Podcasts about marvelous mrs

Darius de Haas is a fabulous, award-winning singer whose work runs the gamut from Broadway to recordings to concerts. Here's all you need to know. He was the singing voice for the character Shy Baldwin on Amazon's smash hit “The Marvelous Mrs. Maisel” for three seasons. The New York Times describes him as "An astonishing vocal acrobat combining the timbre of a pure wind instrument with the swinging authority of a jazz powerhouse." He's performed at Lincoln Center, Carnegie Hall, London's Royal Festival Hall, The Kennedy Center and The Boston Pops. He has performed with artists including Elvis Costello, Debbie Harry, Marvin Hamlisch, Roberta Flack and Vanessa Williams. He's also an award-winning actor who made his Broadway debut in the original production of “Kiss Of The Spiderwoman” followed by the original Broadway cast of “Rent”.My featured song is “Ode To Jerry” from the album Play by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH DARIUS:www.dariusdehaas.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Comedian and writer Alison Leiby (The Marvelous Mrs. Maisel, Broad City, The President Show) comes on to discuss her memoir "I'm a Lot", exploring deeply personal and cultural topics such as abortion, sexuality, relationships, and media representation. From there, she takes us behind the screen and reveals the ways television shapes how we see women, sex, and control. From the glossy chaos of Bravo to the tired tropes of "very special episodes," Allison and Remy unpack how pop culture scripts our ideas about abortion, pleasure, and power—and what happens when comedians rewrite those stories with honesty and humor. It's a sharp, funny, and fearless look at the TV narratives that raised us, and the new ones we're ready to tell. Love How C*m? -- RATE, REVIEW & SUBSCRIBE  Follow Allison @AlisonLeiby Follow / DM us at @HowCumPodcast @RemyKassimir Support the podcast/ get extras on Patreon Check out our website for extra info & merch!

