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Enlightening discussion with Nashville born, unique multitalented filmmaker ANNAPURNA SRIRAM proudly presenting her film F...Toys at the Sydney Underground Film Festival. Wonderful human Annapurna is humble, creative and interesting, enjoy our chat on her feel good road movie, outrageous comedy, emotional escapism of individuality - F***TOYS also starring Sadie Scott, Nikki Dixon, Ellen HarveySUFF Sydney Underground Film Festival has been successful for many years and growing showcasing something different, new *& retro. https://youtube.com/@movieanalystshaneadambassett?si=nZyw5fHIS4t_KgXj
In a very special bonus episode we spoke with Kayci Lacob, writer and director of “Everything to Me," a new movie about a girl raised in Silicon Valley amid Apple co-founder Steve Jobs' successful return to the company. The film follows Jobs' huge influence on her imagination, aspirations, and relationships, and is packed with easter eggs for Apple fans. Everything to Me is in theaters now!
Inspiring actor Heather Graham, part of Hollywood longevity through decades of great work. Chosen Family; written by, produced, directed, starring HG in a comedy drama of eternally single successful woman who may have met the man of her dreams, or is he. Heather & I in conversation on making the film and other career highlights, enjoy. CHOSEN FAMILY rent / buy digital platforms; Australia EAGLE ENTERTAINMENT also starring Julia Stiles, Odessa Rae, Andrea Savage, Michael Gross, Thomas Lennon, Julie Halston, John Brotherton. https://youtube.com/@movieanalystshaneadambassett?si=nZyw5fHIS4t_KgXj
Writer, director, and VFX aficionado extraordinaire Seth Worley discusses ten movies that were always on TV when he was growing up. Learn more about your ad choices. Visit megaphone.fm/adchoices
Join Justin as he chats with writer and filmmaker Henry Darrow McComas about his movie The Camp Host, Are You Afraid of the Dark, night terrors, The Monster Squad Documentary, and more!Henry Darrow McComas bio:“Henry Darrow McComas is a Writer/Director from Anchorage, Alaska, with a passion for discovering beauty in the overlooked. This theme is a rich part of Wolfman's Got Nards: A Documentary, an award-winning horror documentary - which he produced, wrote, shot and edited - that celebrates the beloved cult film 'The Monster Squad' and its dedicated following. It quickly became a festival darling, introducing McComas to the LA horror community, and continues to gain fans and critical acclaim worldwide. McComas' scripts use genre as a tool to explore personal human relationships. He puts his characters in dangerous settings like the unforgiving North American frontier and haunts them with metaphor...something he picked up from his youth chasing daylight during frigid Arctic winters. McComas conjures horror out of his real life experiences. His first studio narrative feature film, THE CAMP HOST, was inspired by a van trip he took with his wife during the global pandemic. He wrote the script in the van; drove the van to Toronto to shoot the movie; and worked with his editor remotely from the van. His productions have taken him all over the world (including Antarctica) and he swears his next project will be based somewhere tropical. He's a multi-hyphenate filmmaker who has created for some of the industry's biggest studios and networks.”Intro and outro theme created by Wyrm. Support Wyrm by visiting the Serpents Sword Records bandcamp page (linked below):https://serpentsswordrecords.bandcamp.com/Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.
In this episode of Visual Intonation, we sit down with writer-director Kennard Blackwell, a DC-based filmmaker whose work glides between narrative, commercial, and music video. His films are shaped by contrast, beauty, and the unflinching search for emotional truth. Whether crafting campaigns for nonprofits or framing fashion on film, Kennard brings a sharp eye and a quiet confidence to every project he touches. From his years as Creative Director at 522 Productions to his freelance directing across eight years, Kennard has led crews, pitched bold ideas, and built visuals that resonate. His approach is hands-on and deeply intentional. He doesn't just make images. He builds stories that live in the tension between hope and hardship, polish and grit. Before the commercial world, there was the church stage. Kennard's journey began with media work for youth ministries, where he designed graphics, taught students, and directed weekly productions with over 30 actors and crew. The constraints were tight but the creativity was wide open. It was there that he learned how to lead, how to light a set, how to shape a feeling. Join us as we explore Kennard's evolution from Sunday school stage to cinematic storytelling. Hear how collaboration fuels his process, why authenticity matters more than perfection, and what it takes to direct with heart in an industry driven by image. This is a conversation about vision, voice, and the long road between the two. Kennard Blackwell (@k_black) • Instagram photos and videos Kennard Blackwell - Freelance Film Director/Writer & Editor | LinkedIn Kennard Blackwell - Director, Editor & Screenwriter - Vimeo kennard blackwell Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante
This week, we welcome writer, director, producer Brett Bentman to talk Minnie's Midnight Massacre. Minnie as a killer targeting those who bullied her as a teenager. Brett Alan Bentman is a screenwriter and director originally from New Jersey. He co-owns, alongside his wife and film producer Tiffany McDonald Bentman, B22 Films and Sanddollar Pictures. He is most known for the films 90 Feet From Home, Copper Bill, Texas Twister, the Bull Shark trilogy and the upcoming Minnie's Midnight Massacre as well as Aladdin and Aladdin's Revenge. If you want to support the show, head over to http://tee.pub/lic/HIbVFqhaUyA and grab a shirt! We are proud to be part of The Dorkening Podcast Network https://www.thedorkeningpodcastnetwork.com/ and now DEAD OF WINTER ENTERTAINMENT https://www.deadofwinterentertainment.com Find out more at https://wicked-horror-show.pinecast.co Send us your feedback online: https://pinecast.com/feedback/wicked-horror-show/5c8db65f-48ac-4fcc-8efc-755e43cafd66 This podcast is powered by Pinecast.
“The thing that started it all off was me saying [the character Toxie] should be a guy in a suit. In other words, let's not do a computer-generated creature, let's have a person in a suit and have that handmade, hand-stitched kind of quality to it where you can sort of see the seams a little bit and have that be part of the fun. I also said let's have it be rated R. Hopefully y'all are not interested in a family-friendly PG-13 version of this movie, because that's not what the fans of the original are going to want, so let's keep it in the R-zone. And let's make sure it stays very silly. That silliness is what was so appealing to me about the original, and I just wanted to make sure that we weren't going to try and do something that was too self-serious,” says The Toxic Avenger writer/director Macon Blair about pitching Legendary Studios his version of how he would reimagine the classic black comedy splatter film for a modern audience while staying loyal to the fans of the 1984 version. On today's episode, we chat with writer/director/actor Macon Blair about his previous films like Blue Ruin and I Don't Feel at Home in This World Anymore, which won the Sundance Grand Jury award in 2017. His latest film is a reboot of The Toxic Avenger starring Peter Dinklage and Kevin Bacon, and is a whole lot of gory, gross-out fun. Blair talks about the need to dig into the over-the-top absurdity of the franchise while still making the modern version of the story feel authentic. “I'm always looking for something that I can connect to on a personal level. I don't mean autobiographical. I mean to be able to have that electrical current with what I'm typing out,” he says. Blair tells us about his on-going journey to finding his voice as a writer and what it was like waiting two years to get distribution for The Toxic Avenger. He also explains why he skewers a famous screenwriting trope in the film that involves a cat named Mr. Treats who was apparently quite the menace. To hear more insight, listen to the podcast.
