Podcast appearances and mentions of Francis Ford Coppola

Nathan is still recovering from Jason's gunshots so Jerika fills in this week to help discuss Francis Ford Coppola's film Megalopolis after nearly 50 years in the making. Did Francis really cast the Cancelled Actor All-Stars? Is there any baseline of logic to understand ANY of this movie? Does Aubrey Plaza nearly save this entire thing? Should this have been a musical? And just what in the hell did Jon Voight just say?! Next week: Nathan returns as the guys go nuclear. What We've Been Watching: Crimes and Misdemeanors How to Train Your Dragon (2025) Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Theme Song recorded by Taylor Sheasgreen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/themotorleague⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Logo designed by Mariah Lirette: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/its.mariah.xo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Montrose Monkington III: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/montrosethe3rd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Megalopolis stars Adam Driver, Nathalie Emmanuel, Giancarlo Esposito, Aubrey Plaza, Shia Labeouf, Jon Voight, Laurence Fishburne, Talia Shire, Jason Schwartzman, Kathryn Hunter, Grace VanderWaal, Chloe Fineman, James Remar, D.B. Sweeney, Balthazar Getty and Dustin Hoffman; directed by Francis Ford Coppola. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:48:44 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui dans Affaires sensibles, Le Parrain de Francis Ford Coppola. - réalisé par : David Leprince Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Filmmaker James DeMonaco (THE PURGE franchise, THIS IS THE NIGHT) joins Adam and Joe to discuss his career journey and the making of his new feature THE HOME (in theaters now). From growing up in Staten Island with no viable connections to the film industry… to teaching himself how to write scripts armed with only a copy of Syd Field's book SCREENPLAY… to briefly attending NYU film school where he made a friend with a means to securing some financing… to making his first independent film RED which lead to a student Academy Award… to how his script for JACK (co-written with Gary Nadeau) lead to an industry bidding war… to working with cinematic icon Francis Ford Coppola and the brilliant Robin Williams on the project… to writing films like THE NEGOTIATOR, the remake of ASSAULT ON PRECINCT 13 and SKINWALKERS before getting the opportunity to direct his screenplay for LITTLE NEW YORK… to creating the worldwide blockbuster franchise THE PURGE and why he and his producing partner Sébastien K. Lemercier have continued to shaped the franchise through five (soon to be SIX) films… to how visiting family members in elder care facilities lead to the idea for THE HOME… to the casting of SNL alum Pete Davidson and the great John Glover in leading roles of the film… to what it was like shooting a film with a cast of elderly people during the tail end of COVID…to learning that every writer needs a “Mad Hungarian” and tons of other anecdotes he's learned throughout his career… this honest conversation about the path of becoming a filmmaker is one that every artist can benefit from.

Today on the TV/Movie Rewind Podcast, Matt & Todd get reanimated and rearmed with Universal Soldier—Roland Emmerich's 1992 sci-fi action flick that boldly blends high-octane combat with Frankenstein, war crimes, and plenty of roundhouse kicks. Starring: • Jean-Claude Van Damme as “LUC, SAD!” Luc Deveraux, a memory-wiped near-automaton as confused about what he is as he is about who he is. • Dolph Lundgren as “ANDREW, MAD!” Sgt. Andrew Scott, a completely unhinged maniac with a necklace made of ears and probably loves Casualties of War for all the wrong reasons. • Ally Walker as Veronica Roberts, a journalist just trying to do her job and not get murdered by government cyborgs. • Whit Bissell Award winners Jerry Orbach (as Dr. Gregor) and Robert Trebor (as the motel owner), plus genre favorites Ed O'Ross and Leon Rippy. This is great early-90s action: • Government conspiracies • Secret military programs • And a plot that could be described as RoboCop meets First Blood with a dash of Short Circuit if Johnny 5 had been developed by Cyberdyne Systems. • Van Damme kicks people. Lundgren screams about betrayal. There's a diner fight, a farm showdown, and a final battle that ends with a hay baler and some light existential horror.Despite 5 sequels, this one is often forgotten in the larger pool of muscley-action films. For one, Van Damme's box-office draw was waning, and it could be said that this kind of action film a dying genre in 1992, especially with Die Hard a few years earlier establishing a new action archetype.Lastly, at least in America alone, 1992 would be dominated by other classics such as:Disney's Aladdin, Academy Award Winning Unforgiven, Basic Instinct, Reservoir Dogs, A Few Good Men, Francis Ford Coppola's Bram Stoker's Dracula, Batman Returns, and The Bodyguard, to name a few. This one had an up-hill battle for your memory, so we're giving it another look. You should too!Follow Matt:Matt has over 100+ lists on LetterboxdYou can reach out on Bluesky: @MovieMattSirois On Facebook terrible movies often find him even under the alias Marcus at ⁠⁠⁠Movie Asylum of the Weird, Bad and Wonderful.Follow who we follow:⁠⁠⁠Once Upon a Geek⁠⁠⁠ and  ⁠⁠⁠The Fade Out Podcast⁠

Mike speaks with co-director Fax Bahr and archivist James Mockoski about the stunning new 4K restoration of Hearts of Darkness: A Filmmaker's Apocalypse (1991), the definitive behind-the-scenes documentary chronicling the infamously turbulent production of Apocalypse Now. What began as a Vietnam War epic in the Philippines became one of the most harrowing shoots in cinematic history—captured on 16mm by Eleanor Coppola and transformed into a raw, revelatory portrait by Bahr and co-director George Hickenlooper. Bahr discusses the collaborative assembly of Eleanor's intimate footage, audio diaries, and newly recorded interviews with stars like Martin Sheen and Dennis Hopper.Meanwhile, Mockoski details how American Zoetrope restored the film from the original elements for the first time, regrading in 4K, restoring the original 2.39:1 aspect ratio, and remixing the sound in 5.1. With the full blessing of Francis Ford Coppola, this restoration brings fresh clarity and depth to a film that remains a blistering, essential look at artistic obsession, collapse, and endurance.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

