Podcasts about Drive My Car

Our road trip movie list is underway, and we're talking about Valerie Faris & Jonathan Dayton's heartfelt Little Miss Sunshine. Join Max, Kyle, and Kenny as we review the and discuss the movie. If you haven't already, check out our previous episode s on Nebraska & Drive My Car! —————

La Venganza Será Terrible: todo el año festejando los 40 años Chacarerean Teatre, Palermo Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:01:38 • Los jugadores de Boca, empanadas, metáforas, etc0:06:02, 0:08:12 "El valor metáforico de, si una empanada está cara es porque el costo de la vida es caro es muy cercano, ¿me entiende? Cuando una metáfora es muy cercana es ineficaz. Si usted dice, "una estrella parece una estrella", que es lo más cercano que puede estar una metáfora, tan cercana que no hay distancia. Bueno: es la más ineficaz de las metáforas. Si vos decís, por ejemplo, "un estrella, parece un diamante, y es un mundo", no sólo hiciste una metáfora, sino que hiciste dos. Y además hay, no sólo una distancia sino una gracia en la expresión." Segmento Inicial • El peligro de los juegos tradicionales para niños sin experiencia0:12:11 Segmento Dispositivo • La reina Isabel I de Inglaterra: costumbres extravagantes y sus dientes podridos0:54:40 • "Sugar Sugar" ♫ (The Archies, Everything's Archie, 1969) Segmento Humorístico • Señales de que estás empezado a salir con un imbécil Sordo Gancé / Trío Sin Nombre • Presentación • "Drive My Car" ♫ (The Beatles) • "Milonga del Peón del Campo" ♫ (Atahualpa Yupanqui) • "Muchacha Ojos de Papel" ♫ (Almendra) • "" ♫ () • "Ropa Sucia" ♫ (Patricio Rey y sus Redonditos de Ricota) • "Por La Vereda Del Sol (On the Sunny Side of the Street)" ♫ (Jimmy McHugh/Dorothy Fields) • "Walternelson Man" ♫ (Herbie Hancock)

Our road trip movie list is underway, and we're talking about Ryusuke Hamaguchi's Oscar winning film, Drive My Car. Join Max, Doolin, Kyle, and Kenny as we review the and discuss the movie. If you haven't already, check out our previous episode on Nebraska! —————

In this milestone episode, Dave and Reese celebrate their daughters getting their first cars and take a joyride down memory lane. From champagne-colored LeBarons to minivans with TVs, they share the highs, lows, and laugh-out-loud moments of car ownership—including a few dealer horror stories and the joy of finding a good one. Plus, a featured cocktail named after a classic ride: the El Camino.

It's time for a fresh new album with a fresh new sound this episode, as JG and Andrew kick off their Rubber Soul discussions with Drive My Car. Does the song prove to be a worthy album opener? Are there any interesting cover versions? Does this truly herald a new period in the band's history? And, perhaps most importantly, why did nobody check out the Beat Bugs episode with this title? Rankings: Track-by-track Ranking eMail: beatlesstuffology@gmail.com Twitter: @beatles_ology Instagram: beatlesstuffology JG's Blog: Judgementally Reviews… Andrew's Blog: Stuffology   Produced By: JG McQuarrie  

Programa 319 La Hora del Rock Fernando Nadales Zenón Perez y Paco Jimenez Music From The Elder1981 - Music From The Elder (1997 Remaster Mercury-Casablanca Germany Edition)10 - Escape From the Island. Saurom - El Principito (2025)13. El Mordisco De La Serpiente Don Airey - Pushed To The Edge (2025)11. Finnigan's Awake. Dio 2002 - Killing The Dragon (2CD)CD 11 Killing The Dragon (2019 - Remaster) Avantasia - Here Be Dragons (Deluxe Edition) (2025)CD 18. Avalon. Pateticus Mundo Final (2025) Dream Theater (USA)2024 - A Broken Man (Single)1 - A Broken Man. Arch Enemy Blood Dynasty (Deluxe Edition)7 Blood Dynasty. Lex Lüger Reino De Sangre jovenes ocultos (2025) Vhaldemar -Sanctuary .... 01 Devil´s Child (2024) Santonegro Pure Gold6 - Pure Gold W.E.T. (Sweden)2025 - Apex8 Pay Dirt. Gotthard - Stereo Crush (2025)5 - Drive My Car. Brainstorm - Plague Of Rats (Deluxe Edition) (2025)2 - Garuda (Eater Of Snakes). The Big Deal (Serbia) - DiscographyStudio Albums2025 - Electrified1 Survivor Sphinx Nadie Va a Pararte (2025) Adrian Smith & Richie Kotzen - Black Light - White Noise (2025)1 - Muddy Water. Thin Lizzy 06. Whiskey In The Jar (Acoustic Version). Captain Black Beard (Sweden)2025 - Chasing Danger1. Dreams. Captain Black Beard (Sweden)2025 - Chasing Danger7. Read Your Mind EVETH - 01 - Un Nuevo Mundo. Cradle of Filth 2025 - The Screaming Of The Valkyries1 To Live Deliciously. Legado de una Tragedia Lovecraft9. El Horror de Dunwich.(2025) Jolly-Joker 2025-6 Demons Dance. Arch Emeny 2025 - Blood Dynasty (Deluxe Edition)9 Vivre Libre. Helloween - March Of Time (The Best Of 40 Years) (Compilation) (2025)CD15 Eagle Fly Free (Remastered). Kiss Albums1981 - Music From The Elder1981 - Music From The Elder (1997 Remaster Mercury-Casablanca Germany Edition)3 - Odyssey Shiraz lane dangerous.

A Gab Four spectacular!    Jon Stone, Lonnie Pena, Martin Quibell and I gathered to talk about the characters and stories in Beatles songs.     They started with covers of folks like Long Tall Sally, and this episode takes us through Rubber Soul, where the band gives us Michelle, the Nowhere Man, and asks about the possibility of exchanging golden rings in favor of getting behind the wheel to "Drive My Car!"

