LPO Offstage

In this episode, YolanDa and Francis are joined by AI expert Lora Aroyo to discuss artificial intelligence and its place in classical music. Their conversation covers everything from how AI developed to what its current capabilities of composing classical music are. They touch on the ethical and artistic implications of AI-generated music, evaluate its strengths and limitations, and try to define what makes music composed by humans unique. Plus, in the quiz, Lora and Francis tell us how they would like AI to be used to improve their day to day musical lives…#PitchMeClassicalInstagram: @londonphilharmonicorchestra TikTok: @lporchestraBluesky: @lporchestraFacebook: @londonphilharmonicorchestra YouTube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

What makes a typical brass player? What really happens on a ‘viola night'? Can the saxophone truly be considered a brass instrument? And just how do you clean a tuba? YolanDa, Lee and Claudia dive into the world of brass, weighing the pros and cons of being part of the brass section and comparing it to the rest of the orchestra. They share favourite brass moments, discuss the sometimes notorious reputation of brass players, and attempt to pinpoint the characteristics that make brass players unique. Plus, in the quiz, Lee and Claudia take a shot at guessing the collective noun for a group of brass players… Any guesses?#PitchMeClassicalInstagram: @londonphilharmonicorchestra TikTok: @lporchestraBluesky: @lporchestraFacebook: @londonphilharmonicorchestra YouTube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

It's one of the most famous pieces of classical music, but why? The beginning of Beethoven's Fifth Symphony has an iconic status, but is it one of the best openings to a piece of music? YolanDa, Tom and Cassi dig deeper into those famous four notes and along the way they share other opening bars which are just as recognisable, arresting, or scary. It's a tricky passage to play in sync with other players, so they discuss tips and tricks to ensure it gets off to a successful start. Plus, in the quiz Tom makes a fruit-related promise he's surely going to live to regret…#PitchMeClassicalInstagram: @londonphilharmonicorchestra TikTok: @lporchestraBluesky: @lporchestraFacebook: @londonphilharmonicorchestra YouTube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Why is the viola the butt of so many jokes? Does the viola deserve to be mocked, or is it the unsung hero of the orchestra? YolanDa Brown is joined by Martin and Minn to unpack the origins of viola jokes and demystify why violas so often get the short end of the stick - or should we say bow? But for Martin and Minn the viola's status as a comedic goldmine sometimes has wider implications that aren't necessarily positive, for example putting people off learning the instrument, affecting the way composers write for it, and annoying viola players on a regular basis. If you like a good viola joke, you'll find plenty in this episode, proving that the viola can absolutely play first fiddle in the world of comedy…#PitchMeClassicalInstagram: @londonphilharmonicorchestra TikTok: @lporchestraBluesky: @lporchestraFacebook: @londonphilharmonicorchestra YouTube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

What makes classical music sound like classical music? And what does the word ‘classical' mean anyway? YolanDa Brown is joined by Kristina and Mark to give their take on these big questions. They do their best to figure out where the line is between classical and non-classical music, whether film music is classical, and what makes classical music classical. And they attempt to pin down why the word ‘classical' came to be used to describe this genre of music in the first place. Plus, Mark and Kristina each share three recommendations that they think demonstrate the breadth and variety of classical music - pieces that are ideal for anyone new to it! #PitchMeClassicalInstagram: @londonphilharmonicorchestra TikTok: @lporchestraBluesky: @lporchestraFacebook: @londonphilharmonicorchestra YouTube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Tails? Long black? Stilettos? A dinner jacket? Concert dress is an important part of the visual appearance of an orchestra, but what is the dress code, how flexible is it, and is it old-fashioned? YolanDa, Mark and Alice all have their preferences when it comes to what they like to wear on stage. This conversation covers everything from what happens when you ask a tailor to make you a new set of tails, whether you need to iron a shirt when only a sliver of it is visible, why orchestras dress the way they do, and common misunderstandings when it comes to pants and pop socks. Plus, how what you choose to wear on stage can give you confidence as a performer…#PitchMeClassicalInstagram: @londonphilharmonicorchestra TikTok: @lporchestraBluesky: @lporchestraFacebook: @londonphilharmonicorchestra YouTube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Round of applause, please! YolanDa, Hugh and Simon evaluate the pros and cons of applause, sharing their experiences both in the concert hall and beyond. Why do we clap, when should we clap, and what's the etiquette? Together they cover pieces where people clap when they shouldn't, pieces where it simply feels wrong to show your appreciation by clapping, and rock and jazz concerts where it's common to clap every few minutes. But this episode isn't just about putting your hands together - they also discuss whether fish should be allowed in concert halls and the simplistic beauty of painting a shed. Plus, there's fierce competition to work out who has the best-sounding clap in the end-of-episode quiz…#PitchMeClassicalInstagram: @londonphilharmonicorchestra TikTok: @lporchestraBluesky: @lporchestraFacebook: @londonphilharmonicorchestra YouTube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

