tokyo, juxtaposing it with a positive experience meeting Marty Friedman, a former Megadeth guitarist.The conversation then shifts towards Benny's musical project, Muted Circus, a deeply personal undertaking inspired by the death of his father. The project comprises 10 EPs with 50 songs, each featuring his father's visual artwork on the covers. Benny explains how creating this music helped him process his grief and reflect on his relationship with his father. He delves into the themes explored in his music, often revolving around the impact of his parents on his life. Benny shares the challenges and emotional journey of writing and recording these songs over several years. He also introspects on the nuances of live vs. recorded music and the emotional resonance that well-produced music can often deliver.During the interview, Benny performs 'Disconnection,' a song from his final EP in the Muted Circus series. The song captures the sentiment of final phone calls with a loved one and reflects Benny's extensive relationship with his father through daily check-ins on the phone. The episode concludes with Benny discussing his future plans for more music releases under different projects and emphasizing the therapeutic power of music in processing complex emotions. Listeners can explore Benny's work on platforms like Bandcamp, Spotify, Apple Music, and YouTube.BANDS: No Doubt, The Get Up Kids, Jimmy Eat World, Real Big Fish, Gwen and Eric Stefani, Megadeth, NSYNC, Metallica, Slayer, Marty Friedman, Dave Mustaine.VENUES: Makuhari Messe (Japan), Koos Cafe, The Chain Reaction, Madison Square Garden. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Mike has been performing since the age of 4, with a musically rich and diverse background that includes over countless awards and more than a decade on faculty at Berklee College of Music. He is also the drummer for the band, Monolith, who just dropped two new singles! However, his current focus is on his groundbreaking book series, Rhythm Knowledge. Developed by Mangini, Rhythm Knowledge is a methodical system for mastering rhythm and refining practice techniques. Designed for beginners and advanced musicians alike, it breaks complex patterns into binary components and provides clear, structured exercises that not only help musicians internalize timing, but feel it too. The system offers structured exercises that build a strong rhythmic foundation, unlock creativity, and enhance precision across genres. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Cars' self-titled 1978 debut record changed the world of power pop forever. Guitarist and co-vocalist Ric Ocasek penned all the tunes, but lead guitarist Elliott Easton transformed them with his tasteful 6-string stylings. This time on Shred With Shifty, Easton sits down with Chris Shiflett to show him how to play the solo from “My Best Friend's Girl.” Born in Brooklyn before winding up in Long Island, Easton washed dishes to save up for his first 1971 Fender Telecaster, and after high school he studied at Berklee College of Music in Boston, where he picked up key theory and technique that he still holds dear. Reared on country and rockabilly players like Roy Buchanan, Jesse Ed Davis, Gram Parsons, James Burton, and Roy Nichols, Easton brought a slick twang to Ocasek's new-wave gems. Easton tells Shifty how the band came to work with producer Roy Thomas Baker in London, while crashing at a label-provided mansion nearby and driving a loaned Jaguar and Land Rover to the sessions. Easton's celebrated leads didn't take long to come together. “On my mother's memory, I did all my guitar parts in a day and a half,” he says. All he had with him was a 1978 or '77 Telecaster with a Bartolini Firebird-style mini humbucker in it, a red Les Paul, a Martin acoustic, and two effects: the brand-new Boss CE-1 and a Morley EVO-1 Echo Volume pedal. His amp of choice in those days? An Ampeg VT-22 or VT-40. After running down his giddy-up guitar parts from “Best Friend's Girl,” Easton talks about which modern players impress him, why he doesn't consider himself a shredder, and the experience of working with Mutt Lange: “I spent as much time tuning with him as playing!” If you're able to help, here are some charities aimed at assisting musicians affected by the fires in L.A:  https://guitarcenterfoundation.org https://www.cciarts.org/relief.html https://www.musiciansfoundation.org https://fireaidla.org https://www.musicares.org https://www.sweetrelief.org Full Video Episodes: http://volume.com/shifty  Apple: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314 Follow Chris Shiflett: Facebook: https://www.facebook.com/chrisshiflettmusic Instagram: https://www.instagram.com/shifty71 TikTok: https://www.tiktok.com/@chris.shiflett Twitter: https://twitter.com/chrisshiflett71 Website: http://www.chrisshiflettmusic.com Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag Producer: Jason Shadrick Executive Producers: Brady Sadler and Jake Brennan for Double Elvis Engineering support by Matt Tahaney and Matt Beaudion Video Editor: Addison Sauvan Graphic Design: Megan Pralle Special thanks to Jon Romeo, Michelle Yoon, Chris Peterson, Greg Nacron, and the entire Volume.com crew.