The Best International Feature category at the Academy Awards has grown in prominence over the years, coinciding with the inclusion of more international voters. It’s now meant more films typically confined to the Best International Feature category are now making their way to the conversation for Best Picture. This year, I’m Still Here and Emilia Perez serve as examples of films being nominated in both categories. In the recent past, we’ve seen the likes of Drive My Car and Parasite gain recognition from Academy voters in both categories. For this week’s FilmWeek feature, we’ll focus on this year’s crop of films for Best International Feature, and discuss our critics’ favorites. Joining us are Manuel Betancourt, Lael Loewenstein, and Christy Lemire.

Do you live in California? Well if so, congrats....you're getting rolling devil cars running drive-less taxis!! Is this a good thing? A bad thing? Is it spitting in the face of God or Science? We discuss! And if you spot a thing that shouldn't be, send it in to janesays@civicmedia.us and we might use it on the show! So join us Monday through Friday at 11:51 a.m. for “This Shouldn't Be A Thing!” or search for it on Spotify, Apple or wherever you get your podcasts.  And thanks for listening!!

r/ProRevenge Karen Demands to Drive my Car... Big Mistake!Welcome to another episode of r/EntitledParents stories!Here on the mr redder podcast we read stories about entitled people, entitled parents, and am i the jerk stories with Karen.I'm a voice actor that narrates reddit stories. I record all of the VO and edit all videos myself. On this channel I play the roles of mr redder and Karen as we read reddit stories and discuss them. Story genres include entitled parents, revenge, malicious compliance, and AITA.Our videos include music under a Creative Commons license (CC BY-SA 3.0) and background footage from Pexels, under the Pexels license. Every Saturday we release a longer compilation video which includes some of our best stories from last year. Subscribe for daily uploads!

So Mad Ill Drive My Car Through It | Ep 898 | Crazy Town Podcast

St Johnstone suffered a season-worst sickener in defeat to St Mirren. In this week's Spoony Chop, Stuart Cosgrove, Eric Nicolson and Sean Hamilton rake over the still-burning coals of Saints' loss, taking in the good and the bad of their performance, some contentious referee decision-making and a pre-match radio chat that reeked of misconceptions.

En ce 17 décembre, Marjorie Hache orchestre dans Pop-Rock Station deux heures de sons mêlant rock, pop et vibrations indé. Parmi les classiques, Björk, Pink Floyd, Captain Beefheart, Beastie Boys, David Bowie et Faith No More. Sur la scène des nouveautés, Tunng éclaire la pop anglaise, The Browning libère un électrocore rageur, et Tundé Adébimpe de TV On The Radi s'aventure en solo. L'album de la semaine, signé Gaspard Royant, pare Noël d'un éclat rétro et country. Au rayon live, Paul McCartney et George Michael réaniment "Drive My Car", tandis que la reprise de Ciccone Youth réinvente Madonna. Pour le long format, The Brian Jonestown Massacre plonge l'auditeur dans un psychédélisme hypnotique. Entre métal avec Metallica, la folk des Villagers), la britpop de Weezer, et un final féérique avec Ghinzu et Genesis, RTL2 Pop-Rock Station prolonge l'aventure du rock sous toutes ses facettes. La playlist de l'émission : Linkin Park - Two Faced Beastie Boys - No Sleep Till Brooklyn David Bowie - Changes Björk - Bachelorette Villagers - Mountain Out Of A Molehill Eiffel - A Tout Moment La Rue Captain Beefheart & His Magic Band - Upon The My-O-My Gaspard Royant - Next Train To Memory Lane Pink Floyd - Money The Browning - Soul Drift Faith No More - Epic Tunde Adebimpe - Magnetic Ciccone Youth - Into The Groovey Larkin Poe - She's A Self Made Man Weezer - My Name Is Jonas Orla Gartland - Late To The Party (Feat. Declan Mckenna) Metallica - Fade To Black Limp Bizkit - Break Stuff Paul Mccartney & George Michael - Drive My Car (Live At Live 8) Van Halen - Ain't Talkin 'Bout Love Pain - Party In My Head Tunng - Everything Else Herman's Hermits - No Milk Today The Brian Jonestown Massacre - Anemone Ghinzu - Do You Read Me Genesis - The Cinema Show

Er dette endelig episoden hvor Jacob og Rikke ser en god dansk produktion? I denne uges episode dykker Jacob Ege Hinchely og Rikke Collin ned i tre værker, der udfordrer og fascinerer med deres tematiske dybde. Heretic (2024) Dette psykologiske horrorværk fra Scott Beck og Bryan Woods (A Quiet Place) sætter tro og kontrol i et nervepirrende spil. Sophie Thatcher (Yellowjackets) og Chloe East (The Fabelmans) spiller to Kristne missionærer, som opsøger en tilbagetrukket mand, spillet af Hugh Grant (Notting Hill, Paddington 2, Dungeons & Dragons: Honor Among Thieves). Det, der starter som en samtale om religion, udvikler sig til en dødsensfarlig lektion i magt og manipulation, med dystre indsigter i både troens natur og menneskets mørkeste sider. Filmen, der havde premiere på Toronto International Film Festival, er blevet rost for sit skarpe manuskript og tankevækkende temaer, alt imens Hugh Grant briljerer i en rolle, der skubber til hans tidligere filmiske persona. Hvordan formår Heretic at balancere sin religiøse refleksion med ren gyserintensitet? Hjortestien / Evil Does Not Exist / Aku wa Sonzai Shinai (2024) Den japanske instruktør Ryūsuke Hamaguchi, der fik sit store gennembrud med Drive My Car (2021), leverer endnu en poetisk fortælling med Hjortestien. I centrum står landsbyboeren Takumi, der konfronteres med en storbyvirksomheds planer om at anlægge en luksus-campingplads, som truer både naturen og lokalsamfundet. Hvordan behandler Hamaguchi balancen mellem menneske og miljø, og hvilke moralske dilemmaer stilles publikum overfor? De Bedste År (2024) TV 2's nyeste satsning, De Bedste År, byder på både humor og hjerte. Stephania Potalivo (Sjit Happens, Den som dræber) og Magnus Millang (Klovn Forever, Druk) spiller hovedrollerne i denne fortælling om kærlighed, karriere og komplicerede familierelationer. Serien balancerer skæv komik og rørende øjeblikke. Hvordan formår den at kombinere det absurde med det rørende i en dansk hverdagskontekst? Først tager Jacob og Rikke lytterne med gennem ugens anmeldelser, derefter deler de deres personlige anbefalinger, og til sidst dykker de ned i spændende nyheder fra film- og tv-verdenen. Tusind tak fordi du lytter med!

