Podcasts about Harlequin

This post contains affiliate links, which means I may earn a small commission at no extra cost to you.What happens when a former Harlequin author turns indie, builds a direct sales empire, and writes an entire series about small-town single dads? In this episode, I sit down with contemporary romance author Amy Knupp to talk about the business of romance and her cozy, Christmasy small-town world.We chat about Amy's journey from writing category romance for Harlequin to going fully indie, how she uses direct sales and Shopify to connect with readers, and why she loves writing emotional, character-driven small-town stories. Then we dive into her Single Dads of Dragonfly Lake series and her new Christmas romance Single Wish, featuring a grumpy Christmas tree farmer, a reformed mean girl, and a delicious second-chance enemies-to-lovers arc set in a Tennessee lake town.

We're breaking down our Top 5 “Hot Flashes” of the Year, an unfiltered, deeply hormonal countdown of the men who made us go feral in 2025.Come see where Jacob Elordi, Tom Hardy, Tom Pelphrey, Travis Kelce, and how the Harlequin novels land on our list. Warning: side effects may include sweating and questionable life choices.Hot Flashes Featuring:Tom HardyMark RuffaloTom PelpheryJacob ElordiSpicy Books & #booktok trendsTravis Kelce00:00 Introduction to Hot Flashes and Harlequin Novels02:51 Harlequinn Novels05:55 The Appeal of True Crime and Romance08:36 Celebrity Crushes and Their Impact11:23 The Allure of Tom Hardy and Mark Ruffalo14:32 Jacob Elordi's Appeal17:39 Pop Culture and Its Influence on Women20:30 Taylor Swift's Song, "Wood" About Travis KelceMORE PODCAST EPISODES: https://youtube.com/playlist?list=PLTGuNbPgq2EartAwwgs_H-LVho3FvWnXpJUST LISTEN TO THE PODCAST: https://link.chtbl.com/imomsohardSEE US ON TOUR:https://www.imomsohard.com/WATCH OUR AMAZON PRIME SPECIAL: https://www.amazon.com/IMomSoHard-Live/dp/B07VBJ34DTIf you are interested in advertising on this podcast email ussales@acast.comTo request #IMOMSOHARD to be on your Podcast, Radio Show, or TV Show, reach out to talent@pionairepodcasting.comFOLLOW US: Facebook: https://www.facebook.com/imomsohardInstagram: https://www.instagram.com/imomsohard/Twitter: https://twitter.com/imomsohardGet our sponsor DISCOUNT CODES here!https://linktr.ee/imshpodcastABOUT US Female comedy duo Kristin Hensley and Jen Smedley have been performing, teaching, and writing comedy internationally for a combined 40+ years. They have been moms for one quarter of that time and it shows. How do they cope? They laugh about all of the craziness that comes with being a mom and they want you to laugh about it too! From snot to stretchmarks to sleepless nights, Kristin and Jen know firsthand that parenting is a hard job and they invite you to join them in taking it all a little less seriously (even if for a few short minutes a day). After all, Jen currently has four days of dry shampoo in her hair and Kristin's keys are still in her front door. They try, they fail, they support each other, and they mom as hard as they can.Disclaimer: This podcast is for entertainment purposes only. Views expressed on this podcast solely reflect those of the host and do not reflect the views of Pionaire. Hosted on Acast. See acast.com/privacy for more information.

It's winter, which means that it's time to get cozy, build a blanket nest on the couch, and read a million books one right after the other in the great tradition of our ancient forbears. Today, we're talking about series that deliver one banger after another and, yes, that also bang. We'll talk historicals, contemporaries, and of course, the paranormal series that started it all for us. Don't forget--you can buy the Fated Mates Best of 2025 Book Pack from our friends at Pocket Books Shop in Lancaster, PA, and get eight of the books on the list! Scoundrel Take Me Away and Lazarus, Home from War (independently published) are not in the box. As always, you can add additional romances, or one of Sarah's books to your box. If you want other people to discuss great romance series, maybe you want to join our Patreon? You get an extra monthly episode from us and access to the incredible readers and brilliant people on the Fated Mates Discord! Support us and learn more at fatedmates.net/patreon. You can also ask for it as a gift, or give it as one at fatedmates.net/gift.Our next read along will be KJ Charles's The Magpie Lord. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.NotesGo to Sarah's site to sign up for her newsletter. Apparently, it's going to be a snowy winter because of squirrels, the Farmer's Almanac is over, and social media is ruining your life and your brain, or maybe it's just your whole damn phone. Heated Rivalry, baby. Also this fall, the CW has unveiled a bunch of movies based on Harlequin books, including Savvy Sheldon Feels Good as Hell, Mason Deaver's YA romance I Wish You All the Best and in January we get Season 4 of Bridgerton, and Netflix's adaptation of Emily Henry's People We...

In this honest and engaging conversation, USA Today bestselling author Liz Talley shares her journey through the publishing world, discussing the challenges of transitioning to a new genre, the impact of AI on writing, and the differences between indie and traditional publishing. She emphasizes the importance of trusting one's own voice and vision as a writer while navigating the complexities of the industry. Liz also offers valuable advice for new authors, encouraging them to embrace their unique storytelling style and take risks in their writing careers. Chapters: 00:00 Introduction to Liz Talley 02:47 Navigating the Writing Journey 06:02 Transitioning to a New Genre 09:03 The Challenges of Starting Over 11:54 The Role of AI in Writing 14:47 The Indie vs. Traditional Publishing Debate 18:12 Taking Risks in Writing 20:53 Advice for New Authors Author's Website: www.liztalleybooks.com Social Media Links: http://www.facebook.com/liztalleybooks Author Bio: Liz Talley is the USA Today best-selling author of over thirty heartwarming stories. A finalist in both Romance Writers of America's Golden Heart and Rita Awards, Liz has published with Harlequin, Hallmark, and Montlake where she reached number one in kindle romance and was named to Publisher's Weekly mass market bestseller list. Her stories are set in the South where the tea is sweet, the summers are hot, and the porches are wide. In 2023, she also added screenwriter to her accomplishments, co-writing an adaptation of her novel The Wedding War, which landed in the Top 20 of Louisiana Film Prize. Book Link: https://www.amazon.com/gp/product/B08VJ6XH7Y Love this episode? Rate it ⭐️ Thumbs Up

In this honest and engaging conversation, USA Today bestselling author Liz Talley shares her journey through the publishing world, discussing the challenges of transitioning to a new genre, the impact of AI on writing, and the differences between indie and traditional publishing. She emphasizes the importance of trusting one's own voice and vision as a writer while navigating the complexities of the industry. Liz also offers valuable advice for new authors, encouraging them to embrace their unique storytelling style and take risks in their writing careers. Chapters: 00:00 Introduction to Liz Talley 02:47 Navigating the Writing Journey 06:02 Transitioning to a New Genre 09:03 The Challenges of Starting Over 11:54 The Role of AI in Writing 14:47 The Indie vs. Traditional Publishing Debate 18:12 Taking Risks in Writing 20:53 Advice for New Authors Author's Website: www.liztalleybooks.com Social Media Links: http://www.facebook.com/liztalleybooks Author Bio: Liz Talley is the USA Today best-selling author of over thirty heartwarming stories. A finalist in both Romance Writers of America's Golden Heart and Rita Awards, Liz has published with Harlequin, Hallmark, and Montlake where she reached number one in kindle romance and was named to Publisher's Weekly mass market bestseller list. Her stories are set in the South where the tea is sweet, the summers are hot, and the porches are wide. In 2023, she also added screenwriter to her accomplishments, co-writing an adaptation of her novel The Wedding War, which landed in the Top 20 of Louisiana Film Prize. Book Link: https://www.amazon.com/gp/product/B08VJ6XH7Y Love this episode? Rate it ⭐️ Thumbs Up

