Podcast appearances and mentions of Roger Waters

80 Jahre später und kein bisschen klüger. Dieser Eindruck drängt sich unmittelbar auf, mit Blick auf die heutige, desaströse Weltlage. Dabei hat man sich vor rund acht Dekaden weltweit ein „Nie wieder“ geschworen. „Nie wieder Krieg!“ Es sollte dabei nicht bei einem Lippenbekenntnis bleiben. Der Schwur wurde unter anderem in der Charta der Vereinten Nationen festgehalten. Doch wie kommt es, dass das Versprechen, die Waffen zukünftig schweigen zu lassen, seither unzählige Male gebrochen wurde? War es etwa manchen der Siegermächte nicht ernst damit, als sie sich kurz vor Kriegsende in Jalta zur gleichnamigen Konferenz trafen? Hören Sie hierzu die Rede des Pink Floyd - Mitgründers Roger Waters anlässlich des 80. Jahrestags der Jalta-Konferenz, die auf Deutsch zuerst bei Manova unter dem Titel „Abgründe der Gier“ erschienen war. https://www.manova.news/artikel/abgrunde-der-gier Sprecherin: Sabrina Khalil, Redaktion: N. Riedl Bild: Wikipedia www.radiomuenchen.net/​ @radiomuenchen www.facebook.com/radiomuenchen www.instagram.com/radio_muenchen/ twitter.com/RadioMuenchen Radio München ist eine gemeinnützige Unternehmung. Wir freuen uns, wenn Sie unsere Arbeit unterstützen. GLS-Bank IBAN: DE65 4306 0967 8217 9867 00 BIC: GENODEM1GLS Bitcoin (BTC): bc1qqkrzed5vuvl82dggsyjgcjteylq5l58sz4s927 Ethereum (ETH): 0xB9a49A0bda5FAc3F084D5257424E3e6fdD303482

S8E20 went live from the TSORR Studio on Myoli Beach on 15 May 2025 at 19h00 on Rebel Rock Radio. Apologies for the couple of times I had mic problems between songs, don't adjust your set, it comes back.   Running order of artists featured:  Metallica, Buckcherry, ACDC, Black Country Communion, Saxon, Smith/Kotzen, Walking Papers, Iron Maiden, Rush, Ricky Warwick, The Gaslight Anthem, Joel Hoekstra's 13 Myles Kennedy, Ayron Jones, Danko Jones, Sex Pistols, Joe Jackson, Jimi Hendrix, The Rolling Stones, Gareth Haze, The Stranglers, Roger Waters, Guns N' Roses, Def Leppard, Iron Maiden, Rammstein, Queensrÿche, Joe Bonamassa, SatchVai, Tom Petty, Accept, Heaven & Hell, Linkin Park The Story of Rock and Roll. TSORR - Your one-stop shop for Rock

Lee Harris, the founder and guitarist of the successful band ‘Nick Mason's Saucerful of Secret' was our first interview guest almost two years ago. We had an exciting conversation back then and we knew we wanted to invite him back to our podcast.Now, 25 episodes later, the time has finally come, Lee Harris is back!Together with Phil Salathé, in this episode we talk about Lee's youth, his own career as co-manager and guitarist of the band ‘Ian Dury and the Blockheads' and the musical development of Pink Floyd between the years 1967 and 1972, an era they cover with the 'Saucers'.Lee also gives us a fascinating behind-the-scenes look at the band, describing the conditions under which the songs were chosen and why Echoes came so late in the setlist.Look forward to a lively conversation between two full-blooded musicians and some great and nerdy insights...(On a personal note, to our knowledge Pink Floyd performed 'The Alan's Psychedelic Breakfast' four times during the UK leg of their British Winter Tour in 1970.)

In a controversy that seems to have divided the art world in India, Mumbai-based poet-activist Aamir Aziz has accused well known artist Anita Dube of using his poem without his consent, and profiting from it without giving him credit or compensation. The poem in question is ‘Sab Yaad Rakha Jayega', which became an anthem of the anti-CAA protests and later a global phenomenon after English rock musician Roger Waters read it out at an event in London. While Dube has admitted to an “ethical lapse” and reportedly offered some remuneration to Aziz, the dispute has acquired a legal dimension, with Aziz sending her a legal notice. What does the copyright law say in a case like this – where an artist may feel she has the right to ‘fair use' of a text, but another artist feels that his copyright has been violated? Guest: Shantanu Sood, a lawyer who specialises in intellectual property-related issues. Host: G. Sampath, Social Affairs Editor, The Hindu Recorded by Aniket Singh Chauhan Edited by Shivaraj S Produced by Jude Francis Weston

Heureux de partager avec vous trois excellentes nouvelles sorties ! Par respect pour son age canonique, commençons par HAWKWIND dont l'album "There Is Nos Space For Us" nous place immédiatement en orbite...Et ça fait du bien de nous éloigner de cette planète de plus en plus folle...Dave Brock (seul membre de l'équipage d'origine) navigue dans l'espace depuis 1970 avec un rythme toujours soutenu de parutions !  Toujours en Terre d'Albion, RICHARD ANTHONY BEAN publie le 3ème volet de sa trilogie consacrée à la mythologie grecque dont vous avez pu découvrir les deux premiers ici même au cours de l'année dernière. Et à mon humble avis, il nous a gardé le meilleur pour la fin ! Beaucoup innovations sonores sur cet album (presque) instrumental intitulé "The Beauty, The Strenght & The Divine" A écouter confortablement installé et en immersion dans la palette de sons de Maître Richard !  De ce côté ci de la Manche aussi nous avons des talents, notamment à Rennes dont la réputation n'est plus à faire ! DRAMA KING est le projet solo de l'artiste breton Kevin Gourdin issu de la scène punk rock. Ce projet est plus intimiste, ambiance Nick Cave et là encore, il est recommandé de vous  installer confortablement pour écouter cet album "Mud & Concrete" qui a des choses à dire ! Vous pourrez aussi en profiter version live, puisque Kevin défend son œuvre en tournée avec ses musiciens. Pour  nos auditeurs nantais, cela se passera au COLD CRACH à Rezé demain 25 avril, à ne pas manquer les amis !  Autre idée de sortie dans la cité des Ducs, LE FLORIDE accueille ce samedi 26 avril trois groupes de la scène métal. Pour vous en donner un avant-goût dans ce numéro : BLACK RADISH & THE TAINTED GOURDS, c'est du lourd ! A retrouver en concert samedi aux côtés de RIPLEY FROM MARS et MAANEN FACES, ambiance garantie ! Italie, 1974 : naissance d'un groupe baptisé IL CHERCHIO D' ORO...Ils ont cherché longtemps car hormis quelques 45t, il leur faudra attendre les années 2000 pour publier enfin leurs premiers albums pour le plus grand plaisir de nos oreilles impatientes ! Extrait ici de l'excellent "Pangea E Le Tre Lune" paru en 2023 : la classe du rock progressif italien aux accents de sons classiques et baroques... 20 ans auparavant, les suédois ANEKDOTEN sortaient "Gravity", pour les amateurs d'un néo-prog atypique, avec cordes et mellotron, quelque peu post-rock et très agréable au passage dans vos cages à miel ! Outre-atlantique, le duo brésilien FLEESH est réputé pour leurs savoureuses et délicates versions de pépites du rock progressif, alternant avec de belles productions d'albums personnels. Mais c'est en mode "cover" qu'on les retrouve ici avec une magnifique et poignante interprétation de l'ultime album de PINK FLOYD avec Roger Waters  : "The Final Cut". Issu de leur premier opus justement intitulé "Versions" en 2003.  Vous le savez tout à démarré dans LA décennie 70's ! Illustration avec le génial FRANCK ZAPPA pour un album toutefois plus consensuel avec le marché mais toujours d'une grande originalité : "Over-Nite Sensation" en 1973. Même remarque d'ailleurs pour les GENTLE GIANT et leur excellent "The Missing Piece" en 1977, ici avec un coup de jeune puisqu'en version remixée par un certain Steven Wilson... Enfin, un an plus tard le supergroupe U.K. réunissait quatre pointures (membres de Soft Machine, Curved Air, Roxy Music, Yes ou encore et King Crimson, excusez du peu !!) Résultat : un album éponyme visant à proposer une musique (ici encore) plus accessible et une belle carte de visite pour toutes ses musiques qui font le bonheur d'Amarok chaque jeudi soir sur les antennes de SUN !      Page Facebook de l'émission : AMAROK44