Summary Andrew is currently working for a company called Practice CFO, a fractional CFO financial planning company for dentists and healthcare professionals. He is 37 years old and he has a net worth of $2.125 million, broken up into real estate and paper assets. His paper assets include a mix of index funds, ETFs, bonds, and REITs. Andrew is a long-term investor and is not concerned about short-term market fluctuations. He maxes out his retirement accounts and also invests in real estate syndicates, including single-family rentals, student housing, vacation rentals, and build-to-rent properties. He prioritizes filling up his tax-advantaged retirement accounts and then invests the rest in real estate or the brokerage account. Andrew keeps some cash available for opportunistic real estate investments. Andrew's main goal is to have a net worth of $5 million by age 45. He values financial freedom and the ability to buy time. He pursued a career in finance and strategy, working for companies like Dell and Vrbo. However, he felt unfulfilled and wanted more intellectual stimulation. He started doing fractional work for a friend's business and found it fulfilling. This led him to make the leap from corporate America to a small business environment. Andrew believes in working hard, serving others, and finding fulfillment in work. He emphasizes the importance of experiences and travel. He has maintained his financial habits and focuses on offense rather than defense with money. Takeaways *Andrew works for a fractional CFO financial planning company for dentists and healthcare professionals. *His net worth is $2.125 million, with a mix of real estate and paper assets. *He is a long-term investor and is not concerned about short-term market fluctuations. *Andrew maxes out his retirement accounts and invests the rest in real estate syndicates or the brokerage account. *He keeps some cash available for opportunistic real estate investments. Set clear financial goals and regularly assess your progress *Find fulfillment in your work by serving others and constantly learning *Invest in experiences and travel for long-lasting memories *Maintain good financial habits and focus on offense rather than defense *Be open to different investment opportunities and diversify your portfolio Sponsored by: Icognic www.incogni.com/unveiled  Shopify www.shopify.com/unveiled

On this episode of Cinema Dual, the eagle flies at midnight. Movies Discussed: The Parallax View, Arlington Road Recommendations : Taskmaster, The Substance (Chris), Drive My Car, Klute, All The President's Men (Jon) For more of our movie thoughts, including our series on the films of Akira Kurosawa, you can check them out at www.cinemadual.com.  Cinema Duals' Mountain of Gloriousness The Films of Cinema Dual Follow us on Blue Sky: @joncinemadual @belownirvana  Follow us on Spotify: Cinema Dual

Part two of my conversation with Sharaye Lamothe Jenkins. This week, we discuss our school experiences and our (very different) experiences with getting our driver's licenses.Support the showJoin the Mailing List: Subscribe NowApply to be a guest: Guest ApplicationBad Attitudes Shop: badattitudesshop.etsy.comBecome a Member: ko-fi.com/badattitudespod Email badattitudespod@gmail.comFollow @badattitudespod on Instagram, Facebook, and ThreadsAll available platforms hereWatch my TEDx talkBe sure to leave a rating or review wherever you listen!FairyNerdy: https://linktr.ee/fairynerdy

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Dorian Z. Bell (f.k.a. Dank Deleuze) joins me on 8pl8s to discuss Buddhist, zen, and ascetic currents in filmmaking. Slow cinema is a genre of art cinema characterised by a style that is minimalist, observational, and with little or no narrative, and which typically emphasizes long takes. It is sometimes called "Darius Csiky's favorite typa cinema". REAL. SHARE THE SHOW WITH ALL YOUR ZEN FRIENDS & RATE 5 STARS ~ 8pl8s IG: https://www.instagram.com/8pl8s/ Follow Danko on IG and stay tuned for his book coming soon. Timeline for the movies discussed: 13:25 - Film (1965) dir. Alan Schneider 17:53 - Fata Morgana (1971) dir. Werner Herzog 21:33 - News from Home (1976) dir. Chantal Akerman 26:36 - *Woyzeck (1979) dir. Werner Herzog 28:38 - *Baal (1970) dir. Volker Schlöndorff 42:23 - *Flowers of Taipei: Taiwan New Cinema (2014) dir. Hsieh Chin-Lin 44:37 - *Salò, or the 120 Days of Sodom (1975) dir. Pier Paolo Pasolini 56:25 - *Deep Rising (1998) dir. Stephen Sommers 58:07 - The Turin Horse (2011) dir. Tarr Béla 1:03:27 - *Drive My Car dir. Ryūsuke Hamaguchi 1:19:31 - Days (2020) dir. Tsai Ming-liang 1:22:56 - About Dry Grasses (2023) dir. Nuri Bilge Ceylan * NOT SLOW CINEMA, THESE FILMS SIMPLY CAME UP