James DeMonaco is the writer and director of the feature films THE PURGE, THE PURGE: ANARCHY, and THE PURGE: ELECTION YEAR, as well as co-founder of the Man in a Tree production company along with his producing partner Sebastian LeMercier. His upcoming horror film THE HOME, starring fellow Staten Islander Pete Davidson, follows Max, who realizes that the residents and caretakers in the retirement home where he started working at hide sinister secrets. In this interview, we talk about his work on JACK, lessons learned from Francis Ford Coppola, the origin and development of THE PURGE, violence in screenwriting and directing (restraint vs. graphic), lessons from Blumhouse, and much more. As a special note, this was part of our new LIVE interview series in partnership with Buzztown, a community for serious screenwriters, where students also participated in this interview. You can learn more or join the waitlist here: https://www.scriptmastermind.com/pr Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Mike speaks with co-director Fax Bahr and archivist James Mockoski about the stunning new 4K restoration of Hearts of Darkness: A Filmmaker's Apocalypse (1991), the definitive behind-the-scenes documentary chronicling the infamously turbulent production of Apocalypse Now. What began as a Vietnam War epic in the Philippines became one of the most harrowing shoots in cinematic history—captured on 16mm by Eleanor Coppola and transformed into a raw, revelatory portrait by Bahr and co-director George Hickenlooper. Bahr discusses the collaborative assembly of Eleanor's intimate footage, audio diaries, and newly recorded interviews with stars like Martin Sheen and Dennis Hopper.Meanwhile, Mockoski details how American Zoetrope restored the film from the original elements for the first time, regrading in 4K, restoring the original 2.39:1 aspect ratio, and remixing the sound in 5.1. With the full blessing of Francis Ford Coppola, this restoration brings fresh clarity and depth to a film that remains a blistering, essential look at artistic obsession, collapse, and endurance.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Nathan is away so Jason has come to play! This week, Jason MacLeod co-hosts to discuss the 320 million dollar Netflix "Original" - The Electric State. Were the voiceovers recorded via Cameo? How in the hell is Mr. Peanut a major character in a movie? Themes of human connection existing in a movie that is essentially one big algorithm? And enough with the needle drops! And stop wasting Ke Huy Quan in bad movies! Next week: Jerika co-hosts to help Brendan talk about a... Francis Ford Coppola movie?! What We've Been Watching: The China Syndrome "Dragnet" (radio series) Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Theme Song recorded by Taylor Sheasgreen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/themotorleague⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Logo designed by Mariah Lirette: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/its.mariah.xo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Montrose Monkington III: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/montrosethe3rd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Electric State stars Millie Bobby Brown, Chris Pratt, Giancarlo Esposito, Stanley Tucci, Ke Huy Quan, Woody Norman and featuring the voices of Anthony Mackie, Woody Harrelson, Jenny Slate, Alan Tudyk, Hank Azaria, Colman Domingo and Brian Cox; directed by Anthony & Joe Russo. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Terror Talk Podcast, we're diving deep into the wild, weird, and wonderfully low-budget world of Roger Corman, the godfather of indie horror and cult cinema. From gothic Edgar Allan Poe adaptations to biker gangs and blood-soaked exploitation flicks, Corman did it all—and on a shoestring budget.We chat about Corman's signature filmmaking style, his unapologetically fast shooting schedules, and the way he could turn a dime into dread. We explore his most iconic horror films, his love of dramatic lighting and moody monologues, and how he shaped the future of horror by mentoring legends like Francis Ford Coppola, Martin Scorsese, and James Cameron.

Trama, analisi e riassunto di Dracula, il romanzo di Bram Stoker sul vampiro della Transilvania che si trasferisce in Inghilterra in cerca di nuove vittime. La vita e le altre opere dell'autore.

We're finally talking about Southland Tales, the first-ever Dwayne Johnson (not "The Rock") movie, and we're joined by Resident Historian Mike Manzi! After trying to parse the dense and complicated narrative in this movie, we talk about the critical reaction to the film as well as why this doesn't feel like a bomb/spectacular failure. Mike talks about the graphic novel accompaniments for this movie, we all explore the prescience of this movie, and Joey shares the wild backstory of Freddie Prinze, Jr. (and his ties to this movie). What kind of filmmaker could make a movie like this? We discuss. We also heap praise on Sarah Michelle Gellar and wonder: does Francis Ford Coppola love this movie? Email us: ⁠⁠⁠⁠family@cageclub.me⁠⁠⁠⁠⁠⁠⁠⁠Visit our Patreon page at patreon.com/2fast2forever⁠⁠⁠⁠. ⁠⁠⁠⁠Show your support at the 2 Fast 2 Forever shop⁠⁠⁠⁠!Extra special shout-out to Alex Elonen, Nick Burris, Brian Rodriguez (High School Slumber Party), Michael McGahon, Lane Middleton, Jason Rainey, Wes Hampton, Mike Gallier, Josh Buckley (Whole Lotta Wolves), Michael Moser, Christian Larson, Terra New One, Aaron Woloszyn, and Randy Carter for joining at the “Interpol's Most Wanted” level or above!Intro music by Nico Vasilo. Interlude and outro music by Wes Hampton.