Why do some romance authors build decades-long careers while others vanish after one breakout book? What really separates a throwaway pen name and rapid release strategy from a legacy brand and a body of work you're proud of? How can you diversify with trad, indie, non-fiction, and Kickstarter without burning out—or selling out your creative freedom? With Jennifer Probst. In the intro, digital ebook signing [BookFunnel]; how to check terms and conditions; Business for Authors 2026 webinars; Music industry and AI music [BBC; The New Publishing Standard]; The Golden Age of Weird. This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jennifer Probst is a New York Times, USA Today, and Wall Street Journal bestselling author of over 60 books across different kinds of romance as well as non-fiction for writers. Her latest book is Write Free. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes How Jennifer started writing at age 12, fell in love with romance, and persisted through decades of rejection A breakout success — and what happened when it moved to a traditional publisher Traditional vs indie publishing, diversification, and building a long-term, legacy-focused writing career Rapid-release pen names vs slow-burn author brands, and why Jennifer chooses quality and longevity Inspirational non-fiction for writers (Write Naked, Write True, Write Free) Using Kickstarter for special editions, re-releases, courses, and what she's learned from both successes and mistakes – plus what “writing free” really means in practice How can you ‘write free'? You can find Jennifer at JenniferProbst.com. Transcript of interview with Jennifer Probst Jo: Jennifer Probst is a New York Times, USA Today, and Wall Street Journal bestselling author of over 60 books across different kinds of romance as well as non-fiction for writers. Her latest book is Write Free. So welcome, Jennifer. Jennifer: Thanks so much, Joanna. I am kind of fangirling. I'm really excited to be on The Creative Penn podcast. It's kind of a bucket list. Jo: Aw, that's exciting. I reached out to you after your recent Kickstarter, and we are going to come back to that in a minute. First up, take us back in time. Tell us a bit more about how you got into writing and publishing. Jennifer: This one is easy for me. I am one of those rarities. I think that I knew when I was seven that I was going to write. I just didn't know what I was going to write. At 12 years old, and now this will kind of date me in dinosaur era here, there was no internet, no information on how to be a writer, no connections out there. The only game in town was Writer's Digest. I would go to my library and pore over Writer's Digest to learn how to be a writer. At 12 years old, all I knew was, “Oh, if I want to be a famous writer, I have to write a book.” So I literally sat down at 12 and wrote my first young adult romance. Of course, I was the star, as we all are when we're young, and I have not stopped since. I always knew, since my dad came home from a library with a box of romance novels and got in trouble with my mum and said, basically, “She's reading everything anyway, just let her read these,” I was gone. From that moment on, I knew that my entire life was going to be about that. So for me, it wasn't the writing. I have written non-stop since I was 12 years old. For me, it was more about making this a career where I can make money, because I think there was a good 30 years where I wrote without a penny to my name. So it was more of a different journey for me. It was more about trying to find my way in the writing world, where everybody said it should be just a hobby, and I believed that it should be something more. Jo: I was literally just going back in my head there to the library I used to go to on my way home from school. Similar, probably early teens, maybe age 14. Going to that section and… I think it was Shirley Conran. Was that Lace? Yes, Lace books. That's literally how we all learned about sex back in the day. Jennifer: All from books. You didn't need parents, you didn't need friends. Amazing. Jo: Oh, those were the days. That must have been the eighties, right? Jennifer: It was the eighties. Yes. Seventies, eighties, but mostly right around in the eighties. Oh, it was so… Jo: I got lost about then because I was reminiscing. I was also the same one in the library, and people didn't really see what you were reading in the corner of the library. So I think that's quite funny. Tell us how you got into being an indie. Jennifer: What had happened is I had this manuscript and it had been shopped around New York for agents and for a bunch of publishers. I kept getting the same exact thing: “I love your voice.” I mean, Joanna, when you talk about papering your wall with rejections, I lived that. The only thing I can say is that when I got my first rejection, I looked at it as a rite of passage that created me as a writer, rather than taking the perspective that it meant I failed. To me, perspective is a really big thing in this career, how you look at things. So that really helped me. But after you get like 75 of them, you're like, “I don't know how much longer I can take of this.” What happened is, it was an interesting story, because I had gone to an RWA conference and I had shopped this everywhere, this book that I just kept coming back to. I kept saying, “I feel like this book could be big.” There was an indie publisher there. They had just started out, it was an indie publisher called Entangled. A lot of my friends were like, “What about Entangled? Why don't you try more digital things or more indie publishers coming up rather than the big traditional ones?” Lo and behold, I sent it out. They loved the book. They decided, in February of 2012, to launch it. It was their big debut. They were kind of competing with Harlequin, but it was going to be a new digital line. It was this new cutting-edge thing. The book went crazy. It went viral. The book was called The Marriage Bargain, and it put me on the map. All of a sudden I was inundated with agents, and the traditional publishers came knocking and they wanted to buy the series. It was everywhere. Then it hit USA Today, and then it spent 26 weeks on The New York Times. Everybody was like, “Wow, you're this overnight sensation.” And I'm like, “Not really!” That was kind of my leeway into everything. We ended up selling that series to Simon & Schuster because that was the smart move for then, because it kind of blew up and an indie publisher at that time knew it was a lot to take on. From then on, my goal was always to do both: to have a traditional contract, to work with indie publishers, and to do my own self-pub. I felt, even back then, the more diversified I am, the more control I have. If one bucket goes bad, I have two other buckets. Jo: Yes, I mean, I always say multiple streams of income. It's so surprising to me that people think that whatever it is that hits big is going to continue. So you obviously experienced there a massive high point, but it doesn't continue. You had all those weeks that were amazing, but then it drops off, right? Jennifer: Oh my goodness, yes. Great story about what happened. So 26 weeks on The New York Times, and it was selling like hotcakes. Then Simon & Schuster took it over and they bumped the price to their usual ebook price, which was, what, $12.99 or something? So it's going from $2.99. The day that they did it, I slid off all the bestseller lists. They were gone, and I lost a lot of control too. With indies, you have a little bit more control. But again, that kind of funnels me into a completely different kind of setup. Traditional is very different from indie. What you touched on, I think, is the biggest thing in the industry right now. When things are hot, it feels like forever. I learned a valuable lesson: it doesn't continue. It just doesn't. Maybe someone like Danielle Steel or some of the other big ones never had to pivot, but I feel like in romance it's very fluid. You have genres hitting big, you have niches hitting big, authors hitting big. Yes, I see some of them stay. I see Emily Henry still staying—maybe that will never pause—but I think for the majority, they find themselves saying, “Okay, that's done now. What's next?” It can either hit or not hit. Does that make sense to you? Do you feel the same? Jo: Yes, and I guess it's not just about the book. It's more about the tactic. You mentioned genres, and they do switch a lot in romance, a lot faster than other genres. In terms of how we do marketing… Now, as we record this, TikTok is still a thing, and we can see maybe generative AI search coming on the horizon and agentic buying. A decade ago it might have been different, more Facebook ads or whatever. Then before that it might have been something else. So there's always things changing along the way. Jennifer: Yes, there definitely is. It is a very oversaturated market. They talk about, I don't know, 2010 to 2016 maybe, as the gold rush, because that was where you could make a lot of money as an indie. Then we saw the total fallout of so many different things. I feel like I've gone through so many ups and downs in the industry. I do love it because the longer you're around, the more you learn how to pivot. If you want this career, you learn how to write differently or do whatever you need to do to keep going, in different aspects, with the changes. To me, that makes the industry exciting. Again, perspective is a big thing. But I have had to take a year to kind of rebuild when I was out of contract with a lot of things. I've had to say, “Okay, what do you see on the horizon now? Where is the new foundation? Where do you wanna restart?” Sometimes it takes a year or two of, “Maybe I won't be making big income and I cut back,” but then you're back in it, because it takes a while to write a few new books, or write under a pen name, or however you want to pivot your way back into the industry. Or, like you were saying, diversifying. I did a lot of non-fiction stuff because that's a big calling for me, so I put that into the primary for a while. I think it's important for authors to maybe not just have one thing. When that one thing goes away, you're scrambling. It's good to have a couple of different things like, “Well, okay, this genre is dead or this thing is dead or this isn't making money. Let me go to this for a little while until I see new things on the horizon.” Jo: Yes. There's a couple of things I want to come back to. You mentioned a pen name there, and one of the things I'm seeing a lot right now—I mean, it's always gone on, but it seems to be on overdrive—is people doing rapid-release, throwaway pen names. So there's a new sub-genre, they write the books really fast, they put them up under whatever pen name, and then when that goes away, they ditch that pen name altogether. Versus growing a name brand more slowly, like I think you and I have done. Under my J.F. Penn fiction brand, I put lots of different sub-genres. What are your thoughts on this throwaway pen name versus growing a name brand more slowly? Jennifer: Well, okay, the first thing I'm goign to say is: if that lights people up, if you love the idea of rapid release and just kind of shedding your skin and going on to the next one, I say go for it. As long as you're not pumping it out with AI so it's a complete AI book, but that's a different topic. I'm not saying using AI tools; I mean a completely AI-written book. That's the difference. If we're talking about an author going in and, every four weeks, writing a book and stuff like that, I do eventually think that anything in life that disturbs you, you're going to burn out eventually. That is a limited-time kind of thing, I believe. I don't know how long you can keep doing that and create decent enough books or make a living on it. But again, I really try not to judge, because I am very open to: if that gives you joy and that's working and it brings your family money, go for it. I have always wanted to be a writer for the long term. I want my work to be my legacy. I don't just pump out books. Every single book is my history. It's a marking of what I thought, what I put out in the world, what my beliefs are, what my story is. It marks different things, and I'm very proud of that. So I want a legacy of quality. As I got older, in my twenties and thirties, I was able to write books a lot faster. Then I had a family with two kids and I had to slow down a little bit. I also think life sometimes drives your career, and that's okay. If you're taking care of a sick parent or there's illness or whatever, maybe you need to slow down. I like the idea of a long-term backlist supporting me when I need to take a back seat and not do frontlist things. So that's how I feel. I will always say: choose a long, organic-growth type of career that will be there for you, where your backlist can support you. I also don't want to trash people who do it differently. If that is how you can do it, if you can write a book in a month and keep doing it and keep it quality, go for it. Jo: I do have the word “legacy” on my board next to me, but I also have “create a body of work I'm proud of.” I have that next to me, and I have “Have you made art today?” So I think about these things too. As you say, people feel differently about work, and I will do other work to make faster cash rather than do that with books. But as we said, that's all good. Interestingly, you mentioned non-fiction there. Write Free is your latest one, but you've got some other writing books. So maybe— Talk about the difference between non-fiction book income and marketing compared to fiction, and why you added that in. Jennifer: Yes, it's completely different. I mean, it's two new dinosaurs. I came to writing non-fiction in a very strange way. Literally, I woke up on New Year's Day and I was on a romance book deadline. I could not do it. I'll tell you, my brain was filled with passages of teaching writing, of things I wanted to share in my writing career. Because again, I've been writing since I was 12, I've been a non-stop writer for over 30 years. I got to my computer and I wrote like three chapters of Write Naked (which was the first book). It was just pouring out of me. So I contacted my agent and I said, “Look, I don't know, this is what I want to do. I want to write this non-fiction book.” She's like, “What are you talking about? You're a romance author. You're on a romance deadline. What do you want me to do with this?” She was so confused. I said, “Yes, how do you write a non-fiction book proposal?” And she was just like, “This is not good, Jen. What are you doing?” Anyway, the funny story was, she said, “Just send me chapters.” I mean, God bless her, she's this wonderful agent, but I know she didn't get it. So I sent her like four chapters of what I was writing and she called me. I'll never forget it. She called me on the phone and she goes, “This is some of the best stuff I have ever read in my life. It's raw and it's truthful, and we've got to find a publisher for this.” And I was like, “Yay.” What happened was, I believe this was one of the most beautiful full circles in my life: Writer's Digest actually made me an offer. It was not about the money. I found that non-fiction for me had a much lower advance and a different type of sales. For me, when I was a kid, that is exactly what I was reading in the library, Writer's Digest. I would save my allowance to get the magazine. I would say to myself, “One day, maybe I will have a book with Writer's Digest.” So for me, it was one of the biggest full-circle moments. I will never forget it. Being published by them was amazing. Then I thought I was one-and-done, but the book just completely touched so many writers. I have never gotten so many emails: “Thank you for saying the truth,” or “Thank you for being vulnerable.” Right before it published, I had a panic attack. I told my husband, “Now everybody's going to know that I am a mess and I'm not fabulous and the world is going to know my craziness.” By being vulnerable about the career, and also that it was specifically for romance authors, it caused a bond. I think it caused some trust. I had been writing about writing for years. After that, I thought it was one-and-done. Then two or three years later I was like, “No, I have more to say.” So I leaned into my non-fiction. It also gives my fiction brain a rest, because when you're doing non-fiction, you're using a different part of your brain. It's a way for me to cleanse my palate. I gather more experiences about what I want to share, and then that goes into the next book. Jo: Yes, I also use the phrase “palate cleanser” for non-fiction versus fiction. I feel like you write one and then you feel like, “Oh, I really need to write the other now.” Jennifer: Yes! Isn't it wonderful? I love that. I love having the two brains and just giving one a break and totally leaning into it. Again, it's another way of income. It's another way. I also believe that this industry has given me so much that it is automatic that I want to give back. I just want to give as much as possible back because I'm so passionate about writing and the industry field. Jo: Well, interestingly though, Writer's Digest—the publisher who published that magazine and other things—went bankrupt in 2019. You've been in publishing a long time. It is not uncommon for publishers to go out of business or to get bought. Things happen with publishers, right? Jennifer: Yes. Jo: So what then happened? Jennifer: So Penguin Random House bought it. All the Writer's Digest authors did not know what they were going to do. Then Penguin Random House bought it and kept Writer's Digest completely separate, as an imprint under the umbrella. So Writer's Digest really hasn't changed. They still have the magazine, they still have books. So it ended up being okay. But what I did do is—because I sold Write Naked and I have no regrets about that, it was the best thing for me to do, to go that route—the second and the third books were self-published. I decided I'm going to self-publish. That way I have the rights for audio, I have the rights for myself, I can do a whole bunch of different things. So Write True, the second one, was self-published. Writers Inspiring Writers I paired up with somebody, so we self-published that. And Write Free, my newest one, is self-published. So I've decided to go that route now with my non-fiction. Jo: Well, as I said, I noticed your Kickstarter. I don't write romance, so I'm not really in that community. I had kind of heard your name before, but then I bought the book and joined the Kickstarter. Then I discovered that you've been doing so much and I was like, “Oh, how, why haven't we connected before?” It's very cool. So tell us about the Kickstarters you've done and what you know, because you've done, I think, a fiction one as well. What are your thoughts and tips around Kickstarter? Jennifer: Yes. When I was taking that year, I found myself kind of… let's just say fired from a lot of different publishers at the time. That was okay because I had contracts that ran out, and when I looked to see, “Okay, do we want to go back?” it just wasn't looking good. I was like, “Well, I don't want to spend a year if I'm not gonna be making the money anyway.” So I looked at the landscape and I said, “It's time to really pull in and do a lot more things on my own, but I've got to build foundations.” Kickstarter was one of them. I took a course with Russell Nohelty and Monica Leonelle. They did a big course for Kickstarter, and they were really the ones going around to all the conferences and basically saying, “Hey guys, you're missing out on a lot of publishing opportunities here,” because Kickstarter publishing was getting good. I took the course because I like to dive into things, but I also want to know the foundation of it. I want to know what I'm doing. I'm not one to just wing it when it comes to tech. So what happened is, the first one, I had rights coming back from a book. After 10 years, my rights came back. It was an older book and I said, “You know what? I am going to dip my foot in and see what kind of base I can grow there. What can I do?” I was going to get a new cover, add new scenes, re-release it anyway, right? So I said, “Let's do a Kickstarter for it, because then I can get paid for all of that work.” It worked out so fantastically. It made just enough for my goal. I knew I didn't want to make a killing; I knew I wanted to make a fund. I made my $5,000, which I thought was wonderful, and I was able to re-release it with a new cover, a large print hardback, and I added some scenes. I did a 10-year anniversary re-release for my fans. So I made it very fan-friendly, grew my audience, and I was like, “This was great.” The next year, I did something completely different. I was doing Kindle Vella back in the day. That was where you dropped a chapter at a time. I said, “I want to do this completely different kind of thing.” It was very not my brand at all. It was very reality TV-ish: young college students living in the city, very sexy, very angsty, love triangles, messy—everything I was not known for. Again, I was like, “I'm not doing a pen name because this is just me,” and I funnelled my audience. I said, “What I'm going to do is I'm going to start doing a chapter a week through Kindle Vella and make money there. Then when it's done, I'm going to bundle it all up and make a book out of it.” So I did a year of Kindle Vella. It was the best decision I made because I just did two chapters a week, which I was able to do. By one year I had like 180,000 words. I had two to three books in there. I did it as a hardback deluxe—the only place you could get it in print. Then Vella closed, or at least it went way down. So I was like, “Great, I'm going to do this Kickstarter for this entire new thing.” I partnered with a company that helps with special editions, because that was a whole other… oh Joanna, that was a whole other thing you have to go into. Getting the books, getting the art, getting the swag. I felt like I needed some help for that. Again, I went in, I funded. I did not make a killing on that, but that was okay. I learned some things that I would have changed with my Kickstarter and I also built a new audience for that. I had a lot of extra books that I then sold in my store, and it was another place to make money. The third Kickstarter I used specifically because I had always wanted to do a writing course. I go all over the world, I do keynotes, I do workshops, I've done books, and I wanted to reach new writers, but I don't travel a lot anymore. So I came up with the concept that I was going to do my very first course, and it was going to be very personal, kind of like me talking to them almost like in a keynote, like you're in a room with me. I gathered a whole bunch of stuff and I used Kickstarter to help me A) fund it and B) make myself do it, because it was two years in the making and I always had, “Oh, I've got this other thing to do,” you know how we do that, right? We have big projects. So I used Kickstarter as a deadline and I decided to launch it in the summer. In addition to that, I took years of my posts from all over. I copied and pasted, did new posts, and I created Write Free, which was a very personal, essay-driven book. I took it all together. I took a couple of months to do this, filmed the course, and the Kickstarter did better than I had ever imagined. I got quadruple what I wanted, and it literally financed all the video editing, the books, everything that I needed, plus extra. I feel like I'm growing in Kickstarter. I hope I'm not ranting. I'm trying to go over things that can help people. Jo: Oh no, that is super useful. Jennifer: So you don't have to go all in and say, “If it doesn't fund it's over,” or “I need to make $20,000.” There are people making so much money, and there are people that will do a project a year or two projects a year and just get enough to fund a new thing that they want to do. So that's how I've done it. Jo: I've done quite a few now, and my non-fiction ones have been a lot bigger—I have a big audience there—and my fiction have been all over the place. What I like about Kickstarter is that you can do these different things. We can do these special editions. I've just done a sprayed-edge short story collection. Short story collections are not the biggest genre. Jennifer: Yes. I love short stories too. I've always wanted to do an anthology of all my short stories. Jo: There you go. Jennifer: Yes, I love that for your Kickstarter. Love it. Jo: When I turned 50 earlier this year, I realised the thing that isn't in print is my short stories. They are out there digitally, and that's why I wanted to do it. I feel like Kickstarter is a really good way to do these creative projects. As you say, you don't have to make a ton of money, but at the end of the day, the definition of success for us, I think for both of us, is just being able to continue doing this, right? Jennifer: Absolutely. This is funding a creative full-time career, and every single thing that you do with your content is like a funnel. The more funnels that you have, the bigger your base. Especially if you love it. It would be different if I was struggling and thinking, “Do I get an editor job?” I would hate being an editor. But if you look at something else like, “Oh yes, I could do this and that would light me up, like doing a course—wow, that sounds amazing,” then that's different. It's kind of finding your alternates that also light you up. Jo: Hmm. So were there any mistakes in your Kickstarters that you think are worth sharing? In case people are thinking about it. Jennifer: Oh my God, yes. So many. One big thing was that I felt like I was a failure if I didn't make a certain amount of money because my name is pretty well known. It's not like I'm brand new and looking. One of the big things was that I could not understand and I felt like I was banging my head against the wall about why my newsletter subscribers wouldn't support the Kickstarter. I'm like, “Why aren't you doing this? I'm supposed to have thousands of people that just back.” Your expectations can really mess with you. Then I started to learn, “Oh my God, my newsletter audience wants nothing to do with my Kickstarter.” Maybe I had a handful. So then I learned that I needed longer tails, like putting it up for pre-order way ahead of time, and also that you can't just announce it in your newsletter and feel like everybody's going to go there. You need to find your streams, your Kickstarter audience, which includes ads. I had never done ads either and I didn't know how to do that, so I did that all wrong. I joined the Facebook group for Kickstarter authors. I didn't do that for the first one and then I learned about it. You share backer updates, so every time you go into your audience with a backer update, there's this whole community where you can share with like-minded people with their projects, and you post it under your updates. It does cross-networking and sharing with a lot of authors in their newsletters. For the Write Free one, I leaned into my networking a lot, using my connections. I used other authors' newsletters and people in the industry to share my Kickstarter. That was better for me than just relying on my own fanbase. So definitely more networking, more sharing, getting it out on different platforms rather than just doing your own narrow channel. Because a lot of the time, you think your audience will follow you into certain things and they don't, and that needs to be okay. The other thing was the time and the backend. I think a lot of authors can get super excited about swag. I love that, but I learned that I could have pulled back a little bit and been smarter with my financials. I did things I was passionate about, but I probably spent much more money on swag than I needed to. So looking at different aspects to make it more efficient. I think each time you do one, you learn what works best. As usual, I try to be patient with myself. I don't get mad at myself for trying things and failing. I think failing is spectacular because I learn something. I know: do I want to do this again? Do I want to do it differently? If we weren't so afraid of failingqu “in public”, I think we would do more things. I'm not saying I never think, “Oh my God, that was so embarrassing, I barely funded and this person is getting a hundred thousand.” We're human. We compare. I have my own reset that I do, but I really try to say, “But no, for me, maybe I'll do this, and if it doesn't work, that's okay.” Jo: I really like that you shared about the email list there because I feel like too many people have spent years driving people to Kindle or KU, and they have built an email list of readers who like a particular format at a particular price. Then we are saying, “Oh, now come over here and buy a beautiful hardback that's like ten times the price.” And we're surprised when nobody does it. Is that what happened? Jennifer: Exactly. Also, that list was for a non-fiction project. So I had to funnel where my writers were in my newsletter, and I have mostly readers. So I was like, “Okay…” But I think you're exactly right. First of all, it's the platform. When you ask anybody to go off a platform, whether it's buy direct at your Shopify store or go to Kickstarter, you are going to lose the majority right there. People are like, “No, I want to click a button from your newsletter and go to a site that I know.” So you've got that, and you've got to train them. That can take some time. Then you've got this project where people are like, “I don't understand.” Even my mum was like, “I would love to support you, honey, but what the heck is this? Where's the buy button and where's my book?” My women's fiction books tend to have some older readers who are like, “Hell no, I don't know what this is.” So you have to know your audience. If it's not translating, train them. I did a couple of videos where I said, “Look, I want to show you how easy this is,” and I showed them directly how to go in and how to back. I did that with Kindle Vella too. I did a video from my newsletter and on social: “Hey, do you not know how to read this chapter? Here's how.” Sometimes there's a barrier. Like you said, Joanna, if I have a majority that just want sexy contemporary, and I'm dropping angsty, cheating, forbidden love, they're like, “Oh no, that's not for me.” So you have to know whether there's a crossover. I go into my business with that already baked into my expectations. I don't go in thinking I'm going to make a killing. Then I'm more surprised when it does well, and then I can build it. Jo: Yes, exactly. Also if you are, like both of us, writing across genres, then you are always going to split your audience. People do not necessarily buy everything because they have their preferences. So I think that's great. Now we are almost out of time, but this latest book is Write Free. I wondered if you would maybe say— What does Write Free mean to you, and what might it help the listeners with? Jennifer: Write Free is an extremely personal book for me, and the title was really important because it goes with Write Naked, Write True, and Write Free. These are the ways that I believe a writer should always show up to the page. Freedom is being able to write your truth in whatever day that is. You're going to be a different writer when you're young and maybe hormonal and passionate and having love affairs. You're going to write differently when you're a mum with kids in nappies. You're going to write differently when you are maybe in your forties and you're killing your career. Your perspective changes, your life changes. Write Free is literally a collection of essays all through my 30 years of life. It's very personal. There are essays like, “I'm writing my 53rd book right now,” and essays like, “My kids are in front of SpongeBob and I'm trying to write right now,” and “I got another rejection letter and I don't know how to survive.” It is literally an imprint of essays that you can dip in and dip out of. It's easy, short, inspirational, and it's just me showing up for my writing life. That's what I wish for everybody: that they can show up for their writing life in the best way that they can at the time, because that changes all the time. Jo: We can say “write free” because we've got a lot of experience at writing. I feel like when I started writing—I was an IT consultant—I literally couldn't write anything creative. I didn't believe I could. There'll be people listening who are just like, “Well, Jennifer, I can't write free. I'm not free. My mind is shackled by all these expectations and everything.” How can they release that and aim for more freedom? Jennifer: I love that question so much. The thing is, I've spent so many years working on that part. That doesn't come overnight. I think sometimes when you have more clarification of, “Okay, this is really limiting me,” then when you can see where something is limiting you, at least you can look for answers. My answers came in the form of meditation. Meditation is a very big thing in my life. Changing my perspective. Learning life mottos to help me deal with those kinds of limitations. Learning that when I write a sex scene, I can't care about my elderly aunt who tells my mother, “Dear God, she ruined the family name.” It is your responsibility to figure out where these limitations are, and then slowly see how you can remove them. I've been in therapy. I have read hundreds of self-help books. I take meditation courses. I take workshop courses. I've done CliftonStrengths with Becca Syme. I don't even know if that's therapy, but it feels like therapy to me as a writer. Knowing my personality traits. I've done Enneagram work with Claire Taylor, which has been huge. The more you know yourself and how your brain is showing up for yourself, the more you can grab tools to use. I wish I could say, “Yes, if everybody meditates 30 minutes a day, you're going to have all blocks removed,” but it's so personal that it's a trick question. If everybody started today and said, “Where is my biggest limitation?” and be real with yourself, there are answers out there. You just have to go slowly and find them, and then the writing more free will come. I hope that wasn't one of those woo-woo answers, but I really do believe it. Jo: I agree. It just takes time. Like our writing career, it just takes time. Keep working on it, keep writing. Jennifer: Yes. And bravery, right? A lot of bravery. Just show up for yourself however you can. If “write free” feels too big, journal for yourself and put it in a locked drawer. Any kind of writing, I think, is therapeutic too. Jo: Brilliant. So where can people find you and your books and everything you do online? Jennifer: The best place to go is my website. I treat it like my home. It's www.JenniferProbst.com. There is so much on it. Not just books, not just free content and free stories. There's an entire section just for writers. There are videos on there. There are a lot of resources. I keep it up to date and it is the place where you can find me. Of course I'm everywhere on social media as Author Jennifer Probst. You can find me anywhere. I always tell everybody: I answer my messages, I answer my emails. That is really important to me. So if you heard this podcast and you want to reach out on anything, please do. I will answer. Jo: Fantastic. Well, thanks so much for your time, Jennifer. That was great. Jennifer: Thanks for having me, Joanna.The post Writing Free: Romance Author Jennifer Probst On A Long-Term Author Career first appeared on The Creative Penn.