Brian and Steve take a chance on the newly released Milk & Serial. The $800 budgeted, found footage horror film debuted on YouTube from the comedy and filmmaking group That's A Bad Idea. Essentially the opposite of what we talked about in our Starry Eyes discussion, this is a group of friends who actually get things made rather than paying lip service. Tune in as we break down all the good things they do when money is short and resources are limited. Also, some how we wind up talking about Drive My Car and The Last Omen. Plus we announce our October Showdown movies from the Wheel O' Ween! Instagram: https://www.instagram.com/halloweenisforever/ Patreon: https://www.patreon.com/halloweenisforever Twitter: https://twitter.com/HallowForever Tik Tok: https://www.tiktok.com/@halloweenisforeverpod Facebook: https://www.facebook.com/HalloweenIsForeverPod E-Mail: Halloweenisforeverpod@gmail.com

Kate, Jared, and Dan pile into a delightfully cherry red sedan to take a little road trip through Ryusuke Hamaguchi's Drive My Car. Check out Kate in American Horror Stories on Hulu coming October 15!PLEASE FOLLOW/RATE/REVIEW WHEREVER YOU LISTEN!Dan is now on Threads! @DanConcesssionsJared is still on Threads! @JaredConcessions

En “El mal no existe” conocemos a Takumi, un padre soltero que lidia con el impacto que un ambicioso proyecto inmobiliario puede tener en el pequeño pueblo japonés donde reside. El nuevo largometraje de Ryusuke Hamaguchi (“La rueda de la fortuna y la fantasía”) obtuvo cinco galardones en el Festival de Venecia, incluyendo el Gran Premio del Jurado, así como otros reconocimientos en todo el mundo. Ya disponible en salas de cine independiente del país.

País Japón Dirección Ryûsuke Hamaguchi Guion Ryûsuke Hamaguchi, Takamasa Oe. Relato Corto: Haruki Murakami Reparto Hidetoshi Nishijima, Masaki Okada, Reika Kirishima, Tôko Miura Música Eiko Ishibashi Fotografía Hidetoshi Shinomiya Sinopsis Pese a no ser capaz de recuperarse de un drama personal, Yusuke Kafuku, actor y director de teatro, acepta montar la obra "Tío Vania" en un festival de Hiroshima. Allí, conoce a Misaki, una joven reservada que le han asignado como chófer. A medida que pasan los trayectos, la sinceridad creciente de sus conversaciones les obliga a enfrentarse a su pasado.

This episode is on the 2021 film, Drive My Car. To hear the B-Side, subscribe on Patreon: https://www.patreon.com/thelackpodcast

Welcome to Technology Revolution: The Future of Now Radio Today “The Future of Automotive and AI” is what we want to know A savvy predictions round table, host Bonnie D. and Scarlett mic at her side Welcoming automotive Futurists for our into-the-future ride… Tom Madonna – VP Industry Advisory at SAP Shanton Wilcox – SVP at NTT Data Dan Ricci – Managing Director at Deloitte Consulting Anurag Varshney – Senior Managing Partner at McKinsol Consulting Inc. … Together we delve into realms profound Baby You Can Drive My Car with AI'll astound Fasten your seatbelt as Bonnie D.'s Futurists steer Us into the future, vrrroom vrrroom let's put it in gear!

又是一年一度的上海电影节，本着随缘的心态，杨老师购票两张并成功观影，另一位主播购票一张但并没有实际到场观赏。 两位都原本计划观赏的电影呢，就是滨口龙介导演作品《恶不存在》。这部作品原本的动机是石桥英子邀请滨口为自己的现场演出拍摄配合的视频内容，而制作过程中逐渐就演变成了一部故事长片，之后在威尼斯拿下大奖，本周节目我们就聊聊滨口导演这次歪打正着的新高光之作。 之后也会聊聊有可能跟滨口在导演这件事上一较高下的今泉力哉，以及他的“文艺渣男”过往。 同时本期节目含有一定的藤井风，以及newjeans内容，请悉知。

The Beatles Made a Mistake - Mike Cohn It should be a comfort to each of us to know that we'll probably never make a mistake as big as the one The Beatles made during this week in 1966.Following the critical and sales success of the prior year's “Rubber Soul” album, the Beatles released a new album, “Yesterday and Today,” in June 1966. The album was released in the US and Canada and contained songs that had been withheld from North American versions of other Beatles albums.Musically, it's a solid album featuring “Drive My Car,” “Nowhere Man,” “We Can Work It Out,” “Day Tripper,” and of course “Yesterday.”Where The Beatles went wrong was in the choice of the album art. The cover photo shows all four Beatles wearing white butcher's frocks with decapitated baby dolls and pieces of raw meat in their laps.The photo is in incredibly bad taste even to the less sensitive standards of 1966.I'm sharing this because on this day in 1966, The Beatles admitted their mistake and replaced the cover.I think The Beatles' experience with this botched album cover decision holds four lessons.First, it's important to acknowledge that when a team is moving quickly, team members will make some mistakes. “Yesterday and Today” was The Beatles' twelfth album released in North America in four years.Second, when you make a mistake, be willing to admit it. The Beatles did not blame their label for picking the cover. In fact, band members insisted on the cover over the label's objection.The Beatles said the cover was meant to be a protest against the savagery of the Vietnam War. I've always been skeptical of that as it seemed like an after-the-fact justification, but I appreciate that they owned the mistake.Third, correct mistakes as quickly and cost-effectively as possible. The Beatles corrected their mistake by recalling all the albums and pasting a new cover on top of the original.A few savvy DJs and record store owners did not return all the albums. This created a lucrative collector's market in copies of “Yesterday and Today” with the original cover. I've seen some sell for nearly $40,000.Finally, after correcting the mistake, put the memory aside and move on. After the cover debacle of “Yesterday and Today,” The Beatles went on to make some of their greatest albums including “Revolver,” “Sgt. Pepper's Lonely Hearts Club Band,” the white album, and “Abbey Road.”Mistakes happen. I make them. You make them. Your team makes them. Even The Beatles made mistakes.Let's acknowledge that mistakes will happen when moving quickly. Then, when we do make a mistake, let's own it, correct it, and move beyond it.It's quite possible, as it was for The Beatles, that your best work may follow your biggest mistake, How to connect with AgileDad: - [website] https://www.agiledad.com/ - [instagram] https://www.instagram.com/agile_coach/ - [facebook] https://www.facebook.com/RealAgileDad/ - [Linkedin] https://www.linkedin.com/in/leehenson/