To celebrate the Australian release of WENT UP THE HILL, I talk with director Samuel Van Grinsven about 9 months of living with his second feature, what it taught him about the importance of casting for directing, and so much more.Synopsis: Abandoned as a child, Jack travels to remote New Zealand to attend the funeral of his estranged mother Elizabeth. There he meets her widow, Jill, who has questions of her own. Over the nights that follow, Elizabeth returns and possesses Jack and Jill, using each of their bodies to speak to the other. Jill faces Elizabeth's suicide, while Jack confronts his abandonment. As they learn she is trapped in limbo, Jack begins to doubt Elizabeth's reason for returning. Caught in a life-threatening nocturnal dance, Jack and Jill must find a way to let go of Elizabeth's hold before she pushes them to the edge.WENT UP THE HILL will be released in Australian Cinemas on September 11. Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
BAFTA-winning writer, director and producer joins Dr Rachel Knightley on the Writers' Gym. Dan co-created and co-wrote “The A List” for Kindle Entertainment/Lionsgate/CBBC, for which he also directed six episodes, including both season finales. After series one it was picked up and recommissioned by Netflix worldwide, with Dan as an EP over the series. Award-winning online mystery drama “Dixi” ran for four series on CBBC and won a Bafta in 2014. Dan's 10 x 30' original children's comedy series “Lagging” debuted on CBBC in 2021 and ran for two more series, the third airing at the end of 2023. Dan was head writer for “Itch”, an adaptation of the Simon Mayo novel he developed for Komixx, now broadcasting on ABC Me, and which has been acquired by CBBC. Dan also developed “Rhyme Time Town”, an animation series for Dreamworks/Netflix which is now streaming on Netflix. Original projects are in development with Carnival, Caligari Films, I-gen and King Bert. Dan also wrote “Inspector Sunshine”, a family movie produced by Perplexia Pictures/Great Point Media. His TV credits include episodes of “Thunderbirds are go” (ITV), “Casualty” (BBC) – for which he recently also directed an episode he wrote, “Get Even” (CBBC / Netflix), BBC iPlayer, “Shaun the Sheep” (Aardman/CBBC), “Hollyoaks” (Lime/C4), amongst many others. Find out more about Dan: Dan's website https://danberlinka.com/ Dan's IMBb page https://www.imdb.com/name/nm3752043/ Join the Writers' Gym for more writing and creative confidence workouts at www.writersgym.com or sign up to our mailing list at drrachelknightley.substack.com Get in touch with us at thewritersgym@rachelknightley.com Writers' Gym Workout: “It's important to have some boundaries around you. I don't think writers necessarily do their best work when they have absolute complete freedom. It's about having the right tension between your desire to write your vision. but a little bit of pushback, little bit of limitation.” Dan Berlinka Warm-up: Set yourself a random even number between 2 and 6. Now write a dialogue between two characters, that lasts no longer than that number of lines. See what you can show yourself/the reader about who they are and what they want, just with what they say. “I work basically a nine to five day… I would say that writing is structured a lot like a day of test cricket: nothing really starts until 11. I've realized that I can't really productively write more than about five or six hours a day.” Think On The Page: What are your most creative hours of the day? How many hours are too many? What's one step you can take to set yourself (for example) less high word-counts, more often? Or let yourself write less complete passages, knowing your can edit more later? “Not waiting for inspiration to strike [is vital]: I used to be very bad at allowing myself the time, sometimes I'd try and force it. So that's the thing: being aware that just going for a walk could actually also count as working. I do my morning exercises… I don't deliberately try and think about the thing I'm working on but on it sometimes it will just pop into my head and a problem will get solved that way.” Dan Berlina Think On the Page: What, for you, are the activities that aren't technically writing but create mental space for writing? Where is one more place you could give yourself time and space this week?
Boaz Yakin is a New York City–born filmmaker, screenwriter, and producer known for his versatile work across indie dramas, mainstream hits, genre films, and TV. He began his career young, selling his first screenplay (The Punisher) at 19, and quickly made a name for himself with gritty urban stories and emotionally resonant character work.Boaz directed Remember the Titans with Denzel Washington, Safe starring Jason Statham, Max, Uptown Girls, A Price Above Rubies, Death in Love and his indie horror mystery Boarding School among many others.Beyond directing, as a writer, his credits include The Rookie, Prince of Persia: The Sands of Time, and Now You See Me. He is also the executive producer and writer for the noir Apple TV+ series Lady in the Lake, and was executive producer of Hostel and Hostel 2 as one of the founding members of Raw Nerve alongside Eli Roth.As impressive as this intro is, it still reflects only a small portion of Boaz's prolific, extensive, and diverse body of work.In this conversation, Boaz discusses his career as well as his evolution as a filmmaker, the challenges of working within and outside the Hollywood system, and why his favorite films are guided less by career strategy and more by creative curiosity. He also discusses how the key to rewarding work in cinema is chasing meaning, not validation.This was a pretty awesome conversation that I was very honored to have with Boaz. Big thanks to my friend Scott Rose for putting us in touch. Without further ado, strap in, and get ready for this conversation with writer, director, and producer Boaz Yakin.Key TakeawaysLearn Script AnalysisBoaz sold his first script at 19, but he didn't just stumble into success or a superior storytelling ability — he was steeped in story from an early age. Growing up in a theatrical household and attending Stella Adler's famed script analysis classes during high school gave him a formidable foundation in character, psychology, and subtext. This background trained him to understand the deeper currents beneath the text, a skill that directly influenced his ability to write sellable screenplays at such a young age and launch his career before he could even buy a drink.This education also proved invaluable for Boaz as a director. Stella Adler taught that actors — and by extension, writers and directors — must understand every facet of a character's environment: their culture, their religion, the tone of the scene and even the weather. These contextual details inform performance and behavior and are the difference between movies and cinema.For filmmakers, building full character and environmental context informs every decision on set. The key lesson here is the importance of foundational education because learning the principles of story and writing can pay long-term dividends.Open Heart / Thick SkinOne of the most revealing points Boaz made was about the emotional toll of directing. Filmmakers are constantly having to say no to other creative collaborators — costume designers, cinematographers, actors — in order to preserve the vision of the film. Balancing that responsibility while also keeping your team inspired and not demoralized requires not only leadership, but emotional stamina and clarity of purpose.Boaz notes that many successful directors tend to have narcissistic tendencies, which buffer them from the guilt or sensitivity that might get in the way of making tough decisions — but this can harm your work just as much as being a pushover. Being empathetic makes you a better artist and can help your work resonate with more people. What Boaz teaches us here is that in addition to being emotionally resilient, directors must be emotionally intelligent. It's a balance you must...