S6 E5: Bringing Creative Ideas to Life w/Music Producer Mike MiduraWhat does it take to pursue a career in music production? In this interview, we get a behind the scenes understanding of what it's like for a music producer to bring creative ideas to life in a studio. We are joined by the incredibly talented Mike Midura of @CyberSoundRecordingStudios When creative people bring Mike their ideas and music, and he serves as your producer, Mike can potentially contribute to many different aspects of producing songs and albums.In this episode, we discuss the relational aspects between a creator and producer, such as having a vision, communication patterns, mutual respect and understanding, trust, and experimentation. Mike also talks about his personal journey in becoming a music producer, from his multidimensional and formative musical experiences as a youth, to earning a degree from Berklee College of Music, and all the way to working in the Boston, MA studio.Be curious. Be Open. Be well.The ReidConnect-Ed Podcast is hosted by Siblings Alexis Reid and Dr. Gerald Reid, produced by Cyber Sound Studios, and original music is written and recorded by Gerald Reid.*Please note that different practitioners may have different opinions- this is our perspective and is intended to educate you on what may be possible.Follow us on Instagram @ReidConnectEdPodcast and Twitter @ReidConnectEdShow notes & Transcripts: https://reidconnect.com/reid-connect-ed-podcast

Mike has been performing since the age of 4, with a musically rich and diverse background that includes over countless awards and more than a decade on faculty at Berklee College of Music. He is also the drummer for the band, Monolith, who just dropped two new singles! However, his current focus is on his groundbreaking book series, Rhythm Knowledge. Developed by Mangini, Rhythm Knowledge is a methodical system for mastering rhythm and refining practice techniques. Designed for beginners and advanced musicians alike, it breaks complex patterns into binary components and provides clear, structured exercises that not only help musicians internalize timing, but feel it too. The system offers structured exercises that build a strong rhythmic foundation, unlock creativity, and enhance precision across genres. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Blink Friction Arts Podcast and the Music Crazy Robots.Today we are holding the Low End: exploring Renowned Female Double Bass Players Who Changed the GameWhen we think of double bass players, it's easy to conjure images of towering instruments, smoky jazz clubs, and the deep rumble of classical orchestras. But while the double bass has long been considered a male-dominated instrument—perhaps due to its sheer size and physicality—women have not only held their own but reshaped the narrative in profound and inspiring ways.Here's a celebration of some of the most renowned female double bass players, spanning genres from classical to jazz, who continue to break boundaries and make their mark.1. Esperanza SpaldingIf there's a modern icon of bass brilliance, it's Esperanza Spalding. A musical prodigy, Spalding plays both double bass and electric bass with virtuosic ease, weaving jazz, fusion, classical, and soul into a genre-defying tapestry. She made headlines in 2011 by winning the Grammy for Best New Artist—an award rarely given to jazz musicians. With a string of critically acclaimed albums and boundary-pushing live performances, Spalding's influence reaches far beyond the bass community. She's also a professor at Harvard, emphasizing innovation in music and performance.2. Chi-chi NwanokuBritish-born Chi-chi Nwanoku is a trailblazer in the classical music world. As the founder of the Chineke! Orchestra—the first professional orchestra in Europe made up of majority Black and ethnically diverse musicians—she has made it her mission to open doors in a traditionally exclusionary space. A formidable double bassist in her own right, Chi-chi was a principal bassist with the Orchestra of the Age of Enlightenment for over 30 years. Her career blends musical excellence with social justice, making her a vital voice in contemporary classical music.3. Linda May Han OhHailing from Australia and now based in New York, Linda May Han Oh has become one of the most in-demand jazz bassists of her generation. Whether leading her own projects or playing with legends like Pat Metheny, Joe Lovano, or Vijay Iyer, Oh brings a deep musicality and sharp improvisational mind to every performance. Her tone is warm, articulate, and commanding, with an emotional range that speaks volumes. She also teaches at the Berklee College of Music and the New School, nurturing the next wave of bass talent.4. Kristin KorbA rare mix of bassist and vocalist, Kristin Korb blends bebop agility with a velvet voice. Originally from the U.S. and now based in Denmark, Korb carries forward the tradition of singing bassists (think Ray Brown or Slam Stewart) but with a distinctively elegant and lyrical touch. Her interpretations of jazz standards are joyful, inventive, and rhythmically tight, making her performances feel both timeless and fresh.5. Caroline EmeryFor lovers of classical double bass pedagogy, Caroline Emery is a key figure. A professor at the Royal College of Music in London, Emery has trained a generation of outstanding bassists, many of whom now play in top orchestras worldwide. She's known for her work with young musicians and her emphasis on posture, breath, and physical awareness—an essential contribution to transforming how double bass is taught and performed.6. Jennifer LeithamJennifer Leitham, a veteran of the jazz scene and an accomplished composer, performer, and educator, is best known for her work with the likes of Mel Tormé and Doc Severinsen. Her playing is powerful and deeply rooted in jazz tradition, but she's also known for pushing the envelope both musically and personally. As a transgender woman in jazz, Leitham has been an advocate for visibility and acceptance in the music world, proving that artistry and authenticity go hand in hand.7. Amy DominguesClassically trained yet artistically adventurous, Amy Domingues has explored everything from Baroque continuo playing to post-rock collaborations and experimental sound art. Based in Washington, D.C., she's a cellist and double bassist with a unique voice. Her work highlights the double bass's capacity for subtlety, beauty, and textural depth across genres.Why Representation MattersThe double bass may be one of the largest and most physically imposing instruments in the orchestra or on the bandstand, but these women show that passion, skill, and vision aren't confined by size or stereotype. They've not only expanded what's possible on the instrument—they've redefined who gets to play it.Whether you're a student, a listener, or a player yourself, exploring the work of these bassists is a powerful reminder of music's capacity to evolve—and to include.Want to dive deeper? Check out performances by these players on YouTube, explore their discographies on streaming platforms, and follow their latest work on social media. And if you're learning bass yourself—take heart: these legends prove that the possibilities are endless.Follow the music crazy team on YouTub @taletellerclub

