Podcast appearances and mentions of Francis Ford Coppola

On episode 19 of the SJX Podcast, we unpack the news that Francis Ford Coppola is selling his personal F.P. Journe FFC prototype at Phillips in a few weeks (along with most of his other watches).We also discuss the legacy of F.P. Journe, which is coming into sharper focus ahead of the opening of his museum next year. The centrepiece of the museum is set to be the Breguet Sympathique no. 1, a landmark clock originally made by Mr Journe and re-acquired earlier this year for CHF5.51 million (equivalent to US$6.61 million at the time).Show Notes:3:00 - Phillips to Offer Francis Ford Coppola's Personal F.P. Journe “FFC”5:10 - The Breguet Sympathique no. 1 made by François-Paul Journe12:10 - Cartier Portico Mystery Clock no. 3 Hosted on Acast. See acast.com/privacy for more information.

The American New Wave, or New Hollywood, launched the careers of some of the United States' most iconic filmmakers, from Steven Spielberg and George Lucas to Francis Ford Coppola and Martin Scorsese. But what was this era, when studios granted directors unprecedented creative freedom, really about, and what did it reveal about 1970s America?Hosts Elliot Bloom and Tom Ooms dive into this transformative period, discussing the quintessential elements of the movement while spotlighting cult heroes like Robert Altman and John Cassavetes and overlooked filmmakers such as Barbara Loden and Elaine May. They also ask whether today's social and political climate in the United States could spark a new wave of radical cinema.Get tickets to ⁠New Hollywood: The Films of The American New Wave⁠ @ LAB111

In this episode, I talk about Francis Ford Coppola's 1974 film, "The Conversation." The film follows Harry Caul, a wiretapper in San Francisco who becomes obsessed with a recording he's made of a young couple in a crowded park. As Harry pieces together fragments of their conversation, he's drawn into a spiral of paranoia, guilt, and loneliness.I explore what makes "The Conversation" a masterpiece—not just as a film about surveillance and paranoia, but as an intimate character study. I talk about Harry's profound loneliness, his complicity in his own alienation, and the psychic toll of a life spent surveilling others from a distance. If you'd like to support my work and get access to bonus episodes and exclusive posts, you can join me on Patreon: patreon.com/herheadinfilmspodcast.You can follow me on Letterboxd. My email is herheadinfilms@gmail.com.My Sources:Interview between Brian De Palma and Francis Ford Coppola'The Conversation:' Francis Ford Coppola's Paranoia-Ridden Tale of Surveillance, Guilt, and Isolation 

Reviewed to Death: Bram Stoker's Dracula (1992) - Classic Monsters ReimaginedThis week, the Classic November tradition rises from the grave as the crew plunges into a spooky and stylish world of gothic horror.Get ready for an episode dripping with blood, velvet, and very strong accents as Reviewed to Death looks at Francis Ford Coppola's 1992 visually stunning masterpiece, Bram Stoker's Dracula.We're not alone in the shadows! Joining the discussion is special guest, Z.C. Krol, to break down the film's iconic performances and lavish production design.Don't miss this one! Grab a glass of... red wine... and join the discussionFollow The Creepy Kroly Podcast @zc_krol Buy his book Disseverment https://a.co/d/7oECp1oListen to The Creepy Kroly Podcast on SpotifyMusic:Alone Together by Creatormix.comAll additional music provided by Groove Witness - ⁠www.groovewitness.usCreate your ⁠podcast⁠ today! #madeonzencasterRead our companion written reviews - imgur.com/user/trojaSpaceBandit

En pleine guerre du Viêt Nam, le capitaine Benjamin Willard (Martin Sheen) se voit confier une mission par les services secrets militaires américains: il doit retrouver et exécuter le colonel Walter Kurtz (Marlon Brando), dont les méthodes militaires sont jugées malsaines par la chaîne de commandement. Le colonel Kurtz a pris la tête groupe dʹindigènes et mène des opérations depuis un camp établi au Cambodge. Ses opérations contre lʹennemi sont dʹune sauvagerie terrifiante. Willard va alors remonter le fleuve jusquʹau plus profond de la jungle vietnamienne pour pouvoir éliminer le colonel Kurtz. Mais au cours du voyage, en étudiant le dossier du bonhomme, il se rend compte quʹil est très différent de lʹidée quʹil sʹen faisait. Arrivés au campement de Kurtz, les choses vont méchamment déraper. Mais je ne vous dirai ni comment, ni pourquoi, car il faut voir et revoir Apocalypse Now, film de Francis Ford Coppola, sorti en 1979. Apocalypse Now est le 8e film de ce réalisateur. Cʹest un des films les plus mythiques du cinéma du 20e siècle. Lʹimage en est saisissante et lʹhistoire du tournage a viré à la légende. Pas pour rien certainement, et on va, au cours de ce travelling, essayer de démêler le vrai du faux. REFERENCES: Le tournage du film a fait lʹobjet d'un documentaire sorti en 1991 : Aux cœurs des ténèbres : L'Apocalypse d'un metteur en scène (Hearts of Darkness: A Filmmaker's Apocalypse), réalisé par Fax Bahr et George Hickenlooper sur la base des films amateurs tournés sur les plateaux par lʹépouse de Coppola, Eleanor Coppola. Jean-Baptiste Thoret, Le Cinéma américain des années 1970, éd. des Cahiers du cinéma, 2006 Jean-Baptiste Thoret, Apocalypse Now : Un cauchemar psychédélique, livre DVD/Blu-ray Pathé Eleanor Coppola, Apocalypse Now Journal, Sonatine Éditions, 2011 COWIE, Peter, Le petit livre dʹApocalypse Now, Cinéditions, 2001 Apocalypse Now, la scène mythique des hélicoptères http://www.dailymotion.com/video/x80giv_apocalypse-now-scene-mythique_shortfilms Le trailer https://www.youtube.com/watch?v=IkrhkUeDCdQ Sur la musique dʹApocalypse Now http://blogshumanites.u-paris10.fr/content/bande-originale-du-film-apocalypse-now