In this episode of Tales From Hollywoodland, we explore the making of one of the most iconic movies in film history — The Godfather. Joining us is legendary casting director Andrea Eastman, who shares behind-the-scenes stories about casting Marlon Brando, Al Pacino, and the rest of the unforgettable ensemble. Discover the challenges and triumphs behind assembling the perfect cast, how Francis Ford Coppola's vision came to life, and why The Godfather remains a cornerstone of classic Hollywood cinema. If you're a fan of Hollywood history, movie casting, or just love great storytelling, this episode is a must-listen! We want to hear from you! Feedback is always welcome. Please write to us at  talesfromhollywoodland@gmail.com and why not subscribe and rate the show on Apple Podcasts, Spotify, iHeartRadio, PlayerFM, Pandora, Amazon Music, Audible, and wherever fine podcasts are found.  #TheGodfather #AndreaEastman #CastingDirector #HollywoodHistory #ClassicHollywood #MarlonBrando #AlPacino #FrancisFordCoppola #BehindTheScenes #IconicMovies #MovieCasting #FilmHistory #TalesFromHollywoodland #CinemaLegends #PodcastAboutMovies

In this conversation, filmmaker James DeMonaco discusses his journey from writing the comedy “Jack” and working with Francis Ford Coppola and Luc Besson, to creating the successful “Purge” franchise. Up next is his latest, a psychological horror film, “The Home” starring Pete Davidson, which is releasing theatrically July 25th via Roadside Attractions. DeMonaco shares insights on genre forms in screenwriting - and a 30 year career as a Hollywood screenwriter, the challenges of production, and the importance of audience engagement. He reflects on his experiences with notable actors and directors, and the creative process behind his films, emphasizing the need for authenticity and emotional connection in storytelling. Many past inspirations are discussed including the 1977 supernatural horror “The Sentinel” directed by Michael Winner, as well as James' ongoing passion for Fellini films. What Movies Are You Watching?Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

"Hearts of Darkness: A Filmmakers Apocalypse" (1991), the award-winning documentary chronicling the tumultuous making of Francis Ford Coppola's "Apocalypse Now" recently had a theatrical run at New York's Film Forum in a new 4K restoration. In the late 1970s, director Francis Ford Coppola, accompanied by his family and cast and crew, travelled to the Philippines to begin work on what would become "Apocalypse Now". But it soon became one of the most notorious shoots in cinema history, spiraling into a hellish, life-threatening nightmare. Chronicling the drama was Coppola's wife, the late Eleanor Coppola, who shot extensive behind-the-scenes footage of the shoot in 16mm, and recorded audio interviews with her husband and others involved in the movie's making. In the early '90s, Eleanor turned her 16mm footage and audio interviews over to filmmakers George Hickenlooper and podcast guest Fax Bahr, who then interwove it with new interviews with the movie's cast members (including Martin Sheen and Dennis Hopper) and observers (like George Lucas). After a year of editing, the new documentary debuted at the Cannes Film Festival. Says Filmwax Radio guest James Mockoski, Film Archivist and Restoration Supervisor at American Zoetrope, "For the past 30 years, Eleanor's 16mm behind-the-scenes footage has been three to four generations removed from the original elements. For this new release and restoration of the documentary, Francis decided to scan the original sources in 4K. The extensive excerpts from the feature are now presented in their original 2.39:1 aspect ratio, rather than being letterboxed into a 4x3 frame." "Hearts of Darkness: A Filmmakers Apocalypse" has been restored by American Zoetrope from the original negative, with a re-mixed 5.1 soundtrack. Co-director Fax Bahr approved the grading, with the final seal of approval given by Francis Ford Coppola. Grading carried out at Roundabout Entertainment, Burbank, California.

To pair with the new film Eddington hitting theaters this weekend, we have chosen to discuss another film about technology and conspiracy, The Conversation by Francis Ford Coppola! Does this movie hold up 51 years later? Come back next week for our thoughts on Eddington!

A very special episode of STUDIOCANAL Presents, as multi-Oscar-winning filmmaking legend Francis Ford Coppola spends some time with us. He's talking about the new restoration of Hearts Of Darkness: A Filmmaker's Apocalypse, the newly-remastered documentary film charting the making of Apocalypse Now. Francis talks candidly about the film, and how Eleanor Coppola went about her work.  Furthermore, co-director of the film Fax Bahr then also joins us, as he reflects on wading through all the material and fashioning it into a film. Plus, how he ended up making the movie in the first place. 

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James DeMonaco (writer/director, The Home, The Purge) discusses co-writing during lockdown, collaborating with Pete Davidson, the movie he passed on that got The Home made, advice from Francis Ford Coppola, and news of maybe a new Purge movie!THE WRITERS PANEL IS A COMPLETELY INDEPENDENT PRODUCTION.Follow and support the show by subscribing to Ben Blacker's newsletter, Re:Writing, where you'll also get weekly advice from the thousands of writers he's interviewed over the years, as well as access to exclusive live Q&As, meet-ups, and more: benblacker.substack.comCome see Paul F. Tompkins, Paget Brewster, Busy Philipps, Joshua Malina, Janet Varney, and more in The Thrilling Adventure Hour live in a city near you! https://thrillingadventure.live for details.SOCIALS:Bluesky: https://bsky.app/profile/benblacker.bsky.socialInstagram: https://www.instagram.com/bablacker/ Hosted on Acast. See acast.com/privacy for more information.

Raise the subject of documentaries about filmmaking and you'll probably first go to Hearts of Darkness: A Filmmaker's Apocalypse. Or the film you're thinking about instead was directed by somebody was thinking about Hearts of Darkness. Or, assuming the film came out earlier, it was perhaps directed by someone who later saw Hearts of Darkness and wishes they made a film as good. Which is no disrespect to any other film that fits into its genre––just to say that no other such documentary seems to mirror and match the subject. Though long available, the film has––very much contra Apocalypse Now––only just been restored by American Zoetrope and is now rolling out in theaters. The effort was overseen by James Mockoski, who has served as a guiding hand for the recent spate of Coppola restorations and recuts. I was accordingly pleased to speak with him and Hearts' co-director, Fax Bahr, about the film's legacy, its restoration, and what Francis Ford Coppola has planned after Megalopolis.

