Podcast appearances and mentions of George Clinton

Erick The Architect is a man with a résumé: his recent collaborators include Jungle, L’Imperatrice, George Clinton, James Blake, and Channel Tres, among many others. But now he’s stepped out on his own again with the third installment of his ARCSTRUMENTALS series. The  EP has a perfect top-down summertime sound, flavored with house and R&B influences, including the tasty “All That I Need” (feat. Haile Supreme).

Galenskap har sällan svängt så okontrollerat och fritt. Det är svårt att föreställa sig hur musiken hade låtit och sett ut om det inte vore för en galaktisk man i vitt lakan, platåstövlar och hår i regnbågens färger Lyssna på alla avsnitt i Sveriges Radio Play. George Clinton öppnade porten till en annan verklighet bortom förtrycket och fattigdomen där fantasin flödade i en korsning av all musik.Från frisersalongen i New Jersey och söt doowop under gatlyktan, till Detroits uppviglande rockscen och blåkopian för Motowns psykedeliska soul, vidare till kronan på verket. En hårdsvängande, vild bandfunk som fick namnet P-funk, och som visade vägen in i afrofuturism, hiphop, techno och mycket mer.Parliament/Funkadelics katalog tillhör den mest samplade, och har funkat som bas för bland andra Dr Dre, Snoop och Digital Underground. Med utgångspunkt i sju möten med George Clinton serverar Mats Nileskär berättelsen om en spektakulär karriär som spänner över sju decennier.I avsnitt ett träffar du också Garry Shider, Billy Nelson, James Brown, George Kerr, Bernie Worrell och Smokey Robinson.

New Model Army - No Rest Porto Geese - Train Song Porto Geese - Downstream King Gizzard & The Lizard Wizard - Stressin' רם אוריון ועמיר לב - הטנק Rome - By Tradition Rome - Food For Powder Talking Heads - Life During Wartime (Live) The Moonlandingz - Some People's Music Stevie Wonder - Love's In Need Of Love Today Prince - Jam Of The Year PiL - Big Blue Sky רוקרפוקטס - מאה אור אדרי - בהצלחה שיהיה מאור כהן - אתה תגיד The The - Where Do We Go When We Die The The - Some Days I Drink My Coffee By The Grave Of William Blake The Young Gods - Mes Yeux De Tous The Young Gods - Systemized Napalm Death - Point Of No Return The Sisters of Mercy - Gimme Shelter Howard Jones - Hide & Seek (Long Version) Einsturzende Neubauten - November, Sie Laechelt אביב מארק - שינה רציפה זאב טנא - מזרח תיכון חדש Patriarchy - Boy On A Leash דני סנדרסון - חתונה Pete Townshend - And I Moved הכל עובר חביבי - ג'אז Kraftwerk - Electric Cafe (Carbo-Hydrate Mix) David Byrne - I Don't Remember Mekanero - Pretty Vacant שרון חול - מתקלחת ערומה Parliament - Bop Gun (Endangered Species) Ice Cube - Bop Gun (One Nation) (Feat. George Clinton) הפה והטלפיים - עם אחד https://www.facebook.com/fingeredfloodgate

** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 20: Australian funk singer, composer and producer Traffik, who leads a four-member band of the same name. The group's recently released album, “The Signs,” is a powerful mix of funk and rock that was 10 years in the making. Traff has also paired up with guitarist/engineer Simon Russell as the duo Eddie Metal, kicking off a series of instrumental recordings. Both are flying under the new Funkoditionalove independent record label banner. He talks about those projects as well as his profound experiences with George Clinton and members of Parliament-Funkadelic. They inspired him to rename Melbourne as Smellbourne. Dig this tale of finding the funk Down Under. Check out his documentary here https://www.youtube.com/watch?v=P70juildJwY&list=WL&index=9&t=4s&ab_channel=funkonditionalove. RECORDED FEBRUARY 2025 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Satori Shakoor has had a fascinating life. From singing in Parliament, to being one of the Brides of Funkenstein, to her life as a mother and everything that has come after, Satori tells it all in her new concert film, "Confessions of a Menopausal Femme Fatale." It's a story only she can tell and she tells it wonderfully.You can stream the film on Amazon, AppleTV and Google Play. For more information, check out Satori's website.Volleybird Subscription BoxesVolleybird.shop for curated pickleball subscription boxes delivered every 8 weeks

With the passing of legendary Brian Wilson, music icon and creative force behind The Beach Boys, at 82. We got into our archives from August 2022, when Conway spoke to Mike Love, Beach Boys singer and songwriter. He was a co-founder of the Beach Boys  with his cousins Brian, Dennis, and Carl Wilson and their friend Al JardineMike will be inducted into the Songwriters Hall of Fame Class of 2025: George Clinton, Rodney Jerkins & More.

On the sixty-second episode of the Constitutionalist, Ben, Shane, and Matthew discuss the Mayflower Compact, and its implications for American political life as one of the nation's earliest constitutional compacts. We want to hear from you! Constitutionalistpod@gmail.com The Constitutionalist is proud to be sponsored by the Jack Miller Center for Teaching America's Founding Principles and History. For the last twenty years, JMC has been working to preserve and promote that tradition through a variety of programs at the college and K-12 levels. Through their American Political Tradition Project, JMC has partnered with more than 1,000 scholars at over 300 college campuses across the country, especially through their annual Summer Institutes for graduate students and recent PhDs. The Jack Miller Center is also working with thousands of K-12 educators across the country to help them better understand America's founding principles and history and teach them effectively, to better educate the next generation of citizens. JMC has provided thousands of hours of professional development for teachers all over the country, reaching millions of students with improved civic learning. If you care about American education and civic responsibility, you'll want to check out their work, which focuses on reorienting our institutions of learning around America's founding principles. To learn more or get involved, visit jackmillercenter.org. The Constitutionalist is a podcast co-hosted by Professor Benjamin Kleinerman, the RW Morrison Professor of Political Science at Baylor University and Founder and Editor of The Constitutionalist Blog, Shane Leary, a graduate student at Baylor University, and Dr. Matthew Reising, a John and Daria Barry Postdoctoral Research Fellow at Princeton University. Each week, they discuss political news in light of its constitutional implications, and explore a unique constitutional topic, ranging from the thoughts and experiences of America's founders and statesmen, historical episodes, and the broader philosophic ideas that influence the American experiment in government.