InstagramSpotify BioDare to make a difference, be a leader in the crowd.” These words, lyrics from Lynn Houston's latest musical release, serve as a poetic call to action—an invitation to step forward with courage and create meaningful change. Though each person is a thread in the broader tapestry of society, it is often easy to forget the power and responsibility of the individual to uplift others and foster unity. Throughout history, society has seen cycles of oppression and privilege, progress and regression. In what Houston refers to as her “final frontier,” she is now using music as a platform to amplify unheard voices, promote social consciousness, and inspire compassion and courage in everyday life.For Houston, courage has been the throughline of her life. Raised by a family that instilled a strong sense of self, she quickly learned that success required both education and dedication. Even with a solid foundation, she knew she was different—an outlier who would need to carve her own path rather than conform to societal expectations. Leaving her hometown, she set out across the United States as a one-woman show, forging connections, expanding her creative expression, and discovering new artistic directions.Eventually settling in Santa Monica, she transitioned into still photography, capturing iconic figures such as Mick Jagger and Diana Ross. From there, she made an unconventional leap into aviation, defying industry norms to become a successful airline captain in a male-dominated field. After retiring, she founded A Different Point of View in 2011—a nonprofit dedicated to empowering youth within the juvenile justice system to believe in themselves and take control of their futures.In 2017, Houston embarked on yet another creative chapter, this time in music. She began performing at venues like SoHo in Santa Barbara, CA, and her artistic evolution accelerated through training at Berklee College of Music and the discovery of Digital Audio Workstations (DAWs). These tools became her creative laboratory, allowing her to experiment freely with sound, much like a scientist mixing and discovering new elements.Throughout all of these experiences, it was bravery and commitment that allowed her to realize her dreams, while compassion and empathy fueled her desire to uplift others. Now, music has become the vessel through which she shares this mission with the world. In Leader in the Crowd, Houston sings:“Time is ticking, life is moving fast,Who knows but today…Just might be your lastIs this the way you want it,Is this how it's gonna be?Gotta find the courageTo create the dreams that you see”These lyrics are powerfully underscored by the soulful echo of Diana Purim (daughter of Flora Purim), whose background vocals repeatedly urge, “You gotta wake up.” The song challenges listeners to reflect: Are they truly making their moments count? Or simply drifting in complacency? With time being finite, the message is clear—there is no waiting to become the person you were meant to be, or to step into your purpose.Layered with background chants and crowd sounds, the track sonically mirrors chaos, while spoken-word interludes cut through with precision and emotional clarity. Musically, it blends hip-hop, R&B, jazz, and orchestral elements, creating a spacious yet intense listening experience. These creative decisions were elevated by the mix of renowned LA producer and sound engineer Lynne Earls, and mastering by Jett Galindo. Houston also reflects on the joy of recording at the world-famous Village Studios in Los Angeles with an all-female production crew—a rare feat in the male-dominated music industry.For Houston, the culmination of these efforts—working with aligned, socially conscious collaborators and creating with courageous intention—made Leader in the Crowd a powerful artistic and personal milestone.But her journey doesn't end there. Houston believes that everyone has the potential to make a difference. Each of us faces a choice: remain complacent, or point our hearts toward our dreams, stand for unity and justice, and be unafraid to lead.Stay connected with Lynn Houston on social media for updates on her upcoming track, Get Up, slated for release this summer.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Episode #23 of Impact in the 21st Century features the dynamic Hylton Kallner. Hylton is the CEO of Discovery Bank, a trailblazer in digital banking and behavioral economics. With a background in actuarial science and a deep passion for innovation, Hylton has helped shape Discovery's vision of a shared-value ecosystem—one that rewards people for living healthier and more financially responsible lives. In this episode, Hylton shares the journey of building Discovery Bank from the ground up, the power of incentives to change behavior at scale, and how technology, when aligned with purpose, can redefine financial services. From tackling inequality to enabling better money habits through gamified banking, Hylton's insights are both practical and inspiring. We also dive into his personal motivations, the future of finance, and why South Africa is uniquely positioned to pioneer inclusive banking solutions that make a real difference.

Description:In this episode of the When Words Fail Music Speaks Podcast, hosts James Cox, sits down with Benny from Muted Circus. Benny shares his journey through music, the emotional impact of his father's terminal brain cancer diagnosis, and how it influenced his songwriting. He discusses the evolution of his music, the challenges of writing sad songs, and the possibility of revisiting and reworking some of his tracks. Benny also touches on his experiences in the music industry, his thoughts on touring, and his future musical endeavors.Highlights:Benny's background in music and his journey from Berklee College of Music to creating Muted Circus.The emotional impact of his father's terminal illness on his music and songwriting.The process of creating and releasing multiple EPs, with a focus on themes of sadness and loss.Benny's thoughts on revisiting and potentially reworking some of his past songs.A discussion on the challenges and rewards of writing music that resonates personally.Benny's experiences touring with a well-known musician and his decision to focus on his own music.Fun and insightful questions about Benny's musical influences and favorite artists.Sponsors:BetterHelp: Get 10% off your first month of therapy at betterhelp.com/musicspeaks.Bones Coffee Company: Use code MUSIC SPEAKS for 10% off your order at bonescoffee.com.Connect with Muted Circus:Website: mutedcircus.bandcamp.comSoundCloud: soundcloud.com/muted-circusFacebook: Muted CircusFollow Us:Instagram: @music_speaks_podcastOutro:Thank you for listening to the When Words Fail Music Speaks Podcast. Remember, when words fail, music speaks.