Michael Kent, traveling comedian and magician, joins Marissa to share hard-won lessons from 20 years of marriage while spending up to 250 days per year on the road. Discover why performer relationships fail, the "dopamine trap" of audience affirmation, and the one ritual that saved his marriage. Learn the three pillars of healthy relationships (communication, respect, trust), how to communicate vulnerably without blame, and why human connection matters more than ever in our isolated world. Michael reveals advice from Ralphie May that transformed his marriage and shares practical strategies for maintaining intimacy across distance. Topics covered: Why entertainment industry marriages fail (and why his didn't) How to distinguish between audience affirmation and real love The power of saying "What can I do to help?" Reframing relationship conflicts Breaking the content vs. happiness debate Connection as the antidote to addiction and loneliness Keywords: healthy relationships, marriage advice, communication skills, long-distance relationships, relationship tips, emotional intimacy, relationship goals   Full Transcript:  Marissa F. Cohen (Marissa F. Cohen) Welcome, Michael. I'm so excited to have you on the podcast today. Thank you so much for joining us.    Michael Kent Absolutely. It's so good to be here. I was happy to have you on my podcast recently, and I've never been on a podcast like yours, so I'm kind of excited and nervous. Oh, don't be nervous.   Marissa F. Cohen (Marissa F. Cohen) It's easy, breezy conversation. We're just chit-chatting. But tell everyone about your podcast, because I thought it was so much fun to be a guest on yours. Thank you. Sure.   Michael Kent Well, my podcast, it's funny because it has nothing to do with what I do for a living. So I make my living as a comedian and magician. During the pandemic, me and so many other people decided we were going to podcast. So I decided that mine was going to be about history, but not like the boring history. I am fascinated by the fact that I'm in my 40s and I'm still learning things. Every day, like there's new things to learn. And some of them are important. Some of them are just interesting. They're not important. And so what I decided to do was find a different story from history every week. And it has to sound like it's something that I just made up. And initially, the podcast was called Tell Me What to Google, because tell me what to Google, because there were people giving me these ideas like, hey, you should Google this. Because after the first season, I realized that it's really hard to be found on Google when you have Google in the name of your show. So my buddy Jonathan Burns came up with the title, The Internet Says It's True. And that's what it's been called for 267 episodes. Every week is a news story that sounds like it's absolutely made up. And they're all 100% verifiably true. I go through painstaking efforts to like go back and find the original newspaper articles and everything. But I present them in a way that's really fun and lighthearted. And then we do a quiz at the end. So yeah, it's been a fun project. It's really fun for me to work on something that is not me. It's not about my show and me.   Marissa F. Cohen (Marissa F. Cohen) And it sounds really fun. History is so interesting, and there's so much fun stuff out there. I love being on your podcast. For the last couple episodes, we were talking about food, which anyone who knows me knows that food is a passion of mine. Not cooking it, just eating it. But yeah, so check out The Internet Says It's True. It streams everywhere. You can listen to the episodes I'm on. But let's jump into the Healing for Emotional Abuse podcast. Michael, so you mentioned that you are a traveling comedian and magician. Will you tell us a little bit more about what you do?   Michael Kent Yeah. Basically, my job for the last 22 years has been to give people an hour of their life where they don't have to think about what's going on outside. They don't have to think about the... about the... They Thank You know, the stress and the tests and the exams, or if it's a workplace, you know, the deadlines and the news and politics. I'm just giving them an escape, which is what magic is. Magic is an amazing ability for us to be able to suspend our disbelief as if we're watching a wrestling match. And it's really easy, it turns out, for people to believe that something's happening that's impossible, because we all want to believe that that's true. Even the most skeptical people react to magic in a way that is almost childlike. Magic has a different reaction from everyone. Everyone has a different way of reacting to it. And I really love that, but I don't love the tension that magic brings. So I do a comedy show. I do a comedy magic show that sort of acknowledges the strange elephant in the room, and that is, I'm a man in my 40s pretending to be a wizard. This crazy career has taken me quite literally all over the world to 49 states. I still need to go to Wyoming. I haven't performed there yet. But 49 states, 19 countries, I believe, and cruise ships and military bases. And gosh, I performed on board an aircraft carrier last year while they were active in the sea. It's been an amazing career for the last couple decades. I'm focusing my efforts now more toward corporate groups and providing corporate groups with sort of an engagement tool and being that engagement facilitator for them to improve their events. So that's sort of the focus of my career currently. But for the last 20 years, I've been one of the top comedian magicians on the college market. So that's how I know you.   Marissa F. Cohen (Marissa F. Cohen) That's true. That's awesome. So you have... You've in one relationship for basically like the extent of all of your career. So 22 years on the road, and you and your wife, first, can you tell us how you met?   Michael Kent Yeah, it's not like one of those, you know, Hallmark stories. But my wife and I went to college together, had the same major and several of the same classes and never met.   Marissa F. Cohen (Marissa F. Cohen) We figured that out after the fact.   Michael Kent So we met through the girl that I grew up next door to when I was a little kid. So from the time I was born until I was eight years old, I lived next door to this person who I won't name because I don't know if I have their permission to talk about them publicly. So I grew up next to her, and she's like a sister to me. And we reconnected after college, like right after college, for the end of college, and we're hanging out. And Allison, my wife, was always around in the friend group. And I started sort of jokingly referring to her as my girlfriend because I had a crush on her. And finally, I asked her out, and we went on what I thought was like an amazing date. It was an amazing date. And then, let's see what happened next. We went off and dated other people. It didn't last. And then we reconnected like four or five months later, and that was the end of that. And we're coming up on our 20th wedding anniversary in August.   Marissa F. Cohen (Marissa F. Cohen) Wow. Yeah.   Michael Kent And like any marriage, know, it's had ups and downs and good times and bad times. And much of the good times and bad times have come from dealing with exactly what you're talking about, the idea that I do spend. At one point, I spent 250 days a year on the road doing shows. And that's really tough on any relationship, married or not, however long, you know, it's... It's just a difficult thing to learn how to deal with. When we met and started, you know, getting serious about dating, I was wanting to be a magician. I was wanting to do this, but I wasn't very successful yet. So she was sort of my sugar mama for the first few years because she had a job and I didn't. And so, you know, it took a while for my career to take off. And then it's been obviously a very, like, fulfilling and lucrative career since. And so, yeah, that's sort of where we are. And she and I are one of those sort of opposites attract couples, you know, like she is a bit more conservative and pragmatic. And I'm sort of a dreamy artist who, you know, head in the clouds type. But we have sort of become more similar as we've gotten older. think that probably just happens with married couples. After a long time, our tastes have become more similar.   Marissa F. Cohen (Marissa F. Cohen) That's awesome. So 20 years married, more than 22 years together. In our industry, like the college market, the traveling to entertain market, I don't know the statistic. I can look it up. But I think most marriages end with one partner that travels a lot and the other that doesn't. And thinking to the conferences that we go to or the colleagues that we have, most of them have been divorced. I can really only think of four people who have been consistently married to the same person. So keeping the communication, the love, the marriage alive is very challenging. So what do you and Allison do or like what have you learned over the years that has helped you guys navigate this, you know, kind   Michael Kent Yeah, first of all, she is a saint to be able to deal with this, right? Like when you think about someone being gone that much, and that's just the half of it. The being gone part is only half of the equation. We'll talk about the other half in a minute, but I was in Chicago Midway Airport headed to, where was I going? St. Louis. And I was headed to a conference, and the comedian Ralphie May, who has since passed, I recognized him just being a fan of comedy, and we struck up a conversation, and we sat next to each other on the flight, and we talked the whole way to St. Louis, and somehow we got talking about relationships. And at that point, Ralphie was married. He ended up getting divorced later, but he gave me the best relationship advice ever, and it sort of, I think, saved my marriage. And Basically, what he said was, the reason that show business relationships fail is because entertainers, night after night, get this amazing feeling from complete strangers. This affirmation that everyone would love. You'd be crazy not to love it. You have complete strangers. You know, it's like if your husband tells you, you look great today. It means something. It's important. But if a stranger at the gas station says, look great today, why does that? It means a little bit more because they don't have an incentive or motive, you know, like they don't have to tell you that. And that's kind of the feeling that entertainers get on stage is like, oh, my God, these complete strangers adore me. And then that night after night after night. And then you go home to your significant other. And they're like, where have you been? Your dirty laundry is on the floor. You didn't do the chore you said you were going to do. And you start comparing them to the people in the audience. And that's. It's so unfair because the people in the audience only know you for one hour at the most, and it's your best hour. It's the hour that you've been rehearsing. It'd be bad. It'd be weird if they didn't love you for that hour. You know what I mean? Whereas now you're comparing them to someone who knows all of you and all the warts and all of the, you know, the, the history and the, the arguments and your tendencies. And, and it's just not a fair comparison. You're comparing apples to oranges in that instance, and it's not And so I spent so much time like thinking about that and examining that and how, which one's wrong, which one's right? You know? And I think the answer is like, neither one's wrong. Neither one's right. But what I realized is that audience while I, God, I love them. I appreciate them so much that they come to my shows and that they laugh with me. They're not my friends in most Most instances. And so when the show is over, that relationship is over. Now, that's not to say, like, I don't want to, you know, put out content for them to consume and interact with people and enjoy their acquaintanceship. But those aren't family. They're not friends. And so that's the that is the struggle that most entertainers run into is that they see that feeling that they get from a complete stranger when they're on stage or when they're, you know, someone who's reacting to their art and they say, oh, this person sees me. This person really likes me because they see me and through my art and all this. But that's not a real healthy. That's not a relationship. That's just a one sided thing. And and so it took a really long time to realize that. And so what I did, I put in almost immediately after talking to Ralphie, a know, A new tradition slash ritual. When I finish a job, a gig, when I finish a show, after I load out, I have a schedule that I do normally. And this is just what I do. I get to, when the show's over and I've done a meet and greet or merch or whatever it might be afterward, when I start loading out and tearing down my show, I text my wife. I let her know I'm loading out. And both of us know that that means that I'm going to be sitting in my car in about 45 minutes to an hour. And when I get in my car, I don't put in the directions to the hotel. I don't put in directions to the airport. I just sit and I call her and we talk. And we don't talk about my show or my travels. We talk about her day. And we talk about the dogs and what's going on back home. And what it is, is a snapback to what is real. It's a snapback to what is good and what is real. And it's a buffer between this world that can make anyone feel like a king to a world that is more mutual, where this is like, this is reality. This is two-way now. It's not just a one-way thing. That call has met the world to me, and I think to Allison, too, because she doesn't want to hear about magic. Allison hates magic.   Marissa F. Cohen (Marissa F. Cohen) I tried to show her magic on our first date, and she goes, know what you're doing, and it's not going to work on me.   Michael Kent And she wasn't talking about the trick wasn't going to work. You know what I mean? I had just spent all those years in college using magic to impress strangers, and now all of a sudden I have to use my personality. I was like, I like this girl. So when we talk after the show, it's, you know, it's about her and her horses and the dogs and what's going on back home, you know, and it's, while that's nice for her, it's also nice for me because then... Let's see. I don't do what I used to do, which is before that, I would be like, how can I make this feeling of this audience continue? And I would start looking and saying, okay, who added me on Instagram? Who liked my show? Who commented on that photo? You know, and being like, you know, you just want that feeling to continue. It's why a lot of artists, musicians, comedians turn to substance abuse, because they're trying to continue the feeling that they get when they're on stage. It's an indescribable feeling, and I'm sure you get it when you speak as well. You know, it's indescribable how it feels to be affirmed by complete strangers in a room where there are hundreds of them looking at you. So it's a really difficult thing to compete with, but that's a much bigger aspect of the problem than is the just being gone. Because I could do, it doesn't matter if you're gone, if you're gone. All the time anyway, mentally or emotionally, you know, like that's the important thing is, are you emotionally there? And it's taken me a long time to do this. And you're talking, you're talking to someone who has spent years in therapy dealing with this. think therapy has been just as important as that discussion with, with, with Ralphie May on an airplane, you know.   Marissa F. Cohen (Marissa F. Cohen) That's so interesting. I, first of all, that's really cool that you got to, you got to sit next to Ralphie May, but also like that, that advice and like that thought process makes a lot of sense. And I never really thought about it that way, where that like euphoric feeling of being loved and adored, right? Right. And then you turn to your family or your partner where, you know, they don't, you know, they know the full you versus other people who only know, like you said, the one dimension of you, you know, it's, and I wonder just in like the full world, not just our world, but how. that translates to them, right? Sure.   Michael Kent Well, it does, because like people that are in the workplace have their work life and their home life. And it's completely different. The people that the way that they interact with people at work is completely different than the way that they interact with their family. And. It's I know that this is a problem for a lot of people, because when you get to that place where you're pulling into the driveway or you're pulling into your garage or whatever to go home, there's a really harsh shift that has to happen between how you deal with work and how you deal with home. And it is it is incredible. It's the same with sports teams as well. When you're on a sports team, your relationship with that sports team or military unit is a bond that you might feel like you never can compete with, with your with your personal relationship. And you have you have to realize and look at it that. It's apples and oranges. It is not the same type of thing. And it's okay for both of those things to coexist. They are not competing with one another.   Marissa F. Cohen (Marissa F. Cohen) Yeah. And I think it translates a lot to why people cheat, right? Because if you, like even just looking at work wives and work husbands, right? You have somebody that you have developed a relationship with in your place of work and you're like, oh, this is my work husband or this is my work wife or my work whatever, you know? And then that person only knows the little bit of you that you show at work versus at home where, you know, you leave your dirty socks everywhere and, you know, or, or you're acting at your very comfortable personality, right? And then the other people, when you get upset with your partner and you talk to your work friends about it, right? Or like your work, whatever work wife about it. They're like, oh, I would never do that. I don't understand. I would never yell at you for something so minuscule. So that becomes very, um, attractive, right? Like, oh, this, Person, they would never treat me. But if they knew you the way that your home partner does, right, your real partner, they would absolutely not be okay with that, right? Or they would also have, there would be tiffs, right? And so I just think that that's so fascinating. That's such an interesting perspective.   Michael Kent Well, was a perspective that was sort of forced on me that I'm glad that I came to because, you know, when you are in a relationship that you value, that you really want to, if you realize in that moment the value of it, you'll do anything you can to keep it. And in my case, what I realized was that the problem was me, right? The problem was that, and it wasn't just me being gone a lot. Obviously, that's tough. But the problem was that, like, I needed to look at things realistically. And, you know, it's kind of like... When you look at an artist's painting that they've put up in a gallery, like if they put it up in a gallery, they know it's good. But what you're not seeing is all their early works that they're not proud of, that they're not showing off. And your relationship with your significant other probably knows and has seen those early works. And so to stick with the metaphor, the gallery goer might be like, this is the best artist in the world. They can never do anything wrong. You know what I mean? And that's that audience member. That's that person who's only seeing you for or knowing you for an hour. Or the people who only know that you're really good at work and you're a good problem solver. Oh, that person must be like that at home. And, you know, and you fantasize and you create this thing that's not there. And reality is often much more boring. And reality is the...   Marissa F. Cohen (Marissa F. Cohen) The reality is in between the highs and lows.   Michael Kent That's where most of our life happens, is in the waiting for the next exciting thing to happen. And so you have to kind of get, like, very comfortable with the fact that things aren't always exciting and full of affirmation and butterflies and puppy dogs. Sometimes the greatness of life is those days where you're like, you want to go out to dinner, but we're just so exhausted. So we're going to just make ramen and sit on the couch and watch TV. And that's going to have to be fine. And that's like even the most successful, exciting movie stars do that. You know what I mean? Like they have, it might not be ramen. might still be, you know, their executive chef cooks them something, but everyone has in between times where you might be in between projects or you might be in between this. And that's what, like, to me, that's kind of the beauty of relationships. It's like, this is someone who you have deemed to be comfortable with you when things aren't exciting, when things are good, and when things are really difficult and hard and you're at each other's throats and fighting, like, someone that you can get through that with. So, yeah. I'm talking, like, I feel like I'm really self-conscious right now talking about this because I know how I have struggled as a husband, and, like, I know how I've had my, like, shortcomings in the past, and I'm talking as if I'm some expert on relationships. It's taken a lot of work for me to get here, and in 10 years from now, I probably will look back at this and be like, I was, I didn't know what I was talking about because I will have learned more. You know, that's the hope anyway, right?   Marissa F. Cohen (Marissa F. Cohen) That's the whole point of life and relationships, right? Like, we are always growing. We're always learning, right? On your podcast, the premise of it was, I can't believe I'm in my 40s and I'm still learning every day. I have always been like an avid lifelong learner, right? I still – I'm in my mid-30s. I still want to go back for more degrees. I still want to do more learning. And my mother-in-law is always making fun of me because I told her at Christmas I want to go to law school. And she's like, why? Why do you want to go to law school? You don't want to be a lawyer. And I'm like, yeah, but I want to understand. And I want to be able to help. And like if you're not learning, you're dying, right? And so, you know, I can look back on things I wrote. My first book, know, Breaking Through the Silence, I wrote it in 2017. And when I put it out, I was like, oh, this is incredible. Like I did so much work. I did all of this. And look where I got, right? And now I read it and I'm like, oh, my God, this is so embarrassing, right? Because we are always growing. We're always learning. So where you are – about when I make a promo video for my show.    Michael Kent By the time I'm editing it, I'm embarrassed by it.   Marissa F. Cohen (Marissa F. Cohen) That's how quickly I'm always changing stuff, you know? Yeah, but that's, I mean, we're always growing, and right now, especially in the world with technology and all that we have, we're absorbing so much stimuli and so much information every minute of every day to a point where our brains have shifted so much, and we're kind of getting off topic, but I'm happy about it because I like to talk about this. Yeah, two quick things.   Michael Kent Something that I realized that I have realized about relationships is another thing that makes them fail, in my opinion, is that people expect it to always feel the way it did in the beginning. I mean, this isn't a surprise to anyone. Everyone knows that this is a problem, right? You might feel that way with someone at work or someone that, you know, like comes through your life, incidentally, and you'll be like, oh, this is the way I felt with my significant other in the beginning. And what you fail to realize is that relationships always... Are changing and you're never going to have, I mean, I can't say never because I don't, you know, obviously there, I'm sure there are exceptions to this, but it's rare to be able to have the same relationship with your significant other that you had when you met and my wife and I have had different iterations of our life together, right? Like there have been different, it's almost like a different thing that you find that you love about that person and you both grow and you're not the same people you were back then. It would be silly if you were acting the same way you were when you were, you know, I met Ali when I was like 22 or something, right? So there's a, my favorite book is called Zen Mind, Beginner's Mind by Shunryu Suzuki. It's just a book about Zen and the main premise of it is in the beginner's mind, there are many options. In the expert's mind, there are few and many possibilities, I think is what he says. And that is to realize that you don't know. Everything is the ability to learn and to change and to grow. Whereas if you say, well, I got married, I aced it, done, I succeeded, I'm at the plateau, now everything's always going to be like this, and everything's always going to be great, and I don't have to try anymore. That's death, right? That's death. As you described, when you stop learning, you're dying. So anyway, those are the two quick things I wanted to bring up.   Marissa F. Cohen (Marissa F. Cohen) And I appreciate that. So Larry and I had a conversation, my husband, it was more of like a debate actually a few months ago where do you strive to be content all the time or do you strive to be happy all the time? Like what's the right, what's the right way to look at life, right? Because if we are striving to be happy, and I was on team, I want to be happy. Thank you. All the time, right? I want to always be feeling like I'm accomplishing. I always want to be feeling like I'm doing something and growing. And he was like, no, because if that's the case, then you're basically chasing a moving goalpost, right? If you always strive to be happy, then you are never happy where you are. And I thought that was so fascinating. So like striving to be content versus striving to be happy. It sounds like from what you said, you strive to be content, right? You know that things are changing and growing and you adjust and adapt and you grow together or you grow apart, right? But you guys work to grow together. So what's your take on that?   Michael Kent Well, you're right. mean, I think of those two options, I would say like striving to be content, but I'm not even sure I'm, I like the phrasing of like content because content, it can bring about feelings of like, I'm content, so I'm not going to strive for happiness or for joy, I guess is what I would replace happiness with is. So Or pleasure. Joy and pleasure are fleeting, whereas contentment is not. Contentment is what I would describe as the middle path or the middle road. If you can't tell, I'm really into Buddhism, and that's kind of where a lot of my philosophy comes from, is that it's going back to what I said earlier about how most of life are those in-between times. And those in-between times, contentment is a great way to describe those. You're fine. There's nothing wrong. You're lacking pleasure in that moment, maybe. But you're also lacking profound sadness or fear. You know what I mean? There's just times when you just are. And if you aren't happy, and I mean happy in a very large, vague sense here, if you can't survive, and if you're suffering in the times when... ... ... ... ... ... ... ... ... There's nothing to be particularly pleasurable or to be joyful about or whatever. That's most of your life. Most of our life are those in-between times. And so if you were on a desert island, a deserted island somewhere, and you didn't have anything, how would you be happy? What would you do to not suffer? And the answer is, you have to just be able to live with yourself. You have to be able to understand that we are beings. The only thing we have to do is breathe. And that's it. We have to eat and breathe and just be. Everything else is icing on the cake. So, but the reason I kind of have issue with the word content is because I think, at least in modern use, it sort of can mean settling or not striving. And I'm always... This is a struggle for me. Sometimes it's really difficult for me to just sit. And it sounds like you're the same way. You've written 40 books. Sometimes it's difficult to just be still. I always have to have that project to worry about. And thanks to my therapist, I know that that's a nervous system response. That's a nervous system response medicating me to try to run away from being here right now. And so it's okay once you have that in mind to do what you want. But realizing it is the hard part. Realizing it is the part where you have to be like, okay, my nervous system is telling me that I'm only doing this and I'm only stressing about this because I need something for it to stress about. We'll be right back. be right And so now that I know that, I can work on it, but not freak out if I don't do it, or not freak out if, you know, about having this thing. So, and allowing yourself to be kind to yourself and take breaks and do whatever else.   Marissa F. Cohen (Marissa F. Cohen) I think what you said about, you know, content being kind of sitting still, that's kind of exactly how I felt and feel. I just didn't know how to verbalize it. So thank you, because you just kind of gave me the more of an understanding of what I meant. Yeah, stillness is the middle way.   Michael Kent Like, it's the middle path. It's not the big hill you're trying to climb or the valley that you're falling into. It's just being. Yeah.   Marissa F. Cohen (Marissa F. Cohen) And I love that. So I loved what you said about, like, if you were on a deserted island, what would you do to not suffer, right? Because you're not going to be happy sitting there on a deserted island every minute of every day. Like, you just can't. How does that translate? Out of relationships, right? So if you're not happy with yourself, you know, the theory is, and I 100% agree with it, but like, if you're not happy with yourself, you're not going to be happy with someone else because you're looking for what you're missing in someone else to come from someone else. So like, how does that, in your opinion, like, how does that translate?   Michael Kent Communication. I think you and your partner need to be able to tell each other how you're feeling. So I mean, it starts with you knowing how you're feeling, right? A lot of people just don't realize how they're feeling. But like, or a lot, you know, you might be feeling anxiety, but not know what the anxiety is about. And that's a perfectly acceptable thing to say to a partner, is that saying, I'm just on edge, and I don't know why. That's such a great thing to say. Because if you are short with your partner, and you didn't mean to be short with a partner, which is what most arguments start from, I think is like, you know, Someone's already have something going on by themselves, right? There's something in their life that they're stressed about, and they just accidentally put that on the other person in the act of normal conversation or whatever. If you start that by saying, by realizing, I'm really anxious today, or I'm really, I feel like I'm really on edge today. Just saying that can maybe stop that next interaction from blowing up into an argument or a fight. And because there's a little bit more communication and understanding of where the other person is coming from. And, you know, my wife and I both suffer from general anxiety at different times. And we both know that sometimes there's not a thing that triggers it. It's just there. And so we know that the answer isn't, why are you anxious? What's making you anxious? How can we make that go away? You know, sometimes the answer, a better answer is, what can I do to help? Which is... That's phrase that both of us use quite often with each other. And sometimes that question is enough to help. Because usually there's not a thing, you know, because our brains are weird and we don't understand them. And sometimes you just have anxiety about stuff. So what can I do to help is like one of the most loving things you can say to a partner. One of the most caring, one of the most efficient ways to show care is by saying, I'm here. That's all you're saying. You're not trying to solve problems. That's a big pet peeve of mine. That'll, that'll, if I tell someone my problem and I don't want them to solve it and they start trying to solve it, that is so frustrating. Not just relationship wise, but just in general, you know, family members, anything like that. Like sometimes I just want a . Just let me complain. And getting that complaint out is, is the purpose, right? So, you know, what can I do to help is like commit that to That statement, because there have been so many times my wife has said that to me, and it's all I needed to hear. Because what she's saying is, I'm here, I hear you, and I care. And that little bit of affirmation is enough to be like, oh, it's going to be fine. She's here to help me with whatever this is.   Marissa F. Cohen (Marissa F. Cohen) So that's such a good point. And I teach that to a lot of people, especially college students, right? And you're not solving anyone's issue. Just ask what you can do. Be empathetic. I'm here with you, right? We're going to do this together. What do you need right now? You know, so I love that that's how you two communicate with each other and show support. We also both have anxiety and we both have bad days. I'll wake up sometimes and just be like, nope, this is one of those days I'm not getting out of bed. No bones day.   Michael Kent Yeah, yeah.   Marissa F. Cohen (Marissa F. Cohen) I'm going to melt into my couch and eat as much popcorn as my body can handle.   Michael Kent And that's my day, you know?   Marissa F. Cohen (Marissa F. Cohen) But I love that. So what piece of advice would you give to... listeners, to our listeners, about having healthy relationships and maintaining a healthy relationship.   Michael Kent You have to be brutally honest with yourself about what it is that you're feeling and be able to be vulnerable enough to share that with this other person. That's the thing. Because I think most fights from unspoken things, most fights stem from unspoken things. And humans are just notoriously bad at working our brains. Sometimes we just don't know why we're thinking the way we're thinking. But if you can acknowledge it, it all of a sudden doesn't seem that bad. There's an analogy that I like to use. It's like most suffering in our lives is, it seems a lot larger than it actually is. Whether it's like physical pain, you know, our nerve endings send these signals to our brain that say, like, there's danger, something's wrong, you should know about this. lives. All And that's the siren, not the thing causing it. That's the that's the response. So the analogy I like to use is like on your car, you have like a headlight. And if you've ever seen what a headlight is, it's a tiny little light the size of a pinky. It's a tiny little thing that plugs in. And that creates hundreds of feet of of brightness in front of you because of the reflector. Most of the suffering that we experience in our lives, we perceive from the receptor, not realizing that the thing that's causing the pain is the pinky is the little tiny little the tiny little element that's inside that thing. And so if you can find a way during painful moments, whether it be emotional pain or physical pain, to focus on the pain and what's causing it, it can actually alleviate some of the pain. It can alleviate some of the suffering because you're able to look at what attachment it might be that that brought you to that point. Or what it is. And it takes a lot of work to be brutally honest with yourself to know how you're feeling in order to communicate it. And you have to have a partner who is on that journey with you and receptive to hearing about that. Which is tough because a lot of people, when they hear someone's problems, they want to do what we were just talking about. They want to try to solve them. They feel like that's their job. And sometimes, you know, you just need to . That's sometimes all you need. I had a long conversation about that.   Marissa F. Cohen (Marissa F. Cohen) My mom is a problem solver. And so I'd call her and just really want to vent. And she would try and solve the problem. And I'd be like, no, mom, I just want to talk. Right? So we've developed a system where if I call her to, you know, for anything, she'll stop before she says anything and say, is this for comfort or for advice? Like, do you want me to just sit and listen? Or do you actually want me to advise and you want my opinion? And then I get to choose. That's a huge win.   Michael Kent mean, what an evolved thing to be able to say, like. And that's because that's like, what she's asking you is, would you like me to turn my maternal instinct that's inside of my body and I can't get rid of off for a moment? And it's probably hard, really hard for her to do that. Because that's just a, I think that's just a parent thing. Parents hear your problems and it's been their job, you know, for the first 18 years of their life, it was their job to absolutely solve those problems for you. No questions asked. And so it's hard. It's got to be, I'm not a parent, so I don't know, but it's got to be hard to turn that off and be like, okay, I'll just listen. Yeah.   Marissa F. Cohen (Marissa F. Cohen) I mean, I can't, I had to remind her many a time, but we finally got to a point where I feel comfortable and safe talking to her. Whereas in the past I would call her for something and she would advise, advise, advise. And I'd be like, I don't want your advice. And it would, it actually caused a lot of rifts in our relationship. So it was, it took work, but, but we're in a good spot where like, she's very respectful of, of what I need, whether I want to just vent or, or get advice. So that could be really good way.   Michael Kent If you're listening, Marissa's mother, good job. Good work.   Marissa F. Cohen (Marissa F. Cohen) Thanks, Amy. You call your mom by your first name?   Michael Kent No.   Marissa F. Cohen (Marissa F. Cohen) Oh, okay. That was just for the show. Okay. Thanks, Amy.   Michael Kent I can say it. You can say it.   Marissa F. Cohen (Marissa F. Cohen) So thank you for that advice. That was really helpful. I think even to kind of, it was, it is. And to kind of spin off that, not just to tell, you know, yes, tell like, I'm feeling anxious today. And being honest about it. So instead of saying something like, you know, you're always at work and we never talk, right? It's, I feel lonely, right? So like, I feel like I'm not a priority to you, right? Personalizing it. So you're not talking about this symptom. You're talking about the cause, right? I feel lonely. It feels like you're prioritizing work or it feels like you're prioritizing your friends or it feels like you're whatever over me, right? So it's addressing the things that you're feeling, but also making it honest.   Michael Kent And you also have to learn sometimes to sort of reframe that, that statement. So like, you know, if my wife says to me, you're always gone. My tendency is to hear that as what do you want me to do? Not work, not have money. You like, you know, like you're, my tendency is to hear it as a complaint. But I can reframe it to mean she's complaining because she wants me to be around more because she likes Like, you know what I mean? Like that's, you can reframe these types of things and think like, what is, what is this person really saying to me? And, you know, and that's the common thing that people say in relationships when there's some sort of issue is like, what's wrong? And the other person will say, I'm just tired. It's just the easiest thing to say. And it's usually a cop out. I mean, you could legitimately be tired, but usually there's something else going on. Even if you don't know what it is, or, you know, it might be depression, it might be anxiety, but usually it's not just that you're tired, but it could be. I mean, it could be, I do not have the ability to have an in-depth conversation right now because I'm emotionally exhausted or I'm physically exhausted or whatever it might be, and then sometimes you just have some space, but that goes back to communication, right? Like, that's a huge part of a relationship. Yeah.   Marissa F. Cohen (Marissa F. Cohen) It's my three pillars, right? My triangle of healthy relationships, communication, respect, and trust, right? If you don't have all three of those things, you don't have a healthy relationship. If you can't communicate and resolve issues, right? If you can't trust each other to be honest and vulnerable, and then you don't feel like you're being respected or like your needs are being met by your partner, like the boundaries or what you say, you know, are not being respected, then you don't have a healthy relationship. And even missing one of those three, just the communication piece alone is so important. You know, it was trust, communication.   Michael Kent What was the third pillar?   Marissa F. Cohen (Marissa F. Cohen) Respect. Respect. Okay. Yep, yep. If you don't have one of the three, right, you don't have a healthy relationship because trust is built on respecting communication.   Michael Kent Yeah, they all are interrelated, right? Yeah.   Marissa F. Cohen (Marissa F. Cohen) And so it's important that you have, you know, that strong communication because no one wants to wake up every day and resent your partner because of an issue that happened 10 years ago. And I use Friends, the show Friends is a great reference for that because if you look at Ross and Rachel, right, they had one fight one time in like season two and they never talked about it. Like they talked about it, but it was always very nitpicky and jabby and aggressive.   Michael Kent Yeah. And so then by season 10, like there's still, I think it was 10, right?   Marissa F. Cohen (Marissa F. Cohen) There's still, were they on a break? Were they not on a break? I don't know. Cause they never had a 15 minute sit down, honest discussion about it. And so they are such an unhealthy relationship. But everyone's like, I want the Ross and Rachel kind of love.   Michael Kent And I'm like, no, you don't. No one would have watched if it was a healthy relationship. That's where most of the conflict and the storylines came from.   Marissa F. Cohen (Marissa F. Cohen) In any show, right? The only show I can currently think of where the two protagonists have a very healthy relationship is Nobody Wants This. Have you seen that? No. Oh, it's so good. It's Adam Brody and Kristen Bell. But the toxic relationships. weird? I think I have two friends that are in that show. Oh.   Michael Kent And I've never watched it.   Marissa F. Cohen (Marissa F. Cohen) I do have two friends that are in that show. Like, I've never watched it.   Michael Kent And I have no excuse for that. So I'm sorry, friends.   Marissa F. Cohen (Marissa F. Cohen) It's a really good show. But Adam Brody and Kristen Bell's characters, anytime there's conflict and there's a lot of external conflict, they have a conversation about it and they work it out together and they understand. So even when one is feeling slighted or one is feeling put off, they have a conversation about it and they resolve it. The rest of the conflict is from external sources. So you're seeing these two people. It's like us against the world, but in a very positive way. And so more shows, I think, are going to start to have that similar dynamic. But up until now, and I do this at colleges all the time, think of a TV show or your favorite movie and think of a healthy relationship dynamic that's in it. It doesn't need to be 100% healthy all the time because that's not realistic. But think of one relationship where through the arc of the show, it is built on healthy principles. Yeah, I can't. It's so hard. It is really hard. Because conflict, like we're addicted to that conflict. That's why we watch the reality TV shows, right? Love is Blind. It's all built on conflict. It's nonsense. Right. Real housewives and all that. It's all conflict. They're all unhealthy. It's all produced on purpose that way.   Michael Kent Also, like, you know, there was probably a push in the 60s that was like, we need TV couples to fight and to be unhealthy because real couples are. And people don't want to see the 50s, you know, Cleaver family, like perfect relationships because it doesn't they don't identify with it. So it might be a thing of like where, you know, reality, art imitates life rather than life imitating art.   Marissa F. Cohen (Marissa F. Cohen) But I think the pendulum swung too far. Right. Now we look at like we've got Walter and Skylar White, who it's like impossible to know who's telling the truth and who's not. Right. And I mean, now we've set terrible expectations. Right. So in the 50s with Leave it to Beaver and all that, we set a terrible expectation for women. Right. If you are not happy and made up, if you don't like look at Marvelous Mrs. Maisel. Did you watch that show? I watched. Right.   Michael Kent Real housewives and all that. It's all conflict.   Marissa F. Cohen (Marissa F. Cohen) They're all unhealthy. It's all produced on purpose that way. Also, like, you know, there was probably a push in the 60s that was like, we need TV couples to fight and to be unhealthy because real couples are. And people don't want to see the 50s, you know, Cleaver family, like perfect relationships because it doesn't they don't identify with it. So it might be a thing of like where, you know, reality, art imitates life rather than life imitating art. But I think the pendulum swung too far. Right. Now we look at like we've got Walter and Skylar White, who it's like impossible to know who's telling the truth and who's not. Right. And I mean, now we've set terrible expectations. Right. So in the 50s with Leave it to Beaver and all that, we set a terrible expectation for women. Right. If you are not happy and made up, if you don't like look at Marvelous Mrs. Maisel. Did you watch that show? I watched.   Michael Kent Some of it, but I'm currently rewatching Mad Men, but it's a similar era and the same vibe, yeah. If the woman isn't made up, hair perfect, dinner on the table the second the father gets home, right? Then if that's not what you're doing, you're a bad wife. Whereas now, it's like, you know, if you're not fighting about dumb stuff or if, you know, one of the people in the relationship isn't just a complete follower. Like, one person's not allowed to have an opinion and the other person has an opinion or whatever the dynamic is, right? It sets a terrible precedent for what people are willing to accept, which is why I have such a fundamentally challenging time at colleges when I do this activity. And inevitably, somebody will say, you know, well, Joker and Harley Quinn, I want that kind of love. Like, that's a healthy relationship. There's not a moment of time where that's a healthy relationship. But like when Suicide Squad came out, how many young women do you know dressed up like Harley Quinn for Halloween? Yeah. Yeah, there's a similar thing right now with one of my focuses with my career is engagement and dealing with, particularly in the corporate sphere, dealing with apathy and people who are not wanting to open themselves up to connect with other people. And it is somewhat generational, which I hate to say, but this is more of a younger person problem than an older person problem. And when you look at a very famous quote that came from Schitt's Creek, I'm trying really hard not to connect with people right now. It's on sweaters, it's on tote bags, it's on bumper stickers, and it's funny, but I hate it because it is contagion. Like there are people that now think like staying in and binge watching Netflix is a replacement for real live connection. And we are all needing more connection. And it becomes, you know, it's cliche to say, like, you know, because of the internet and social media and all that, but we need connection. We, like, people need connection to be fulfilled in our lives. It's how we, we are a very social species. And so everyone, when they get in that room with friends and they're connected, feels amazing. And if there's those times when you're in that room and you don't feel amazing, it's because you're not connected, which means you're either not present or you're not listening or you're not, you know what I mean?   Marissa F. Cohen (Marissa F. Cohen) Like, but when you really, truly feel connected, there's no feeling like that. And it's, we're setting a really bad example by having these types of quotes, like, I'm really trying hard not to connect with people right now as, like, a popular feeling. Because it's, it becomes more than just a TV, you know, line. It becomes like... A whole culture type of thing where you're just, you know, this is more preferable. And I get it. It is more preferable sometimes to not like it feels more safe to just stay at home. But it's sort of lazy and it's sort of it's an easy way to you're letting your nervous system win. You're letting your, you know, your anxieties and everything win when you could be a much more fulfilled, happy person if you content person. If you do allow yourself to connect and be open to connection. Yeah. So fun fact, you might, you might be able to use this on your podcast, but the Eastern State Penitentiary in Philadelphia was the first penitentiary in the country that tried using isolation as a tactic as like a punishment for inmates. And what they found, yeah. So what they would do is like, they'd have everybody, um, uh, In their cells, staggered outdoor time. So they'd never know who was outside with them, and they couldn't see anyone. And they were all in like little, literally high wall, brick wall, five by five outdoor spaces. So they were completely isolated from each other. And they did not have any interaction with anybody, not in their cell, not around their cell, nothing. They were on one wall, separated by walls. And what they found was that within a few months of that lack of connection to anyone, these men went crazy.   Michael Kent They went bananas. They tried to unalive themselves. They like were starting to hallucinate and like having severe mental health like backlash from it. So it's not, you know, it is in us. It's biological, that need for connection. And so phrases like I'm trying really hard not to, you know, connect with people right now. I agree with you. It's very funny. I love Schitt's Creek. I'm rewatching it for like the 18th time right now. I just watched that episode. It's like the second episode. But it really does set a bad precedent. And then you have the backlash of that where the loneliness epidemic. And when I go to colleges, a lot of these advisors are talking about, my students come to me and say, I feel like I have no friends, like I'm not connected. But then they have events and the students don't come out to events, right? So it's kind of like you're shooting, you're cutting off your nose to spite your face. Yeah, it's a huge problem. And outside, I don't know whether or not in the higher education world, if this is as much of an issue, but it definitely fuels addiction in the real world. The isolation fuels addiction. And have you ever heard of the Rat Park study? There's a famous study in the 70s. I think it was in Canada, but like British Columbia. Basically, they had a bunch of mice or lab rats or whatever. And they gave them access to, in their water bottle, they had like drugs in the water bottle, like morphine or cocaine or something in the water bottle. And the rats that were isolated constantly drugged themselves, but the rats that were in a community of other rats did not. That's so interesting. Yeah, and it's been used for, you know, for 40 years as this or 50 years as this study that shows that, like, we need connection. We need connection because we don't have connection. find other ways to satisfy our, I don't know if that's our nervous system or whatever that is in us. But we end up, you know, basically the connection aspect of it replaces the need to get dopamine from other things, right?   Marissa F. Cohen (Marissa F. Cohen) So we're getting dopamine from those connections, which is critically important to our data. And it might not be substance abuse, right, particularly in those instances like you were talking about where the college students complain and then they don't leave.   Michael Kent Well, they might be getting dopamine from scrolling Instagram or scrolling TikTok or reading or watching Netflix or whatever it is that they're doing. I'm not saying any one of those things is worse than the other.   Marissa F. Cohen (Marissa F. Cohen) I'm just saying all of them are a thing you do when you're not connecting. If that becomes a replacement for connection to get your dopamine, that's when you're going to be, you know, basically you have to keep feeding that beast, you know, and keep you because that's where addiction comes from. need to keep feeding that dopamine thing because you're not getting it naturally. So I think the key here is, right, even if it's uncomfortable or if it feels, you know, weird, especially post-COVID, right, which I think creates...   Michael Kent Created a lot of disconnection. It's finding that connection somehow. And so it kind of takes you away from, you know, trying to find it in other sources. Is that, I love that. absolutely. Yeah. Yeah. You know, we, I think like just natural human connection provides a lot of dopamine. Yeah. But that's if you're actually connecting. That doesn't mean being in a room with a person. means actually connecting. Yeah. That's really interesting. I feel like we've overshot your episode. This is gonna be like three different episodes. No, this is great. Honestly, I love this conversation. I was going to say like, I think we, you know, I could talk to you about this kind of all day. I love your perspective. But we should probably, we should probably get on with our days, you know, but thank you so much, Michael, for being here. Would you mind, I know you just put out a book. So would you mind talking about that for a second, telling everyone where they can get it, how they can reach you? Yeah, I selected more than 50 episodes or topics. pass.,ages, take you It's from my podcast, The Internet Says It's True, and compiled them into sort of like a bathroom reader style book. So you pick this thing up, and each story is only three or four pages, and they're all these amazing stories that sound made up but are really true.   Marissa F. Cohen (Marissa F. Cohen) Like, for instance, one of the stories is about how before the Teachers in Space program from the Challenger space shuttle mission, their first idea was to put Big Bird in space.   Michael Kent And I did an entire episode about how they really were going to, and Carol Spinney, the guy inside Big Bird costume, agreed to it and wanted to do it. And so we talk about that and, like, why it eventually failed and didn't, you know, that's what launched the Teachers in Space program. So there's stories like that that were, like, you know, make you say there's no way that's true, and they're all true. And at the end of every chapter, there's a QR code that you can scan that links you to the episode where you get to hear not only, you know, that story, but then also...   Marissa F. Cohen (Marissa F. Cohen) A quiz with a guest, like we did with you on my previous two episodes. So, but yeah, you can find that wherever you buy books.   Michael Kent It's called The Internet Says It's True, Stories That Sound Made Up But Aren't. Thank you so much.   Marissa F. Cohen (Marissa F. Cohen) Thank you so much, Michael, for being here, for having this conversation. It felt very, I know we covered kind of a wide range of topics, but I think that it was all very valid and very, like, fascinating.   Michael Kent So thank you, and I'd love to have you back on any time that you'd like.   Marissa F. Cohen (Marissa F. Cohen) I would love to.   Michael Kent This is, I agree with you.   Marissa F. Cohen (Marissa F. Cohen) We could have just kept going because I love to talk about things that aren't magic and aren't, you know, history. Like if I can get to a point where I can just talk about real world stuff that, you know, is affecting all of us, I love that. So I envy what you do for a living, that you're helping people in a way that's like very connecting A to B in a straight line, you know?   Michael Kent So it's really cool.   Marissa F. Cohen (Marissa F. Cohen) Thank you very much.   Michael Kent And I love what you do.   Marissa F. Cohen (Marissa F. Cohen) I think magic is so fascinating and comedy just makes. People happy. I wish I was funnier. I always laugh when I'm talking to you, so. Oh, it's usually at me, but I appreciate it anyways. Well, you have a very happy new year, you and Larry, and it's good to talk to you again. Thank you. You too. That was awesome. Thank you very much. very welcome. Absolutely. Yeah, that was a lot of fun. Oh, good. And truly, anytime you want to come back. I will. Yeah. I don't know. I feel like we covered everything in the first episode. My episodes always range. Thank you. Yeah, absolutely. All right. So now I'm going to record my two episodes, and I won't have to do anything next week. Woo! Thank you. So I have one set up for this week and next week, so this will be probably January 21st, and when it goes up, I'll send it. me in it, and yep. Will do. Sounds great. Okay. Thanks, Marissa. Thanks, Michael. Have a good one. All right. You too. Bye. Bye.