Pink Floyd's 'Animals', a lyrically dark, musically dense concept album loosely based on George Orwell's 'Animal Farm', is as eerily precient today as it was when first released in 1977. Rob and this week's guest, Portland, Oregon songwriter and
multi-instrumentalist James Cook (Trashcan Joe, Captain's Audio Project), take a deep dive into this sweepingly nihilistic classic. Songs discussed in this episode: Pigs On The Wing (Pink Floyd Cover) - Chrome; Waiting For The Moon, Really Hard To Find - Captain's Audio Project; Breathe (In The Air) - Pink Floyd; Rise Above - Black Flag; Pigs On The Wing (Part One), Astronomy Domine, Dogs, Shine On You Crazy Diamond, Dogs, Pigs (Three Different Ones), Sheep, Pigs On The Wing (Part Two) - Pink Floyd; A Little Bit Here - Trashcan Joe; Satan Wrote This Song - Captain's Audio Project

There's a worst case scenario looming here, isn't there? Snow Crash by Neal Stephenson, Curtis Yarvin, Freedom Cities, "Anarcho-Capitalism", and the Neofeudal Order Still to Come Special thanks to my Patrons Support this project at https://patreon.com/ericrosenfield for exclusive author's notes, deleted material, and other goodies Blog version: https://literatemachine.com/2025/04/13/our-coming-cyberpunk-dictatorship-snow-crash Bibliography: https://literatemachine.com/2025/04/13/our-coming-cyberpunk-dictatorship-snow-crash#bibliography Music: "What Shall We Do Now?" written by Roger Waters, performed by me Lossless audio version now up on Patreon

Enjoy our discussion of Roger Waters' "The Pros And Cons Of Hitch Hiking!"

To celebrate the 50th anniversary of the start of the North America tour in 1975, we present a new and exciting episode of the Fingal's Cave podcast.In more than 2 hours we discuss Pink Floyd's so-called transition period between 1974 and 1975, often derided as the band's creative low point.But even though there were many late decisions, sound problems, mishaps and - to be frank - a certain amount of laziness, these three tours, which started in Colmar (France) on 22nd June and ended in Knebworth (UK) on 5th July, offered plenty to talk about. From one of the finest Dark Side of the Moon shows in Bristol to a total disaster in Knebworth, Pink Floyd went through a rollercoaster ride in these 380 days, defining their own future by road-testing new material and setting the stage (no pun intended) with stunning new visuals, including the birth of Mr. Screen.After several weeks of preparation, we are proud to bring you an in-depth chat that even the dedicated Pink Floyd fan will learn something from, we promise!Our yt-channel: https://www.youtube.com/@Fingals_Cave_PodcastMost important shows:1974-06-22 Colmar (tour start)https://www.youtube.com/watch?v=8AFkERLrJQU1974-11-19 Stoke on Trent (British Winter Tour 74 bootleg)https://www.youtube.com/watch?v=7F2-bSdNHTY1974-12-14 Bristol (Best Dark Side Set)https://www.youtube.com/watch?v=nlFm7s-Gypc1975-04-26 Los Angeles (Millard recording)https://www.youtube.com/watch?v=4clpGEnZz0o1975-06-09 Landover (Best ‘75 Dark Side Set)https://www.youtube.com/watch?v=e8iLvc72N1w1975-06-17 Uniondale (Great show)https://www.youtube.com/watch?v=qPzaR1PcUDI1975-06-28 Hamilton (Superb recording)https://www.youtube.com/watch?v=jAR5x2LGHO0Videos:1975-04-27 Los Angeles (8mm)https://www.youtube.com/watch?v=0NYLy9NqlAY1975-06-09 Landover (8mm)https://www.youtube.com/watch?v=pH1mGiSmbRk1975-06-26 Montreal (8mm)https://www.youtube.com/watch?v=Nb7lxh_9eOk1975-06-28 Hamilton (8mm)https://www.youtube.com/watch?v=fSXZMFq_Msk1975-07-05 Knebworth (video)https://www.youtube.com/watch?v=0Oi5BCXeV4A

This week on the Rockonteurs podcast, we are delighted to welcome PP Arnold to the show. She is a true ‘Soul Survivor' and her career is nothing short of extraordinary. In this episode she chats to Guy and Gary sharing some incredible stories of her life in music. From a chance opportunity to join Ike and Tina Turner, to working with the Small Faces, Nick Drake, Ocean Colour Scene, Mick Jagger and Roger Waters. It is a career that just keeps on giving and PP is still as full of energy as always and her voice is utterly sublime. Find out more about her career spanning collection of tracks 'Soul Survivor' - A Life in Song, which is out now, here: https://lnk.to/pparnoldInstagram @rockonteurs @pp_arnold @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.ukEmail the show at rockonteurschannel@gmail.com Hosted on Acast. See acast.com/privacy for more information.

This week on the Rockonteurs podcast, we are delighted to welcome PP Arnold to the show. She is a true ‘Soul Survivor' and her career is nothing short of extraordinary. In this episode she chats to Guy and Gary sharing some incredible stories of her life in music. From a chance opportunity to join Ike and Tina Turner, to working with the Small Faces, Nick Drake, Ocean Colour Scene, Mick Jagger and Roger Waters. It is a career that just keeps on giving and PP is still as full of energy as always and her voice is utterly sublime. Find out more about her career spanning collection of tracks 'Soul Survivor' - A Life in Song, which is out now, here: https://lnk.to/pparnoldInstagram @rockonteurs @pp_arnold @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.ukEmail the show at rockonteurschannel@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Charles Malet, Mike Robinson, Vanessa Beeley, Sandi Adams and John Kiriakou with today's UK Column News. If you would like to support our independent journalism, please join the community: https://community.ukcolumn.org/ Sources: www.ukcolumn.org/video/uk-column-news-2nd-april-2025 Timestamps: 00:00 UK Laws Eroding Democracy: Crackdown on Dissidents 07:09 Ofcom's Censorship: Conflicts of Interest and the Extremism Redefinition 14:32 Roger Waters' Speech on the 80th Anniversary of Yalta: A Stand Against War 18:37 Weston's 'Council of Sanctuary' and the Kalergi Plan Debate: The Global Migration Agenda 29:44 UK Column On Location Livestream Available — UK Column Is Member Funded, Please Join Us 32:11 De-banking as Censorship: Bad Banki Fights Back 39:03 Yemen Under Fire: US Airstrikes, Palestinian Medics Shot - Latest Military Results (Starvation) 45:39 Government Recruits Valuers for Livestock Culls and Farm Seizures: Preparing for Mass Agricultural Control 47:58 Unintended Consequences and the Dangers of Playing God: Gene Editing to Change Eye Colour? 54:50 Israel's Impunity: Expanding Military Presence in Lebanon and Syria Amid Ongoing Airstrikes