Rosanne Cash is a 4-time Grammy-winning member of the Songwriters Hall of Fame, who has released over a dozen albums and published 5 books, has had her (prose) writing featured in the likes of Oxford American, The New York Times, and The Atlantic, was the 2020 recipient of the Edward MacDowell Medal for outstanding contributions to American culture, and holds an honorary doctorate from Berklee College of Music. We talk with Rosanne about navigating insecurity and imposter syndrome, measuring your own success by your talent and not your validation, allowing yourself to be called an artist, prose vs songwriting, respect for yourself and for the audience, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Rosanne CashJoan Baez SF eventEp 47 - Margo PriceTom Morello“House on the Lake”John Stewart Martha Graham“I Will Miss What I Wanted to Lose”Maria Callas memoireEp 39 - Joe HenryTom WaitsClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Mike Mangini has been performing since the age of 4, with a musically rich and diverse background that includes over countless awards and more than a decade on faculty at Berklee College of Music. He is also the drummer for the band, Monolith, who just dropped two new singles! However, his current focus is on his groundbreaking book series, Rhythm Knowledge. Developed by Mangini, Rhythm Knowledge is a methodical system for mastering rhythm and refining practice techniques. Designed for beginners and advanced musicians alike, it breaks complex patterns into binary components and provides clear, structured exercises that not only help musicians internalize timing, but feel it too. The system offers structured exercises that build a strong rhythmic foundation, unlock creativity, and enhance precision across genres. Learn more about your ad choices. Visit megaphone.fm/adchoices

** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 16: Denver-based keyboardist, drummer, producer and composer DeShawn Alexander, leader of the group Watermelon Funk. Spending his childhood as a church organist and later attending the Berklee College of Music, his repertoire has spanned funk, hip hop, blues, jazz and rock. Artists he has worked or shared the stage with include Marcus King, Lettuce, Eric Krasno, Talib Kweli, Joe Louis Walker, Christone “Kingfish” Ingram and Robert Randolph.  Heavily inspired by Parliament-Funkadelic, and especially Bernie Worrell, since 2021 Watermelon Funk has released three fantastic albums, including 2024's Afrodesiac – which features Garrett Shider and was named among FUNKNSTUFF's Top 25 Funk & Rock Albums of the Year.  RECORDED DECEMBER 2024 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Kelli Scarr is an American singer, composer, and multi-instrumentalist based in Kingston, NY. She is also the founder of Vera Jean Music, a pioneering record label dedicated to championing the talents of women artists over the age of 40.On May 12, 2025, she unveils Greater Mysteries, an immersive album and performance experience inspired by the ancient myth of Inanna. Born from a 2022 artist residency in Crete, and recorded in Iceland, the album invites listeners to connect with their own cycles of transformation. Transcendent piano and airy woodwinds intertwine with Scarr's otherworldly voice and the earthy pulse of the rhythm section, alongside contributions from an array of surprise musicians—creating a soundscape steeped in myth and mystery.Raised in Northern California, Scarr's musical journey began in church, eventually leading her to Berklee College of Music before settling in New York City. Over the years, she has woven her way through an eclectic range of projects, from fronting the bands Moonraker and Salt & Samovar to a significant collaboration writing, recording, and touring with Moby. Her artistry extends into film scoring, where her emotive and organic approach—favoring live musicians and improvisation—has set her apart. She earned an Emmy nomination for her score to the HBO documentary In A Dream (2008) and has composed music for dozens of films, TV shows, and commercials. Notable projects include the documentaries Advanced Style and Far Western, and the forthcoming After All (2025), for which she composed the score and contributed six original songs.As a solo artist, Scarr has released three albums—Piece (2010), Dangling Teeth (2012), and No Rush (2021)—establishing herself as a singular voice in atmospheric, deeply emotive songwriting. Her forthcoming fourth album, Greater Mysteries, marks a new creative chapter, offering music as an initiatory experience. The project will unfold through intimate preview concerts in the Hudson Valley, culminating in immersive cave performances this fall and beyond.Today we get to dive deep into Kelli's creative process in the making of Greater Mysteries from the seeds of inspiration that came from many sources such as Talk Talk by Spirit of Eden, Maureen Murdock's "The Heroine's Journey," and Dr. Catherine Svehla's mythical wisdom to the whisper from her psychic about Greece in her future. Kelli shares about the magic and mystery of her residency in Crete, how the voices of Odeya Nini and members of the Threshold Choir appeared to lend magic to the album, and we listen to three songs - "Knowing is the Call," "The Yes that Leads," and "Aphrodite" - as we meander through the myth of Inanna and how transformation happens to us..."she's not dying, she's flying free."Hudson Valley audiences will have an exclusive opportunity to preview Greater Mysteries before the rest of the world. On April 16th, Kelli is hosting Lesser Mysteries at Unicorn Bar in Kingston. The special preview event will feature an impressive lineup of local and national talent and offer attendees a unique opportunity to witness the early stages of what will become a larger, Greater Mysteries immersive cave experience scheduled for fall 2025.https://www.viewcy.com/e/lesser_mysteriesHere's Kelli's recommendation to Leah Thau's Podcast, Strangers.Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast 

What really happens when you go to one of the most famous music schools in the world? In this episode, Sharon pulls back the curtain on her time at Berklee College of Music as Scott digs into the highs, the lows, and the stuff you don't hear in the brochures. From late-night jam sessions to lessons learned side by side with other hungry young musicians, Sharon reflects on how community—not curriculum—shaped her most. If you've ever wondered what it actually means to come up in a place like Berklee, you'll want to hear this.