Send us a textDiscover a rare comedic gem from the vault! Before Kevin Pollak became the acclaimed actor we know from "The Marvelous Mrs. Maisel" and countless Hollywood films, he was honing his craft as a brilliant stand-up comedian and impressionist at Laughs Unlimited comedy club.This nostalgic episode features Pollak at the height of his stand-up powers, showcasing the incredible impression skills that would later help launch his acting career. His routine begins with sharp observations about Arnold Schwarzenegger's movie success, questioning why the Academy consistently overlooks him with the hilarious punchline, "Do these people need a verb?" But the true highlight comes when Kevin launches into an elaborate Star Trek parody that demonstrates his remarkable versatility as a performer.Pollak's impression of William Shatner as Captain Kirk is nothing short of masterful, perfectly capturing the actor's distinctive dramatic pauses and theatrical delivery. The routine evolves into a tour de force as Kevin portrays multiple celebrity personalities aboard the Enterprise, each with their own distinct voice and mannerisms. His ability to seamlessly transition between these characters reveals the impressive range that would eventually make him such a sought-after character actor in film and television.For fans of comedy history, this episode offers a fascinating glimpse at the early career of an artist who would go on to achieve tremendous success in Hollywood. Subscribe now to hear more vintage comedy sets from performers who shaped the landscape of American entertainment, and visit our website at www.standupyourhostandemcee.com to explore our full archive of comedy treasures!Support the show www.StandupComedyPodcastNetwork.com Website....check it out, podcast, jokes, blogs, and More!"NEW" Video Podcast: Tag Team Talent Podcast on Spotify & YouTube Podcast Quality List: https://www.millionpodcasts.com/heritage-podcasts/ Please Write a Review: in-depth walk-through for leaving a review.Interested in Standup Comedy? Check out my books on Amazon..."20 Questions Answered about Being a Standup Comic""Be a Standup Comic...or just look like one"