This June on One Song, Diallo and LUXXURY are celebrating Black Music Month. They're kicking it off with Parliament's 1975 funk classic “Mothership Connection.” In this episode, they delve into Parliament's innovative theatrics, the song's Afro-futurist narrative, and why George Clinton is the crazy cool grand-unc of hip-hop. Say goodbye to sticky notes and calendar confusion with Skylight. Go to SkylightCal.com/OneSong for $30 off your 15 inch Calendar. Songs Discussed: "Mothership Connection (Star Child)" - Parliament "Let Me Ride" - Dr. Dre "Bring The Noise" - Public Enemy "99 Problems" - Ice T feat. Brother Marquis "Cosmic Slop" - Funkadelic "Up For The Down Stroke" - Parliament "The Payback" - James Brown "Papa's Got a Brand New Bag (1975)" - James Brown "Juicy Fruit" - Mtume "Flash Light" - Parliament "P-Funk (Wants To Get Funked Up)" - Parliament "Doing It To Death" - The J.B.'s "Let Me Ride" - Dr. Dre "Regulate" - Warren G & Nate Dogg "Me Myself and I" - De La Soul "(Not Just) Knee Deep" - Funkadelic "Hay" - Crucial Conflict "I'll Stay" - Funkadelic "I Know You Got Soul" - Eric B. & Rakim "I Know You'll Like It Too" - Funkadelic "Redbone" - Childish Gambino "Wesley's Theory" - Kendrick Lamar "Burning Down The House" - Flying Lotus "Hyena" - Travis Scott "Bonin' In The Boneyard" - Fishbone "Girl Like Me" - PinkPantheress Learn more about your ad choices. Visit megaphone.fm/adchoices

On the sixty-first episode, Shane and Ben are joined by Joseph Natali, a Ph.D. student at Baylor University dissertating on the constitutionalism of bureaucracy and how Presidents succeed or fail in exercising control over the executive branch. We want to hear from you! Constitutionalistpod@gmail.com The Constitutionalist is proud to be sponsored by the Jack Miller Center for Teaching America's Founding Principles and History. For the last twenty years, JMC has been working to preserve and promote that tradition through a variety of programs at the college and K-12 levels. Through their American Political Tradition Project, JMC has partnered with more than 1,000 scholars at over 300 college campuses across the country, especially through their annual Summer Institutes for graduate students and recent PhDs. The Jack Miller Center is also working with thousands of K-12 educators across the country to help them better understand America's founding principles and history and teach them effectively, to better educate the next generation of citizens. JMC has provided thousands of hours of professional development for teachers all over the country, reaching millions of students with improved civic learning. If you care about American education and civic responsibility, you'll want to check out their work, which focuses on reorienting our institutions of learning around America's founding principles. To learn more or get involved, visit jackmillercenter.org. The Constitutionalist is a podcast cohosted by Professor Benjamin Kleinerman, the RW Morrison Professor of Political Science at Baylor University and Founder and Editor of The Constitutionalist Blog, Shane Leary, a graduate student at Baylor University, and Dr. Matthew K. Reising, a John and Daria Barry Postdoctoral Research Fellow at Princeton University. Each week, they discuss political news in light of its constitutional implications, and explore a unique constitutional topic, ranging from the thoughts and experiences of America's founders and statesmen, historical episodes, and the broader philosophic ideas that influence the American experiment in government.

From Prince's Paisley Park to empowering youth through hip-hop and education—David “TC” Ellis shares his incredible journey in this rare 2004 Musicians Reveal with Joe Kelley radio interview. Discover how a Minneapolis rap pioneer turned his passion into purpose.

Richard Gearhart and Elizabeth Gearhart, co-hosts of Passage to Profit Show interview Cameron Bishop from Raincatcher, master storyteller Shatori Shakoor and Yasir Drabu from Taazaa.     In this episode, we sit down with Cameron Bishop, seasoned executive and managing director at Raincatcher, to unpack the emotional, financial, and strategic rollercoaster of selling a business. From lifestyle traps and unsellable companies to post-COVID burnout and vanishing employees, Cameron shares real-world insights into what makes a business truly valuable—and what makes owners finally say, “I'm done.” Read more at: https://www.raincatcher.com/     Satori Shakoor is a master storyteller, writer, and social entrepreneur, best known as the founder and Executive Producer of The Secret Society of Twisted Storytellers®. A former Bride of Funkenstein with George Clinton and Parliament/Funkadelic, she now leads storytelling workshops and offers private coaching to individuals and organizations. Read more at: https://www.satorishakoor.com/     Yasir Drabu is the founder and CEO of Taazaa and leads hundreds of passionate engineers in building advanced custom software solutions for healthcare, finance, eCommerce, and other industries. Taazaa's goal is to make great software more accessible to the organizations that need it, with the core belief that software should make life easier. Read more at: https://www.taazaa.com/   Whether you're a seasoned entrepreneur, a startup, an inventor, an innovator, a small business or just starting your entrepreneurial journey, tune into Passage to Profit Show for compelling discussions, real-life examples, and expert advice on entrepreneurship, intellectual property, trademarks and more. Visit https://passagetoprofitshow.com/ for the latest updates and episodes. Chapters (00:00:00) - Richard and Elizabeth Gearhart on Ramping Up Your Business(00:00:24) - Passage to Profit(00:01:57) - How to Build a Network for Starting Your Business(00:03:33) - Yasir Akhtar on Networking(00:04:46) - How to Network for Your Business(00:08:30) - What Does a Business Broker Do?(00:12:03) - Have You Got a Sellable Business?(00:14:20) - How to Prepare for the Sale of Your Business(00:18:30) - When to Sell Your Business?(00:19:49) - Small Business Health Insurance Hotline(00:21:50) - Business Broker: Should I Sell My Business?(00:24:15) - Amazon's Drone Delivery, in the News(00:26:13) - Patents and Trademarks(00:29:45) - How to Get Your Business Out of Podcasting(00:31:00) - Colon Cancer, the science of it(00:32:33) - Satori Shakur's Secret Society of Twisted Storytellers(00:38:27) - Storytelling at the White House(00:39:21) - Tell Your Story(00:42:11) - Tori on Starting To Tell Stories(00:42:58) - Satori Yakur on Storytellers(00:44:19) - Where to Build a Custom Software Solution?(00:46:24) - What Are Agents in AI?(00:48:43) - How AI is Affecting Your Company(00:50:10) - Can GPTs Be Validated in Business?(00:52:50) - Do You Think People Are Destroying Podcasts?(00:53:31) - How to Get Your Law Job Through AI(00:55:45) - Tax Doctor: How to Solve a Back Tax Debt(00:56:49) - Cameron Bishop on the Future of Tech(00:58:07) - Secret to Starting a Business: Career Resilience(01:00:46) - What is your secret to building a business?(01:01:30) - Passage to Profit