Read From Paris to Columbus to California: Screenwriter Grace Cunard Was the Ultimate Hyphen as an Actress-Writer-Director (And Sometimes Editor) Read about more women from early Hollywood Related posts: Her Career Outlasted the Hays Code: Kathryn Scola – Dr. Rosanne Welch, Script Magazine, March 2025 Lois Weber: More than a Writer-Director She's the Auteur Activist of Early Cinema – Dr. Rosanne Welch, Script Magazine, April 2025 From Silent Murder Mysteries to Andy Hardy's Americana, Agnes Christine Johnston Wrote it All – Dr. Rosanne Welch, Script Magazine, November 2024
This week on The Filmmakers Podcast, Giles Alderson and Dom Lenoir sit down with none other than Ari Aster – the acclaimed writer-director behind Hereditary (2018), Midsommar (2019) and Beau is Afraid (2023). They dive deep into the making of his latest feature film, Eddington (2025). With a stellar cast including Joaquin Phoenix, Pedro Pascal, Emma Stone and Austin Butler, Eddington was/is one of the most anticipated films of 2025. In their conversation, Ari also discusses his writing process, the origins of his ideas, his approach to the horror genre, shot-listing, his short films, and even shares his one key piece of advice for aspiring filmmakers. Whether you're a fan of Ari Aster's work, a lover of cinema, or a filmmaker seeking inspiration, this episode is not to be missed. EDDINGTON is out now! In May of 2020, a standoff between a small-town sheriff and mayor sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico. OTHER LINKS FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/ PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects! SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices
Zach Cregger, Writer/Director of 2022's “Barbarian,” is back with another insanely unique horror mystery… this time about a class full of kids disappearing into the night with arms outstretched. Tune in to hear us break down “Weapons” — from all the moments that creeped us out, to every twist we didn't see coming, and the character we can't stop raving about – Aunt Gladys!
In this unflinching portrait, Roseanne sits down to exclusively to tell her life story. She recounts her unusual childhood of growing up Jewish in Salt Lake City, Utah, and how her rebellious nature started by eating a Spam sandwich. She explains that her ability to create jokes came from making her father laugh so he wouldn't punish her. She retells the harrowing events that led up to her taking the stage at a comedy club in Denver, where she was able to establish a local following with her "Funny Womanness" routine and a unique approach to humor.At the encouragement of touring comedians, Roseanne traveled to Los Angeles and instantly found success at The Comedy Store. In record time, Roseanne was invited to appear on The Tonight Show with Johnny Carson. The audience couldn't get enough of the "Domestic Goddess." Her whirlwind career gained momentum when singer Julio Iglesias invited her to be his opening act and comedic legend Rodney Dangerfield asked her to play his wife on his 1986 HBO special, and she then landed two HBO specials of her own. This success culminated in her groundbreaking sitcom, Roseanne. The series quickly replaced The Cosby Show at the top of the ratings. But the TV show provided many challenges for Roseanne, as she battled writers over the show content and her character. She describes what she had to do to make it her show and not a group of Ivy League graduate writers' warped perception of middle America.Roseanne recounts the disastrous night she sang "The Star-Spangled Banner" at a San Diego Padres game. This was her first encounter with "cancel culture," when President George H.W. Bush spoke out against her. Her show remained at the top until she decided to end it after nine seasons. She went on to host her own talk show. During one episode, she told guest Donald Trump that he needed to run for president, although she staged a presidential campaign first as the Green Party candidate in 2012. After Trump won in 2016, Roseanne found herself reviving her Roseanne sitcom to record-breaking ratings.The success didn't last long, due to a late-night tweet while on Ambien, which quickly derailed everything. Roseanne recounts the story of how her network swiftly removed her from her show. "Cancel Culture" had her blacklisted and she was shunned by everyone outside of Fox News and Dr. Oz.In Roseanne Barr Is America, Roseanne calls out her detractors and defends her reputation that so many have sought to destroy. Roseanne is defiant as she describes how those that came for her are also seeking to ruin America.Roseanne Barr Is America includes an exclusive interview with Roseanne Barr, exclusive home movies and photographs from her youth, clips of her appearances on The Tonight Show with Johnny Carson, behind the scenes footage from Roseanne, highlights from her Presidential campaign, and even video proof that she can sing "The Star-Spangled Banner" at a ballgame.Roseanne Barr. Provocateur, legend, domestic goddess, America's mom, Emmy and Peabody award winner, civil rights activist, sitcom creator/star, stand-up comic, writer, Rabbi, troll, and podcaster. She is the star of the new documentary from Joel Gilbert called ROSEANNE BARR IS AMERICA. For more information on the film, please visit www.roseanneisamerica.com Film Website:Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
In this unflinching portrait, Roseanne sits down to exclusively to tell her life story. She recounts her unusual childhood of growing up Jewish in Salt Lake City, Utah, and how her rebellious nature started by eating a Spam sandwich. She explains that her ability to create jokes came from making her father laugh so he wouldn't punish her. She retells the harrowing events that led up to her taking the stage at a comedy club in Denver, where she was able to establish a local following with her "Funny Womanness" routine and a unique approach to humor.At the encouragement of touring comedians, Roseanne traveled to Los Angeles and instantly found success at The Comedy Store. In record time, Roseanne was invited to appear on The Tonight Show with Johnny Carson. The audience couldn't get enough of the "Domestic Goddess." Her whirlwind career gained momentum when singer Julio Iglesias invited her to be his opening act and comedic legend Rodney Dangerfield asked her to play his wife on his 1986 HBO special, and she then landed two HBO specials of her own. This success culminated in her groundbreaking sitcom, Roseanne. The series quickly replaced The Cosby Show at the top of the ratings. But the TV show provided many challenges for Roseanne, as she battled writers over the show content and her character. She describes what she had to do to make it her show and not a group of Ivy League graduate writers' warped perception of middle America.Roseanne recounts the disastrous night she sang "The Star-Spangled Banner" at a San Diego Padres game. This was her first encounter with "cancel culture," when President George H.W. Bush spoke out against her. Her show remained at the top until she decided to end it after nine seasons. She went on to host her own talk show. During one episode, she told guest Donald Trump that he needed to run for president, although she staged a presidential