Podcast appearances and mentions of George Clinton

For this episode we welcome former Q/Kerrang! editor-in-chief Paul Rees to RBP Towers to discuss his riveting new book Raised on Radio: Power Ballads, Cocaine & Payola. An oral history of AOR (or Album-Oriented Rock), Raised on Radio gives us an eagerly-awaited chance to enthuse about an oft-maligned genre we all happen to adore. The conversation takes in most of AOR's major practitioners, from Kansas and Toto to Journey and Survivor, and incorporates clips from John Tobler's 1979 audio interview with Tom Scholz and Brad Delp of Boston. After we've exhausted these guilty-till-proved-innocent pleasures, Mark quotes from newly-added library pieces about Siouxsie & the Banshees (1982) and Chic's Bernard Edwards (1987), then Jasper talks us out with his reflections on archive interviews with George Clinton (1997) and Brutalist composer Daniel Blumberg (2025). Many thanks to special guest Paul Rees. Raised on Radio is published by Constable and available now from all good bookshops. Pieces discussed: More Than a Feeling: The 20 Greatest AOR Tracks of All Time!, American revolution: Aerosmith, Boston, Kansas and co., Hard Pop, Suburban Rock, Hall & Oates: Blue-Eyed Philadelphia Soul, The Buzz On Boz Scaggs, Nirvana: Smells like Success, Boston (1979), Heart, Siouxsie & the Banshees, Bernard Edwards, George Clinton: Funkamental and The Brutalist's score.

Nouvel hors-serie de SCRATCH.Dans cet épisode, nous allons fait un grand saut dans le temps : 1992, à Los Angeles (plus precisement Compton), en pleine emeute de Watts. Nous parlerons d'un des membres les moins cités et le plus discret du groupe legendaire N.W.A. Ruthless Records, etant connu pour etre des grands adeptes du format EP, nous ne pouvions pas y echapper. Et pour cette (premiere ?) serie d'EP du label d'Eazy-E que nous allons decortiquer, nous vous presentons "Kizz My Black Azz" de MC Ren.Animé par Golgoseize, et en invité du jour : Sinixta (Murder Dog Magazine, Murder Master Music Show…)

** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 39: Core members of Tha MuthaFunkaholX (MFX) -- Ebon (Soul) and wife Niela Phoenix (vocals and guitar) and Jesse Wales. Formed by bassist-keyboardist-vocalist Soul and guitarist-vocalist Wales, the group has performed and recorded with George Clinton as well as several P-Funk musicians. Those include Bennie and Benzel Cowan, Greg Thomas, Greg Boyer and Garrett Shider – all of whom have been interviewed on the TRUTH IN RHYTHM show, so check those out as well. MFX's No Mo Fuks to Give was named to FUNKNSTUFF's 2022 Top 20 Albums of the Year, and its latest powerhouse LP, Taste a Funk, was released early summer 2025.  RECORDED AUGUST 2025 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Este mes vamos a dedicarlo al universo "Graffiti Bridge", disco publicado en 1990 que sirvió de banda sonora a la película del mismo nombre, dirigida por Prince e interpretada por él mismo, Ingrid Chávez y Morris Day. Un álbum y un film que siempre generan mucha conversación y, en ocasiones, también polémica. En esta primera entrega Shocka charla con David Afreirnieve, del podcast Damevinilo, sobre las canciones interpretadas por The Time, George Clinton, Tevin Campbell y Mavis Staples, además de dar su opinión general sobre el disco, la película y de los temas interpretados por Prince en solitario. La siguiente entrega, de análisis, se publicará dentro de unos días. Además, en el apartado Black Sweat descubriréis si alguien ha conseguido identificar las tres canciones ocultas en el extracto del mes pasado. Puedes seguir a Purple Music en: iVoox: https://bit.ly/31qkaqX Apple: https://apple.co/2SGQ3IN Instagram: @purplemusicpodcast X: @PurpleMusicPod1 Y contactarnos en: Web: https://purplemusic.es Correo electrónico: podcast AT purplemusic.es ¡Envíanos tus comentarios! Stay tuned, stay Funky! Música de sintonía: Purple Music (Prince), remix by PMP. Música de cierre: "We Can Funk" (versión 1986). The Estate of Prince Rogers Nelson is not affiliated, associated, or connected with Purple Music Podcast nor has it endorsed or sponsored Purple Music Podcast. Further, the Estate of Prince Rogers Nelson has not licensed any of its intelectual property to the producers of Purple Music Podcast. NO COPYRIGHT INFRINGEMENT INTENDED. We just want to share our love for Prince music. Purple Music es una marca registrada.

On today's episode: Journalist Don Lemon arrested after protest that disrupted Minnesota church service A man impersonating an FBI agent tried to get Luigi Mangione out of jail, authorities say Trump names former Federal Reserve governor Warsh as the next Fed chair, to replace Powell Tax season is underway, and the IRS expects 164 million people will file returns by April 15. The top-ranked Spaniard moves one win away from his first Australian Open crown, a Belarusian star reaches another final in Melbourne, the NBA’s top pick breaks the teenage scoring record, a three-time Stanley Cup winner achieves an American milestone, two major winners headline the Farmers Insurance Open and more. Hong Kong company’s concession to operate Panama Canal ports is ruled unconstitutional. Trump threatens tariffs on any country selling oil to Cuba, a move that puts pressure on Mexico. Democrats, White House strike spending deal that would avert government shutdown. Ukraine is bracing for brutal weather as Trump says Putin agreed to halt power grid attacks. Democrats block government funding package in Senate as negotiations continue to avert a shutdown. Trump Cabinet meeting did not feature remarks by two key members.. Trump says he asked Putin not to target Kyiv for 1 week during brutal cold spell. Trump's border czar suggests a possible drawdown in Minnesota but only after ‘cooperation’. Man who squirted apple cider vinegar on Omar is charged with assaulting and intimidating her. Sen. Susan Collins announces end to ICE large-scale operations in Maine after talks with Noem. Federal troop deployments to US cities cost taxpayers $496M and counting. Assailant convicted after Barron Trump calls London police to report crime he saw on video. A former Illinois deputy is sentenced to 20 years in prison for killing Sonya Massey. After a day of sharp swings, Wall Street ends nearly where it began. Detroit Opera orchestra to set George Clinton, Parliament-Funkadelic hits to classical music. As if! 'Clueless,’ ‘The Karate Kid,’ ‘Inception’ among 25 movies entering National Film Registry. Bills QB Josh Allen says he had surgery for broken bone in right foot. Olympic gold medalist Sha'Carri Richardson charged with speeding in Florida. Boxer Gervonta Davis arrested on attempted kidnapping and battery charges. US star Crystal Dunn announces retirement from soccer at age 33. Venezuela’s acting president signs oil industry overhaul, easing state control to lure investors. Through the eyes of Iranian protesters, glimpses of disorder, disarray and death. EU lists Iran's paramilitary Revolutionary Guard as terrorist organization. German leader hails Europe as an 'alternative to imperialism and autocracy.' EU appears poised to sanction Iran's Revolutionary Guard over protest crackdown. —The Associated Press About this program Host Terry Lipshetz is managing editor of the national newsroom for Lee Enterprises. Besides producing the daily Hot off the Wire news podcast, Terry conducts periodic interviews for this Behind the Headlines program, co-hosts the Streamed & Screened movies and television program and is the former producer of Across the Sky, a podcast dedicated to weather and climate. Theme music The News Tonight, used under license from Soundstripe. YouTube clearance: ZR2MOTROGI4XAHRX

AP correspondent Julie Walker reports Detroit Opera orchestra to set George Clinton, Parliament-Funkadelic hits to classical music.