On the sixtieth episode, Matthew and Ben are joined by Shilo Brooks, Executive Director of the James Madison Program in American Ideals and Institutions at Princeton University, to discuss his immensely popular course "The Art of Statesmanship and the Political Life." We want to hear from you! Constitutionalistpod@gmail.com The Constitutionalist is proud to be sponsored by the Jack Miller Center for Teaching America's Founding Principles and History. For the last twenty years, JMC has been working to preserve and promote that tradition through a variety of programs at the college and K-12 levels. Through their American Political Tradition Project, JMC has partnered with more than 1,000 scholars at over 300 college campuses across the country, especially through their annual Summer Institutes for graduate students and recent PhDs. The Jack Miller Center is also working with thousands of K-12 educators across the country to help them better understand America's founding principles and history and teach them effectively, to better educate the next generation of citizens. JMC has provided thousands of hours of professional development for teachers all over the country, reaching millions of students with improved civic learning. If you care about American education and civic responsibility, you'll want to check out their work, which focuses on reorienting our institutions of learning around America's founding principles. To learn more or get involved, visit jackmillercenter.org. The Constitutionalist is a podcast cohosted by Professor Benjamin Kleinerman, the RW Morrison Professor of Political Science at Baylor University and Founder and Editor of The Constitutionalist Blog, Shane Leary, a graduate student at Baylor University, and Dr. Matthew K. Reising, a John and Daria Barry Postdoctoral Research Fellow at Princeton University. Each week, they discuss political news in light of its constitutional implications, and explore a unique constitutional topic, ranging from the thoughts and experiences of America's founders and statesmen, historical episodes, and the broader philosophic ideas that influence the American experiment in government.

Stop Making Sense is a concert film directed by Jonathan Demme, the man who would later deliver one of the strongest films of the 1990s in Silence of the Lambs. It features new-wave band Talking Heads at the height of their powers during a four-night residency in Los Angeles in 1983.Bandleader David Byrne, equal parts Bill Nye, Pentecostal firebrand, and George Clinton, is the star of the show...both as lead vocalist and primary creative vision behind the stage production...indeed Byrne infects a rock show with performance art, iconic choreography, and visual flair Ala Andy Warhol and the Velvet Underground.What starts as a one-man show starring Byrne, quickly grows to envelope all of the core members of Talking Heads --and within a few more numbers the group has expanded to an all-star cast of multiethnic, jet-fuel driven musicians. The film has received a recent 4K release from acclaimed production company A24.

Join hosts Tami Larson and Dennis Strazulo as they dive into the vibrant atmosphere of JazzFest 2025, with this episode recorded at The Broadside in New Orleans during the 10th Annual Crawfish Festival. In this episode, the first of several generated from JazzFest, the focus is on the experiences of the captivating, modern New Orleans funk band, The Rumble, authors of  a sound they dub "New Orleans Mardi Gras Funk!" Special guest co-host, Wally Ingram, joins the first part of the episode, engaging with The Rumble's co-founder and soulful guitarist, Ari Teitel and its super talented keyboard player, Andriu  “Yano” Yanovski, as they reflect on their hard working paths to success as Grammy nominated musicians. The conversation flips to Ari, Andriu and the hosts delving into Wally's storied journey playing with the likes of Timbuk 3, David Lindley, Sherly Crow, Phil Lesh, Bob Weir, Bonnie Raitt, Jackson Browne, Crowded House, George Clinton, and David Nelson, making Wally a  beloved percussionist/drummer across music genres. As these remarkable artists muse about their influences and mentors, Wally shares stories of his role as mentor for his bass-playing daughter Lydia's friend, Paolo Pesce and his rising band, Great Big Cow, while exuding praise and respect for the New Orleans music scene and much more!Ari and Andriu visit with Tales From  The Green Room fresh off their set with The Gangsters of Love, performing the music of Johnny “Guitar” Watson on the opening day of the  Crawfish Festival. When not playing with The Rumble you can catch Ari playing with Ivan Neville's Dumpstaphunk and Andriu jamming with David Shaw of The Revivalists, or sitting in with a myriad of ensembles around The Crescent City and across the USA.  The duo also make up the-thirds of the sensational improv band, AX3.The backstage banter continues as the hosts chat it up with other members of The Rumble - leader and co-founder Chief Joseph Boudreaux, Jr., trumpet player Aurelien "Sunpie" Barnes, bassist TJ Norris, and  inspirational drummer Trenton O'Neal -  moments before they hit the stage on day two of Crawfish Fest. The artists explore the band's formation, intentional approach, and dynamic performances. The band members also delve into their cultural and musical heritage with engaging anecdotes, industry insights, and a celebration of New Orleans' rich musical tradition. This episode captures the essence of The Rumble's journey and their undeniable impact on New Orleans music and beyond!Catch The Rumble at High Sierra Music Festival 2025 July 3-6!Episode Photo Gallery by Chris Applebaum Images – 4/28/25 Episode Photo Gallery by Chris Applebaum Images – 4/29/25HighlightsThere's something about the groove here. It's different. I kind of always say I don't trust a drummer who hasn't spent some time in New Orleans. Yeah. I mean, it's just, it's in the air. You feel it, you're so spoiled down here, man. It's just amazing. It's unifying too!-Wally Ingram praising the New Orleans music scene Detroit's got such a rich musical tradition, and I had a chance to come up under a lot of the greats and people like Ralph Armstrong, who played with Mahavishnu Orchestra and got a chance to play with Allan Barnes, sax player from Donald Byrd and the Blackbyrds. I had great teachers like Rodney Whitaker, the great upright bass player in Detroit. So I got a strong foundation in blues bebop, R&B, and then played in church and also in Michigan there was a strong jam band community, so I was kind of always in and out of that.-Ari Teitel on learning from the greats in his home state of MichiganIt opens you up. You stay open for the moments, for those times when you might go off script. But that's where the magic is. That's the sauce. Those are the moments I freaking live for. You're on the edge, you don't know what's gonna happen, and then you come up. Especially if I were playing with like Wally or Andrew, I'm confident in that unknown. It will present a lot of opportunities for some great moments, and  in those moments you discover some new musical ground and then everybody shares a smile.-Ari Teitel on how his jazz training opens him up to magical musical momentsWhen I was 19, I met Clyde Stubblefield. in Madison, Wisconsin. A friend of mine brought him to see me play, and I met him and I asked him if he teaches lessons. He goes, no, no man, just play. Just come down every Monday night. I'm at this club. Just come down. So I would go down there and watch him play. Just like what you guys were talking about. And he would say, oh yeah, you're that guy. A drummer, okay, you're up next set. And you'd have to just sit in with his band, which is a full R&B band with horns and they'd be like, oh shit. Clyde's got another drummer. Shit. So you'd have to sit in with his band and hold your own. He was very open to that. And we became great friends his whole life and we played together a lot.-Wally Ingram on learning from legendary James Brown drummer, Clyde StubblefieldI was at the show seeing Robert Randolph when I was 11 years old. My dad got everybody in the section to point at me…this kid, this kid! So he calls me up. I played for two minutes and then his guitar tech came to usher me off. Like, okay, that was it. Good job buddy. And then Rob Randolph waved him off, and said, no, no, no, he's staying up. So I  played a whole 20 minutes with him. He lifted me up. Yeah. Put me on top of a chair. I didn't know it was happening, my legs were flailing!-Ari Teitel reflecting on his big moment on stage with Robert Randolph at age 11 I didn't really know the function of a keyboard in a band fully until I heard about Ray Charles and heard what he did for the first time. I had never played a Rhodes piano. It felt insane the first time I played one. It was Ray Charles really that opened my mind. And then it was like Art Tatum and Oscar Peterson. And that was cool with my parents 'cause they were classically proficient. But then it started to deepen. Then you, obviously, learn about Miles Davis