In the second installment of our Half Time Show, Andy, Stu and Ash continue their deep dive into the standout films and TV shows of 2025 so far - including granting the "Tiger King Award" to the film or show most deserving of being watched by everyone, everywhere! Then, it's back to the Cage-iverse with a look at Francis Ford Coppola's The Cotton Club (1984). With Nicolas Cage in a supporting role, the film blends jazz, gangsters, and Harlem nightlife into a lavish, chaotic spectacle. The lads unpack the film's troubled production, its ambitious dual narrative, and whether it deserves a second look in the context of Cage's early career.Socials: @CageFightingPodUse my special link (cagefighting) to save 30% off your first month of any Zencastr paid plan.

Grab your high-waisted pants and suspenders and come find out what's in the bugle case because we're reviewing Francis Ford Coppola's 1984 The Cotton Club. Our boy plays a slightly unhinged gangster in Coppola's ode to tap, black performers, and crime dramas. Call your gun-moll and pull up a cuck chair, this is Cage Match.Intro music by: Bill Panks

The Cinematography Podcast Episode 317: Mihai Mălaimare Jr. For cinematographer Mihai Mălaimare Jr., ASC, his work with director Francis Ford Coppola from Youth Without Youth to Megalopolis has been a journey of constant education and evolution. Coppola, known for embracing new technology and a dynamic, on-set creative process, frequently pivots to explore fresh ideas in the moment. Megalopolis is Mihai's fifth collaboration with Coppola. Their partnership began when Coppola came to Romania to shoot Youth Without Youth and scout some locations for Megalopolis. Mihai recalls first encountering Coppola's “crazy ideas.” “I was like, yeah, that's crazy, but I'm 29, fresh out of film school and I'm working with Francis, so I better do it. And then you realize how much better the scene gets.” This relationship fostered a unique trust. “Little by little, we got in this interesting dynamic where I'm craving those moments. And I know it can be a really stressful situation when you prep, all of a sudden you change it 180 degrees. But I know that somehow we'll be able to find a solution and it will be better than anything we planned. And it's interesting- every single time, the scene got better.” Coppola had been developing his ideas for Megalopolis for decades, and shot test footage in 2001 with director/cinematographer Ron Fricke. He sought an ethereal, "poetic reality" with no specific timeframe, a concept Mihai initially found challenging to prepare for. However, the early footage provided crucial visual cues, and some of it was later integrated into the film. Coppola also collaborated with visual concept designer Dean Sherriff, who created a set of art keyframes for specific scenes, which guided Mihai's framing, shots, colors, and lighting. A gold and sepia color scheme added to the film's ethereal look. “It's such an amazing process of discovery with Francis,” says Mihai. “We did some storyboards, but very few. We never really shot listed. We were talking about things in general, but the idea is that when you go on set, and you have the actors, and you have sets and costumes and everything, you want to let yourself be inspired by the actors and the blocking more than just your plans and ideas.” While major scenes in Megalopolis were filmed on an LED volume stage, the movie creatively blends VFX, practical effects, and in-camera techniques. For a beautiful dreamlike driving sequence, Mihai used poor man's process for the car interiors, combining it with moving set pieces, miniature cars, and live actors dressed as statues. Coppola's long-standing admiration for the minimalist style of filmmaker Yasujirō Ozu influenced a preference for static camera work, with minimal dolly shots, tilts, or pans. "It's all about the frozen frame," Mihai explains. "It's a certain aesthetic that I like, because it's closer to still photography. There are things that are happening that you don't think of. First, you have to make sure that the composition is really spot on. And also, it's again the idea of contrast. When you do move the camera, that better be for a good reason.” Find Mihai Mălaimare Jr. Instagram:@malaimarejr_cinematography @malaimarejr_photography Hear our previous interviews with Mihai Mălaimare Jr.: https://www.camnoir.com/ep53/ https://www.camnoir.com/ep148/ Megalopolis will be on tour in select theaters starting July 20 with Francis Ford Coppola doing a Q&A after.  Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Only three years after the franchise seemingly ended with Dominion, Jurassic World roared back into theaters this past weekend. Despite a strong box office showing, many critics and audience members seemed disappointed by the film we got, but did it work for us? Stick around until the end to hear our rankings of the entire franchise now that we have reviewed them all as well as our upcoming schedule. We will be back next week with the Francis Ford Coppola-directed classic film, The Conversation starring the late, great Gene Hackman!