Elliot Jay O'Neill & BT Calloway are joined by Philip Wolf to review; S.30 E.5 “Baby You Can't Drive My Car” S.31 E.16 “Better Off Ned”   This is a Side Quest Studios Production Huge THANK YOU to our Heroes over at Patreon  Grant Prusi // 16_oz_mouse // Philip Wolf // Timothy Burleson // Stephanie // Chris Tar // AlmightyK // Kaleb982 // nickibis // Teresa // David James Young // Paul Salt // Paul Goodman   You too can become a Hero by supporting us on our Patreon page and you'll unlock a bonus podcast EVERY WEEK plus access to our back catalogue of over 180 exclusive podcasts! http://www.patreon.com/sidequeststudios   PLUGS   Philip's podcast “Big Questions From Small Minds” available at; https://smallminds.au   Pulp Fury Radio; our fiction anthology podcast. Season 1 available now at http://www.pulpfuryradio.com   Baby You Can Web Our Series http://www.daveplusone.com    We reviewed Game of Thrones in reverse order at “Thrones Of Game”    All the links to our socials are here  Facebook  Twitter  Instagram

El amigo secreto y Rafa Panadero se atreven con los primeros acordes de una de las canciones de The Beatles más recordadas. Al ritmo de 'Drive My Car' descubrimos todo lo que hay detrás de la canción.

"They've gone and done it. The "Dirty Sons of Pitches" are giving noted filmmaker Brian DePalma a final chance to impress them, so each of the guys has selected a DePalma film to review and ask, once and for all, is it time to put the nails in the coffin when it comes to ever watching more DePalma movies? Available on Apple and Spotify Episode 340 includes: -Ms. Marvel trailer! Mike Myers is back at comedy! -"Drive My Car" is too meandering for its own good. -The guys have different takes on Pixar's "Turning Red" -Nail in the Coffin -- Brian DePalma -The guys discuss at length two DePalma thrillers, 1980's "Dressed to Kill" and 1992's "Raising Cain," and they go over their many problems with DePalma as a storyteller and filmmaker as he keeps going back to the Hitchcock "Psycho" well again and again."

Williams was thrust into the public eye as a kid, when he starred in Everybody Hates Chris. Now, playing a teacher on Abbott Elementary, he strives to make the child actors on set feel comfortable. He spoke with Tonya Mosley about the trauma of fame as a kid, his Crohn's diagnosis, and tuning out online chatter. Justin Chang reviews the Japanese film Evil Does Not Exist, by Drive My Car director Ryûsuke Hamaguchi.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Williams was thrust into the public eye as a kid, when he starred in Everybody Hates Chris. Now, playing a teacher on Abbott Elementary, he strives to make the child actors on set feel comfortable. He spoke with Tonya Mosley about the trauma of fame as a kid, his Crohn's diagnosis, and tuning out online chatter. Justin Chang reviews the Japanese film Evil Does Not Exist, by Drive My Car director Ryûsuke Hamaguchi.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week there's a music documentary, an eco-fable set in Japan, and Dave's favorite cinematic subgenre: Australian detective stories starring Eric Bana! To start things, Dave fills Megan and Evan in on Michael Lindsay-Hogg's remastered LET IT BE, which crawled so Peter Jackson's GET BACK could fuggin' sprint. Megan watched EVIL DOES NOT EXIST, said eco-fable, which focuses on a village near Tokyo and a clamping site being developed nearby. This is Ryusuke Hamaguchi's follow-up to the much-lauded DRIVE MY CAR. Finally, everyone saw FORCE OF NATURE: THE DRY 2, which features Bana reprising the role of Aaron Falk from THE DRY. (Aside: (Dave and Evan's alternate title: THE WET, as this story is set almost entirely in a rain forest.) Of course, Dave can't resist doing his bad Australian accent and giggling uncontrollably. But is THE DRY 2 good? We let you know! Over on Patreon we talk about the 1979 comedy THE FRISCO KID starring Gene Wilder and Harrison Ford.

Hunde, Katzen und Primaten: auf zu PLANET DER AFFEN: NEW KINGDOM. Außerdem schwärmen wir abermals für ROBOT DREAMS, gönnen uns mit GARFIELD - EINE EXTRA PORTION ABENTEUER und nehmen noch mal kurz an THE LAST KUMITE teil. Mit wir meinen wir natürlich Schlogger, Simon, Bea und Schröck, die darüber hinaus auch wieder eine Reihe an Mediatheken- und Streaming-Tipps am Start haben. Zum Beispiel HOPE AND GLORY, der MAD MAX-Fan-Film, der jetzt frisch auf YouTube gestartet ist, oder THE FINAL: ATTACK ON WEMBLEY, POKÉMON: MEISTERDETEKTIV PIKACHU, DER EXORZIST: BEKENNTNIS und THE BEATLES: LET IT BE, eine Doku, die jetzt nach 50 Jahren zum 1. Mal wieder erhältlich ist. Dazu gibt es noch eine kleine, aber belustigte Diskussion zu der neuen Netflix-Komödie UNFROSTED, bevor wir mit DRIVE MY CAR, DER GOTT DES GEMETZELS, HIGHLANDER, RAGING FIRE und DIE MOTHMAN PROPHEZEIUNGEN auch diese beiden Rubriken abrunden. Ansonsten bleibt eigentlich nicht mehr so viel, es reicht aber trotzdem, damit die Vier wieder in diverse Richtungen galoppieren, bevor sie zu den eigentlichen Besprechungen kommen. Denn es müssen erstmal und gleich ein paar Filme von Paul Thomas Anderson diskutiert werden. Vor allem LICORICE PIZZA und PUNCH-DRUNK LOVE mit Schwenk in Richtung LA LA LAND. Außerdem geht es noch um Filme wie PROBLEMISTA, THE ZONE OF INTEREST, ALL OF US STRANGERS und POOR THINGS, was zum einen bei Donnie O'Sullivan und dann irgendwie zum anderen auch bei EIS AM STIEL endet. Man oder frau muss es selbst gesehen haben, um zu verstehen, wie so was passiert. Doch bevor es noch zu schlüpfrig wird, bringt uns Simon mit TALK TO ME auf den Boden der Horror-Tatsachen zurück. Was bleibt, sind zwei Veranstaltung-Tipps und nicht viel mehr als Euch viel Spaß und gute Unterhaltung zu wünschen. Ob im Kino, auf der Couch, hier mit uns oder bei allem anderen, das Ihr machen wollt. Bleibt nur gesund und gut drauf und ansonsten sehen wir uns nächste Woche oder bei TEASE ME am Sonntag. Kurz gesagt: Ha det bra. Rocket Beans wird unterstützt von Radio Bob! Learn more about your ad choices. Visit megaphone.fm/adchoices