campaign first as the Green Party candidate in 2012. After Trump won in 2016, Roseanne found herself reviving her Roseanne sitcom to record-breaking ratings.The success didn't last long, due to a late-night tweet while on Ambien, which quickly derailed everything. Roseanne recounts the story of how her network swiftly removed her from her show. "Cancel Culture" had her blacklisted and she was shunned by everyone outside of Fox News and Dr. Oz.In Roseanne Barr Is America, Roseanne calls out her detractors and defends her reputation that so many have sought to destroy. Roseanne is defiant as she describes how those that came for her are also seeking to ruin America.Roseanne Barr Is America includes an exclusive interview with Roseanne Barr, exclusive home movies and photographs from her youth, clips of her appearances on The Tonight Show with Johnny Carson, behind the scenes footage from Roseanne, highlights from her Presidential campaign, and even video proof that she can sing "The Star-Spangled Banner" at a ballgame.Roseanne Barr. Provocateur, legend, domestic goddess, America's mom, Emmy and Peabody award winner, civil rights activist, sitcom creator/star, stand-up comic, writer, Rabbi, troll, and podcaster. She is the star of the new documentary from Joel Gilbert called ROSEANNE BARR IS AMERICA. For more information on the film, please visit www.roseanneisamerica.com Film Website:Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
On this week's very special bonus episode of The New Flesh, writer/director Zach Cregger returns to the show the Monday morning after his movie WEAPONS opened huge, solidifying a New Flesh tradition that started with BARBARIAN. SPOILERS AHEAD! We get into what the movie means to him, and if it matters that others are taking it in a different way, how to craft a perfect jump scare, and he once and for all refutes the idea that it's about school shootings. He also does an impromptu pitch for a TEXAS CHAINSAW reboot, and tells us of the day he met Josh Brolin and almost blew it. Lots of details! I hope you enjoy it!
Director Chuck Russell, then actors Renee and Elisha Hebert talk about their work on the new reimagined Witchboard, and looking forward to the possible expansion of and continuation on in this story world.
In anticipation for Zach Cregger's new movie Weapons, Kelsi and Trey re-released their conversation with Cregger for a SPOILER-filled deep dive of Barbarian. Their deep dive of Barbarian is free for free members on Patreon below! Weapons deep dive coming very soon.The Extra Credits YouTube ChannelBecome a member of The Extra Credits+ on Patreon hereLetterboxd: The Extra CreditsTikTok: The Extra CreditsReddit: r/TheExtraCreditsInstagram: @theextracreditsTwitter: @theextracreditsSend requests, questions, and thoughts to our email: extracreditspod@gmail.com
Show Notes:This week I talked with writer/director Allan Piper and actor Jennifer Leigh Houston about their new movie eVil Sublet. They told me how they fell in love with the genre, the real life apartment they lived in that inspired the story behind eVil Sublet, and the micro hauntings that happened in the background of their shoot which are now in the movie. They also revealed whether or not Sally Struthers did her own screams and what it was like to work with such a huge star. Allan and Jennifer's Socials: Allan's Twitter: https://x.com/apiper13 eVil Sublet: https://x.com/eVilsublet Jennifer's IG: https://www.instagram.com/jensshutyercakehole/?hl=en Who's There? Socials:Bluesky: https://bsky.app/profile/whostherepc.bsky.social Instagram: https://www.instagram.com/whostherepcEmail: whostherepc@gmail.com Website: https://www.whostherepodcast.com Join the Email List: https://mailchi.mp/4a109b94d3bc/newsletter-signup
Jordan sits down with Bailey Kobe, also known in Web3 circles as Minty Fresh Vibes, to explore a journey that bridges narrative cinema and GenAI creativity. Bailey's film God Is an Astronaut, based on the Oprah Book of the Month novel, is a standout example of independent filmmaking meeting elevated tech.In this conversation, we dive deep into the power of Film3, Web3-native storytelling, and how GenAI can enhance the entire filmmaking process from ideation to execution. Bailey shares his creative process, his work in advertising, and how he secured the rights to direct God Is an Astronaut.This is a conversation rich with vision, craft, and what it means to build the future of Film3 with GenAI as a creative partner.Brought to you by The Squad and Film3™-------------------------------JORDAN BAYNE OFFICIAL WEBSITETWITTERINSTAGRAMLINKEDINSUBSTACK------------------------------The Film3 OG and the Next Wave of Cinema Podcast is hosted by award-winning filmmaker and Film3™ originator Jordan Bayne. Through intimate conversations with visionary artists, creators, and technologists, the podcast explores how Film3™, a creator-first entertainment brand, is redefining the future of storytelling. Alongside The Squad, Jordan leads the charge to transform how stories are owned, made, and distributed in a new cinematic economy.------------------------------RESOURCE LINKS:Film3™THE SQUAD OFFICIAL WEBSITETHE SQUAD TWITTERTHE SQUAD DISCORDTHE SQUAD INSTAGRAMTHE SQUAD YOUTUBE------------------------------BIOAsian-American Writer/Director Bailey Kobe got lucky, and his first music videos became #1 music videos in France. Partnering with French producer Frédéric Imbert, a classmate at USC's renowned Peter Stark Cinema Program, to create (www.DoubleEntenteFilms.com), an innovative boutique production company with offices in Paris and Los Angeles, that, instead of chasing production around he world, works to bring international production to Los Angeles and New York. Clients have included: Louis Vuitton, Dior, Kenzo, Marc Jacobs, Saint Laurent (YSL), Moët & Chandon, L'Oreal, Lancôme, BMW, Mercedes, Lincoln, Mini Cooper, Amazon, Microsoft, Google, and many more.As a growing Writer/Director, Bailey's unique blend of EMOTION and COMEDY, has not only earned him earned him several Best Director, his casts Best Actor, Best Ensemble, and the films Best Feature awards. His work has been featured in Vimeo Staff Picks, Nowness, Funny or Die, VUDU Top Indie Pick, HULU Critic Pick and Most-Popular, and an iTUNES front-page.He has collaborated with an equally eclectic group of celebrities such as: Oscar winners Isabella Rossellini and Lupita Nyong'o, comedian Aubrey Plaza, leading man Orlando Bloom, fine artist Mona Kuhn, indie rock's Father John Misty, Victoria's Secret Angel Taylor Hill, TV's Ben Savage, French icons Johnny Hallyday and Marc Lavoine, Asian mega-star Kris Wu, Mega DJ's Laid Back Luke, Martin Solveig and Dillon Francis, Grammy nominated Big Sean, hip-hop superstar Travis Scott, silver-screen star Zendaya, streamer phenom Lilly Collins, the irrepressibly cool Zoe Kravitz and a handful of controversial figures including Kanye West.Beyond his love of his community, he has a literature grounding and a UCB improv background that breathes levity and naturalness, a focus on performers and collaboration. And his multi-cultural background allows his point of view to effortlessly include voices not yet heard in media.Minty Fresh Vibes TwitterBailey Kobe WebsiteGod Is An Astronaut WebsiteClick SUBSCRIBE so you never miss an episode.