The lords of war have led their factions, the stories are told, the armies are packed away - and now it's time for our coverage! Kevin and Dennis were at the Warhammer 40K Grand Narrative in Atlanta, and they've got their own tales to tell. For the first time, they're both on the same side, playing the same faction, and in the same battle group. Listen to our hosts' tales from Battlegroup 16 as they take their Leagues of Votann armies across the webway to various battlefields, get into discussions of logic versus faith, face off against some tabletop titans, and learn the hazards of finishing an army without doing any playthroughs first! Links: Tabletop Titans on YouTube - https://www.youtube.com/channel/UC-3TjY277uBsBl8VU8C4nqw Draco Mac - Deathwatch Armor maker - https://www.instagram.com/draco_mac/ Rachel Strouhal - The Vessel - https://www.instagram.com/rachel_paints_minis/ Dave Gormley - Best Theme Winner - https://www.instagram.com/grinnialvex/ Douglas Dunn - Khornecorn Army - https://www.instagram.com/guawol/ Stephanie Burton - Rillietann the Harlequin - https://www.instagram.com/super_girl_steph/ Kevin's Instagram - https://www.instagram.com/preferredenemies_kevin/ Support Preferred Enemies on Patreon: https://www.patreon.com/c/PreferredEnemies Buy Preferred Enemies merch: https://www.preferredenemies.com/merch Preferred Enemies on BlueSky: https://bsky.app/profile/preferredenemies.com Music: "The Whip" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are almost at our holiday break! We are so glad to head into the festive season with author Kimmie Ferrell. We talk romance, emotions, pushing through obstacles and a strong communitty that keeps her grounded. About Kimmie:Born and raised in the Nation's Capital, Washington, DC, Kimmie Ferrell has enjoyed reading romance novels since the age of thirteen when she was gifted an enormous box of Harlequin and Silhouette novels from her late mother. Her passion for reading grew after discovering BET Arabesque novels at her local library. But it wasn't until high school when Kimmie tried (and failed) to write her very first story. However, her love of writing would not be deterred, and in 2015, she was a Top Ten finalist for Harlequin's So You Think You Can Write contest.Kimmie crafts sensual and sweet contemporary romance stories featuring relatable characters dealing with real-world scenarios in the pursuit for the often-thought-as-elusive happily ever after.For more information and how to purchase her books, visit Kimmie's IG.Follow Romance in Colour on Social MediaIG ⁠@RomanceInColour⁠Twitter: ⁠@RomanceNColour ⁠Facebook Groups: ⁠www.facebook.com/groups/RomanceinColour⁠Follow Yakini on her Instagram @OurNycHomeFollow Tati Richardson on social media and pick up her books here, ⁠here⁠

In part 1 of this 2-part show, we get to know Axel Ryden from Sweden! Axel is a member of his national team, and he just went undefeated at a GT with Harlequins! We get to know exactly how the army operates.Then, in part 2 for our patrons, we go game by game through his 5-round eventSubscribe on patreon.com/aow40k Char1: 1x Solitaire (115 pts): Solitaire WeaponsChar2: 1x Death Jester (90 pts): Jester's Blade, Shrieker CannonChar3: 1x Shadowseer (60 pts): Warlord, Miststave, Neuro DisruptorChar4: 1x Troupe Master (100 pts): Troupe Master's Blade, Fusion PistolEnhancement: Cegorach's Coil (+25 pts)Char5: 1x Troupe Master (75 pts): Troupe Master's Blade, Fusion PistolChar6: 1x Troupe Master (75 pts): Troupe Master's Blade, Fusion Pistol11x Troupe (190 pts)• 1x Lead Player: Power sword, Fusion Pistol• 3x Player with Harlequin's Blade: 3 with Harlequin's Blade, Shuriken Pistol• 4x Player with Neuro Disruptor: 4 with Neuro Disruptor, Harlequin's Blade• 3x Player with Fusion Pistol: 3 with Fusion Pistol, Harlequin's Blade5x Troupe (85 pts)• 1x Lead Player: Power sword, Fusion Pistol• 1x Player with Harlequin's Blade: Harlequin's Blade, Shuriken Pistol• 2x Player with Neuro Disruptor: 2 with Neuro Disruptor, Harlequin's Blade• 1x Player with Fusion Pistol: Fusion Pistol, Harlequin's Blade5x Troupe (85 pts)• 1x Lead Player: Power sword, Fusion Pistol• 1x Player with Harlequin's Blade: Harlequin's Blade, Shuriken Pistol• 2x Player with Neuro Disruptor: 2 with Neuro Disruptor, Harlequin's Blade• 1x Player with Fusion Pistol: Fusion Pistol, Harlequin's Blade5x Troupe (85 pts)• 1x Lead Player: Power sword, Fusion Pistol• 1x Player with Harlequin's Blade: Harlequin's Blade, Shuriken Pistol• 2x Player with Neuro Disruptor: 2 with Neuro Disruptor, Harlequin's Blade• 1x Player with Fusion Pistol: Fusion Pistol, Harlequin's Blade5x Troupe (85 pts)• 1x Lead Player: Power sword, Fusion Pistol• 1x Player with Harlequin's Blade: Harlequin's Blade, Shuriken Pistol• 2x Player with Neuro Disruptor: 2 with Neuro Disruptor, Harlequin's Blade• 1x Player with Fusion Pistol: Fusion Pistol, Harlequin's Blade5x Troupe (85 pts)• 1x Lead Player: Power sword, Fusion Pistol• 1x Player with Harlequin's Blade: Harlequin's Blade, Shuriken Pistol• 2x Player with Neuro Disruptor: 2 with Neuro Disruptor, Harlequin's Blade• 1x Player with Fusion Pistol: Fusion Pistol, Harlequin's Blade4x Skyweavers (190 pts): 4 with Close Combat Weapon, Skyweaver Haywire Cannon, Zephyrglaive2x Skyweavers (95 pts): 2 with Close Combat Weapon, Skyweaver Haywire Cannon, Zephyrglaive2x Skyweavers (95 pts): 2 with Close Combat Weapon, Skyweaver Haywire Cannon, Zephyrglaive1x Starweaver (80 pts): Close Combat Weapon, 2x Shuriken Cannon1x Starweaver (80 pts): Close Combat Weapon, 2x Shuriken Cannon1x Starweaver (80 pts): Close Combat Weapon, 2x Shuriken Cannon1x Starweaver (80 pts): Close Combat Weapon, 2x Shuriken Cannon1x Starweaver (80 pts): Close Combat Weapon, 2x Shuriken Cannon1x Starweaver (80 pts): Close Combat Weapon, 2x Shuriken Cannon

In this episode, I sit down with my delightful producer and podcast pal, Devin Smith! From his home base in Marietta, Georgia (yes, we talk about the diner there), Devin shares how he stumbled into the world of podcasting, built Podium Studios from the ground up, and followed his passion to create art through sound. We swap stories about life, comedy, marriage, perfectionism, and even martial arts—you're in for an honest, funny, and inspiring ride.If you've ever wondered what goes on behind the scenes of a podcast, how to launch your own, or how to keep your humor alive while building a business, this episode has something for you. Devin and I laugh a lot, talk real life, and dive into everything from YouTube podcasting to Harlequin novel interviews gone sideways. So grab your headphones and let's get into it!

Jeanine Englert joins the podcast to read from CINDERELLA'S CHARADE WITH THE DUKE. She talks about foraying into the Regency world after writing Scottish historical romances, how she approaches fairy tale adaptations, and how her characters come to her voice-first. Plus, she reveals she is here for the DRAMA of romance, and she peels back the curtain of working with Harlequin! 00:00 Welcome to the Historical Romance Sampler Podcast 00:33 Meet Jeanine Englert 01:52 Cinderella's Charade with the Duke: A Reading 10:44 Interview with Jeanine Englert 24:58 Love It or Leave It: Game Time 29:23 Closing Remarks and Where to Find Us   Find out more about Jeanine Englert at https://www.jeaninewrites.com/   HRS is an affiliate of Libro.fm! Sign up for a new monthly membership and get three audiobooks for the price of one with code HISTORICAL! (As an affiliate, HRS may earn a portion of your purchase, for which we thank you!) Check out the official HRS playlist at: https://tidd.ly/4hgCquh   Find out more about your host Katherine Grant: Instagram (@katherine_grant_romance) TikTok (@katherinegrantromance) Facebook (@Katherinegrantromanceauthor)  Goodreads (https://www.goodreads.com/author/show/19872840.Katherine_Grant) Bookbub (https://www.bookbub.com/authors/katherine-grant)   Follow HRS on social media! TikTok (@historicalromancesampler)  Instagram (@historicalromancesampler) 

We spoke about Mills & Boon last week and now we're onto Harlequin. While we go through the history of Harlequin, we continue with the lens of how gatekeepers influence the romance genre. While writing this script, I was influenced by John Markert's book Publishing Romance where he argues that gatekeepers often use their own tastes as a barometer for what readers want. Markert argues another driver for gatekeepers is what they perceive market conditions to be. This often results in gatekeepers acting conservatively as they try and find a product that is similar to yet slightly different from what's on the market. We talk about a few editors again and how they influenced their authors, Vivian Stephens and her time at Harlequin, how heroines having jobs has been editorial policy since the 80s, and how mass market paperbacks will be dramatically scaled down in the upcoming year.Support us on our Patreon!Visit our website for transcripts and show notes: reformedrakes.comFollow us on social media:Twitter: @reformedrakesInstagram: @reformedrakesBluesky: @reformedrakesBeth's SubstackChels' SubstackEmma's SubstackThank you for listening!

Description: Rob Gregory Browne discusses the concept of writer's block, emphasizing the importance of discipline in writing. He explores how writing is a job that requires commitment, even on difficult days. The discussion dives into the creative process and the mindset needed to succeed as a writer. Social Media Links: https://www.facebook.com/robertgregorybrowne/ Author Bio: Robert Gregory Browne is a Nicholl Fellow and Academy of Motion Picture Arts & Sciences Gold Alumnus. He has written teleplays for Showtime, Saban, Marvel, and Fox Kids, and has published multiple novels under multiple names in multiple countries with St. Martin's Press, Penguin Dutton, Signet, Harlequin, and his own small publishing company, Braun Haus Media, LLC. His novel, KISS HER GOODBYE, was produced for television by CBS TV/Sony Pictures. His novel, THE PARADISE PROPHECY, was optioned for ABC by Temple Hill Entertainment. Book Link: https://www.amazon.com/gp/product/B09LRS34SW Love this episode? Rate it ⭐️ Thumbs Up

Description: Rob Gregory Browne discusses the concept of writer's block, emphasizing the importance of discipline in writing. He explores how writing is a job that requires commitment, even on difficult days. The discussion dives into the creative process and the mindset needed to succeed as a writer. Social Media Links: https://www.facebook.com/robertgregorybrowne/ Author Bio: Robert Gregory Browne is a Nicholl Fellow and Academy of Motion Picture Arts & Sciences Gold Alumnus. He has written teleplays for Showtime, Saban, Marvel, and Fox Kids, and has published multiple novels under multiple names in multiple countries with St. Martin's Press, Penguin Dutton, Signet, Harlequin, and his own small publishing company, Braun Haus Media, LLC. His novel, KISS HER GOODBYE, was produced for television by CBS TV/Sony Pictures. His novel, THE PARADISE PROPHECY, was optioned for ABC by Temple Hill Entertainment. Book Link: https://www.amazon.com/gp/product/B09LRS34SW Love this episode? Rate it ⭐️ Thumbs Up

Paul Horton, who is playing the part of "Death" in Terry Pratchett's "The Hogfather", at the Harlequin Theatre (26th-29th November), joined Kev Watson to talk about the play, his role, and why the "Auditors" want the Hogfather dead!

The team are guided towards a new ally in the city of Vathalien... the ever mysterious and curiously powerful Harlequin! Altheya: The Dragon Empire Campaign Setting begins in Q1 2026! Register interest and support the journey to release here: https://www.kickstarter.com/projects/rollandplaypress/high-rollers-altheya-the-dragon-empire Can't wait for Part 2 of each episode? Join our Patreon to get early access EVERY week (+ a few other bonuses)! www.patreon.com/HighRollers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ _______________ Boost your Charisma with some HR merch! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://highrollersdnd.teemill.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Add official High Rollers Minis to your TTRPG collection here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://only-games.co/collections/high-rollers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bless your table with the Clever Toad Dice Set: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dispeldice.com/collections/high-rollers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enhance your bath time experience with the official Altheya themed DiceBombs at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://geekyclean.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.highrollersdnd.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for all the latest HR News! Love the podcast? Give us a glittering 5 star review! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/high-rollers-dnd/id1401508198?see-all=reviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music courtesy of Epidemic Sound, TCT Adventures (Solasta: Crown of the Magisters), Monument Studios and Jolene Khor! Check out Jolene Khor and all her wonderful work on High Rollers on Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/artist/1WX3ICiTmf4GpHwImnQMs6⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Romance fiction is dominating the chart. It's also redefining how stories are told and sold.In this episode, I sit down with author and industry veteran  Noel  Stark to talk about why happy endings aren't clichés. They're promises. We dig into how a genre once brushed off as “women's fiction” built one of publishing's most loyal and profitable audiences.Noelle takes us from the secret paperbacks she once hid in her backpack to the binge that launched her writing career. Along the way, she breaks down what makes romance work: authentic voice, emotional honesty, and that feeling of safety that keeps readers coming back for more.We also talk shop: how the “happily ever after” or “happy for now” acts as a contract with the reader, what happens when writers break that trust, and how gatekeepers like Harlequin shaped the genre's evolution. Noelle shares her own journey through Pitch Wars, agent rejections, the long wait on submissions, and finally landing her first book deal. It's a reminder that persistence and mentorship can change everything.We also  compare traditional and indie publishing, discuss how to handle your own marketing, when to hire a publicist, and why podcasts and newsletters still move the needle.If you love romance, storytelling, or the business side of publishing, this episode is full of hard-earned lessons, humor, and practical takeaways.You can connect with Noel through her website here.Have a comment? Text me! Support the show****************************************************************************➡️ P.S. ✍️ If you've been dreaming about writing your book but don't know where to start, I can help you turn that idea into a manuscript you're proud of.

A guarded checkpoint blocks the heroes' path into Vathalien! Stealth and deception has never gone wrong with this team before... Altheya: The Dragon Empire Campaign Setting begins in Q1 2026! Register interest and support the journey to release here: https://www.kickstarter.com/projects/rollandplaypress/high-rollers-altheya-the-dragon-empire Can't wait for Part 2 of each episode? Join our Patreon to get early access EVERY week (+ a few other bonuses)! www.patreon.com/HighRollers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ _______________ Boost your Charisma with some HR merch! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://highrollersdnd.teemill.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Add official High Rollers Minis to your TTRPG collection here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://only-games.co/collections/high-rollers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bless your table with the Clever Toad Dice Set: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dispeldice.com/collections/high-rollers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enhance your bath time experience with the official Altheya themed DiceBombs at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://geekyclean.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.highrollersdnd.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for all the latest HR News! Love the podcast? Give us a glittering 5 star review! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/high-rollers-dnd/id1401508198?see-all=reviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music courtesy of Epidemic Sound, TCT Adventures (Solasta: Crown of the Magisters), Monument Studios and Jolene Khor! Check out Jolene Khor and all her wonderful work on High Rollers on Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/artist/1WX3ICiTmf4GpHwImnQMs6⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we relive our unforgettable hunting trip to Alaska, a journey that took us across thousands of miles in pursuit of one of the most elusive and stunning waterfowl on the planet: the Harlequin duck. From rugged coastlines to once-in-a-lifetime retrieves, it's a story filled with grit, awe, and gratitude.But this conversation goes deeper than the hunt. We dive into a devotion about fear, how it shows up in the unknowns of life, and how faith helps us step forward anyway. As Thanksgiving approaches, we reflect on what it means to live with courage, gratitude, and trust, both in the field and beyond it.