This week on The Fake Ass Book Club, our hosts blast off into the wild, weird, and wonderfully funky world of George Clinton's memoir, Brothas Be, Yo Like George, Ain't That Funkin' Kinda Hard on You?The ladies dive into the legacy of Clinton's genre-bending Parliament-Funkadelic empire, exploring how his psychedelic style, industry battles, and undeniable influence helped shape not just funk, but the very DNA of hip-hop. Along the way, the crew drops hilarious sidebars, surprising confessions, and maybe even a little singing. This episode promises vibes, laughs, and that good ol' Fake Ass honesty. Buckle up, space cadets. The Mothership has landed. Cheers!! *Please be advised this episode is intended for adult audiences and contains adult language and content. We are expressing opinions on the show for entertainment purposes only.Dedication: To our patrons as always!! We love you!Moni: To myself for hilariously tricking Kat into thinking I read the book this week!Kat: To the now completed mural with Boxx the Artist and Sophia. Happy B-day Sophia and Happy b-day to all my peeps with May birthdays. To the owners of Gather 22, Pablo and Adam, the food is amazing. To the Indiana Pacers being in the finals, GO PACERS!About the Author: https://georgeclinton.com (The drink champs interview is on the site)About the Book: https://www.goodreads.com/book/show/brothas-be-yo-like-george**Stranger than Fiction:

Rodney "Skeet" Curtis, a revered bassist in contemporary music, joins us for an illuminating discussion on his extensive career and experiences during a respite from touring with the legendary Maceo Parker. We delve into the intricate dynamics of transitioning from the rigors of constant performance to moments of personal creativity and leisure, particularly in relation to his affinity for football. Curtis articulates the challenges of adjusting from the 'road head' mindset to a more relaxed state conducive to artistic endeavors. Furthermore, our conversation explores the evolution of funk music, its contemporary interpretations, and the profound impact of the P-Funk legacy on the broader musical landscape. This episode promises to provide both insights into Curtis's artistic journey and a deeper appreciation for the genre he embodies.The Musicians Reveal podcast, hosted by Joe Kelley, features an enlightening conversation with the esteemed bassist Rodney 'Skeet' Curtis, whose remarkable career spans decades in the music industry. The dialogue delves into Curtis's experiences touring with the legendary Maceo Parker, highlighting the intricate dynamics of transitioning from the rigors of touring to moments of personal relaxation, such as enjoying a football game. Curtis provides an intimate glimpse into the challenges he faces in adjusting from the frenetic pace of live performance to a more leisurely routine, emphasizing the psychological shifts required to embrace creativity in a home environment. In our discussion, Curtis recounts his formative years in Baltimore, where he was immersed in a vibrant music scene that served as a refuge from the challenges of urban life. He reflects on the profound impact that funk music had on his development as a musician, sharing nostalgic anecdotes that underscore the cultural significance of the genre in his upbringing. Furthermore, Curtis articulates the evolution of his musical style, noting how contemporary influences have shaped the modern landscape of funk, while also expressing admiration for the younger generation of musicians who continue to innovate within the genre. The episode further explores Curtis's collaborative efforts with other notable artists, including his longstanding relationship with George Clinton and the P-Funk collective. He discusses his contributions to recent projects, including Maceo Parker's latest album, and shares insights into the creative process that defines their musical collaborations. The conversation culminates in a discussion about the future of funk music, the challenges faced by emerging artists, and Curtis's commitment to fostering a supportive musical community. This episode serves as a testament to Curtis's enduring legacy in the world of music and provides a rich tapestry of insights that will resonate with both seasoned musicians and aspiring artists alike.Takeaways: Rodney Curtis discusses the challenges of transitioning from touring to downtime, emphasizing the need for time to adjust. The vibrant music scene in Baltimore during Curtis's youth provided a rich environment for aspiring musicians. Curtis reflects on the importance of improvisation in live performances, particularly during his time with George Clinton. He shares insights into the dynamics of playing with different drummers, noting the comfort that comes with long-term collaborations. Curtis highlights the contemporary evolution of funk music, particularly its influence on gospel and hip-hop genres today. The podcast reveals the collaborative nature of Curtis's work, mentioning upcoming projects with various artists. Audio recorded in 2006. Presented as archival content.

On the fifty-ninth episode of the Constitutionalist, Ben and Matthew discuss Volume 1, Part 2, Chapter 7 of Alexis De Tocqueville's "Democracy in America" on the omnipotence of the majority. They discuss Tocqueville's warnings of the detrimental effects of democracy on the citizen. We want to hear from you! Constitutionalistpod@gmail.com The Constitutionalist is proud to be sponsored by the Jack Miller Center for Teaching America's Founding Principles and History. For the last twenty years, JMC has been working to preserve and promote that tradition through a variety of programs at the college and K-12 levels. Through their American Political Tradition Project, JMC has partnered with more than 1,000 scholars at over 300 college campuses across the country, especially through their annual Summer Institutes for graduate students and recent PhDs. The Jack Miller Center is also working with thousands of K-12 educators across the country to help them better understand America's founding principles and history and teach them effectively, to better educate the next generation of citizens. JMC has provided thousands of hours of professional development for teachers all over the country, reaching millions of students with improved civic learning. If you care about American education and civic responsibility, you'll want to check out their work, which focuses on reorienting our institutions of learning around America's founding principles. To learn more or get involved, visit jackmillercenter.org. The Constitutionalist is a podcast co-hosted by Professor Benjamin Kleinerman, the RW Morrison Professor of Political Science at Baylor University and Founder and Editor of The Constitutionalist Blog, Shane Leary, a graduate student at Baylor University, and Dr. Matthew Reising, a John and Daria Barry Postdoctoral Research Fellow at Princeton University. Each week, they discuss political news in light of its constitutional implications, and explore a unique constitutional topic, ranging from the thoughts and experiences of America's founders and statesmen, historical episodes, and the broader philosophic ideas that influence the American experiment in government.