Today on What's My Frame I'm joined by Writer/Director, Ryan Landels. This is a beautiful episode spotlighting the importance of community and finding your fellow collaborators. Ryan is a Canadian-born American writer/director who recently sold his genre-bending thriller CUL-DE-SAC to Sony, with his frequent collaborator Jon M. Chu (WICKED) producing.He is currently developing a project in the vein of PIRATES OF THE CARIBBEAN for Hobie Films, which got both Matt Shakman (THE FANTASTIC FOUR: FIRST STEPS) and Joachim Rønning (TRON: ARES) attached in the pitch stage. Ryan is also writing a four-quadrant fantasy adventure for Electric Somewhere, and wrote the screenplay for JEM AND THE HOLOGRAMS – Universal's live-action adaptation of Hasbro's toyline and animated series that was theatrically released worldwide.In TV, Ryan wrote the multiple Primetime Emmy-winning BEAUTY AND THE BEAST: A 30TH CELEBRATION for Disney+ and ABC, with the hybrid live-action and animation tribute starring Martin Short, Josh Groban, Rita Moreno, David Alan Grier and H.E.R. He recently wrote and directed the hit original movies SANTA TELL ME and SUGARPLUMMED for Hallmark, with SANTA TELL ME becoming the No. 1 new Christmas movie of 2024 across all broadcast networks and streaming platforms. Ryan also adapted TOM CLANCY'S GHOST RECON: WILDLANDS for Amazon and Ubisoft, created and directed ABBY NORMAL for Disney Channel, and wrote and directed on three seasons of Hulu and Paramount's hit streaming series, THE LXD.Ryan is a graduate of the USC School of Cinema-Television, which he attended with the support of a scholarship from the Hollywood Foreign Press Association. His thesis film THE MIDNIGHT EXPRESS went to more than thirty festivals internationally, won the Audience Award at Slamdance and was featured in the National Gallery of Art in Washington, D.C.Ryan is based out of Los Angeles and a member of the Writers Guild of America, the Producers Guild of America, the Directors Guild of Canada and the Television Academy. He is represented by Rob Carlson at the United Talent Agency and Mike Fera at Kaplan/Perrone.Official SiteFollow Ryan on InstagramTHE MIDNIGHT EXPRESS--What's My Frame, hosted by Laura Linda BradleyJoin the WMF creative community now!Instagram: @whatsmyframeIMDbWhat's My Frame? official siteWhat's My Frame? merch
On this episode of the podcast, host Dr Pasquale Iannone sits down with Scottish writer-director (and University of Edinburgh alumnus) John Maclean to talk about his second feature Tornado (2025). The film had its world premiere at the Glasgow Film Festival in February and went on general release in the UK in mid-June.Set in late 18th century Scotland, Maclean's film tells of a young Japanese woman (Kōki) who makes a living performing Samurai puppet shows with her father Fujin (Takehiro Hira). One day, their paths cross with a rag-tag group of criminals led by the ruthless, stone-faced Sugarman (Tim Roth) and his son Little Sugar (Jack Lowden). Events then take a more sinister turn.Beautifully shot in widescreen by John's regular collaborator Robbie Ryan, Tornado is lean, muscular filmmaking - a heady, inventive Scottish take on the samurai films of Akira Kurosawa and the spaghetti westerns of Sergio Leone.John tells Pasquale about his entry into filmmaking via the lo-fi music videos he made for The Beta Band, the group he co-founded in the 1990s. He also discusses his influences, his preference for storyboarding, his approach to casting, music and much more.
Writer/director James DeMonaco discusses his top ten films that evoke the surreal, hallucinatory feel of dreams/nightmares, while not actually depicting dream/or nightmares with Josh Olson and Joe Dante. Show Notes: Movies Referenced In This Episode A History Of Violence (2005) The Home (2025) 52 Pick-Up (1986) The Purge (2013) The Purge: Anarchy (2014) The Purge: Election Year (2016) Staten Island (2009) This Is The Night (2021) Glengarry Glen Ross (1992) 3 Women (1977) Apocalypse Now (1979) Apocalypse Now Redux (2001) Jack (1996) The Godfather (1972) The Godfather Part II (1974) The Godfather Part III (1990) Dementia 13 (1963) Star Wars (1977) THX 1138 (1972) Blood Simple (1984) Megalopolis (2024) Mandy (2018) Beyond The Black Rainbow (2010) Nightmare Alley (2021) Blue Velvet (1986) Mulholland Drive (2001) The Accused (1988) The Swimmer (1968) Dune (1984) Dune (2021) Jodorowsky's Dune (2014) Crash (2005) *Ghost Dog: Way of the Samurai (2000) Paterson (2016) Fellini's Roma (1972) Amarcord (1973) La Strada (1954) Nights of Cabiria (1957) 8 ½ (1963) Dirty Harry (1971) Gremlins (1984) Irreversible (2002) Antichrist (2009) Play It As It Lays (1972) Nashville (1975) Boom! (1968) Mr. Blandings Builds His Dream House (1948) Punch Drunk Love (2002) The Long Goodbye (1973) Phantom Thread (2017) One Battle After Another (2025) Happy Gilmore (1995) Happy Gilmore 2 (2025) March of the Wooden Soldiers a.k.a. Babes in Toyland (1934) Beetlejuice (1988) Monkey Trouble (1994) Prizzi's Honor (1985) Vertigo (1958) Invaders From Mars (1953) The Woman in the Window (1944) Inception (2010) Eternal Sunshine of the Spotless Mind (2004) Dreamscape (1984) What Dreams May Come (1998) The Truman Show (1998) Minority Report (2002) Other Notable Items Our Patreon! Our pals at Movies Unlimited The Hollywood Food Coalition Learn more about your ad choices. Visit megaphone.fm/adchoices
On this special Digital Hollywood episode of The AI/XR Podcast, hosts Charlie Fink, Rony Abovitz, and Ted Schilowitz are joined by director Rob Minkoff (The Lion King), filmmaker and AI specialist Ellenor Argyropoulos, and writer-director John MacInnes for a candid discussion on the upheaval AI is bringing to Hollywood. The panelists agree that while generative tools are accelerating creativity and lowering the barrier to entry, they also threaten traditional production roles and economic structures. Minkoff stresses the enduring importance of storytelling and direction, while MacInnes predicts a future with fewer below-the-line jobs and a boom in creator-driven content. Argyropoulos shares how AI has actually made her work more profitable. The conversation also touches on IP theft, synthetic actors, and the risk of massive tech consolidation. As Minkoff puts it, “AI is a tool—but the vision is still human.”Thank you to our sponsor, Zappar!Don't forget to like, share, and follow for more! Follow us on all socials @TheAIXRPodcasthttps://linktr.ee/thisweekinxr Hosted on Acast. See acast.com/privacy for more information.