"Evil Does Not Exist" had its world premiere at the 2023 Venice International Film Festival, where it received positive reviews for its direction and writing from Ryūsuke Hamaguchi, and score by Japanese singer-songwriter and musician Eiko Ishibashi. Following their collaboration on the Oscar-winning film, "Drive My Car," the two intended to make a 30-minute short film accompanied by a live score. But as the production got lengthier and the shoot went along, Hamaguchi decided to turn it into a feature film with dialogue, which is the film we have today. Ishibashi was kind enough to sit and talk with us about her latest work which can be listened to below. Please be sure to check out the film, which is now playing in limited release in the U.S. from Sideshow/Janus Films. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Fresh off of scoring Evil Does Not Exist, composer Eiko Ishibashi joins The Film Scorer podcast! Evil Does Not Exist is Eiko's second collaboration with acclaimed director Ryusuke Hamaguchi, and the film itself actually stemmed from Eiko approaching Ryusuke regarding providing visuals for her live performance. Evil Does Not Exist grew out of that, while also spawning the film Gift, a sort of "composer's cut" of Evil Does Not Exist, which removes spoken dialogue and focuses on Eiko's music. Not surprisingly, we compare and contrast her work on Evil Does Not Exist and her prior score, Drive My Car (the Oscar winner for Best International Film). Along the way, we also cover things like Eiko's approach to music and preference to giving control to the director, trends in Japanese film music, and more.  Note that this is an interpreted interview, so you'll hear snippets of Eiko's responses in Japanese but the answers are primarily via English translation. You can find out more about Eiko on her website. Eiko's score releases digitally and on physical media on June 28, and Evil Does Not Exist is currently in theaters.

SIGN UP FOR REGAL UNLIMITED W/ PROMO CODE - REGALNBP24 - https://regmovies.onelink.me/4207629222/q4j9urzs "Evil Does Not Exist" had its world premiere at the 2023 Venice International Film Festival, where it received positive reviews for its direction, writing, ambiguous ending, and commentary on climate change. Academy Award-nominee Ryusuke Hamaguchi ("Wheel Of Fortune And Fantasy") became a household name after his previous film, "Drive My Car," was nominated for four Oscars, winning Best International Feature Film, so naturally, anticipation for his follow-up was sky high. He was kind enough to sit and talk with us about his latest work during the New York Film Festival last year, where it also screened. Please be sure to check out the film, which will be released this weekend in American theaters from Sideshow/Janus Films. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is it that your wife or husband always complain when you drive their car??? You moved my seat and mirrors!!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is it that your wife or husband always complain when you drive their car??? You moved my seat and mirrors!!! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Almost 50 years to the day when ABBA's Waterloo triumphed at Eurovision, ABBA specialist Carl Magnus Palm and Millie Taylor, professor of musical theatre, discuss how the song became such an all-conquering hit.A visit to Harewood House to see a new exhibition, Colours Uncovered, which tells the story of this stately home through the prism of colour. Darren Pih, chief curator and artistic director of the Harewood House Trust and curator and archivist Rebecca Burton, take Nick through the house.Dramatist and screenwriter Trevor Griffiths is remembered by theatre critic Michael Coveney, who was at the first night of his ground-breaking play Comedians, which put Jonathan Pryce on his road to stardom. Griffiths also provided Laurence Olivier with his last stage role. However, working class, left-wing and politically committed, Griffiths preferred writing for television because it allowed him to communicate with millions rather than thousands.The environment and climate change is becoming increasingly popular in mainstream film, TV and fiction. Now Ryûsuke Hamaguchi, director of the 2022 Oscar-winning Japanese movie, Drive My Car, has his own eco-drama, Evil Does Not Exist, in cinemas this month. To discuss that and how climate change is breaking into the mainstream, Nick is joined by Eve Smith, the author of One, and by Greg Mosse, the author of The Coming Storm, both of which feature a near-future world significantly altered by environmental catastrophe.Presenter: Nick Ahad Producer: Ekene Akalawu

On this week's episode of Grease the Wheels, we get into the nitty gritty when it comes to test driving customers' vehicles. Any manager who says that you should blindly test drive a vehicle before putting it up on a lift to see if it is structurally sound should listen to this episode. The aforementioned pitch can be a seriously bad idea, especially if that vehicle has serious problems. We have all seen the “just rolled into the shop” posts where a vehicle shouldn't have even made it into the shop, and we get into some of the dangers that driving a vehicle like that can pose to both the technician and the general public.  We also get into some of the most dangerous cities in America to drive, but for most of them they really have no excuses compared to some of the other parts of the country that go through all four seasons in one afternoon. We also get a bit scientific with the idea that most people are too oblivious to know that they are bad at driving, as well as what happens with your brain when you get into an unpleasant smelling customer car. Also Uncle Jimmy classes-up “truck nuts” and recreates classic Dukes of Hazzard stunts with his mom's Vega. 