Escucha aquí la entrevista que le realizamos donde nos cuenta sobre sus colaboraciones con grandes de la música como JuanesAlejandro Sanz, CeeLoGreen, Fonseca, George Clinton, Jon Batiste, entre muchos otros, hasta la colaboración con la leyenda Emilio Estefan en su nuevo albur musical.Con su inconfundible sabor afrocubano, su energía y su dinamismo en elescenario, CIMAFUNK llega a la sala Dreyfoos del Kravis Center de West Palm Beach para una presentación exclusiva e imperdible, el viernes 23 de mayo de 2025 a las 8 p.m. CIMAFUNK, pasó de estudiar medicina a ser un destacado cantante, compositor y productor al que muchos califican como el nuevo embajador global de la música cubana. Su energía arrolladora en el escenario y estilo innovador lo han llevado a ser reconocido como “una fuerza funkadelica a tener en cuenta” según GRAMMY.com.Escucha aquí la entrevista completa: https://www.buzzsprout.com/1148891/episodes/17145549

On the fifty-eighth episode, Shane, Matthew, and Ben are joined by William B. Allen, Professor Emeritus of Political Philosophy at Michigan State University, to discuss Montesquieu's political philosophy and its influence on the American Founding and eighteenth-century British politics. We want to hear from you! Constitutionalistpod@gmail.com The Constitutionalist is proud to be sponsored by the Jack Miller Center for Teaching America's Founding Principles and History. For the last twenty years, JMC has been working to preserve and promote that tradition through a variety of programs at the college and K-12 levels. Through their American Political Tradition Project, JMC has partnered with more than 1,000 scholars at over 300 college campuses across the country, especially through their annual Summer Institutes for graduate students and recent PhDs. The Jack Miller Center is also working with thousands of K-12 educators across the country to help them better understand America's founding principles and history and teach them effectively, to better educate the next generation of citizens. JMC has provided thousands of hours of professional development for teachers all over the country, reaching millions of students with improved civic learning. If you care about American education and civic responsibility, you'll want to check out their work, which focuses on reorienting our institutions of learning around America's founding principles. To learn more or get involved, visit jackmillercenter.org. The Constitutionalist is a podcast cohosted by Professor Benjamin Kleinerman, the RW Morrison Professor of Political Science at Baylor University and Founder and Editor of The Constitutionalist Blog, Shane Leary, a graduate student at Baylor University, and Dr. Matthew K. Reising, a John and Daria Barry Postdoctoral Research Fellow at Princeton University. Each week, they discuss political news in light of its constitutional implications, and explore a unique constitutional topic, ranging from the thoughts and experiences of America's founders and statesmen, historical episodes, and the broader philosophic ideas that influence the American experiment in government.

Un diggeur passionné des Caraïbes talonné par un poète anglo-trinidadien qui slame la mémoire des afro-descendants. Emile Omar est notre 1er invité pour présenter le 3e volume de la série Disques Debs International Mizik Maladi (Strut Record 2025). Une compilation concoctée par Emile Omar et Hugo Mendez.Strut présente avec enthousiasme le troisième volume tant attendu de la série Disques Debs International, explorant plus en profondeur les archives de l'un des plus grands labels franco-caribéens, Disques Debs, basé en Guadeloupe. Fondé par le visionnaire Henri Debs à la fin des années 1950, le label et son studio ont fonctionné pendant plus de 50 ans, produisant plus de 300 singles 7” et 200 albums, faisant de Disques Debs un pilier de l'histoire musicale caribéenne.Au début des années 1980, Henri Debs s'était déjà imposé comme un producteur prolifique, avec un catalogue de sorties inégalé en Guadeloupe et en Martinique. Parti d'un simple magnétophone deux pistes installé à l'arrière d'une boutique de vêtements, Disques Debs s'est transformé en une véritable institution, avec un studio ultramoderne en plein cœur de Pointe-à-Pitre, des magasins de disques et d'instruments de musique en Guadeloupe, en Martinique et à Paris, une discothèque au Gosier, ainsi que des accords de distribution internationale en Europe, aux États-Unis et en Amérique du Sud.Disques Debs a joué un rôle essentiel dans l'évolution de la musique caribéenne moderne, créant un pont entre les genres traditionnels comme la biguine et le gwoka et les styles contemporains comme le cadence, le compas et le zouk. Ce dernier est devenu un phénomène mondial dans les années 1980 grâce à des groupes emblématiques comme Kassav' et Zouk Machine. Durant cette période, le label a soutenu une nouvelle génération d'artistes tout en continuant à collaborer avec des figures légendaires des décennies précédentes.Le volume 3 de cette série, compilé par Emile Omar et Hugo Mendez, met en lumière l'une des périodes les plus dynamiques et influentes du label, alors qu'il étendait son rayonnement international dans les années 1980. À travers deux vinyles, cette sortie propose une sélection soigneusement choisie de morceaux issus de l'univers Disques Debs, mettant en avant à la fois de jeunes talents et des artistes confirmés qui ont marqué cette époque.Cette collection célèbre non seulement l'héritage inégalé d'Henri Debs, mais offre également un instantané de l'âge d'or de la musique caribéenne, confirmant Disques Debs comme une véritable institution culturelle.► Titres joués- Christian Yéyé – Misyé Zanndo- Horizon – Neg Mawon- Alex Rosa – L'Appel des champions- Max et Henri – Sé Pou Demen► Album Mizik Maladi, l'âge d'or des Disques Debs International (Strut Record 2025)Bandcamp Volume 1 Bandcamp Volume 2 Cadence Revolution Bandcamp Volume 3 Mizik MaladiÀ écouter aussiSpéciale Disques Debs international avec Émile Omar Notre 2nd invité est Anthony Joseph pour la sortie de l'album Rowing up River to Get Our Names Back.L'origine africaine des OVNI, George Clinton en personne, n'aurait pas désavoué ce concept afro-futuriste dont Anthony Joseph avait fait le sujet de The African Origins Of Ufo's, sa nouvelle écrite il y a bientôt vingt ans. Durant ce laps de temps, les albums du chanteur-poète de Trinidad se sont succédé, mais l'idée ne s'est pas évaporée. Après un travail de réflexion et de recherches artistiques avec le musicien-producteur Dave Okumu, il est même devenu l'axe de rotation de son nouvel album. Base des premiers titres élaborés en duo, la nouvelle est ensuite devenue la rampe de lancement de Rowing Up River To Get Our Names Back Vol 1 & 2. D'une aventure si dense qu'il a fallu la scinder en deux parties. Après avoir solidement assuré la connexion musicale de toute la diaspora caribéenne sur ses précédents albums, Anthony Joseph s'engage dans une fresque musicale aussi ambitieuse que fascinante : l'exploration de toutes ces strates qui constituent la longue et tumultueuse histoire de la musique noire. Ces couches créatives qui se sont superposées et additionnées, la nouvelle se nourrissant de la précédente pour, sans le savoir, préparer l'arrivée de la suivante. Cet immense puzzle où, reliées par une forte conscience politique, les différentes pièces ont noirci les portées de leurs notes les plus intenses. Sculpté dans la cire des œuvres si impérissables qu'elles ont rendu stériles toutes les tentatives d'altération des décennies qui se sont accumulées. Forme, fond, portée révolutionnaire, tout est resté intact. Y compris l'esprit de tous ces musiciens qui ne se sont exprimés que par la voix de leur instrument, la puissance de leur groove, la radicalité de leur démarche artistique.Funk, P-Funk, soul, dub, free-jazz, jazz, afrobeat, blues, confrontant leurs deux visions musicales pour n'en former plus qu'une, c'est en binôme éclairé par les phares de leur créativité qu'Anthony Joseph et Dave Okumu ont façonné un afro-futurisme à l'esthétique mouvante et sans limites d'expansion. Stabilisée par cette volonté de raviver toutes les racines, l'exploration se conjugue à celle qui mène aux patronymes perdus. Ceux qui, entre le voyage depuis l'Afrique vers l'Amérique, se sont évaporés dans les flots de l'Atlantique et le claquement des fouets. Ceux dont ont été dépossédés les déracinés de force qui ont dû endosser celui du maître. Les peaux des batteries, le bois des baguettes et celui des percussions, le nylon de cordes, les métaux des saxophones et les trompettes, tout ce qui constitue l'arche organique dans laquelle ont embarqué les héros de la musique noire, révèle au moment du décollage un tableau de bord à l'électronique sophistiquée. Renforcer, voire supplanter certaines fonctions peut s'avérer utile tant la destination est lointaine. Elle est à des années-lumière d'ici. La rejoindre impose de connecter le présent avec le passé pour pouvoir l'emmener dans le futur. Dans l'afro futur. Là où, après avoir remonté la rivière, tous auront récupéré leurs noms et se seront réappropriés un pan de leur histoire.► Titres joués extraits de l'album- Satellite- Tony- Black History- Churches of Sound► Album Rowing up River to Get Our Names Back (Heavenly Sweetness 2025)Site – Bandcamp – YouTube 