All treats and no tricks for you in this packed Halloween edition of Breakfast All Day. Here's what we've got: NOUVELLE VAGUE: Richard Linklater recreates the making of the French New Wave classic "Breathless" with a movie that looks like it could have come out in 1960, as well. You don't need to know anything about Jean-Luc Godard, or Jean Seberg, or Jean-Paul Belmondo to enjoy this affectionate and humorous homage, but there are Easter eggs galore if you do. In theaters before streaming on Netflix Nov 14. SHELBY OAKS (With William Bibbiani): Our good friend Bibbs joins in on a review of this horror debut from longtime YouTube film critic Chris Stuckmann. It follows a woman investigating the disappearance of her sister, who was a paranormal investigator, in a small Ohio town. In theaters. HEDDA: Tessa Thompson is impossibly charismatic in this bold reimagining of the classic Henrik Ibsen play "Hedda Gabler." Nia DaCosta's adaptation is queer and multiracial in ways that are reminiscent of "Bridgerton." The cinematography and production design are gorgeous, but see it for the clothes alone. Streaming on Prime Video. IT WAS JUST AN ACCIDENT: This will end up being a major contender in the awards conversation. Iranian master Jafar Panahi tells the story of several disparate people who come together to abduct and confront the man they believe was their torturer in prison. It's tense and beautifully acted, with an unexpected streak of absurd humor. In theaters. MOVIE NEWS LIVE!: Our travels have kept us from doing our movie news livestream for the past couple weeks, so it was nice to be together again. Among the topics we discussed were the upcoming "Stranger Things" finale, "Sinners" and "K-Pop Demon Hunters" back in theaters, Osgood Perkins Day, and Francis Ford Coppola auctioning off his watch collection. We're gone next week but back Nov. 14. Thanks for being here! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

Mark Simone talks about the Washington Post being cleaned up following the acquisition by Jeff Bezos; The Democrats losing their mind over the new ballroom despite most other top countries having similar buildings for visiting officials; the Louvre heist investigation still going on with a few of the rumors that are circulating; Bill Gates changing his tune on climate change and turning his back on the Dems; Francis Ford Coppola allegedly went broke making his passion project ‘Megalopolis' and now being forced to pawn off some old watches to make some money back; Businesses are looking for pennies after the treasury stopped producing them earlier in the year; A lawsuit filed by Donald Trump over the Iowa poll before the election that turned out to be wildly inaccurate.  See omnystudio.com/listener for privacy information.

Mark Simone talks about the Washington Post being cleaned up following the acquisition by Jeff Bezos; The Democrats losing their mind over the new ballroom despite most other top countries having similar buildings for visiting officials; the Louvre heist investigation still going on with a few of the rumors that are circulating; Bill Gates changing his tune on climate change and turning his back on the Dems; Francis Ford Coppola allegedly went broke making his passion project ‘Megalopolis' and now being forced to pawn off some old watches to make some money back; Businesses are looking for pennies after the treasury stopped producing them earlier in the year; A lawsuit filed by Donald Trump over the Iowa poll before the election that turned out to be wildly inaccurate.  

Today, the scary is everywhere! A man threw his own funeral and he wasn't dead, plus a blind man in Italy received state benefits for 50 years, problem for him is that he wasn't actually blind. A restaurant in Washington has a strict no phones policy, and people are loving it. Something appears to be up with Britney Spears and it doesn't seem good. Francis Ford Coppola is broke, as in no money, and AI could soon be assisting NFL refs. Early to bed and early to rise isn't necessarily a good thing, and as odd as it may sound, people are being warned they shouldn't lick the toads. Three women were arrested because their underwear had $650,000 worth of gold in them, and Valentine's Day is not the loneliest day of the year for singles; Halloween is! Today is our Halloween Spooktacular and it's a complete waste of your time. That I promise.

Torna Antonio Buoso per una puntata dedicata al cinema horror degli anni '80 con il film “Vamp”, storia di due studenti universitari che per entrare in una confraternita devono procurarsi una spogliarellista per una festa. I due insieme a un amico finiranno in un club di striptease gestito da una misteriosa donna chiamata Katrina, interpretata da una delle più importanti e famose popstar dell'epoca, Grace Jones. E dopo la puntata non perdere l'episodio di "Cinescore - le musiche nel cinema" interamente dedicato alla musiche del film "Dracula di Bram Stoker" di Francis Ford Coppola realizzate da Wojciech KilarCINESCORE la nuova stagione:Youtube: https://youtube.com/@cinescorepodcast?si=khh-IIq_1nyP25vtSpotify: https://open.spotify.com/show/7hP5yuSLBIBZ9jAusTTJ68?si=d4a415c251724199

This week on The Movie Men Podcast, Brady and Carl sink their teeth into Francis Ford Coppola's lavish Gothic masterpiece, Bram Stoker's Dracula (1992). With its extravagant visuals, operatic performances, and buckets of blood, this one's a feast for both horror fans and cinephiles alike.   Like us on Facebook - https://www.facebook.com/The-Movie-Men-Podcast-2335323586526490/ Support us on Patreon - https://www.patreon.com/themoviemenpodcast Follow us on Instagram - https://www.instagram.com/themoviemenpodcast/ Follow us on X - https://twitter.com/TheMovieMenPod Buy our Merch - https://shop.spreadshirt.ca/the-movie-men-podcast/ MOVIE MEN BINGO - https://mfbc.us/m/jz85dn?fbclid=IwAR2sBAj4B4gZWApb91_azca4QfYX6WGzu7YxHwiIwOHqVONtd9bOoTwPQAI Brady' Gaming Channel - https://www.youtube.com/channel/UCH6K0vldmqS05fxegNrwWHw

Valenti and Rico opened an absolutely packed third hour with a college football blitz. Then, the guys reacted to some news about the LSU football head coach search before poking fun at a story about legendary director Francis Ford Coppola.

Valenti and Rico discuss the absurdity behind a headline that legendary director Francis Ford Coppola is selling a few watches due to losing all of his own money making Megalopolis.