Brand new funk 01- Samm Henshaw - Hair Down 02- Ady Suleiman - What If 03- Pimps of Joytime - Soul Circulation 04- MonoNeon - Bottom Feeder (feat. George Clinton & Grandma Liz) 05- Michelle Ann Owens - SIDEPIECE 06- MT Jones - I Don't Understand 07- Huntertones - Saturday Spin 08- Esa Williams - Vanguard Drive 09- Dames Brown - Take Me As I Am 10- Jestofunk - The Ghetto (feat. Fred Wesley) 11- Kylie Auldist - Birthday Boy 12- Veive - Dancing Around 13- Owelu Dreamhouse - Stutter 14- Fuzz Collective - You Know The Reason (feat. Eddie Roberts) 15- Chic - Everybody Dance

After receiving his first guitar at age 10, a determined Michael became self-taught with the help of his bedroom radio, spending days on end playing along with Jimi Hendrix, Wes Montgomery and B.B. King records. After studying jazz guitar in high school, an impromptu backstage audition for George Clinton in 1974 earned 17-year-old Michael a seat on the Parliament mothership alongside the immortal Eddie Hazel, under the name “Kidd Funkadelic”. Hampton has spent the past half-century playing nearly 400 shows with the band, in 25 countries across 6 continents. Highlights include multiple appearances at world-renowned festivals like Montreux Jazz, Glastonbury, Reading, Woodstock '99, Coachella, Bonnaroo, Roskilde, Lollapalooza, Fuji Rock, and Isle of Wight, and venues like the Apollo Theater, The Fillmore, Royal Albert Hall, Madison Square Garden, The Troubadour, Red Rocks, The Beacon, and Sydney Opera House. Among Hampton's Funkadelic writing credits are group staples like “Who Says a Funk Band Can't Play Rock?!” and “Funk Gets Stronger”, both released during the group's late- '70s/early-'80s hit run. His lead guitar is also embedded in the DNA of 90s hip-hop's G- Funk movement—Dr. Dre's “Let Me Ride” samples Parliament's “Mothership Connection”, Ice Cube's “Bop Gun” borrows elements of Funkadelic's “One Nation Under a Groove”, while De La Soul's “Me Myself and I”, Digital Underground's “Kiss You Back”, and Snoop Dogg's “What's My Name?” all draw from Funkadelic's “(Not Just) Knee Deep”. Michael's colleagues include George Clinton, Bootsy Collins, Bernie Worrell, Maceo Parker, Charlie Wilson, Dewayne “Blackbyrd” McKnight, Fred Wesley & The JB's, Chuck Treece, Dean Ween, Primal Scream, Digital Underground, Too $hort, and Deee-Lite. Michael's contributions to the Parliament Funkadelic catalog have also influenced famed artists like Prince, Red Hot Chili Peppers, Outkast, D'Angelo and Janelle Monáe, among many others. As of 2025, Michael has appeared on over 30 separate major label releases. Though best known for his role in the funk guitar pantheon, Hampton is also an accomplished multi-instrumentalist, with drums, keys, and synth programming credits across the Parliament discography. Michael Hampton's info Instagram https://www.instagram.com/michaelwhampton/ Spotify https://open.spotify.com/artist/5rhBe5DqUbACYzqerQa9R0 TikTok https://www.tiktok.com/@ma_wa_ha Facebook https://www.facebook.com/p/Michael-Hampton-100040199001670/ YouTube https://www.youtube.com/@MaWaHa  

On this episode, Marc talks with Seth Neblett, author of "Mothership Connected: The Women of Parliament-Funkadelic," published in September of 2025. It's a fascinating oral history of the female members of Parliament and Funkadelic, particularly those in the P-Funk sister groups Parlet and the Brides of Funkenstein: Mallia Franklin, Lynn Mabry, Dawn Silva, Debbie Wright, and Shirley Hayden. Seth is the son of Mallia Franklin, who, along with being an important musician in the P-Funk story, was responsible for the inclusion of many members of the collective; most famously, she introduced Bootsy Collins to George Clinton and convinced him to include Bootsy in P-Funk. As Seth writes, "The Brides of Funkenstein and Parlet, were, along with Bootsy Collins, the most successful groups to come out of the P-Funk Empire. The women sang and contributed to all the organization's in-house projects...In an era of sex, drugs, and rock and roll, detouring through disco, and cresting on punk and new wave of the eighties, this critical "female" piece of the music history puzzle is as important as any other."You can buy "Mothership Connected" here.We hope you enjoy Marc's conversation with Seth Neblett!

California multi-instrumentalist Jara Harris of the legendaryfunkadelic Slapbak talks about “It's Only America” as a soulful rally cry and ahard-grooving protest with a heartfelt plan for unity in an age of deepdivision, plus “Funk Lives Matter” feat. “Hey Now”, “Get To Know Me”, “Hollywood'sNot”, “Don't Block the Bus”, and more! Jara formed Slapbak in the ‘90s andsigned to Warner Bros, plus toured with Snoop Dogg, George Clinton, MintCondition and shares how he got started in his amazing career plus the storiesbehind the music! Check out the amazing Jara Harris of Slapbak and all of hisreleases on many major platforms and  www.slapbak.com today! #jaraharris #slapbak #funkadelic#multiinstrumentalist #itsonlyamerica #funklivesmatter #heynow #gettoknowme#hollywoodsnot #dontblockthebus #snoopdogg #georgeclinton #mintcondition #spreaker#spotify #iheartradio #applemusic #bitchute #rumble #youtube #mikewagner#themikewagnershow #mikewagnerjaraharris  #themikewagnershowjaraharris#mikewagnerslapbak #themikewagnershowslapbak 

California multi-instrumentalist Jara Harris of the legendaryfunkadelic Slapbak talks about “It's Only America” as a soulful rally cry and ahard-grooving protest with a heartfelt plan for unity in an age of deepdivision, plus “Funk Lives Matter” feat. “Hey Now”, “Get To Know Me”, “Hollywood'sNot”, “Don't Block the Bus”, and more! Jara formed Slapbak in the ‘90s andsigned to Warner Bros, plus toured with Snoop Dogg, George Clinton, MintCondition and shares how he got started in his amazing career plus the storiesbehind the music! Check out the amazing Jara Harris of Slapbak and all of hisreleases on many major platforms and  www.slapbak.com today! #jaraharris #slapbak #funkadelic#multiinstrumentalist #itsonlyamerica #funklivesmatter #heynow #gettoknowme#hollywoodsnot #dontblockthebus #snoopdogg #georgeclinton #mintcondition #spreaker#spotify #iheartradio #applemusic #bitchute #rumble #youtube #mikewagner#themikewagnershow #mikewagnerjaraharris  #themikewagnershowjaraharris#mikewagnerslapbak #themikewagnershowslapbak 

California multi-instrumentalist Jara Harris of the legendary funkadelic Slapbak talks about “It's Only America” as a soulful rally cry and a hard-grooving protest with a heartfelt plan for unity in an age of deep division, plus “Funk Lives Matter” feat. “Hey Now”, “Get To Know Me”, “Hollywood's Not”, “Don't Block the Bus”, and more! Jara formed Slapbak in the ‘90s and signed to Warner Bros, plus toured with Snoop Dogg, George Clinton, Mint Condition and shares how he got started in his amazing career plus the stories behind the music! Check out the amazing Jara Harris of Slapbak and all of his releases on many major platforms and  www.slapbak.com today! #jaraharris #slapbak #funkadelic #multiinstrumentalist #itsonlyamerica #funklivesmatter #heynow #gettoknowme #hollywoodsnot #dontblockthebus #snoopdogg #georgeclinton #mintcondition #spreaker #spotify #iheartradio #applemusic #bitchute #rumble #youtube #mikewagner #themikewagnershow #mikewagnerjaraharris  #themikewagnershowjaraharris #mikewagnerslapbak #themikewagnershowslapbak  Become a supporter of this podcast: https://www.spreaker.com/podcast/the-mike-wagner-show--3140147/support.

Det kommer handla om skapandet av det 12:e tillägget, en justering av elektorssystemet, stora vs. små delstater, svaga kandidater, presidentvalet 1804, George Clinton, New Yorks starke man, Jeffersons andra vicepresident, Madisons första vicepresident och att dö på posten. Bild: Porträtt av George Clinton, det självständiga New Yorks första guvernör och landets fjärde vicepresident. Källa: WikipediaPrenumerera: Glöm inte att prenumerera på podcasten! Betyg: Ge gärna podden betyg på iTunes!Följ podden: Facebook (facebook.com/stjarnbaneret), twitter (@stjarnbaneret), Instagram (@stjarnbaneret)Kontakt: stjarnbaneret@gmail.comLitteratur:- Empire of Liberty, Gordon Wood- The Creation of the American Repbulic, 1776-1787, Gordon Wood- The age of federalism, Stanley Elkins, Eric McKitrick- What hath God wrought, Daniel Walker Howe- American Politics in the Early Republic, James Roger Sharp- The complete book on US presidents, Bill Yenne- To the best of my ability, James McPherson- American vicepresidency, Jules Witcover- The vice presidents, Edward Purcell Hosted on Acast. See acast.com/privacy for more information.