Rich and Jim sit down with veteran Nashville drummer John McTighe for an intimate conversation about his remarkable musical career. From playing with legendary artists like Don McClean and Raul Malo to creating innovative drumming accessories and recording a critically acclaimed solo album, McTighe shares fascinating stories from his decades in music. Discover the evolution of Nashville's music scene, hear about his time at Berklee College of Music, and get insights into the life of a professional musician who's seen it all. A must-listen for music lovers and aspiring drummers.   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jmvos.com   The Rich Redmond Show is produced by It's Your Show dot Co www.itsyourshow.co

This episode of The Other Side of the Bell, featuring trumpeter, band leader and iconic plunger mute designer Kenny Rampton, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Kenny Rampton trumpet interview"   About Kenny Rampton:   Trumpeter Kenny Rampton grew up in Las Vegas, and studied music at both the University of Nevada at Las Vegas and the Berklee College of Music. In 1989, he moved to New York, where he quickly established his reputation as a versatile musician, touring and performing with a veritable who's who in jazz.   Kenny's first road gig was a world tour with The Ray Charles Orchestra. He subsequently went on the road with legendary jazz drummer Panama Francis and The Savoy Sultans, and soon thereafter, with The Jimmy McGriff Quartet.   As a sideman, Kenny has also performed with jazz greats Jon Hendricks, Chico OFarrill's Afro-Cuban Jazz Big Band, Lionel Hampton, Charlie Persip and Supersound, Illinois Jacquet, Dr. John, Edy Martinez, Dr. Lonnie Smith, Reuben Wilson, Charles Earland, Tony Monaco, Clark Terry, Slide Hampton, Marcus Roberts, Christian McBride, Geoff Keezer, Richard Bona and a host of others.    Kenny Rampton joined the Jazz at Lincoln Center Orchestra with Wynton Marsalis as a full time member in 2010. He also leads his own groups in addition to performing with the Mingus Big Band, The Mingus Orchestra, The Mingus Dynasty, George Gruntz' Concert Jazz Band, and The Manhattan Jazz Orchestra.   Kenny is also well known as being the trumpet voice on the legendary Sesame Street. Some of his Broadway credits include "Anything Goes" (lead/solo trumpet), "Finian's Rainbow," "The Wiz," "Chicago: The Musical," "In The Heights," "Hair," "Young Frankenstein," and "The Producers," "The Drowsy Chaperone," "Spamalot," "Martin Short: Fame Becomes Me," "The Wedding Singer," "Hot Feet" and several other shows on Broadway.   Finally, in 2020 Kenny started collaborating with Hirschman Mutes to design the innovative KR Indigo plunger mute, which has been a hit ever since its release.   In our conversation today, Kenny shares how he got his start growing up in Las Vegas in a family of entertainers. Studying trumpet at the time largely meant classical trumpet, but Kenny soon developed a deep love for jazz. This took him across the country to Berklee, and the rest is history.   Kenny tells us what it was like getting a sudden call from Ray Charles to join his orchestra, being on-screen on Sesame Street, and working closely with Wynton Marsalis at the Lincoln Center.   And, we learn the story of how he developed the famous KR Indigo plunger mute, in the midst of the pandemic, as not just a useful tool for musicians but a way to stay engaged with the community during that tough time.   Kenny Rampton is brimming with inspiration and heart, and it was a pleasure to have him on the podcast today.   Podcast listeners! Enter code "podcast" at checkout for 15% off any of our guard bags! Visit trumpetmouthpiece.com for more info.   Episode Links: kennyrampton.com National Trumpet Competition YouTube channel International Women's Brass Conference, May 19-24, Hartford, Connecticut. Sign up sheet for valve alignments: bobreeves.com/iwbc International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. Sign up sheet for valve alignments: bobreeves.com/williamadam hirschmanmutes.com   Podcast Credits: “A Room with a View“ – composed and performed by Howie Shear Podcast Host – John Snell Audio Engineer – Ted Cragg

It is a pleasure to welcome singer-songwriter Annabel Gutherz back to The Jake's Take with Jacob Elyachar Podcast.  Hailing from Montreal, Canada, Annabel has a gift for crafting timeless music that speaks to the universal human experience. Her signature style—marked by poignant storytelling, honeyed melodies, and captivating vocals—takes listeners on a deeply emotional journey.   A graduate of the prestigious Berklee College of Music, she holds both a baccalaureate and master's degree, which have helped her sharpen her technical skills and elevate her artistry.Since releasing her debut album Loose Ends in 2021, Annabel has continued to hone her craft, collaborating with industry heavyweights like Bleu McAuley (Selena Gomez, Demi Lovato) and Bonnie Hayes (Bonnie Raitt, Bette Midler), among others. Most recently, her original songs were featured on CBS during Big Ten College Football broadcasts, further amplifying her presence and cementing her status as an emerging artist to watch.  On this edition of The Jake's Take with Jacob Elyachar Podcast, Annabel Gutherz spoke about her first single of 2025, “Dance Around It,” we shared our takes on Wicked's movie adaptation and hopes for Wicked: For Good.Let's connect on social media: A) BlueSky: https://bsky.app/profile/jacobelyachar.bsky.socialB) Facebook: https://www.facebook.com/JacobElyachar/C) Instagram: https://www.instagram.com/jacobelyachar/D) Threads: https://www.threads.net/@jacobelyacharE) Twitter (X): https://x.com/JacobElyacharF) YouTube: https://www.youtube.com/@JacobElyacharBecome a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