«Wir haben wirklich unser Bestes gegeben», sagt My Morning Jacket-Keyboarder Bo Koster im Sounds!-Interview über das zehnte Album seiner Southern-Rock-inspirierten Kapelle. Und er hat verdammt recht. «Is» ist das beste My Morning Jacket-Album seit Jahren. All Killer, no Filler – dem Quintett aus Louisville, Kentucky ist mit ihrer neuen Platte ein wirklich hervorragender Wurf gelungen. Von den härteren Rockern wie «Half a Lifetime» bis zu den dreamy Balladen wie «Time Waited»: Es sind alles starke Songs, welche My Morning Jacket aus den rund 100 Demos, die Sänger und Songwriter Jim James für das Album geschrieben hat, ausgewählt haben. Dafür musste man jedoch auch ein paar Umwege gehen, wie Koster, der auch schon in der Tourband von Roger Waters spielte, im Interview erzählt. Mit «Half a Lifetime» zum Beispiel, gibt's auf der neuen Platte einen Song, dessen Demoversion bereits 20 Jahre zurückgeht. «Is» ist das neue Sounds! Album der Woche. Noch Platz im Plattenregal? Dann live Sounds! hören! Wir verlosen jeden Abend bis Freitag eine Vinyl-Ausgabe des Albums. +++ PLAYLIST +++ · 22:56 – ANWAY von FROWN LINE · 22:52 – PECKHAM RYE von MONTE MAI · 22:48 – YOU GOT TIME AND I GOT MONEY von SMERZ · 22:43 – PURE LOVE von DJ KOZE FEAT. DAMON ALBARN · 22:39 – THE STEPS von HAIM · 22:37 – JEALOUS BOY von THE BUG CLUB · 22:32 – THE WOLF von WITCH POST · 22:29 – LIFE DURING WARTIME von TALKING HEADS · 22:26 – BACKFLIP von CAMILLA SPARKSSS · 22:21 – SEXY CLOWN von MARIE DAVIDSON · 22:18 – JESUS WITH GLASSES von URGES · 22:15 – CORRIDOR von URGES · 22:10 – FAKE PLASTIC TREES von RADIOHEAD · 21:55 – MAYBE WHEN WE'RE 30 von SPORTS TEAM · 21:50 – I'M IN LOVE (SUBARU) von SPORTS TEAM · 21:45 – EVERYDAY MAGIC von MY MORNING JACKET · 21:40 – DIE FOR IT von MY MORNING JACKET · 21:36 – WORDLESS CHORUS von MY MORNING JACKET · 21:29 – HALF A LIFETIME von MY MORNING JACKET · 21:26 – BREATHE von PINK FLOYD · 21:20 – ROCKMAN von MK.GEE · 21:16 – OUT IN THE OPEN von MY MORNING JACKET · 21:09 – I CAN HEAR YOUR LOVE von MY MORNING JACKET · 21:06 – TIME WAITED von MY MORNING JACKET

The legendary sounds of Pink Floyd's "Another Brick in the Wall (Part 2)" come alive as we explore this revolutionary anthem that dominated airwaves and captivated a generation in 1980. This cultural phenomenon wasn't just a song – it was everywhere, playing in homes, game rooms, and wherever young people gathered to shout "We don't need no education!"Delving into the innovative construction of the track, we unpack how Pink Floyd boldly incorporated a disco beat at a time when the genre was fading, creating something utterly transcendent with David Gilmour's guitar work and that unforgettable children's choir. The conceptual origins of "The Wall" reveal Roger Waters' growing alienation from audiences, which sparked his radical idea to build an actual wall between band and crowd during performances.Our musical journey through March 1980 continues with explorations of Pat Benatar's "Heartbreaker," Van Halen's "Women and Children First" album, The Cure's "A Forest," and Rush's "Spirit of Radio." Each track represents the incredible boundary-pushing innovation happening across music as a new decade dawned.Whether you're rediscovering these classics or hearing these stories for the first time, this episode connects personal memories with musical milestones in ways that will have you reaching for your air guitar – or perhaps practicing your air drums with the proper technique! Join us for this nostalgic yet fresh look at some of rock's most transformative moments.Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease Like and Follow our Facebook and Instagram page at Music In My Shoes. You can contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Pink Floyd rock legend Roger Waters responds to news from Gaza that Israel has massacred over 400 Palestinians in renewed rounds of bombardment and sends a message to Palestinian student Mahmoud Khalil. Asked what his message is to Mahmoud Khalil and other students like him who have been arrested recently by immigration enforcement officers in the U.S. and are being threatened with deportation, Roger responds, “Keep doing what you were doing before they arrested you!” “This is Gestapo tactics, this is fascism at work. Years ago in interviews I was saying the fight for universal human rights, specifically relating to the people of Palestine, will be fought on the campuses of north America, how right I was going to be I had no idea!” Amid the horrors being inflicted on Gaza, Roger questions whether Israel's genocide may eventually backfire: “What I hope is the genocide of the Palestinian people will prove to be the Achilles Heel in the monster of the Western hegemony with its mask off which we're watching operate.” “The hole in Trump's armour and the hole in the Israeli lobby's armour is their evil. The fact that they're so undeniably and appallingly evil in every way maybe their achilles heel, and they may fail. They may fall over.” Interview recorded March 18, 2025. __________________ Please support our work: https://www.palestinedeepdive.com/support

The conclusion of Jeff's celebration of Swan Songs, this time featuring three final cuts in the career of Pink Floyd (with and without former frontmen Roger Waters and Syd Barrett), Roxy Music, Queen, Nirvana, Chris Cornell (with a Johnny Cash angle), The Band, Tom Petty, Warren Zevon, John Lennon, and David Bowie.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Folks, we're stretching a bit on this one.  Lynch noticed that Roger Waters performed "The Wall" at the Berlin wall in this month, and used that as an excuse to feature A Momentary Lapse of Reason, which was the latest studio album by Pink Floyd. Since that originally came out in 1987, we're asking you to squint a bit to see it's relevance to the summer of 1990.  That being said...A Momentary Lapse of Reason is the first Pink Floyd album released after bassist and primary songwriter Roger Waters left the band.  Waters had expected that Pink Floyd would simply disband, and was surprised when David Gilmour and Nick Mason decided to continue without him.  Acrimony and lawsuits appeared, but in the end a Water-less Pink Floyd continued on.Unlike many prior Pink Floyd albums, this one is not playing off a single concept.  Instead, it is a more traditional collection of songs.  Gilmour presented the album as a return to earlier Pink Floyd material, which was perhaps a reaction to common critiques of their previous album "The Final Cut" as a Roger Waters solo effort masquerading as a Pink Floyd album.  There are a number of well-known session musicians that participated in the making of this album.The album was a commercial success, debuting at number 3 on both the US and UK albums charts.  The US tour was the most successful of the year, selling out almost every venue it played in the States.  Roger Water's lawsuits would be overcome, and a settlement was reached between Waters and the band by the end of 1987.Lynch brings us this Pink Floyd reboot album for today's podcast and we're joined by guest host Julie Doran joins us on this episode. On the Turning AwayThis power ballad was co-written by Gilmour and British experimental composer Anthony Moore.  It is an anti-war song, one of the more political Pink Floyd songs written since the departure of Waters. It begins with a solemn Gilmour vocal supported by understated keyboards, then builds to an almost orchestral conclusion.  Learning to FlyA surprisingly upbeat song for the group, the inspiration for this first single is David Gilmour's experience learning to fly airplanes.  At the time he would do practice flights in the mornings and work in the studio in the afternoons.  It is also a metaphor for the band coming back together after splitting with Roger Waters.One SlipThe fourth US single discusses the long-term consequences of a one-night stand, and contains the lyrics that would become the title to the album as a whole.  Gilmour co-wrote this song with Roxy Music guitarist Phil Manzanera.  Fans of bassist Tony Levin may recognize his work on a Chapman Stick in the instrumentation for this track.  ENTERTAINMENT TRACK:Real Wild Child by Iggy Pop (from the motion picture “Problem Child”)This dark comedy starring John Ritter follows the trials of Ben Healy Jr. as he adopts a less-than-model child from a questionable adoption agency.   STAFF PICKS:Stop by Jane's AddictionWayne leads off the staff picks with a college radio hit off the "Ritual De Lo Habitual" album.  Lead singer Perry Farrell warns about apathy towards environmental disaster, telling people to turn off the smokestacks.  "And the water will run, come a day, the water will run, no man will stand for things he had done."Brave New World by Michael PennRob brings us a jangly deeper cut with a song with rapid fire lyrics off Penn's "March" album.  The song reflects confusion in where the singer is going, perhaps making a commentary on society as it heads into a "brave new world."  "This may not be my best day, but this ain't no golden age.  You looked pretty on the freeway.  Let's drive into the brave new world."Give It Up by Hothouse FlowersBruce features a s song from an Irish group off their second album, "Home."  This song that went to number 2 on the US Modern Rock chart is summed up in the lyrics, "Well, this song's inspired by a good man and his tune doing good for others, sing 'Amazing Grace' for you." Rub You the Right Way by Johnny GillJulie's staff pick is an upbeat hip hop song, and Gill's first single after he left New Edition earlier in the year.  Despite the lyrics, Gill was the son of a minister and got his start in gospel music.  He signed with Motown as a teenager.  Gill had become very accustomed to performing live, and had a difficult time switching to studio work.  Blue Sky Mine by Midnight OilLynch closes out the staff picks with the first single off Midnight Oil's seventh studio album.  The inspiration for the song was the experience of workers in the Wittenoom asbestos mines in western Australia, where they contracted a variety of asbestos-related diseases.  The "blue" in the title refers to "blue asbestos," a form of the mineral considered most hazardous. INSTRUMENTAL TRACK:Erotic Nightmares by Steve VaiGuitar virtuoso Steve Vai carries us out of this week's podcast. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Más de 50 años después de lanzado sique siendo un disco absolutamente influyente. Esta es la historia de una obra de arte de la música.