Although “Jawbreaker” is a dark comedy that has inspired so many teen flicks since its release, Writer/Director Darren Stein originally intended it to be a horror film. Tune in to hear all about what inspired this 1999 cult classic, what it was like working with its all-star cast so early in their careers, and the reason behind that very homoerotic popsicle scene we all loved.
Send us a textWhat happens when you return to your hometown to make a movie about toxic masculinity set in a remote cabin? Filmmaker Max Kleiber reveals the fascinating journey behind his debut feature "Rattlin Bog" - a satirical horror-comedy born from a COVID-era short film experiment that evolved into something much bigger.Growing up in Northern California with no artists in his family, Kleiber initially pursued medicine before finally admitting his secret passion for filmmaking. After studying Communication (not Film) at Biola University and working various production jobs in Los Angeles, he made the strategic decision to shoot his feature in his hometown. The stunning Northern California landscapes provided million-dollar backdrops essentially for free, while community connections offered everything from locations to accommodations that would have been impossible to secure in LA.Kleiber's funding approach proves particularly illuminating for aspiring filmmakers. Using WeFunder, an equity crowdfunding platform, he enabled community members to become actual investors in his film for as little as $100 - transforming local doctors, lawyers, and everyday supporters into stakeholders with skin in the game. This democratized approach bypassed traditional gatekeepers while creating a passionate support network.The film itself examines male competition and power dynamics through the story of three friends at a secluded cabin, with Lauren caught between two men vying for dominance. Kleiber describes his approach as "whistling in the dark" - making audiences laugh during deeply uncomfortable situations. His experiences at regional film festivals like Sundial and Film Fort challenge conventional wisdom about the importance of major festivals, suggesting smaller venues often provide more meaningful connections.Between creative projects, Kleiber sustains himself by tagging films for ShotDeck - a visual reference database - allowing him flexible income while absorbing cinematic techniques that enhance his directorial vision. His perspective on Hollywood's evolution suggests we're witnessing not just an ending but a transformation, with filmmaking talent now flourishing across multiple platforms from YouTube to branded content.Ready to reimagine your filmmaking approach? Subscribe now to hear more conversations with creators challenging traditional production models and finding success on their own terms.Support the show
This week we welcome long-time producer Rick Bosner back on the show to talk about directing his first feature Devoted, which is currently in post production After that we play another round of THE GAME and Liz is back, hooray!!! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952
This week we chat with Evan Marlowe about his latest film Abruptio. We chat about making life-sized puppets, working 10 years to bring the project the life, getting star power for voices (hello Jordan Peele!) and so much more before digging into Evan's horror history, the world's shared fear of Jaws and ultimately why The Amityville Horror terrified him growing up.Check out Abruptio on VOD and Tubi. You can also get Evan's latest novel Surrender, Earth! on Amazon.Follow Mary Beth, Terry and the Podcast on Bluesky. We're also on Twitter (sorta) with the same usernames. We also have a Letterboxd HQ account, so follow us there, too! Support us on Patreon!If you want to support our podcast, please please take a moment to go rate us on Spotify and give us a rating and review on iTunes. It really helps us out with the algorithms. We also have a YouTube channel! Ask us for our Discord server!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
“Vampires hold incredible destructive power, and so we're very drawn to them, sort of like moths to a candle, right? I think that's sort of eternal, and that's the reason every culture, pretty much around the globe has some version of the vampire because it represents that very human conflict of what we desire which is so in tune with and aligned to things that can also destroy us. That just feels very honest and eternal, so I don't think [vampires] will ever go away. I think they will be an eternal part of our mythologies,” says writer/director Natasha Kermani, about the everlasting appeal of vampires on film. On today's episode, we chat with Natasha Kermani about her new movie Abraham's Boys that extends the world of Dracula into a psychological family drama with its own chills and thrills. The movie centers on brothers Max (Brady Hepner) and Rudy (Judah Mackey) Van Helsing, who have spent their lives under the strict rule of their father, Abraham Van Helsing (Titus Welliver). Unaware of their father's dark past as a vampire hunter, they struggle to understand his paranoia and increasingly erratic behavior. But when the brothers begin to uncover the violent truths behind Abraham's history with Dracula, their world unravels, forcing them to confront the terrifying family legacy. Kermani talks about adapting the Joe Hill short story of the same name, shares tips for structuring a short story into a feature film, and ways a writer can bring a classic monster story like Dracula into a modern setting. “I think it's about examining our world through an eternal lens of these mythologies that don't change. Power dynamics. Authority. Submission. These are eternal. So the question is, if you take that structure, and apply it to our world, how do things fall into place? And when you can start to look at the world around us through that lens, I think you start to get really interesting, truthful stories because you're not trying to come up with a new structure, or a new classic. You are obeying the laws of how our brains work and how our stories work. “I think it's a question of, ‘What are the things that you desire, but also fear? What are you drawn to, like a moth to flame?' For me, with Abraham's Boys, it's that we're so drawn to the idea of someone coming to you and saying, ‘I know what the monsters are, I know what the heroes are. Follow me and you'll be safe.' That's very dangerous,” says Kermani. To hear more, listen to the podcast.