About Michael Hampton  After studying jazz guitar in high school, an impromptu backstage audition for George Clinton in 1974 earned 17-year-old Michael a seat on the Parliament mothership alongside the immortal Eddie Hazel, under the name "Kidd Funkadelic". Hampton has spent the past half-century playing nearly 400 shows with the band, in 25 countries across 6 continents. Highlights include multiple appearances at world-renowned festivals like Montreux Jazz, Glastonbury, Reading, Woodstock '99, Coachella, Bonnaroo, Roskilde, Lollapalooza, Fuji Rock, and Isle of Wight, and venues like the Apollo Theater, The Fillmore, Royal Albert Hall, Madison Square Garden, The Troubadour, Red Rocks, The Beacon, and Sydney Opera House. Among Hampton's Funkadelic writing credits are group staples like "Who Says a Funk Band Can't Play Rock?!" and "Funk Gets Stronger", both released during the group's late-'70s/early-80s hit run. His lead guitar is also embedded in the DNA of 90s hip-hop's G-Funk movement-Dr. Dre's "Let Me Ride" samples Parliament's "Mothership Connection", Ice Cube's "Bop Gun" borrows elements of Funkadelic's "One Nation Under a Groove" Michael's latest album "Into the Public Domain" is available now on all streaming outlets.  Social Media: www.Instagram.com/michaelwhampton www.youtube.com/@MaWaHa Spotify: https://open.spotify.com/album/2Je4BDRuE01NHCoWlw5hG9?si=pECMNHHxT6-tUONc9pbi-g  About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Visit us at: www.MusicMattersPodcast.comFollow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  voice over intro by Nigel J. Farmer        

FUNK

The American funk band, led by George Clinton, made more than just music — they had a revolutionary vision including stage performance, art and more.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Anti-Federalist Papers are a collection of writings by opponents of the 1787 U.S. Constitution, expressing concerns about the proposed federal government's power and the potential loss of individual liberties. These papers were authored primarily by anonymous contributors using pseudonyms such as "Brutus," "Cato," "Centinel," and the "Federal Farmer". The authors, including notable figures like Patrick Henry, George Clinton, Melancton Smith, and Elbridge Gerry, argued against the implementation of a stronger federal government without explicit protections for individual rights.Become a Sponsor:https://buymeacoffee.com/jamescordinerPlease support the show:https://onegreatworknetwork.com/james-cordiner/donate/Buy a Shirt:https://voluntaryistacademy.creator-spring.com/OGWN:https://onegreatworknetwork.com/Find the Voluntaryist Academy on the P.A.Z.NIA Radio Network! Learn more: https://paznia.com/radio/Get AUTONOMY: https://getautonomy.info/?ref=https%3A%2F%2Fwww.universityofreason.com%2Fa%2F2147825829%2F8sRCwZLdMusical Artist: Brendan Danielhttps://www.instagram.com/brendandanielmusic/Gaming channel:https://www.twitch.tv/killahkahdoogan

** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 37: Singer, songwriter and producer Theophilus “Chip/Maniac” Glass, known for working with acts like Klymaxx bassist Joyce Irby, Glasswurk, Dallas Austin and Highland Place Mobsters, The LaFace Cartel, George Clinton and Fishbone. He has also performed as GeorgiaClay and spent decades knocking around Atlanta's music scene, with many interesting experiences and stories to share. Those include his musical father, bringing Usher to L.A. Reid, impersonating Journey's Steve Perry in the recording studio and missed opportunities due to years of incarceration. RECORDED JULY 2025 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Seth Neblett's book Mothership Connected is a fascinating, first-hand look inside the mothership that was Parliament Funkadelic. (As well as the side projects The Parlets, The Brides of Funkenstein and many more.) Seth tells the stories of the women who were part of this one-of-a-kind group and allows them to explain their role. It's a fascinating read and easily one of the best music books of the year.Mothership Connected is available right now from University of Texas press.

This week on Unglossy, Tom, Bun B, and Jeff pull up chairs with DC's own Noochie—the mind, mic, and movement behind Live From the Front Porch. What starts as a freestyle on his stoop evolves into one of the most important new stages in contemporary culture, drawing everyone from Big G and Raheem DeVaughn to Robin Thicke, George Clinton, and Snoop in a borrowed wheelchair.Noochie walks us through his origin story—growing up in the shadows of Go-Go royalty, navigating label highs and industry letdowns, learning audio engineering in a legendary studio, and building a creative work ethic forged in DC, Atlanta, and Hollywood. Then he breaks down how the porch became a cultural touchstone: a homegrown Tiny Desk with more bass, more soul, and far more neighborhood dogs walking by.We get into the Houston–DC connection, the power of place in hip-hop, the responsibility of curation, why artists feel like family by the time they leave his block, and how the front porch just touched the Kennedy Center and might soon hit the road.Burgers get discussed. Crabs get promised. A Bun B porch appearance gets… dangerously close to confirmed.Pull up—you're home."Unglossy with Bun B" is produced and distributed by Merrick Studio and hosted by Bun B, Tom Frank and Jeffrey Sledge. Tune in to hear this thought-provoking discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @UnglossyPod to join the conversation  and check out all our episodes at https://wearemerrickstudios.com/unglossy-pod.Send us a textSupport the show

Just when Vinnie thought he was done with Scott — The LIFERS Podcast pulls him back in! Vinnie Dombroski —vocalist for the Detroit, Michigan band Sponge— is a hustler, baby. He's a guy who fully subscribes to the inspiration/perspiration formula. Which is to say: Vinnie's not afraid of a little hard work (he is, however, apparently afraid of food). On this episode we talk to our pal about Sponge's unlikely origin story, switching from drumming to singing, growing up in the shadow of Motown, touring with Iggy Pop, driving George Clinton to the airport, career advice from Buzz Osbourne, and the joys of not remembering the ‘90s. ALSO: What's The Best?!? is BACK!!! And we're coming for you, Detroit!

** PLEASE SUBSCRIBE ** Welcome to the Where'd You Get Your Funk From? (Episode 35) Jam Fans Forum! This is the seventh Jam Fans Forum episode in which expert panelists provide their top picks in various funk music categories. This time around, we are taking on the hardcore jollies topic of the 5 Top Parliament-Funkadelic Songs of All Time.  Joining in are three distinguished Jam Fans: music scholar, author and History of Funk radio show host Rickey Vincent; accomplished musician and co-host of the Funkin' Around podcast, Phil Jones, a.k.a. P T F I, or Phil the Funky Instrumentalist; and leading advocate and archivist honoring everything and everyone associated with the ParliaFunkadelicment Thang, P-Funk and George Clinton, Tim Kinley. Thanks to all of them for keeping the funk alive!  Panelists' Picks Ground Rules: - Panelists reveal their picks one at a time, explain why and allow others to react. - Picks are not shared ahead of time, so everyone experiences the reveals together. - Panelists may not select the same albums artist twice. - Panelists should try to avoid picks they chose on past episodes. - Panelists compile alternates in case someone else names the same pick first. Thus, we will end up with 20 picks in total! - Album picks must contain minimum three funk tracks or one-third total playing time. - Picks must have had wide U.S. distribution - no bootlegs or imports. - Picks must have been released as albums - no videos or DVDs.  - Picks may be shared in random, unranked or in non-chronological order.  - Picks may be based more on personal preference than historical context. Go to https://funknstuff.net/jam-fans-forum-20-parliament-funkadelic-songs OR https://wp.me/p77e8T-3Iw to listen to and buy this episode's 20 top Parliament-Funkadelic songs.  Be sure to like, comment, share and subscribe – and let us know other categories you would like to see covered. Also, share your own choices for the 5 Top Parliament-Funkadelic Songs of All Time. RECORDED AUGUST 2025 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Seth Neblett's book Mothership Connected is a fascinating, first-hand look inside the mothership that was Parliament Funkadelic. (As well as the side projects The Parlets, The Brides of Funkenstein and many more.) Seth tells the stories of the women who were part of this one-of-a-kind group and allows them to explain their role. It's a fascinating read and easily one of the best music books of the year.Mothership Connected is available right now from University of Texas press.