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With over a decade of experience, Carlos Mas is a Grammy and 2x Latin Grammy nominated, Juno Award winner, and Billboard charting Engineer, Mixer, and Producer. His portfolio includes collaborations with renowned artists such as: Roger Waters, Mötley Crüe, YUNGBLUD, MGK, Stormzy, Brent Faiyaz, Jessie Reyez, Summer Walker, Chase & Status, Gordon Raphael, Mahalia, Kojey Radical, Hybrid Minds, NAMES, Gran Radio Riviera, Famasloop, Gustavo Casas y los que buscan, Rafa Pino, Orbital and Tendai.He was born and raised in Caracas, Venezuela, where his love for music blossomed amidst the rich cultural tapestry of his hometown. From an early age, he was captivated by sounds and rhythms, setting the stage for his future in the music industry.Seeking to expand his horizons, Carlos moved to Buenos Aires, Argentina, where he worked under the legendary record producer Tweety Gonzalez at El Pie Recording Studios. This experience was instrumental in shaping his skills and deepening his understanding of music production.In 2015, Carlos relocated to Atlanta, USA, where he joined Jim Z' Zumpano at ZAC Recording. His time in Atlanta marked a significant turning point in his career, allowing him to further refine his craft.As a guitarist and synthesizer player, Carlos toured with the band Famasloop. His contributions in the studio with them earned him a Latin Grammy nomination in 2015.In 2017, Carlos made another pivotal move to London, UK, where he established himself as an engineer at Strongroom Studios. This role has enabled him to collaborate with a diverse range of artists.IN THIS EPISODE YOU'LL LEARN:Staying focused and strong throughout your career, even when things get challengingEstablishing the “sound” of a recordWhy reference tracks aren't always the most helpful thing to useThe Brian Eno card trick for music productionDealing with the egos of artistsWorking with Mötley Crüe and Bob RockTop-down vs bottom-up mixingA breakdown of his master buss chainUsing high ratios on your master buss compressorWhat to listen for when working with saturation toolsHow to make bass stand out on small speakersTo learn more about Carlos Mas, visit: https://www.carlos-mas.com/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join:https://masteryourmix.com/amplitude/ Want additional help with your music productions?For tips on how to improve your mixes, visit: https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Check out our Sponsors:Want more Mixing or Mastering clients? Communicate your true value with MixFlip: https://mixflip.io/?affiliate=mym Download Waves Plugins here:

Pat Arnold has had quite a life. Born in 1946 she grew up in LA, and was in an abusive marriage with two kids while still a teenager. In 1965 she got a chance to audition for Ike and Tina Turner's band as an “Ikette”. She got the gig and left her children in the care of her parents. This eventually took her to London where she fell into the orbit of The Rolling Stones, and she decided to stay behind there to establish herself as a solo artist, signing to Stones' manager Andrew Loog Oldham's label Immediate Records, home of the Small Faces, members of whom ended up writing songs for her and backing her on some of her recordings. She also toured with them, and is the backing vocalist on Itchycoo Park and Tin Soldier, two of their biggest hits. She had hits under her own name too, including her recordings of Angel Of The Morning and The First Cut Is The Deepest. She also recorded with Rod Stewart. In the 70s she appeared on recordings by the likes of Nick Drake, Graham Nash, and Nils Lofgren. She toured with Eric Clapton and recorded with Barry Gibb although most of these recordings remained unreleased for decades. She sadly lost a daughter in a car accident in the mid-70s, and along with not being able to further her career as a solo artist, she seems to view this as somewhat of a lost decade. As well as being cast in Starlight Express, the 80s saw her work with Steel Pulse, The Beatmasters and Roger Waters, as well appearing on Peter Gabriel's smash hit Sledgehammer. She first came into my orbit in the late 90s through her collaboration with Ocean Colour Scene, and the early 2000s saw her tour extensively with Roger Waters. In recent years she finally completed the album she started with Barry Gibb and Eric Clapton decades earlier, as well as a brand new studio album recorded and produced by former podcast guest Steve Craddock of Ocean Colour Scene and Paul Weller fame. She has a new career spanning box set entitled “Soul Survivor - A Life In Song” and I had a fantastic time talking to Pat about her life and career. Instagram: @sendingsignalspodcast

Joining me on this video edition of the show the legendary Andy Fairweather Low.New Album Out "The Invisible Bluesman" Buy here https://amzn.to/40QsAbwJoining us on the latest edition of The Classic Rock and Blues Show with Tim Caple is none other than rhythm guitar legend Andy Fairweather Low. A true icon, Andy has played alongside some of the greatest names in music history—Eric Clapton, BB King, George Harrison, Roger Waters, Stevie Nicks, The Who, and many more. From his early days fronting the chart-topping Amen Corner to his acclaimed solo career and legendary collaborations, Andy's journey is nothing short of extraordinary.Now, he returns to his blues roots with a brand-new album, set for release on February 7th. Don't miss this exclusive feature interview as Andy shares insights into his storied career and his latest musical venture.Andy Fairweather Low is a rhythm guitar legend who has played with the music industries greats of the last 60 years, from Eric Clapton, BB King, George Harrison, Roger Waters, Stevei Nicks, The Who in fact the list is so long you couldn't fit it in here, and lets not forget the chart topping band Amen Corner as well. Andy turns to the blues for his brand new album coming Feb 7th Andy Fairweather Low, born on August 2, 1948, in Ystrad Mynach, Wales, is a renowned Welsh guitarist, singer, and songwriter. He first gained prominence in the late 1960s as the lead vocalist of the pop group Amen Corner. The band achieved several UK hits, including "Gin House Blues," "Bend Me Shape Me," "High in the Sky," and the chart-topping "(If Paradise Is) Half as Nice" in 1969. Following the disbandment of Amen Corner in 1970, Fairweather Low formed Fair Weather, which scored a UK Top 10 hit with "Natural Sinner" the same year. After the group's dissolution in 1971, he embarked on a solo career, releasing albums such as "Spider Jiving" (1974) and "La Booga Rooga" (1975). His solo work produced hits like "Reggae Tune" and "Wide Eyed and Legless," the latter reaching No. 6 on the UK charts in 1975. Beyond his solo endeavors, Fairweather Low became a sought-after session musician. He collaborated with prominent artists, including Eric Clapton, George Harrison, Roger Waters, and Bill Wyman's Rhythm Kings. Notably, he was part of Eric Clapton's band during the acclaimed "Unplugged" performance and toured extensively with Roger Waters during the "In the Flesh" and "The Dark Side of the Moon Live" tours. #andyfairweatherlow #bluesmusic #amencorner