This week on The Pod Charles Cinecast, presented by The Prince Charles Cinema, our hosts Jonathan Foster and Fil Freitas are back with the another edition of THE POD CHARLES CINECAST CLASSIC, tackling the month of March at The PCC! It's another jam-packed month! Hear us dish out on THE IRON CLAW, FIGHT CLUB, THE MATRIX, OFFICE SPACE, TEENAGE MUTANT NINJA TURTLES, DRIVE MY CAR, AMADEUS, CITY OF GOD, VELVET GOLDMINE, a STEVEN SPIELBERG ALL-NIGHTER, HONEY I SHRUNK THE KIDS and so much more!For full listings and tickets visit: princecharlescinema.com If you enjoy the podcast, leave a Rating and Review! It really helps us out!As always, you can follow the Podcast on http://twitter.com/ThePCCPodcast and http://instagram.com/ThePCCPodcastIf you'd like to Support the Podcast and get Bonus Content, visit: http://patreon.com/ThePCCPodcast

We're going back to our older format for this episode. This week Rohit and Abhin each pick 3 films that you absolutely need to watch for varying reasons. What are the reasons? Watch/Listen to find out. The Man From Earth: ⁠2:29⁠-⁠12:50 Merry Christmas: ⁠13:00⁠- ⁠21:34⁠ Four Lions: ⁠21:36⁠- ⁠29:27⁠ Steve Jobs:29:30- ⁠42:05⁠ Eye in the Sky: ⁠42:10⁠-⁠50:02⁠ Drive My Car: ⁠50:05⁠-⁠59:27 Follow us on Instagram: https://www.instagram.com/twopleasepod/ Check us out on YouTube: https://youtube.com/@twoplease.7427?si=415oJy42zmCccmbt Here's everywhere else we're currently streaming: linktr.ee/twopleasepod

Interview with Ramona Jan of The Comateens  Part 2 The Comateens were one of NYC's earliest synth-punk bands, along with Suicide and Kraftwerk one of the few live bands to perform with a drum machine. Jan and North formed the band in 1978, bonding over their shared love of merely playing music together and the punk rock scene taking shape in downtown NYC. Singer and synth player Lyn Byrd and drummer Harry Viderci joined shortly afterwards. Both cuts were recorded at Mediasound in 1979 with Jan on guitar, North on bass, Byrd on synths and Viderci playing drums. Don Wersheba and Harvey J. Goldberg engineered; Ray Janos was the mastering engineer. The Comateens' Ramona Jan and Nicholas “Nic North” Dembling had just gotten started when they recorded “Danger Zone,” a sneering, blaring punk song spit-sung by Nicholas with Ramona Jan's untutored guitars sounding like an electric razor, a catchy chorus floating in from Jan's love of Motown. “Elizabeth's Lover” leans toward 60's girl-group with a gleeful chorus as taunting and addictive as “My Boyfriend's Back.” The song marks Jan's turn from punk rock to new wave. “Danger Zone” was originally backed with “Cool Chick,” recorded during the same session and released independently on Teenmaster Records. Jan left the band shortly after recording these songs due to a series of unfortunate misunderstandings, so this version of “Elizabeth's Lover” was never released. Jan recorded it again, later, with Dizzy and the Romilars. Left for Dead's James Reynolds considered releasing the original “Danger Zone” single on his Jimboco Records, however he put out Dizzy and the Romilars' version of “Elizabeth's Lover” in 1980 instead, followed by the Ramona Jan-produced NastyFacts single “Drive My Car” in ‘81. The band was able to record at Mediasound because Jan was an audio engineer there, one of only a handful of women engineers in the world. On the then-gritty Upper West Side, Jan lived cheaply at the bohemian Bretton Hall on the corner of Broadway and 86th Street, dodging pimps and prostitutes on the elevator to her apartment. The building's low rent also attracted other types of artists, though, and a neighbor heard her singing, knocked on the door and asked her if she'd want to record. The neighbor worked at Mediasound Studio in Midtown. Jan took one look around and realized she just had to work there. She told the boss she'd wanted to be a recording engineer all her life—a lie—and that her mother was an electrician, her father a piano tuner, another falsehood. She was hired on the spot and thrived, kicking off a lifelong career in engineering and production that led to work with Brian Eno, Talking Heads, Ramones (who wrote “Ramona” about her.) and more. Comateens continued after Jan left the band, recording three full lengths and building a dedicated following in France before breaking up in the mid-1980s. Their biggest hit was a cover of the “Munster's Theme Song,” recorded in 1981. Ramona Jan has also had an active career in music since, performing with Dizzy and the Romilars and more recently Northeast Regional Folk Alliance award winners, JANTURAN. She was a founding member Venus Fly Trap, an all-female vocal group, whose members Soozie Tyrell and Lisa Lowell now tour with Bruce Springsteen. Venus Fly Trap sang with David Johansen's Buster Poindexter act and won the 1984 Village Voice Award Best Street Performer. Jan is also a writer, the author of the first biography of Jon Bon Jovi, published by Sony. She recently received the 2023 Upper Delaware Council Cultural Award as well as a 2023 Congressional Award for her work as Director of Yarnslingers, a true storytelling group based in the Catskills. She is currently the Tuesday columnist for the award-winning Sullivan County Democrat with her column, Ramona's Ramblings. https://www.leftfordeadrecords.com/ https://www.facebook.com/groups/445047024405291 https://www.instagram.com/leftfordeadrecs/ https://en.wikipedia.org/wiki/Comateens, https://comateens.com/  