This week on Time Signatures, join host Jim Ervin as he welcomes ‘The Fallbrook Kid', Anthony Cullins to the program. At the tender age of 10, Cullins did odd jobs around the house and neighborhood, saving up for a trip to Costco to purchase his first guitar. With the love and support of his parents, Anthony discovered he had a knack for the instrument, and he was gigging locally beginning at the age of 12. In the years that followed, he has found a way to make a decent income playing, and he has met some amazing musicians who have encouraged and supported him, and he has opened for Walter Trout, Los Lobos, and George Clinton, and he has played with Chris Cain and Earl Thomas. Oh, and wait til you hear about his trip to Norway for Notodden, where he and Earl played with Deep Purple! Just a few more episodes remain before Season five comes to a close. Enjoy!Website: https://fallbrookkid.com/home Facebook: https://www.facebook.com/anthony.cullins.14 Spotify: https://open.spotify.com/artist/5WIJjBPoGRDI0owB3R7K2Q?si=pKYTgd58SbW6MQo6J_vBgg YouTube: https://www.youtube.com/@anthonycullins _________________________Facebook: Time SignaturesYouTube: Time SignaturesFacebook: Capital Area Blues SocietyWebsite: Capital Area Blues SocietyFriends of Time Signatures _______Website: University of Mississippi Libraries Blues ArchiveWebsite: Killer Blues Headstone ProjectWebsite: Blues Society Radio NetworkWebsite: Keeping the Blues Alive Foundation

Number one Funkateer Bootsy Collins takes us to Funk University! From his days in James Brown's group, to his work with Parliament/Funkadelic and Booty's Rubber Band, to his recent single that raises awareness about domestic violence, "the world's only rhinestone rock-star doll" tears the roof off the sucker and breaks it all down for us. Songcraft wants the funk!  PART ONE:Paul and Scott discuss particularly recognizable bassists and chat about their expectations of what they thought Bootsy would be like before he landed the mother ship on Songcraft. PART TWO:Our in-depth conversation with the legendary Bootsy CollinsABOUT BOOTSY COLLINS:Named among the top 5 bassists of all time by Rolling Stone magazine, Bootsy Collins is one of funk and R&B's most iconic musicians, singers, frontmen, producers, and characters. He started out playing sessions for King Records in his hometown of Cincinnati, Ohio, then kickstarted his career with James Brown's backup band, The J.B.'s. He was credited as a songwriter on classic J.B.'s songs such as “The Grunt” and “These Are the J.B.'s.” In 1972, he joined George Clinton's Parliament-Funkadelic, and is a co-writer of classics such as “Up for the Down Stroke,” “Chocolate City,” “P-Funk (Wants to Get Funked Up),” “Give Up the Funk (Tear the Roof Off the Sucker),” “Mothership Connection,” “Dr. Funkenstein,” and “Flash Light.” In 1976, Bootsy's Rubber Band captivated audiences with his flashy star-shaped glasses and bass, and hits such as “I'd Rather Be With You” and the chart-topping “Bootzilla.” Since then, Bootsy has launched Bootzilla Productions and Funk University to help mentor younger creatives to reach their full potential. His inescapable influence on pop culture can be heard in the music of Snoop Dogg, Outkast, Dr. Dre, Flea of Red Hot Chili Peppers, Rick James, Prince, Daft Punk, Primus, Thundercat, and in Childish Gambino's Grammy-winning platinum hit “Redbone,” which paid homage to “I'd Rather Be With You.” Bootsy is a member of the Rock and Roll Hall of Fame, and the National Rhythm & Blues Hall of Fame. His latest album is called Album of the Year #1 Funkateer.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Music industry veteran Eddie Gilreath pulls up to the Corner Booth at Skip Paige's Little Bar to trace an extraordinary journey from Philadelphia's sound to global stages. With hosts Patrick Evans and Randy Florence, he recalls faking his first bass gig at 14, serving in Panama during tense Cold War days, then rising through Motown and Warner Bros. to help break artists like the Spinners and George Benson. Eddie shares inside stories about working with icons including Frank Sinatra, Ray Charles, Smokey Robinson, Michael Jackson, Bonnie Raitt, Curtis Mayfield, and more—plus why some of the most memorable moments happened offstage. He talks about smashing industry barriers as a pioneering Black executive, his “Black Music Is Green” initiative, and how streaming has rewritten the rules for new artists. It's a masterclass in music, marketing, and humanity from a man who quietly shaped the soundtrack of our lives. From basement rehearsals to boardrooms, Eddie's story is funny, candid, and deeply inspiring.Takeaways:How a missing bass player at a Philly cabaret accidentally launched Eddie's music career at 14.Serving in Panama during a volatile Cold War era and keeping music alive even in a combat zone.Moving from musician to executive, rising through Motown and Warner Bros. during the heyday of soul and pop.The strategy behind breaking acts like the Spinners and George Benson, including the massive success of Breezin'.Becoming the first African American national sales director and vice president at Warner, and refusing to be pigeonholed into “just” Black music.Intimate, often funny stories about working with legends: Sinatra, Sammy Davis Jr., Smokey Robinson, Curtis Mayfield, Ray Charles, Michael Jackson, Cher, George Clinton, and more.Creating the “Black Music Is Green” initiative and using hard data and retail relationships to open doors for more Black professionals in the business.Reflections on Broadway cast albums, the streaming-era music economy, and why Eddie hopes his legacy is simply that he “did the right things.”#BigConversationsLittleBarPodcast #PatrickEvans #RandyFlorence #SkipsLittleBar #MutualBroadcastingSystem #CoachellaValleyResidents #SkipPaige #McCallumTheatre #EddieGilreath #MotownRecords #WarnerBrothersRecords #MusicIndustryLegends #GeorgeBenson #RayCharles #CurtisMayfield #MichaelJackson #RecordBusinessHistory #BlackMusicIsGreen #PhiladelphiaSound #PanamaVeteran

A Grammy Award winning world renown man of harmonicas--acoustics, intellect, incredible sound telepathy, time signatures, and known to play many styles, Peter 'Madcat' Ruth joins the MMHP for a two-part series that discusses his career, his styles, his sounds, and we touch base on many of his guest sessions. He even performs for us!    In Part 1, Madcat gives us the Brubeck family background he was touring with from the '60s into the '70s, and brings us around to sessions with Blackfoot and George Clinton. There are many stops along this historic podcast way. Tune into part 1 of 2 NOW!