Hey, remember when they used to make official comics adaptations of major motion pictures? Hellboy auteur Mike Mignola drew one for the 1992 film Bram Stoker's Dracula! We look at this unusual gem from Topps Comics and weigh in on how the subject matter plays to Mignola's strengths and how it functions as an adaptation of the film. Plus, history and context for the novel that started it all.Listen to the rest at patreon.com/ironageofcomics$5 for this episode, or $2/month for access to all Fifth Week Bonus episodes, plus our monthly newsletter

Ep. 357: Radu Jude on his new film Dracula, plus One Battle After Another, shooting his next film, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Radu Jude's latest film, Dracula, is a fervidly imaginative, joyously profane look at this enduring myth through multiple stories, riffing on past tellings, a dinner theater, Francis Ford Coppola's film, a sweatshop run by vampires, assorted AI grotesquerie, and more. As a fan of Radu Jude's work, I couldn't resist another conversation with the multiple-award-winning Romanian director of Do Not Expect Too Much from the End of the World. He also dug into the history of the Dracula story in Romania and shared his recent viewing and reading, including thoughts on One Battle After Another. Dracula opens in theaters on October 29. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

In a world that often confuses power with permanence, Roxanne Messina Captor reminds us that true influence is measured in impact, not applause. An Emmy-nominated writer, director, and producer—and a three-time breast cancer survivor—she has spent her life turning challenge into creation, and policy into possibility. From mentoring under Francis Ford Coppola to leading California's arts movement as Chair of the California Arts Council, Roxanne continues to prove that when creativity meets courage, culture changes.Featured in 'The Beautiful Edition' of AwareNow Magazine: www.awarenowmagazine.comGuest: Roxanne Messina CaptorHost: Allié McGuireMusic by: Dodo DanciuProduced by: AwareNow Media

The podcasters who cried “emergency” are back to plead their ignorance on all things. First they chat about Halloween and their best and worst costumes. Then they shift gears into Francis Ford Coppola impressions before tackling news headlines, like the major sports betting scandal involving the mob and the real reason Jennifer Aniston turned down SNL before landing  Friends. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Francis Ford Coppola is broke! He said he is selling off some of his prized watches to stay afloat! 

“All those moments will be lost in time... like tears in rain.”A Legacy of Light and ShadowCinematographer Jeff Cronenweth joins Movies We Like hosts Andy Nelson and Pete Wright to explore Ridley Scott's groundbreaking 1982 film Blade Runner. As the son of the film's original cinematographer Jordan Cronenweth, Jeff brings a unique perspective on both the technical achievements and lasting influence of this sci-fi noir masterpiece. With his recent work on Tron: Ares hitting theaters, Cronenweth reflects on how Blade Runner continues to inspire filmmakers and cinematographers four decades later.From early experiences on film sets with his father to becoming David Fincher's go-to cinematographer on films like Fight Club, The Social Network, and The Girl with the Dragon Tattoo, Cronenweth has built a career focused on visual storytelling that serves character and narrative. He describes his approach as seeking human stories within any genre, whether period drama or science fiction. His transition from film to digital cinematography reflects broader industry changes, while maintaining his commitment to thoughtful, story-driven imagery.The conversation explores how Blade Runner created its influential neo-noir aesthetic with remarkably limited technical resources, including just three xenon lights for its iconic beam effects and borrowed neon lights from Francis Ford Coppola's One from the Heart set. Cronenweth shares insights into the film's production challenges and creative solutions, from practical lighting techniques to Ridley Scott's visionary production design. The discussion examines how the film balances its high-concept science fiction premise with intimate character moments, creating a template for genre storytelling that continues to resonate. Cronenweth also offers perspective on the various cuts of the film and its 2017 sequel.Through this engaging conversation, Cronenweth illuminates not just the technical mastery behind Blade Runner, but its enduring impact on cinema. His unique connection to the film through his father, combined with his own distinguished career, offers viewers fresh insights into this landmark work of science fiction and its continuing influence on visual storytelling.

This week, we dive headfirst into the visual and stylistic feast that is Francis Ford Coppola's "Bram Stoker's Dracula" (1992).The ambition is undeniable—Coppola wanted to make a definitive, hyper-gothic, technically ingenious vision of the classic novel. And yet, for all its spectacular in-camera effects, Oscar-winning costumes by Eiko Ishioka, and Gary Oldman's powerhouse performance, the hosts find themselves a little lost in the crimson mist.Lemar and Mackenzie agree that this film, despite its good parts (and they are gorgeous parts), is simply trying to do too much. We discuss the overstuffed plot, which attempts to be a sweeping historical tragedy, a lurid gothic horror, an erotic thriller, and a faithful period piece all at once. We praise Oldman's captivating Count, the lush, jaw-dropping visual artistry, and the sheer audacity of the production. But we can't ignore the narrative confusions, the wildly uneven supporting performances (poor Keanu), and the overall feeling of maximalism that leaves the story feeling dispersed rather than cohesive.Tune in as we try to see the good in this operatic monster movie, ultimately concluding that sometimes, even a masterpiece can be too much of a good thing.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

ONE HOT FEST – ADELAIDE FILM FESTIVAL is a special mini-series from One Heat Minute Productions, diving into Australia's most charismatic celebration of cinema. Host Blake Howard takes you inside the Adelaide Film Festival — from filmmaker interviews and festival dispatches to reviews and discussions with guests and critics — relaying the energy, stories, and spirit that make it one of Australia's most electric film events.Synopsis:A behind-the-scenes documentary about the making of Francis Ford Coppola's Megalopolis (2024).Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Filmmaker Ari Gold turns the camera on his own family in "Brother Verses Brother," an ambitious one-shot musical that follows him and his identical twin brother searching for meaning through the streets of San Francisco's North Beach, alongside their 99-year-old novelist father, Herb. Gold explains how this experimental work, executive produced by Francis Ford Coppola and generating serious buzz on the festival circuit, blurs the line between documentary and fiction, asking uncomfortable questions about art, family, and what we're willing to expose in pursuit of truth.

In this episode, we explore Lucas Wars by Laurent Hopman and Renaud Roche. The book reveals how a life-altering car crash in Modesto, CA, changed George Lucas's path forever, leading him to film school where he met the likes of Steven Spielberg and Francis Ford Coppola. We discuss his untold struggles, from the first film that bankrupted his company to a studio that wasn't thrilled with his vision. The book takes us behind the scenes of the on-set disasters, actor casting challenges, and studio interference that plagued the production of Star Wars: A New Hope. This is a must-read for any film fan, revealing the true grit and creative vision that built a galaxy far, far away.