Christian College Sex Comedy: Part 28 Sandwiches? In 30 parts, By FinalStand. Listen to the podcast at Explicit Novels.             Some masks hide who we are. Others show who we want to be                I could bowl Mercy over with a feather. Rio and I are doing the same social mechanics and come to the same conclusion. There are three reasons to marry a gay guy; 1.      money, 2.      social pressure and 3.      camouflage. Felicity doesn't need the money, so we simply assumed it to be number two. We totally missed the other reason; Felicity is a lesbian. Rio takes it in her slow and easy style. She walks up and puts Felicity in a gentle Mercy, Felicity, Rio sandwich. "I am going to have so much fun breaking you in," Rio whispers affectionately to Felicity. "When you get good at it, I'll let you play with Mercy, she likes to be played with but you have to be firm. Do you like it firm and hard, my most favorite and annoying little Ass-Tramp?" Subtle like a freaking tsunami. Mercy recovers from her shock to nod her head vigorously. "What about Barbie Lynn?" Felicity inquires with velvet hunger. "She's Zane's," Rio informs her. Felicity looks a bit disappointed. "Zane shares her though, so don't expect her to fall in love with you," then leans in and up, "but you'll find out her lips, titties and ass are to die for. Now let's go back to my room and let me show you some things," Rio grins, looks over her shoulder and gives me a wink. Who's room? Barbie Lynn pats my ass then skips after the trio. "We are going to lube up Mercy and try out some of the basics," Rio instructs Felicity. "We'll see what intrigues you then I'll send you home with some toys to practice with and, well, loosen you up a bit. Mercy didn't become fantastic overnight. I had to work on her a lot. See, and the conversation is drowned out by the rest of the students on the floor. No one has batted an eye about Mercy, Rio, and/or Felicity either. Maybe I really am the downfall of the Judeo-Christian tradition after all. Rio is taking responsibility for Mercy. Mercy just stepped out to the World as her true self, a tiny, tiny step anyway. Barbie Lynn is playing Dorm Mother in spades and in a manner way beyond the Handbook's job description. Valarie, Vivian and Iona have gathered together then when Vivian finger-beckons me over. I saunter over to see what's going to go wrong with my life next, and if they have any Tribbles hiding there I'm going to burn the little bastards in the sink. That's not what brings me over. "All the Advocate-candidates have been approached and agreed to serve," Vivian seems amused to inform me. "They want what little ceremony exists to be performed and the Advocates sworn in at 9pm." "Has someone worked on an Oath of Office," I groan. 'To one's self be true', what else can I say? "It seems some of the prelaw students actually had a little contest and they've put something together," Vivian smiles warmly. "It has been downloaded to your phone, it is under Advocate Oath of Office." "Why are you being such a smart ass?" I look her over. "Hasn't my day been bad enough?" "Zane, have you seen your phone log for the past twelve hours?" Vivian asks me. I have been ignoring my phone, in fact. I check it now and I bless those hard working Taiwanese and the huge memory capacity they've put in my global lifeline; otherwise my phone would have melted down hours ago. Fuck, I have phone calls from people I don't even know, who live in, France, Germany, Brazil and Belarus? I rack my mind to remember where Belarus is, blonde-haired, blue eyed Slavic ladies, now I know! The viewing of Star Trek humiliations seem to be universal but at least they don't know my name or face. There is some serious Time Lord Mafia paddling over this one. They've used my damn private phone number. "When do you think you'll talk to Rio," Iona asks cautiously. "I'll take care of that right now, while she's feeling happy and playful," I comfort Iona. "Besides, it could be worse; everyone is looking for a pudgy Sasquatch, not me." The three ladies all stare at me. "Oh fuck," I groan. "Well," Vivian looks away (oh hell), "the footage sort of shows you taking a shower plus your name and phone number." "But your transformation into is a fur-ball is truly precious," Valarie comforts/mocks me. "All my gal-pals out West think you are so cute; Phoenix, one of my Mom's jailbird friends, even used the 'too cute' emoticon and I didn't even think she knew what emoticons were. She sent it to all her buds still in lock-up too." "Great, I'm popular in a women's correctional facility, at least it is in another state," I sigh upward. I pray to God that never becomes relevant. "Hell, I have a housewife in Belarus she wants me as a house pet." "What does she look like?" Valarie seems curious. "How would I know?" I am somewhat offended. Valarie takes my phone but I don't resist too much. She scrolls a bit then hits the number. "Don't call her," I bark. Valarie laughs then hands me my phone back. She shows me the 'entirety' of the girl's message. Nice bikini, or what there is of it and I can't imagine it being too practical that far north. She is divorced, with a one year old son, 22 years old and fresh out of college with a job as a PR specialist for a real estate development firm. She also speaks seven freaking languages, I feel like such an underachiever right now, or male underwear model. Maybe I'll make her a pen pal ~ she's a half a world away. I should be safe. Right now I can't play it safe though; I have to go play with Rio and I know that violates my health insurance under the 'feeding dangerous animals' clause. "Zane," Iona offers to take my phone so I give it to her (why should I distrust her right?). Her delicate little fingers fly across it then she hands it back. "You now have a fifteen minute warning," she is trying to be helpful. "Paige seems to have vanished," I request, "so when you see her, tell her to give us some peace please." The three of the saner women I know give me a nod. I round the final screen and there is my sleeping platform. Barbie Lynn and Felicity are examining a stunning large collection of sexual aids (that my credit card must have paid for), which Rio is sedately explaining to them, sort of what you would expect from a Mary Kay or Avon saleswomen. Mercy is bent over the bed, pushing up her ass by standing on her toes, skirt and panties gone and surreptitiously undoing her blouse buttons when she thinks Rio isn't looking. Mercy even flashes a precious grin my way when she sees me. It is the 'Weeee! I'm about to get fucked' look. While amiably chatting away, Rio puts her hand over one of Felicity's hands and leads it over to Mercy's flank. Felicity puts up a token resistance. "Do that again and it will cost you," Rio purrs. Felicity stares at Rio's feral nature, seeing her truly for the first time then obeys. "Good girl," Rio coos in Felicity's ear. That reminds me what I've forgotten to do today, the air filters. I look around the various wardrobes for some sort of precision tool like a baseball bat, crowbar, sledgehammer, fire axe or chainsaw, I have a cricket bat? What the hell am I doing with a cricket bat? Isn't that the National sport of India; is it even played on this continent? It may be one of a kind; I'll spare it. "Zane!" Rio snaps. Apparently she's been calling my name for a second or two. "Yeah Bro, what do you need?" I answer. I'm not being attacked by someone so she must need something from me. "Felicity is self-conscious about being naked in front of us girls," Rio grins. "Could you pick out a swimsuit for her that is conservative and demur?" In Rio-speak that means three small circle Band-Aids and some dental floss. "What color would you like Felicity?" I ask. She says white; I groan because when you sweat/drip on white it becomes translucent. Maybe she's teasing me. I pick out a Rio-approved set (she has a whole drawer labeled 'Slut Wear' after all), hides it from her until I walk around and hand the 'suit' to Rio. Top lesson: 1.      Rio is in charge. Rio approved approves the look suit then hands it to Felicity. "You expect me to wear this?" Felicity gasps. "That's going to cost you Sweet-cheeks," Rio grins wickedly. "I can't wear this," Felicity stammers. Rio puts a finger to her lips to stop Felicity from saying anything else. "I apologize, Ms. Tolliver," Rio nods, "I think you are in the wrong place. Thank you for the books; good-bye now." Felicity is looking back and forth between Rio, Barbie Lynn, Mercy and me. Barbie Lynn gives Felicity a friendly shrug; I mirror that gesture while Rio takes up a medium lavender dildo, a bottle of lube and pours an expertly delivered thin stream on the tool and Mercy's asshole as if they are one. She's pointedly ignoring Felicity. Felicity is a 'Prom Queen' type and now some jumped-up freshman has dismissed her like she is nothing; I doubt that has ever happened before. On the other hand, Rio is brazenly open with her sexuality and sexual desires; a freedom Felicity has always felt denied her. Felicity almost makes a crucial mistake but I catch her starting to form the words 'I'm sorry' to me but I redirect her with a tilt of my head. "I apologize," Felicity whispers. "Zane, could you take over for me please," Rio says. I step around to her far side and start working my dildo slowly into Mercy's rectum. She wiggles her ass playfully to the intrusion. Rio steps up to Felicity, rises up on her tiptoes and grips Felicity's head firmly but gently. Rio tries to kiss Felicity but I can tell the taller blonde's jaws clench and her body stiffens. "One last chance," Rio insists. She lets the implications sink in then kisses her again. It is a close thing but Felicity finally breaks down and let's Rio's tongue master her tongue, mouth and lips. Felicity moan eradicates a decade of repression and denial and it is with some reluctance that the taller blonde lets the short, darker Rio settle down. Rio presses a finger to Felicity's lips again. "This is going to be the last time I'm nice to you for some time," Rio begins. She stops Felicity from speaking once more. "Zane and I are closer than family, he's number 1 in my book; there is no other. I will call you whatever I want to call you and you will not talk back. My safe words are 'That fucking hurts' or clapping your ankles together if you can't speak." "Mercy is mine; hurt her and I will bury you, my hand to God. Outside of that, I will use you like I want to. I will show you things you've only read about, make you dress in clothes that terrify you, and press you as hard as I can because I care about you Felicity. Are you a virgin?" Rio inquires. "Yes," Felicity moans somewhat frightened. "Your vaginal virginity is yours, your oral and anal virginity are mine," she explains. "When I say come over, don't make excuses, bring your ass to wherever I am. I am going to be hard on you and give you to my friends to play with because it amuses me, clear? Are you okay with this; if you aren't, this is your last chance to back out because I will hunt your ass down after tonight." "I can, I'm okay with this," Felicity says with less trepidation. "Okay Bitch," Rio growls, "Take off your shoes, panties and skirt; pick out the paddle you think you deserve to be spanked with and bed over the bed. That shirt better not be in the way. Oh, you are leaving your bra with me tonight, go home without it. You only wear panties if you have my permission as well." "Yes, Felicity falters. "Call me Rio," she clarifies. "I'm not afraid of who the fuck I am. You've looked down at people like me all your life and now you are going to be as degraded as what you wanted me to go through. Payback is a bitch." "Yes Rio," Felicity confirms softly. "Well, get to it," Rio snaps and swats Felicity's ass. "I want to waste some time on my beautiful, wonderful, annoying slut here," she moved to Mercy, "and her tricky little self has been taking off her clothes without my permission." The slap Rio plants leaves a red handprint on Mercy who exhales contentedly at Rio's attention. "Oh, you've been a naughty little fuck-slut, and you are wetter than the damn river," Rio whispers in Mercy's ear as one hand pumps the vibrator in her ass and the other strokes her wet cunt. Yeah Rio, that's putting the fear of God in Mercy, right. Felicity takes the most-wicked looking paddle available and I've never even seen Rio consider using. "Bro, we have a meeting at 9pm so we need to break it up in about an hour," I give the bad news. "Zane, damn, take over Mercy once more; I trust you with her but I want tears and if you could get her to bite up a ball gag, I'd appreciate it," Rio asks. Mercy has been placated and her position with Rio affirmed. She's a happy little Bottom once more because Rio finds her annoying, which means 'love' when translated into sane people-speak. "Barbie Lynn, warm her up for me," Rio requests of the blonde bombshell as she falls on Felicity's behind's like a Bedouin dying of thirst. I can see Felicity about to turn and plead for Barbie Lynn's attention because she mistakenly believes BLT will be hesitant. Boy, she's in for a surprise. Barbie Lynn's thumbs push the base of Felicity's softly resistant ass up and apart. Barbie Lynn is lapping like a dog at Felicity's cunny alternating flicks of the tongue along the labia and short, rapid intrusions. "What kind of sick masochist are you?" Rio snarls, waving Felicity's chosen paddle before her eyes. "I use this to crush the skulls of rogue water buffaloes; where was I supposed to hit you; on the asses of your ancestors cause that was where you were headed? What the hell was this even doing in my collection anyway?" "Also, what are you doing with your bra still on? I'm going to want those bad boys milked before you escape tonight," Rio grumbled. "You didn't, Felicity starts to protest even as Barbie Lynn twirls her toward orgasm. "Shut up!" Rio hisses. "Barbie Lynn, teach her a lesson." Barbie Lynn frees up one hand long enough to give her one 'moderate' spank. "Where is Paige; I need her nimble, spider-like finger of Evil." I can't seem to spot her so Paige is forced to clear her throat, she has carefully hidden herself behind my, pillow; she's hiding by the simple expedients of being in semi-darkness and being very still. It is so eerie I almost love her, love her. "Jesus H. Christ," Rio jumps. "I'd put bells on you but I'd probably end up with them in my cunt, now that actually, focus Rio!" she chastises herself. "Paige, help me strip my latest toy down and give her nipples a stress test," Rio requests. "Deal, but you need to do me one favor," Paige starts crawling over toward Felicity. "Sure, now get snappy," Rio urges her on as starts to pull Felicity's shirt over the girl's head. "Forgive me for forcing Iona to help me and the Time Lord Mafia," Paige cashes in her favor immediately. It is all the more self-sacrificial in that I suspect Cordelia kept Paige out of the whole plot. "Bitch," Rio seethes at Paige, "if you messed up Iona I'll still find a way to make you pay, I promise you." "You granted me a favor," Paige reminds Rio cautiously. "Zane, do something," Rio pleads. "I've already sworn not to make the responsible parties pay, beyond what Cordelia has already granted me," I grin. "I get Paige's ass whenever I want, how often I want, until the end of October," I add. Paige lowers her head and trembles with fear and anticipation; the 'threat' of anal sex is something Paige and I are working through plus, since Paige fears it, Rio will love the fantasy vision of Paige squirming on my 'meaty pole', see Barbie Lynn's thesaurus. Rio can't get away from Paige fast enough, falling into the narcotic pleasures of Mercy's treasures. Rio is often misunderstood; pain is a daily part of her life brought about by her blatantly aggressive lifestyle and the wraiths of her past. Mercy isn't in any danger; she could hardly be safer at the moment, figuratively speaking. Mercy's ass and cunt are getting a workout to the point I'm afraid that Rio is going to shove that dildo all the way into Mercy's colon and Rio's tongue might end Mercy's 'pesky' virginity by tongue-muscle action alone. Paige shoots me a sad smile before she gets on her back and starts sliding under Felicity. When they are face to face, but running in different directions, Paige and Felicity exchange some wistful kisses. "You are beautiful," Felicity moans down at the pale pink lips and snowy skin of someone who is working both overtime at being my lover and more importantly, a friend to my group of friends. "I know," Paige responds confidently before wiggling her way further under Felicity. Soon she has the first taste most likely anyone has had over of her breasts and nipples. I can tell when Paige draws in the first full gulp of tit because Felicity goes off like a bronco mare with a cougar cub on her back. She is making deep, guttural moans but at least she's not screaming her head off. "Rio, do you want Felicity to taste my tits?" Paige asks. Rio is being petulant. "Rio, if you want I'll never talk to Paige or Iona again because they are both Time Lord Mafia and they all had a part to play in this," I declare. "I know of only one who didn't, and if she's my sole friend with them after this, so be it, but you have to let me fight my own fights alone from time to time and let me decide what counts as a victory." "Fuck the bitches," Rio pops up, much to Mercy's astonishment, "One is more than enough." "Fine, Iona is out Rio. The only one who didn't have a part in this morning was Paige," I tell Rio. "I'll go tell her that you two are done, but I'll have you know she was operating under my orders, sort of. I told her not to go against Cordelia and she did as I asked." Rio seems truly conflicted for the longest time then she drapes herself over Mercy's body. "Honey-hole reach back, take over and keep yourself going or I'll make you feel up each Karate Club member during practice Monday," Rio purrs to her lover. Mercy hastily obeys because I think something about the way the situation playing out intrigues her. Rio shuffles down to Barbie Lynn, Felicity's posterior and Paige's head. "You fucking lied to me you freaky douche," Rio declares venomously at the albino Paige. Paige wisely keeps silent, there is nothing positive she can say. SheRio plants four resounding smacks on Felicity's exposed bottom. Felicity squeals, distracting Rio momentarily. "You'll pay for that, you skank," Rio hisses at Felicity. "Paige, how fucking dare you disappoint me," she growls. "How dare you act above my expectations; you are almost a human being," Rio finishes - as if the term 'human being' is as horrid a term as ATF agent or fashionista. Rio stands up and views her domain. Mercy is going all out though she clearly misses her Top and Felicity is panting herself toward another, more prolonged climax. "Barbie-licious, would you take care of my prize for me; you know what she likes," Rio requests with a hint of her normal madness. "Paige, give her some nipple-age and I'm going to break in Felici-hump's whore-hole." For the English-speaking public that means (I think) that Paige is to open her own shirt, unfasten her front-access bra and lead Felicity's lips to those translucent, succulent breasts I find so tasty. Felicity is clearly in a sexual buzz; otherwise she might spend precious minutes trying to figure out that Rio just declared her intention to introduce Felicity to anal sex of the strap-on variety. "Hey, pansy-boy," Rio mocks me and my reclining majesty, "get over here and give me some of that magic tongue and finger work that will turn her back into a straight." That's just mean. "Please don't make me like men," Felicity stammers. Her eyes are glassy and feverish. Rio smacks both buttocks this time and Felicity squeals louder. "You don't get to talk, you listen," Rio commands. "You are a perfect lover, a lesbian," Rio explains from some teasing twisted core. "We simply sleep with men to control them, but I don't want you sleep with Lance without my permission, is that understood?" Felicity keeps her words within her lips as well as going back to use another one of Paige's nipples for further succor. This is just bizarre, the bi-sexual is demanding/empowering the lesbian to not sleep with her gay fianc , I couldn't write stuff this weird and then avoid rehab. "In fact, Zane has an in with your future Mother-in-law and she'll tell him if she even suspects her baby boy is having sex with a woman," Rio double-pumps her eyebrows at me. Rio doesn't 'know' that I'm having sex with Rochelle Wellington; Felicity's soon to be MIL. We do both know Lance, the fianc , likes playing with other men's cocks. We have the video file to prove it too. "You step out on me and I'll sell you to that sorority next door to Zane's house for a weekend," Rio threatens. Felicity isn't Mercy, she's repressed while Mercy is perverse (by outside standards). Full exposure to the town at large frightens Felicity because she doesn't want deal with the social consequences of being labeled homosexual. Mercy is actually afraid of her sexual proclivities themselves as well as the real physical danger of exposure. Once Felicity finds her own identity her relationship will change, in essence she'll never replace Mercy in Rio's heart. There is never going to be that vulnerability and utter acceptance that those two have. Felicity is going to be fun and in time I think Hudson Lane may be a better match as a companion. Hudson and Felicity are adults where Rio fights adulthood with every breath. Rio's choice in strap-ons is odd to say the least; the only time Rio had shown it to Mercy, Mercy had been afraid, afraid that Rio would waste their time on something so, unimpressive. Until I noticed Mercy's distress that morning I didn't think Rio had something so, (training wheels?) in her arsenal; this was what Rio picked to break Felicity in. No one knows my buddy like I do. Rio is still working Felicity's bunghole over with a sole finger when she leans over the tall slender blonde's back. Rio uses one hand to cord that long hair until it is one thick mass, and then she pulls it back like a corded rein. It isn't until the tip of the dildo nestles into the cusp of Felicity's sphincter that Felicity figures out what's about to happen. "No Rio, please, I don't want this," Felicity panics. "Sssh," Rio coos, "it is going in and I'm going to teach you how." "Rio, I don't," Felicity trembles. "Why?" Rio whispers her question. 