Interview with Nicholas West ( Nic North) & Romona Jan of The Comateens. The Comateens were one of NYC's earliest synth-punk bands, along with Suicide and Kraftwerk one of the few live bands to perform with a drum machine. Jan and North formed the band in 1978, bonding over their shared love of merely playing music together and the punk rock scene taking shape in downtown NYC. Singer and synth player Lyn Byrd and drummer Harry Viderci joined shortly afterwards. Both cuts were recorded at Mediasound in 1979 with Jan on guitar, North on bass, Byrd on synths and Viderci playing drums. Don Wersheba and Harvey J. Goldberg engineered; Ray Janos was the mastering engineer. The Comateens' Ramona Jan and Nicholas “Nic North” Dembling had just gotten started when they recorded “Danger Zone,” a sneering, blaring punk song spit-sung by Nicholas with Ramona Jan's untutored guitars sounding like an electric razor, a catchy chorus floating in from Jan's love of Motown. “Elizabeth's Lover” leans toward 60's girl-group with a gleeful chorus as taunting and addictive as “My Boyfriend's Back.” The song marks Jan's turn from punk rock to new wave. “Danger Zone” was originally backed with “Cool Chick,” recorded during the same session and released independently on Teenmaster Records. Jan left the band shortly after recording these songs due to a series of unfortunate misunderstandings, so this version of “Elizabeth's Lover” was never released. Jan recorded it again, later, with Dizzy and the Romilars. Left for Dead's James Reynolds considered releasing the original “Danger Zone” single on his Jimboco Records, however he put out Dizzy and the Romilars' version of “Elizabeth's Lover” in 1980 instead, followed by the Ramona Jan-produced NastyFacts single “Drive My Car” in ‘81. The band was able to record at Mediasound because Jan was an audio engineer there, one of only a handful of women engineers in the world. On the then-gritty Upper West Side, Jan lived cheaply at the bohemian Bretton Hall on the corner of Broadway and 86th Street, dodging pimps and prostitutes on the elevator to her apartment. The building's low rent also attracted other types of artists, though, and a neighbor heard her singing, knocked on the door and asked her if she'd want to record. The neighbor worked at Mediasound Studio in Midtown. Jan took one look around and realized she just had to work there. She told the boss she'd wanted to be a recording engineer all her life—a lie—and that her mother was an electrician, her father a piano tuner, another falsehood. She was hired on the spot and thrived, kicking off a lifelong career in engineering and production that led to work with Brian Eno, Talking Heads, Ramones (who wrote “Ramona” about her.) and more. Comateens continued after Jan left the band, recording three full lengths and building a dedicated following in France before breaking up in the mid-1980s. Their biggest hit was a cover of the “Munster's Theme Song,” recorded in 1981. Ramona Jan has also had an active career in music since, performing with Dizzy and the Romilars and more recently Northeast Regional Folk Alliance award winners, JANTURAN. She was a founding member Venus Fly Trap, an all-female vocal group, whose members Soozie Tyrell and Lisa Lowell now tour with Bruce Springsteen. Venus Fly Trap sang with David Johansen's Buster Poindexter act and won the 1984 Village Voice Award Best Street Performer. Jan is also a writer, the author of the first biography of Jon Bon Jovi, published by Sony. She recently received the 2023 Upper Delaware Council Cultural Award as well as a 2023 Congressional Award for her work as Director of Yarnslingers, a true storytelling group based in the Catskills. She is currently the Tuesday columnist for the award-winning Sullivan County Democrat with her column, Ramona's Ramblings. https://www.leftfordeadrecords.com/ https://www.facebook.com/groups/445047024405291 https://www.instagram.com/leftfordeadrecs/ https://en.wikipedia.org/wiki/Comateens, https://comateens.com/  

Jon discusses cars and the correlation to looks which results in a ton of talkbacks that we play throughout the hour then we discuss Christmas trees and their effects on the climate and the left's efforts to get rid of artificial ones.

The Third Part in our Obsessed Behind the Wheel Trilogy We pat ourselves on the back for going with international cinema in our finale for this trilogy on drivers instead of THE OBVIOUS CHOICE of Mel Gibson in the Richer Donner classic CONSPIRACY THEORY. Look this is no PACIFIC HEIGHTS starring Michael Keaton episode. This one has crying! And driving! And then more crying! Also something called UNCLE VANYA. Enjoy! We hope you join us by supporting our Patreon Movie Book Club episodes and not deciding to read! Threads/Instagram/Facebook: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Drive My Car” by Haruki Murakami. What can we learn from this quietly contemplative story? What kind of structure can we find in a relatively structureless piece? How […]

This week we're excited to present an archival conversation between journalist & author Min Jin Lee and Drive My Car director Ryûsuke Hamaguchi, whose new film, Evil Does Not Exist, will make its U.S. premiere as a Main Slate selection of the 61st New York Film Festival. Inspired by a Haruki Murakami short story, Ryûsuke Hamaguchi spins an engrossing, rapturous epic about love and betrayal, grief and acceptance. With his characteristic emotional transparency, Hamaguchi charts the unexpected, complex relationships that theater actor-director Yûsuke Kafuku (Hidetoshi Nishijima) forges with a trio of people out of professional, physical, or psychological necessity: his wife, Oto (Reika Kirishima), with whom he shares an erotic bond forged in fantasy and storytelling; the mysterious actor Takatsuki (Masaki Okada), whom he's drawn to by a sense of revenge as much as fascination; and, perhaps most mysteriously, Misaki (Tôko Miura), a plaintive young woman hired by a theater company, against his wishes, to be his chauffeur while he stages Uncle Vanya. Hamaguchi specializes in revelations of the heart, and Drive My Car—a beautiful melding of two distinct authorial sensibilities—consistently steers clear of the familiar in its characters' journeys towards self-examination. Winner of Best Screenplay at the 2021 Cannes Film Festival.