Join Alex and guest host Dr. Jon Mandracchia as they become members of the Corleone family discussing Francis Ford Coppola's The Godfather (1972). This first part stars Marlon Brando as Vito Corleone, a mafia Don whose life is based on tradition. Also starring Al Pacino as Michael, Vito's son, who unexpectedly, but with his full throat, becomes the new Don. Robert Duvall, James Caan, Diane Keaton, and many others bring an amazing cast of characters to life. The conversation centers around criminogenic thinking, the cognitive processes that lead to criminal behavior, and inputs into that thinking, like the Dark Triad personality traits. Further, an there is an exploration of the mafia as an extension of Italian American immigrant culture and how this film portrays the softer side of power politics and dynamics. Listening to this episode is an offer you can't refuse! Learn more about Avila University's Master's in Counseling program, email Jon to ask questions, or head to his Research Gate profile to read his work! If you like this content, you might like my new Audible audiobook/course, A Psychologist Goes to the Movies, available now! It features six films that have been on this show, condensed into 25-30 min essays, researched and analyzed. Please leave your feedback on this post, the main site (cinemapsychpod.swanpsych.com), on Facebook (@CinPsyPod), or Threads/Instagram (@cinemapsych_podcast). We'd love to hear from you! Don't forget to check out our Paypal link to contribute to this podcast and keep the lights on! Don't forget to check out our MERCH STORE for some great merch with our logo and other designs! Legal stuff: 1. All film clips are used under Section 107 of Title 17 U.S.C. (fair use; no copyright infringement is intended). 2. Intro and outro music by half.cool ("Gemini"). Used under license. 3. Film reel sound effect by bone666138. Used under license CC-BY 3.0. Episode Transcription Go to this link to read a transcript generated by Whisper AI Large V3 Model. Disclaimer: It is not edited and may contain errors!

pWotD Episode 3084: Diane Keaton Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 3,456,836 views on Saturday, 11 October 2025 our article of the day is Diane Keaton.Diane Keaton (née Hall; January 5, 1946 – October 11, 2025) was an American actress. She received various accolades throughout her career spanning over five decades, including an Academy Award, a BAFTA Award, and two Golden Globe Awards, in addition to nominations for two Emmy Awards, and a Tony Award. She was honored with the Film Society of Lincoln Center Gala Tribute in 2007 and an AFI Life Achievement Award in 2017.Keaton's career began on stage when she appeared in the original 1968 Broadway production of the musical Hair. The next year she was nominated for a Tony Award for Best Featured Actress in a Play for her performance in Woody Allen's comic play Play It Again, Sam. She then made her screen debut in a small role in Lovers and Other Strangers (1970), before rising to prominence with her first major film role as Kay Adams-Corleone in Francis Ford Coppola's The Godfather (1972), a role she reprised in its sequels Part II (1974) and Part III (1990). She frequently collaborated with Woody Allen, beginning with the film adaptation of Play It Again, Sam (1972). Her next two films with him, Sleeper (1973) and Love and Death (1975), established her as a comic actress, while her fourth, Annie Hall (1977), won her the Academy Award for Best Actress.Keaton was further Oscar-nominated for her roles as activist Louise Bryant in Reds (1981), a leukemia patient in Marvin's Room (1996), and a dramatist in Something's Gotta Give (2003). She was known for her roles in dramatic films such as Looking for Mr. Goodbar (1977), Interiors (1978), and Crimes of the Heart (1986), as well as comedic roles in Manhattan (1979), Baby Boom (1987), Father of the Bride (1991), its 1995 sequel, Manhattan Murder Mystery (1993), The First Wives Club (1996), The Family Stone (2005), Finding Dory (2016), and Book Club (2018).This recording reflects the Wikipedia text as of 02:36 UTC on Sunday, 12 October 2025.For the full current version of the article, see Diane Keaton on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Salli.

One of the greatest American movie trilogies has been right under our eyes for decades. Francis Ford Coppola's & team's The Godfather Parts 1, 2, and 3 form one of the most impressive three part movie projects ever attempted. It's easy to overlook this since The Godfather 3 came out 16 years after The Godfather 2 and is not considered at the same level as the first two movies. And yet, despite its definite shortcomings, The Godfather 3 is still one of the best movies of the 1990's and a fascinating and FITTING conclusion to the tragedy of Michael Corleone. Secret Movie Club founder.programmer Craig Hammill looks at what it took to make the three movies (it was always a fight) and how they fit together to form one of the few great Shakespearean level tragedies of American cinema. 

Today we're diving into George Lucas' debut film, ‘THX 1138' (1971) - which I argue is one of the most influential films of all time. We talk about the early life of director George Lucas and how he went from underground race-car driver to wannabe experimental filmmaker. We dive into his USC-nerd-friends “The Dirty Dozen” and how a budding bromance with Francis Ford Coppola led to one of the most important idealistic yet doomed production companies, American Zoetrope. All this plus an audience discussion after the film, and lobby interviews with Peyton Johnson…it's a great late night live show, Behind the Slate Style.Recorded live at The Plaza Theatre in Atlanta, GA. Come see us for our next live show in Athens, GA on October 9th where we will be screening Andrzej Żuławski's film ‘Posession'. Tickets here: https://www.athenscine.com/movie/possession Email us: behindtheslatepod@gmail.com Instagram: @behindtheslatepod TikTok: Behind the Slate YouTube: @behindtheslatepodcast This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit behindtheslatepod.substack.com

This Week for your Daily Ratings Movie News: Casting rumors are everywhere, from Glenn Powell as Evel Knievel, to Jacob Elordi as James Bond. We have some pirate news, and also Park Chan-Wook's western hopes along with Francis Ford Coppola's next project.    Want to check out all our Movie Scores and so much more? Stop by our Website!  - The Daily Ratings! Would you'd like to support The Daily Ratings and become a Producer? Check out our Donation Page!  - Support Us Here! Want to see the ratings on all the latest movies? Here are all the movies playing in theaters!  - Now Playing Here! Don't forget to stop by our shop for all the T-shirts, Hoodies, and Daily Ratings Gear!  - Shop the Store!

Welcome to Out of the Shadows, a series that dives into the world of (mostly) 80s horror movies. Join Chris Chavez and Jim Clark as they explore the best and worst of what made the 80s the golden age of horror. This week, 31 Days of Halloween is BACK for the 5th year! On this episode, Chris and Jim discuss Francis Ford Coppola's Bram Stoker's Dracula, Carnival of Souls, Piggy, and The Wailing.