The microphone makes everything we do on the radio possible. This hour we celebrate the invention and look at the role of microphones in music. Plus hot mics, mic drops, and more. GUESTS: Susan Rogers: Multi-platinum record producer, cognitive neuroscientist, professor at Berklee College of Music and co-author of the book This is What It Sounds Like: What the Music You Love Says About You Azi Paybarah: Politics Reporter for The Washington Post Forrest Wickman: Slate's culture editor Colin McEnroe, Angelica Gajewski, and Dylan Reyes contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Pritesh Walia is a virtuoso jazz guitarist, accomplished composer, and dedicated educator hailing from the vibrant city of New Delhi, India. His musical journey began at the age of 13 when he immersed himself in the rich traditions of Indian Classical Music. Fueling his insatiable curiosity for music, Pritesh sought Western influences, pursuing a lifelong mastery of diverse musical styles. Armed with an Associate of Arts Degree from the Musicians Institute College of Contemporary Music, a Bachelor's Degree from Berklee College of Music in Contemporary Jazz Performance and Jazz Composition, and a Master's Degree in Jazz Performance from the New England Conservatory, Pritesh has honed his craft alongside some of the finest jazz musicians in the United States. Not only has Pritesh showcased his exceptional talent on global stages, but he has also formed collaborative partnerships with prestigious brands. During his tours of India from 2015 to 2017, he proudly represented leading musical instrument retailers. Sponsored by these industry giants, Pritesh conducted master classes and clinics across India, South America, and the United States, including two appearances at the esteemed Panama Jazz Festival. Pritesh's instructional prowess is further exemplified by his lessons and packages featured on renowned guitar instructional platforms such as Licklibrary. Currently endorsed by elite brands like Gruvgear, Chicken Picks, Collings Guitars, and Antelope Audio, Pritesh continues pushing his musical exploration's boundaries. His passion for education is evident in his role as a Jazz educator at institutions such as Bunker Hill Community College, Brookline Music School, and Excelsia College Sydney, where he guides master's students in the art of jazz. Pritesh is poised to make significant waves in the music scene with the upcoming release of his debut album, "Hope Town," scheduled for a fall 2023 release on all streaming platforms. This album, meticulously mixed and mastered by multi-Grammy winner engineer Dave Darlington, promises to be a testament to Pritesh's artistic vision. Additionally, Pritesh is set to unveil his organ trio, "PSA," in mid-2024, followed by a Big Band record featuring the Henry Godfrey Jazz Big Band and a modern Brazilian project with strings, both slated for release in late 2024. Recognizing his contributions to the jazz genre, Pritesh has been nominated for "Best Jazz Artist of the Year" at the Boston Music Awards alongside luminaries like Terry Lynn Carrington and Grace Kelly. Pritesh has had the privilege of studying under the mentorship of illustrious figures such as Scott Henderson, Russel Ferrante, David Fuze, Tomo Fujita, Tim Miller, Donny McCaslin, Jason Moran, Miguel Zenon, and esteemed composers like Frank Carlberg, Ben Scwendenner, and John Heiss. His collaborations include performances with the New England Jazz Orchestra, the Maria Schneider Orchestra at the New England Conservatory, and renowned jazz figures like Donny McCaslin, Bob Sheppard, and many others. Pritesh Walia's journey is a testament to his unwavering dedication to jazz, a genre that encapsulates not only his love for performance and composition but also his commitment to understanding its intricate harmony, theory, language, history, and voice. As he continues to evolve as a musician, educator, and collaborator, Pritesh's impact on the jazz world is poised to reach new heights.

Back in July 1984, Guitar Player magazine featured Eddie Van Halen on the cover. Since staff editor Jas Obrecht had already interviewed Eddie multiple times, the team asked him to create a crash course in Eddie's playing style. Eddie agreed, and music editor Jim Ferguson was sent to LA for the “My Tips for Beginners” section. For more advanced players, Eruption—Van Halen's legendary guitar-and-drums instrumental from 1978—was the obvious choice. But who could accurately transcribe such a groundbreaking piece? The answer: a young Steve Vai, fresh off recording his Flex-Able solo album. At just 23, Vai was a Berklee College of Music graduate and a member of Frank Zappa's band. His meticulous handwritten transcription of Eruption—complete with detailed performance notes—was nothing short of a work of art. Fast-forward 40 years: In January 2025, Jas posted a podcast interview with Vai from his Skyscraper era with David Lee Roth. The response was overwhelming, so we knew fans would love to see this historic transcription. Steve graciously gave his permission, joking that he might question its accuracy today after so many years and notes played! This original 1984 transcription is now archived in the University of North Carolina's Southern Folklife Collection, thanks to the efforts of Shaw Lentz and the SFC team. Now, we're bringing it to you in high-resolution detail!