'Why is Felicity afraid of this violation' is what Rio is aiming for. They stay there locked and silent. After a minute, Rio picks up her actions. "When I begin to thrust forward, I want you to use your inner muscles to push back," Rio says tenderly. Rio goes forward and Felicity tenses so she stops. "Relax, it won't hurt, only feel funny," Rio assures her. Not always true but, This time things culminate with Felicity gives a sharp gasp followed by a whispered sigh. "Okay," Rio murmurs to her prey, "I am tired of doing all the work. You need to push back now," she continues. "Come back against me you cunt-loving whore." Felicity bucks slightly and shakes her head. "No, no," she pleads at barely above a whisper herself. "It's okay," Rio runs a hand along Felicity's spine. "You can come back later if you like. Your ass is mine but I'll wait for you to give it to me but, no cunt for you to taste or lips upon your cunt until then Felicity. I'll be taking care of Barbie Lynn for you". Rio winks at me, "Or more likely you are leaving her for Zane, man that he is; you know she'll get addicted to that cock eventually." Bang! Felicity looks heart-shot. Felicity starts working Rio's artificial cock down her asshole. Rio looks at me and gives the best 'Home Alone!' face I've ever seen. She's floored that Felicity has been sucked into our mad circus. She then puts both hands on Felicity's hips. "Slow down Felicity, and welcome to the club," Rio grins down at her. Felicity rests for about thirty seconds then Rio spanks each flank. "Giddy-up now; you still have four inches to go." "I thought I could stop," Felicity whined. "You said, "You stopped; I let you stop," Rio sneered, "Now I'm telling you to back your sweet ass up." I'm going to give Rio a Janus mask for Christmas. I'd get her medication for her insanity but I know she'd eventually slip it into my food no matter what. "Come on now Felicity-Sugah," Barbie Lynn joins it. "You always had such a gentle hand training me in Karate. It'd be a crying shame if no other girls got to feel the way you made me feel. You have always been so strong, be strong now." Felicity rotates her head somewhat foal-like and stretches the hair Rio is using as a rein before she pushes back again. This time when Felicity stops Rio slaps her ass lightly. My buddy also grins madly at me and mouths 'I am so going to Hell over this' then giggles. I mouth back 'Right beside you'. Felicity is finally all the way back and resting when Mercy begins to shudder violently. "Holygoddamnfuckingpieceofshit!!!!" Mercy howls into the sheets. Barbie Lynn hammers her bunghole and mangles her clit so much that she repeats the phrase three times in rapid succession and all the time she looks as compassionate as a mother changing a newborn. Felicity takes that inspiration and runs with it. Rio is pulling back with the strap-on when Felicity pushes back hard. Rio pushes her forward and rotates her hips for more of a sensation before snatching up a slender blue paddle that seems more flexible than rigid. She quickly makes good use of it, stinging Felicity's rump and making the ride home for her interesting. Paige starts flicking Felicity's clit but that is more than Felicity can take. Thankfully she releases Paige's right tit before she clamps her teeth and bows her back up and down multiple times as orgasm hits her. Rio has to grip Felicity's hips tightly to not be bucked off and she's loving it. Felicity collapses on Paige but I quickly roll Felicity on her back, Rio's strap-on slides out painlessly, so I can pull Paige to me. Paige and I exchange a heated kiss while Rio unfastens the dildo, lets it fall to the floor. Rio crawls on the bed, hooks a finger into Mercy's collar and forces the exhausted beauty to follow her farther up the bed. Rio reclines against the headboard with Mercy resting her head on her Mistresses stomach, hair cascading over Rio's stomach, crotch, and thigh as well as her own face. Rio is running her hands through her lover's hair with an affection few at the school would believe. Barbie Lynn decides to take her own approach with Felicity. She mentioned experimenting with girls before meeting me on the day I first moved into this dorm, downstairs and a long, long time ago it seems. With the fear that permeated this place, it was probably furtive touches at night in bed with your roommate or a quick grope in the showers. Felicity barely has the time to register Barbie's presence before Barbie Lynn has Felicity's legs up, bent at the knees and cunt full exposed. Barbie doesn't dive in, instead crawling onto Felicity's body until they are face to face. Felicity gets this surprised, I can't believe this is finally coming true' face, the Barbie Lynn's lips are pressing hers. "Hey Honey-Trap," Rio snaps playfully, "what do you think you are doing with my Thing Two?" (Note: Never combine Rio and Doctor Seuss on You Tube; legions of little minds will be forever corrupted) "Give it a rest Rio," Barbie Lynn looks up and grins at my Bud, "Felicity gets a time-out and she gets to have it with me, are we clear?" This is not a fight I'm stepping into and Rio, Mercy and Barbie Lynn know it. Barbie Lynn doesn't ask for much from Rio and is pretty tolerant of her so now that Barbie Lynn is making a stand and, "This is really hard on her," Rio says affectionately. "Take your time." I leave Barbie Lynn and Felicity to play and carry Paige around to the far side of Rio. Paige is coiled around my body so I doubt she could be happier outside of 'bouncy, bouncy'. "What's going on Babe," I whisper to Rio. "What's your game?" "Don't tell anyone because they won't believe you but I've been reading," she tilts her forehead against mine. "I've been reading the diary of an actual dominatrix by the firelight of me burning 'Fifty Shades of Someone Stupid'." "You are right," I snicker, "no one would ever believe you actually read a book." She punches me then Mercy shoots me a weak blow to the ribs. "Hey you," Rio tapped Mercy's nose, "who said you could get in a fight? I think someone is getting hog-tied and ice cubes rubbed up and down their spine." Mercy shivers happily. "Do you want to do anything like that with me," Paige purrs. "I want to sneak into your parent's room and fuck you hard on their bed in every position we can think of," I state calmly, as if I've given it great thought. Paige's dampness streams down onto my left hip and thigh as she shivers in delight. It is all about knowing your partner. This forbidden act knocks her right out of the ballpark. "Are we, you and I, any closer?" Paige murmurs. "You know who has my heart, Paige, but we are closer, if that matters," I tell her. "When did that happen?" Paige smiles up at me. "About fifteen minutes ago," I kiss the tip of her nose. "So I had to lie to a total nut-job to save another friend of yours and risk a beating to take us a step forward, and it wasn't the black leather micro-mini," Paige moans as finds the perfect spots on my chest and lap to settle into. It is a precious few minutes we share, with Rio alternating tender caresses with pinches to the nipples and slaps to the breasts, buttocks and thighs. Mercy makes mewling little sighs in response to both sets of gestures. Felicity has finally rolled Barbie Lynn over and engaging in every less-than-vanilla sexual act she thinks she's missed over the three years she's known, showered with, and competed with my Georgia Honey-box. By the play of Barbie's right hand, the thick, sloppy sound that's emanating from between Felicity's thighs and Felicity's shortness of breath, Barbie Lynn is driving her former classmate made with lust. "Bro, can I turn Mercy into an ice cream dispenser? Sort of 'squeeze these wonderful titties' then scoop out some Neapolitan from her cunt," Rio snickers my way. She loves yanking my chain, and Mercy's, from time to time. "No! That has to be cold as hell and you may not make Mercy poop or pee dairy products," I command, "Rio-saurus Rex!" "Oh, that's gross," Rio dares to look offended. "I would never put ice cream up my favorite Lust-receptacle's butthole. That is for the ice cream cones." "Fine, you may not stuff Mercy like an clair," I clarify. "I'm putting my foot down and if Paige and I have to do full body cavity searches to make sure you behave, so be it." Felicity erupts through her final orgasm of the night, her body twisting and stretching as sweat drips off her body. Barbie Lynn keeps subtle control of Felicity's body which is both touching and frightening, she's getting sexually wound up and she's going to corral my cock and drive it up her ass, my approval being optional. The dirty, sexy look she shoots me is as good a piece of proof as I need. "I can't have you two touching my bitch without supervision," Rio states angrily, yeah right. "I'll have to check out all her opening once you two get done, a triple check." Mercy looks over toward Paige and me. Her eyes are open wide with lust and anticipation. "I suppose we could simply trust Mercy and take her word for it," I tease. "No," Rio goes off, "I can tell you right now; she's one sneaky little slut." "I don't trust her," Paige nods. "The pretty ones always need to be kept in line, harshly." Mercy merely shakes her head vigorously in affirmation of her devious and untrustworthy nature. "Where are you people from?" Felicity pants through her fatigued smile. "The People's Republic of None of Your Damn Business," Rio slaps Mercy's thigh. "We keep Rio in a steel box," Barbie Lynn pets Felicity's left nipple. "The rest of us are regular students. Okay, Zane's a tad irregular, but he means well." My phone buzzes from the far side of the bed. "Time to wrap it up team," I give out the bad news. "Felicity, you can sweep step out with Barbie Lynn to the shower, different showers because giving the freshman student body an alternative lifestyle exhibition is not an option for tonight. The rest of us will give it a few minutes and go out and pretend the world is a normal place." "Felicity, I want your bra and panties up here on my pillow," Rio demands. "I'm going to use them to bind up Mercy tonight. She's been, umm, mediocre so I'm gagging her with that boring underwear and hooking her hands over her head with that sad, old bra of yours." "I thought you only wanted my bra," Felicity questions? "Spank her for me BLT," Rio growls. Barbie Lynn gave gives three sharp, alternating smacks on each ass cheek. Felicity bites her lower lip and whimpers. "No back talking now F; I said no bra tonight, but also no panties ever without my approval." Felicity nods. Barbie Lynn takes Felicity by the hand, over to the towel closet then leads her somewhat reluctantly out into the main floor. "Rio, did I do you a good turn," Paige asks. Rio thinks that over for a minute, making small circles in Mercy's hair. "Yes, yes you did, you albino deviant," Rio allows. "Can I have Mercy for my use for one night sometime soon?" Paige requests. "That's not how it works," Rio scolds Paige after a few seconds. "She's mine to use, no one else's. I can have someone use her for my pleasure but she's a damn human being, not a bean-bag chair. I will give you this though, because you can be so incredibly stupid about people, I'll let Mercy know that it would make me happy to see her with you; how is that?" Mercy is resting on her head on Rio's lap, so she clearly hears what's going on. Rio is really the best friend in the world, and one of the best people I've ever known. I can live with the crazy. Homecoming. So, it was Friday, Homecoming Day at FFU, and several dozen of us were not doing what we were supposed to do but I wanted this headache taken care of before the rest of the day's festivities. All the Advocates were gathered as was Ms. Goodswell, as a Student Advisor. Other people were gathered to observe the spectacle and guessing which way I would jump. This first major crisis of my role as Mediator since the creation of the Janissaries wouldn't have been complete without Iona, my trusty sidekick, and Rio, my chronic pain in the ass & truest friend. In fact, Rio was the reason for this meeting. She had been given the writing assignment of 'place the writings of a juvenile story into an adult setting'. The train wreck wasn't hard to foretell. Rio had chosen four works of the late, lamented Doctor Seuss (if he wasn't dead he would be after reading halfway through Rio's creation). Rio had attacked the project with a gusto that made Ms. Tucker, her English instructor, hopeful that Rio was finally fitting in (read: conforming). Rio turned in the pornographic Tales of a Cat with a Really Big Hat on Tuesday. Ms. Tucker had flunked the effort and dragged Rio down to Doctor Victoria Scarlett's office but that senior educator had volleyed this time bomb into my lap. I promptly told them to pick an Advocate and get back to me after dinner. Rio Talon/Christina Buchanan's argument had been that the vagueness of the instructions allowed for a liberal interpretations of the assignment. Athena Varna (representing the rest of Ms. Tucker's class)/Joy Jefferson had argued that the standard was what 'any reasonable individual going to a Christian school would find acceptable' as their defense, which meant that it wasn't acceptable in their opinion. Two days of mediation went nowhere and I wasn't going to let this matter fester through the weekend. I had called all the concerned parties to join me after breakfast and received Doctor Scarlett's blessing for missing Assembly where many of the students and their families were gathered in our daily religious/social function. "Okay, I've given the matter serious thought and I saw merit to both arguments but I found Ms. Jefferson's argument to be the more compelling," I led off. "We live in a society; each person should be free and act with freedom but that cuts both ways, we have to give our society some support to retain our harmony. This is my judgment." "I would hope that since Rio did make an exceptional effort in her creative writing work that Ms. Tucker would consider allowing Rio one additional week to make up the assignment since this is one-quarter of her grade and her effort, while misdirected, was acknowledged as a vigorous attempt. That is my suggestion anyway," I said hopefully since I wasn't sure if I could instruct a teacher in any manner, much less order a do-over for Rio. It took a few seconds for my words to sink in. This was hardly re-writing the Charter of the Commonwealth of Virginia but it did mean I'd ruled against my best friend and the woman I wanted to marry and several girls looked at me in some disbelief that I hadn't gone that way. "Thank you Mediator," Joy was the first to offer me her hand, and she was still technically the enemy, being in the Traditionalist faction here at school. "Your argument carried the day, Joy. I'm pretty sure there was no favoritism involved," I smiled. "I will get you next time," Christina came up and shook Joy's hand. She turned and clasped my hand after that. "You were wiser than I thought you'd be," Christina winked to me. A few people came by and went through the same routine until Rio approached last of all. She hit me in the shoulder causing multiple heads to swivel our way. "You threw me under the bus Bitch," she laughed. "Don't look so surprised," I rubbed my shoulder, "you built the bus I rolled over you with, ya Deviant." Iona gave me a shy wave right before she slipped out to go meet her parents and most of the girls did likewise. Finally it was Ms. Goodswell, Christina, Faith, Rio and myself. "Faith and I will polish off the minutes of your final decision Zane," Christina said before turning her imperious head away and leading Faith out to do what seniors do. "So, are you two going to be hiding out all day?" Virginia Goodswell looked Rio and my way. "I would but two dozen over-eager and overly-endowed students have asked Zane to be available to meet their ancestors or some other such cheesy crap," Rio ranted. "Besides, I'm sure there is some law or ordinance that causes the rest of you to never leave me alone." "Yes Ms. Talon," Ms. Goodswell said with some gravity, "That is the Self-preservation Act of 1908. You are listed under 'Elements with Corrosive properties." "Woot!" Rio hollered, "I'm a corrosive influence!" "Thanks Virginia," I addressed my teacher and Spiritual Advisor, "like she needed more ammo." Goodswell laughed and headed out toward the main campus while Rio and I headed for our dorm. "I think I'm going to become a superhero," Rio teased me. "My X-ray vision will vaporize the panties off of unsuspecting stuck-up babes." "Wasn't there a time when heroes were heroes and villains were villains; none of this gray crap?" I half-grinned. "Zane," Rio sounded exasperated and but motherly aka Ma Barker, "you keep saving girls and they keep kicking you in the teeth." "I look at it as opportunity to get back up again," I smiled. "That's called masochism, look it up," Rio sneered. "Let's go to my room," I said, rather redundantly, as we'd reached the elevator door and I'd hit the button. Rio became oddly close to me as we got on board and even let me wrap an arm around her. For me, being parentless today required I convince Aunt Jill that parking would be a bitch and I'd see her Saturday night, we had our first Marksmanship outing tomorrow morning in Kentucky, so I'd would be back to have dinner with my sole family member. Rio's parents hadn't asked Rio if she wanted them to come. They hadn't made any contact at all, denying Rio the ability to scream at her parents and tell them to 'fuck off'. Adding to the misery, Mercy's parents were here and everyone in our close circle had convinced Rio that being close to Mercy would be disastrous, in the belief that Rio had poor impulse control, imagine that. When the end of Assembly sounded and the parents began exiting the building to join up with their kids, we proceeded to my Solarium level of the dorm. The parents would meet their girl's friends, teachers, & the key members of their various clubs. We opened my 'vault' door and Rio led me upstairs then gave a start. I slipped around her to see what the problem was, Cordelia Dresden. To her credit, Cordelia and her Time Lord Mafia had either been behaving or doing things in such a sneaky manner as to avoid my notice. Besides the three of us, only three freshmen girls occupied the rest of the floor, leaving us effectively alone. "Hi Rio!" Cordelia led off, "Zane, I only want you to know you have our full support," was her cryptic statement that I was still digesting when Rio hurled herself at the slender brunette. Cordelia cried out as Rio toppled them both to the floor. Rio rose up on her knees and slapped Cordelia across the face. "Get her off me," Cordelia screamed as she raised her hands to defend herself. "What's the fucking secret you're hiding?" Rio growled. "Yank Rio off me right now. Zane," Cordelia snapped as she took a second slap to the cheek. "You know what I can do." "Cordy, Rio wants to live free or die trying; so you might want to consider your next words carefully," I shrugged. "She prefers to exist free of fear. Rio, I'm going to the shake dispenser; do you want something?" "A strawberry shake sounds good," Rio smiled as she began pinning Cordelia's wrists down. Once she finished that maneuver, Rio glared triumphantly down at Cordelia. "Great," Cordelia met that glare with one of her own, "what's your next brilliant plan; a little sexual assault to go with your brazen attack?" "Nope, I'm going to drool spit on your face and ears Cordelia-baby," Rio answered then began swirling her tongue in her mouth to gather up her first glob of spit. "Zane," Cordelia pleaded. "Rio, let her up," I requested (Rio knew my vocal tones). "She's agreed to help you with your Mercy problem." Cordelia had done no such thing but Rio would need help dealing with her lover's parents and Cordelia could be a powerful ally. Cordelia could lie her way out of things, except she would be lying to me and our trust was a fragile thing. If it was just Rio, Cordy would lie in a heartbeat but I believed I was somewhat special to her. Cordy said nothing and Rio got off of her. It wasn't Rio's style to offer Cordelia a hand up even though she knocked her down. Rio joined me making shakes and grinned evilly. "Cordelia, do you want a shake," I called over to her. "Peach," she replied. Somewhat reluctantly she walked over to us. Cordelia, like Rio and me, had no parents coming. "So, are you going to tell Zane what your secret is or do we go for the best two out of three falls?" Rio sneered. "Let it be Rio," I nudged her. "It isn't something bad. If it was bad, she would have coughed it up already." "I don't know what you see in this wacky Whore," Rio asked me, with Cordelia standing beside us. "She's Ra's al Ghul to my Bruce Wayne," I explained. "How can I step beyond the streets of my own personal Gotham without her?" "Wait, does that mean I'm Harlequin?" Rio mused. "No, you are the Joker, Rio," Cordelia huffed, "and yes, that makes Mercy Harlequin." "Cordy, there are times I wish you weren't so evil and manipulative," Rio observed. "Titles such as Evil, like genius, are the hobgoblin of small minds," Cordelia countered. "Zane sees that, which is why I tolerate the rest of you." "You just want to play jockey to his thoroughbred," Rio snorted. "Never said I didn't," Cordelia bantered. Rio stole a look toward the door so I leaned into Cordelia. "Thank you," I whispered. Cordy nodded. "Pist," Rio hissed. "Iona is here with a slightly larger version of herself and two guys who look vaguely related to her as well." I looked over and there was Iona pointing what had to be her mother my way. She didn't look furious but she wasn't beaming sunshine and happiness at me either. "Scatter," Rio whispered. "Pissed off Momma on the way," before dashing off behind the showers. "I'm gone," Cordelia gasped playfully, took her peach shake and slunk away. Iona "Mr. Braxton?" this conservatively dressed woman with a slight build and shoulder length black hair addressed me. I'd seen a few pictures of her on Iona's Facebook page. "Mrs. Beckett, I am Glenn Zane Braxton, but please call me Zane. Your daughter is one of my closest friends." She seemed to mull that over, whether to be stiff or to give me a chance. "Zane, is there a place we can talk in private?" she inquired. "Absolutely," I nodded; then led her to the far corner and sat down on a sofa with her so that we could both look out over the changing leaves on campus. "Mr. Brax, Zane, what are your intentions with my daughter?" she came right out with it. "She was my second friend here and constantly supportive of my often precarious situation and she's never asked for anything in return," I stated. "I'd paint her house if she asked me," I continued, "or drive across country to help her move. She's that great a friend." I didn't brag about killing or even hurting someone for her, though I would, because that wasn't the kind of extreme friendship her Mom was looking for. "Very well, Zane; but I am worried about you and Iona in another way," she sidestepped. "You are an attractive young man and there are rumors that you have several girlfriends on campus." "I think I can answer the real question with three statements of my own; the only person I have ever called girlfriend is Heaven Vickers, a senior here. "I love Heaven's best friend, Christina Buchanan, and they are both aware of our relationship. Second, your daughter is the second-smartest, most level-headed, and most forward thinking young woman I have ever met; you have done a wonderful job raising her," I related. "Lastly, I have offered to have sex with your daughter twice and she's said 'no'." "You did?" she studied me intently. "And she was naked in bed with me both times. She's seen me have sex, too, but she's decided that when she's ready, she'll ask me and I'll say 'yes' because I'm positive that she will pick the moment when it is right for her and no one else." "Wha, what?" Mrs. Beckett's eyes grew wide. "Naked in bed with you? And nothing happened?" "Yes; but I felt safe because I trust her," I said calmly. "You have to admit she is diligent and organized and she's not going to simply jump feet first into anything." "I have to admit I was afraid you were taking advantage of my daughter's kind nature; but you seem oddly frank about everything you two have done. I admit I expected you to be, more deceptive and evasive," she mused. "Do you have sex with any of the girls on campus?" "Tons; though thankfully, things eased off with midterms approaching," I smiled. "Is that so," she said in a clearly questioning tone. "I want you to understand that Iona thinks the world of you. She writes home every day, and you often figure in her experiences, though I knew she was editing some things, like why she appears to be friends with Ms. Talon." "When we started out, Rio and I were doomed to be expelled but Iona joined with us and together we survived some really rough times." "I recall getting several letters from the Chancellor from that time. Was Iona in any danger?" she asked. "Yes, she got a pair of bloody knees but please believe a whole lot of us were looking out for her," I responded. "Trust me, Ion has a fair number of friends who appreciate her numerous qualities." "Mom," Ion called out as she came over. "I hope Zane hasn't been scaring you." "Iona, it is only that you didn't have many friends in High School," her mother smiled at her daughter. "Mom, I had no friends in high school, but Zane gave me the courage and opportunity to come out of my shell," Iona interrupted. "Zane says you two have been sleeping in his bed, naked," Iona's mother met her daughter with an even gaze. "Yes," Iona blushed furiously, "but I bet he's also informed you that we haven't had sex," she leaned into her mother, "and there he lied." Mrs. Beckett stared at me, a bit peeved. "Mom, that is only because what Zane considers sex and what you would consider sex are two slightly different things. Suffice it to say, I am still a virgin as far as the marriage bed is concerned," Iona assured her parent. "And I have Zane well in hand, because I have control of his phone." "I keep telling you that smarts count for more to in life than a model's good looks," Iona's mother reminded her daughter. "I'm glad Iona has both," I chimed in. Both women looked my way then grinned. "He is such a good friend, Mother; that I forgive his exaggerations," Iona reached over and kindly touched my cheek. As that gesture ended, Iona's face grew shocked. "Mom, I think we need to go see Mrs. Worsham's class now, if we are going to get everything taken care of before lunch," Iona hurried her mother. "It was nice to meet you Zane," we shook hands as we both stood as well. Hope I followed Iona's gaze and my heart stopped. It was Hope, looking so do-able in her school-wear. With her were a petite woman, smaller and maybe a bit heavier than Hope, three more little Hope's in descending age and lastly, a male version of Hope, but this one was made out of Lego bricks, really big Lego bricks, it was Yeong Song. Yeong Song had charisma in spades; he wasn't the Angel of Death, he had grabbed that punk by the short and curlies and taken over his job. That was how he appeared to me at that moment. Oh yeah and he was looking right through me. As if on cue, Hope smiled and whispered something to her father and they both came my way. Imagine a choreographed interpretive dance troupe; you had Hope's three younger sisters spread out over the middle half of the room, having fun with some of the few freshmen girls that were hanging around. Yeong was like his eldest daughter in the way they moved, you could tell they were walking toward you but I couldn't recall their feet moving or even hearing footfalls. That was probably just my fear speaking. From personal experience I knew Hope was human with all our frailties and imperfections, she was simply more perfect than most. "Father, this is my good friend Glenn Zane Braxton, who is known by the name Zane to both his friends and enemies," demurred Hope. "Zane, this is my Father, Major of the Republic of Korea, retired, Yeong Song," she introduced her father to me. I extended my hand, he took it in a granite grip and gave it two sharp shakes. I stood there like an idiot but at least my heart was beating and I was breathing again. "Your pulse is racing young man, your palms are sweaty and you are staring at me with dilated pupils," Yeong noted dispassionately. "Well, since I've lain down with your naked daughter for a variety of bedroom antics on several occasions; I naturally assumed you had come here to kill me," I blathered. "You have been naked with my eldest daughter," he said in a way that could be contrived as a statement or a question. "You didn't know?" I groaned. I wondered if this counted as suicide. "You have honorable intentions toward my daughter," he informed me. Huh? "No," I gulped. "I was thinking we could fool around, mainly." "I understand you are the last of your line," he glared at me. Uh oh, wait. "You know who I am, so you must have already been told by Hope what's really been going on," I breathed a sigh of relief. "See Father, Zane's not dense," Hope hugged her father's arm, "he's simply terrified of you." "I noticed," Yeong almost smiled. "Mr. Braxton, I don't mind you seeing my daughter socially, but please learn at least to fight as well as my youngest daughter, she's nine." "You learn from people who are better than you, not from people you are