Matt and Daniel are joined by legendary Pink Floyd bassist and lyricist Roger Waters for a discussion of Roger's introduction to anti-zionism and being called a shameful coward by Radiohead's Thom Yorke, and we ask our audience to be chill and normal about the barks of one Sweet Georgia Brown.Support Muslim Aid USA at mausa.orgFind everything Roger Waters at rogerwaters.comSubscribe to the Patreon https://www.patreon.com/badhasbaraSubscribe/listen to Bad Hasbara wherever you get  your podcasts.Spotify https://open.spotify.com/show/5RDvo87OzNLA78UH82MI55Apple Podcasts https://podcasts.apple.com/us/podcast/bad-hasbara-the-worlds-most-moral-podcast/id1721813926Support this podcast at — https://redcircle.com/bad-hasbara/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

This week on the Rockonteurs podcast, we welcome Andy Fairweather Low to the show. Andy is a wonderful guitarist and singer and the founding member of Amen Corner, but Andy's career stretches way beyond that and he shares some incredible stories of working with Eric Clapton, Roger Waters, George Harrison and seeing Hendrix and much, much more…This is a classic Rockonteurs!Instagram @rockonteurs @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

This week on the Rockonteurs podcast, we welcome Andy Fairweather Low to the show. Andy is a wonderful guitarist and singer and the founding member of Amen Corner, but Andy's career stretches way beyond that and he shares some incredible stories of working with Eric Clapton, Roger Waters, George Harrison and seeing Hendrix and much, much more…This is a classic Rockonteurs!Instagram @rockonteurs @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

This week, a real cross section of artists, which speaks to the depth and diversity of our interview archive. First up is Pink Floyd. We have a short but interesting chat with David Gilmour from 1984 and he promotes his solo work, but also wrestles with the past and future of Pink Floyd. Then we have an awesome 1979 chat with legendary Canadian producer Bob Ezrin as he talks about Pink Floyd’s The Wall – and as many fans know, Bob was instrumental in the creation of that album – and he has lots to say about it – from the development of the theme, to Roger Waters’ LACK of musical imagination (at least at the outset) to the planning of the ambitious tour that was to follow. Fascinating stuff from a guy who’s NOT afraid to share his opinions. Then we have a chat with Chad Kroeger and the guys from Nickelback from 2014. This was around the time that the whole backlash against them was just starting to heat up. They address it head on – and do a very good job too! Then we travel back to 2004 with Gwen Stefani, upon the release of her first solo album. Gwen is a bundle of energy who cannot be contained – and you can hear the passion, emotion and even insecurity that drives her. We also have a short but fun segment with the Black Eyed Peas from 2005 – a boy did THEY ever own the charts in that decade. We also remember the classic ‘60s Girl Groups, with cool facts from the amazing book “Will You Love Me Tomorrow?” Our favourite story is about the vocal group that you’ve likely heard thousands of times over the years, but never knew by name. Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria, AM1150 Kelowna and 91x in Belleville. It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

In today's episode we talk about a very special time for Pink Floyd between 1978 -1981 and the staging of THE WALL live shows. This would be the last time until 2005 where the main four members played live as a band, so it is an important, if melancholic period.Together with Kyle and Phil (Salathé) we discuss the circumstances surrounding the album THE WALL, the so-called ‘Performance Manuscript' and of course many shows from the tour itself. In particular we discuss the tour rehearsals, the start of the tour in Los Angeles on February 7th 1980, the video recordings of the concert in New York at the Nassau Coliseum, in London at Earl's Court, and of course about the great shows in Dortmund, a typical German city in the middle of the Ruhr area. We also take a brief look at the last run of wall shows in June of 1981.In a little more than 2 hours you will learn many insights, mishaps, surprises and hopefully yet unknown things about the Wall live!Credit goes to RarePinkFloyd for providing research materials for this episode. You can view his wonderful website here; http://www.rarepinkfloyd.fr/Credit also goes to Vernon Fitch and Richard Mahon's incredible book, “Comfortably Numb: A History of The Wall 1978-1981”, which you can purchase here;http://www.pfapublishing.com/

In this occasional series exploring modular synthesis and live performance, William Stokes talks to Tony Rolando, electronic musician and founder of modular company Make Noise. Tony talks about his beginnings in the industry and how Make Noise has relaunched in 2025 with a new team and a brand new module release, which he then showcases in an exclusive performance alongside four additional modules.Chapters00:00 - Introduction05:22 - Creating Social Media Posts12:10 - Recent Innovations In Modular14:02 - Revisioning Jettisoned Music Technology21:08 - Module 1: Maths 30:17 - Module 2: Morphagene47:42 - Module 3: Qpas 57:57 - Module 4: Bruxa01:12:52 - Module 5: New Universal Synthesizer System01:27:40 - The PerformanceTony Rolando BiogTony Rolando is a self-taught musician and electronic musical instrument designer who started his career building electronics for artists, such as the light controlled mixer for Simon Lee's “Bus Obscura,” working for Moog Music and playing in bands. He has recently released music with Important Records and the Asheville, NC based Ceremony of Seasons.Tony is the founder, lead designer and co-owner of Make Noise, a modular synth company launched in 2008, known for modules such as the Morphagene and 0-Coast, popular with artists like Thom Yorke and Robert Lowe, aka Lichens. They operate out of Asheville, NC and have global distribution through a number of music tech dealers.https://tonyrolando.bandcamp.com/www.makenoisemusic.comWilliam Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

You could spend an hour just digesting the breadth and depth of Mike McKnight's career, but let's just say he's been the go-to guy for artists as diverse as Mariah Carey, Roger Waters and Madonna. That is just the tip of the iceberg…. To listen / watch: Audio-only: click on the play button in the... The post Mike McKnight, Keyboardist / Programmer / Musical Director appeared first on The Keyboard Chronicles.

In this special holiday episode, Nils and Ian sit down with Bob and Oakley—two young superfans who weren't even born when Pink Floyd's last tour ended. Together, they unwrap stories of rare recordings, audio engineering wizardry, and the friendships that make the fan community feel like family.Bob and Oakley dive into their passion for finding rare recordings, chasing down rumours, and earning respect from experienced fans in the broader Pink Floyd community.Their love for live recordings has led them to develop impressive audio engineering and mastering skills. Bob and Oakley share their experience working on projects like matrix mixes and quadrophonic remasters, where they combine multiple audience recordings—each captured from different spots in a venue. They break down the techniques, challenges, and how these projects often deliver audio quality far beyond expectations.Our first 2023 episode declared: “Once you're hooked, there's no way back.” Bob and Oakley embody this sentiment, proving how Pink Floyd's music continues to inspire a new generation of researchers, audio specialists, and devoted fans.From all of us at Fingal's Cave, merry Christmas and happy holidays!

Thom has finished his solo jaunt across Oceania and Eastern Asia and naturally, we have tons to talk about. Which songs stood out and which old songs did he breathe new life into? We review the tour stats and our favorite highlights of his “new kind of solo show”. Also, the newspile is dense with items like an interesting interview with the “director” of the Nosferatu Amnesiac/Kid A sync, a spooky song from Thom's wife Dajana, a fashion collab between Thom and a Japanese designer, Roger Waters opening up a public feud with Thom, three very different Radiohead covers, and plenty more.