Bootsy Collins shares tales of P-Funk, Praxis, Buckethead and community work, philanthropy and mental health advocacy. Bootsy online  |  Bootsy & Buckethead single  |  "Is there Anybody Out There" podcast Topics Include: Bootsy's philanthropy and community work Bootsy reveals music now has purpose beyond just making people feel good "If you ain't chasing something, there's no reason to hunt" - finding new motivation From chasing girls and highs on tour to discovering why he still makes music Always gave back to unknown musicians like Buckethead before they became famous Opens up about mental health struggles when he got "too blown up" New "Metal Health" album with Buckethead addresses mental health for everyone First Buckethead collaboration was 1991's "Bucketheadland" recorded in Cincinnati Praxis exploded when Bill Laswell joined Bootsy, Buckethead, Bernie Worrell, and Brain Complete Strangers caught King Records' attention, leading to James Brown discovering them James Brown demanded everything tight; George Clinton allowed creative freedom and experimentation Most P-Funk classics were created spontaneously "while the tape was running" Both Bootsy and Buckethead must wear their signature headgear while recording Eddie Hazel's solo album used Bootsy's instrumental tracks - George's "superhero" vision Reveals George Duke's "Reach For It" is the funk hit he wishes he was on High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Do not attempt to adjust your WYGYFF podcast, there is nothing wrong; we have taken control as to bring you this special show; we will return it to you as soon as you are grooving . . . Featured in WYGYFF Episode 33: Classically trained funk keyboardist, singer, composer, producer and author Danny Bedrosian. For the past 20+ years, he has been best known as a central and touring member of Parliament-Funkadelic, a.k.a. George Clinton & the P-Funk All-Stars. During that time he has also appeared on numerous P-Funk and associated studio recordings and led many of his own projects, several of which feature fellow Funk Mob players. On his 2023 appearance on this channel's TRUTH IN RHYTHM show, he talked about his first book, “The Authorized P-Funk Song Reference: Official Canon of Parliament-Funkadelic, 1956-2023,” which fully documents the vast recording history of one of music's most prolific and monumental acts.  This fall has seen the release of his second book, “Make My Funk the P-Funk,” which documents Parliament-Funkadelic's pivotal year of 1975 and the albums: Chocolate City, Let's Take It to the Stage and Mothership Connection. This was the course that allowed listeners to make their funk the P-Funk, get their funk uncut, experience the bomb and forever wants to get funked up. That literature covering a seminal year of monumental music history sets the stage for a deep discussion between a pair of hardcore funkateers that any P-Funk, funk or music aficionado will adore.  RECORDED OCTOBER 2025 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Slapbak frontman Jara Harris talks about his band's powerful new single, “It's Only America,” on Erika Digital Records and is a soulful rally cry, a hard-grooving protest, and a heartfelt plea for unity in an age of deep division.Formed in Southern California and known for their ferocious live energy, SlapBak is what happens when you blend Sly Stone, Parliament, and Rage Against the Machine. The band toured with Bootsy Collins, Chaka Khan, & George Clinton. Now managed by Randy Jackson.Movie Reviews and More is broadcast live Tuesdays at 5PM PT on K4HD Radio - Hollywood Talk Radio (www.k4hd.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Movie Reviews and More TV Show is viewed on Talk 4 TV (www.talk4tv.com).Movie Reviews and More Podcast is also available on Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

How We Spent the Summer | S2E1 "Where Were We?” Season two of How We Made Your Mother kicks off with a big announcement: the show has officially joined the Office Ladies Network, thanks to a friendship between Josh Radnor and Jenna Fischer. Josh and Craig reminisce about filming “Where Were We,” the How I Met Your Mother season two premiere, breaking down the challenge of picking up right after Ted and Robin's rain-soaked kiss and Marshall's heartbreak. They dig into the emotional realism of post-breakup depression, the iconic “When I get sad, I stop being sad and be awesome instead” line, and behind-the-scenes stories about George Clinton's cameo, Robin's gun joke, and Neil Patrick Harris's precision physical comedy. The episode also covers the show's evolution, season-two adjustments (including the brighter red couch), and fan questions about serialization, background actors, and hiatus memories, before closing with a touching letter from a 15-year-old fan in Germany about how HIMYM brings her hope. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On tonight's program: The investigation into the financial dealings of an organization run by Florida's First Lady continues; President Trump gives the nod to several Florida politicians. Especially those who say positive things about him; Despite the Florida candidates President Trump is backing now, one gubernatorial hopeful thinks he'll wind up with all – or most – of the endorsement marbles; And the women who were so integral to George Clinton's Mothership of Funk are finally getting their due.

FSO, George Clinton, Trey Lewd - Dancefloor Democracy (Birdee Remix)Rampa, Adam Port & &Me - Say What feat. chualaMoodymann - I Can't Kick This Feelin' . . .Pet Shop Boys - In My HouseGroove P feat. Adeva - Hold On Honey (Extended Mix)Dave Lee & Maurissa Rose - What About My Love (Michael Gray Remix)Sparque - Let's Go Dancing (Michael Gray & Dr Packer Extended Mix)CASSIMM - I'll Take You ThereAbyss Deep Sound Lab, DP Thompson, Lowkeytheory - Galaxy (Dr Packer Remix)Nari & Nabuk - Pronto (Original Mix)DE SOFFER & One Trick Pony - Midnight CityGigi Croccante - Bustin'Cyndi Lauper - Girls Just Want to Have FunZ Factor, Dave Lee & Pauline Taylor - (You Gotta) Give It Up (Extended Mix)HP Vince - It's Disco TimeGroove Armada - Paper Romance (Purple Disco Machine Remix)Raw Essence & Dave Lee - Down Down Down (Maxi Club Mix)Jinny - Keep Warm (Extended Mix)Hotmood - Funk PartyMatte Black - Thriller X (Original Mix)Roog & Earth n Days - NobodyDave Lee, Shawn Christopher, Black Widow - People of All Nationz (Extended Mix)

In this episode, host Abbie Knights sits down with Hip-Hop legend Kokane, the most featured recording artist in music history. With an iconic career spanning decades, Kokane has collaborated with legends like Snoop Dogg, Dr. Dre, Ice Cube, George Clinton, and Too $hort. Kokane shares his journey through the evolution of Hip-Hop, behind-the-scenes stories from the West Coast rap scene, and what continues to drive his creativity today. Don't miss this exclusive conversation filled with music history, culture, and insight from one of the genre's most influential voices. Subscribe now and catch more incredible interviews every week on The Abbie Knights Show. Follow Abbie Knights: Instagram: AbbieKnights | TAKSRadio TikTok: TAKSRadio Kokane: Instagram: kokane_og_

This week, I talk to Seth Neblett (the son of the queen of funk, Mallia Franklin of Parliament-Funkadelic & Parlet & author of his new book Mothership Connected: The Women of Parliament-Funkadelic). We talk about how Seth was convinced by Bootsy Collins to tell his mother and the women of P-Funk's stories, how he initially assumed this tale was going to be told as a documentary, Mallia Franklin's appearance in the Don Letts docuemntary Tales Of Dr. Funkenstein, Seth (at age 6) being taken by his grandmother to go watch his mom perform with Parliament/Parlet for the first time, how he was able to narrow down this immense story from all the hudnreds of characters in this group's varied history, the strgggles with having your Mom be a recording and touring star, how Mallia Franklin brought elements to the band that changed music FOREVER, George Clinton and his initial band The Parliments, how Mallia's vocals are all over their recoridngs from Maggot Brain to Atomic Dog, the vast age diffrerences within the band, Mallia being called "the geiger counter" because her musical institncts were so incredible on who to bring into the p-funk world (like Bootsy Collins & Junie Morrison), how we often take a documentary's storytelling a the truth, being the "Dog & Cat Lady", why you can see so many full concert footage from Parliment's heyday, Neil Bogart of Casblanca Records and the courting of Mallia Fraklin, the genesis of the female-led spin off groups Parlet and Brides Of Funkenstein, why George Clinton put all various bands on diffferent record labels, how Geroge often didn't want his various bands to get bigger than him, how young the members of P-Funk were and how they often were not prepared for the psychological components of being part of it, Seth's thoughts on following up the book with a documentary vs a narritave series, how the women of P-Funk were not being invited to the induction ceremonies of the Grammys and Rock and Roll Hall Of Fame, who should play his mom in the movie version of this story and more.So let's celebrate the queens of P-Funk forever on this week's episode of Revolutions Per Movie.SETH NEBLETT: Book: https://utpress.utexas.edu/9781477332672/Youtube channel: https://www.youtube.com/@sethneblett7268REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.