Un diggeur passionné des Caraïbes talonné par un poète anglo-trinidadien qui slame la mémoire des afro-descendants. Emile Omar est notre 1er invité pour présenter le 3e volume de la série Disques Debs International Mizik Maladi (Strut Record 2025). Une compilation concoctée par Emile Omar et Hugo Mendez.Strut présente avec enthousiasme le troisième volume tant attendu de la série Disques Debs International, explorant plus en profondeur les archives de l'un des plus grands labels franco-caribéens, Disques Debs, basé en Guadeloupe. Fondé par le visionnaire Henri Debs à la fin des années 1950, le label et son studio ont fonctionné pendant plus de 50 ans, produisant plus de 300 singles 7” et 200 albums, faisant de Disques Debs un pilier de l'histoire musicale caribéenne.Au début des années 1980, Henri Debs s'était déjà imposé comme un producteur prolifique, avec un catalogue de sorties inégalé en Guadeloupe et en Martinique. Parti d'un simple magnétophone deux pistes installé à l'arrière d'une boutique de vêtements, Disques Debs s'est transformé en une véritable institution, avec un studio ultramoderne en plein cœur de Pointe-à-Pitre, des magasins de disques et d'instruments de musique en Guadeloupe, en Martinique et à Paris, une discothèque au Gosier, ainsi que des accords de distribution internationale en Europe, aux États-Unis et en Amérique du Sud.Disques Debs a joué un rôle essentiel dans l'évolution de la musique caribéenne moderne, créant un pont entre les genres traditionnels comme la biguine et le gwoka et les styles contemporains comme le cadence, le compas et le zouk. Ce dernier est devenu un phénomène mondial dans les années 1980 grâce à des groupes emblématiques comme Kassav' et Zouk Machine. Durant cette période, le label a soutenu une nouvelle génération d'artistes tout en continuant à collaborer avec des figures légendaires des décennies précédentes.Le volume 3 de cette série, compilé par Emile Omar et Hugo Mendez, met en lumière l'une des périodes les plus dynamiques et influentes du label, alors qu'il étendait son rayonnement international dans les années 1980. À travers deux vinyles, cette sortie propose une sélection soigneusement choisie de morceaux issus de l'univers Disques Debs, mettant en avant à la fois de jeunes talents et des artistes confirmés qui ont marqué cette époque.Cette collection célèbre non seulement l'héritage inégalé d'Henri Debs, mais offre également un instantané de l'âge d'or de la musique caribéenne, confirmant Disques Debs comme une véritable institution culturelle.► Titres joués- Christian Yéyé – Misyé Zanndo- Horizon – Neg Mawon- Alex Rosa – L'Appel des champions- Max et Henri – Sé Pou Demen► Album Mizik Maladi, l'âge d'or des Disques Debs International (Strut Record 2025)Bandcamp Volume 1 Bandcamp Volume 2 Cadence Revolution Bandcamp Volume 3 Mizik MaladiÀ écouter aussiSpéciale Disques Debs international avec Émile Omar Notre 2nd invité est Anthony Joseph pour la sortie de l'album Rowing up River to Get Our Names Back.L'origine africaine des OVNI, George Clinton en personne, n'aurait pas désavoué ce concept afro-futuriste dont Anthony Joseph avait fait le sujet de The African Origins Of Ufo's, sa nouvelle écrite il y a bientôt vingt ans. Durant ce laps de temps, les albums du chanteur-poète de Trinidad se sont succédé, mais l'idée ne s'est pas évaporée. Après un travail de réflexion et de recherches artistiques avec le musicien-producteur Dave Okumu, il est même devenu l'axe de rotation de son nouvel album. Base des premiers titres élaborés en duo, la nouvelle est ensuite devenue la rampe de lancement de Rowing Up River To Get Our Names Back Vol 1 & 2. D'une aventure si dense qu'il a fallu la scinder en deux parties. Après avoir solidement assuré la connexion musicale de toute la diaspora caribéenne sur ses précédents albums, Anthony Joseph s'engage dans une fresque musicale aussi ambitieuse que fascinante : l'exploration de toutes ces strates qui constituent la longue et tumultueuse histoire de la musique noire. Ces couches créatives qui se sont superposées et additionnées, la nouvelle se nourrissant de la précédente pour, sans le savoir, préparer l'arrivée de la suivante. Cet immense puzzle où, reliées par une forte conscience politique, les différentes pièces ont noirci les portées de leurs notes les plus intenses. Sculpté dans la cire des œuvres si impérissables qu'elles ont rendu stériles toutes les tentatives d'altération des décennies qui se sont accumulées. Forme, fond, portée révolutionnaire, tout est resté intact. Y compris l'esprit de tous ces musiciens qui ne se sont exprimés que par la voix de leur instrument, la puissance de leur groove, la radicalité de leur démarche artistique.Funk, P-Funk, soul, dub, free-jazz, jazz, afrobeat, blues, confrontant leurs deux visions musicales pour n'en former plus qu'une, c'est en binôme éclairé par les phares de leur créativité qu'Anthony Joseph et Dave Okumu ont façonné un afro-futurisme à l'esthétique mouvante et sans limites d'expansion. Stabilisée par cette volonté de raviver toutes les racines, l'exploration se conjugue à celle qui mène aux patronymes perdus. Ceux qui, entre le voyage depuis l'Afrique vers l'Amérique, se sont évaporés dans les flots de l'Atlantique et le claquement des fouets. Ceux dont ont été dépossédés les déracinés de force qui ont dû endosser celui du maître. Les peaux des batteries, le bois des baguettes et celui des percussions, le nylon de cordes, les métaux des saxophones et les trompettes, tout ce qui constitue l'arche organique dans laquelle ont embarqué les héros de la musique noire, révèle au moment du décollage un tableau de bord à l'électronique sophistiquée. Renforcer, voire supplanter certaines fonctions peut s'avérer utile tant la destination est lointaine. Elle est à des années-lumière d'ici. La rejoindre impose de connecter le présent avec le passé pour pouvoir l'emmener dans le futur. Dans l'afro futur. Là où, après avoir remonté la rivière, tous auront récupéré leurs noms et se seront réappropriés un pan de leur histoire.► Titres joués extraits de l'album- Satellite- Tony- Black History- Churches of Sound► Album Rowing up River to Get Our Names Back (Heavenly Sweetness 2025)Site – Bandcamp – YouTube 