When we look at the history of romance novels, often people pin the start of modern romance history to the 1972 publication of The Flame and the Flower by Kathleen Woodiwiss. By doing this, people erase a key evolution and influence in romance, which is the category romance. If you're from the UK then you already know that the category publisher there is Mills & Boon, and they've been a publisher for a little over a century. First starting out as a general publisher in 1908, over the decades Mills & Boon gradually specialized in romance novels. Harlequin, first seeking to re-print their medical romances, eventually bought Mills & Boon in 1971. While we look at the history of the company, we also focus on publishing gatekeepers and how they've influenced the romance genre.Support us on our Patreon!Visit our website for transcripts and show notes: reformedrakes.comFollow us on social media:Twitter: @reformedrakesInstagram: @reformedrakesBluesky: @reformedrakesBeth's SubstackChels' SubstackEmma's SubstackThank you for listening!

The Cat's Kev Watson caught up with Mark Arfur who plays Winston Smith and Francis Harcombe playing the parts of Parsons and Charrington in Harlequin Theatre's production of George Orwell's "1984". They speak about their roles, the director and how relevant the work is today as it has ever been.

It's been a month since Kris and Tara have seen each other's faces and they have a lot to catch up on!  Kris is in hell, physically and otherwise, dreaming of her recent relaxing, internet-free trip to the lake. Tara's kids are back in the September school rush, so everything's a blur between that and work. They talk Jimmy Kimmel, Jon Stewart, as well as Harlequin's recent sapphic releases, which are a nice change from yesteryear.  Official Recommendations  From Kris: Can We Skip to the Good Part by Melissa Brayden Kris's official recommendation this week is Can We Skip to the Good Part by Melissa Brayden, her first independently published book. It's a story of new beginnings, as a woman is let go from her job and starts fresh in a new town with her best friend and a new book club. This story offers love, insane chemistry, and some tricky maneuvering. If you haven't read anything by Brayden before, Kris thinks it's a great place to start. From Tara: One Weekend in Tahoe by Jaime Clevenger Tara's official recommendation this week is the one-night-to-forever One Weekend in Tahoe by Jaime Clevenger. It's a trope-filled erotic romance set in the worlds of philanthropy and sex parties (not at the same time) that balances enough sweetness with a little bit of the real world.  Works/People Discussed How to Stand Up to a Dictator: The Fight for Our Future by Maria Ressa Women's Week - Provincetown The Fantastic Four: First Steps (2025) Walking Dead: Daryl Dixon (AMC) The Lazarus Project (Sky Max) They Came From Below by Luc Dreamer Wylde Flowers (Studio Drydock Pty Ltd) The Secret Crush Book Club by Karmen Lee The Fortune Hunter's Guide to Love by Emma-Claire Sunday (Tara previously recommended The Duke's Sister and I by Sunday in QR 093) Her Fake Wedding Date in Sicily by Jenny Lane Sapphic World Book Club One Weekend in Aspen by Jaime Clevenger Make or Break by E. J. Noyes (recommended in QR 115) Support & follow the show Buy us a Ko-fi Facebook Instagram Threads  Bluesky TikTok YouTube  Get all our links on Linktr.ee

Big Breakdown - Lori Vallow & Chad Daybell's LOVE LETTERS EXPOSED! Just when you thought the Chad Daybell and Lori Vallow case couldn't get any stranger, it does. In this Hidden Killers Live with Tony Brueski, Stacy Cole, and Todd Michaels, we dive into the disturbing new prison writings being released by convicted killer Chad Daybell — the same man sentenced to death for murdering his wife Tammy Daybell and conspiring with Lori Vallow in the killings of her children Tylee and JJ. Now from prison, Daybell is sending out letters that read like a twisted mix of Harlequin romance, religious prophecy, and cringe-inducing erotic fiction. In one infamous “love letter” to Lori — disguised through characters named James and Elena — Chad writes about their supposed eternal bond, their past lives alongside Jesus Christ, and a sexual “scientific phenomenon” he dubs “loin fire.” Yes, loin fire. The Hidden Killers team reads through these jaw-dropping passages, pausing to analyze how Daybell uses language to manipulate, justify, and romanticize a relationship that ultimately fueled murder. Why does he constantly insist they were married in past lives? Was this repetition a psychological tactic to control Lori? Or was he simply feeding his own delusion while trying to make their crimes feel “ordained”? Beyond the infamous letter, Daybell's prison correspondence includes reflections on his Mormon mission, his excommunication from the LDS Church, and even his love for Whitney Houston's “So Emotional” — which he bizarrely describes as a “sacred hymn.” It's part delusion, part manipulation, and part window into a man who continues to craft his own narrative even behind bars. From loin fire to eternal sealing ceremonies, this episode isn't just about shock value — it's about understanding how people like Chad Daybell wrap destructive obsessions in layers of religion, romance, and fantasy. Want more breakdowns of the darkest and strangest corners of true crime? Subscribe now and join the conversation in the comments. Hashtags #ChadDaybell #LoriVallow #LoinFire #TrueCrime #HiddenKillers #DaybellLetters #CultCrimes #TrueCrimeCommunity #MurderCase #DeathPenalty Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Big Breakdown - Lori Vallow & Chad Daybell's LOVE LETTERS EXPOSED! Just when you thought the Chad Daybell and Lori Vallow case couldn't get any stranger, it does. In this Hidden Killers Live with Tony Brueski, Stacy Cole, and Todd Michaels, we dive into the disturbing new prison writings being released by convicted killer Chad Daybell — the same man sentenced to death for murdering his wife Tammy Daybell and conspiring with Lori Vallow in the killings of her children Tylee and JJ. Now from prison, Daybell is sending out letters that read like a twisted mix of Harlequin romance, religious prophecy, and cringe-inducing erotic fiction. In one infamous “love letter” to Lori — disguised through characters named James and Elena — Chad writes about their supposed eternal bond, their past lives alongside Jesus Christ, and a sexual “scientific phenomenon” he dubs “loin fire.” Yes, loin fire. The Hidden Killers team reads through these jaw-dropping passages, pausing to analyze how Daybell uses language to manipulate, justify, and romanticize a relationship that ultimately fueled murder. Why does he constantly insist they were married in past lives? Was this repetition a psychological tactic to control Lori? Or was he simply feeding his own delusion while trying to make their crimes feel “ordained”? Beyond the infamous letter, Daybell's prison correspondence includes reflections on his Mormon mission, his excommunication from the LDS Church, and even his love for Whitney Houston's “So Emotional” — which he bizarrely describes as a “sacred hymn.” It's part delusion, part manipulation, and part window into a man who continues to craft his own narrative even behind bars. From loin fire to eternal sealing ceremonies, this episode isn't just about shock value — it's about understanding how people like Chad Daybell wrap destructive obsessions in layers of religion, romance, and fantasy. Want more breakdowns of the darkest and strangest corners of true crime? Subscribe now and join the conversation in the comments. Hashtags #ChadDaybell #LoriVallow #LoinFire #TrueCrime #HiddenKillers #DaybellLetters #CultCrimes #TrueCrimeCommunity #MurderCase #DeathPenalty Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Big Breakdown - Lori Vallow & Chad Daybell's LOVE LETTERS EXPOSED! Just when you thought the Chad Daybell and Lori Vallow case couldn't get any stranger, it does. In this Hidden Killers Live with Tony Brueski, Stacy Cole, and Todd Michaels, we dive into the disturbing new prison writings being released by convicted killer Chad Daybell — the same man sentenced to death for murdering his wife Tammy Daybell and conspiring with Lori Vallow in the killings of her children Tylee and JJ. Now from prison, Daybell is sending out letters that read like a twisted mix of Harlequin romance, religious prophecy, and cringe-inducing erotic fiction. In one infamous “love letter” to Lori — disguised through characters named James and Elena — Chad writes about their supposed eternal bond, their past lives alongside Jesus Christ, and a sexual “scientific phenomenon” he dubs “loin fire.” Yes, loin fire. The Hidden Killers team reads through these jaw-dropping passages, pausing to analyze how Daybell uses language to manipulate, justify, and romanticize a relationship that ultimately fueled murder. Why does he constantly insist they were married in past lives? Was this repetition a psychological tactic to control Lori? Or was he simply feeding his own delusion while trying to make their crimes feel “ordained”? Beyond the infamous letter, Daybell's prison correspondence includes reflections on his Mormon mission, his excommunication from the LDS Church, and even his love for Whitney Houston's “So Emotional” — which he bizarrely describes as a “sacred hymn.” It's part delusion, part manipulation, and part window into a man who continues to craft his own narrative even behind bars. From loin fire to eternal sealing ceremonies, this episode isn't just about shock value — it's about understanding how people like Chad Daybell wrap destructive obsessions in layers of religion, romance, and fantasy. Want more breakdowns of the darkest and strangest corners of true crime? Subscribe now and join the conversation in the comments. Hashtags #ChadDaybell #LoriVallow #LoinFire #TrueCrime #HiddenKillers #DaybellLetters #CultCrimes #TrueCrimeCommunity #MurderCase #DeathPenalty Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