Michael's one of our favorite humans, and it's been TOO long, so we had to have him back! Now you know Michael from plenty of things including Spotlight, Only Murders in the Building, The Marvelous Mrs. Maisel, Dexter: New Blood and dozens of other shows, plays and films! And last time Michael was on, we talked all about his marriage, so this time we delve into his pre-married dating life, the issues that led him into therapy, his favorite blockers (which is not the film Blockers, even though it's a pretty fun movie), and of course, we ask: what ever happened to the twin of his high school boyfriend??? PLUS, obvi, we answer YOUR advice questions! If you'd like to ask your own advice questions, call 323-524-7839 and leave a VM or just DM us on IG or Twitter!Get tickets to Naomi's ONLINE show with Megan Gailey where they will recap a movie from a certain cable network December 28th at 8pm ET!We're in culture critic and Vulture writer Sean Malin's new book The Podcast Pantheon: 101 Podcasts That Changed How We Listen!ALSO BUY A SUPER CUTE "Open Your Hearts, Loosen Your Butts" mug! And:Support the show on Patreon (two extra exclusive episodes a month!) or gift someone a Patreon subscription! Or get yourself a t-shirt or a discounted Quarantine Crew shirt! And why not leave a 5-star review on Apple Podcasts? Or Spotify? It takes less than a minute! Follow the show on Instagram! Check out CT clips on YouTube!Plus some other stuff! Watch Naomi's Netflix half hour or Mythic Quest! Check out Andy's old casiopop band's lost album or his other podcast Beginnings!Theme song by the great Sammus! Hosted on Acast. See acast.com/privacy for more information.

In today's Update Journal, we unpack the 48-hour period where being a Mets fan felt like getting hit by a city bus, backed over by an MTA supervisor, and then charged an extra fare because you “didn't tap.” Edwin Díaz packed his trumpets for Hollywood, Pete Alonso sailed off to Baltimore like he's auditioning for a reboot of The Wire, and In-N-Out removed “67” from the menu for reasons no living human understands. Meanwhile, holiday shoppers continue their annual tradition of forgetting other people exist, walking through Target like NPCs trying to glitch through walls. Buckle up — it's a wild one.In the headlines on #TheUpdate this Thursday, Brad Lander, the chief fiscal officer of New York City, announced that he is challenging U.S. Rep Dan Goldman in a Democratic primary for a liberal district covering lower Manhattan and parts of brownstone Brooklyn.“The Marvelous Mrs. Maisel” actress who was struck and killed by a taxi while crossing a Midtown street was a Customs and Border Protection officer who had been looking forward to retiring — and was cherished for her warm greetings, her devastated neighbors say.And out in the American West, tens of thousands of residents in western Washington could face evacuation orders when another round of heavy rain drops on the region, threatening to bring catastrophic flooding as rivers near historic levels.