Firas Zreik is a Palestine-born, NY-based composer and player of Kanun, a traditional Arabic string instrument. He has performed and recorded in varied styles including Arabic Maqam and jazz and collaborated with many international artists such as Residente, Pink Floyd's Roger Waters, Shreya Ghoshal, and others. His debut EP "Solo" came out in 2021 and his most recent release is a 2023 full-length album called "Salute.”Take a journey with us today to the land of Kanun, the Arabic tradition of Maqam, and world music.What you'll learn in this episode:Understanding the Kanun and its historyMaqam: the language of Arabic musicHow colonization and racism show up in the music worldGrowing up Palestinian and second-class citizen in Haifa and GalileeWhat it was like collaborating with Grammy-winning artist ResidenteThe role of artists and activism in the Palestinian causeFiras tackles the question of diasporaFeatured on the show:Opening credit: Prelude to Salute by Firas ZreikSee Firas play Kanun in my three other favorite compositions:Fields of FigsShamsLullaby for NatureListen to the song dedicated to the children of Gaza, in collab with Residente Learn more about Firas on his website Follow Firas on InstagramGet more information at: Going Places website Join our Going Places newsletter to get updates on new episodes and Yulia's travel storytelling work. Subscribe at goingplacesmedia.com/newsletter!For more BTS of this podcast follow @goingplacesmedia on Instagram and check out our videos on YouTube!Please head over to Apple Podcasts and SUBSCRIBE to the show. If you enjoy this conversation, please share it with others on social and don't forget to tag us @goingplacesmedia!And show us some love, if you have a minute, by rating Going Places or leaving us a review wherever you listen. You'll be helping us to bend the arc of algorithms towards our community — thank you!Going Places with Yulia Denisyuk is a show that sparks a better understanding of people and places near and far by fostering a space for real conversations to occur. Each week, we sit down with travelers, journalists, creators, and people living and working in destinations around the world. Hosted by Yulia Denisyuk, an award-winning travel journalist, photographer, and writer who's worked with National Geographic, The New York Times, BBC Travel, and more. Learn more about our show at

Roger Waters: Campaign for Peace.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you were to make a list of the musicians who made some of the most beloved recordings in rock music, the name Jerry Shirley will come up over and over again. In addition to his role as drummer in Humble Pie, he has worked closely with luminaries like B.B. King, John Entwistle, and of course, Syd Barrett. In this episode, he sits down with Phil Salathé to discuss his long and storied career, and to share stories from his work with Syd in the studio and live. We also investigate a few mysteries in the process, including an enigmatic Syd outtake that's stymied researchers for decades. You won't want to miss it!

WATCH the video of this interview here: https://youtu.be/aTVsVUqjjDo?si=6BTS2tyka41Tiyut Legendary artist Roger Waters talks to Abby Martin about Trump's landslide victory and what to expect in his administration, reflects on the year of genocide in Gaza, excoriates Radiohead for their stance on Palestine, and urges to seek out the rare voices of reason that exist to counteract the prevailing insanity. EMPIRE FILES VIDEOS + MERCH + SOCIALS + PATREON + EXCLUSIVE CONTENT :: https://linktr.ee/empirefiles

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

It took a while for Pink Floyd to regain their focus but, when they did, it eventually resulted in the 1973 album The Dark Side of the Moon. One of the most popular and well-known albums in the world, it shot the band to a level of stardom they previously failed to achieve. After a long tour, a long recording session and Roger Waters coming more to the forefront of the band, Wish You Were Here was released in 1975. Partially a tribute to Syd Barrett, partially a warning about the music industry, it gives their previous album quite a challenge for the best in the group's catalog. 

La historia de Pedro Aznar es bastante extensa, comenzó muy joven con Madre Atómica, fue integrante de la banda Seru Giran, uno de los proyectos musicales mas importantes en la historia de la música Argentina y del Pat Metheny Group, donde hizo varias giras mundiales y ganó 3 Premios Grammys. Con mas de 12 trabajos en estudio, una decena de bandas sonoras y grabaciones en directo, su carrera como solista se ha fortalecido. Ha participado en grabaciones y conciertos, con muchas de las más importantes figuras argentinas e internacionales, como: Charly García, Luis Alberto Spinetta, Mercedes Sosa, Fito Paez, Roger Waters, Shakira, Caetano Veloso o Soda Stereo, entre otros. Actualmente esta recorriendo el mundo con una gira para festejar sus 50 años en la música. Escucha la entrevista especial con Pedo Aznar aquí:

  Documentary Filmaker John Edginton Len first discovered John's documentaries, finding John's interview with Col. Fletcher Prouty. Intrigued, Len discovers John's library of interviews, including a BBC film on Martin Luther King. John started out as a journalist, worked as a print journalist in the early 80's, then got involved in TV. Worked on a TV series with a new television station in the UK, channel 4, promoting independence. John's big break as a filmmaker happened when in 1989 he interviewed James Earl Ray. James was in prison in East Tennessee at Brushy Mountain Prison near Knoxville. John wrote to James, asking permission from Ray to visit the prison & interview him. The prison & James agreed with the prison requesting that John not bring any recording devices. John was able to spend 4 hours interviewing James Earl Ray, without any security whatsoever. The more John talked to James he realized James was a patsy. John managed to persuade the BBC into helping fund the documentary with James Earl Ray. John & his colleague friend, researcher John Sergeant from the UK, toured the US for six months. John ended up meeting Fletcher Prouty and others during their intense tour recording interviews. Full interview with James Earl Ray Video Here At this time Dr. William Pepper was just beginning to be involved in James Earl Ray’s case. What extent was the government involved in the assassination of Martin Luther King? Col. Prouty was a wonderful source of information on deep state covert operations. Col. Fletcher Prouty interview Watch Video Here It took years for John to realize the value of his interview with Col. Fletcher Prouty. The BBC junked the documentary, but John had VHS copies he was able to recover. The documenatry "Who Killed Martin Luther King" Watch Here Len remembers watching John's documentary on Chappaquiddick when it was featured by Bill Kurtis. Everything that Col. Fletcher wrote in his book 'The Secret Team' was all about the deep state. David Ratcliffe interviewed Prouty for his book 'Understanding Special Operations'. Len was impressed seeing John's documentaries on Pink Floyd, Roger Waters, David Gilmour etc.. John's documentaries are unfiltered interviews, 'over coffee talk', completely unscripted. People told John that David Gilmour would never let him into his house, but he was fascinated by John. Len enjoys the long form interviews, that aren't rushed, similar of Joe Rogan's interview style. John has managed to capture many artists as they talked about their craft without censorship. Len found a great value in watching John's list of older interviews, including Genesis & Phil Collins! John recently found the Boiler Girl interview & uploaded it to his channel. Why did they never have an autopsy on Mary Joe Kopecky? People are really interested in all of the raw material. Kamala Harris recently had a 60 minute interview, but it was edited to 45 minutes. Why? When 'The Men Who Killed Kennedy' came out, it was a big deal, Len recalls watching the episodes. Fletcher Prouty was the 'authentic eyewitness' from inside the Pentagon. No contradictions. John recommends his 1996 HBO documentary 'Mumia Abu-Jamal: A Case for Reasonable Doubt?' Please visit John Edginton's Youtube Channel Part Two starts at 31:23 Ray McGuinnis - Author and researcher Ray's website Unanswered Questions has a number of articles about 911 & the 2022 Trucker’s Convoy. Ray attended the 2022 Trucker's Convoy hearings at Ottawa in mid July. Mid January 2022 the Canadian government implemented illegal vaccine mandates on truckers. If the truck drivers did not have their Covid vaccines, mandatory 10 days quarantine upon entry. A 10 day quarantine requirement would mean truckers could only work 2-3 days a month. Protests were incited because of these illegal vaccine mandates being enforced on Ca...