When asked to name a classical composer, why does everyone always say Mozart? He's one of classical music's most famous composers (perhaps THE most famous), but does he deserve his reputation, and is he the G.O.A.T.*? YolanDa, Mark and Alice discuss Mozart's high points and low points, his best pieces and his worse, and how he writes for different instruments. They also touch on what's special about him and whether other composers are more deserving of fame. Plus, this episode's quiz reveals strong opinions on which of his three names would make the best name for a pet…*Mark has now learnt a new acronym.#PitchMeClassicalInstagram: @londonphilharmonicorchestra TikTok: @lporchestraBluesky: @lporchestraFacebook: @londonphilharmonicorchestra YouTube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Welcome to Pitch Me Classical! Saxophonist and presenter YolanDa Brown and players from the London Philharmonic Orchestra pitch their thoughts on some of classical music's most-asked questions, with plenty of chit-chat and laughter along the way. Instagram: @londonphilharmonicorchestraTikTok: @lporchestraFacebook: @londonphilharmonicorchestraYoutube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown takes us through some of the best bits of Series 7. Why do trumpets transpose, and do they enjoy it? How has recording film music changed over the years? And what does retirement look like for orchestral musicians? Plus, singer Brindley Sherratt shares his top tips on preparing to sing an operatic role.With trombonist Mark Templeton, violinist Minn Majoe, horn player Mark Vines, tuba player Lee Tsarmaklis, double bass player Simon Carrington, trumpeter Anne McAneney, bass Brindley Sherratt, clarinettist Thomas Watmough, conductor Ed Gardner, composer Colin Matthews, violinist Geoffrey Lynn, oboist Joan Graham, and bassoonist Gareth Newman.That's it for now from LPO Offstage. Thanks for joining us along the way and stay tuned as we'll be back soon with a brand new podcast.Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown sits down with three former LPO members - violinist Geoff Lynn, bassoonist Gareth Newman, and oboist Joan Graham - to explore retirement. When they retire, some musicians sell their instruments and never play a note again. Others reduce the amount of performing they're doing to make more time for teaching. The former LPO members chatting to YolanDa today all approached retirement in very different ways.Geoff, Gareth and Joan tell YolanDa what they miss about their orchestral years, share the pits and troughs of their careers, and share hints and tips for anyone who might be thinking about their retirement whether it's decades away or fast approaching.Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins composer Colin Matthews, Principal Conductor of the LPO Edward Gardner and flautist Juliette Bausor to revisit Gustav Holst's most famous work, The Planets.Faber recently published a new facsimile edition of Holst's The Planets, edited by Colin Matthews, and today's episode explores its significance and the unique insights that the original handwritten manuscript can give us. Colin, Ed and Juliette also talk to YolanDa about their favourite and least favourite movements, their thoughts on the speed you should play the big tune in ‘Jupiter', and tips on how best to achieve the famous choral fade at the end of Neptune.Plus, what happened musically when Pluto lost its status as a planet… Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Today we're dimming the lights, turning off our phones and filling up a giant bucket of popcorn to get the lowdown on music for film and TV.Film score production has changed a lot in recent years, and LPO musicians timpanist Simon Carrington and tuba player Lee Tsarmaklis have seen it all; from Elmer Bernstein's skilful, old school approach, to the meticulous modern day techniques of click tracks and multitrack recording.Simon and Lee tell YolanDa about the film scores which soundtrack their earliest cinema outings and describe the joyful and awe-inspiring experiences playing the music of the legendary John Williams.Plus, Lee and Simon reveal the soundtracks they wish they could have played on.Be sure to listen to the Spotify playlist that accompanies this episode to inject some Hollywood dazzle into your day: https://open.spotify.com/playlist/6UuJau7Ew5d58hx4PbcO8g?si=b9970b912009443bProduced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Today