Gary & Shannon welcome Fonzy and Sprinkles into the GaS Holiday Family, unveiling the official names of their Elf-on-a-Shelf duo and promising daily hijinks listeners can follow on Instagram @GaryAndShannon. From there, it’s a fast round of #WhatsHappening, covering the frigid arctic air mass heading for the Northeast, the Fed’s latest quarter-point rate cut, and the sudden death of a Marvelous Mrs. Maisel actress.The hour takes a nostalgic turn as Gary & Shannon reminisce about how their parents told stories, remembered every phone number, and survived just fine without Google or smartphones. Then it’s time for #WhatchaWatchinWednesday, where they break down the explosive new 50 Cent–produced documentary series on Diddy — a four-part deep dive already pulling more than 22 million views and filled with jaw-dropping revelations.They wrap the hour with listener talkbacks on guilty-pleasure TV, the shows everyone watches but no one admits to, making for a chaotic, holiday-flavored, highly relatable finish to the show.See omnystudio.com/listener for privacy information.

Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all. First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll's personal scrapbook, First Lady of Laughs restores Jean Carroll's remarkable story to its rightful place in the lineage of comedy history and Jewish American performance. Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all. First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll's personal scrapbook, First Lady of Laughs restores Jean Carroll's remarkable story to its rightful place in the lineage of comedy history and Jewish American performance. Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all. First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll's personal scrapbook, First Lady of Laughs restores Jean Carroll's remarkable story to its rightful place in the lineage of comedy history and Jewish American performance. Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all. First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll's personal scrapbook, First Lady of Laughs restores Jean Carroll's remarkable story to its rightful place in the lineage of comedy history and Jewish American performance. Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all. First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll's personal scrapbook, First Lady of Laughs restores Jean Carroll's remarkable story to its rightful place in the lineage of comedy history and Jewish American performance. Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Jane Lynch is an Emmy and Golden Globe-winning actress, comedian, and host whose quick wit and unmistakable charm have made her one of Hollywood's most beloved figures. From her iconic role as Sue Sylvester on Glee to her unforgettable performances in Best in Show and The Marvelous Mrs. Maisel, she has built a career on making people laugh. But behind the humor is a woman who has found peace through truth and self-acceptance. Jane opens up to Hoda about how therapy helped her shed years of shame, what she learned from her relationship with her mother, how Glee continues to impact fans more than a decade later, and why she now finds joy in the quiet moments of everyday life. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode NotesGuest: John CarianiPlaywright of Almost, Maine, cul-de-sac, Last Gas, and Love/Sick.Broadway Credits: Fiddler on the Roof, Something Rotten!, The Band's Visit, and Caroline, or ChangeTelevision Credits Include: Law & Order: Criminal Intent, Law & Order, Numb3rs, Homeland, The Good Wife, The Blacklist, and The Marvelous Mrs. MaiselThe Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliKJ LamparJohn Cariani The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter

Episode NotesGuest: John CarianiPlaywright ofAlmost, Maine, cul-de-sac, Last Gas, and Love/Sick.Broadway Credits: Fiddler on the Roof, Something Rotten!, The Band's Visit, and Caroline, or ChangeTelevision Credits Include: Law & Order: Criminal Intent, Law & Order, Numb3rs, Homeland, The Good Wife, The Blacklist, and The Marvelous Mrs. MaiselThe Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliKJ LamparJohn Cariani      The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter

우주 대통합을 그리는 수작 of 수작. 명작 of 명작. 역작 of 역작. "I saw my life without you. I wish you could have seen it."

Jason Fraley interviews five-time Emmy winner Jane Lynch, who brings “A Swingin' Little Christmas” to the Strathmore in North Bethesda, Maryland this Saturday, November 29th. She reflects on her favorite holiday tunes from childhood before launching a prolific career in comedy, including “Best in Show,” “Talladega Nights,” “The 40-Year-Old Virgin,” "Role Models," “Glee,” "Hollywood Game Night," “The Weakest Link,” “The Marvelous Mrs. Maisel” and “Only Murders in the Building.” (Theme Music: Scott Buckley's "Clarion")

If you feel stupid while learning something new, you're doing it right. But if you keep doing the same thing over and over hoping it'll suddenly make sense - that's on you. The trick isn't to push harder; it's to find a new teacher, a new explanation, a new way in.That's exactly how Matthew Broussard approaches comedy - and everything else. A stand-up comedian, math nerd, and former financial analyst, Matthew is obsessed with learning and cracking the formula behind how things work. He treats every joke like an equation, testing, refining, and solving for laughter.He's the creator of Monday Punday, a puzzle webcomic and app, and has been featured on The Tonight Show with Jimmy Fallon, Conan and Comedy Central's Roast Battle. He's also made appearances on The Marvelous Mrs. Maisel and The Mindy Project. His storytelling, including his viral tales about his mother-in-law, proves that logic and vulnerability can live in the same sentence.In this episode, we explore the overlap between comedy and leadership—the art of experimenting, iterating, and connecting through honesty. We talk about the hidden work beneath success, the difference between purpose and perfection, and why laughter might just be the purest form of optimism.This is A Bit of Optimism.---------------------------This episode is brought to you by the Porsche USA Macan---------------------------Check out Matthew's Youtube page for his full comedy special “Hyperbolic”: https://www.youtube.com/@mondaypunday---------------------------

Most people probably don't realize Alex Borstein is the same actress who broke out on ‘MADtv,' has been voicing Lois Griffin on ‘Family Guy' for 25 years, and won two Emmys for her role as Susie Myerson on ‘The Marvelous Mrs. Maisel.' And yet, while she may still not be a household name, she has slowly but surely put together a more accomplished and steady career than she ever could have imagined. In this episode, the comedian talks about returning to her stand-up roots for her latest one-woman show, ‘Alex Borstein Is Thirsty,' and looks back on the twists and turns of her unlikely Hollywood journey. That includes her misgivings about how her iconic character Ms. Swan went from a loving impression of her grandmother to an unfortunate racist caricature and how she landed the lucrative ‘Family Guy' gig over some much bigger names. Borstein also gets into her beloved HBO cult classic series ‘Getting On' and why she decided to deliver an anti-fascist call to arms when she accepted her second Emmy Award for ‘Maisel.' And finally, a deeply embarrassing story about the time she appeared opposite Halle Berry in ‘Catwoman.' Get tickets to see Alex Borstein liveFollow Alex Borstein on Instagram @alexborstein Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodWatch full episodes of The Last Laugh podcast on the Daily Beast's YouTube channelHighlights from this episode and others at TheDailyBeast.com Hosted on Acast. See acast.com/privacy for more information.

#acting #LynneJebens #NewYorkOne of the most important goals in this podcast is to have some kind of eclecticism, variety or diversity in the kind of artistic and cultural matters we try and cover. Lynne Jebens' episode certainly is a paramount example of this. Going into this episode, the first with a talent agent on our sows I had no idea we would be discussing being on the road with a Southern Rock band, the musical stylings of Bix Beiderbick, and the Joseph Mankiewicz masterpiece All About Eve all in the same episode! But this is an inevitability when you spend anytime at all with Lynne Jebens. With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode. Lynne's BioAn agent for over 30 years who was a former actor and director, Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (Film, TV and Theater) as well as commercials.Recent or Upcoming Broadway/Tours: & Juliet, A Beautiful Noise, Ain't Too Proud, Aladdin, Annie, Back to the Future, Beauty and the Beast, Beetlejuice, The Book of Mormon, Boop!, Cabaret, Chicago, Clue, Come From Away, Dolly, Floyd Collins, Funny Girl, The Great Gatsby, Hadestown, Hamilton, Harry Potter and the Cursed Child, Hell's Kitchen, Les Misérables, Life of Pi, The Lost Boys, Mean Girls, MJ, Moulin Rouge, Mrs. Doubtfire, The Notebook, The Outsiders, Peter Pan, Pirates: The Penzance Musical, Redwood, Shucked, Six, Smash, Some Like it Hot, Wicked, The Wiz.Recent Film/TV: American Horror Story, And Just Like That, Beth and Don, The Blacklist, Black Panther: Wakanda Forever, Blue Bloods, Brass Tactics, Bull, Chicago Med, Christmas With You, City on a Hill, Daredevil: Born Again, Dear Edward, Dexter: Resurrection, The Devil Wears Prada 2, Eleanor the Great, Elsbeth, The Endgame, The Equalizer, Etoile, Ever's Blueberry, Evil, FBI, Feud: Capote and the Women, The Friend, Full Circle, Genie, The Gilded Age, The Girls on the Bus, Godfather of Harlem, The Good Fight, Goosebumps: The Vanishing, Gossip Girl, Happy Gilmore 2, The History of Sound, The Holdovers, Hondo, Imaginary Friends, Jigsaw, Kaleidoscope, The Knowing, Law & Order (all of them), Let the Right One In, Manifest, The Marvelous Mrs. Maisel, New Amsterdam, Notice to Quit, Only Murders in the Building, The Other Two, Poker Face, Power: Raising Kanan, Queens of Christmas, Random Acts of Flyness, Servant, Severance, The Sex Lives of College Girls, Succession, Summer of 69, The Watcher, Your Friends & Neighbors and Zero Day.Besides Broadway and Tour, this office also books clients in numerous NY and Off-Broadway shows and every AEA regional theatre in the country.A truly caring agent who LOVES her actors.With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode.Links to wonderful interviews on Lynne's works: https://www.nycastings.com/being-professional-and-prepared-an-interview-with-talent-agent-lynne-jebens/

Today on Art of the Cut we speak with Brian Kates, ACE, about editing Bill Condon's Kiss of the Spider Woman.Brian's work includes feature films like The Savages, Killing Them Softly, and Shortbus. Also documentaries like All the Beauty and the Bloodshed for which he was nominated for an ACE Eddie, and TV series like Succession, The Marvelous Mrs. Maisel, for which he won an Emmy, and Treme. In addition to his numerous nominations he has won two Emmys and two ACE Eddies.Today's discussion covers the tonal shifts between Technicolor music fantasy and imprisoned reality, managing to maintain a diverse filmography, and the joys and challenges of editing a musical.You can read along with this interview at BorisFX's blog site.borisfx.com/blog/aotc

How do we nurture and protect the most human endeavors of creation and discovery?  Zachary Levi joins us to discuss calling, technology, and a creative Ark in Austin. We move from one's life mission to concrete plans for land and film incentives. The central question of our time is whether we ride the AI tsunami or get swept under it. Highlights00:00 Opening and Zachary Levi's journey to Austin05:53 Calling vs discovery13:48 Build the ark and fix Hollywood25:13 Community, work, and purpose30:20 Why Bastrop for Wyldwood38:05 Austin's energy and first principles46:57 Film incentives and ROI54:00 AI reshapes studio vs creatives1:10:40 Purpose through creation and discovery1:19:07 What's Next Austin?Guest BioZACHARY LEVI has proven himself a triple threat- he is an accomplished actor, singer, and dancer that was displayed with his Tony- nominated performance for “Best Leading Actor in a Musical” in the critically praised Broadway production, SHE LOVES ME. In August 2024, Zachary starred in HAROLD & THE PURPLE CRAYON for Sony, based on the wildly popular children's book written by Crockett Johnson. He will next star in both MGM/Amazon's SARAH'S OIL as well as Joe Carnahan's real-life survivor thriller, NOT WITHOUT HOPE. Zac is also set to appear in HOTEL TEHRAN, a new thriller from writer-director, Guy Moshe. In March 2023, Levi reprised his role as Shazam! in the Warner Bros. DC franchise, SHAZAM! FURY OF THE GODS. Directed by David F. Sandberg, this was the follow-up to the first installment, SHAZAM! which held the #1 spot at the box office for weeks following its April 2019 release. In 2021, Zachary portrayed iconic NFL MVP and Hall of Fame quarterback, Kurt Warner in AMERICAN UNDERDOG for Lionsgate directed by Andrew and Jon Erwin. Zac will return with the Erwin brothers for another Lionsgate film THE UNBREAKABLE BOY, based on the true story of the most inspiring boy who touched and changed the lives of those around him in theaters February 21, 2025. In a fan favorite recurring role, Levi took home a SAG Award for “Best Ensemble in a Comedy Series” for season two and three of Amazon Studios' Emmy winning series, THE MARVELOUS MRS. MAISEL. The first season of the show won six Primetime Emmys, two Golden Globes, as well as a Peabody Award and two Critics' Choice Awards. The second season won one Golden Globe, three Screen Actor Guild Awards, one PGA Award, two Broadcast Film Critics Association Awards, one Critics Choice TV Award, and TV Program of the Year at the AFI Awards.Additional previous film credits include: CHICKEN RUN: DAWN OF THE NUGGET; TEDDY'S CHRISTMAS; APOLLO 10 ½: A SPACE AGE CHILDHOOD; THOR: THE DARK WORLD; ALVIN & THE CHIPMUNKS: THE SQUEAKQUEL; and TANGLED. The song “I See the Light,” written for TANGLED (performed by Levi & Mandy Moore) was nominated that year for an Oscar and Golden Globe for Best Original Song. The pair performed the duet at the 83rd Annual Academy Awards ceremony. “I See the Light” also won the Grammy Award for “Best Song Written for Visual Media” at the 54th Grammy Awards. Levi is best known for his fan favorite performance as Chuck Bartowski in the hit NBC series, CHUCK. Other previous TV credits include the Netflix mini-series ALIAS GRACE & HEROES REBORN. In June 2022, Levi made his author debut with his memoir, RADICAL LOVE: LEARNING TO ACCEPT YOURSELF AND OTHERS, which shares his emotional journey through a lifetime of crippling anxiety and depression to find joy, gratitude, and ultimate purpose Guest LinksZachary Levi: X, Instagram Wyldwood -------------------Austin Next Links: Website, X/Twitter, YouTube, LinkedInEcosystem Metacognition Substack