When Francis Ford Coppola shoots you an email asking you to transform his new movie into a comic book, you say yes and worry about the details later. Chris Ryall got the email. Once he got over the shock ot it, he immediately knew who to contact next: Comic Book Couples Counseling regular, Jacob Phillips. They couldn't have possibly understood what an undertaking they were committing to during those early days, but nearly five years later, they have the Megalopolisgraphic novel in their hands. It's something special. As you'll hear on this week's podcast, Francis Ford Coppola wanted Ryall and Phillips to make the comic their own. If that meant chopping up the script or fabricating the designs, so be it. Jacob Phillips approaches the likenesses the way he would any corporate comic character. If he were on Batman, he'd do his version of Batman. So, he'd apply the same logic to Adam Driver. The actor is the design, but the pencils and inks belong to Phillips. The magic is in how the movie and the comic, crafted independently of each other, aligned so well together. Chatting with Ryall and Phillips allowed us to celebrate both artistic mediums. We discuss the challenges of translating cinematic ideas onto panels, the need for repertoire stories, and the hope within Francis Ford Coppola's humanism. Before all that, however, we also discuss the new documentary, Shopping for Superman. Directed by Wes Eastin, the film travels across America, from one comic book shop to another. It's a must-watch for every comic book reader, as it honors the industry while contemplating where it's all going in the wake of Diamond Comic Distributors' destruction. Megalopolis, the comic, is published by Abrams ComicArts and arrives in shops on October 7th. Make sure you're following Chris Ryall on his Substack, Instagram, and Blue Sky. Also, follow Jacob Phillips on Instagram and Blue Sky. This Week's Sponsors Launching this October, it's the latest entry in IDW Publishing's Kei-Sei line of Godzilla comics: Starship Godzilla, a cosmic adventure. It's written by award-winning scribe Chris Gooch (of In Utero fame) and illustrated by inventive artist Oliver Ono (I mean, come on, did you read their Godzilla: Monster Island Summer Camp? Insta-Classic). The Kai-Sei Era is the only ongoing Godzilla story of its kind, crafted for comics readers who have never bought a Godzilla book and Godzilla fans who have never read a comic. Starship Godzilla #1 is out now wherever rad comic books are sold. Judge Dredd Megazine turns thirty-five years old this October, and it'll be celebrating with a very special issue perfect for first-time readers! Featuring the return of the critically acclaimed series Dreadnoughts and Megalopolis, this 100-page issue is a brilliant way to jump into the crazy world of 2000 AD. You'll also find incredible new stories featuring Judge Dredd, Judge Anderson, and much more inside! Get a print subscription to the Megazine and it'll arrive through your American mailbox every month – or get a combi subscription and receive 2000 AD each week as well! If you subscribe digitally, you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics Chris Condon in The Stacks at Third Eye Comics Brad and Lisa Gullickson in The Stacks at Third Eye Comics Sanford Greene in The Stacks at Third Eye Comics Philip Kennedy Johnson in The Stacks at Third Eye Comics Steve Anderson in The Stacks at Third Eye Comics David Brothers and Chip Zdarsky in The Stacks at Third Eye Comics Benjamin Percy in the Stacks at Third Eye Comics Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Long-lingering shadow takes tender hand, leading the blood waltz; on red screen its silhouette a tale of lust and illusion, hunger and restraint. "Gentlemen, we are not fighting some disease here."

Tis the season for a spooky movie! The scariest thing about this film is probably a tie between Keanu's accent and Keanu's bowl cut, but we still love it. If you want Dracula delivered to your inbox in real time, check out Dracula Daily! DM: Amy CW: SA Join us on our BRAND NEW Discord server!

For this episode of Necronomicast, I am thrilled to bring you a conversation with a legend in the motion picture industry...Alan Howarth! Alan Howarth's award–winning film work started on Star Trek–The Motion Picture, launching him as a sound designer for the following 6 Star Trek feature films. Next was “Escape From New York”, collaborating on music with director and composer, John Carpenter, and scoring for “Halloween sequels 2–6″, “Christine”, “Big Trouble in Little China”, “Prince of Darkness” and “They Live”. He has since composed music for over 50 films.  His sound design work placed him on the Oscar–winning sound effects teams for “The Hunt for Red October” and “Dracula” directed by Francis Ford Coppola, as well as receiving awards and nominations for sound design on The Little Mermaid, Back to the Future II and III, Stargate, Die Hard II, and Raiders of the Lost Ark.  Alan's audio expertise in music and sound has been utilized for cutting edge projects in virtual and augmented reality projects and supervised immersive, interactive game audio. He has been a creator of music and sound effects libraries and 3D audio system production and installations. He is recognized as an expert in analog synthesizers, authored several patents for Natural Frequency Spectrum Music Conversion, and has served as musicologist for Academy of Future Science doing field research into ancient structure acoustical properties. Alan is also performing music live at conventions, special events and seminars in USA, Europe, and Asia. Alan Howarth's official website! Sponsor an episode, buy me a coffee! Thank you!

Scot and Jeff discuss the second part of Tom Waits' career (1983-2011) with Damon Linker.Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Damon Linker. Damon is a senior lecturer in political science at the University of Pennsylvania, and publishes a Substack newsletter titled “Notes from the Middleground.” Follow him at @DamonLinker on Twitter.Damon's Music Pick: Tom WaitsWe sail tonight for Singapore and we're all as mad as hatters here. Yes, Political Beats finishes its two-part celebration of the career of Tom Waits, rejoined by doughty boatswain Damon Linker as we pilot our way to unknown musical seas. Tom Waits had a fine career up through the year 1982, when he finished work on the soundtrack for Francis Ford Coppola's One from the Heart. But we're talking about the man primarily because of what happened afterwards, when he became more than just a down-and-out jazz pianist with the voice of a Babadook. Waits met script supervisor Kathleen Brennan on the set of the film and fell in love, marrying a year later. (They remain married to this day.) Proving herself the anti-Yoko Ono, Brennan then alchemically helped to raise Waits's music to an entirely new level of excitement and experimentation. His lyrics ideas become weirder, and more vivid. His ballads become infinitely more heartfelt (most of them are secretly addressed to Brennan). And his arrangements become a world of their own: Tom Waits begins, in 1983, to create glorious junk sculptures out of sound, using uncharacteristic (often minimalistic) instrumentation to create music that nobody has heard before.Through such landmarks of the 1980s and 1990s as Swordfishtrombones, Rain Dogs, Bone Machine, and The Mule Variations, Tom Waits transcended his balladeering origin -- without ever leaving it entirely behind -- and created a body of work famous for its eccentric, compelling, and deeply influential series. Once you get past the fact that he has a voice like the sawblades of a lumber mill, entire worlds will open up to you. Click play and clap hands! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Francis Ford Coppola Winery "Director's Cut" Alexander Valley Cabernet In this episode, Rob and Scott welcome back Francis Ford Coppola Winery and their Director's Cut Alexander Valley Cabernet.  So come join us, on The Wine Vault.