In this episode, we chat with John Heintz, mastermind of the star-studded project The Big Ol' Nasty Getdown about capturing live performances in the studio, organizing high profile musicians, recording at George Clinton's studio, and the art of listening to other musicians. Plus, being a producer versus being a musician, and pulling joy from production and performance.You can check out John's project here:https://thebigolnastygetdown.squarespace.com/aboutbonghttps://www.youtube.com/user/Getdown2012https://www.instagram.com/bigolnastygetdown/https://www.facebook.com/TheBigOlNastyGetdownOur Youtube show Great Set Guys is here: ⁠⁠⁠⁠https://www.youtube.com/@KatzulhuProductions⁠⁠⁠⁠Paul works a day job and puts out vinyl and puts on shows via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Katzulhu Productions⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/paul.neil.12⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/katzulhu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/Dont-Quit-Your-Day-Job-podcast-107924851339602⁠

Hosts Nate Wilcox & Ryan Harkness mull the second chapter of "⁠The Underground Is Massive⁠" by Michaelangelo Matos which tells of the emergence of the first wave of Detroit Techno, led by the Belleville Three: Juan Atkins, Derrick May and Kevin Saunderson. As May said, "The music is just like Detroit, a complete mistake. It's like George Clinton and Kraftwerk are stuck in an elevator with only a sequencer to keep them company." ⁠⁠⁠⁠⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please sign up for the email list on the site and get music essays from Nate as well as (eventually) transcriptions of every episode. Also if you can afford it please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Facebook.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Un diggeur passionné des Caraïbes talonné par un poète anglo-trinidadien qui slame la mémoire des afro-descendants. (Rediffusion) Emile Omar est notre 1er invité pour présenter le 3e volume de la série Disques Debs International Mizik Maladi (Strut Record 2025). Une compilation concoctée par Emile Omar et Hugo Mendez. Strut présente avec enthousiasme le troisième volume tant attendu de la série Disques Debs International, explorant plus en profondeur les archives de l'un des plus grands labels franco-caribéens, Disques Debs, basé en Guadeloupe. Fondé par le visionnaire Henri Debs à la fin des années 1950, le label et son studio ont fonctionné pendant plus de 50 ans, produisant plus de 300 singles 7” et 200 albums, faisant de Disques Debs un pilier de l'histoire musicale caribéenne. Au début des années 1980, Henri Debs s'était déjà imposé comme un producteur prolifique, avec un catalogue de sorties inégalé en Guadeloupe et en Martinique. Parti d'un simple magnétophone deux pistes installé à l'arrière d'une boutique de vêtements, Disques Debs s'est transformé en une véritable institution, avec un studio ultramoderne en plein cœur de Pointe-à-Pitre, des magasins de disques et d'instruments de musique en Guadeloupe, en Martinique et à Paris, une discothèque au Gosier, ainsi que des accords de distribution internationale en Europe, aux États-Unis et en Amérique du Sud. Disques Debs a joué un rôle essentiel dans l'évolution de la musique caribéenne moderne, créant un pont entre les genres traditionnels comme la biguine et le gwoka et les styles contemporains comme le cadence, le compas et le zouk. Ce dernier est devenu un phénomène mondial dans les années 1980 grâce à des groupes emblématiques comme Kassav' et Zouk Machine. Durant cette période, le label a soutenu une nouvelle génération d'artistes tout en continuant à collaborer avec des figures légendaires des décennies précédentes. Le volume 3 de cette série, compilé par Emile Omar et Hugo Mendez, met en lumière l'une des périodes les plus dynamiques et influentes du label, alors qu'il étendait son rayonnement international dans les années 1980. À travers deux vinyles, cette sortie propose une sélection soigneusement choisie de morceaux issus de l'univers Disques Debs, mettant en avant à la fois de jeunes talents et des artistes confirmés qui ont marqué cette époque. Cette collection célèbre non seulement l'héritage inégalé d'Henri Debs, mais offre également un instantané de l'âge d'or de la musique caribéenne, confirmant Disques Debs comme une véritable institution culturelle. ► Titres joués - Christian Yéyé – Misyé Zanndo - Horizon – Neg Mawon - Alex Rosa – L'Appel des champions - Max et Henri – Sé Pou Demen ► Album Mizik Maladi, l'âge d'or des Disques Debs International (Strut Record 2025) Bandcamp Volume 1  Bandcamp Volume 2 Cadence Revolution  Bandcamp Volume 3 Mizik Maladi À écouter aussiSpéciale Disques Debs international avec Émile Omar Notre 2nd invité est Anthony Joseph pour la sortie de l'album Rowing up River to Get Our Names Back. L'origine africaine des OVNI, George Clinton en personne, n'aurait pas désavoué ce concept afro-futuriste dont Anthony Joseph avait fait le sujet de The African Origins Of Ufo's, sa nouvelle écrite il y a bientôt vingt ans. Durant ce laps de temps, les albums du chanteur-poète de Trinidad se sont succédé, mais l'idée ne s'est pas évaporée. Après un travail de réflexion et de recherches artistiques avec le musicien-producteur Dave Okumu, il est même devenu l'axe de rotation de son nouvel album. Base des premiers titres élaborés en duo, la nouvelle est ensuite devenue la rampe de lancement de Rowing Up River To Get Our Names Back Vol 1 & 2. D'une aventure si dense qu'il a fallu la scinder en deux parties. Après avoir solidement assuré la connexion musicale de toute la diaspora caribéenne sur ses précédents albums, Anthony Joseph s'engage dans une fresque musicale aussi ambitieuse que fascinante : l'exploration de toutes ces strates qui constituent la longue et tumultueuse histoire de la musique noire. Ces couches créatives qui se sont superposées et additionnées, la nouvelle se nourrissant de la précédente pour, sans le savoir, préparer l'arrivée de la suivante. Cet immense puzzle où, reliées par une forte conscience politique, les différentes pièces ont noirci les portées de leurs notes les plus intenses. Sculpté dans la cire des œuvres si impérissables qu'elles ont rendu stériles toutes les tentatives d'altération des décennies qui se sont accumulées. Forme, fond, portée révolutionnaire, tout est resté intact. Y compris l'esprit de tous ces musiciens qui ne se sont exprimés que par la voix de leur instrument, la puissance de leur groove, la radicalité de leur démarche artistique. Funk, P-Funk, soul, dub, free-jazz, jazz, afrobeat, blues, confrontant leurs deux visions musicales pour n'en former plus qu'une, c'est en binôme éclairé par les phares de leur créativité qu'Anthony Joseph et Dave Okumu ont façonné un afro-futurisme à l'esthétique mouvante et sans limites d'expansion. Stabilisée par cette volonté de raviver toutes les racines, l'exploration se conjugue à celle qui mène aux patronymes perdus. Ceux qui, entre le voyage depuis l'Afrique vers l'Amérique, se sont évaporés dans les flots de l'Atlantique et le claquement des fouets. Ceux dont ont été dépossédés les déracinés de force qui ont dû endosser celui du maître. Les peaux des batteries, le bois des baguettes et celui des percussions, le nylon de cordes, les métaux des saxophones et les trompettes, tout ce qui constitue l'arche organique dans laquelle ont embarqué les héros de la musique noire, révèle au moment du décollage un tableau de bord à l'électronique sophistiquée. Renforcer, voire supplanter certaines fonctions peut s'avérer utile tant la destination est lointaine. Elle est à des années-lumière d'ici. La rejoindre impose de connecter le présent avec le passé pour pouvoir l'emmener dans le futur. Dans l'afro futur. Là où, après avoir remonté la rivière, tous auront récupéré leurs noms et se seront réappropriés un pan de leur histoire. ► Titres joués extraits de l'album - Satellite - Tony - Black History - Churches of Sound ► Album Rowing up River to Get Our Names Back (Heavenly Sweetness 2025) Site – Bandcamp – YouTube.