Food Tank is live all week at WNYC-NPR's The Greene Space running food and agriculture programming at Climate Week NYC with over 300 speakers, 60 performers, and 15 events. Watch these conversations live on Food Tank's YouTube channel, or by visiting FoodTank.com. While you are on our website please also become a Food Tank member to ensure programming like this continues. This episode takes you to our summit A Night Honoring Our Farmers, in partnership with Niman Ranch. Academy Award–nominated actor Stephanie Hsu (Everything Everywhere All at Once, The Marvelous Mrs. Maisel) opens the evening as Emcee. Then, Sea Matias of Serra Vida Farm, a Bronx-born regenerative farmer and educator, shares a story of community land stewardship and culturally rooted food sovereignty. Finally, Karen Washington, farmer, activist, and co-founder of Black Urban Growers, joins Danielle Nierenberg to discuss food justice and community farming in the Bronx and beyond. While you're listening, subscribe, rate, and review the show; it would mean the world to us to have your feedback. You can listen to “Food Talk with Dani Nierenberg” wherever you consume your podcasts.

TALK TO ME, TEXT ITLightning strikes in the most unexpected ways. The mystery of two young elk hunters found dead in Colorado has finally been solved with a shocking twist – they were instantly killed by lightning, leaving only slight burns on their bodies. It's a stark reminder of nature's unpredictable power even for experienced outdoorsmen.Meanwhile, the political landscape grows increasingly volatile. Keith Oberman deleted threatening social media posts directed at CNN analyst Scott Jennings with the ominous words "You're next, mother effer" – a troubling example of how political disagreements are escalating beyond healthy discourse. This comes as ABC reinstates Jimmy Kimmel while Sinclair Broadcasting refuses to air him until he apologizes for recent controversial remarks.On a more thoughtful note, Bill Maher and Rob Reiner engaged in a fascinating debate about whether people from opposite political sides should continue talking to each other. Maher insists dialogue must continue regardless of disagreements, while Reiner argues some baseline agreement on facts must come first. Their exchange perfectly captures America's struggle with maintaining civic discourse across deepening divides.Taking a breather from the heavy news, I've been rewatching "The Marvelous Mrs. Maisel" and rediscovering the joy of revisiting favorite shows. Tony Shalhoub's brilliant performance, the stunning period costumes, and the complex family dynamics make it worth multiple viewings. This led me to wonder: what movies or shows do you find yourself returning to again and again? For me, "Oh Brother, Where Art Thou?" and the "Ocean's" movies never lose their charm. Share your favorites and let me know what makes them eternally rewatchable!Buzzsprout - Let's get your podcast launched!Start for FREE Thanks for listening! Liberty Line each week on Sunday, look for topics on my X file @americanistblog and submit your 1-3 audio opinions to anamericanistblog@gmail.com and you'll be featured on the podcast. Buzzsprout - Let's get your podcast launched!Start for FREESupport the showTip Jar for coffee $ - Thanks Music by Alehandro Vodnik from Pixabay Blog - AnAmericanist.comX - @americanistblog

Actor Reid Scott joins us to talk about his journey from My Boys and Veep to The Marvelous Mrs. Maisel and his current role as Detective Vincent Riley on Law & Order: Organized Crime. We cover early hustle stories, behind-the-scenes moments, and the fun (and chaos) of playing everything from politicians to late-night hosts to cops. Thank you to our partner  Quince - Go to Quince.com/HEYDUDE for free shipping on your order and 365-day returns. We would love your feedback... If you enjoyed this episode, tell us why! Leave us a review and make sure you subscribe on your favorite podcast platform. Executive Producers are Riley Peleuses + Ian McNeny for YEA Media Group If you are interested in advertising on this podcast or having Christine and David as guests on your Podcast, Radio Show, or TV Show, reach out to ⁠⁠⁠⁠⁠⁠⁠⁠podcast@yeamediagroup.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Rock & Roll Hall of Fame inductees and “British Invasion” pioneers, The Zombies, todayannounce the release of Odessey & Oracle Mono Remastered on September 26th. The album, thefirst of four definitive physical reissues from their catalog, includes the classic songs “Time OfThe Season,” “Care of Cell 44,” and “This Will Be Our Year” and is a regular entry in “BestAlbums of All Time” lists in publications like Rolling Stone, NME, and Mojo Magazine. Therelease, which coincides with The Zombies' documentary, Hung Up On A Dream, marks the firsttime the band's original mono mix, remastered from studio tapes, has appeared on LP since therecord's British issue in 1968, presenting the album as they originally intended it to be heard.Pre-order the album on all formats here.Recorded primarily at London's legendary Abbey Road Studios in 1967, Odessey & Oracle wasself-produced in Mono on a shoestring budget by primary songwriters Rod Argent (keyboards/vocals) and Chris White (bass/vocals). Under last-minute pressure from their record label, thealbum was hastily remixed in the newly emerging Stereo format, which sacrificed key elementsfrom the Mono recording, most notably the beloved horn parts in “This Will Be Our Year”.The band today also share the first track off the album, the mono remastered version of “ThisWill Be Our Year”, with the horn parts restored. Although never released as a single, this deepcut has found a new life thanks to prominent uses in TV and film, including memorable scenes inMad Men, The Marvelous Mrs. Maisel, and Schitt's Creek, and covers by artists like FooFighters, OK Go and Susanna Hoffs. Its positive and uplifting message has been embraced bycouples as a popular wedding song, and become a staple of New Year's playlists. Listen here.The album also includes new liner notes from famed writer, David Fricke. Read an excerptbelow:Odessey and Oracle is very much of and about its time: songs of youth and love – thelucky strike of attraction ("I Want Her She Wants Me"); flickering memories held tight("Brief Candles"); longing that defies the odds ("Maybe After He's Gone") – from pop'shigh season of amour, a crowded nirvana of landmark debuts (Pink Floyd, the Doors, theJimi Hendrix Experience) and definitive accounts of Britain's psychedelic bloom…Thisalbum was also built to stand the test of time, at the 11th hour by a band with everythingto prove. "We were always dissatisfied with the production of our records," Argent said in1971 of the Zombies' Decca work. "We wanted to produce an album before we broke upto satisfy ourselves." The result was a fearlessness that still rings fresh, that inventiondriven by the Zombies' stringent resources and their confidence in the songs. Most of "ARose for Emily" is simply piano and vocal, an Argent-Blunstone duet with streaks ofchoral sigh.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Rock & Roll Hall of Fame inductees and “British Invasion” pioneers, The Zombies, todayannounce the release of Odessey & Oracle Mono Remastered on September 26th. The album, thefirst of four definitive physical reissues from their catalog, includes the classic songs “Time OfThe Season,” “Care of Cell 44,” and “This Will Be Our Year” and is a regular entry in “BestAlbums of All Time” lists in publications like Rolling Stone, NME, and Mojo Magazine. Therelease, which coincides with The Zombies' documentary, Hung Up On A Dream, marks the firsttime the band's original mono mix, remastered from studio tapes, has appeared on LP since therecord's British issue in 1968, presenting the album as they originally intended it to be heard.Pre-order the album on all formats here.Recorded primarily at London's legendary Abbey Road Studios in 1967, Odessey & Oracle wasself-produced in Mono on a shoestring budget by primary songwriters Rod Argent (keyboards/vocals) and Chris White (bass/vocals). Under last-minute pressure from their record label, thealbum was hastily remixed in the newly emerging Stereo format, which sacrificed key elementsfrom the Mono recording, most notably the beloved horn parts in “This Will Be Our Year”.The band today also share the first track off the album, the mono remastered version of “ThisWill Be Our Year”, with the horn parts restored. Although never released as a single, this deepcut has found a new life thanks to prominent uses in TV and film, including memorable scenes inMad Men, The Marvelous Mrs. Maisel, and Schitt's Creek, and covers by artists like FooFighters, OK Go and Susanna Hoffs. Its positive and uplifting message has been embraced bycouples as a popular wedding song, and become a staple of New Year's playlists. Listen here.The album also includes new liner notes from famed writer, David Fricke. Read an excerptbelow:Odessey and Oracle is very much of and about its time: songs of youth and love – thelucky strike of attraction ("I Want Her She Wants Me"); flickering memories held tight("Brief Candles"); longing that defies the odds ("Maybe After He's Gone") – from pop'shigh season of amour, a crowded nirvana of landmark debuts (Pink Floyd, the Doors, theJimi Hendrix Experience) and definitive accounts of Britain's psychedelic bloom…Thisalbum was also built to stand the test of time, at the 11th hour by a band with everythingto prove. "We were always dissatisfied with the production of our records," Argent said in1971 of the Zombies' Decca work. "We wanted to produce an album before we broke upto satisfy ourselves." The result was a fearlessness that still rings fresh, that inventiondriven by the Zombies' stringent resources and their confidence in the songs. Most of "ARose for Emily" is simply piano and vocal, an Argent-Blunstone duet with streaks ofchoral sigh.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Join Nicole and Meghan (sans Alley!) as they finish the conversation deep diving into Bryceriel from a literary analysis perspective! And if you haven't already, make sure you're following @marvelousmrsmeghan on Instagram and Tiktok!

A native of Wroclaw, Poland, Martin started his career as an international sportswriter, broadcaster and author, spending two decades covering NBA games and publishing two acclaimed books on basketball. It was during this time that he met the late Kobe Bryant, who encouraged him to follow his passion for performance. Inspired by that advice, and an obsession with classic films, James Bond thrillers, and the work of Robert De Niro, Martin began training as an actor in his 30s, studying intensively at the Stella Adler Theater and the Beverly Hills Playhouse. He officially made the leap to full-time acting in his early 40s and quickly built an impressive resume, appearing in hit series like Stranger Things (Netflix), The Marvelous Mrs. Maisel (Amazon), Better Call Saul (AMC), and Young Sheldon (CBS). His film credits include James Gunn's reboot of Superman, Amsterdam, The Gray Man, The Hunt, and Red Notice, where he played a prison tower sharpshooter. He's also recognized for his villainous turn as Lt. Nikolai Zybulski in TNT's post-apocalyptic series The Last Ship. In addition to his on-camera work, Martin does significant voice work for computer and video games, most notably as fan-favorite “Krueger” in the Call of Duty video game franchise. A lifelong rock music fan, he once fronted a heavy metal band in Poland called Army of Darkness. He's also an avid art collector, with a particular interest in South American contemporary art and 18th-century English portraiture.   want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Join Alley, Nicole, and special guest Meghan from @marvelousmrsmeghan as they do a deep dive on Brycerial from a purely literary analysis perspective! You don't want to miss this incredible Bryceriel episode!