Quoi de mieux qu'un épisode de STEROIDS - LE PODCAST consacré à un film de Tony Scott, pour lancer la campagne de précommandes de notre ouvrage spécial consacré au cinéaste ?Nous avions déjà fait des épisodes sur LE DERNIER SAMARITAIN et TRUE ROMANCE, ainsi qu'une vidéo sur MAN ON FIRE. C'est pourquoi Rafik Djoumi et Stéphane Moïssakis ont décidés de s'attaquer à ENNEMI D'ÉTAT, production Jerry Bruckheimer de haute volée, avec Will Smith et Gene Hackman. Un thriller influencé par CONVERSATION SECRÈTE de Francis Ford Coppola, sur lequel Tony Scott apporte son indéniable savoir-faire !Précommandez CAPTURE MAG N°4 : TONY SCOTT - LE STYLE ET LA SUBSTANCE sur Tipeee : tinyurl.com/mppzfswwRetrouvez toutes nos émissions sur http://www.capturemag.frPour nous soutenir, il y a deux adresses :PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-mag Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

0:00 SEGMENT 1: Chris McQuillen talks about the Toyman Toy Show coming to the Machinists Hall in Bridgeton on September 28th. He is also joined by Duncan Watson, who voiced Charlie Brown from 1975 - 1977. https://toymanshow.com/ https://www.instagram.com/duncanwatsonstoryteller/ 15:29 SEGMENT 2: Actor Keone Young talks about voicing  Storm Shadow in G.I. Joe, going to cons like Farley Con in Chattanooga, voicing multiple characters at once on a tv show, meeting John Cassavetes, what inspired him to become an actor, working with J.J. Abrams, working with Al Pacino, and working with Francis Ford Coppola.https://www.instagram.com/youngkeone/ 38:11 SEGMENT 3: Keone Young talks about being cast on G.I. Joe, live action VS. voice acting, and working on Star Wars Rebels.https://www.facebook.com/officialkeoneyoung/ Check out the ‘Justice League Revisited Podcast' with Susan Eisenberg and James Enstall at https://anchor.fm/justiceleague Thanks to our sponsors Historic St. Charles, Missouri (https://www.discoverstcharles.com/), Bug's Comics and Games (https://www.facebook.com/profile.php?id=100070575531223)Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl Patreon -   https://www.patreon.com/GeekToMeRadio Website -   http://geektomeradio.com/   Podcast -   https://anchor.fm/jamesenstall Facebook -   https://www.facebook.com/GeekToMeRadio/  Twitter -   https://twitter.com/geektomeradio  Instagram -   https://www.instagram.com/geektomeradio/ Producer - Joseph Vosevich https://twitter.com/Joey_Vee 

In this episode award-winning filmmakers Sean Mannion and Nicole Solomon discuss James Gunn's 2025 Superman film and Francis Ford Coppola's The Godfather.The show starts with an overview of the films and the hosts' personal opinions of the films before diving into the broader discussion of what they reflect about each other and our culture.Episode Links: Pauline Kael Review of The Godfather: https://www.newyorker.com/magazine/1972/03/18/the-godfather-movie-review-pauline-kaelDvid Sims Review of Superman: https://www.theatlantic.com/culture/archive/2025/07/superman-movie-2025-review/683462/James Gun and David Corenswet Debating the Speech about being Human: https://youtube.com/shorts/auz1txQ5WVc?si=1tPeOz6Py9QnNAgQSubscribe to our channel and make sure you set the reminders up, so you'll know when the next episode is coming.Want access to bonus episodes, exclusive content, our films, behind the scenes goodies and more? Join our Patreon! http://www.patreon.com/4milecircusLearn more about our work in general at http://www.4milecircus.comSubscribe to the audio only version of the show here on YouTube or search for The Celluloid Mirror on your favorite podcast platform.Correction: Sean misremembered Justice League International artist's name Kevin Maguire as Kevin Nolan (probably because of Kevin Nealon?). He meant Kevin Maguire.Episode Segments0:00 - Start0:52 - Introduction to the Show5:18 - Introduction to the Films6:40 - Our Response to the Films12:28 - A Word from Our Sponsor19:00 - Reflections of the Films41:10 - Discussion on Fredric Wertham's Impact on Superhero Comics1:02:10 - Critics and Letterboxd Users Response to the Films1:28:15 - Discussion of Watchmen and the Shared Era James Gunn is Drawing From1:39:57 - Wrap UpMusic"Twisted" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"

Dr. Hoby Wedler is an insightful, disarming, and passionate thinker who loves to bring people together to help them see new possibilities. With the heart of a teacher, Hoby helps turn dreams into realities. Hoby has been completely blind since birth. He is a chemist, an entrepreneur, a sensory expert, and is driven by his passion for innovative, creative, and insightful thinking. Hoby is remarkably tuned into his surroundings and has frequently chosen to walk the unbeaten paths in life over known territories. In 2016, Hoby earned his Ph.D. in organic chemistry from UC Davis. His fearlessness is infectious, and he has actively paved the way for others to join him in his quest to follow passions regardless of the challenges that lie ahead. In 2011, Hoby founded a non-profit organization to lead annual chemistry camps for blind and visually impaired students throughout North America. In the same year, he began opening doors to the world of wine aromas by developing Tasting in the Dark, a truly blindfolded wine experience, in collaboration with Francis Ford Coppola. He has since expanded the program to a global market in a variety of industries and special projects. Hoby uses his highly-trained palate and acute sensory insight of his surroundings in his work as a sensory expert and product development consultant. Over the years, Hoby has become a motivational speaker, a mentor, and an educator committed to making the world more inclusive and accessible for all. Hoby also co- founded a gourmet seasonings company, Hoby's Essentials and is co-founder of Senspoint, a Creative and Marketing firm who works with anyone committed to creating positive impact. In Hoby's work, you will find a unique trilogy between sensory awareness, scientific knowledge, and a love for sharing his insights. Numerous people and organizations have recognized Hoby's work over the years. To name a few, President Barack Obama recognized Hoby by naming him a Champion of Change for enhancing employment and education opportunities for people with disabilities. Also, Forbes Media named Hoby as a leader in food and drink in their 30 under 30 annual publication. In 2021, Hoby was named a 40 under 40 Tastemaker by The Wine Enthusiast. Hoby is dedicated to impacting everyone he works with by unlocking doors, overcoming challenges, increasing awareness, and expanding their horizons. To know more about Hoby visit his website: www.hoby.com