On this week's episode, Brad and Eric make a huge mistake. This episode is full of ideas to be used by Games Workshop. The bad kind of ideas. Harlequin level kind of ideas. Year of Chaos kind of ideas. Drukhari Codex level kind of ideas. But they only did that because you asked for it, so I guess it's all your fault.   POORHAMMER MERCH! https://orchideight.com/collections/poorhammer PATREON: https://www.patreon.com/SolelySingleton YOUTUBE: https://www.youtube.com/@thepoorhammerpodcast TWITCH: https://www.twitch.tv/poorhammer Website: https://poorhammer.libsyn.com/   RELATED TO THIS EPISODE: Building Better Combat Patrols: https://www.youtube.com/watch?v=r5AQ1mjhy6E Building Even More Better Combat Patrols: https://www.youtube.com/watch?v=q0wc28ka2aE Building 5 More Better Combat Patrols: https://www.youtube.com/watch?v=96mjO4WSFjY Building Yet More Better Combat Patrols: https://www.youtube.com/watch?v=uuhbo-RzVAE Ranking Every Faction's Combat Patrols: https://www.youtube.com/watch?v=CE_10kK1TiE Ranking Every Faction's Combat Patrols (the older ones): https://www.youtube.com/watch?v=QuBB4mfk9Yk Building Better Battleforce Boxes: https://www.youtube.com/watch?v=oiTLhDJvfFI   TIMESTAMPS: 00:00 Hello and Welcome 00:54 Hopefully no horse girls this time? 01:50 Knights Combat Patrol 03:02 Thousand Sons 05:36 Chaos 07:58 Orks 11:12 Astra Militarum 12:54 Space Marines 14:44 Leagues of Votann 15:53 Emperor's Children 18:07 Adepta Sororitas 19:26 T'au Empire 21:25 Adeptus Mechanicus 26:20 Drukhari 29:51 11th Edition Serious Predictions 31:18 Final Thoughts 37:30 Alright Audio Audience   Our Producers for SEPTEMBER: 3D Frank A healthy ammount of piranhas Aetherion Collector of Adepta Thighroritas Blizted_Brain BrokenReaper45 Corvus Cracker Barrel Pegged Itself With That Design Change Craft and Survive's Local Trad Wife DemolitionMann ericHOWmuchDIDyouJACKOFFtoUMAMASUMEhowSEXYisDAgame GilgameshVS Jan Geisse Jeric Foster JUST ENJOYIN' MAH SNAZZWAGON FER A WHILE!!!!!!!!!! Kiwifruitbird Le BloupBloup mistahsquiggems My tapeworm plays tau so I swallowed an airbrush n0rth the H3retic Nj harlan Off topic but where's the nearest Cracker Barrel, I'm eggin for a peggin Pizza00100 Ratchet7989 Scott the Gym Crab Mr Festastic thatmoiety The Idiot with grey knights VictorianBatman Wargame Simulator   Our Biggest Supporters: A Pulsating Ball of Pure Energy A Suspicious Looking Guy Addoxin Adrian Franke amdragon this gene seed Amists Andreas Another hairy Sasquatch Arc is trans now, deal with it Ava Warrior Princess Ave Dominus Nuts Baddy Brady Daddy Bigs The Purple Necron Blubbles 180 Bob Meyers Bobqer BRB gotta snazz my wagon Canuk-eh Carnuvex Chad the Frog Chris Wilkins Christopher Gargagliano Chroma Veil Colin. H cracker barrel, House of pegging Craig Judge Crazyshak48 Cube1359 Dairy Sorceror, addicted to mana potions Daniel Field5150 Darth Vergeance DasGoopy Dominick Colacicco Dylan Baker Edward Lawrence Enchantedgalaxycat Fay FlawlessOyster Gathering Clouds GearOverlord Geete Hyena Beans HypnoticSpecter I read the Space Wolves Codex and all I got out of it was wolfwolfwolfwolfwolfwolfwolfwolf I saw Fulgrim pegging Brad in the back of a Cracker-barrel. Illindi isaac hall Jarrett DiPerna Jolyne Justin Yudichak Kaydien moore Kentorb Kozak Krishna L'Etranger (Lukus) Lord of Chaos Madison Ramanama Malcador the Rizzler-ite Matthew Tsushima Michael Melcher Mitchell Mixolydius mmmm burnt toast morfiel55 Not-Gafie NotEE Omegashark Pierce forgot about changing their name as a bit for a while Protius7331 Qelan Reetheus Khan Rock roguetraderjake RossWarlock Rothana's All Terrain Tactical Enforcer Rymora saft SarahchaSauce Shamalamadingdong Shaxxs pet otter Solonite Spraying my gene seed on Eric's face Struggle_l3us The Mailman The Other Mailman The Secretly not so Secret Dark Angel Thecrusader13 TheFishboi Thrango

On this week's episode, Brad and Eric make a huge mistake. This episode is full of ideas to be used by Games Workshop. The bad kind of ideas. Harlequin level kind of ideas. Year of Chaos kind of ideas. Drukhari Codex level kind of ideas. But they only did that because you asked for it, so I guess it's all your fault.   POORHAMMER MERCH! https://orchideight.com/collections/poorhammer PATREON: https://www.patreon.com/SolelySingleton YOUTUBE: https://www.youtube.com/@thepoorhammerpodcast TWITCH: https://www.twitch.tv/poorhammer Website: https://poorhammer.libsyn.com/   RELATED TO THIS EPISODE: Building Better Combat Patrols: https://www.youtube.com/watch?v=r5AQ1mjhy6E Building Even More Better Combat Patrols: https://www.youtube.com/watch?v=q0wc28ka2aE Building 5 More Better Combat Patrols: https://www.youtube.com/watch?v=96mjO4WSFjY Building Yet More Better Combat Patrols: https://www.youtube.com/watch?v=uuhbo-RzVAE Ranking Every Faction's Combat Patrols: https://www.youtube.com/watch?v=CE_10kK1TiE Ranking Every Faction's Combat Patrols (the older ones): https://www.youtube.com/watch?v=QuBB4mfk9Yk Building Better Battleforce Boxes: https://www.youtube.com/watch?v=oiTLhDJvfFI   TIMESTAMPS: 00:00 Hello and Welcome 00:54 Hopefully no horse girls this time? 01:50 Knights Combat Patrol 03:02 Thousand Sons 05:36 Chaos 07:58 Orks 11:12 Astra Militarum 12:54 Space Marines 14:44 Leagues of Votann 15:53 Emperor's Children 18:07 Adepta Sororitas 19:26 T'au Empire 21:25 Adeptus Mechanicus 26:20 Drukhari 29:51 11th Edition Serious Predictions 31:18 Final Thoughts 37:30 Alright Audio Audience   Our Producers for SEPTEMBER: 3D Frank A healthy ammount of piranhas Aetherion Collector of Adepta Thighroritas Blizted_Brain BrokenReaper45 Corvus Cracker Barrel Pegged Itself With That Design Change Craft and Survive's Local Trad Wife DemolitionMann ericHOWmuchDIDyouJACKOFFtoUMAMASUMEhowSEXYisDAgame GilgameshVS Jan Geisse Jeric Foster JUST ENJOYIN' MAH SNAZZWAGON FER A WHILE!!!!!!!!!! Kiwifruitbird Le BloupBloup mistahsquiggems My tapeworm plays tau so I swallowed an airbrush n0rth the H3retic Nj harlan Off topic but where's the nearest Cracker Barrel, I'm eggin for a peggin Pizza00100 Ratchet7989 Scott the Gym Crab Mr Festastic thatmoiety The Idiot with grey knights VictorianBatman Wargame Simulator   Our Biggest Supporters: A Pulsating Ball of Pure Energy A Suspicious Looking Guy Addoxin Adrian Franke amdragon this gene seed Amists Andreas Another hairy Sasquatch Arc is trans now, deal with it Ava Warrior Princess Ave Dominus Nuts Baddy Brady Daddy Bigs The Purple Necron Blubbles 180 Bob Meyers Bobqer BRB gotta snazz my wagon Canuk-eh Carnuvex Chad the Frog Chris Wilkins Christopher Gargagliano Chroma Veil Colin. H cracker barrel, House of pegging Craig Judge Crazyshak48 Cube1359 Dairy Sorceror, addicted to mana potions Daniel Field5150 Darth Vergeance DasGoopy Dominick Colacicco Dylan Baker Edward Lawrence Enchantedgalaxycat Fay FlawlessOyster Gathering Clouds GearOverlord Geete Hyena Beans HypnoticSpecter I read the Space Wolves Codex and all I got out of it was wolfwolfwolfwolfwolfwolfwolfwolf I saw Fulgrim pegging Brad in the back of a Cracker-barrel. Illindi isaac hall Jarrett DiPerna Jolyne Justin Yudichak Kaydien moore Kentorb Kozak Krishna L'Etranger (Lukus) Lord of Chaos Madison Ramanama Malcador the Rizzler-ite Matthew Tsushima Michael Melcher Mitchell Mixolydius mmmm burnt toast morfiel55 Not-Gafie NotEE Omegashark Pierce forgot about changing their name as a bit for a while Protius7331 Qelan Reetheus Khan Rock roguetraderjake RossWarlock Rothana's All Terrain Tactical Enforcer Rymora saft SarahchaSauce Shamalamadingdong Shaxxs pet otter Solonite Spraying my gene seed on Eric's face Struggle_l3us The Mailman The Other Mailman The Secretly not so Secret Dark Angel Thecrusader13 TheFishboi Thrango

Join us for an exclusive interview with Heatherly Bell, bestselling author of THE EX NEXT DOOR and the beloved Charming Texas series. With more than 200,000 books sold, Heatherly takes us behind the scenes of her writing journey—from indie beginnings to Harlequin success. Whether you love small-town romance, second chance love stories, or holiday happily-ever-afters, this conversation is for you.

Don't marry the first guy to be nice to your kid. Today we are talking about His Country Girl by Jillian Hart, the book that has everything you could want: horses, kids with phone access, and a city girl finding love in the country (but as a side story).Become a supporter of this podcast: https://www.spreaker.com/podcast/book-cult--5718878/support.

We're molded by those who support us along the way. These people come in the form of mentors, teachers, friends, and family. And for many of us, no figures are more essential than our parents.My father, Peter Griffith, was born in Barbados and immigrated to Brooklyn, NY at 14 years old. For 20 years, he was married to Joan Donna Griffith (a.k.a. Mommy) and raised two kids. Then, the terrorist attacks on the World Trade Center on September 11, 2001, took her life…but not her legacy.In the first half of our conversation on the Branding Room Only podcast, we look back and celebrate a woman who was a foundational part of our lives and helped develop me as a person and motivated professional. You'll learn about how my parents met and started a family, and take a deep dive into my mother's legacy and who she was as a person.1:47 - Challenging experiences and transformations that Peter underwent in junior high and high school after immigrating to the U.S.10:01 - Peter's early career struggles and his reflections on the socio-economic and racial barriers he encountered16:04 - How Peter met Joan and the challenges and triumphs of blending families24:39 - Anecdotes about Peter and Joan's early life together and their loving and resilient partnership despite life's hurdles30:46 - Joan's love of reading Harlequin romance novels and the family dynamic shift that came with the arrival of my younger sister37:18 - The 1993 World Trade Center bombing and how Joan was a lifeline to what was happening while I went to boarding school41:07 - Joan's multitasking prowess while maintaining a polished appearance and high standards44:43 - How music from the 60s and home videos captured everyday family moments and contributed to a rich tapestry of cherished memories50:02 - Joan's dreams and aspirations and how she earned respect and loyalty in her careerMentioned In The Life & Legacy of Joan Donna Griffith: A Conversation with Peter Griffith“A Tribute to My Mother Joan Donna Griffith”Subscribe to The Branding Room Only on YouTubeCall to ActionFollow & Review: If you enjoyed this episode, leave a 5-star review on your favorite podcast platform! Want more branding insights? Join Paula's newsletter for expert tips and exclusive content! Subscribe HereSponsor for this episodeThis episode is brought to you by PGE Consulting Group LLC.PGE Consulting Group LLC empowers individuals and organizations to lead with purpose, presence, and impact. Specializing in leadership development and personal branding, we offer keynotes, custom programming, consulting, and strategic advising—all designed to elevate influence and performance at every level.Founded and led by Paula Edgar, our work centers on practical strategies that enhance professional development, strengthen workplace culture, and drive meaningful, measurable change.To learn more about Paula and her services, go to www.paulaedgar.com or contact her at info@paulaedgar.com, and follow Paula Edgar and the PGE Consulting Group LLC on LinkedIn.

We're back for Part 2 with Thelonious Jovinius Harlequin (aka TJ Harley)! As we learned last episode, Cody and TJ have been friends for over 20 years. They first met on the Ontario independent wrestling scene in Canada many moons ago. They've done battles together, tagged together, and traveled up and down the roads together. In Part 2 of their conversation, you get to continue taking a journey with them as they discuss TJ's intriguing career and the lessons he's learned about life along the way. Support Thelonious Jovinius Harlequin in the following ways: Follow @goodthelonious on Instagram – http://instagram.com/goodthelonious Also follow these YouTube channels: https://www.youtube.com/c/365prowrestling https://www.youtube.com/@tjharley85 Also support Cody Deaner's new favorite wrestler… The Home Town Man! Get the new HTM debut t-shirt at https://tnamerch.com/collections/home-town-man/products/home-town-man-debut-shirt And listen to his theme song at https://www.youtube.com/watch?v=HDgxtWwb-6g This episode is brought to you Rest When Dead Clothing Company. Shop their entire collection at http://RestWhenDead.ca This episode is also brought to you by CEO Fit. Buy all your health, fitness, and supplementary needs at http://ceofit.ca Advertise on this podcast by visiting http://codydeaner.com/podcast and filling in the form or emailing ads@codydeaner.com Support this podcast by buying a t-shirt at http://prowrestlingtees.com/codydeaner  by getting a personal Cameo at http://cameo.com/codydeaner Let Cody share his love of independent wrestling with you at your wrestling event by booking him on your wrestling show at http://codydeaner.com/bookings1  Book Cody to speak at your school, youth event, or business at http://www.chrisgrayspeaks.com/bookings  

Nick J talks underrated states to hunt, multistate partnership for enforcement, Harlequin ducks, gear and more.... Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Small Business PR Podcast, I sit down with Kim Behzadi, founder of Read It & Eat—a purpose-driven food and book subscription box that fights hunger with every purchase.Launched from her bedroom after losing her job during the pandemic, Kim bootstrapped her business with no investors, no PR background, and no big-name endorsements. Today, she's been featured in Women's Day, local magazines, and podcasts—without spending thousands on PR retainers or flooding the media with free samples.If you're a product-based founder who wants consistent, cost-free press, this episode is your blueprint.How Kim Built a PR System That Delivers Year-Round FeaturesAfter joining the PR Starter Pack, Kim learned to:Pitch with purpose, not desperationBuild relationships with journalists through LinkedIn, Instagram, and even TwitterAdapt pitches for national vs. local media to maximize relevancePlant PR “seeds” months in advance to secure Q4 gift guide placementsHer Women's Day feature led to:A 40% increase in website trafficLocal partnerships like a Buffalo book club and tea shop collaborationInvitations to vend at book fairs and community eventsA direct connection with a Harlequin author for a special edition boxWhy Serving (Not Selling) Gets You FeaturedKim stopped leading with “Here's my product” and started pitching with “Here's a story your audience will love.” This value-first approach helped her:Land coverage without sending dozens of samplesGet invited to collaborate with brands and authors she once thought were “out of reach”Build a press system she can run in just two dedicated nights per weekKim's PR Tools & StrategiesLinkedIn & Instagram to find and connect with journalistsEmail + social media follow-ups to stay top-of-mind without spammingSeasonal pitching calendar to target: Valentine's Day, Mother's Day, Back-to-School, Holidays, and themed brand roundupsThe CPR Method (Credibility, Point of View, Relevance) to craft irresistible pitchesCommon PR Mistakes Kim AvoidedOverspending on product samples before confirming interestWaiting for the “perfect” moment to start pitchingRelying solely on social media for visibilityFinal TakeawayYou don't need an expensive PR firm—or a massive marketing budget—to land in national gift guides. What you do need is: ✅ A clear, value-driven message ✅ A repeatable system ✅ The courage to hit “send”If Kim can build Read It & Eat from her bedroom and land Women's Day, so can you.