For this bonus episode, the Shakespeare and Company podcast welcomes Jeremy Pelt, renowned jazz trumpeter and author of Griot: Examining the Lives of Jazz Great Storytellers. In conversation with Alex Freiman, Pelt discusses the evolution of jazz, the influence of oral traditions, and the importance of documenting firsthand accounts from legendary musicians. Reflecting on his early days at Berklee, his experiences touring worldwide, and his deep reverence for jazz elders like Roy Haynes and Wayne Shorter, Pelt shares insights into both the triumphs and struggles of jazz musicians. He also addresses the debate over the term “jazz,” the intersection of jazz and hip-hop, and the ongoing challenge of preserving the music's integrity in an industry that often sidelines its true practitioners. Listen in for a compelling exploration of jazz history, culture, and the passion that fuels one of its modern torchbearers.*Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson and The Skatalites, to name a few.Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues.Pelt's recordings and performances have earned him critical acclaim, both nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is currently touring throughout the United States and Europe in support of his latest release, "Soundtrack".Alex Freiman is a guitarist, composer, and singer trained at the Berklee College of Music in Boston. Drawing from jazz, blues, soul, and funk, he masterfully blends these influences with energy and virtuosity, creating music that is both groovy and sophisticated. After collaborating with major figures on the French and international scenes, including Stéphane Belmondo, he released his debut album as a leader, Play It Gentle, in 2017. Recorded with Léon Parker (drums), Fred Nardin (organ), and special guest Stéphane Belmondo, this album reflects his passion for improvisation and sonic elegance. Constantly seeking innovation, he launched Alex Freiman & The Hot Sauce, an explosive project where jazz, funk, soul, and hip-hop intertwine. His EP In The Beginning (September 2024) marks the start of a new musical era, followed by the singles We Are One (January 2025), featuring rapper Tiemoko, and This Is The Hot Sauce (March 2025), affirming his vibrant and innovative musical identity. In 2025, Alex Freiman continues his groove exploration with a new album and fresh collaborations. Alex Freiman & The Hot Sauce will also be performing in Paris and across France, delivering electrifying shows where improvisation and energy collide.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Watch on YouTube Carson talks with Otto Gross II, an accomplished multi-instrumentalist and worship director at a church in Nashville, TN. Otto shares his journey through scoliosis surgery, discovering his love for the piano, graduating from Berklee College of Music, and his time playing keys on the road with Eddie James Ministries. Otto also discusses his personal production ventures, including the #OttoDailyDitty series and his contributions to children's music education. Tune in for an enriching conversation filled with life lessons, musical insights, and a demonstration of Otto's incredible talent.FREE eBookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

This week we are joined by Deanna Colon! Deanna is a singer, songwriter, actress, vocal coach, and chef. Deanna was a contestant on Season 8 of NBC's #1 rated show, “America's Got Talent”, making it to the live, quarter semifinal round at Radio City Music Hall in NYC. She was also the lead singer/dancer/actress for 2 years of BIG LOTS holiday commercials.Deanna has sung background vocals for many recording artists, including Nick Jonas, Celine Dion, Lea Michele, Justin Bieber, and Paula Abdul. On Season 10 of the FOX show Master Chef, Deanna won a coveted white apron from the judges and became a member of the elite Top 20. She also has garnered almost 300K followers on her Tik Tok cooking show “Fork My Life”. In 2023, Deanna was cast as the lead singer/actress/dancer in a huge national spot for pharmaceutical brand Jardiance. Make sure to check her out!In this episode, Deanna shares her multifaceted journey through the culinary and entertainment worlds. Deanna reflects on her upbringing in a family restaurant, the importance of travel and life experiences, and her discovery of a talent for singing that led her to a scholarship at Berklee College of Music. We share starstruck moments with music legends, reflect on the complexities of fame and personal safety, and discuss the reality of competition shows in the entertainment industry. Deanna discusses the importance of versatility in creative careers, her personal experiences with body image and acceptance, and the comfort food that brings her joy. Deanna also emphasizes the need for self-love and the challenges of being an outsider, while also highlighting her passion for cooking and connecting with others through food. Give this episode a listen!Recommendations From This Episode: WildCard KitchenMystic PizzaFollow Deanna Colon: @deannabombchica on Instagram and TikTokFollow Carly: @carlyjmontagFollow Emily: @thefunnywalshFollow the podcast: @aloneatlunchpodPlease rate and review the podcast! Spread the word! Tell your friends! Email us: aloneatlunch@gmail.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When you imagine the tools of a guitar shredder, chances are you see a sharp-angled electric 6-string running into a smokin'-hot, fully saturated British halfstack of sorts—the type of thing that'll blow your hair back. You might not be picturing an acoustic steel-string or a banjo, and that's a mistake, because some of the most face-melting players to walk this earth work unplugged—like Molly Tuttle. The 31-year-old Californian has been performing live for roughly 20 years, following in a deep family tradition of roots-music players. Tuttle studied at Berklee College of Music, and has gone on to collaborate with some of the biggest names in bluegrass and folk, including Béla Fleck, Billy Strings, Buddy Miller, Sierra Hull, and Old Crow Medicine Show. Her 2023 record, City of Gold, won the Grammy for Best Bluegrass Album. The furious flatpicking solo on “San Joaquin,” off of that Grammy-winning record, is the subject of this unplugged episode of Shred With Shifty. Shiflett can shred on electric alright, but how does he hold up running leads on acoustic? It's a whole different ballgame. Thankfully, Tuttle is on hand, equipped with a Pre-War Guitars Co. 6-string, to demystify the techniques and gear that let her tear up the fretboard. Tune in to hear plenty of insider knowledge on how to amplify and EQ acoustics, what instruments can stand in for percussion in bluegrass groups, and how to improvise in bluegrass music. If you're able to help, here are some charities aimed at assisting musicians affected by the fires in L.A:  https://guitarcenterfoundation.org https://www.cciarts.org/relief.html https://www.musiciansfoundation.org https://fireaidla.org https://www.musicares.org https://www.sweetrelief.org Full Video Episodes: http://volume.com/shifty  Apple: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314 Follow Chris Shiflett: Facebook: https://www.facebook.com/chrisshiflettmusic Instagram: https://www.instagram.com/shifty71 TikTok: https://www.tiktok.com/@chris.shiflett Twitter: https://twitter.com/chrisshiflett71 Website: http://www.chrisshiflettmusic.com Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag Producer: Jason Shadrick Executive Producers: Brady Sadler and Jake Brennan for Double Elvis Engineering support by Matt Tahaney and Matt Beaudion Video Editor: Addison Sauvan Graphic Design: Megan Pralle Special thanks to Jon Romeo, Michelle Yoon, Chris Peterson, Greg Nacron, and the entire Volume.com crew.