Join Film Seizure as we jump into the rumble between the Socs and the Greasers in the Francis Ford Coppola-directed, S.E. Hinton adaptation of The Outsiders. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

Ian and David crank things up to eleven with another---Nevermind. Not gonna finish that hackneyed joke.But it feeds right into today's double-feature review of Spinal Tap 2: The End Continues and Megadoc.What do a legacy sequel about a fake British rock band and a documentary about filming one of cinema's most notorious flops have to do with one another? More than you might expect, as we discover in this spoilerific deep dive.Spinal Tap 2 picks up with Nigel, David, and Derek reuniting for one last (contractually obligated) concert. But do they still have "it", and do cameos by legends like Sirs Paul McCartney and Elton John elevate the absurdist mockumentary humor--or simply drag it out?Mike Figgis' Megadoc finds the director chronicling the making-of chaos behind Francis Ford Coppola's Razzie Award-winning retro-futurist drama, Megalopolis. From difficult actors to incomplete ideas to entire departments being wiped out on a whim, the film drags shadowy Hollywood mystique into the daylight (for better and worse).Join us for an examination of two movies that don't quite work--but whose seeds of greatness were trampled on by ego, age, and cynical nostalgia!Support Kicking the Seat on Patreon, watch us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the Spinal Tap 2 (2025) trailer.Watch the Megadoc (2025) trailer.Keep up with all of David Fowlie's film criticism at Keeping It Reel.Plus! Listen to Ian and David's other recent (and very raucous) reviews of:Being Maria / Last Tango in Paris (2025 / 1972)The Unholy Trinity (2025) Magazine Dreams (2025)A Real Pain (2025)Rebel Ridge (2024)Duchess (2024)What Remains (2024)

Director Mike Figgis made the most of his opportunity to follow Francis Ford Coppola as the octogenarian filmmaker poured heart and soul, not to mention tens of millions of dollars, into making his 2024 narrative feature, Megalopolis. Figgis tells us what he observed behind the scenes as Coppola attempted to bring his cinematic vision to life, beset by creative issues that led to firings and resignations, and conflict with one of his principal actors, Shia LaBeouf.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we welcome editor Glen Scantlebury, ACE. Glen has worked on a variety of influential films such as Megalopolis, Dracula, The Cotton Club, The Godfather Part III, Armageddon, Con Air, The Rock, Lara Croft: Tomb Raider, The Texas Chainsaw Massacre (2003), Friday the 13th (2009), A Nightmare on Elm Street (2010), Tropic Thunder, and Palo Alto. In our chat, we hear about his pathway to editing features, his role in pioneering digital editing workflows, collaborating with Francis Ford Coppola, and much more. Glen also offers the next generation of creators various insights and recommendations on editing and storytelling. “The Making Of” is presented by AJA:Gear up: AJA just launched new techFlexibility is everything in production, which is one of many reasons to check out AJA's newest products. IP25-R bridges SMPTE ST 2110 networks and 4K SDI/HDMI infrastructure, UDC-4K scales between HD and 4K/UltraHD, and BRIDGE LIVE 12G-4 provides a multi-channel UltraHD IP video workflow bridge for remote production, streaming, video contribution, and more. Learn more.Next-Gen DIY Storage, UnleashedThe OWC Express 1M2 80G delivers over 6000 MB/s real-world performance using the latest USB4 v2 (80 Gb/s) interface, with Thunderbolt 5 compatibility for next-gen workflows. Choose a ready-to-run or DIY enclosure—upgradeable to 8 TB using NVMe M.2 SSDs. Its passive heatsink design ensures silent, consistent speeds, all in a bus-powered, palm-sized form factor. Explore hereThe Art of Editing “Andor” with Yan Miles, ACE: OWC Takes Home Two Future's Best of IBC2025 Show Awards:Both the OWC Thunderbolt 5 Dual 10GbE Network Dock and OWC Jellyfish S24 Earn Coveted Honor at IBCOther World Computing announced its OWC Thunderbolt 5 Dual 10GbE Network Dock and its OWC Jellyfish S24 have both been awarded a Future's Best of Show Award, presented at IBC2025 by TVBEurope. Read more here Introducing Ninja TX:Introducing Ninja TX, the all-new addition to the Ninja family. It's equipped with 12G-SDI and HDMI, so now you can monitor & record from any pro camera to ultra-fast CFexpress media or external USB-C storage. You also get built in Wi-Fi for C2C workflows and AirGluTM timecode for multicam projects, all in a lightweight, compact 5-inch form factor. Atomos Ninja TX is available for pre-order for only $999 at Videoguys.com. Learn more herePost|Production World NY 2025:We're proud to support Post|Production World NY 2025, October 22–23 at NAB Show New York. Join editors, filmmakers, and creators for two days of expert-led sessions in color grading, cinematography, workflows, and creative AI. Save 15% with code FMCP15. Get your pass herePodcast Rewind:Sept 2025 - Ep. 95…Sponsor “The Making Of” newsletter and reach 250,000 filmmakers, TV production pros, and content creators each week. For more info, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

No one is being silenced on this podcast and we are keeping free speech going by reviewing 11 films this week. Erik Childress and Steve Prokopy go back to last year's Fantastic Fest to revisit Alexandre O. Phillippe's latest essay on The Texas Chainsaw Massacre (Chain Reactions). Mike Figgis goes behind the scenes of Francis Ford Coppola's passion project (Megadoc) and there's another documentary on a filmmaker who would probably be making ones for the Trump Administration today (Riefenstahl). In lighter fare, a virginal Lily Singh becomes a sex-ed professor (Doin' It) and Josh Duhamel trains a LARPer to become a hitman (London Calling). Someone is killing babysitters again (Night of the Reaper) and Neil Marshall makes his funniest film (it's not a comedy) (Compulsion). Billy Zane morphs into an iconic actor living in Tahiti (Waltzing with Brando), Lily James plays one of the founders of Tinder (Swiped) and Michael Chiklis plays a 59 year-old college football player (The Senior). Finally, we have an early review of the latest film from Paul Thomas Anderson which is the timeliest film to ever deserve that term (One Battle After Another).4:10 - Chain Reactions14:12 - Riefenstahl19:47 - Megadoc31:18 - The Senior38:47 - Night of the Reaper44:13 - Doin' It50:37 - Swiped57:22 - Compulsion1:05:58 - Waltzing with Brando1:14:43 - London Calling1:21:32 - One Battle After AnotherCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