Doldisen från ett träskigt vattendrag i Texas bidrog till att forma ljudet av modern musik. Lyssna på alla avsnitt i Sveriges Radio Play. Rap-A-Lot praktikanten blev osannolikt en av hiphophistoriens betydelsefulla bakomscenenspelare genom sina stilbildande samarbeten med bland andra Scarface, Kanye West, Travis Scott ochThe Weeknd. På senare år har Mike Dean ställt sig i strålkastarskenet omringad av synthesizers från olika eror. Utrustning som skapar ljudspåret till festen innan undergången. Ett mörkt och på samma gång hoppfullt sound. Med en hård arbetsdisciplin och inkännande natur har synthguden och screwsonen väglett några av dom mest temperamentsfulla och lynniga perfektionisterna. Vissa kallar Mike Dean för musikindustrins motsvarighet till Tony Montana. Den fiktiva gangsterkaraktären i Brian DePalmas film ”Scarface”. Andra ser honom som hiphopens förklädde David Lynch (Gordon Cole i ”Twin Peaks”).I avsnittet intervjuar Mats Nileskär även Kanye West, The D.O.C, Scarface, Thee Sacred Souls, Bernie Worrell, George Clinton, Hawk och Dan Penn.

On the fifty-seventh episode of the Constitutionalist, Shane and Matthew discuss Volume 1, Chapter 2 of Alexis De Tocqueville's "Democracy in America." We want to hear from you! Constitutionalistpod@gmail.com The Constitutionalist is proud to be sponsored by the Jack Miller Center for Teaching America's Founding Principles and History. For the last twenty years, JMC has been working to preserve and promote that tradition through a variety of programs at the college and K-12 levels. Through their American Political Tradition Project, JMC has partnered with more than 1,000 scholars at over 300 college campuses across the country, especially through their annual Summer Institutes for graduate students and recent PhDs. The Jack Miller Center is also working with thousands of K-12 educators across the country to help them better understand America's founding principles and history and teach them effectively, to better educate the next generation of citizens. JMC has provided thousands of hours of professional development for teachers all over the country, reaching millions of students with improved civic learning. If you care about American education and civic responsibility, you'll want to check out their work, which focuses on reorienting our institutions of learning around America's founding principles. To learn more or get involved, visit jackmillercenter.org. The Constitutionalist is a podcast co-hosted by Professor Benjamin Kleinerman, the RW Morrison Professor of Political Science at Baylor University and Founder and Editor of The Constitutionalist Blog, Shane Leary, a graduate student at Baylor University, and Dr. Matthew Reising, a John and Daria Barry Postdoctoral Research Fellow at Princeton University. Each week, they discuss political news in light of its constitutional implications, and explore a unique constitutional topic, ranging from the thoughts and experiences of America's founders and statesmen, historical episodes, and the broader philosophic ideas that influence the American experiment in government.