In Episode 274, Martin explores the creative and commercial journeys of rockers who left or were exiled from their iconic bands, including Hugh Cornwell, Roger Waters, and Ozzy Osbourne. The episode delves into their “second catalogs” and how these artists forged successful solo careers, often fueled by bad blood and a desire to prove themselves. Hugh Cornwell – “Red Rose” Roger Waters – “Picture That” Ozzy Osbourne – “Flying High Again” Rainbow – “Self Portrait” Operation: Mindcrime – “Taking on the World” Learn more about your ad choices. Visit megaphone.fm/adchoices

The fall of the Soviet wall and the opening of the iron curtain presented ample space for hope, optimism and opportunity for westerners eager to share culture, creativity, business and democracy concepts with the citizens of the former Soviet Union. David Junk leapt at the chance to work for Polygram/Universal Records in a country hungry for music and freedom. David's 15 years in Russia were a unique window of time between Gorbachov's Glasnost and Putin's re-consolidation of power. David stepped into a landscape that he called “the wild, wild, east,” teaming with gangsters and corruption and also talented, enterprising Russians, eager to explore new possibilities. David's journey is documented in his book, Rockin' The Kremlin which gives readers an inside look at boots-on-the-ground life and work in Russia from the perspective of a Russian speaking, idealistic American. David and his co-writer Fred Bronson join us for a fascinating dive into David's adventures… Contract negations with Polygram which included kidnapping insurance, Russian kids' obsession with hip hop, discovering and exporting Russian talent including two young girls called t.A.T.u. who kissed on The Tonight Show, wearing “F*** War” tee-shirts which they got past everyone because the words were written in Russian. David says that those tee-shirts are now being worn by kids in Ukraine. This window in time introduced a generation to a complex intersection of culture and politics which was ultimately snuffed by Putin's coalition with the Russian Orthodox Church and a renewed, vehement opposition to LGBTQ rights and individual expression. Ultimately, it was David's deep disappointment in colleagues' support for the invasion of Ukraine and concerns for his family's safety which brought him back to the states. But still, so much was learned and exchanged.All this, plus Fritz and Weezy are recommending The English Teacher on FX (streaming on Hulu) and the making of The Sopranos doc, Wiseguy on HBO Max.Path Points of Interest:Rocking The Kremlin: My Incredible, True Story Of Gangsters, Oligarchs, And Pop Stars In Putin's Russia by David Junk with Fred BronsonDavid Junk on FacebookDavid Junk on InstagramFred Bronson on TwitterArt During Wartime PodcastGift of Democracy The English Teacher FX and Huluhttps://www.fxnetworks.com/shows/english-teacherWiseguy - HBOhttps://www.hbo.com/movies/wise-guy-david-chase-and-the-sopranos

Legendary musician and writer Nick Cave discusses his forthcoming album Wild God, Roger Waters and the BDS movement, and the role of freedom in seeking transcendence.

Vamposer. Palm facing. Do Evil On Your Own Time. CroonchyStars...BorkBork! Raviolo. Knife-Splaining. (v) I Often Wake Up To Peeeeeeeee. Isnât there a candy bar called NESTLE something? Herbert Sprinkles while Robert Plants and Roger Waters. Falling hard from the toot. Tap Tap Tap, Ding Ding Ding, Slap. Yes but I think that's the cocaine. Evil 80/20. Don't Count On The Count Being A Count. I'm TVsTravis MacLoud of the Clan MacLoud and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.

MUSIC Nearly 50,000 people packed San Francisco's Golden Gate Park on Saturday to see System of A Down and Deftones in concert. 90% of the concertgoers were from the San Francisco area.  55-year-old Brent Clifford, the son of Creedence Clearwater Revival drummer Doug Clifford, is in a California prison, facing murder charges.  Gene Simmons and Bob Dylan have recorded vintage covers for the biopic Reagan, which will star Dennis Quaid as the actor who became the 40th president. Simmons will do the Lena Horne hit “Stormy Weather.” Dylan chose Cole Porter's “Don't Fence Me In,” a song popularized by Gene Autry, who happens to have been Quaid's third cousin. Creed's Scott Stapp does a cameo as Frank Sinatra in the movie, which comes out a week from Friday (August 30th).  Joe Walsh was in Washington, D.C. last week for the 77th Committee Meeting of the President's Committee on the Arts and Humanities. He posted a photo on Instagram with the caption, “Look Ma, I'm a Presidential Appointee! Looking forward to serving on behalf of American artists across this great land.” Walsh was appointed to the committee in April of last year. Bonham's sold a beautiful 1965 Ford Mustang convertible that was owned by the late singer-songwriter Tom Petty for $225,000 on Friday.            TV Eugene and Dan Levy have been chosen to emcee the upcoming Emmy Awards on ABC.   Jeff Goldblum guest-hosted "Jimmy Kimmel Live" last week, and on Thursday he was interviewing Awkwafina, when a fly landed on his desk and basically just HUNG OUT there. After being assured by Jimmy's sidekick Guillermo that it was the first time this had happened, he said, quote, "Hey, I tell my kids, you know, when you see a spider, I go, 'Don't hurt anything. Don't hurt anything! Take it and put it out.'" MOVING ON INTO MOVIE NEWS: Alien: Romulus debuted big at the box office as it sets out to revive the classic franchise. The film is estimated to earn between $41.5 million and take the No.1 spot! It will also get bragging rights for toppling Marvel Studios' Deadpool and Wolverine from the top spot.  The iconic fedora worn by Harrison Ford in 1984's 'Indiana Jones and The Temple of Doom' sold at auction for $630,000!   "Despicable Me" director Chris Renaud co-created the Minions. And he has a very specific wish for them: That they never make the jump to live-action. He says, quote: "For me, what defines the world is that it is animated and it allows us to get away with what we get away with . . . These are really cartoon ideas, like what would have been in a Bugs Bunny cartoon." Robert De Niro celebrated his 81st birthday by jumping off of a yacht into a body of water. RIP: John Aprea, who played young Salvatore Tessio in The Godfather Part II died on August 7 of natural causes in Los Angeles at age 83. AND FINALLY Coldplay's current Music of the Spheres World Tour just became the highest-grossing rock tour of all time. It's made $945.7 million and sold 8.8 million tickets since it kicked off in March of 2022.  Here's a list of the Top 10 highest-grossing rock tours:  1.  Coldplay, Music of the Spheres World Tour: $945.7 million  2.  Elton John, Farewell Yellow Brick Road Tour: $939.1 million  3.  U2, U2 360 Tour: $736.4 million  4.  Guns N' Roses, Not in This Lifetime... Tour: $584.2 million  5.  The Rolling Stones, A Bigger Bang Tour: $558.0 million  6.  The Rolling Stones, No Filter Tour: $546.5 million  7.  Coldplay, A Head Full of Dreams Tour: $523.3 million  8.  Roger Waters, The Wall Live: $459.2 million  9.  AC/DC, Black Ice World Tour: $441.6 million  10.  Red Hot Chili Peppers, Global Stadium Tour: $390.8 million   Learn more about your ad choices. Visit megaphone.fm/adchoices