Have you seen The Outsiders? Well, this is kind of like that. No really. It's based on a book by the same author and stuff. We're talking 1983's Rumble Fish which focuses on Rusty James who idolizes his brother and, for some reason, gangs. This one stars an incredible cast that includes Matt Dillon, Mickey Rourke, Diane Lane, Dennis Hopper, Laurence Fishburne, Tom Waits, Sofia Coppola, and of course, Nicolas Cage! Directed by the Francis Ford Coppola! Thanks for joining us. Let's hit it.Then we run our little computer system thingy to find out what movie joins the Wheel-O-Cage next! Don't forget to check out our social media pages to see the next Wheel-O-Cage spin and find out what movie we're reviewing next on the show! Plus, CAGE-O Bingo!Links: ⁠⁠⁠comingofcage.com⁠⁠⁠Merch Store: ⁠⁠⁠https://www.teepublic.com/stores/derricostudios?ref_id=7261⁠⁠⁠Reddit: ⁠⁠⁠https://www.reddit.com/r/comingofcage/⁠⁠⁠Apple Podcasts: ⁠⁠⁠https://podcasts.apple.com/us/podcast/coming-of-cage/id1625687655⁠⁠⁠Spotify: ⁠⁠⁠https://open.spotify.com/show/1mVw6A52QjbMeQicIlj4i7⁠⁠⁠Spreaker: ⁠⁠⁠https://www.spreaker.com/podcast/coming-of-cage–6057154⁠⁠⁠RSS Feed: ⁠⁠⁠https://anchor.fm/s/fbf3c75c/podcast/rss⁠⁠⁠Join our Film Forum for news, memes, spoiler conversations, tournaments, polls, and more: ⁠⁠⁠Facebook.com/groups/ScreenHeroes⁠⁠⁠A Derrico Studios ProductionHosted by Derreck Mayer & Ryan CoutureExecutive Producer & Editor: Derreck Mayer

Nearly 500 episodes in, and the Film Stories podcast finally arrives at a Godfather film. Specifically, The Godfather Part III, a fascinating project whose behind the scenes story went on for over a decade. The number of attempts to get the film made climbed into double figures, named such as Sylvester Stallone, Madonna and John Travolta were amongst those linked. But also: writer/director Francis Ford Coppola was not keen to make the movie. Writer/director Amy Heckerling had an opposite problem with Clueless. She was keen to make the story, but for a while, she couldn't get anyone to stump up the bill. When they did? Well, Heckerling finally got some of the respect she deserved... Stories of both are told in this episode... Learn more about your ad choices. Visit megaphone.fm/adchoices

Francis Ford Coppola Director's Cut Alexander Valley Cabernet In this episode, Rob and Scott revisit Coppola's wines as they review the Director's Cut Alexander Valley Cabernet.  So come join us, on The Wine Vault.

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Join us as we dive deep into the making of the iconic Captain EO featuring Michael Jackson, George Lucas, and Francis Ford Coppola. Taren unearths new insights about the 80s sensation. Plus, Erik delights us with a review of Takumi-Tei, the premier Japanese restaurant at EPCOT. Learn about the behind-the-scenes challenges and enjoy a taste of upscale Japanese cuisine! ---------------- Support the show! Come watch us on ⁠⁠⁠⁠⁠Twitch!⁠⁠⁠⁠⁠ Subscribe to us on ⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠ Join everyone over on our ⁠⁠⁠⁠⁠Patreon page⁠⁠⁠⁠⁠ Visit us on Etsy for the ⁠⁠⁠⁠⁠coolest Disney-inspired shirts⁠⁠⁠⁠⁠ Come check out the ⁠⁠⁠⁠⁠Discord group⁠⁠⁠⁠⁠! Learn more about your ad choices. Visit megaphone.fm/adchoices

As a 4K restoration of Hearts of Darkness: A Filmmaker's Apocalypse comes to theaters and home entertainment, we talk with filmmaker Fax Bahr and American Zoetrope's James Mockoski about one of the greatest documentaries of all time. Bahr directed the film — about the fraught making of Apocalypse Now —along with George Hickenlooper and Eleanor Coppola, filmmaker and wife of Apocalypse Now director Francis Ford Coppola. Mockoski oversaw the restoration. Learn more about your ad choices. Visit megaphone.fm/adchoices

I am re-releasing one of our most talked about episodes because EVERYONE needs to hear this. So if you missed it or would like a "re-visit" (as we call it in wine tasting)... I'm bringing one of our first and most popular episodes to the top of our now 80 episode catalog!I first met Dr Hoby Wedler when he led my wine education team and I through his signature “Tasting in the Dark” experience. We were blindfolded and tasting the wines we thought we knew very well, in a whole new light (or lack thereof). Dr. Hoby Wedler is a Chemist, Sensory Expert, Motivational Speaker and Entrepreneur who happens to be blind since birth.After your virtual time with Hoby, you'll have a new perspective on how to take in the world around you, especially when it comes to things like Seeing Flavor and Tasting Color!You'll hear about: The call from Francis Ford Coppola that inspired him to create Tasting in the DarkHis first chemistry teacher who questioned how chemistry would “work for him”, until he told her “No one can see atoms”…. (Mic drop)His thought on the questions around the health benefits of wineHow he identifies colorHis uncensored reaction when I snuck my newly released 2021 Sollevato Sangiovese into our “blind tasting”You can find and follow Hoby here!www.hobywedler.comIG: @hobywedlerEmail him at hoby@hobywedler.comGet our Sip Spotlight Wines Here!Wine #1- Hoby's Choice: Chianti ClassicoWine #4 -The trick I played on him with my own wine: Sollevato SangioveseIf you'd like to Support the Podcast, you can buy me or Hoby a glass of wine, we would be so grateful!Nikki's Links:Follow me on Instagram to get the scoop on upcoming episodes and behind the scenes looks!My Super Tuscan Inspired Blend, Sollevato "Fortunato" is available to be shipped to most US States. (Use the code PODLISTENER for 10% off.) It's a delicious, medium bodied, aromatic red wine that is perfect with pizza, pasta and your charcuterie spread!Our 2022 Sollevato Sangiovese just took the Gold Medal at the Sunset International Wine Competition! Get yours here! (Use the code PODLISTENER for 10% off.)Enjoy some of MY FAVORITE THINGS from our Sponsors:You NEED some delicious California Olive Oil from our awesome sponsor American Olive Farmer. Use code SipWithNikki for $10 off your order!Check out Sena Sea's website to get your hands on some beautiful wild-caught Alaskan fish shipped right to your door! Use code sipandsea for 10% off your order and sign up for their email list (great recipes!) and...