Today on What's My Frame I'm joined by Casting Director, Betsy Ware Fippinger. Betsy has trained under some of the best Casting Directors in New York, including Meredith Tucker and Ellen Lewis. As a Casting Associate and Assistant she worked on projects directed by Steven Spielberg, Martin Scorsese, Bo Burnham, Greg Mottola, and Lynn Shelton. Betsy won an Artios Award for her work as the Casting Associate on the pilot episode of ‘The Marvelous Mrs. Maisel'. As a Casting Director, Betsy cast Sarah Friedland's ‘Familiar Touch' (in theaters now, and winner of three awards at the 2024 Venice Film Festival, including Best Debut Film) and co-cast Nicholas Colia's ‘Griffin in Summer' (winner of three awards at the 2024 Tribeca Film Festival, including Best Narrative Feature). She also cast the lead youth roles for Kelly Fremon Craig's ‘Are You There God? It's Me, Margaret,' for which she won her second Artios Award. Before entering casting, Betsy worked at HBO and The William Morris Agency, and taught at Indiana University. She graduated with a BA in Film from Wesleyan University in 2003. Betsy's openness and heart for actors is evident in this conversation. We chat about creative process and a few of her recent projects. One of my favorite quotes from this episode is "doing what you love regardless of the outcome". Now let's get to the conversation. FAMILIAR TOUCHIMDb--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Interview date: July 16, 2023Episode Summary:Bobby Amamizu, a seasoned dancer, educator, and choreographer. Bobby shares his inspiring journey from a competitive dancer at Irvine Dance Academy to working with top choreographers and performing in high-profile productions like Dancing with the Stars. He talks about his early years in the dance industry, including the pivotal moments that shaped his career, such as performing in the Fiona Apple music video at just 10 years old and his experiences with Cirque du Soleil's Viva Elvis show in Las Vegas.He reflects on the importance of training in multiple dance styles, including tap, ballet, jazz, and hip-hop, and emphasizes how versatility helped him stand out in a competitive industry. He shares valuable advice for dancers, stressing the need to enjoy the process and cultivate strong relationships within the industry. The episode wraps up with Bobby's heartfelt insights into building lasting connections in the dance world.Show Notes:(1:00) Bobby's early dance journey and transition to competitive dance(5:00) Mentorship from Moni Adamson and his first professional gig at 10(10:00) Training at OC High School of the Arts and landing Viva Elvis with Cirque du Soleil(15:00) Navigating challenges as a young dancer in a competitive industry(20:00) How versatility in ballet, tap, and other styles set him apart(25:00) Moving to LA and diving into TV and film work(30:00) Teaching at major conventions like Tremaine and Hollywood Connection(35:00) Building relationships with top choreographers and mentors(40:00) Balancing live performances, TV shows, and teaching(45:00) Current projects, including The Marvelous Mrs. Maisel and an Amazon ballet show(50:00) Final advice: Keep training, stay humble, enjoy the journey, and never give upBiography:Bobby Amamizu originally from Irvine, CA is a graduate from Orange County High School of the Arts and holds a BFA in Dance Performance from UC Irvine. He is a professional dancer, educator, assistant choreographer, and choreographer who has worked in all varieties of entertainment such as stage, industrials, company, film, commercials, and television.Stage/Industrials/Company credits include: Cirque du Soleil's Viva Elvis (original cast), The Power of Music Evening with Hans Zimmer, Freelusion, Cirque du Soleil Worlds Away Roadshow, Loving The Silent Tears (original musical), International Ballet Festival of Miami, Laguna Dance Festival, National Choreographers Initiative, L'Oreal, Mattel, Morinda, Unity LA (Tessandra Chavez), and Commonality (Adam Parson).Film: A Week Away (Netflix), Valley Girl “Like Totally A Musical”, Fame, A Very Harold and Kumar Christmas, Dear Dumb Diary. Television/Commercials: Young Sheldon, The Marvelous Mrs. Maisel (Season 5), Physical (Season 2 and 3), Roar, The Voice Promo, Carpool Karaoke, Ford, Lip Sync Battle, Hulu's “Door No.1”, Home Joy, Miss Universe, Strictly Come Dancing, Fiona Apple music video “Paper Bag,” Jerry Lewis Telethon.He has taught for different companies, institutions, and conventions including Cirque du Soleil, Houston Met, OCSA, Edge Performing Arts Center, Steps on Broadway, Tremaine Dance Convention, and LA Elite/Elite Dance Convention. He is currently on faculty for Hollywood Connection Dance Convention and an Adjunct Professor at Pace University's Commercial Dance Department.Bobby is an assistant to many choreographers such as Marguerite Derricks, Michael Rooney, Bonnie Story, Lane Napper, Dominique Kelley among others. Some of the past projects he was fortunate to be a part of as an assistant choreographer include Happy Socks, AT&T, Carvana, Flirty Dancing and The Marvelous Mrs. Maisel. At the time of taping The Business of Dance Podcast he was working on a new ballet TV show “Etoile” as an assistant choreographer that was filmed in New York and Paris.Connect on Social Media:https://www.instagram.com/bobbyamamizuhttps://www.facebook.com/bobby.amamizu.9

Martin Harris has delivered stand-out work on “The Marvelous Mrs. Maisel,” “Young Sheldon,” “NCIS: Los Angeles,” “Stranger Things,” and now he plays the Boravian General in “Superman.” On this episode he describes the surprisingly efficient production that James Gunn presided over, and how it felt like “shooting a party video.” He surmises why directors keep giving him more scenes on-set, how reading a book between set-ups not only gets you focused but is also a conversation-starter, why he credits Kobe Bryant with helping him get to the next level with his career, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Jess is joined by MLVC Madonna podcast co-host Stefan (@mlvcpodcast) to SPILL on his summer filming season 1 of AND JUST LIKE THAT as a background actor! Topics: Che Diaz in the wild, Cynthia Nixon's wig, erasure of Chris Noth/Big's flashback scenes, 14-hour days, being directed by Michael Patrick King, how much background actors are paid, production's deal w/ paparazzi & more. PLUS, how his And Just Like That experience compared to filming the upcoming season of The Marvelous Mrs. Maisel!  ⭐ IG: @jessxnyc ⭐ Jess' docu-series on the rise & fall of SoulCycle — Cult of Body & Soul ⭐ Jess' docu-series on the history, mystique & lore of Fire Island — Finding Fire Island  

Welcome to The Following Films Podcast, where we explore the stories behind the stories on screen. I'm your host, Chris Maynard.Today, I'm joined by a truly fascinating guest—Martin Harris, who delivers a memorable turn as the Boravian General in the latest entry in the DC Universe, Superman. Sharing the screen with the likes of Nicholas Hoult and Zlatko Burić, Martin's role is small but powerful—appearing in several key scenes that fans won't forget.But Martin's journey to the big screen is as compelling as any superhero origin story. Before acting, he was a sports journalist in Poland, and it was none other than Kobe Bryant who encouraged him to follow his heart and pursue a career in the arts. That leap of faith took him from the press box to sets across Hollywood, with appearances in Stranger Things, NCIS: Los Angeles, Young Sheldon, and The Marvelous Mrs. Maisel, just to name a few.Today, we talk about his professional journey, the surreal moments of working within the DCU, and the passion that drives his creative journey.Here's my conversation with Martin Harris.

Josh plays instruments from all around the world, and that's how he's on a crazy number of recordings, including live on Broadway and for anime series' like Naruto or Avatar.We talk about building a wide set of skills, and how that curiosity and love of learning fits really well with the modern world.For 30% off your first year of DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to this pod's blog on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to receive deeper dives on the regular

The James Gunn Era of the new DCU kicks off with Superman, and Earth's Mightiest Critics have a lot to say about it!David Corenswet stars as the latest big-screen incarnation of the Man of Steel in this wacky, rebooted-but-already-established universe. Lex Luthor (Nicholas Hoult) is out to destroy Superman's public image so that he can hatch a nefarious plan involving geopolitical war. Throw in the misfit Justice Gang, Metropolis-munching Kaiju, pocket universes, Internet trolls, and a bizarre twist on Supes' origin story, and you have one of the boldest relaunches in cinema history.But "bold" doesn't necessarily mean "good". And in this week's pugnacious panel, the EMC will duke it out over whether or not Gunn has laid a promising path for future DCU films--or if Superman signals the death knell of not only a franchise, but an entire genre!Join us for a super-scrappy and spoilerific roundtable review of one of summer's most highly anticipated (and divisive) blockbusters!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXLetterboxdBlueSkyInstagramFacebookShow LinksWatch the Superman (2025) trailer.ICYMI: Watch Ian's Superman 2025 Public Service Announcement, including his thoughts on the DCU moving forward!As teased in the show, Ian interviewed Rachel Brosnahan a few years ago, during her Marvelous Mrs. Maisel days. Check it out here! Looking for a real punch in the feels? Check out this montage of the 1978 Donner film, set to John Williams' Superman theme.Support all of Earth's Mightiest Critics at their various outlets:Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And save your celluloid soul with Dave Canfield's Substack, "Creature Feature Preacher".

David and I discuss starting out in 8mm film, reading every back issue of the ASC magazine, The Marvelous Mrs. Maisel, Twin Falls Idaho, and so much more. David's IMDB To see pictures and things we discussed in todays episode check out the podcast page of The Op. Please check us out on the web and instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert      

NEVER GIVE UP!! NEVER SURRENDER!! Galaxy Quest Full Reaction Watch Along:   / thereelrejects   Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! Galaxy Quest (1999) Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Greg Alba & Coy Jandreau boldly go where no fanboys (...or mayhaps a few.. fanboys) have gone before in their Reaction & Review of the 1999 cult classic sci-fi comedy Galaxy Quest! Directed by Dean Parisot (Red 2, Fun with Dick and Jane) and widely regarded as one of the greatest sci-fi parodies ever made, Galaxy Quest is both a hilarious spoof of Star Trek fandom and a heartfelt adventure that stands proudly on its own. The story follows the washed-up cast of a once-popular sci-fi TV show, who find themselves mistaken for real space heroes by an alien race in desperate need of help. Tim Allen (Home Improvement, The Santa Clause) leads the charge as Jason Nesmith / Cmdr. Peter Quincy Taggart, with Sigourney Weaver (Alien, Ghostbusters) as Gwen DeMarco / Lt. Tawny Madison, Alan Rickman (Die Hard, Harry Potter) as the disgruntled Alexander Dane / Dr. Lazarus, and Tony Shalhoub (Monk, The Marvelous Mrs. Maisel) as the delightfully odd Fred Kwan / Tech Sgt. Chen. Rounding out the crew are Sam Rockwell (Three Billboards, Moon) as Guy Fleegman, Daryl Mitchell (NCIS: New Orleans) as Tommy Webber / Laredo, and Enrico Colantoni (Veronica Mars, Just Shoot Me!) as Mathesar, the sweet alien leader of the Thermians. The film also features a breakout performance by Justin Long (Dodgeball, Live Free or Die Hard) as an obsessive fan who ultimately saves the day, and a terrifying villain in Robin Sachs (Buffy the Vampire Slayer) as General Sarris. Famous moments include the "chomper hallway" sequence, Alan Rickman's iconic "By Grabthar's Hammer" speech, the Omega 13 mystery payoff, and the triumphant fan convention finale. Whether you're a sci-fi geek or just love a good underdog story, this one's got laughs, heart, and surprising emotional depth. Don't forget to like, subscribe, and engage with us in the comments about your favorite Galaxy Quest moments! Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to The Big Binge Watchlist with Jason & Jayme — your go-to podcast for everything TV, streaming, and pop culture! In this jam-packed episode, we kick things off with a full season review of Ginny & Georgia Season 3 on Netflix. From shocking twists to emotional character arcs, we break down everything that went down this season, where it leaves the Miller family, and what we expect from Season 4. If you're a fan of this addicting drama, you won't want to miss our deep dive. We're also diving into the biggest TV news stories of the week. Felicity Huffman is officially joining the cast of Doc Season 2, bringing major star power to the medical drama. Meanwhile, Rachel Brosnahan, fresh off The Marvelous Mrs. Maisel, is set to lead Presumed Innocent Season 2 on Apple TV+, and we break down what that means for the future of prestige streaming content. Plus, Jason finally started watching Fire Country on CBS and shares his spoiler-free first impressions. Does it live up to the hype or miss the mark? We've got honest thoughts. We also revisit Netflix's action-comedy series Fubar and give our take on whether Season 2 keeps the fun going or fizzles out. Jayme is back from a relaxing beach vacation, and the duo catches up on everything they've been watching lately — from guilty pleasure reality shows to underrated gems across Hulu, Max, Disney+, and Prime Video. Whether you're searching for your next binge, want to hear honest reactions, or love staying up to date with the latest casting news, this episode is packed with recommendations, hot takes, and streaming insights. Don't forget to like, comment, and subscribe for more reviews, reactions, and weekly deep dives into the TV shows you love. The Big Binge Watchlist is available on YouTube and all major podcast platforms. #GinnyAndGeorgia #NetflixSeries #FireCountry #FubarNetflix #DocSeason2 #PresumedInnocent #RachelBrosnahan #FelicityHuffman #TVNews #StreamingNow #TVReview #BingeWatchPodcast #WhatToWatch #NetflixReview #AppleTVPlus #TheBigBingeWatchlist #StreamingRecommendations #TVShows2025