MUSICNearly 50,000 people packed San Francisco's Golden Gate Park on Saturday to see System of A Down and Deftones in concert. 90% of the concertgoers were from the San Francisco area. 55-year-old Brent Clifford, the son of Creedence Clearwater Revival drummer Doug Clifford, is in a California prison, facing murder charges. Gene Simmons and Bob Dylan have recorded vintage covers for the biopic Reagan, which will star Dennis Quaid as the actor who became the 40th president. Simmons will do the Lena Horne hit “Stormy Weather.” Dylan chose Cole Porter's “Don't Fence Me In,” a song popularized by Gene Autry, who happens to have been Quaid's third cousin. Creed's Scott Stapp does a cameo as Frank Sinatra in the movie, which comes out a week from Friday (August 30th). Joe Walsh was in Washington, D.C. last week for the 77th Committee Meeting of the President's Committee on the Arts and Humanities. He posted a photo on Instagram with the caption, “Look Ma, I'm a Presidential Appointee! Looking forward to serving on behalf of American artists across this great land.” Walsh was appointed to the committee in April of last year.Bonham's sold a beautiful 1965 Ford Mustang convertible that was owned by the late singer-songwriter Tom Petty for $225,000 on Friday.           TVEugene and Dan Levy have been chosen to emcee the upcoming Emmy Awards on ABC.  Jeff Goldblum guest-hosted "Jimmy Kimmel Live" last week, and on Thursday he was interviewing Awkwafina, when a fly landed on his desk and basically just HUNG OUT there. After being assured by Jimmy's sidekick Guillermo that it was the first time this had happened, he said, quote, "Hey, I tell my kids, you know, when you see a spider, I go, 'Don't hurt anything. Don't hurt anything! Take it and put it out.'"MOVING ON INTO MOVIE NEWS:Alien: Romulus debuted big at the box office as it sets out to revive the classic franchise. The film is estimated to earn between $41.5 million and take the No.1 spot! It will also get bragging rights for toppling Marvel Studios' Deadpool and Wolverine from the top spot. The iconic fedora worn by Harrison Ford in 1984's 'Indiana Jones and The Temple of Doom' sold at auction for $630,000!  "Despicable Me" director Chris Renaud co-created the Minions. And he has a very specific wish for them: That they never make the jump to live-action. He says, quote: "For me, what defines the world is that it is animated and it allows us to get away with what we get away with . . . These are really cartoon ideas, like what would have been in a Bugs Bunny cartoon."Robert De Niro celebrated his 81st birthday by jumping off of a yacht into a body of water.RIP: John Aprea, who played young Salvatore Tessio in The Godfather Part II died on August 7 of natural causes in Los Angeles at age 83.AND FINALLYColdplay's current Music of the Spheres World Tour just became the highest-grossing rock tour of all time. It's made $945.7 million and sold 8.8 million tickets since it kicked off in March of 2022. Here's a list of the Top 10 highest-grossing rock tours: 1.  Coldplay, Music of the Spheres World Tour: $945.7 million 2.  Elton John, Farewell Yellow Brick Road Tour: $939.1 million 3.  U2, U2 360 Tour: $736.4 million 4.  Guns N' Roses, Not in This Lifetime... Tour: $584.2 million 5.  The Rolling Stones, A Bigger Bang Tour: $558.0 million 6.  The Rolling Stones, No Filter Tour: $546.5 million 7.  Coldplay, A Head Full of Dreams Tour: $523.3 million 8.  Roger Waters, The Wall Live: $459.2 million 9.  AC/DC, Black Ice World Tour: $441.6 million 10.  Red Hot Chili Peppers, Global Stadium Tour: $390.8 million  Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Crap On Celebrity Extra - Gojira represented metal at the Paris Games' opening ceremonies when the French band collaborated with opera singer Marina Viotti during the 'Libertie' part of the festivities - LINK Sinéad O'Connor's cause of death has been revealed one year after her tragic death. According to reports, the legendary “Nothing Compares 2 U” singer's death certificate listed multiple respiratory issues - LINK Pink Floyd drummer, Nick Mason doesn't hold out hope for a Pink Floyd reunion, given that guitarist David Gilmour and former bassist Roger Waters can't stand one another. But he does offer one idea to create new Pink Floyd songs: artificial intelligence - LINK Slash has commented on the July 19th death of his 25-year-old stepdaughter Lucy-Bleu Knight, saying, "My heart is permanently fractured. I will never ever stop missing you & remembering what a beacon of happiness, laughter, creativity & beauty you have always been & still are. The brightest light in the lives of so many that loved you so much. I find solace in the hope that you are at peace now. I will love you eternally." Lucy's mom is Slash's girlfriend, Meegan Hodges. AND FINALLY IMDB ranks the Best Tom Cruise Movies of all time! Mission Impossible – Fallout (2018) Top Gun: Maverick (2022) Magnolia (1999) Minority Report (2002) Rain Man (1988) Edge of Tomorrow (2014) Collateral (2004) Jerry Maguire (1996) Mission Impossible – Rogue Nation (2015) Mission Impossible – Ghost Protocol (2011) - LINK Learn more about your ad choices. Visit megaphone.fm/adchoices

Crap On Celebrity Extra -Gojira represented metal at the Paris Games' opening ceremonies when the French band collaborated with opera singer Marina Viotti during the 'Libertie' part of the festivities - LINKSinéad O'Connor's cause of death has been revealed one year after her tragic death. According to reports, the legendary “Nothing Compares 2 U” singer's death certificate listed multiple respiratory issues - LINKPink Floyd drummer, Nick Mason doesn't hold out hope for a Pink Floyd reunion, given that guitarist David Gilmour and former bassist Roger Waters can't stand one another. But he does offer one idea to create new Pink Floyd songs: artificial intelligence - LINKSlash has commented on the July 19th death of his 25-year-old stepdaughter Lucy-Bleu Knight, saying, "My heart is permanently fractured. I will never ever stop missing you & remembering what a beacon of happiness, laughter, creativity & beauty you have always been & still are. The brightest light in the lives of so many that loved you so much. I find solace in the hope that you are at peace now. I will love you eternally." Lucy's mom is Slash's girlfriend, Meegan Hodges.AND FINALLYIMDB ranks the Best Tom Cruise Movies of all time! Mission Impossible – Fallout (2018) Top Gun: Maverick (2022) Magnolia (1999) Minority Report (2002) Rain Man (1988) Edge of Tomorrow (2014) Collateral (2004) Jerry Maguire (1996) Mission Impossible – Rogue Nation (2015) Mission Impossible – Ghost Protocol (2011) - LINK Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is The Zone of Disruption! This is the I AM RAPAPORT: STEREO PODCAST! His name is Michael Rapaport aka The Gringo Mandingo aka  The Charles Oakley of The Jews, The Monster of Mucous aka Captain Colitis aka The Disruptive Warrior aka Mr. NY aka The Inflamed Ashkenazi aka The Smiling Sultan of Sniff aka The Flat Footed Phenom aka Mitzvah Mike is here from Chicago to discuss: Enjoying Israel but not the Middle Eastern heat, shootings in Chicago over the holiday weekend, upcoming Democratic National Convention, Smoking Joe Biden on his Rocky Balboa, not being interested in Kamala Harris for President, Roger Waters being on The Piers Morgan Show, Dream Team at The Olympics, sniffing Summer Fantasy Football & a whole lotta mo'. This episode is not to be missed! Rate & Review on Apple Podcasts or Spotify Send questions & concerns to: iamrapaportpodcast@gmail.com Subscribe to Rapaport's Reality Feeds:  iHeartRadio: https://www.iheart.com/podcast/867-rapaports-reality-with-keb-171162927/ Apple Podcasts: https://podcasts.apple.com/us/podcast/rapaports-reality-with-kebe-michael-rapaport/id1744160673 Spotify: https://open.spotify.com/show/3a9ArixCtWRhfpfo1Tz7MR Pandora: https://www.pandora.com/podcast/rapaports-reality-with-kebe-michael-rapaport/PC:1001087456 Amazon Music: https://music.amazon.com/podcasts/a776919e-ad8c-4b4b-90c6-f28e41fe1d40/rapaports-reality-with-kebe-michael-rapaport Stand Up Comedy Tickets on sale at: MichaelRapaportComedy.com If you are interested in NCAA, MLB, NBA, NFL & UFC Picks/Parlays Follow @CaptainPicksWins on Instagram & subscribe to packages at www.CaptainPicks.com www.dbpodcasts.com   Produced by DBPodcasts.com Follow @dbpodcasts, @iamrapaport, @michaelrapaport on TikTok, Twitter & Instagram Music by Jansport J (Follow @JansportJ) www.JansportJMusic.comSee omnystudio.com/listener for privacy information.