We talk aimlessly about our first experience watching the cinematic experience that is Francis Ford Coppola’s Megalopolis. We also contemplate how we came to know the taste of piss. Btw- don’t tell anyone, but the coffee is decaf.

Rusty James. Put your horns on because Fang, Fang, Fang and Scratchers dive deep into the moody, 1983 Francis Ford Coppola film, Rumble Fish. In an undeniably nepo role, Cage isn't given much to work with but still shines some true character. Grab some chocolate milk and get ready for our next business idea. This is Cage Match...Rusty James.Intro music by: Bill Panks

From surf columns to silver screens, Dan DeFilippo's creative journey is anything but typical. On this episode, the Emmy-winning producer and founder of Pipeline Entertainment joins us to talk about his latest project, Montauk Dayz—a heartfelt new book inspired by his roots on Long Island's East End. We explore Dan's early days writing for Dan's Papers, his Hollywood hustle at William Morris, and how he brought a Francis Ford Coppola classic back to life with Dementia 13 (2017). A conversation packed with stories, strategy, and soul for anyone chasing the dream.Montauk Dayz: https://montaukdayz.com/IMDB: Dan's IMDbCompany Website: pipeline-talent.comIG: @pipeline_entertainment_ @montauk_dayz

Join us as we discuss Francis Ford Coppola's legendary sequel to The Godfather. We discuss the juxtaposition of the rise of young Vito and the fall of Michael, and what ultimately makes this a slow tragedy for the Corleone family. One of the best chats we've ever had, we hope you enjoy this episode as much as our podcast on the original Godfather. Subscribe free to the show on Apple Podcasts, Spotify, and other podcast apps. And as always, be kind, rewind, relax, and enjoy the program!

Spoilerboys wanted to find out what happens wjem you venture off the beaten Francis Ford Coppola path and go down a road less travelled — like, One from the Heart (1981). For Coppola, this film was the direct, chronological follow-up to modern masterpiece Apocalypse Now. How much can it live up to that? (Also "Chef" from Apocalypse now is the main character in this — will he finally take off that frizzly-lookin' army looking shit and start smoking that dope?!?) **************** The five-year romance of a window dresser and her boyfriend breaks up, as each of them finds a more interesting partner. Release date: January 15, 1982 (New York) Director: Francis Ford Coppola Cinematography: Vittorio Storaro, Ronald Víctor García Budget: 26 million USD Running time: 1h 47m

We've got more zombies than you can shake a stick at this week on Breakfast All Day. First off, we review "28 Years Later," the long-awaited reunion of Danny Boyle and Alex Garland in a Britain plagued by rage virus. This is a non-spoiler review, but we're doing a live spoiler chat at our YouTube channel on Wednesday, June 25 at Noon Pacific, so check back with us then and share your thoughts. In theaters now. Then we catch up with the two films that preceded it: "28 Days Later" (2002) and "28 Weeks Later" (2007). We realized in retrospect that you don't need to have seen either of these movies to get into the new one, but we were glad to have the conversations. If you're looking for something a little more lighthearted for the whole family, there's "Elio," the latest animated adventure from Disney Pixar. It's a sweet, gentle film for these stressful times about a misfit kid who dreams of having aliens abduct him. This is minor Pixar, but it's beautiful. In theaters. Finally, we wrap up with a lengthy Movie News LIVE! Among the topics we discuss are the "Jaws" 50th anniversary, the "Brokeback Mountain" 20th anniversary, the trailer for the new Bruce Springsteen biopic "Deliver Me From Nowhere," and Francis Ford Coppola taking "Megalopolis" on the road. Thanks for joining us! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/

With his darkly comic Self Driver now available on digital and on demand, writer-director Michael Pierro is here to celebrate Francis Ford Coppola's 1974 masterwork The Conversation – and pay tribute to its incredible star, Gene Hackman. Your genial host Norm Wilner has some thoughts about that too.

What's up, dudes? It's the 1985 Disney World Very Merry Christmas Parade, broadcast live on National TV! Disney connoisseurs Tim Babb from Can't Wait for Christmas and Charlie Ague from Closer to Christmas and Ague Designs are here with me to break it down!Joan Lunden and Ben Vereen host this Christmas parade with narration written by Doug Cody. The production was directed by Chico Fernandez. After some confusion with decorations, Mickey and the gang are ready to begin! Tinkerbell opened the show, and Cinderella and her entourage processed down Main Street USA. The Dumbo and the Jungle Book crews followed right behind her.The Herbie the Love Bug performers come next, and Robin Hood and his Merry Men succeeded him. Regis Philbin took us through the Living Seas, and that segment was followed by the Pinocchio float series. Subsequently, Ben showed us a behind the scenes preview of “Captain EO” with Michael Jackson, George Lucas, and Francis Ford Coppola.After Cruella de Vil drove down, Mary Poppins and the Alice in Wonderland players glide down Main Street. Then Ben gave a stirring performance in Frontierland. The toy soldiers from “Babes in Toyland” march along, and Mickey and Minnie ride a coach behind them. The Gummi Bears, Goofy, and Donald follow on floats, accompanied by characters from Peter Pan, Chip and Dale, and the Hundred Acre Wood. Finally, Santa Claus himself flew in to close out the celebration.Steamboat musical number? Check. Ads for “Superman II”? Yep. Endless commercials from Eckerd and Gaines? Definitely! So grab your an scarf and top hat, hop on a float, and ride down Main Street USA to this episode all about the 1985 Very Merry Christmas Parade!Can't Wait for Christmas FB: @CantWaitForChristmasPodIG: @cantwaitforchristmaspodTwitter: @ChristmasPodCloser to ChristmasTwitter: @closertoxmas IG: @closertoxmasAgue DesignsIG: @aguedesignsGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