We're back to our old format for the next 2 episodes… today is Part 1 with Thelonious Jovinius Harlequin (aka TJ Harley)! Cody and TJ have been friends for over 20 years. They first met on the Ontario independent wrestling scene in Canada many moons ago. They've done battles together, tagged together, and traveled up and down the roads together. In this episode, you get to join them on their travels as they discuss TJ's amazing and insightful wrestling journey and all the lessons he's learned along the way. Support Thelonious Jovinius Harlequin in the following ways: Follow @goodthelonious on Instagram – http://instagram.com/goodthelonious Also follow these YouTube channels: https://www.youtube.com/c/365prowrestling https://www.youtube.com/@tjharley85 Also support Cody Deaner's new favorite wrestler… The Home Town Man! Get the new HTM debut t-shirt at https://tnamerch.com/collections/home-town-man/products/home-town-man-debut-shirt And listen to his theme song at https://www.youtube.com/watch?v=HDgxtWwb-6g This episode is brought to you Rest When Dead Clothing Company. Shop their entire collection at http://RestWhenDead.ca This episode is also brought to you by CEO Fit. Buy all your health, fitness, and supplementary needs at http://ceofit.ca Advertise on this podcast by visiting http://codydeaner.com/podcast and filling in the form or emailing ads@codydeaner.com Support this podcast by buying a t-shirt at http://prowrestlingtees.com/codydeaner  by getting a personal Cameo at http://cameo.com/codydeaner Let Cody share his love of independent wrestling with you at your wrestling event by booking him on your wrestling show at http://codydeaner.com/bookings1  Book Cody to speak at your school, youth event, or business at http://www.chrisgrayspeaks.com/bookings

By request (and because Sarah needed books for her upcoming trip), we're talking about romance novels by Australian authors this week, with a nod to some New Zealanders as well. We discuss how historical romance has much maligned Australia, recommend some absolutely terrific books, many of which we've actually done deep dives on, and we talk about why so many Australian romances hit the spot with American readers. If you want more Fated Mates in your life, please join our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com. Our next read along (next week!) is Susan Elizabeth Phillips's Natural Born Charmer. You can get it at Amazon, B&N, Kobo, Apple Books or wherever you get your books.NotesFrench Kiss is not available on streamers and it's very upsetting for those of us who know the deep magic of Kevin Kline & Meg Ryan.Australia is not the nation of criminals historical romance novels would like you to believe, but a lot of criminals did get sent there over an 80 year period from 1788-1868.Sarah is going to talk to the Romance Writers of Australia and the Romance Writers of New Zealand next month. Yes, she'll be going to Port Arthur in Tasmania to check out the place where all those criminals were sent.Victor Gadino illustrated the stepback for Dream Fever by Katherine SutcliffeMills & Boon is a British romance imprint, in North America these books are published under the name Harlequin. When Sarah talked about The Australians in the early years of Mills & Boon, she was wrong, and likely thinking of Diana Palmer's 1985 The Australian. The Australians series was a 12 book series in the early 2010s from Harlequin Presents. The book Raising the Stakes by Jess Dee is no longer available in Kindle, but maybe it is in other countries or maybe you downloaded it in the past? Check out her available titles here....

What did you think of this episode?Book trailers can boost your author platform. In this encore episode, Shannon Redmon and Linda Goldfarb discuss how writers can create book trailers. Welcome to Your Best Writing Life, an extension of the Blue Ridge Mountains Christian Writers Conference held in the beautiful Blue Ridge Mountains of NC. I'm your host, Linda Goldfarb. Each week, I bring tips and strategies from writing and publishing industry experts to help you excel in your craft. I'm so glad you're listening in. During this highly ranked encore episode, you'll learn five tips to thrive as a writer.Please welcome, Shannon Redmon. Shannon remembers the first grown-up book she checked out from the neighborhood bookmobile. A Victoria Holt novel with romance, intrigue, dashing gentlemen, and ballroom parties captivated her attention. For her mother, the silence must have been a pleasant break from non-stop teenage chatter, but for Shannon, those stories whipped up a desire and passion for writing.  She is a Publishers Weekly bestselling author, and her greatest hope is for her stories to immerse readers into a world of suspense and escape while encouraging faith, hope, and love in Christ.   She has six books published by Harlequin's Love Inspired Suspense line—Cave of Secrets, Secrets Left Behind, Mistaken Mountain Abduction, Christmas Murder Cover-up, Unraveling Killer Secrets, and Mountain Murder Threat.​​Shannon is represented by Tamela Hancock Murray of the Steve Laube Agency. In this episode, you will learn the basics about Book Trailers Types of Software to Use for Videos What not to do Where to find audio clips and licensingWhere to find video clips and licensingTips for writing scriptsLINKSShannon RedmonSign up for The Jail Cell  Shannon's Giveaway - Book Trailers PDSF DownloadShannon Redmon on FacebookExamples of Book Trailers https://www.youtube.com/playlist?list=PLljAN23iRPFrZzAJxWcnD0FbWhZbQ3hLRShannon Redmon's BooksDaVinci Resolve 17Visit Your Best Writing Life website.Join our Facebook group, Your Best Writing LifeYour host - Linda Goldfarb#1 Podcast in the "Top 50+ Must-Have Tools and Resources for Christian Writers in 2024". Awarded the Spark Media 2022 Most Binge-Worthy PodcastAwarded the Spark Media 2023 Fan Favorites Best Solo Podcast

Rich Embury's R3TROGR4D3 returns to CRANK IT LOUD with more brand NEW Hard Rock & Metal from Starset / Plush / Beyond The Black / Harlequin / Limbs / Ashes Of Ares / Tuk Smith & The Restless Hearts / Cristobal Gallardo / Devilskin! Plus music history, classics, requests and more from Helix / David […]

After a long hiatus, James and Steve share a Hop Sampler (Nugget, Harlequin, Cryo Pop) with regulars from the Recipe Development and Mash Your Luck shows.

The latest up from Spoken Label (Author / Artist Podcast) features Amanda Nicholson doing a live launch of her new novel, 'Death to all men' of course hosted by Andy N.Amanda Nicholson is an author, poet, podcast co-host and copywriter. Her recent novel has the memorable title Death to All Men.Amanda's poetry has been broadcast on BBC Radio Manchester, and she won the Bradford Cares 2023 Competition. She Has a Creative Writing MA, and has articles published by Ask.com, Harlequin and Reader's Digest UK, among others.Her book can be bought from including:https://www.amazon.co.uk/Death-All-Men-Amanda-Nicholson/dp/B0DVDN2NB6

On this week's episode, Brad and Eric unveil the psyche of the Aeldari through their weapon choices. Who has the bigger gun? What are they trying to compensate for? Who are they trying to impress? Tune in to listen to fifth grade jokes and cool lore that will gain you respect for the Aeldari, Drukhari and Harlequin factions.   POORHAMMER MERCH! https://orchideight.com/collections/poorhammer PATREON: https://www.patreon.com/SolelySingleton YOUTUBE: https://www.youtube.com/@thepoorhammerpodcast TWITCH: https://www.twitch.tv/poorhammer Website: https://www.solelysingleton.com/feed/poorhammer   RELATED TO THIS EPISODE: Ranking Imperium Weapons: https://www.youtube.com/watch?v=6sDeGbrTeW8 Ranking Ork Weapons: https://www.youtube.com/watch?v=h2lHJAk8TQ4   MENTIONED THIS EPISODE: https://www.youtube.com/@slamsectortv   TIMESTAMPS: 00:00 Intro 01:21 Check out Slam Sector Live Stream with Brad! 01:51 Shuriken Weapons 03:59 Shuriken Catapult 05:00 Shuriken Pistol  06:01 Shuriken Cannon 06:48 Brightlance 08:16 Dragon Fusion Gun 11:49 Dragon's Breath Flamer 12:54 Fire Pike 14:27 Laser Lance 16:36 Lasblaster 17:09 Long Rifle 17:39 Scatter Laser 18:08 Deathspinner 20:24 Doom Weaver / Shadow Weaver 21:26 Spinneret Rifle 22:08 Shredder 24:22 Heat Lance 24:52 Prism Cannon 27:21 D-Scythe 29:06 Wraith Cannon 29:43 D-Cannon 30:50 Vibro Cannon 31:37 Star Cannon 32:58 Reaper Launcher 34:47 Neuro Disruptor 36:31 Shrieker Cannon 38:13 Haywire Cannon 39:09 Splinter guns - Drukhari Weapons 40:08 Splinter Rifle 40:24 Splinter Cannon 40:47 Splinter Pistol 42:32 Dark Lance 43:39 Blaster and Blast Pistol 44:09 Disintegrator Cannon 44:28 Liquifier Gun 45:37 Ossefactor 46:59 Hexrifle 49:58 Void Mine 51:50 Final Thoughts 54:55 Alright Audio Audience   Our Producers for April: 3D Frank A Moist Skeleton Aetherion The Infinite Benderx x Blizted_Brain Brad, Hey.  Eric, Yeah.  Brad, You ever wonder why we're here.  Eric, It's one of life's great mysteries, isn't it. bradspacewolvesarecooljustlookatadepticonpreveiws Brandon Janky BrokenReaper45 Chapter Master Baiter, of the Cranked Hogs legion Corvus DrLace GilgameshVS. 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UberRooster UGOWAA Vadim Kovalskiy VaelysAU Valadore Valory Vanessa Varchild Vasily Zverev Velstrom Malle Verethreaga versta Vinay Date Violette Boubal Vixel VValmartgreeter Wade Curtiss Warboss Megastompa Warbreaker Warduck Warior4356 Watt Way Sikorski Weirzbowski WhackticalNuke White Bread WIBG Wigglesworth Wiggz Wild Striker Wildcard Will Will Angarella Will Long Will mueller Will Reaves William Bilokury william Kline Willymac wolfrat49 WookieeGunner Worear Wormbait02 Wrenn Xaelen . Xavier Yar, I don't know what I'm doing yungsterjoey Zachary Monney Zachary Perrigo Zachary Silverton Zachary T Zachatac64 Zack Faulkner Zack Hershey Zack Jernigan Zackary Davis Zadrias Zagposting Zakkary Waddell Zap Platter zaphiel ZeFirePotato Zero Cochrane Zeruke Zirichal Zoe Zolta Mihácsi Zoltan   Contact Information: You can interact with Solely Singleton by joining the hosts on discord and Twitter to give input to improve the show. 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Welcome back to 8th season of Someone Had to Say it!On this episode, Julia and Heidi spoke with author Jennifer Wilck about her many Harlequin books, why it sucks getting old, representation in films and books, how to combat antisemitism and so much more!To learn more about Jennifer Wilck and about her books, visit her website hereDon't forget to subscribe, share and comment.Thank you for listening, subscribe if you haven't and rate Someone Had to say it on Apple Podcasts and on Spotify.Enjoy!For more about Julia Bendis click here For more about Heidi Shertok click here

A woman becomes entangled with a manipulative occultist who claims he can help her communicate with her late husband! Hear the tale from CBS Radio Mystery Theater! | #RetroRadio EP0393Darkness Syndicate members get the ad-free version of #WeirdDarkness and #RetroRadio:https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate and Only Accurate For the Commercial Version)…00:00:00.000 = Show Open00:01:50.000 = CBS Radio Mystery Theater, “The Dead Deserve to Rest” (February 03, 1976) ***WD00:48:25.209 = The LineUp, “Hiccuping Hamster Hemostatic Case” (May 29, 1951)01:14:17.659 = Macabre, “House In The Garden” (December 04, 1961) ***WD01:44:44.629 = Philip Marlowe, “Name To Remember” (April 09, 1949)02:14:47.989 = The Black Mass, “An Evening's Entertainment” (October 31, 1964)02:46:00.579 = Beyond Midnight, “Death Wish” (1968) ***WD (LQ)03:15:46.419 = MindWebs, “Repent, Harlequin! Said The Ticktock Man” (March 11, 1977)03:46:02.478 = Ellery Queen's Minute Mysteries, “Lady Spectator” (1939-1948) ***WD03:47:48.433 = Time For Love, “Counterfeit Plates” (1954) ***WD04:13:07.449 = Mystery In The Air, “Horla” (August 21, 1947) ***WD04:43:37.379 = Molle Mystery Theater, “Doctor and Lunatic” (April 26, 1946)05:12:59.081 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0393TAGS: old time radio, otr horror, classic radio shows, horror radio shows, vintage radio dramas, suspense radio classics, 1940s radio horror, old radio mystery shows, creepy old radio shows, true crime radio, supernatural radio plays, golden age radio, eerie radio mysteries, macabre old time radio, nostalgic thrillers, classic crime podcast, retro horror podcast, weird darkness, weird darkness podcast, weird darkness retro radio, retro radio, classic radio

[School of Movies 2025] After the harsh, oppressive atmosphere of I Saw the TV Glow we turn to an altogether funnier tale of trans discovery with Vera Drew's semiautobiographical, anarchic reshaping of DC's Clown Princess of Crime. From the painfully normalising cornfields of Smallville, Kansas comes a child who asks their alarmed mother "Was in born in the wrong body?". The only possible response to this is of course sessions at Arkham Asylum with Doctor Crane and a prescription of Smilex to chase that depression and anxiety away. We follow this confused young person to Gotham, where they find their calling in a thinly-veiled Saturday Night Live setup, doing stand-up comedy alongside The Penguin, Ra's al Ghul and a trans-masc chap named Mr J, riffing hard on both fallen Robin Jason Todd and Jared Leto's Joker. Our hero gives themselves the mantle of Joker the Harlequin... and comedy in Gotham will never be the same! This movie was pulled together during lockdown, and thrives on a garage-punk, scrapbook style that energetically propels you through the troubled life of someone just trying to be themselves in a loud, chaotic world. Guests Laura Kate Dale Alejandra Vargas Victoria Luna B. Grieve

Sally from Eventing Nation gives us a pre-view of the Defender Kentucky Three Day Event. Plus, we continue through the Breeds of the Alphabet with a look at the Sugarbush Harlequin Draft. Listen in…HORSES IN THE MORNING Episode 3674 – Show Notes and Links:Hosts: Jamie Jennings of Flyover Farm and Glenn the GeekTitle Sponsor: WERM FlooringGuest: Sally Spickard of Eventing NationGuest: Bron Stark of American Sugarbush Harlequin Draft AssociationAdditional support for this podcast provided by: COSEQUIN® Joint Health Supplement, Equine Network, USRider and Listeners Like YouTIME STAMPS:07:50 - Daily Whinnies19:00 - Sally Spickard36:04 - Bron Stark49:50 - Auditor Post Show

Sally from Eventing Nation gives us a pre-view of the Defender Kentucky Three Day Event. Plus, we continue through the Breeds of the Alphabet with a look at the Sugarbush Harlequin Draft. Listen in…HORSES IN THE MORNING Episode 3674 – Show Notes and Links:Hosts: Jamie Jennings of Flyover Farm and Glenn the GeekTitle Sponsor: WERM FlooringGuest: Sally Spickard of Eventing NationGuest: Bron Stark of American Sugarbush Harlequin Draft AssociationAdditional support for this podcast provided by: COSEQUIN® Joint Health Supplement, Equine Network, USRider and Listeners Like YouTIME STAMPS:07:50 - Daily Whinnies19:00 - Sally Spickard36:04 - Bron Stark49:50 - Auditor Post Show

We're getting into the romance time machine and setting the course for 2001, when Harlequin decided that those Temptations could get scorching hot and become a Blaze. We scoured ebay for boxes and boxes of old Blazes, dug deep into the back catalogues of our Kindles, and are celebrating the OG one-handed read, the Harlequin Blaze. We had a great time, but we knew what to expect -- if you need content warnings, make sure you check them. And let us know if you want us to explore some other category lines!If you want more Fated Mates in your life, please join our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.Our next read along is Julie Anne Long's What I Did For a Duke, available in print, ebook and audio at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.The Books Her Naughty Holiday by Tiffany ReiszGetting Physical by Jade Lee Just Watch Me Julie LetoToo Wicked to Keep by Julie LetoAnything Goes by Debbi RawlinsThe Fantasy Factor by Kimberly RayeWhisper by Nancy WarrenShameless by Toni CarringtonWhat a Girl Wants by Jamie SobratoSilent Desires by Julie KennerCertified Male by Kristin HardyHot Island Nights by Sarah MayberryThe NotesSarah is teaching her beginner Start Your Romance Today class virtually on February 23rd at 1pm eastern.What is a category romance? Maybe listen to our episode from season 5.The Blaze line, from 2001-2017, was a spin off from the Harlequin Temptation line.

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