Un diggeur passionné des Caraïbes talonné par un poète anglo-trinidadien qui slame la mémoire des afro-descendants. (Rediffusion) Emile Omar est notre 1er invité pour présenter le 3e volume de la série Disques Debs International Mizik Maladi (Strut Record 2025). Une compilation concoctée par Emile Omar et Hugo Mendez. Strut présente avec enthousiasme le troisième volume tant attendu de la série Disques Debs International, explorant plus en profondeur les archives de l'un des plus grands labels franco-caribéens, Disques Debs, basé en Guadeloupe. Fondé par le visionnaire Henri Debs à la fin des années 1950, le label et son studio ont fonctionné pendant plus de 50 ans, produisant plus de 300 singles 7” et 200 albums, faisant de Disques Debs un pilier de l'histoire musicale caribéenne. Au début des années 1980, Henri Debs s'était déjà imposé comme un producteur prolifique, avec un catalogue de sorties inégalé en Guadeloupe et en Martinique. Parti d'un simple magnétophone deux pistes installé à l'arrière d'une boutique de vêtements, Disques Debs s'est transformé en une véritable institution, avec un studio ultramoderne en plein cœur de Pointe-à-Pitre, des magasins de disques et d'instruments de musique en Guadeloupe, en Martinique et à Paris, une discothèque au Gosier, ainsi que des accords de distribution internationale en Europe, aux États-Unis et en Amérique du Sud. Disques Debs a joué un rôle essentiel dans l'évolution de la musique caribéenne moderne, créant un pont entre les genres traditionnels comme la biguine et le gwoka et les styles contemporains comme le cadence, le compas et le zouk. Ce dernier est devenu un phénomène mondial dans les années 1980 grâce à des groupes emblématiques comme Kassav' et Zouk Machine. Durant cette période, le label a soutenu une nouvelle génération d'artistes tout en continuant à collaborer avec des figures légendaires des décennies précédentes. Le volume 3 de cette série, compilé par Emile Omar et Hugo Mendez, met en lumière l'une des périodes les plus dynamiques et influentes du label, alors qu'il étendait son rayonnement international dans les années 1980. À travers deux vinyles, cette sortie propose une sélection soigneusement choisie de morceaux issus de l'univers Disques Debs, mettant en avant à la fois de jeunes talents et des artistes confirmés qui ont marqué cette époque. Cette collection célèbre non seulement l'héritage inégalé d'Henri Debs, mais offre également un instantané de l'âge d'or de la musique caribéenne, confirmant Disques Debs comme une véritable institution culturelle. ► Titres joués - Christian Yéyé – Misyé Zanndo - Horizon – Neg Mawon - Alex Rosa – L'Appel des champions - Max et Henri – Sé Pou Demen ► Album Mizik Maladi, l'âge d'or des Disques Debs International (Strut Record 2025) Bandcamp Volume 1  Bandcamp Volume 2 Cadence Revolution  Bandcamp Volume 3 Mizik Maladi À écouter aussiSpéciale Disques Debs international avec Émile Omar Notre 2nd invité est Anthony Joseph pour la sortie de l'album Rowing up River to Get Our Names Back. L'origine africaine des OVNI, George Clinton en personne, n'aurait pas désavoué ce concept afro-futuriste dont Anthony Joseph avait fait le sujet de The African Origins Of Ufo's, sa nouvelle écrite il y a bientôt vingt ans. Durant ce laps de temps, les albums du chanteur-poète de Trinidad se sont succédé, mais l'idée ne s'est pas évaporée. Après un travail de réflexion et de recherches artistiques avec le musicien-producteur Dave Okumu, il est même devenu l'axe de rotation de son nouvel album. Base des premiers titres élaborés en duo, la nouvelle est ensuite devenue la rampe de lancement de Rowing Up River To Get Our Names Back Vol 1 & 2. D'une aventure si dense qu'il a fallu la scinder en deux parties. Après avoir solidement assuré la connexion musicale de toute la diaspora caribéenne sur ses précédents albums, Anthony Joseph s'engage dans une fresque musicale aussi ambitieuse que fascinante : l'exploration de toutes ces strates qui constituent la longue et tumultueuse histoire de la musique noire. Ces couches créatives qui se sont superposées et additionnées, la nouvelle se nourrissant de la précédente pour, sans le savoir, préparer l'arrivée de la suivante. Cet immense puzzle où, reliées par une forte conscience politique, les différentes pièces ont noirci les portées de leurs notes les plus intenses. Sculpté dans la cire des œuvres si impérissables qu'elles ont rendu stériles toutes les tentatives d'altération des décennies qui se sont accumulées. Forme, fond, portée révolutionnaire, tout est resté intact. Y compris l'esprit de tous ces musiciens qui ne se sont exprimés que par la voix de leur instrument, la puissance de leur groove, la radicalité de leur démarche artistique. Funk, P-Funk, soul, dub, free-jazz, jazz, afrobeat, blues, confrontant leurs deux visions musicales pour n'en former plus qu'une, c'est en binôme éclairé par les phares de leur créativité qu'Anthony Joseph et Dave Okumu ont façonné un afro-futurisme à l'esthétique mouvante et sans limites d'expansion. Stabilisée par cette volonté de raviver toutes les racines, l'exploration se conjugue à celle qui mène aux patronymes perdus. Ceux qui, entre le voyage depuis l'Afrique vers l'Amérique, se sont évaporés dans les flots de l'Atlantique et le claquement des fouets. Ceux dont ont été dépossédés les déracinés de force qui ont dû endosser celui du maître. Les peaux des batteries, le bois des baguettes et celui des percussions, le nylon de cordes, les métaux des saxophones et les trompettes, tout ce qui constitue l'arche organique dans laquelle ont embarqué les héros de la musique noire, révèle au moment du décollage un tableau de bord à l'électronique sophistiquée. Renforcer, voire supplanter certaines fonctions peut s'avérer utile tant la destination est lointaine. Elle est à des années-lumière d'ici. La rejoindre impose de connecter le présent avec le passé pour pouvoir l'emmener dans le futur. Dans l'afro futur. Là où, après avoir remonté la rivière, tous auront récupéré leurs noms et se seront réappropriés un pan de leur histoire. ► Titres joués extraits de l'album - Satellite - Tony - Black History - Churches of Sound ► Album Rowing up River to Get Our Names Back (Heavenly Sweetness 2025) Site – Bandcamp – YouTube.

What do touring with George Clinton's Parliament Funkadelic, founding a storytelling movement in Detroit, and turning menopause into a standing ovation have in common?Satori Shakoor.In this episode of Becoming More Me, I sit down with the powerhouse storyteller, performer, and creator of The Secret Society of Twisted Storytellers. Satori has lived a life that reads like a novel—one filled with music, grief, resilience, and transformation. And through it all, she's learned how to alchemize her experiences into wisdom and healing for others.Come with us as we explore:How storytelling became Satori's language long before it became her professionThe lessons she carried from life on stage with Parliament Funkadelic into her work todayWhy she launched the LIVE Show, “Confessions of a Menopausal Femme Fatale” and the myths she's smashing about menopauseThe raw realities of postpartum depression and the power of speaking taboo truths out loudWhat it means to age unapologetically and keep creating with joy, courage, and fire in your seventiesSatori's stories will make you laugh, cry, and most importantly, reflect on your own. If you've ever doubted the value of your lived experiences, this conversation is a reminder: YOUR STORY IS YOUR POWER!

Legendary NW King of Soul Andy Stokes talks about his latest release“No Better” featuring “Best Day Ever”, “Turn Back Now”, “Let's Have A GoodTime”, “I Don't Give a Damn”, and “We on Da Flo (with Snoop Dogg)”! Andy was bornin Danville, VA and raised across the US and Germany with an All-Army family, spentover 3 decades captivating audiences across the globe & solidified hisplace as one of the most respected/beloved voices of R&B and a 2x inducteein Oregon's Music HOF, began his amazing career in '83 at a Portland nightclub tojoin legendary funk band Cool'R  earningvarious accolades, shared the stage with Michael Bolton, George Clinton, PeaboBryson, The Temptations, etc., and shares the stories behind the music! Checkout the amazing Andy Stokes on all major platforms and www.andystokesmusic.comtoday! #andystokes #nwkingofsoul #nobetter #bestdayever #turnbacknow #letshaveagoodtime#idontgiveadamn #weondaflo #snoopdogg #danvillevirginia #germany #oregonmusichalloffame#r&b #portland #coolr #michaelbolton #georgeclinton #peabobryson#thetemptations #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm#bitchute #rumble #mikewagner #themikewagnershow #mikewagnerandystoles #themikewagnershowandystokes  

Legendary NW King of Soul Andy Stokes talks about his latest release“No Better” featuring “Best Day Ever”, “Turn Back Now”, “Let's Have A GoodTime”, “I Don't Give a Damn”, and “We on Da Flo (with Snoop Dogg)”! Andy was bornin Danville, VA and raised across the US and Germany with an All-Army family, spentover 3 decades captivating audiences across the globe & solidified hisplace as one of the most respected/beloved voices of R&B and a 2x inducteein Oregon's Music HOF, began his amazing career in '83 at a Portland nightclub tojoin legendary funk band Cool'R  earningvarious accolades, shared the stage with Michael Bolton, George Clinton, PeaboBryson, The Temptations, etc., and shares the stories behind the music! Checkout the amazing Andy Stokes on all major platforms and www.andystokesmusic.comtoday! #andystokes #nwkingofsoul #nobetter #bestdayever #turnbacknow #letshaveagoodtime#idontgiveadamn #weondaflo #snoopdogg #danvillevirginia #germany #oregonmusichalloffame#r&b #portland #coolr #michaelbolton #georgeclinton #peabobryson#thetemptations #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm#bitchute #rumble #mikewagner #themikewagnershow #mikewagnerandystoles #themikewagnershowandystokes  