Guest and HostGuest: Precious Perez, President at RAMPD | On LinkedIn: https://www.linkedin.com/in/precious-perez-a0548915b/ | Website: https://preciousperezmusica.com/Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesThe intersection of music, technology, and accessibility is shaping how artists create, perform, and share their work. In this episode of Music Evolves, host Sean Martin speaks with singer, songwriter, and educator Precious Perez, a Berklee College of Music graduate with degrees in music education and vocal performance. As a blind Latina artist and disability advocate, Perez shares her journey in music, the role of technology in her creative process, and how she works to increase opportunities for musicians with disabilities.A Life Shaped by MusicPerez's passion for music started early, surrounded by the diverse sounds of her Puerto Rican household. From salsa and reggaeton to R&B and pop, her exposure to various genres helped shape her identity as an artist. She recalls her first songwriting experience in fourth grade, when she transformed a poem into a song with the help of a music teacher. That moment solidified her desire to pursue music professionally, leading her to Berklee, where she refined her skills in both performance and education.As a blind musician, Perez explains how she interacts with music differently from sighted artists. She describes her early experiences learning Braille music and how tactile memory plays a role in understanding composition. While she primarily relies on her ear, her knowledge of Braille notation helps her analyze rhythm and structure in a unique way.Technology as a Tool for InclusionFor Perez, technology has been both a gateway and a challenge. She demonstrates how she uses a BrailleSense note taker, a device that allows her to type lyrics and read them in Braille while composing. She also shares how screen reading software enables her to navigate recording software like Logic Pro and Pro Tools, ensuring she can produce and edit her music independently.Beyond the studio, accessibility in live performance is another key consideration. Whether using in-ear monitors or giving cues to her bandmates through verbal or physical signals, Perez emphasizes that clear communication and collaboration make performances seamless.Advocating for Disability Representation in MusicPerez is also the president of RAMPD (Recording Artists and Music Professionals with Disabilities), an organization founded by recording artist Lachi and NPR Tiny Desk Contest winner Gaelynn Lea. RAMPD is dedicated to amplifying disability culture, promoting accessibility, and ensuring that disabled artists have equitable opportunities in the music industry. The organization consults with major industry events like the Grammys, NAMM, and Folk Alliance to improve accessibility and representation.She stresses that disability is an often-overlooked part of diversity and that anyone, at any time, could join this community due to illness, injury, or aging. Through RAMPD, Perez and her colleagues are breaking down barriers and proving that disabled musicians are just as competitive and professional as their peers.A New Era of MusicPerez is embracing a new era in her music, blending her Latin roots with her pop and R&B influences. She performs her latest song, Rosé, a Spanish-language track about embracing the present moment with a loved one despite life's difficulties. With plans to record a new project with We Could Be Music in Costa Rica, she is leaning into the Latin music space in a way she has always envisioned.Her story is one of resilience, innovation, and passion. From navigating music education as a blind student to advocating for industry-wide accessibility, Perez is proving that talent and determination—not sight—define an artist's success.Listen to the full episode to hear Precious Perez's insights on technology, performance, and advocacy in music.SponsorsAre you interested in sponsoring this show or placing an ad in the podcast?Sponsorship

National security expert Juliette Kayyem joins to discuss yesterday's meeting between Russia, Saudi Arabia and the US on ending the war in Ukraine...notably without Zelensky in the room. Also, the firing of FAA workers and Gov. Hochul's push to remove Mayor Eric Adams from office.Comedian Nikki Glaser, of Tom Brady Roast and Golden Globes fame, calls in to talk about her six upcoming shows at the Wang Theatre.A restaurant roundtable with chefs Jody Adams (La Padrona), Garret Harker (Eastern Standard) and Jimmy Liang (Mason's Steakhouse). We talk about their new restaurants and the state of the hospitality industry.It's the third iteration of our mini series "How do you two know each other?" with husband and wife duo Linda Mason (Chair Emerita at the Boston Foundation and co-founder of Bright Horizons) and Roger Brown (former President of Berklee College and founder of Salt Lick Incubator).