Ep. 331: Eva Victor, writer-director of Sorry, Baby, on the film's influences and her recent viewing Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I've been eager for people to see Eva Victor's Sorry, Baby ever since I saw it at Sundance (where it picked up a prize). A wonder of a film, it's the funny and moving story of a woman working through trauma, with Victor playing the leading role, opposite Naomi Ackie (Mickey 17) and Lucas Hedges (Manchester by the Sea). The writer-director brings her tonal and emotional precision both as a performer and as a writer to a debut feature that blazes its own path (distinct from the comedic shorts that were my first introduction to her work). I was delighted to speak with Victor about influences on the film (ranging from Certain Women to The Handmaiden and beyond), as well as her recent viewing. Sorry, Baby is in theaters now, distributed by A24. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
Nicole Conn has been a pioneering filmmaker for over 30 years, best known for her Cult Classic, Claire of the Moon, and her best-selling features, Elena Undone, A Perfect Ending, little man and More Beautiful for Having Been Broken. Conn has achieved worldwide industry recognition with her lesbian-themed films and is perhaps the best-known Writer/Director of women's films in the world. In another pioneering effort, Conn created Coming Out For Love, the first ever LGBTQ+ Dating Competition Show (ala the Bachelor). In her earlier career she was published by Simon Schuster with Angel Wings, Passion's Shadow and She Walks in Beauty. She's written novelizations for Elena Undone and Claire of the Moon.
Welcome to Season 5, Episode 25! We're back with Part 2 of our conversation with the very talented Olivia Cheng. Last week, in Part 1 of the conversation, we mainly focused on Olivia's acting career. In this episode, we pivot to her work behind the camera as a writer, director, and producer. Olivia shares how she was motivated to write and direct her short film Dinner with Dex, which starred her Warrior co-star Dianne Doan. We also talk about her feature directorial debut on the documentary I am Raquel Welch. The iconic actress was the subject of another installment of CW's “I Am” series and aired in March on the channel. Don't worry, you can still catch the inspiring documentary through streaming services that focus on network television like CW, Fubo, and Direct TV. In the rest of the conversation, Olivia discusses how the Hollywood industry has changed over the years, her thoughts on Asian Pacific activism, her latest movie Lucky Star (that she also helped produce), and more. She even takes part in our rapid fire segment where we find out her thoughts on her command of Cantonese in Warrior, which of Ah Toy's outfits was her favorite, and which recent role (between Ah Toy, Mei Lin, Master Gao, or Charlotte) was the most similar to her in real life. If you're interested in seeing more of Olivia's work, then you can stream Marco Polo and Warrior on Netflix, See on AppleTV+, and you can rent or buy Lucky Star on Apple TV or Amazon services. You can, of course, follow her on Instagram @thatoliviacheng. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. *Above photo of Oliva Cheng by Noah Asanias
On this week's episode of Female Gaze: The Film Club, Morgan speaks with writer/director of “Oh, Hi!” Sophie Brooks which recently screened at the Tribeca Film Festival following its premiere at the 2025 Sundance Film Festival.“Oh, Hi!” follows Iris and Isaac, a couple going on their first away trip to Upstate New York. What starts off as an idyllic vacation soon takes a sharp turn when the pair realize they may have differing definitions of their relationships. “Oh, Hi!”blends humor, heart, and surrealism in this rom-dramedy meets thriller-esque film.You can visit the Female Gaze website to my full review of "Oh, Hi!" here. "Oh, Hi!" opens in U.S. theaters on July 25, 2025. For more information about the film, visit the Sony Pictures Classics site. You can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite
Writer/Director duo David Joseph Craig and Brian Crano (I Don't Understand You) join Vespe and Breznican to talk all about their new movie as well Stephen King's The Stand, with a focus on the 1994 Mick Garris mini-series adaptation. Unexpected topics of conversation this episode: hilarious film commentaries, birds being a-holes, '90s footwear, the perfect choice for Randall Flagg being poo-poo'd by King, and questionable strip club stories from Miguel Ferrer. I Don't Understand You is available on digital platforms June 24th
This week Jeremy welcomes Writer / Director Andrew DeYoung. On this episode, Jeremy and Andrew talk California, skateboarding, Converge, Tower Records listening stations, Coalesce, MC Hammer at the county fair, creating art for the sake of it being made, The Goonies, maintaining a passion for creating, working with Tim Robinson, their new movie Friendship and so much more! Follow the show on INSTAGRAM and The Website Formerly Known as Twitter SUBSCRIBE TO THE PATREON for a bonus episode where Andrew answered questions that were submitted by subscribers!
(This is an episode from the podcast "On With Kara Swisher”, from from New York Magazine and the Vox Media Podcast Network.) From media moguls to tech billionaires, Oscar-nominated and Emmy award-winning writer, producer and director Jesse Armstrong knows how to tap into the psyche of the rich and powerful. In the “Succession” creator's new HBO movie, “Mountainhead,” a tech-bro poker weekend turns into a life-or-death battle over who will control the future — in both business and the real world.From their isolated lair in Utah, four millionaire/billionaire friends (played by Steve Carell, Jason Schwartzman, Cory Michael Smith, and Ramy Youssef) watch as deepfakes created on one of their platforms lead to massacres, assassinations, and government takeovers around the world. This sparks the friends' imperialistic fantasies and some unfriendly inter-group competition. Kara talks to writer-director Jesse Armstrong about the real-world inspirations for these characters, how tech founders think about their own role in society, and whether the tech oligarchy has replaced legacy media giants like Rupert Murdoch. Mountainhead is available to stream now on Max. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Rick Stanton, the writer and director of the film Spectrum talks with me about the new film and its message about “the transformative power of acceptance and the untapped potential for greatness within every individual, no matter where they fall on the spectrum.” Don't miss this interview and the spectacular film Spectrum. Links in the show notes!Watch Spectrum free at either site:Spectrum (YouTube): https://youtu.be/C161TZHJIjE?si=cre2wxPHbb5yU_CPSpectrum (Website): https://rickstanton.co.uk/spectrumSupport the showNOW RATED IN THE TOP 0.5% GLOBALLY! Want to be a guest or know someone who would be a good guest? Fill out this form: https://tinyurl.com/autguestspotInstagram: anautisticwoman https://www.instagram.com/anautisticwoman/Ko-fi, PayPal, Patreon at this link: https://linktr.ee/theautisticwomanLinktree: https://linktr.ee/theautisticwomanEmail: info@theautisticwoman.comWebsite: theautisticwoman.com Sunsama free trial: https://try.sunsama.com/xi4blkokndgk Check out other autistic shows:The Autistic Culture Podcast: https://tinyurl.com/auttacp The Neurodivergent Experience: https://tinyurl.com/autneuro The Horse Human Connection Matrix: https://tinyurl.com/authhcm From The Spectrum: https://tinyurl.com/autftsYoSamdySam: https://www.youtube.com/@YoSamdySamOrion Kelly - That Autistic Guy http...