Keluar Sekejap turun ke Desaru Coast untuk episod khas sempena Ombak Festival 2025 pada 13 September 2025 lalu! Dalam episod ini, Keluar Sekejap menemubual bintang antarabangsa George Clinton (Parliament-Funkadelic), “Queen of Hip Hop Asia” Masia One, Fuad Kyoto Protocol, serta komuniti di sebalik festival – termasuk Kiddocare dan Pasar Seloka.Keluar Sekejap juga sempat mengupas Desaru Coast sebagai destinasi pelancongan & zon ekonomi strategik Malaysia-Singapura serta tahun Melawat Malaysia 2026.Ingin jenama anda dikenali oleh ribuan pendengar? Ingin menjemput Keluar Sekejap untuk Live Show?Taja episod Keluar Sekejap 2025!Hubungi +6011-1919 1783 atau emel commercial@ksmedia.my

The FUTY trio is back with another episode full of opinions and dialogue. This week the crew have hot takes on Charlie Kirk's assassination, QueenzFlip catching fades at the west Indian day parade, and did Actor Clifton Powell play George Clinton in the California Love music video? In music, Young Thug's interview with Big Bank, Busta Rhymes trying to hump on Mariah Carey's leg after the VMAs, and a new verse from Prodigy off the new Mobb Deep album that's dropping next month? In sports, NFL season started, Carmelo Anthony's induction into the hall of fame, Streameast is dead, and we also have fight night predictions for Canelo vs. Bud. Enjoy !

212 - Bootsy Collins In episode 212 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Bootsy Collins a bassist that needs no introduction! In their conversation Bootsy tells us why he started on bass and his gear when he was starting out provided by his brother Catfish who eventually brought him in to his band the Pacemakers. Bootsy describes how James Brown became aware of the Pacemakers and how he brought them on board getting Bootsy a Fender Jazz bass and two Ampeg SVT's. Bootsy takes us through when he decided to incorporate pedals into his sound and the pedals he used initially. Bootsy discusses when he began producing albums while working with George Clinton. Bootsy tells us about his bass mentors James Jamerson, Paul McCartney and Larry Graham. Bootsy describes his original “Space Bass” and tells us about the current star bass made by Warwick and he also gives us a quick tour of his most recent amp system from the last time he toured. Bootsy talks about ear protection after a recent surgery which has him sidelined and working only in the studio currently. Bootsy discusses his friend Buckethead whose album he recently produced and who he's worked with since the ‘90's. Finally Bootsy takes us through his philanthropic productions and a few of the items you can purchase off his website: Beer, Wine and star straps… and having the NFL pick Bootsy's tribute to Buckethead for the TV broadcasts. To find out more about Bootsy you can go to his website: bootsycollins.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #Bootsy #BootsyCollins #JamesPatrickRegan #AmpegSVT #theDeadlies #FenderCustomShop #JamesBrown #CatfishCollins #haveguitarwilltravelpodcast #HGWT #BucketHead #GeorgeClinton #OnThe1#PFunk #FunkBass #tourlife Please like, comment, and share this podcast! Download Link

Nia and Aughie discuss Federalist Paper 68, the election of the President of the United States. Alexander Hamilton lays out the electoral college in Federalist 68. The response, Cato 4, was likely written by George Clinton. 

Full video and PowerPoint: https://www.patreon.com/posts/138250030In this episode of the Anglo-American Conservative Books Series, we dive into the Anti-Federalist Papers, a critical yet often overlooked voice in America's founding. The Anti-Federalists, including figures like Patrick Henry, George Clinton, and Elbridge Gerry, opposed the stronger central government proposed by the Constitution, advocating instead for decentralized power and individual liberties. Often mislabeled, they were the true federalists, warning of the risks posed by a powerful federal government. Their prescient critiques led to the inclusion of the Bill of Rights and cemented their place in America's decentralist, conservative tradition.Our Sponsors:* Check out Express VPN: https://expressvpn.com/CONVERSATIONS* Check out TruDiagnostic and use my code HARRIS for a great deal: https://www.trudiagnostic.comSupport this podcast at — https://redcircle.com/conversations-that-matter8971/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This new menopause therapy is like stand-up comedy for hot flashes.  My guest in this episode uses humor and truth to bridge the gap between women's health then, now and the future. Her message is for all women on how to address the gaps in awareness about menopause.  If you're a health and wellness pro you'll want to listen to this, the new menopause therapy.   My Guest: Satori Shakoor is a dynamic storyteller, performer, and social entrepreneur, known for founding the award-winning The Secret Society of Twisted Storytellers®. Her career began as a background singer with George Clinton and Parliament/Funkadelic, later expanding into acting, comedy, and writing. She has captivated audiences on NPR, global stages, and podcasts.  Shakoor uses fearless humor and cultural storytelling, delivering a perspective on aging, womanhood, and the midlife experience in her new comedic stand-up storytelling concert film “Confessions of a Menopausal Femme Fatale,” premiered June 12 on Amazon Prime, Apple TV+, and Google Play, with pre-orders beginning June 1 on iTunes.   Questions We Answer in This Episode: [00:05:06] How did you begin your career and artistic journey? [00:15:00] Why did you choose stand-up humor to convey a message about menopause and aging? [00:25:21] What do you hope women take away from watching “Confessions of a Menopausal Femme Fatale”? [00:31:30] You attended a gathering with Halle Berry and Governor Whitmer to discuss women's healthcare and menopause, what occurred during those conversations? How do you hope your film contributes to that growing cultural dialogue? [00:36:09] You moved between music, theatre, television, and film—what keeps you pushing creative boundaries? What's next after this project? [00:35:53] What do you say to women listening who may not have tapped into their own creative expression for decades?    The New Menopause Therapy: Breaking the Silence Around Menopause   Therapy Through Storytelling Encourage women to speak openly as part of their health journey. Use hormonal shifts as a source of creative energy. Honesty about symptoms creates solidarity. Turn private struggles into public art. Key Takeaways Menopause can be a time of creative rebirth, not just physical change. Storytelling serves as both personal therapy and cultural activism. Reframing “femme fatale” energy empowers women to embrace their sensuality without shame. Speaking openly about menopause can strengthen community bonds and normalize experiences. Artistic expression can help process and transform difficult transitions.   Connect with Satori: Website - Satori Shakoor Website - The Secret Society of Twisted Storytellers® Facebook - Satori Shakoor Films  Facebook - The Secret Society Of Twisted Story Tellers Instagram - @satorishakoorfilms   Other Episodes You Might Like: Previous Episode - Running vs Walking for Fast Fat Loss in Menopause Next Episode -  More Like This - Midlife Women's Makeover: Radiate Confidence. Reclaim Your Power.   Resources: Join the Hot, Not Bothered! Challenge to learn why timing matters and why what works for others is not working for you. Don't know where to start? Book your Discovery Call with Debra. Leave this session with insight into exactly what to do right now to make small changes, smart decisions about your exercise time and energy.

We remember Eddie Palmieri, the pianist, bandleader and composer whose contributions to Afro-Caribbean music shaped the genre for decades. He died Wednesday at the age of 88. Also, Parliament's now classic funk album Mothership Connection turned 50 this year. We listen back to Terry Gross's 1989 interview with funkmaster George Clinton. David Bianculli reviews the new season of Wednesday and film critic Justin Chang reviews two comedy remakes: The Naked Gun and Freakier Friday.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Atlantic journalist Franklin Foer explains how SpaceX and the Trump administration are changing the face of NASA, and why Musk's dream of Mars may come at the cost of the agency's mission. Also, Ken Tucker commemorates the 50th anniversary release of George Clinton's album Mothership Connection.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy