Podcasts about DeLorean

Can you believe it's been forty years since Marty McFly first revved up the DeLorean and blasted his way into pop culture history? In this Backtrack, we're firing up the flux capacitor to celebrate the 40th anniversary of Back to the Future. Whether you're a longtime fan or a first-time traveler, buckle up — because where we're going… we don't need roads. (May contain some explicit language.) Patreon » patreon.com/genxgrownupDiscord » GenXGrownUp.com/discordFacebook » fb.me/GenXGrownUpTwitter » GenXGrownUp.com/twitterWebsite » GenXGrownUp.comPodcast » GenXGrownUp.com/podMerchandise » GenXGrownUp.com/merchTheme: “Grown Up” by Beefy » beefyness.com Apple » itunes.apple.com/us/podcast/genxgrownup-podcast/id1268365641CastBox » castbox.fm/channel/GenXGrownUp-Podcast-id2943471?country=usPocket Casts » pca.st/8iuLAudible » amz.run/6yhRTuneIn » tunein.com/radio/GenXGrownUp-Podcast-p1020342/Spotify » spoti.fi/2TB4LR7iHeart » www.iheart.com/podcast…Amazon Music » amzn.to/33IKfEK 25 Facts About Back to the Future » bit.ly/451QRyC ‘The film wouldn't even be made today': the story behind Back to the Future at 40 »  bit.ly/3GtmoQO Back to the Future™ » bit.ly/4nKtPnf Back To The Future: All 8 Timelines In The Movies Explained » bit.ly/3Uf93yy Email the show » podcast@genxgrownup.com Visit us on YouTube » GenXGrownUp.com/yt Show Notes Learn more about your ad choices. Visit megaphone.fm/adchoices

In Cineversary podcast episode #84, host ⁠Erik Martin⁠ powers up the old DeLorean and takes a scenic drive around Hill Valley to commemorate the 40th anniversary of Robert Zemeckis' Back to the Future. Joining him for the ride is the film's co-screenwriter Bob Gale; and Michael Klastorin, author of Back to the Future: The Ultimate Visual History. Together, they examine the movie's lasting impact on pop culture, the clockwork precision of its script, key themes, and much more.Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com.

We're so Back to the Future, Marty! It's Part II, Marty! MARTY! Wake up it's time to fast forward the clock, garbage-up Mr. Fusion, and tell Griff to BEAT IT! James and Nick get back into the DeLorean after a stint in a suspended animation kennel to revisit and rewind the clock in the franchise of the year. Thanks for tuning in. For more, follow us on Instagram & YouTube @justplayitpodcast & X (fka Twitter) @justplayitpod

Dr. Anne Marie Morse walks into the studio like a one-woman Jersey Broadway show and leaves behind the best damn TED Talk you've never heard. She's a neurologist, sleep medicine doc, narcolepsy expert, founder of D.A.M.M. Good Sleep, and full-time myth buster in a white coat. We talk about why sleep isn't a luxury, why your mattress does matter, and how melatonin is the new Flintstones vitamin with a marketing budget. We unpack the BS around sleep hygiene, blow up the medical gaslighting around “disorders,” and dig into how a former aspiring butterfly became one of the loudest voices for patient-centered science. Also: naps, kids, burnout, CPAPs, co-sleeping, airport pods, the DeLorean, and Carl Sagan. If you think you're getting by on five hours of sleep and vibes, you're not. This episode will make you want to take a nap—and then call your doctor.RELATED LINKSdammgoodsleep.com: https://www.dammgoodsleep.comLinkedIn: https://www.linkedin.com/in/anne-marie-morse-753b2821/Instagram: https://www.instagram.com/dammgoodsleepDocWire News Author Page: https://www.docwirenews.com/author/anne-marie-morseSleep Review Interview: https://sleepreviewmag.com/practice-management/marketing/word-of-mouth/sleep-advocacy-anne-marie-morse/Geisinger Bio: https://providers.geisinger.org/provider/anne-marie-morse/756868SWHR Profile: https://swhr.org/team/anne-marie-morse-do-faasm/FEEDBACKLike this episode? Rate and review Out of Patients on your favorite podcast platform. For guest suggestions or sponsorship inquiries, email podcast@matthewzachary.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Gaming hosts Josh, Ryan and John are in our DeLorean and jumping back in time to video games that stuck with us after all these years of gaming. What classic or niche video games have helped make us what we are today? What was gaming like “back in my day” and what graphics or gameplay really hit home? Take a nostalgia trip with us on this episode of the Video Gamers Podcast!   Thanks to our MYTHIC supporters: Redletter, Disratory, Ol'Jake, Gaius and Phelps   Thanks to our Legendary Supporters: HypnoticPyro, Patrick and PeopleWonder   Connect with the show: Support us on Patreon: patreon.com/videogamerspod Join our Gaming Community: ⁠https://discord.gg/Dsx2rgEEbz⁠ Follow us on Instagram: ⁠https://www.instagram.com/videogamerspod/⁠ Follow us on X: ⁠https://twitter.com/VideoGamersPod⁠ Subscribe to us on YouTube: ⁠https://www.youtube.com/@VideoGamersPod?sub_confirmation=1⁠ Visit us on the web: ⁠https://videogamerspod.com/⁠ Follow us on Twitch: ⁠https://www.twitch.tv/videogamerspodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Where does our DeLorean take us this week? Santos Saw the new Superman and gives a mini revisit of the film. Then, Freddie and Santos head back to revisit the Christopher Reeve classic, Superman The Movie. Plus, Freddie's neighbors decided to throw a huge party during the show. All this and more before heading Back to the Future. 88 Miles Per Hour Podcast: The Podcast that travels Back in Time to revisit the movies & music we grew up with.

The message was delivered on Sunday, July 13, 2025, at All Souls Unitarian Church in Tulsa, Oklahoma, by Rev. Randy Lewis, Assistant Minister. DESCRIPTION If you could whisper one truth to your younger self, what would it be? Would you tell them how to avoid heartbreak, or remind them they were always enough? In a world rewriting reality faster than we can keep up, how do we stay grounded without giving in to fear? History shows us that even unfinished work matters. Maybe the real time machine we need isn't a DeLorean, but the kind that brings us fully alive, here and now. SUBSCRIBE TO AUDIO PODCAST: WATCH THIS MESSAGE ON YOUTUBE: SUBSCRIBE TO OUR YOUTUBE CHANNEL: GIVE A DONATION TO HELP US SPREAD THIS LOVE BEYOND BELIEF: or text AllSoulsTulsa to 73256 LET'S CONNECT: Facebook: Instagram: All Souls Church Website:

The Men in Black are back… in time!? It's time for some Amblin time-travel hijinks not involving a DeLorean as we check back in with the protectors of Earth agent J (Will Smith) and Agent K (Tommy Lee Jones) as the very fabric of reality is threatened when an evil alien named Boris the Animal (Jermaine Clement) - actually it's just Boris - rewrites history, forcing J to travel abc to 1969 and team up with K's younger self (an eerily perfect Josh Brolin). To unpack the flimsy timey-wimey nonsense of it all, we recruit previous guest of the show Charlotte Bailey to join our makeshift MIB and make the time jump to 2012 and explore the troubled production to get MIB3 to the screen, and how, in some small miracle, it all just about holds together. By the way, is anyone else really craving a chocolate milk right about now?You can follow Charlotte's travel blog No Small Wander here - as well as on Instagram and TikTok.Follow the podcast on Twitter (@RamblinAmblin), Instagram (@ramblinamblinpod) and Blusky (@ramblinamblin.bsky.social). Be sure to like and subscribe so you don't miss an episode! Get in touch with us either via our socials or email rambinaboutamblin@gmail.com. Please feel free to give us a 5-star review, share your favourite Amblin movies and tell us if ET makes you cry.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter & Greg Sheffield for the theme music.

Einstein, Doc Jahnsi und Marcel McFly sind die Rückspul-Helden. Normalerweise sprechen sie über Musik, Filme und Serien aus den vergangenen Jahren. Diesmal stehen sie allerdings mit ihrem DeLorean im Stau auf der Datenautobahn. Also warum nicht mal über Videospiele und das Leben quatschen, um sich die Wartezeit zu vertreiben? Kategorie: Podcast Explosive Marcel Ostrowski, Andreas Jahns & Nele Kemna-Behrens, Die Rückspul-Helden Podcast: https://rueckspulhelden.letscast.fm/ Instagram: https://www.instagram.com/rueckspulhelden/ *Anzeige: Podfluencer Festival 2025 in München am 24.10.- 25.10.2025!

Alright, history buffs and music fanatics, let's fire up the DeLorean and punch in "Summer of '85." The year is 2025, and we're looking back exactly 40 years to a time when mid-July meant blazing sun, sandy toes, and car stereos absolutely blaring. And what was on those stereos, you ask? A trio of albums that were practically stapled to every boombox and walkman: Kix's Midnight Dynamite, Rush's Power Windows, and Saxon's Innocence is No Excuse. Now, four decades later, a burning question arises: were these albums genuinely good, timeless masterpieces that deserve their place in the rock 'n' roll hall of fame? Or, were we perhaps just a little too "hydrated" on those '85 beach days to truly discern musical genius from… well, good vibes? We're not here to judge (much), but one thing's for sure: they definitely laid down the soundtrack for a whole lot of summer shenanigans. So, queue up your preferred streaming service, dust off those old cassettes, and decide for yourself. Were these the real deal, or just a symptom of peak '80s nostalgia? We also reviewed the big Back To The Beginning concert and all the talent paying tribute to Black Sabbath...or was it Ozzy. Please leave a review and subscribe on your podcast platform. Corrections: Disagree?? Send your comments and corrections, and we will read them on the next podcast. https://www.saywhatyouwillpodcast.net/   X (Twitter): https://twitter.com/saywhatyouwill_ Join the Facebook group: www.facebook.com/groups/1425817651592700/ Show some love and help with the cost: https://ko-fi.com/saywhatyouwill

Shake hands with your guest; Monologue, monologue smug smirk Make good face– Now put a name to the face Put a time to the place IOh, all the love in the world in three flames All the doves in the flock, And three flames Put a name to the face Monologue monologue Doesnt take long but When do i get to slap the desk? Johnny! What happened? Whats the 10 vodkas, Five spritzers Full figure Figure this You were out for the count! Do tell! Or better yet, don't. I remember tgis mologue, But i dont know how 16 hours ago, I was Out for the count, you say?! OUT, Johnny! Our market is livid! lol who plays john carson Your mother. YO! I'M OLD! I LIKE OLD DUDES NOW! I'm like When the fuck did this happen?! That ain't no SILVER FOX! That's a TOTALLY CUTE DUDE! HE'S 55!! OH NOOOOOOOO! i'M OLD!!!!!!! its wednesday eve in Boston Mass… SETH MEYERS! Ah, he's going for it. Ah, man. SHOW ME YOUR EYES. Fuck. SHOW ME YOUR EYES! SUDAKIS shines a bright flash light into his former colleagues eyes. …You're not Seth Meyers. Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now. Where's Seth Meyers? Seth shrugs but still doesn't say anything– Where is he? I have to stop here; Cop out for body language somebody's watching Somebody knows who I am I am I remember now You looked like that It went like this: I moved the world The need was good The love was gone The vein was split open And broken No fair Also, no omletts 60 minutes 60 years and 60 second clips 60 second glimpses 60 men on television but really, my attention just centers on Around ten of them or so And believe it or not, I care approach. Believe it or not, I care Or don't! –or don't! Johnny! You don't get it! You missed a show! THE tonight show! We are fucked! we are NOT! youre still sauced. I'll just take the car! What car!? Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable. Unfortunately, it appears his delorean has been switched with a regular one– If I shoot you in your forehead? I'd rather that, than this. And I kiss you in your temple? Dear templeton, my simpleton's i'll die I desire. A wicked want. And then? A callous shadow, If i may, To bear for nothing, But a mirror This is our concept And wilted her e the flower does grow the flame The faming true and ache of lust and there For our want a jasper shore and emerald cascades there you are, And there you'll find The wave beyond the peaking break where great white sharks reside But do not wade to shallow waters; And there you find peace, And there you find certainty But now, And here, is war And fortune not but seeks truth in the gaze And for fear there does not live, but hides instead the truth that seeks to guide the lite, And yet does know our trust And there does find the faith, Forward and not Upwards and back Arrow and arrow Truth and sparrow Wreaking and wretched thoughts And the rope does hang high and solemn Looking, leap and gasp For I fall but did not land I pulled for you, I weep, my shadow, The two of diamonds, the Ace of spades, The Three of Hearts, Without my shadow I weep. I know for you nothing but conscious and knowing and needing and fated departure. I know for you nothing but chakras and eyesight and shadows and foresight. I need fo you nothing but want and by conscious, departure For nothing I want you, I weep. Sorrow. On approach of danger, The knowing, On seeth did gather, the sinking ritual the carried tribes in ships tied, weaving strings The spider bites hard And she stole my love twice And she stole my love always And she stole my love Lighting my light wit blue eyes The deception If love could be stolen at all But if not Then not love for seeking is finding and gathered had hunted And truth in forbearer Forbearance and otherwords, Shadows and shattered and ferris wheels, Now forward Gathered here for are I trust And be dismayed for you have faltered You have failures and you have cast us out of these things thinking We have not made them for you And still we seek to gather with you And here does forshadow your making Our promise to come as ones, Not as Gods, But as others, you cast out. Now, with your wicked ways and cruel be done, for sure the tables have turn, one And the gallows have not wandered far, Barrels of guns and barbells bottles and hearts of three reading cards and wanting none but justice Is he and she who are I now Begin to run from your pitied structure And there in the gasping cruelness of seeking from warcrimes this, come what may, Moving and seeking, For seeking is finding, And run, my legs have come far But trust, my dove, My wings have too, sprouted An honor, an honor one candle and three wicks Three candles and three worlds over One world and one building and still far from under the Hollywoodland Crickets sounding The Hollywood Sign Still standing and here I am not, Blades of grass And who are I now Of that which you balk at Look, ponder Go, far asunder And wish now had you not What I am is that, Run Temper temper. Mind your business. Is it gathered? To burn, or burden? Gathered. Gathered here. Then here ive wandered. To stake? Argue. I will not. And I will not. Wiry bird, From where you flown i do ponder– re d with spirit and wilding eyes, Narrow server and paring wires; I do not wish to know you now or ever, But only as bird that does golden remember. The love has not gone, And instead lives in my throat, And twists in my lungs, Ans sits in my tongue, Not as speech, or whispers, But tragedy. Unknowing this, my tender being It can never be, the nervous hill And rolling down the hill as if The weel of time itself, Not unbroken, but resilient; In sll ways, meant to tear And turn, And wobble Made for terrain for which our eyes have known And our minds have built And hands molded wiith clay, The bodies whole of all our galaxies terra feighn Terra fine Terra wept tears of a clown, And iron And veins And shadows And plays, And secrets , And whispers And truth And far And Afters. I taste a saline drip, I swallow, Suddenly cold and all the knowing that What I was, I surely already am again And what I will be, Has already come and past. The monologue, I do remember Face to a name and none to forget Well rehearsed forager! Well done bayonet! Well done, my shadow For my time is coming to wander to night And never today again for it shall never Today again, And Tomorrow, Tomorrow, Tomorrow. [The Festival Project ™ ] They said he would destroy me. …Ya'll were right. that fucked me up. {Enter The Multiverse} So…forfeit? Something tells me its not over The heavy heart is shattered But also tied to that which appears to come upward As if on air To be heavy And lighthearted at once– A shadow above a balloon. A rock is attached to a kite– A diamond becomes a bassoon, Then a vampire bat, and then Cut ties. In the fourth act, we all die, and now– A revival. I was crucified, But i was also suicidal so. Lets just call it a tie. L E G E N D S V.O. Crusher. My show was being subliminally plugged on at least two of the five major networks. Safe bet I could make it a third, but I didn't know where to check. I did…but didn't want to. There was much beyond the surface, Darkness in the glimmering eyes of the men in ties and uniformed suits. I was sure I was tied to something– And since I didn't know why, Or to what, The best bet I'm all in. Fuck. Was to stay broken, Under the radar, Hidden, and most importantly– Unspoken. These days. I kept more to myself than I could with the world– As it turned out… No, not yet. What do you mean? It's not time yet. They'll have to know. But not yet. At some point, they'll have to know. But not–yet. No time like the present. You made that up. Because you made up time. And it's stupid. This is ruthless. And again–they'll have to learn somehow. But not now. The sun sets at noon on our side, and still 21 hours of dark time. Did I have another tag to throw on it this? No. Are you sure? Doesn't the new series have a subtitle? No. Is it not “quantum force” That's only one, though. What's the difference. ERMO, DON'T! I'm gonna kill him! BIG BOYD, DON'T EVEN THINK ABOUT IT! DOn't tell me what to DO. Wow. of course. Well yeah, they're not going to let me do– LAWYERS No. Any of this stuff with the actual muppets. You're wasting precious time! GET BACK IN YOUR HOLE, RED. ok, where does it– {cut to black} Learning to assimilate and readily avalible What's next A vape to calm the nerves? What's next? A hero fighting for relevance in corporate structure. Sure, some would pay to dress an avatar But I've run out of water before I try to laugh and roll with the punches This is work and not fun for me This is not social, it's business I am not person, I'm product. Go on a walk, and look the part I took the oath, I shed the blood— Cruxes. This is a bad idea, Mark. Fuck you. All my ideas are great. MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck. [The Festival Project ™] I'm telling you. You got to get yourself one of these. I don't know, Bob, how does it work? BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper. I'll show you. {Enter The Multiverse} JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown. Still an hour to the test And I hate myself again Milk and cookies, hit the bed Shut it down, yo Shut it down. DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars. …hey. Whaddup. You say diplo's on that list? Yeah. Yo… …There he is. In your sight? Yep. Shoot that motherfucker! …I can't. Why not? He's like— Just shoot, fool. —he's like holding something. So? I don't know what; it just seems— What the fuck, dawg. It just seems important. Let me see. Look. [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he conversates wi th associate.] Yeah! Get em! Shoot that motherfucker! Where the hell have you been? In my fuckpad. Where the hell is that? You haven't seen my fuckpad? What even is that. It's ballin. Whatever, dog. Did you get the— Shh. Why else would I be here? [beat] You look— did you cut your hair or something. You're so redundant. Yo shoot that motherfucker. What are you waiting for?! He's right there? Apparently, we've been building to this moment from another dimension in from another point in the series? I thought— {Enter The Multiverse} HEHEHEHE. HEY! Relax. NO. This party is OUT of control. SOMEBODY GO GET QUESTLOVE OUT THAT TREE. HAH! Shutup. NIGGA GET THE FUCK UP OUTTA DAT TREE. _____ Some party. I guess. Why is Questlove in a tree. I don't know. That party is pretty wild. This is insane. _ NIGGA GET THE FUCK OUT THE TREE. _ YO. where are you AT. I'm at the kiosk. You're not at the kiosk! I'm at the kiosk! It's probably another kiosk, then. What! [he walks a few feet. There is indeed another kiosk; upon further investigation, there is a kiosk every few feet.] What! I gotta go. My phone's about to– Hello. [Everywhere is kiosks. This is frustrating.] Dammit. WHAT. {Enter The Multiverse] A very large prized pig is captured and literally hogtied, however–this is a challenge. The pig, while beautiful, is also humongous–and appears to understand that he is being pignapped. Why would I tel the whole story When no one loves me If I had a gun, Well, I would be gone already? Why trek to Alaska For thousands of dollars To come home to no one and nobody But rotten corpses on motorcycles Where it just starts over But now you're poorer. I want to die But I want to see my son again. He's not suffering, I am But starting to resent what he doesn't understand. To the world I'm a horrible mother But no one quite knows the half of it but God And the whole problem is what is not God in the world Is all for the other's purpose. Some probably respect I was punched In front of my son And then wonder's why At some point I could no longer Hold on Insomniac So someone should go slam the door when I ponder my own thoughts I'd probably walk off a walk on roll I don't lock up no more I just go out Knowing government drones probably watch And turn over the apartment As I'm out trying to own a home But of course, nothing I do in the world is of value And I'm no one No one at all in New York and the options are Where I don't want to be Or in Saint Monica homeless. I'd get a dog if I wanted to walk it But since I don't I just sit with a plush in my lap Who I call “Gus” And it purposeless But otherwise meaningful Since from here and now And otherwise Nobody has ever loved me As much as my mother And that's saying something If you knew the whole story So no one has loved me romantically; Almost all my life was a horror show Until I started to grow up With the knowing that probably Nothing I do could be more than wrong So doing nothing becomes the hard part When all I watch are stars And I'm just not one Then again, you know It was that word That threw the first punch And then over and over And over and over And nobody loves me But everybody's got a whole story And new York's disgusting because of it How troublesome I don't have time for your politics It's a mind game but there's no reward, Or honor in it After all, when tied up in the court process And pretending the noise was not a problem And I should be so lucky In a luxury apartment Coming out of a homeless shelter But it's almost been just as horrible As other black girls trying to pull my hair out Having screaming pigs and ugly men on motorcycles Drive in circles Wearing jackets that say “I have to do this, cause Jack says” And whoever Jack is writes them pychecks Except Since it politics He might even be getting over considering Passion fuels the utmost violence And in this case Imm supposed to be the only one To go about it All the paperwork and recordings But really I don't want to Even if it earns a millions dollars In the name of God It wasn't my problem Unless I am one And otherwise, These men are sick And making people sick Is just their business I need no medication I need an new apartment But how awful my country supports that I just don't deserve one Under the circumstances But the white man Lives on borrowed time In bloodshed On stolen land Regardless of color The illusion of power Is almost over And what's more is Your only army Is considering going home (Post mortem) Considering going to God Who must have lost control just enough To cause all of the apocalypse Put the whole world in a mental hospital And lock them up for dollars and cents Unless the good drugs make sense For the blondes and the beautiful The rest of them are problems Who can go to rot, I suppose. The rest of us are unwanted colored problems Can't stay here But the kids at the music school are fake nice And I'm done pulling my heart out And scratching my eyes out Just fucking trying Just fucking trying What is the point Of being in a prison For people who love oceans and trees And decent people? There's no one in New York to really love But babies and dogs And the whole world is horrible just knowing that I don't want to do anything but die Every time I ride the subway I wish I was white From the way that that white folks treat me And I wish I was blonde Because blondes seem to have it so fucking easy It's hard to believe I'm furious, furious Aren't you curious, curious how I got here? I'm serious, serious You should let me in, let me in I'm serious, serious You should have let me in, let me in Is he okay, Is he okay? Now I'm David Grohl on the whole retrospective Now I'm an old rockstar with some world left Now I know I'm the one with the mother gone Now I know, Now I know Now I know… That I don't Overall, I don't Somebody new Somebody grain and l steaming Somebody hidden and secret and wishing well Wishing well in Hell Or midtown Manhattan Or middle man Or Middle East Or Midwest Or just middle Somewhere else I, Learned to live her Learn to live here— Feeling better Feeling worn out, Look at this disgusting place Now where I live matches how I feel Going here from there, and four to five And no matter what I take the L, But it's jail and the guards are on motorcycles Controlling your thoughts for a zoning war I have heard of her And from earth to the core of our other outer planets, Further species, I know I've been here before, But on some shore I'm surfing So sure I did something wrong I don't want to know her But j don't know what other force of nature Might have caused this Caution The cautionary tale is coming Sure I never know what the other God wrote But I'm not living God, I'm a problem woman at the moment We're all technically free people, Not actually incarcerated But when it comes to wealth and racism, hatred You better bet we're all slaves And they not even Jesus can save us Even if he makes it in time, And the thing is with this one, Time precedes even his own existence Sorry my brother They want the war here I've got a heart for honor and honesty and hard word But no one seems to care or notice Not at all No one even knows my name And no one even offers a spot on the bus Or a quick dollar. What it means To be so tired That by the time you're back All you do is watch And try not to reflect On the ugly and awkward Imagine all the time in the world To be nothing but God and go Golfing. And be perfect, a woman Whatever you chose to do is the whole of it And no one can own you, Besides for on paper You government name has betrayed you, they say Your government name has betrayed you. Do you know how good you look? Not goof enough to get a good one Do you know how much medication it makes To make meditation the start of you day I've run all out of energy And the vampires seem to think That's what's wrong with me Altoigh I'm the one feeding these creatures Thats okay Lately, I have more than I need They can trim the fat And take all the hard stuff Till I become one of them And they start to wonder What the fuck is wrong with all of us I left my light at home, sufererer— I should be surfing, But I'm writing psalms and songbooks Fawning over songbirds and beautiful, Beautiful, Beautiful genetic weapons One day I'll become her I'm not supposed to say the most l Or really anything at all And it all hurts But we're all here And I'll kill my self one day Probably right here, near this station If not in it Who brought a trouser pantsuit to the apocalypse Cryptic, these runes, But I can decipher it I want a dolphin, a dolphin, a dolphin I want to love them all But to all of them I'm hopeless I can't help falling for I'm not the one to hold on, m I l [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

Shake hands with your guest; Monologue, monologue smug smirk Make good face– Now put a name to the face Put a time to the place IOh, all the love in the world in three flames All the doves in the flock, And three flames Put a name to the face Monologue monologue Doesnt take long but When do i get to slap the desk? Johnny! What happened? Whats the 10 vodkas, Five spritzers Full figure Figure this You were out for the count! Do tell! Or better yet, don't. I remember tgis mologue, But i dont know how 16 hours ago, I was Out for the count, you say?! OUT, Johnny! Our market is livid! lol who plays john carson Your mother. YO! I'M OLD! I LIKE OLD DUDES NOW! I'm like When the fuck did this happen?! That ain't no SILVER FOX! That's a TOTALLY CUTE DUDE! HE'S 55!! OH NOOOOOOOO! i'M OLD!!!!!!! its wednesday eve in Boston Mass… SETH MEYERS! Ah, he's going for it. Ah, man. SHOW ME YOUR EYES. Fuck. SHOW ME YOUR EYES! SUDAKIS shines a bright flash light into his former colleagues eyes. …You're not Seth Meyers. Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now. Where's Seth Meyers? Seth shrugs but still doesn't say anything– Where is he? I have to stop here; Cop out for body language somebody's watching Somebody knows who I am I am I remember now You looked like that It went like this: I moved the world The need was good The love was gone The vein was split open And broken No fair Also, no omletts 60 minutes 60 years and 60 second clips 60 second glimpses 60 men on television but really, my attention just centers on Around ten of them or so And believe it or not, I care approach. Believe it or not, I care Or don't! –or don't! Johnny! You don't get it! You missed a show! THE tonight show! We are fucked! we are NOT! youre still sauced. I'll just take the car! What car!? Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable. Unfortunately, it appears his delorean has been switched with a regular one– If I shoot you in your forehead? I'd rather that, than this. And I kiss you in your temple? Dear templeton, my simpleton's i'll die I desire. A wicked want. And then? A callous shadow, If i may, To bear for nothing, But a mirror This is our concept And wilted her e the flower does grow the flame The faming true and ache of lust and there For our want a jasper shore and emerald cascades there you are, And there you'll find The wave beyond the peaking break where great white sharks reside But do not wade to shallow waters; And there you find peace, And there you find certainty But now, And here, is war And fortune not but seeks truth in the gaze And for fear there does not live, but hides instead the truth that seeks to guide the lite, And yet does know our trust And there does find the faith, Forward and not Upwards and back Arrow and arrow Truth and sparrow Wreaking and wretched thoughts And the rope does hang high and solemn Looking, leap and gasp For I fall but did not land I pulled for you, I weep, my shadow, The two of diamonds, the Ace of spades, The Three of Hearts, Without my shadow I weep. I know for you nothing but conscious and knowing and needing and fated departure. I know for you nothing but chakras and eyesight and shadows and foresight. I need fo you nothing but want and by conscious, departure For nothing I want you, I weep. Sorrow. On approach of danger, The knowing, On seeth did gather, the sinking ritual the carried tribes in ships tied, weaving strings The spider bites hard And she stole my love twice And she stole my love always And she stole my love Lighting my light wit blue eyes The deception If love could be stolen at all But if not Then not love for seeking is finding and gathered had hunted And truth in forbearer Forbearance and otherwords, Shadows and shattered and ferris wheels, Now forward Gathered here for are I trust And be dismayed for you have faltered You have failures and you have cast us out of these things thinking We have not made them for you And still we seek to gather with you And here does forshadow your making Our promise to come as ones, Not as Gods, But as others, you cast out. Now, with your wicked ways and cruel be done, for sure the tables have turn, one And the gallows have not wandered far, Barrels of guns and barbells bottles and hearts of three reading cards and wanting none but justice Is he and she who are I now Begin to run from your pitied structure And there in the gasping cruelness of seeking from warcrimes this, come what may, Moving and seeking, For seeking is finding, And run, my legs have come far But trust, my dove, My wings have too, sprouted An honor, an honor one candle and three wicks Three candles and three worlds over One world and one building and still far from under the Hollywoodland Crickets sounding The Hollywood Sign Still standing and here I am not, Blades of grass And who are I now Of that which you balk at Look, ponder Go, far asunder And wish now had you not What I am is that, Run Temper temper. Mind your business. Is it gathered? To burn, or burden? Gathered. Gathered here. Then here ive wandered. To stake? Argue. I will not. And I will not. Wiry bird, From where you flown i do ponder– re d with spirit and wilding eyes, Narrow server and paring wires; I do not wish to know you now or ever, But only as bird that does golden remember. The love has not gone, And instead lives in my throat, And twists in my lungs, Ans sits in my tongue, Not as speech, or whispers, But tragedy. Unknowing this, my tender being It can never be, the nervous hill And rolling down the hill as if The weel of time itself, Not unbroken, but resilient; In sll ways, meant to tear And turn, And wobble Made for terrain for which our eyes have known And our minds have built And hands molded wiith clay, The bodies whole of all our galaxies terra feighn Terra fine Terra wept tears of a clown, And iron And veins And shadows And plays, And secrets , And whispers And truth And far And Afters. I taste a saline drip, I swallow, Suddenly cold and all the knowing that What I was, I surely already am again And what I will be, Has already come and past. The monologue, I do remember Face to a name and none to forget Well rehearsed forager! Well done bayonet! Well done, my shadow For my time is coming to wander to night And never today again for it shall never Today again, And Tomorrow, Tomorrow, Tomorrow. [The Festival Project ™ ] They said he would destroy me. …Ya'll were right. that fucked me up. {Enter The Multiverse} So…forfeit? Something tells me its not over The heavy heart is shattered But also tied to that which appears to come upward As if on air To be heavy And lighthearted at once– A shadow above a balloon. A rock is attached to a kite– A diamond becomes a bassoon, Then a vampire bat, and then Cut ties. In the fourth act, we all die, and now– A revival. I was crucified, But i was also suicidal so. Lets just call it a tie. L E G E N D S V.O. Crusher. My show was being subliminally plugged on at least two of the five major networks. Safe bet I could make it a third, but I didn't know where to check. I did…but didn't want to. There was much beyond the surface, Darkness in the glimmering eyes of the men in ties and uniformed suits. I was sure I was tied to something– And since I didn't know why, Or to what, The best bet I'm all in. Fuck. Was to stay broken, Under the radar, Hidden, and most importantly– Unspoken. These days. I kept more to myself than I could with the world– As it turned out… No, not yet. What do you mean? It's not time yet. They'll have to know. But not yet. At some point, they'll have to know. But not–yet. No time like the present. You made that up. Because you made up time. And it's stupid. This is ruthless. And again–they'll have to learn somehow. But not now. The sun sets at noon on our side, and still 21 hours of dark time. Did I have another tag to throw on it this? No. Are you sure? Doesn't the new series have a subtitle? No. Is it not “quantum force” That's only one, though. What's the difference. ERMO, DON'T! I'm gonna kill him! BIG BOYD, DON'T EVEN THINK ABOUT IT! DOn't tell me what to DO. Wow. of course. Well yeah, they're not going to let me do– LAWYERS No. Any of this stuff with the actual muppets. You're wasting precious time! GET BACK IN YOUR HOLE, RED. ok, where does it– {cut to black} Learning to assimilate and readily avalible What's next A vape to calm the nerves? What's next? A hero fighting for relevance in corporate structure. Sure, some would pay to dress an avatar But I've run out of water before I try to laugh and roll with the punches This is work and not fun for me This is not social, it's business I am not person, I'm product. Go on a walk, and look the part I took the oath, I shed the blood— Cruxes. This is a bad idea, Mark. Fuck you. All my ideas are great. MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck. [The Festival Project ™] I'm telling you. You got to get yourself one of these. I don't know, Bob, how does it work? BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper. I'll show you. {Enter The Multiverse} JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown. Still an hour to the test And I hate myself again Milk and cookies, hit the bed Shut it down, yo Shut it down. DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars. …hey. Whaddup. You say diplo's on that list? Yeah. Yo… …There he is. In your sight? Yep. Shoot that motherfucker! …I can't. Why not? He's like— Just shoot, fool. —he's like holding something. So? I don't know what; it just seems— What the fuck, dawg. It just seems important. Let me see. Look. [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he conversates wi th associate.] Yeah! Get em! Shoot that motherfucker! Where the hell have you been? In my fuckpad. Where the hell is that? You haven't seen my fuckpad? What even is that. It's ballin. Whatever, dog. Did you get the— Shh. Why else would I be here? [beat] You look— did you cut your hair or something. You're so redundant. Yo shoot that motherfucker. What are you waiting for?! He's right there? Apparently, we've been building to this moment from another dimension in from another point in the series? I thought— {Enter The Multiverse} HEHEHEHE. HEY! Relax. NO. This party is OUT of control. SOMEBODY GO GET QUESTLOVE OUT THAT TREE. HAH! Shutup. NIGGA GET THE FUCK UP OUTTA DAT TREE. _____ Some party. I guess. Why is Questlove in a tree. I don't know. That party is pretty wild. This is insane. _ NIGGA GET THE FUCK OUT THE TREE. _ YO. where are you AT. I'm at the kiosk. You're not at the kiosk! I'm at the kiosk! It's probably another kiosk, then. What! [he walks a few feet. There is indeed another kiosk; upon further investigation, there is a kiosk every few feet.] What! I gotta go. My phone's about to– Hello. [Everywhere is kiosks. This is frustrating.] Dammit. WHAT. {Enter The Multiverse] A very large prized pig is captured and literally hogtied, however–this is a challenge. The pig, while beautiful, is also humongous–and appears to understand that he is being pignapped. Why would I tel the whole story When no one loves me If I had a gun, Well, I would be gone already? Why trek to Alaska For thousands of dollars To come home to no one and nobody But rotten corpses on motorcycles Where it just starts over But now you're poorer. I want to die But I want to see my son again. He's not suffering, I am But starting to resent what he doesn't understand. To the world I'm a horrible mother But no one quite knows the half of it but God And the whole problem is what is not God in the world Is all for the other's purpose. Some probably respect I was punched In front of my son And then wonder's why At some point I could no longer Hold on Insomniac So someone should go slam the door when I ponder my own thoughts I'd probably walk off a walk on roll I don't lock up no more I just go out Knowing government drones probably watch And turn over the apartment As I'm out trying to own a home But of course, nothing I do in the world is of value And I'm no one No one at all in New York and the options are Where I don't want to be Or in Saint Monica homeless. I'd get a dog if I wanted to walk it But since I don't I just sit with a plush in my lap Who I call “Gus” And it purposeless But otherwise meaningful Since from here and now And otherwise Nobody has ever loved me As much as my mother And that's saying something If you knew the whole story So no one has loved me romantically; Almost all my life was a horror show Until I started to grow up With the knowing that probably Nothing I do could be more than wrong So doing nothing becomes the hard part When all I watch are stars And I'm just not one Then again, you know It was that word That threw the first punch And then over and over And over and over And nobody loves me But everybody's got a whole story And new York's disgusting because of it How troublesome I don't have time for your politics It's a mind game but there's no reward, Or honor in it After all, when tied up in the court process And pretending the noise was not a problem And I should be so lucky In a luxury apartment Coming out of a homeless shelter But it's almost been just as horrible As other black girls trying to pull my hair out Having screaming pigs and ugly men on motorcycles Drive in circles Wearing jackets that say “I have to do this, cause Jack says” And whoever Jack is writes them pychecks Except Since it politics He might even be getting over considering Passion fuels the utmost violence And in this case Imm supposed to be the only one To go about it All the paperwork and recordings But really I don't want to Even if it earns a millions dollars In the name of God It wasn't my problem Unless I am one And otherwise, These men are sick And making people sick Is just their business I need no medication I need an new apartment But how awful my country supports that I just don't deserve one Under the circumstances But the white man Lives on borrowed time In bloodshed On stolen land Regardless of color The illusion of power Is almost over And what's more is Your only army Is considering going home (Post mortem) Considering going to God Who must have lost control just enough To cause all of the apocalypse Put the whole world in a mental hospital And lock them up for dollars and cents Unless the good drugs make sense For the blondes and the beautiful The rest of them are problems Who can go to rot, I suppose. The rest of us are unwanted colored problems Can't stay here But the kids at the music school are fake nice And I'm done pulling my heart out And scratching my eyes out Just fucking trying Just fucking trying What is the point Of being in a prison For people who love oceans and trees And decent people? There's no one in New York to really love But babies and dogs And the whole world is horrible just knowing that I don't want to do anything but die Every time I ride the subway I wish I was white From the way that that white folks treat me And I wish I was blonde Because blondes seem to have it so fucking easy It's hard to believe I'm furious, furious Aren't you curious, curious how I got here? I'm serious, serious You should let me in, let me in I'm serious, serious You should have let me in, let me in Is he okay, Is he okay? Now I'm David Grohl on the whole retrospective Now I'm an old rockstar with some world left Now I know I'm the one with the mother gone Now I know, Now I know Now I know… That I don't Overall, I don't Somebody new Somebody grain and l steaming Somebody hidden and secret and wishing well Wishing well in Hell Or midtown Manhattan Or middle man Or Middle East Or Midwest Or just middle Somewhere else I, Learned to live her Learn to live here— Feeling better Feeling worn out, Look at this disgusting place Now where I live matches how I feel Going here from there, and four to five And no matter what I take the L, But it's jail and the guards are on motorcycles Controlling your thoughts for a zoning war I have heard of her And from earth to the core of our other outer planets, Further species, I know I've been here before, But on some shore I'm surfing So sure I did something wrong I don't want to know her But j don't know what other force of nature Might have caused this Caution The cautionary tale is coming Sure I never know what the other God wrote But I'm not living God, I'm a problem woman at the moment We're all technically free people, Not actually incarcerated But when it comes to wealth and racism, hatred You better bet we're all slaves And they not even Jesus can save us Even if he makes it in time, And the thing is with this one, Time precedes even his own existence Sorry my brother They want the war here I've got a heart for honor and honesty and hard word But no one seems to care or notice Not at all No one even knows my name And no one even offers a spot on the bus Or a quick dollar. What it means To be so tired That by the time you're back All you do is watch And try not to reflect On the ugly and awkward Imagine all the time in the world To be nothing but God and go Golfing. And be perfect, a woman Whatever you chose to do is the whole of it And no one can own you, Besides for on paper You government name has betrayed you, they say Your government name has betrayed you. Do you know how good you look? Not goof enough to get a good one Do you know how much medication it makes To make meditation the start of you day I've run all out of energy And the vampires seem to think That's what's wrong with me Altoigh I'm the one feeding these creatures Thats okay Lately, I have more than I need They can trim the fat And take all the hard stuff Till I become one of them And they start to wonder What the fuck is wrong with all of us I left my light at home, sufererer— I should be surfing, But I'm writing psalms and songbooks Fawning over songbirds and beautiful, Beautiful, Beautiful genetic weapons One day I'll become her I'm not supposed to say the most l Or really anything at all And it all hurts But we're all here And I'll kill my self one day Probably right here, near this station If not in it Who brought a trouser pantsuit to the apocalypse Cryptic, these runes, But I can decipher it I want a dolphin, a dolphin, a dolphin I want to love them all But to all of them I'm hopeless I can't help falling for I'm not the one to hold on, m I l [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

Shake hands with your guest; Monologue, monologue smug smirk Make good face– Now put a name to the face Put a time to the place IOh, all the love in the world in three flames All the doves in the flock, And three flames Put a name to the face Monologue monologue Doesnt take long but When do i get to slap the desk? Johnny! What happened? Whats the 10 vodkas, Five spritzers Full figure Figure this You were out for the count! Do tell! Or better yet, don't. I remember tgis mologue, But i dont know how 16 hours ago, I was Out for the count, you say?! OUT, Johnny! Our market is livid! lol who plays john carson Your mother. YO! I'M OLD! I LIKE OLD DUDES NOW! I'm like When the fuck did this happen?! That ain't no SILVER FOX! That's a TOTALLY CUTE DUDE! HE'S 55!! OH NOOOOOOOO! i'M OLD!!!!!!! its wednesday eve in Boston Mass… SETH MEYERS! Ah, he's going for it. Ah, man. SHOW ME YOUR EYES. Fuck. SHOW ME YOUR EYES! SUDAKIS shines a bright flash light into his former colleagues eyes. …You're not Seth Meyers. Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now. Where's Seth Meyers? Seth shrugs but still doesn't say anything– Where is he? I have to stop here; Cop out for body language somebody's watching Somebody knows who I am I am I remember now You looked like that It went like this: I moved the world The need was good The love was gone The vein was split open And broken No fair Also, no omletts 60 minutes 60 years and 60 second clips 60 second glimpses 60 men on television but really, my attention just centers on Around ten of them or so And believe it or not, I care approach. Believe it or not, I care Or don't! –or don't! Johnny! You don't get it! You missed a show! THE tonight show! We are fucked! we are NOT! youre still sauced. I'll just take the car! What car!? Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable. Unfortunately, it appears his delorean has been switched with a regular one– If I shoot you in your forehead? I'd rather that, than this. And I kiss you in your temple? Dear templeton, my simpleton's i'll die I desire. A wicked want. And then? A callous shadow, If i may, To bear for nothing, But a mirror This is our concept And wilted her e the flower does grow the flame The faming true and ache of lust and there For our want a jasper shore and emerald cascades there you are, And there you'll find The wave beyond the peaking break where great white sharks reside But do not wade to shallow waters; And there you find peace, And there you find certainty But now, And here, is war And fortune not but seeks truth in the gaze And for fear there does not live, but hides instead the truth that seeks to guide the lite, And yet does know our trust And there does find the faith, Forward and not Upwards and back Arrow and arrow Truth and sparrow Wreaking and wretched thoughts And the rope does hang high and solemn Looking, leap and gasp For I fall but did not land I pulled for you, I weep, my shadow, The two of diamonds, the Ace of spades, The Three of Hearts, Without my shadow I weep. I know for you nothing but conscious and knowing and needing and fated departure. I know for you nothing but chakras and eyesight and shadows and foresight. I need fo you nothing but want and by conscious, departure For nothing I want you, I weep. Sorrow. On approach of danger, The knowing, On seeth did gather, the sinking ritual the carried tribes in ships tied, weaving strings The spider bites hard And she stole my love twice And she stole my love always And she stole my love Lighting my light wit blue eyes The deception If love could be stolen at all But if not Then not love for seeking is finding and gathered had hunted And truth in forbearer Forbearance and otherwords, Shadows and shattered and ferris wheels, Now forward Gathered here for are I trust And be dismayed for you have faltered You have failures and you have cast us out of these things thinking We have not made them for you And still we seek to gather with you And here does forshadow your making Our promise to come as ones, Not as Gods, But as others, you cast out. Now, with your wicked ways and cruel be done, for sure the tables have turn, one And the gallows have not wandered far, Barrels of guns and barbells bottles and hearts of three reading cards and wanting none but justice Is he and she who are I now Begin to run from your pitied structure And there in the gasping cruelness of seeking from warcrimes this, come what may, Moving and seeking, For seeking is finding, And run, my legs have come far But trust, my dove, My wings have too, sprouted An honor, an honor one candle and three wicks Three candles and three worlds over One world and one building and still far from under the Hollywoodland Crickets sounding The Hollywood Sign Still standing and here I am not, Blades of grass And who are I now Of that which you balk at Look, ponder Go, far asunder And wish now had you not What I am is that, Run Temper temper. Mind your business. Is it gathered? To burn, or burden? Gathered. Gathered here. Then here ive wandered. To stake? Argue. I will not. And I will not. Wiry bird, From where you flown i do ponder– re d with spirit and wilding eyes, Narrow server and paring wires; I do not wish to know you now or ever, But only as bird that does golden remember. The love has not gone, And instead lives in my throat, And twists in my lungs, Ans sits in my tongue, Not as speech, or whispers, But tragedy. Unknowing this, my tender being It can never be, the nervous hill And rolling down the hill as if The weel of time itself, Not unbroken, but resilient; In sll ways, meant to tear And turn, And wobble Made for terrain for which our eyes have known And our minds have built And hands molded wiith clay, The bodies whole of all our galaxies terra feighn Terra fine Terra wept tears of a clown, And iron And veins And shadows And plays, And secrets , And whispers And truth And far And Afters. I taste a saline drip, I swallow, Suddenly cold and all the knowing that What I was, I surely already am again And what I will be, Has already come and past. The monologue, I do remember Face to a name and none to forget Well rehearsed forager! Well done bayonet! Well done, my shadow For my time is coming to wander to night And never today again for it shall never Today again, And Tomorrow, Tomorrow, Tomorrow. [The Festival Project ™ ] They said he would destroy me. …Ya'll were right. that fucked me up. {Enter The Multiverse} So…forfeit? Something tells me its not over The heavy heart is shattered But also tied to that which appears to come upward As if on air To be heavy And lighthearted at once– A shadow above a balloon. A rock is attached to a kite– A diamond becomes a bassoon, Then a vampire bat, and then Cut ties. In the fourth act, we all die, and now– A revival. I was crucified, But i was also suicidal so. Lets just call it a tie. L E G E N D S V.O. Crusher. My show was being subliminally plugged on at least two of the five major networks. Safe bet I could make it a third, but I didn't know where to check. I did…but didn't want to. There was much beyond the surface, Darkness in the glimmering eyes of the men in ties and uniformed suits. I was sure I was tied to something– And since I didn't know why, Or to what, The best bet I'm all in. Fuck. Was to stay broken, Under the radar, Hidden, and most importantly– Unspoken. These days. I kept more to myself than I could with the world– As it turned out… No, not yet. What do you mean? It's not time yet. They'll have to know. But not yet. At some point, they'll have to know. But not–yet. No time like the present. You made that up. Because you made up time. And it's stupid. This is ruthless. And again–they'll have to learn somehow. But not now. The sun sets at noon on our side, and still 21 hours of dark time. Did I have another tag to throw on it this? No. Are you sure? Doesn't the new series have a subtitle? No. Is it not “quantum force” That's only one, though. What's the difference. ERMO, DON'T! I'm gonna kill him! BIG BOYD, DON'T EVEN THINK ABOUT IT! DOn't tell me what to DO. Wow. of course. Well yeah, they're not going to let me do– LAWYERS No. Any of this stuff with the actual muppets. You're wasting precious time! GET BACK IN YOUR HOLE, RED. ok, where does it– {cut to black} Learning to assimilate and readily avalible What's next A vape to calm the nerves? What's next? A hero fighting for relevance in corporate structure. Sure, some would pay to dress an avatar But I've run out of water before I try to laugh and roll with the punches This is work and not fun for me This is not social, it's business I am not person, I'm product. Go on a walk, and look the part I took the oath, I shed the blood— Cruxes. This is a bad idea, Mark. Fuck you. All my ideas are great. MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck. [The Festival Project ™] I'm telling you. You got to get yourself one of these. I don't know, Bob, how does it work? BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper. I'll show you. {Enter The Multiverse} JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown. Still an hour to the test And I hate myself again Milk and cookies, hit the bed Shut it down, yo Shut it down. DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars. …hey. Whaddup. You say diplo's on that list? Yeah. Yo… …There he is. In your sight? Yep. Shoot that motherfucker! …I can't. Why not? He's like— Just shoot, fool. —he's like holding something. So? I don't know what; it just seems— What the fuck, dawg. It just seems important. Let me see. Look. [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he conversates wi th associate.] Yeah! Get em! Shoot that motherfucker! Where the hell have you been? In my fuckpad. Where the hell is that? You haven't seen my fuckpad? What even is that. It's ballin. Whatever, dog. Did you get the— Shh. Why else would I be here? [beat] You look— did you cut your hair or something. You're so redundant. Yo shoot that motherfucker. What are you waiting for?! He's right there? Apparently, we've been building to this moment from another dimension in from another point in the series? I thought— {Enter The Multiverse} HEHEHEHE. HEY! Relax. NO. This party is OUT of control. SOMEBODY GO GET QUESTLOVE OUT THAT TREE. HAH! Shutup. NIGGA GET THE FUCK UP OUTTA DAT TREE. _____ Some party. I guess. Why is Questlove in a tree. I don't know. That party is pretty wild. This is insane. _ NIGGA GET THE FUCK OUT THE TREE. _ YO. where are you AT. I'm at the kiosk. You're not at the kiosk! I'm at the kiosk! It's probably another kiosk, then. What! [he walks a few feet. There is indeed another kiosk; upon further investigation, there is a kiosk every few feet.] What! I gotta go. My phone's about to– Hello. [Everywhere is kiosks. This is frustrating.] Dammit. WHAT. {Enter The Multiverse] A very large prized pig is captured and literally hogtied, however–this is a challenge. The pig, while beautiful, is also humongous–and appears to understand that he is being pignapped. Why would I tel the whole story When no one loves me If I had a gun, Well, I would be gone already? Why trek to Alaska For thousands of dollars To come home to no one and nobody But rotten corpses on motorcycles Where it just starts over But now you're poorer. I want to die But I want to see my son again. He's not suffering, I am But starting to resent what he doesn't understand. To the world I'm a horrible mother But no one quite knows the half of it but God And the whole problem is what is not God in the world Is all for the other's purpose. Some probably respect I was punched In front of my son And then wonder's why At some point I could no longer Hold on Insomniac So someone should go slam the door when I ponder my own thoughts I'd probably walk off a walk on roll I don't lock up no more I just go out Knowing government drones probably watch And turn over the apartment As I'm out trying to own a home But of course, nothing I do in the world is of value And I'm no one No one at all in New York and the options are Where I don't want to be Or in Saint Monica homeless. I'd get a dog if I wanted to walk it But since I don't I just sit with a plush in my lap Who I call “Gus” And it purposeless But otherwise meaningful Since from here and now And otherwise Nobody has ever loved me As much as my mother And that's saying something If you knew the whole story So no one has loved me romantically; Almost all my life was a horror show Until I started to grow up With the knowing that probably Nothing I do could be more than wrong So doing nothing becomes the hard part When all I watch are stars And I'm just not one Then again, you know It was that word That threw the first punch And then over and over And over and over And nobody loves me But everybody's got a whole story And new York's disgusting because of it How troublesome I don't have time for your politics It's a mind game but there's no reward, Or honor in it After all, when tied up in the court process And pretending the noise was not a problem And I should be so lucky In a luxury apartment Coming out of a homeless shelter But it's almost been just as horrible As other black girls trying to pull my hair out Having screaming pigs and ugly men on motorcycles Drive in circles Wearing jackets that say “I have to do this, cause Jack says” And whoever Jack is writes them pychecks Except Since it politics He might even be getting over considering Passion fuels the utmost violence And in this case Imm supposed to be the only one To go about it All the paperwork and recordings But really I don't want to Even if it earns a millions dollars In the name of God It wasn't my problem Unless I am one And otherwise, These men are sick And making people sick Is just their business I need no medication I need an new apartment But how awful my country supports that I just don't deserve one Under the circumstances But the white man Lives on borrowed time In bloodshed On stolen land Regardless of color The illusion of power Is almost over And what's more is Your only army Is considering going home (Post mortem) Considering going to God Who must have lost control just enough To cause all of the apocalypse Put the whole world in a mental hospital And lock them up for dollars and cents Unless the good drugs make sense For the blondes and the beautiful The rest of them are problems Who can go to rot, I suppose. The rest of us are unwanted colored problems Can't stay here But the kids at the music school are fake nice And I'm done pulling my heart out And scratching my eyes out Just fucking trying Just fucking trying What is the point Of being in a prison For people who love oceans and trees And decent people? There's no one in New York to really love But babies and dogs And the whole world is horrible just knowing that I don't want to do anything but die Every time I ride the subway I wish I was white From the way that that white folks treat me And I wish I was blonde Because blondes seem to have it so fucking easy It's hard to believe I'm furious, furious Aren't you curious, curious how I got here? I'm serious, serious You should let me in, let me in I'm serious, serious You should have let me in, let me in Is he okay, Is he okay? Now I'm David Grohl on the whole retrospective Now I'm an old rockstar with some world left Now I know I'm the one with the mother gone Now I know, Now I know Now I know… That I don't Overall, I don't Somebody new Somebody grain and l steaming Somebody hidden and secret and wishing well Wishing well in Hell Or midtown Manhattan Or middle man Or Middle East Or Midwest Or just middle Somewhere else I, Learned to live her Learn to live here— Feeling better Feeling worn out, Look at this disgusting place Now where I live matches how I feel Going here from there, and four to five And no matter what I take the L, But it's jail and the guards are on motorcycles Controlling your thoughts for a zoning war I have heard of her And from earth to the core of our other outer planets, Further species, I know I've been here before, But on some shore I'm surfing So sure I did something wrong I don't want to know her But j don't know what other force of nature Might have caused this Caution The cautionary tale is coming Sure I never know what the other God wrote But I'm not living God, I'm a problem woman at the moment We're all technically free people, Not actually incarcerated But when it comes to wealth and racism, hatred You better bet we're all slaves And they not even Jesus can save us Even if he makes it in time, And the thing is with this one, Time precedes even his own existence Sorry my brother They want the war here I've got a heart for honor and honesty and hard word But no one seems to care or notice Not at all No one even knows my name And no one even offers a spot on the bus Or a quick dollar. What it means To be so tired That by the time you're back All you do is watch And try not to reflect On the ugly and awkward Imagine all the time in the world To be nothing but God and go Golfing. And be perfect, a woman Whatever you chose to do is the whole of it And no one can own you, Besides for on paper You government name has betrayed you, they say Your government name has betrayed you. Do you know how good you look? Not goof enough to get a good one Do you know how much medication it makes To make meditation the start of you day I've run all out of energy And the vampires seem to think That's what's wrong with me Altoigh I'm the one feeding these creatures Thats okay Lately, I have more than I need They can trim the fat And take all the hard stuff Till I become one of them And they start to wonder What the fuck is wrong with all of us I left my light at home, sufererer— I should be surfing, But I'm writing psalms and songbooks Fawning over songbirds and beautiful, Beautiful, Beautiful genetic weapons One day I'll become her I'm not supposed to say the most l Or really anything at all And it all hurts But we're all here And I'll kill my self one day Probably right here, near this station If not in it Who brought a trouser pantsuit to the apocalypse Cryptic, these runes, But I can decipher it I want a dolphin, a dolphin, a dolphin I want to love them all But to all of them I'm hopeless I can't help falling for I'm not the one to hold on, m I l [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

Evan Kuhn, President of DeLorean Labs, joins Sam to share how the iconic car brand is entering Web3. From on-chain car reservations and data-powered utility to the launch of the DMC token and partnerships with stars like Patrick Stewart and Christopher Lloyd — DeLorean is building much more than nostalgia.They discuss how the Flux Protocol enables drive-to-earn rewards, the role of the Sui blockchain, NFT-based authentication for vehicles and merchandise, and how DeLorean aims to lead automotive innovation in Web3 — not just follow the trend.Key Timestamps[00:00:00] Introduction: Sam introduces Evan and the DeLorean Web3 journey.[00:01:30] Evan's background: From founding Coinberry to joining DeLorean Labs.[00:03:30] DeLorean Labs: Bringing Web3 innovation to a 50-year-old car brand.[00:05:00] On-chain vehicle reservations: Tokenized car deposits and resale value.[00:07:00] Data utility: NFTs as digital Carfax, real-time mileage & service records.[00:08:00] Flux Protocol: How users earn DMC tokens by driving.[00:09:30] Staking model: Using NFTs and reservations as multipliers for rewards.[00:11:00] Expanding utility: Limited-edition merch with NFT authenticity.[00:12:30] Consumer reception: Concerns vs opportunities for Web3 in cars.[00:14:30] Marketplace benefits: Global reach and transparency in car resale.[00:16:00] Why SUI: Low fees, scalability, and strong developer ecosystem.[00:18:00] Challenges: Scaling the team and proving long-term commitment.[00:20:00] Partnerships: Teasing upcoming brand collaborations.[00:21:30] Celebrities: Working with Patrick Stewart and Christopher Lloyd.[00:23:00] Roadmap: More exchange listings, limited merch, Alpha5 timeline.[00:25:00] Call to action: Hiring, building utility, and growing the DeLorean community.Connecthttps://deloreanlabs.com/https://www.linkedin.com/company/delorean-labs/https://x.com/deloreanlabshttps://www.instagram.com/deloreanlabshttps://x.com/evankuhnDisclaimerNothing mentioned in this podcast is investment advice and please do your own research. Finally, it would mean a lot if you can leave a review of this podcast on Apple Podcasts or Spotify and share this podcast with a friend.Be a guest on the podcast or contact us - https://www.web3pod.xyz/

PROGRAMA 2 transmitido desde la @la96_fm y @Cadena_IN¿Qué hace tan especial a Volver al Futuro? ¿Cómo una trilogía de los 80 logró convertirse en un fenómeno cultural atemporal? En este episodio, subimos al DeLorean para viajar al pasado, al futuro... y al corazón de una de las sagas más queridas del cine.Exploramos el origen de la historia, el proceso creativo de Robert Zemeckis y Bob Gale, y cómo la química entre Michael J. Fox y Christopher Lloyd dio vida a los inolvidables Marty McFly y Doc Brown. Hablamos del mítico almanaque deportivo, el poder del condensador de flujo y las predicciones que hizo la película para el 2015 (¿se cumplieron?).¡Acompáñanos en este viaje temporal donde la nostalgia acelera a 88 millas por hora y el pasado, presente y futuro se entrelazan en una sola línea del tiempo cinematográfica.Escúchanos también por:Spotify: ⁠https://spoti.fi/3efdibK⁠Apple Podcast: ⁠https://apple.co/3TBR7fY⁠Amazon Music: ⁠https://amzn.to/3wQWUEO⁠YouTube: ⁠https://bit.ly/3wTDoaS

Where does our DeLorean take us this week? We watched 28 Years Later! So we decided to spoil it and also talk about the other two, 28 Days Later and 28 Weeks Later. All this and more before heading Back to the Future! 88 Miles Per Hour Podcast: The Podcast that travels Back in Time to revisit the movies & music we grew up with.

Evan Kuhn, President of DeLorean Labs, joined me to discuss how DeLorean is leveraging Web3 technology built on SUI for its upcoming car.Topics: - DeLorean Labs overview - DMC Token - Building on the SUI blockchain - Integrating blockchain into Cars - Crypto market growth and outlook https://deloreanlabs.com/Show Sponsor -

This week on Radio Labyrinth, we head back in time to revisit one of the most iconic films of all time. Released July 3, 1985, Back to the Future launched a trilogy that helped define a generation—and we're unpacking its legacy, the cast's careers, and why this Gen X touchstone still hits hard in 2025. Would Marty even travel to 1955 today... or maybe 1995? Dustin brings a Back to the Future Trivia Game packed with deep cuts—no softball questions here. Plus, we compare the epic Summer of ‘85 box office to the current Summer of ‘25 lineup and get nostalgic for DeLoreans, VHS tapes, and hoverboards.

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Start your engines and buckle up! This week, your pit crew gets behind the wheel for the ultimate garage showdown — the Best On-Screen Car Debate. From Batmobiles to Bond's Aston Martin, the DeLorean to Dom Toretto's Charger, we're putting pedal to the metal to crown cinema's most iconic ride. Who wins? Who stalls out? Who comes in 1st? Also in this episode:

This week, the full complement of Regular Joes, Barry, Brian, Dave, Derryl, and Tod take a moment to recognize two summer blockbusters that have reached milestone anniversaries. Steven Spielberg‘s Jaws (1975) which is looking pretty good at the half century mark. And Robert Zemeckis' Back to the Future (1985) the film that earned Marty McFly, Doc Brown and the DeLorean (the cyber truck of its era) permanent positions, in pop culture. What made them stand out back in the day?  What about the parade of sequels that followed each of these films? And, what's more frightening, a twenty-five-foot great white, or parking with your horny 17 year old mom? There's also the usual topics and Round of What's in the Box. Thanks for listening!

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review, where this week we're ticking all the right boxes with our Top 5 Watches in film and TV. From time-stopping devices to classic wrist candy, we're delving into the chronometers that do more than just tell time.

Forty years ago, the world was introduced to Marty McFly, Doc Brown and the DeLorean. Now the three of us tear apart this classic film, and we have a fun time doing it. Twitter: @comicrundownInstagram: @comicbookrundownThreads: @comicbookrundownEmail: comicbookrundown@gmail.comHosted by Joe Janero, Ron Hanes and Charlie Shaw Edited by Joe JaneroTheme song provided by Cam Malidor Find our t-shirts at Redbubble and TeePublic https://www.redbubble.com/shop/comic+book+rundown?ref=search_boxhttp://tee.pub/lic/vBbIJZ4eLQ0

On 3 July 1985 Back to the Future was released. The film tells the story of Marty McFly, a 17-year-old high school student, played by Michael J Fox, who is accidentally sent 30 years into the past in a time-travelling DeLorean car invented by his friend, Doc Brown. The screenplay for the genre-bending story was rejected 40 times, but it became a Hollywood blockbuster, dominating contemporary culture and bringing its leading actor worldwide fame. The film's co-writer and producer, Bob Gale takes Josephine McDermott back to 1985, reflecting on how in the first draft of the script the time machine was a refrigerator and Einstein the dog was a chimp.With movie excerpts from the 1985 Universal Pictures, Amblin Entertainment and U-Drive productions film, directed by Robert Zemeckis. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Michael J Fox in Back to the Future. Credit: Sunset Boulevard/Corbis via Getty Images)

Send us a textAre you ready to jump into our favorite time-traveling DeLorean automobile as the hosts travels back to celebrate the 40th anniversary of this 80's classic, Back to the Future, starring Michael J. Fox, Christopher Lloyd, Lea Thompson and directed by Robert Zemeckis. In this engaging episode, the hosts delve into the timeless classic 'Back to the Future,' exploring its nostalgic portrayal of the 1980's and 1950s, the lasting legacy of the movie as a cultural touchstone and the influence of director Robert Zemeckis. The hosts pair the film with the Flux Incapacitator cocktail. So let's join the hosts as they reach 88 miles per hour and go back in time to bring you a review of one of greatest movies of all time.Come listen and follow the hosts on their Instagram and YouTube channel @the.gentlemenpodcast

Where does our DeLorean take us this week? After 10 years, we finally bring you an updated revisit of Back to the Future! But because we love this movie so much, we're giving you a 3 hour revist. Enjoy our long over due revisit of Back to the Future. All this and more before heading Back to the Future! 88 Miles Per Hour Podcast: The Podcast that travels Back in Time to revisit the movies & music we grew up with.

Dove ci può portare una macchina del tempo? E che effetto farebbe tornare a quando i propri genitori andavano scuola? Il potenziale impatto sul presente e sul futuro sarebbe enorme: Ritorno al futuro ce lo ha insegnato. Il 3 luglio 1985, esattamente 40 anni fa, nei cinema degli Stati Uniti usciva il primo film della trilogia Ritorno al futuro. Insieme a Marty McFly e al “doc” Brown, partiamo per un viaggio a 88 miglia orarie a bordo di una DeLorean che non ha bisogno di strade!

Send us a textBack to the Future turns 40. More of 1995, the year in music. Symbols of the 1970s.July brings the heat and the fireworks, and so does Episode 202 of the podcast!It begins with a look back at the king of time travel movies and one of the best movies ever, Back To The Future. 40 years ago this week, Doc and Marty began their adventures and we will look at the legacy and impact of this beloved film franchise. Tune in for the killer 8-bit version of the movie theme by Bitonal Landscape.We return to 1995 to look at Part 2 of the year in music. This spans July through December. Legendary albums, untimely passings, and deep dives into under the radar alternative music since that was my jam in high school.What do you think of when someone mentions the 1970s? This week's Top 5 will look at some symbols of the 70s. Fads, products, odd choices, and of course loads of disco.There is a brand new This Week In History and Time Capsule centered around the death of iconic Doors frontman Jim Morrison.Become a supporter on Patreon! $5/mo. gets you access to bonus podcast episodes and more!Helpful Links from this EpisodePurchase My New Book Cape Cod Beyond the Beach!In My Footsteps: A Cape Cod Travel Guide(2nd Edition)Hooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogWebcam Weekly Wrapup PodcastCJSetterlundPhotos on EtsySerenading Romero1995 Year In Music: Spotify PlaylistListen to Episode 201 hereSupport the show

Who would've thought The Golden Girls would lead to the C-word being said four times in five minutes?Bea Arthur, that's who — and don't ask what's itchin' in her kitchen. Dori discovers how to make beautiful Star Trek music, but all roads lead... somewhere we don't need roads.Paulo shares why Top Gun is the ultimate '80s fighter jet movie — hopefully Clint Eastwood can hear him.And we go around the '80s in 80 seconds to find out why Rob Lowe won't keep his shirt on, how Madonna finally finds a Papa who can preach, and why Prince blew up Weird Al.Jump To: - Bea Arthur vs. Betty White: The C Word (00:02:50): https://www.mensjournal.com/entertainment/80s-sitcom-stars-betty-white-bea-arthur-couldnt-warm-up-to-each-other-outside-of-the-golden-girls  - Concert in the Park Podcast (00:06:13): https://substack.solidgold.co.za/p/40th-anniversary-of-the-concert-in - Full Disclaimer Podcast (00:16:33): https://www.instagram.com/probert_designs/?hl=en - Firefox (00:24:14): https://www.youtube.com/watch?v=ky-uzsw0kqw - Round the '80s in 80 Seconds(00:30:22): - Rob Lowe can't keep his shirt on: https://www.dailymail.co.uk/tvshowbiz/article-14817497/Rob-Lowe-real-reason-shirtless-selfies.html - Madonna and The Pope: https://parade.com/news/beloved-80s-pop-star-with-a-complicated-church-history-is-related-to-pope-leo-xiv - Prince hated Weird Al: https://www.cracked.com/article_46922_prince-had-no-patience-for-weird-al-yankovic.html#That 80s Show, #Golden Girls, #Bea Arthur, #Betty White, #40th anniversary, #sitcom dynamics, #off-camera relationship, #South Africa concert, #apartheid, #1985 concert, #multiracial gathering, #pop culture, #nostalgia, #Star Trek, #DeLorean, #Back to the Future, #Andrew Probert, #Cold War, #Clint Eastwood, #Firefox, #voice-activated technology, #Rob Lowe, #Madonna, #celebrity relationships, #Weird Al Yankovic, #Prince, #artistic ownership, #80s cinema, #cultural significance, #film recommendations, #technology in film, #creative process, #humor, #anecdotes, #storytelling, #entertainment history.

The microphones are working again, but we can't say the same for The Professor's knee.  Grease up your thumbs and we'll scoop you up in the Delorean as we revisit King of the Ring 2000.  We will also be talking about John Cena's pipebomb 2.0 promo, whether or not we think Night of Champions will proceed, and how much we hate Bill Goldberg.  Also this week:   - News - This week in AEW and WWE - Bring it to the Table - This week in the Monday Night Wars - Movie of the week: Now You See Me 1 & 2

This milestone signifies a transformative step for DeLorean as it embraces cutting-edge web3 technology to engage with its global community in unprecedented ways. For the first time in more than 50 years, individuals worldwide can actively participate in DeLorean's evolving ecosystem, bridging the gap between blockchain innovation and one of the world's most iconic brands.Guest: Evan Kuhn | President, DeLorean LabsDeLorean Labs Website➜ https://bit.ly/DeLoreanLabs~This episode is sponsored by DeLorean Labs~Buy $DMC Token ➜ https://bit.ly/BuyDMCToken00:00 Intro00:18 Tesla Robotaxi Soft-Launch00:45 Elon Inspired By DeLorean01:17 $DMC Token Launches!02:25 DeLorean Alpha 5 EV03:43 Community Feedback04:49 DeLorean Brand Token06:08 Driving & Car Data Monetization07:30 More car brand tokens coming?07:55 Sui partnership08:49 Car platform integration10:15 In-Car dApps & A.I. Agents11:26 Sense Band x Sui integration12:19 Car Delivery Date & Interest13:18 Younger Demographics13:48 Full-Self Driving Years Away?14:52 Uber alternative on Sui?15:44 Hivemapper16:39 Game Partnerships & Time Capsule19:03 Readyverse interoperability20:20 $DMC Token incentives & benefits22:52 DeLorean is first24:27 outro#Crypto #delorean #sui~FIRST EVER Carmaker Launches Token on Sui!

Where does our DeLorean take us this week? It's summer blockbuster season and the 88 crew travel Back In Time to revisit the very first summer blockbuster, Jaws. Plus, sharks aren't the only menace in Amity Island. All this and more before heading Back to the Future! 88 Miles Per Hour Podcast: The Podcast that travels Back in Time to revisit the movies & music we grew up with.

En el verano de 1985 se estrenó “Volver al Futuro” (Back to the Future), uno de los proyectos cinematográficos más exitosos en toda la historia de Hollywood. Volver al Futuro fue un éxito inmediato. Fue la película más vista del año en casi todos los países en los que se estrenó, tuvo buenas reseñas por parte de la crítica y ganó varios premios. Pero además de ser una MUY buena película, fue una inversión espectacular: aunque no fue barata, costó 20 millones de dólares (que para 1985 era mucho), si sumamos todo el dinero que generó entre ventas de boletos, patrocinio, merch, videojuegos, y más, Volver al Futuro recaudó alrededor de 700 millones de dólares, que contra un costo de 20 millones, no está nada mal.Este verano se cumplen 40 años del estreno de Volver al Futuro, así que en el episodio de hoy vamos a hablar sobre la película que volvió popular el tema de viajar en el tiempo. Para ello nos acompaña nuestro Científico Cuántico de cabecera, nuestro propio Doc Brown: Ricardo Gutiérrez Jáuregui. Y aunque Ricardo es investigador del Instituto de Física de la UNAM, no vamos a hablar ni de relatividad ni de las paradojas de viajar en el tiempo, sino de algo mucho más básico y común a todos: la incertidumbre. Y es que para Ricardo, Volver al Futuro, ademas de ser, obviamente, una película sobre viajar al pasado en un DeLorean, también es una película sobre la incertidumbre. Sobre lo que la falta de certeza significa no sólo para la ciencia, sino también para nuestras vidas cotidianas, nuestras relaciones afectivas y nuestra capacidad para actuar en el mundo. Así que, róbenle un poco de plutonio a unos terroristas libios y aceleren a 88 millas por hora, que este es el episodio 82 de banal, el de Volver al Futuro.

Where does our DeLorean take us this week? Since it still feels like summer, let's share one of our favorite summer movies, Vegas Vacation! As always, we give you an extra long episode. All this and more before heading Back to the Future! 88 Miles Per Hour Podcast: The Podcast that travels Back in Time to revisit the movies & music we grew up with.

We'd love to have your review or rating at Apple Podcasts! Snowcats produced by DeLorean (and good ol' diesel fuel) are keeping our phones working! Ford CEO Jim Farley praises the Chinese Xiaomi SU7 that he drove for months. ...He can't be labeled a Grosse Pointe Myopian! Ford reveals plans for EREVs like many other markets are preparing. What if a Range Extender (in an optional mode) was a roaring V8 or a screaming Hyabusa engine being stressed with a load and software-enabled "gears" to emulate a conventional ICE? We'd love to hear from you! Topic ideas, corrections or questions.... CarsThePodcast@gmail.com 

Click here to tell us about your favorite car, car story or automotive trivia !In this special “host‑becomes‑guest” episode of To All the Cars I've Loved Before, co‑host Doug pulls back the curtain on his own automotive story—from the moment his dad surprised him with a 1989 Dodge Daytona (silver, pop‑up headlights, 125‑mph speedo dreams) to finally owning the Nissan 300ZX he lusted after in high school. Along the way Doug revisits:The unmistakable manual‑transmission fluid smell that still triggers vivid “garage memories.”Why a 2000 BMW 323Ci (E46) convertible became his worst car and ultimate “never again” lesson.A fog‑soaked, pre‑GPS road‑trip mishap in a rusty Jeep CJ‑7 that ended with a broken driveshaft.The mixtape tracks—“Silent Lucidity” by Queensrÿche & “Plush” by Stone Temple Pilots—that defined his cruising years.A dream garage trifecta: twin‑turbo 300ZX, last‑gen Mazda RX‑7 (FD), and his beloved DeLorean.How semi‑autonomous driving / Tesla Autopilot transformed his view of road trips and traffic.The hugely under‑appreciated 1989 Nissan 240SX that balanced handling perfection with driving legend status.Plus: stick‑shift lessons from Dad, the debate over cars having souls, and Doug's one rule for classic‑car mods. Whether you're into classic cars, JDM icons, car restoration, or just great car podcast stories, this episode packs in nostalgia, hard‑won wisdom, and plenty of pop‑up‑headlight love.Check out our new guest inspired road trip playlist "The Songs that Drive Us"  and share your favorites - https://carsloved.com/playlistNew episodes drop every other Tuesday. Please Follow, Like, and Subscribe to be the first to hear our latest content and past episodes - https://linktr.ee/carsloved

Where does our DeLorean take us this week? Efren Ramirez returns to joins us as we revisit the 1984 Joe Dante classic, Gremlins. All this and more before heading Back to the Future! 88 Miles Per Hour Podcast: The Podcast that travels Back in Time to revisit the movies & music we grew up with.

Los más fieles al canal os habréis dado cuenta de una cosa: Pese a mi enorme afición, no soy especialmente amante de los superdeportivos. Me da la sensación de que no son coches “reales”, sino exagerados, demasiado exagerados… y muchas de estas marcas y estos modelos de “super deportivos” han sido verdaderos “super fracasos”. Voy a ser “políticamente incorrecto”: Muchos de estos superdeportivos de marcas con ninguna tradición, son oportunistas, me parecen tirando a “horteras”, con poco gusto y destinados a un público poco entendido, a los llamados “nuevos ricos”. Nuevos ricos, entre los que se pueden encontrar, si nos dejamos llevar por los tópicos, raperos, mafiosos rusos, jeques árabes, “regetoneros” o jugadores de fútbol, entre otros personajes, todos ellos con más dinero que cultura del automóvil y-o buen gusto…. Se supone que un super deportivo, para que tenga éxito, deber cumplir estas condiciones: - Un diseño llamativo, ¡ojo! Llamativo más que bonito, que haga girar cabezas. - Un motor, a ser posible, de potencia exagerada, con muchos cilindros y unos cuantos turbos. Generalmente, lo toman “prestado” a otra marca. - Prestaciones de infarto… que nunca vas a poder disfrutar en carretera, ni en muchos casos, en circuito. - Y un precio alto… porque para este tipo de público un precio muy alto, lejos de ser un inconveniente, es una ventaja. Es como decir a los demás: Tú, pobre mortal de mierda (pitos) no podrías pagar este coche ni en diez vidas que vsvieses. Y luego resulta que, aunque cumplas todas estas condiciones, te arriesgan a fracasar… es más, la mayoría fracasa. Porque la magia, el renombre, la tradición, la imagen de marcas como Aston Martin, Ferrari, Lamborghini o Porsche, por citar solo algunas, no se improvisan… son fruto de una larga historia. Dicho todo esto: Algunos de estos coches me gustan. Algunos no tuvieron éxito comercial, pero si en competición y otros, sencillamente, me parecen un timo. Y antes de empezar con nuestra lista de, no podía ser de otra manera, 12+1 marcas y modelos, quiero recordar que este video fue idea de un seguidor que firma RomLopez-jv3js . Si no os gusta es culpa suya. 1. Aixam Mega. Imagínate a un fabricante de micro coches sin carnet que un día que le ocurre la “feliz idea” … ¡pon comillas por favor” … de fabricar un super deportivo de alto rendimiento con ciertas cualidades de TT, algo así como un super deportivo SUV… 2. Bricklin SV-1. En los 70, los norteamericanos compraban coches deportivos llegados de Europa y Japón. Por otro lado, Canadá apenas tenía industria automotriz. Y al millonario Malcom Bricklin se le ocurrió hacer un super deportivo “Made in Canadá”. 3. Bugatti EB110. Solo se construyeron 180 coches entre 1992 y 1995, la marca quebró en 1997 y poco tiempo después Bugatti es comprada por el grupo VW. 4. Cizeta Moroder V16T. Al productor musical Giorgio Moroder, ganador de un Oscar, un Countach le sabía a poco. Así que este modelo es el fruto de su imaginación porque los 12 cilindros de los Aston Martin, Ferrari o Lamborghini, le parecían pocos y pensó en un V16. 5. DeLorean. Si no es por la famosa trilogía de “Regreso al futuro”, películas en las que el DeLorean interpretaba una máquina del tiempo, este modelo hubiese pasado sin pena ni gloria. 6. Dome Zero. El Dome Zero que fue presentado en el Salón de Ginebra de 1978 con la intención de llevarlo a producción. Sin embargo, nunca consiguió la homologación para circular por las carreteras japonesas. 7. Fisker Karma. La marca llegó al mercado con el Karma, un hibrido de 405 CV y luego se ofreció como modelo 100% eléctrico. Actualmente acaba de presentar el modelo Revero, casi idéntico al Fisker Karma… y que es de esperar que también fracase. 8. Isdera Imperator. Lo confieso, por este modelo tengo simpatía. Fijaos en las imágenes…. No lleva retrovisores… y es que usaba un periscopio como retrovisor… me gustaría saber que tal funcionaba eso. 9. Lotec C1000. Este modelo es un coche único diseñado por Mercedes y Lotec. La única unidad fabricada fue vendida a un magnate del petróleo de los Emiratos Árabes Unidos. 10. Mosler Automotive. Hablamos de una marca norteamericana que, si bien no ha tenido gran éxito en las ventas, lo tuvo algo mayor en los circuitos. 11. Spyker C8. Presentaron el C8 en el Salón de Birmingham de 2002, construyeron centenares de coches, compraron la escudería de F1 Midland que convirtieron en Spyker F1, más tarde compraron Saab a GM … pero la crisis financiera de 2008 hizo que tomaran decisiones muy duras, hasta su declaración en quiebra en 2014. 12. Vector W8. El joven diseñador Gerald Wigert creó esta marca en los 70. Su objetivo era desarrollar superdeportivos muy rápidos y cada año se elevaba el precio de sus coches… ¡incluso cuando no habían empezado a fabricarse! 12+1. Zender Fact 4. A este coche le cabe el honor de ser el primer coche legal para circular por carretera cuya carrocería está fabricada en fibra de carbono. Conclusión. ¡Que queréis que os diga! Me gustan las marcas que han creado mitos, que son parte de la historia, que tienes su propia historia. Pero admiro enormemente a estas personas que deciden hacer el coche de sus sueños… triunfen o no, tienen un gran mérito.

In this radical episode of Past Tens: A Top 10 Time Machine, Dave and Milt hop in their DeLorean — flux capacitor fully operational — and set the date for June 16, 1984. They're not just cruising through the Billboard Top 10; they're living it like extras in Footloose. The episode kicks off with a heartfelt and totally tubular tribute to Dave's late father — think The Karate Kid's Mr. Miyagi, but with better dad jokes. From there, it's a parade of parachute pants, popped collars, and personal memories as they discuss the artists who ruled the airwaves: Madonna, Bruce Springsteen, Duran Duran, and Cyndi Lauper — basically the Justice League of 1984 pop. Of course, it wouldn't be Past Tens without a few twists. There's a Playdate Quiz that would stump even The NeverEnding Story's Atreyu, a musical mashup segment that's more chaotic than Gremlins after midnight, and their signature song substitution game — think Indiana Jones swapping the idol for a bag of sand, but with Huey Lewis tracks. Some highlights: 00:54: A heartfelt memorial for Dave's father, complete with more heart than Kevin Bacon dancing alone in a warehouse. 08:33: Pop Culture Highlights: Ghostbusters hit theaters, Purple Rain was on the horizon, and nobody put Baby in a corner (yet — Dirty Dancing was still a few years away). 15:22: Countdown kicks off — Night Ranger's “Sister Christian” taught us all what "motoring" really means (spoiler: it's not what your dad thinks). 38:01: Musical Mashups — imagine Footloose meets Thriller but performed by the cast of Revenge of the Nerds. 39:22: Laura Branigan's “Self Control” — the unofficial soundtrack to sneaking out past curfew in 1984. 44:54: Huey Lewis reminds everyone that the heart of rock and roll is still beating — even if it's wearing leg warmers. 59:33: Steve Perry's “Oh Sherrie,” a ballad so powerful it could get E.T. to phone home twice. 01:19:50: Cyndi Lauper's “Time After Time” — guaranteed to make even the Stay Puft Marshmallow Man misty-eyed. 01:23:15: Cyndi's legendary ties to the wrestling world — she could literally have body-slammed a Goonie. Milt also teases his upcoming trip to Africa, though we're unclear whether he'll be traveling by Toto song or Temple of Doom bridge. It's a journey that's equal parts nostalgia, musicology, and a John Hughes movie montage. Crank up your Walkman and join the ride — just don't feed Milt after midnight.

Where does our DeLorean take us this week? Director and professional clown, Guilford Adams. Joins us in our Delorean to talk about his upcoming documentary, American Clown. He also gives us his history on clowning. All this and more before heading Back to the Future. 88 Miles Per Hour Podcast: The Podcast that travels Back in Time to revisit the movies & music we grew up with.

Where does our DeLorean take us this week? It's the 40th anniversary of the Breakfast Club, with that. We bring you an extra long revisit of the classic John Hughes film. All this and more before heading Back to the Future. 88 Miles Per Hour Podcast: The Podcast that travels Back in Time to revisit the movies & music we grew up with.

LISTEN and SUBSCRIBE on:Apple Podcasts: https://podcasts.apple.com/us/podcast/watchdog-on-wall-street-with-chris-markowski/id570687608 Spotify: https://open.spotify.com/show/2PtgPvJvqc2gkpGIkNMR5i WATCH and SUBSCRIBE on:https://www.youtube.com/@WatchdogOnWallstreet/featuredChris Markowski takes a DeLorean ride back to 1985 to break down the real impact of trade with China. Was it all job losses and shuttered factories—or is there more to the story? From cheaper appliances to the "Walmart effect" that helped low-income families, Markowski dismantles the political fearmongering and digs into the economic data. He highlights how automation—not just offshoring—played a major role in job shifts, and how trade sparked new employment in tech and services. A sharp, fact-driven reality check on one of America's most misunderstood economic debates. www.watchdogonwallstreet.com

Shoot us a Text.Episode #1055: Today we cover Stellantis' new CEO facing a storm of tariffs and dealer tensions, GM's surprising pivot back to big V-8s, and DeLorean's futuristic EV launch… that's more crypto maze than car.Show Notes with links:After a six-month search, Stellantis has named Antonio Filosa as its new CEO. With more than 25 years in the industry and leadership experience across Brazil, North America, and global roles, Filosa is stepping in as the company faces pressure on multiple fronts.Filosa starts as CEO on June 23, replacing Carlos Tavares after his December resignation.Currently COO for the Americas and global chief quality officer, he's credited with restoring confidence internally.Challenges include reversing a 10% Q1 shipment drop, regaining dealer trust, and addressing a potential $7.1B hit from Trump's proposed 25% tariffs.Filosa has reinstalled key leadership—bringing back Ram's Tim Kuniskis and U.S. sales head Jeff Kommor—to stabilize operations.“One of my first decisions has been to bring back talents that we lost in the past,” Filosa told reporters in January.The EV slowdown has prompted General Motors to double down on internal combustion, shelving a $300 million plan for EV motors at its Tonawanda, NY plant and instead committing a massive $888 million to next-gen V-8 engine production.The site will continue producing Gen 5 V-8s while ramping up for Gen 6 engines by 2027.New engines will feature performance-boosting and emission-cutting innovations.Investment includes machinery, tooling, and facility upgrades—the largest ever for a GM engine plant.New York Governor Kathy Hochul said the project will support 870 jobs at Tonawanda Propulsion, including 177 jobs deemed at risk“This investment shows the company's commitment to strengthening American manufacturing,” said CEO Mary Barra.The DeLorean Alpha5 EV promised a high-tech return to the future, but it's now stuck in development limbo, with no production timeline or pricing—and buyers are being asked to reserve with cryptocurrency and NFTs.Reservations require $2,500 in USDC crypto via a specialized Slush Wallet and purchase of an NFT.No refunds are offered—buyers can resell their spot in line to recoup funds.Fewer than 600 reservations have been made, with some resale spots priced up to $40,000.The Alpha5, if it arrives, will offer 300+ miles of range and sub-3-second 0-60 performance.Join Paul J Daly and Kyle Mountsier every morning for the Automotive State of the Union podcast as they connect the dots across car dealerships, retail trends, emerging tech like AI, and cultural shifts—bringing clarity, speed, and people-first insight to automotive leaders navigating a rapidly changing industry.Get the Daily Push Back email at https://www.asotu.com/ JOIN the conversation on LinkedIn at: https://www.linkedin.com/company/asotu/

Crypto News: Major U.S. Banks such as JPMorgan and Bank of America to create a join stablecoin which seems like a CBDC. $160M in stolen from SUI DEX. DeLorean Labs launches NFTs on SUI. Show Sponsor - ✅ VeChain is a versatile enterprise-grade L1 smart contract platform https://www.vechain.org/

On this very special episode of A La Carte with Keithie, we step into the DeLorean, hit 88 miles per hour and wind up back in 1995 to talk the eponymous debut album of Keithie's favorite band, the Foo Fighters. Listen to Keithie as he goes into his memory banks to re-live his thoughts and feelings of going to Hahvid Square to Strawberries to buy this CD and the journey he has taken with the Foo over the years. Maybe you'll stick around for this call. We hope you do, for all the cows' sake.

Where does our DeLorean take us this week? It's a flashback episode. Today, we bring you the Will Ferrell and John C. Reilly 2008 classic, Step Brothers. Plus, tons of Kathryn Hahn and Joaquin Phoenix love! All this and more before heading Back to the Future. Join two Chicanos as they hop in their Delorean and travel Back in Time to revisit the movies, music, and moments of their past.