EPISODE 133: Beth Lane is a multi-hyphenate artist based in Los Angeles and Ojai. She most recently produced, directed, and wrote the award-winning feature documentary UnBroken. A trained actor and coach, she has performed on both coasts—from dancing at the Metropolitan Opera House with the legendary Jessye Norman and Samuel Ramey, to starring in acclaimed LA theater productions like West Coast Ensemble's Assassins and Francis Ford Coppola's Distant Vision. Beth narrates over 40 voices in the audiobook, The Bride Price, and wowed the owners of New York City's famous Iridium Jazz Club where she debuted and released her CD, Lies of Handsome Men. A graduate of the University of Michigan and UCLA's MFA program, Beth coaches actors for film, TV, theater, musicals and voice-over as well as non-actors in public speaking. bethlane.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Welcome! This week's guest is the supremely talented Krysta Rodriguez! Krysta and Caleb talk about the beast that is a weekly Broadway schedule, her time in iconic musicals like Spring Awakening, a TV show they were both in that never made it to air, Francis Ford Coppola, and much more! Join our Patreon for an exclusive post-episode chat with Krysta and other bonus content! https://patreon.com/SoTruePodcast?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink Follow Krysta! @krysta_rod Follow the show! @sooootruepod Follow Caleb! @calebsaysthings Produced by Chance Nichols @chanceisloudGo to https://www.Zocdoc.com/SOTRUE to find and instantly book a top-rated doctor today. #sponsoredBook now at Booking.com ! There's no replacement for human connection. Better with people. Better with Alma. Visit https://www.helloalma.com/SOTRUE to get started and schedule a free consultation today. Go to https://www.hims.com/SOTRUE for your personalized ED treatment options. Head to https://www.squarespace.com/SOTRUE to save 10% off your first purchase of a website or domain using code SOTRUE. Start listening and discover what's beyond the edge of your seat when you sign up for a free 30-day trial at https://www.Audible.com/SOTRUE.About Headgum: Headgum is an LA & NY-based podcast network creating premium podcasts with the funniest, most engaging voices in comedy to achieve one goal: Making our audience and ourselves laugh. Listen to our shows at https://www.headgum.com. » SUBSCRIBE to Headgum: https://www.youtube.com/c/HeadGum?sub_confirmation=1 » FOLLOW us on Twitter: http://twitter.com/headgum » FOLLOW us on Instagram: https://instagram.com/headgum/ » FOLLOW us on TikTok: https://www.tiktok.com/@headgum So True is a Headgum podcast, created and hosted by Caleb Hearon. The show is produced by Chance Nichols with Associate Producer Allie Kahan and Executive Producer Emma Foley. So True is engineered by Casey Donahue and engineered and edited by Nicole Lyons. Kaiti Moos is our VP of Content at Headgum. Thanks to Luke Rogers for our show art and Virginia Muller our social media manager.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, I discuss with author Bruce Handy his book " Hollywood High: A Totally Epic, Way Opinionated History of Teen Movies". From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls, The Hunger Games, and more.What influence did Francis Ford Coppola have on George Lucas's American Graffiti? And Lucas on John Singleton's Boyz n the Hood? How does teenage sexuality in Fast Times at Ridgemont High compare to Twilight? Which teen movies pass the Bechdel test? Why is Mean Girls actually the last great teen film of the 20th century?Doug Hess is the Producer and HostFollow on Facbook @forgottenhollywood

When the red, red robin comes bob bob bobbin' along, it's time for Film Seizure to dig into the tapes with Francis Ford Coppola and Gene Hackman to listen in on The Conversation. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

Hey everyone...in honor of our upcoming 100th episode (!!!), I'll be re-releasing a few of my favorite past conversations on Tuesdays.This one was a lifelong dream for me: getting to talk to DEVO's Gerald V. Casale about their body of work--a band whose musical and visual identity showed teenage me that it was o.k. to be different, weird, and skeptical. Jerry does not suffer fools gladly, so I was quite nervous going into the interview, but once he realized I wasn't going ask about the flower pot hats, we both relaxed and took a serious deep dive into how he and DEVO altered the world forever, as well as how lonely that could be for them. Episode 35 originally aired on May 9th, 2024.The original podcast show notes:This week, the one that started it all for me, Devo's Jerry Casale, joins me on the podcast to talk about Devo's film and video legacy. We discuss the origin story of their first short film, the films that influenced Casale and Devo's aesthetic, their early jobs and the pressures of Ohio, how ‘Bonnie & Clyde' influenced the 'Beautiful World' video, meeting collaborator Chuck Statler, where Rod Rooter's dialogue came from, Club Devo and the difficulties making their merchandise, Jerry tells the plot of the Devo feature-length film script that never got made (including one that was going into production with Francis Ford Coppola & one with William Friedkin), how they directed their conservative looking extras and General Boy, meeting their idols, how they constructed their live shows, phone calls from the video Commissioner of MTV, censorship, working with Soundgarden, Bruce Connor's ‘Mongoloid' short film, transgressive art, people being scared of Devo, Kent State & the Vietnam War as the antecedents of Devolution, crawling out of the basement, the communal mindset of the members of Devo, the antagonistic nature against Devo from interviewers, having fun with the audience while rubbing their nose in it, the groundbreaking & primitive ‘Oh No It's Devo' tour, making ‘The Men Who Make The Music' and having your own action figure made of you.So...peek-a-boo...let's all get devolved together on this week's Revolutions Per Movie!JERRY CASALE (videos, action figures, music, art):https://www.geraldvcasale.com/DEVO:https://www.clubdevo.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