It's a jam-packed, mid-week episode of our Breakfast All Day podcast. We begin with a super-early, spoiler-free review of "One Battle After Another." Paul Thomas Anderson's latest epic doesn't come out until Sept. 26, but we couldn't wait to talk about it. We'll do a spoiler-free LIVE YouTube chat at Noon Pacific on Tuesday, Sept. 30, so mark your calendars for that. And! Join us before a showing of ONE BATTLE AFTER ANOTHER on opening weekend. We'll be at CinemaWest Beach Cities before the 6pm showing on Friday, Sept. 26. Say hello to us in the lobby bar starting around 530pm, then head into the theater and see the movie on their GIANT screen. Find out more and get tickets here: https://web.cinemawest.com/films/One-Battle-After-Another/HO00000209 Also in this episode, we have reviews of two movies about movies: the documentaries "Megadoc" (about Francis Ford Coppola's "Megalopolis") and "Chain Reactions" (about Tobe Hooper's "The Texas Chain Saw Massacre"). We catch up with the charming indie rom-com "The Baltimorons," about an unlikely relationship that develops on Christmas Eve. And we spend some time remembering Robert Redford, who died this week at his Utah home at 89. Words like "legend" and "icon" don't feel like enough in describing Redford's life and career. He was THE movie star. We'll honor him with our Off the Menu poll on our Patreon next month, so keep an eye out for that. Thanks for being here! Subscribe to Christy's Saturday Matinee newsletter so you don't miss a thing! https://christylemire.beehiiv.com/

Francis Ford Coppola's The Godfather (1972) is widely regarded as one of the greatest films of all time. Based on Mario Puzo's best-selling 1969 novel, The Godfather depicts the rise and legacy of the Corleone family, a fictional Italian-American organized crime family led by Vito Corleone and the transformation of his son Michael from a reluctant outsider to a ruthless mafia boss. The film, which features an ensemble cast of American film icons, including Marlon Brando, Al Pacino, James Caan, Robert Duval, Diane Keaton, Talia Shire, and John Cazale, explores themes of family, power, and the American Dream. It also provides a window into the relationship between law and culture while offering complex perspectives on the meaning of justice. Timestamps: 0:00     Introduction 3:08     “I believe in America” 12:27    Business and the personal 14:07    Competing views of law and justice in America 16:57    The legitimate and illegitimate, the sacred and the profane20:52   Narratives about the mafia 26:59   The consigliere 33:59   Tensions between tradition and modernity 39:37    Ritual44:41    Performance and power 49:11     Retribution 55:18     The mafia and The Godfather 56:48    Codes of loyalty 102:39   The immigrant experience Further reading: Barber, Nicholas, “The Godfather: Have we misunderstood America's greatest film?”, BBC (Mar. 13, 2022) Coppola, Francis Ford, The Godfather Notebook (2016) Denvir, John, “The Slotting Function: How Movies Influence Political Decision,” 28 Vermont L. Rev. 799 (2003-04) Gambrell, Brian C., “Leave the Representation, Take the Cannoli: The Crime Fraud Exception to the Attorney-Client Privilege and ‘The Godfather,'” 23 South Carolina Lawyer (2011-12) Papke, David, “Myth and Meaning: Francis Ford Coppola and Popular Response to The Godfather Trilogy,” in Legal Reelism: Movies as Legal Text (John Denvir ed., 1996) Puzo, Mario, The Godfather (1969) Seal, Mark, Leave the Gun, Take the Cannoli: The Epic Story of the Making of The Godfather (2021) Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

TVC 704.1: Part 2 of a conversation that began last week with award-winning producer, director, and author Joseph Wallenstein (Knots Landing, Hotel, Seventh Heaven, Flynn vs. Miranda, Nothing Dies for Film), longtime director of physical production for the USC School of Cinematic Arts and the host of the new podcast Whatcha Know Joe? Topics this segment include Joe's experience working with Chuck Berry, Jerry Lee Lewis, and Screamin' Jay Hawkins in American Hot Wax; working with Alex Karras, Garo Yepremian, Mike Lucci, and other NFL players in Paper Lion; and how Joe singlehandedly “nearly ruined” The Godfather (according to director Francis Ford Coppola). Whatcha Know Joe? is available on Apple Podcasts, Spotify, and wherever else you find podcasts.

In this episode Sean and James review the classic 1979 film Apocalypse Now, a surreal and haunting war film directed by Francis Ford Coppola, inspired by Joseph Conrad’s novella Heart of Darkness. Set during the Vietnam War, the story follows U.S. Army Captain Benjamin Willard, who is sent on a secret mission to travel up the Nung River into Cambodia and assassinate Colonel Walter Kurtz, a once-respected officer who has gone rogue and is now leading a cult-like group of followers deep in the jungle. As Willard journeys deeper into the heart of the war—and human darkness—he encounters chaos, madness, and moral decay. Apocalypse Now explores the psychological toll of war and the thin line between civilization and savagery.See omnystudio.com/listener for privacy information.

Organized crime. A brutal assault that kicked off a gang war. Car bombs. The brazen assassination of a mob boss in broad daylight. These things all happened in Francis Ford Coppola's groundbreaking film The Godfather – but first they happened in the real life of Alex Rocco, one-time Boston gang member turned Hollywood character actor whose star turn as Moe Greene in the classic mobster epic is one of the most improbable career shifts in movie history. Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In this episode, Sean and James discuss the 1987 film Gardens of Stone, directed by Francis Ford Coppola. Gardens of Stone is a Vietnam War-era drama set far from the battlefield, focusing on the ceremonial soldiers of the U.S. Army’s Old Guard at Arlington National Cemetery. Rather than depicting combat, Gardens of Stone offers a somber, character-driven meditation on the cost of war and the quiet heroism of those who serve behind the scenes.See omnystudio.com/listener for privacy information.