Welcome to Season 5, Episode 24! In this episode, we have Part 1 of a Conversation with Olivia Cheng, a storyteller known predominantly for her acting, but beginning to make waves with her writing, directing, and producing. Originally from Edmonton, Olivia's acting credits include playing Mei Lin in Marco Polo on Netflix, Ah Toy in Warrior on Cinemax and HBO, Charlotte in See on Apple TV+, Master Gao in Deadly Class, and Noel in the feature Lucky Star… just to name a few of her projects. Her performances have been praised for their depth and complexity, and she often plays roles that explore themes of identity, resilience, belonging, and empowerment. In addition to being a talented actress, she's also getting recognition for her action sequences in several roles she's played. In this part of the conversation, we talk about her origin in acting, some of the key roles she has played, life as a journalist, how she approaches action scenes, and more. Additionally Olivia shares some of her thoughts on being part of productions with cast members of Asian Pacific descent both in front of and behind the camera. If you're interested in seeing more of Olivia's work, then you can do the following: find her in the roles on the above listed projects, rent or buy Lucky Star on Apple TV or Amazon services, and/or follow her on Instagram @thatoliviacheng. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. *Above Photo of Olivia Cheng by Noah Asanias
In this special bonus episode of Female Gaze: The Film Club, Morgan speaks with Melody C. Roscher, the writer and director of the film, "Bird in Hand." "Bird in Hand" follows Bird Rowe (Alisha Wainwright) as she takes a trip to visit her mom, Carlotta (Christine Lahti), a hippie living in rural America. Bird comes with exciting news of upcoming nuptials and the pair scour the area for a potential wedding venue. However, unbeknownst to her mother, Bird is on the hunt for something entirely different. “Bird in Hand” is a moving film about identity, self-discovering, and the messy magic of mother-daughter relationships. You can check out my full review of “Bird in Hand” on the Female Gaze: The Film Club website.You can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite
Writer/Director duo David Joseph Craig & Brian Crano discuss their favorite films from the 90s with Josh Olson and Joe Dante. Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week we were so freaking excited to chat with Paul Etheredge about his latest film The Other. We talk about filming with children, working with icons in the horror industry like Jared Krichevsky and Jeffrey Reddick and more. Terry takes it back to seeing Hellbent for the first time and we talk about that for a little. Then we go back to his horror history, the first horror movie he remembers seeing, a movie that scared him as an adult and, finally, why Alien terrified him growing up and affected him for FOURTEEN YEARS! after seeing it. You can follow Paul on Instagram and Bluesky.Follow Mary Beth, Terry and the Podcast on Bluesky. We're also on Twitter (sorta) with the same usernames. We also have a Letterboxd HQ account, so follow us there, too! Support us on Patreon!If you want to support our podcast, please please take a moment to go rate us on Spotify and give us a rating and review on iTunes. It really helps us out with the algorithms. We also have a YouTube channel! Ask us for our Discord server!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Send us a textA Zambian family comes to terms with hard truths as the funeral of a relative sparks revelations and disputes. On Becoming A Guinea Fowl will be screening at this year's Sydney Film Festival (SFF) on June 10th, 11th & 15th. As suggested by Rungano, double feature watching of On Becoming A Guinea Fowl & Atlantics.Note: this interview is audio only. For other video interviews check out our YouTube playlist.Website | Rotten Tomatoes | Linktree | Youtube | Twitter | Instagram
From media moguls to tech billionaires, Oscar-nominated and Emmy award-winning writer, producer and director Jesse Armstrong knows how to tap into the psyche of the rich and powerful. In the “Succession” creator's new HBO movie, “Mountainhead,” a tech-bro poker weekend turns into a life-or-death battle over who will control the future — in both business and the real world. From their isolated lair in Utah, four millionaire/billionaire friends (played by Steve Carell, Jason Schwartzman, Cory Michael Smith, and Ramy Youssef) watch as deepfakes created on one of their platforms lead to massacres, assassinations, and government takeovers around the world. This sparks the friends' imperialistic fantasies and some unfriendly inter-group competition. Kara talks to writer-director Jesse Armstrong about the real-world inspirations for these characters, how tech founders think about their own role in society, and whether the tech oligarchy has replaced legacy media giants like Rupert Murdoch. Questions? Comments? Email us at on@voxmedia.com or find us on Instagram, TikTok, and Bluesky @onwithkaraswisher. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Writer/Director Sean Byrne discusses a few of his favorite films with Josh Olson and Joe Dante. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this episode of the podcast your host Ashley Scott Meyers talks with filmmaker Greg Porper. Our guest Greg Porper is the Writer/Director of the indie Dark Comedy Don't Tell Larry along with Co-Writer/Director John Schimke. The movie is an irreverent work place comedy in the tone of Office Space (1999). Don't Tell Larry features […]
Send us a textAn insecure Chinese-American teenager undergoes experimental surgery to appear white, hoping to secure the prom queen title and peer acceptance. Slanted will be screening at this year's Sydney Film Festival (SFF) on June 9th, 13th & 15th. As suggested by Amy, double feature watching of Slanted & Being ThereCheck out the video interview.Website | Rotten Tomatoes | Linktree | Youtube | Twitter | Instagram
SEASON 2 - EPISODE 143 - Phil Alden Robinson - Writer / Director In this episode of the Team Deakins Podcast, we speak with writer and director Phil Alden Robinson (THE GOOD FIGHT, THE SUM OF ALL FEARS, FIELD OF DREAMS) about many of his films. Phil was initially interested in politics and journalism, but he eventually made his way to Los Angeles and found his way into a writer's room based on the strength of a spec script. Phil soon found two of his feature scripts in production, and he reflects on the impact of being treated as badly as possible and as well as possible simultaneously. Later, Phil breaks down how FIELD OF DREAMS came together as a project, and we learn how he overcame an overwhelming sense of stress through the support of his cast and key crew members, including cinematographer John Lindley (Season 1, Episode 34) and production designer Dennis Gassner (Season 1, Episode 131). In addition to his work in features, Phil also directed documentaries for Nightline in a number of war zones, and we discuss the value of living life and taking time off from making movies. We also discuss the ubiquitousness of VFX in cinema today, and Phil shares what he feels to be the real lesson to take away from a film like the original STAR WARS. - Recommended Viewing: FIELD OF DREAMS, THE SUM OF ALL FEARS - This episode is sponsored by Aputure & Profoto
Send us a textThis week we have the opportunity to chat with Jaron Lockridge for Betray: Thirst, the second offering of the Betray series. We discuss his hands-on approach of producing, writing and directing as well as the importance of friendships and keeping love alive.Check out the video interview.Betray: Thirst is available on Apple TV + and Amazon Prime.Website | Rotten Tomatoes | Linktree | Youtube | Twitter | Instagram
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