One last trip up the river. In the late 1970s, as renegade filmmaker Francis Ford Coppola struggles to complete an epic allegory of the Vietnam War, "Apocalypse Now," his wife, Eleanor, films his daily travails with a camera of her own. The documentary based on her footage details the difficulties of the large production -- from weather-related delays in the Philippines to star Martin Sheen's heart attack while filming -- and it provides unprecedented behind-the-scenes clips of one of Hollywood's most-acclaimed films. Release date: November 27, 1991 (USA) Directors: Eleanor Coppola, Fax Bahr, George Hickenlooper Awards: Primetime Emmy Award for Outstanding Individual Achievement in Informational Programming - Directing · See more Running time: 1h 37m Producers: George Zaloom, Les Mayfield Distributed by: Triton Pictures

To mark this cinematic milestone, the Not A Bomb crew clearly had to pick something special, right? So naturally, they chose a $120 million fever dream funded by a legendary director's own checkbook. That's right — it's time to witness the glorious fall of New Rome in Francis Ford Coppola's Megalopolis (2024).What happens when a filmmaking icon goes full chaos mode? You get a sci-fi “fable” so pretentious, incoherent, and self-indulgent that it makes Battlefield Earth look focused.Troy and Brad wade through the rubble to see if there's anything worth salvaging. Can they find a silver lining, or is this just a masterclass in how not to spend $120 million?Tune in to find out — it's the cinematic trainwreck you can't look away from.Not a Bomb would like to take a moment to thank all our listeners over the last five years. This podcast began as a small COVID project and has evolved into something much more. We couldn't have done it without our fantastic community.Megalopolis is directed by Francis Ford Coppola and stars Adam Drive, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LeBeouf, Jon Voight, Laurence Fishbourne, Kathryn Hunter, and Dustin HoffmanNot A Bomb has plenty of new designs in our Merch store! Head over to the Not A Bomb Tee Public store and check them out. Special thanks to Ted Blair for the amazing designs!We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.Cast: Brad, Troy

In this episode of the No Film School Podcast, GG Hawkins welcomes back filmmaker Janek Ambros to dive deep into the wild origin and evolution of his second feature film, Mondo Hollywoodland. The conversation spans everything from a life-changing phone call with Francis Ford Coppola to the chaotic, experimental production process of an iPhone-shot psychedelic satire. Ambros shares how a rogue spirit, a skeleton crew, and the mantra "just make something" powered his creative journey. He also discusses the challenges of distribution, finding a cult audience, and why the edit room is his happy place. In this episode, No Film School's GG Hawkins and guest Janek Ambros discuss... How Francis Ford Coppola inspired the DIY ethos behind Mondo Hollywoodland Why the film is more of a spiritual successor than a direct sequel to the 1967 cult doc Mondo Hollywood The experimental, no-crew production process using an iPhone and real locations Casting friends and local oddballs to match the film's bizarre, countercultural tone How the film's editing and narrator shape its chaotic narrative Navigating COVID-era distribution and marketing challenges Ambros's dual approach to career-building: make art, but also think commercially Why learning to produce is essential for emerging filmmakers Memorable Quotes: "You should just make a movie with your iPhone with your friends if you don't have money." "We didn't have a cinematographer. We have a camera op. That's really it." "It was just totally the freest form of filmmaking." "Editing is definitely my favorite part of filmmaking. Everything else is a necessary evil just to edit." Guests: Janek Ambros Resources: More from NFS x Janek Screening Tickets – June 8, 6 p.m. at Lumineer Music Hall, Beverly Hills Mondo Hollywoodland on Letterboxd Assembly Line Entertainment on Instagram: @assemblylineent,  Mondo Hollywoodland on Instagram: @mondohollywoodland Janek on Twitter: @janekambros88 Assembly Line Entertainment on Twitter: @assemblylineent Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram  

Blind Mike and Freddies Birdies in-studio. Justin "The Drip" Durand reaches out to Kirk privately about making the basketball team (00:00:30). Kirk addresses Thursday and Fridays shows (00:14:20). Turtleboy is happy he got to entertain Bubba before he passed (00:16:10). Klemmer goes at Meek Phil on Picks Central (00:25:00). Riggs got extremely intoxicated in his match against Chiclets (00:33:00). Caitlin Clark continues to spark debate for the WNBA (00:46:20). Jon Fetherston wants to cancel Bruce Springsteen (01:17:00). The basketball team has another scrimmage tonight and the venue is really pulling for the team (01:30:00).You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kminshow

Mike talks to Robert Schwartzman (director, actor, musician) about his new documentary Hung Up On A Dream: The Zombies Documentary in theaters now. Robert talks about growing up in a musical household, his band Rooney getting featured on The O.C., auditioning for The Princess Diaries with Anne Hathaway, his brother Jason Schwartzman and what he learned from his uncle, legendary director Francis Ford Coppola. Robert also talks about his new documentary Hung Up on a Dream about The Zombies, the ups and downs of their career, the parallels between their story and his band, and why it’s important to support independent movies. In the Movie Review, Mike talks about Thunderbolts* aka The New Avengers. He shares why it reminded him of Phase 1, why Florence Pugh is the best actor in Marvel, and his theory as to why Marvel spoiled their own movie so quickly! He also shares where it ranks in Phase 5 of the MCU and he predicts what will be the best movie of Phase 6. In the Trailer Park, Mike talks about “The Smashing Machine” Starring The Rock. It’s a gritty A24 biopic about UFC champ Mark Kerr. Will The Rock have a chance to be nominated or even win an Oscar for the role? Hung Up on a Dream: The Zombies Documentary is in theaters NOW! Get tickets HERE New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.comSee omnystudio.com/listener for privacy information.