PJ Adzima is a New York based actor and comedian currently playing Elder McKinley in The Book of Mormon on Broadway. He is the creator and host of STAGE TIME with PJ Adzima, the hit downtown variety show that unites the best of New York City nightlife. Select credits include The Marvelous Mrs. Maisel (Amazon), Girls5Eva (Peacock), Madam Secretary (CBS), The Good Fight (Paramount+), FBI: Most Wanted (CBS), Girl Haunts Boy (Netflix), The Wake by John Patrick Shanley, The Tycoons! at RAVE Theater Festival (Winner: Outstanding Performance), Volleygirls and The Cobalteans at NYMF, The Bacchae at La Mama, and GUNS: A Cabaret under director Liz Swados. PJ is a Story Pirate and Co/Lab Supporting Artist and can be seen next in the upcoming theatrical release of The Kiss of the Spider Woman starring Jennifer Lopez. Stage Time: https://stagetimenyc.com/?fbclid=PAZXh0bgNhZW0CMTEAAad-3R4NAgclQmI98gVPYmp9O2td0Zleus2CTicpboGE5tMeqSjjv55MQTU5UQ_aem_-xK01FhRlbm8CTdruB89BQ Want to try our Broadway fitness program for free? ⁠⁠⁠⁠www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, actress Justine Lupe shares her path from performing as a kid in Denver to training at Juilliard. She opens up about how Juilliard shaped her craft, building the confidence and resilience that would carry her through a career filled with bold, offbeat roles. Lupe discusses her roles in shows like Younger, The Marvelous Mrs. Maisel, Mr. Mercedes, and Succession, explaining her process of learning lines "molecularly" to allow for instinct and impulse. She gives behind-the-scenes insight into joining Succession (originally thinking it was just for two episodes), and how she filmed the first season of Nobody Wants This while pregnant. These are the unforgettable stories that landed Justine Lupe right here. CREDITS: Nobody Wants This Succession The Marvelous Mrs. Maisel Younger Madam Secretary Sneaky Pete Snowfall Bull Mr. Mercedes Home Economics The Good Wife Shameless Deadbeat Frances Ha GUEST LINKS: IMDB: Justine Lupe, Actress, Writer, Producer THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition MAGIC MIND: Get 60% off with code ONEAUDITION60 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

This week on The Treatment, Elvis has an extended conversation with Amy Sherman-Palladino and Dan Palladino, Emmy-winners for their series The Marvelous Mrs. Maisel and creators of the new Prime Video show Étoile. On The Treat, Oscar-nominated actress Aunjanue Ellis-Taylor tells us about a book that spoke to her.

Étoile is the latest series from Amy Sherman-Palladino, the creator of Gilmore Girls and The Marvelous Mrs. Maisel. It's about the wacky goings-on between two prestigious but struggling ballet companies, one in New York, and one in Paris. You'll see some of your favorite actors from the Gilmore and Maisel universes all speaking that signature rapid-fire, joke-dense patter. But can a comedy set in the rarified world of professional ballet find its audience – and be funny? Étoile is streaming on Prime Video.To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On the show today, we are brimming with new movie and TV show recommendations to get you through the weekend.First up, one of Netflix’s most controversial (and most addictive) new shows made a comeback this week, and we have some ideas of how it will end.Plus, Em has a classic action movie recommendation with a leading man that will make you swoon.And the creator of Gilmore Girls and The Marvelous Mrs. Maisel has just released a new series (with a few familiar faces amongst the cast), and we’re here to tell you exactly why you’ll fall in love with it. Listen to more of our most popular Brutally Honest Reviews:A Brutally Honest Review of Grey’s Anatomy To Celebrate Its 20 YearsA Brutally Honest Review of Snow WhiteA Brutally Honest Review of Meghan Markle’s new show Subscribe to MamamiaGET IN TOUCH:Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP!Read all the latest entertainment news on Mamamia... here. THE END BITSThe Spill podcast is on Instagram here.Read all the latest entertainment news on Mamamia... here.Subscribe to MamamiaCREDITSHosts: Laura Brodnik & Em Vernem Executive Producer: Amy KimballAudio Producer: Scott Stronach Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Description: Maddie Corman is a seasoned American actress and playwright that you've seen in classic films including Some Kind of Wonderful, Maid in Manhattan, A Beautiful Day in the Neighborhood, and our favorite television shows like Law and Order, Curb Your Enthusiasm, and The Marvelous Mrs. Maisel. Most recently, she has put her creative hand to writing and performing in a very raw and vulnerable autobiographical one-woman play called Accidentally Brave, that delves into Maddie's personal journey following the arrest of her husband on child pornography charges in 2015. Today, Maddie shares her story of navigating the aftermath, focusing on themes of resilience, healing, and redefining normalcy when life takes an unforeseen turn. In this tender and transparent conversation, we discuss: How Maddie's life turned upside down after a public personal crisis—and how she found her way back What led to her decision to write a raw, hilarious, deeply moving one-woman show called Accidentally Brave (now a movie on MAX!) What she imagined midlife would look like when she was younger versus what it looks like from where she sits today What it's like to walk (or sometimes crawl) through shame and loss—and come out with more freedom, more truth, more YOU Also, how motherhood shifts our perspective in crisis What practices or people help us stay grounded in the hard moments – Maddie shares some really great resources! Why midlife is actually the best time to tell your story and start again Thought-provoking Quotes: “After a really big trauma that I thought was going to destroy my children, it turns out, they are thriving, and funny, and sensitive, and smart, and caring, and annoying, and they love me, and I drive them crazy, I'm sure. I share that because I feel like that was what saved my life was somebody who had been through something similar saying my kids are going to be okay.” – Maddie Corman “When you lose your mother, people bring a meatloaf over. But when your husband's arrested and you say ‘I think he's a sex addict and a porn addict,' there's no meal train that's coming for that.” – Maddie Corman “I had lived 47 years when this happened and I had never met another person who had gone through anything like this. P.S. It turns out I had. They just didn't share about it.” – Maddie Corman “You inch your way back to the sunshine and it's so slow. And at the beginning you just think, everything's ruined; I'll just never be happy again so let me cobble together some sad life that just gets me to the finish line. But the truth is, it's stunning how much we can recover.” – Jen Hatmaker Resources Mentioned in This Episode: Some Kind of Wonderful film (1987) - https://www.imdb.com/title/tt0094006/ John Hughes - https://www.imdb.com/name/nm0000455/?ref_=fn_all_nme_1 Brené Brown - https://brenebrown.com/ Glennon Doyle - https://momastery.com/ Elizabeth Gilbert - https://www.elizabethgilbert.com/ Accidentally Brave Play - https://www.maddiecorman.com/accidentally-brave Accidentally Brave on MAX  - https://play.max.com/movie/b19ce99f-93c8-4150-ba0d-139e12048efe Partner Betray Counseling - https://www.maddiecorman.com/partner-betrayal-counseling Find a Certified Sex Addiction Therapist (CSAT) Therapist - https://iitap.com/page/TherapistDirectory Find a 12-Step Program - https://www.aa.org/find-aa  SANON International - https://sanon.org/ AL-ANON Family Groups - https://al-anon.org/ Guest's Links: Website - https://www.maddiecorman.com/ Instagram - https://www.instagram.com/msmaddiecorman/ Twitter - https://x.com/maddiecorman Connect with Jen! Jen's Website - https://jenhatmaker.com/ Jen's Instagram - https://instagram.com/jenhatmaker Jen's Twitter - https://twitter.com/jenHatmaker/ Jen's Facebook - https://facebook.com/jenhatmaker Jen's YouTube - https://www.youtube.com/user/JenHatmaker The For the Love Podcast is presented by Audacy.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

John McWhorter is one of the greatest living experts on the English language—and many others, too. He's an associate professor of linguistics at Columbia, a columnist at The New York Times, and he's an unsung Broadway aficionado. He once told us he could not do an interview because he was busy rehearsing a cabaret show for his bungalow colony. It all sounds like a scene out of The Marvelous Mrs. Maisel. But in his day job, he is thinking about words, language, and—the not-so-controversial topic of pronouns. John is a true independent mind. He has been one of the most outspoken critics of liberal excess—his last book was called Woke Racism: How a New Religion Has Betrayed Black America. But now? Now he's taking a position that we suspect will provoke the other side. In his new book, Pronoun Trouble: The Story of Us in Seven Little Words, John makes the provocative case that the English language evolves in ways that don't always make sense. But, he says, that's okay. And he takes it a step further—saying the wide adoption of they/them in the singular, instead of he/him or she/her, works. What are the stakes of these little words? For example, as a society, are we disrespecting women (and men) when we fail to acknowledge, in our language, who has dealt with the challenges of womanhood or manhood and who has not? And what are the consequences of letting children adopt they/them pronouns, especially if it pushes them toward medical transition? At the same time, how do we create a society that is kind and inclusive but also reflective of reality? And can we even have both? The broader context of this language conversation is about what can and cannot be said. We talk about this broader context—the state of the woke left, but also the rise of the woke right. Bari puts all of these questions to the premier linguist and culture expert John McWhorter on this episode of Honestly. If you liked what you heard from Honestly, the best way to support us is to go to TheFP.com and become a Free Press subscriber today. Ground News - Go to groundnews.com/Honestly to get 40% off the unlimited access Vantage plan and unlock world-wide perspectives on today's biggest news stories. Learn more about your ad choices. Visit megaphone.fm/adchoices

U Guys, star of the stage and screen, and cast member of the upcoming Broadway musical Just In Time, Emily Bergl is here! Emily Bergl is a true Broadway vet, having done eight Broadway shows, from classic works like Cat On a Hot Tin Roof, to playing opposite Sean Hayes in the critically acclaimed play Good Night, Oscar as June Levant. In this episode, we dive into her amazing career, as she shares about her experience as an actor both on the Broadway stage and in front of the camera on shows like The Marvelous Mrs. Maisel, Shameless, and Desperate Housewives. She touches on the importance of learning as you grow, and how her life has changed since becoming a mother. We talk about working alongside your idols, and how to cultivate longevity in a career in the arts. Emily is truly one of the best, U don't wanna miss this episode! Follow Emily on Instagram: @emilybergl Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

Caroline Aaron is known to theatre, film and television audiences, as well as a published author and playwright.She made her Broadway debut in Robert Altman's "Come Back to the Five and Dime, Jimmy Dean,Jimmy Dean" and later appeared in the film. The following Broadway season, she starred in the revival of "The Iceman Cometh". She next starred in Mike Nichols's Broadway smash comedy "Social Security". She returned to Broadway starring in "I Hate Hamlet." She headlined the west coast premiere of Wendy Wasserstein's "The Sisters Rosensweig" and was acknowledged with both a Helen Hayes and Dramalogue Award. Next on Broadway she starred in Woody Allen's comedy "Honeymoon Hotel". She headlined Lincoln Center's award winning play "A Kid Like Jake." She played the title role in "All The Days" at the McCarter Theatre and was named best actress by several newspapers in the New York/New Jersey area. She headlined "Call Waiting" at The. Odyssey theatre which became a hit and was later made into a film available on Amazon Prime.On film Caroline has been in over a hundred films and is frequently in demand from top directors including Woody Allen, the late Mike Nichols, Nora Ephron, Paul Mazursky, and Robert Altman.Favorite film roles include “21 & 22 Jump Street”, “Just Like Heaven", "Nancy Drew", "Surveillance", "Love Comes Lately", "Edward Scissorhands", "Anywhere But Here", The Big Night", and "Bounce" among others. Later this year she will be seen in "Theatre Camp", "Between Two Temples", and "The Fourth Dementia".Television audiences are also familiar with her work as a guest star on hundreds of shows. She has recurred on Curb Your Enthusiasm, Ghosts, Episodes and Transparent. She is best known for her role as Shirley Maisel on the hit Amazon series "The Marvelous Mrs. Maisel." Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tony Nominee Ethan Slater can most recently be seen in the feature film Wicked, where he portrays the role of Boq. The film will be followed up by Wicked: Part 2, where Slater will reprise his role, and will be released by Universal Pictures in November of 2025. In another recent film, Slater also stars in the drama film Lost on a Mountain in Maine, based on the novel. He is currently in production on the indie feature The Designer, alongside Gina Gershon and Katherine Waddell. Slater is best known for his Broadway debut as SpongeBob in SpongeBob SquarePants: The Broadway Musical, for which he was nominated for a Tony Award for Best Performance by an Actor in a Leading Role, and won the Drama Desk, Outer Critics Circle, Theatre World and Broadway Beacon Award. He recently starred in Spamalot on Broadway as The Historian / Not Dead Fred / Prince Herbert. His additional theater credits include an Off-Broadway revival of Assassins, and a Williamstown Theatre Festival performance of Marcel on the Train. In television, Slater has starred in The Marvelous Mrs. Maisel, Law & Order: Special Victims Unit, and as Joel Grey in FX's Fosse/Verdon. Slater's musical achievements include the concept album Edge of the World with Nick Blaemire in 2021, featuring Norbert Leo Butz and Lilli Cooper. He additionally released two EPs “Life is Weird” in 2020, and “Wanderer” in 2019. Learn more about your ad choices. Visit podcastchoices.com/adchoices