On the fifty-sixth episode of the Constitutionalist, Shane, Ben, and Matthew discuss Federalist 37, and Madison's teachings on political and epistemological limits. We want to hear from you! Constitutionalistpod@gmail.com The Constitutionalist is proud to be sponsored by the Jack Miller Center for Teaching America's Founding Principles and History. For the last twenty years, JMC has been working to preserve and promote that tradition through a variety of programs at the college and K-12 levels. Through their American Political Tradition Project, JMC has partnered with more than 1,000 scholars at over 300 college campuses across the country, especially through their annual Summer Institutes for graduate students and recent PhDs. The Jack Miller Center is also working with thousands of K-12 educators across the country to help them better understand America's founding principles and history and teach them effectively, to better educate the next generation of citizens. JMC has provided thousands of hours of professional development for teachers all over the country, reaching millions of students with improved civic learning. If you care about American education and civic responsibility, you'll want to check out their work, which focuses on reorienting our institutions of learning around America's founding principles. To learn more or get involved, visit jackmillercenter.org. The Constitutionalist is a podcast co-hosted by Professor Benjamin Kleinerman, the RW Morrison Professor of Political Science at Baylor University and Founder and Editor of The Constitutionalist Blog, Shane Leary, a graduate student at Baylor University, and Dr. Matthew Reising, a John and Daria Barry Postdoctoral Research Fellow at Princeton University. Each week, they discuss political news in light of its constitutional implications, and explore a unique constitutional topic, ranging from the thoughts and experiences of America's founders and statesmen, historical episodes, and the broader philosophic ideas that influence the American experiment in government.

EPYSODE 33: "I Am What I Am". Guest: Ruth Copeland In this exciting epysode of the Vinyl Relics podcast, we dive into the groundbreaking 1972 album "I Am What I Am"by Ruth Copeland. Known for her unique blend of soul, funk, and rock, Copeland's album features iconic members of P-Funk, including musicians who helped shape the sound of the era. This epysode includes exclusive commentary from Ruth Copeland herself, where she discusses her collaborations with George Clinton and how they influenced her work. Don't miss Ruth's insights into her journey, the making of this album, and the incredible musicianship that brought it to life. Tune in for a rare behind-the-scenes look at one of funk's unsung innovators. I hope you dig "I Am What I Am" as much as I do. -Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinyl.relics.podcast/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X here --> @VinylRelicsPod Email me here --> farmerjohnmusic@gmail.com ===LINKS=== I referenced an article about Ruth Copeland written by Charles Donovan. Here is a link to that article: https://www.charlesdonovan.com/2019/12/04/ruth-copeland-interview/ My band is Newport Electric. Check out our music here: https://open.spotify.com/artist/5y6kGmYnS4SWvqAfijhDdp?si=5gUMW013TPGCBI2yiaJA7w ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured ( *denotes track is not available on Spotify): https://open.spotify.com/playlist/0Q6RcxC38oF8LcWxQiOoog?si=1b104af7a9c840be RON DAVIES “It Ain't Easy” *FREDDIE “FINGERS” LEE “I'm Gonna Buy Me A Dog” *KELLY MICHAELS “I Need Him” RARE EARTH “Born To Wander” RARE EARTH “I Just Want To Celebrate” EDWIN STARR “War” MARTHA & THE VANDELLAS “Heat Wave” MARVIN GAYE “Can I Get A Witness?” THE SUPREMES “Where Did Our Love Go?” THE FOUR TOPS “Baby I Need Your Loving” THE SUPREMES “Stop! In The Name Of Love” MARTHA & THE VANDELLAS “Nowhere To Run” THE ISLEY BROTHERS “This Old Heart Of Mine” THE SUPREMES “You Keep Me Hangin' On” THE FOUR TOPS “Bernadette” PARLIAMENT “Up For The Down Stroke” PARLIAMENT “Little Ole Country Boy” PARLIAMENT “The Silent Boatman” RUTH COPELAND “I Got A Thing For You Daddy” RUTH COPELAND “Your Love Been So Good To Me” RUTH COPELAND “Un Bel Di” RUTH COPELAND “The Medal”  RUTH COPELAND “Cryin' Has Made Me Stronger” RUTH COPELAND “Hare Krishna” RUTH COPELAND “Suburban Family Lament” THE ROLLING STONES “Play With Fire” RUTH COPELAND “Play With Fire” RUTH COPELAND “Don't You Wish You Had (What You Had When You Had It)” RUTH COPELAND “Gimme Shelter” RUTH COPELAND (with guest appearance by Darryl Hall) “Heaven”  RUTH COPELAND “Take Me To Baltimore” ??MYSTERY ARTIST?? ...tune into the next Epysode to find out... NEWPORT ELECTRIC "Nobody Sings The Blues Anymore" (this is my band...shameless self promotion!!) Learn more about your ad choices. Visit megaphone.fm/adchoices

Le podcast Jams Of The Year consacre à l'année 1967Janvier : Lowell Fulson – TrampLe vétéran du west coast blues revient avec ce classique aux accents proto-funk, qui inspirera Otis & Carla et bien d'autres.Février : The Four Tops – BernadetteUn sommet de soul dramatique signé Holland-Dozier-Holland, porté par la voix déchirante de Levi Stubbs.Mars : James & Bobby Purify – Shake A Tail FeatherReprise survitaminée de doo-wop funk, emblématique de la soul sudiste et de l'énergie des années 60.Avril : The Parliaments – (I Wanna) TestifyPremier vrai succès pour George Clinton, annonçant la révolution funk à venir avec Parliament-Funkadelic.Mai : Linda Jones – HypnotizedBallade bouleversante magnifiée par une des plus belles voix féminines de la soul, disparue trop tôt.Juin : James Brown & The Famous Flames – Cold SweatActe fondateur du funk moderne, entre pulsation rythmique brute et minimalisme harmonique.Juillet : Wilson Pickett – Funky BroadwayReprise musclée du groove de Dyke & The Blazers, enregistrée à Muscle Shoals, qui devient le hit de référence.Août : Jackie Wilson – (Your Love Keeps Lifting Me) Higher and HigherDernier grand succès de Mr. Excitement, porté par l'énergie de la soul de Chicago et la production de Carl Davis.Septembre : Otis Redding & Carla Thomas – Knock On WoodDuo iconique sur une reprise d'Eddie Floyd, extrait du dernier album studio d'Otis avant sa disparition.Octobre : Joe Tex – Skinny Legs And AllSoul rurale et prêche humoristique sur fond de groove sudiste : du Joe Tex pur jus.Novembre : Sly & The Family Stone – Dance To The MusicExplosion de couleurs sonores, manifeste de la psychedelic soul et tremplin vers la liberté artistique.Décembre : The Impressions – We're A WinnerCurtis Mayfield donne le ton de la soul militante avec cet hymne à la fierté noire et à l'émancipation.1967 est une année charnière, où le groove devient plus libre, les paroles plus politisées, et les expérimentations sonores plus audacieuses. Les tensions raciales, la guerre du Vietnam, le mouvement pour les droits civiques influencent les textes, pendant que le rythme s'affirme comme langage universel de résistance.À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast dédié aux amateurs de musique funk, soul, rap et r&b. Chaque épisode met en lumière une année spécifique, avec une sélection soignée de 12 morceaux qui illustrent l'évolution des genres. Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)