we're going deep in the music of Wagner - and specifically The Ring cycle, his collection of 4 monumental operas: Das Rheingold, Die Walküre, Siegfried, and Götterdämmerung Even if you haven't seen these live, you're probably aware that these are absolute behemoths of the opera house - with heroism, love, death, gigantic orchestras and big tunes that need big voices. Bass Brindley Sherratt is tackling the role of Hagen in Götterdämmerung, and he explains how memory, text and costume are just some of the challenges he grapples with.Wagner wrote some stunning brass parts, and trombonist Dave Whitehouse explains the novelty of playing the bass trumpet in Götterdämmerung, and violinist Fiona Higham explains how to crack the string player's code when tackling Wagner's music. Plus, how lifting weights can be a great training programme for a 6 hour opera.Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Today, another one of our top episodes from the archive… YolanDa Brown joins organist and conductor Anna Lapwood, piccolo player Stewart McIlwham and violinist Martin Höhmann to take a close look at Camille Saint-Saëns' Symphony No.3 - his organ symphony. They discuss the challenges of communicating with the conductor from the organ, how to get the perfect tempo so those mammoth chords have maximum impact, and how the flutes and violins manage the difficult offbeat rhythms. Anna also reveals how she's able to practise on concert hall organs, gives some social media tips for musicians who want to share their own musical journeys, and our listener question zooms in on organ ‘stops'. Plus, what it's like to actually be inside a 32-foot organ pipe… If you have any questions you'd like to put to the musicians, please email offstage@lpo.org.uk, and you might be featured in Series 7!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown sits down with contrabassoonist Simon Estell and clarinettist Tom Watmough for a deep dive into Brahms' Four symphoniesBrahms' symphonies are right at the beating heart of orchestral repertoire for very good reason: audiences love their romanticism and drama, and players can't get enough of those gorgeous melodies. But how do you keep the music fresh when it's played so often? Tom and Simon reveal how every conductor creates new challenges for the orchestra, and how Brahms was inspired by the musicians he worked with.Plus, what's your favourite Brahms symphony? Simon and Tom discover that's a very difficult question to answer.If you have any questions you'd like to put to the musicians, please email offstage@lpo.org.uk, and you might be featured in Series 7!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown talks to trumpeter Anne McAneney and cellist Francis Bucknall and explores Stravinsky's Firebird. The Firebird is a hugely popular work, but what makes it so enduring? Anne, Francis and YolanDa discuss its story, Stravinsky's revolutionary writing, and how to keep the music sounding fresh on stage and in recordings. They also mention a number of related works and why Stravinsky's music lends itself so well to education projects. Plus, they reveal what changes when a piece is being recorded, and the extra layer of difficulty that comes with being filmed. If you have any questions you'd like to put to the musicians, please email offstage@lpo.org.uk, and you might be featured in Series 7!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins violinist Minn Majoe and horn player Mark Vines to share their touring tips and tricks.Hot off the plane from their recent tour to Asia, Minn and Mark share the highlights and lowlights of the trip with YolanDa, who brings in her own touring experiences. They discuss the difficulties of transporting large instruments, suitcase essentials, and how to navigate washing your clothes when you're away from home. Plus, ideas for what to do on a day off abroad…If you have any questions you'd like to put to the musicians, please email offstage@lpo.org.uk, and you might be featured in Series 7!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins harpist Rachel Masters and trombonist Mark Templeton to talk all things festive in this special Christmas episode. In this episode of LPO Offstage YolanDa and her guests share their favourite musical Christmas memories. They discuss the magic of carol singing, the pros and cons of seasonal gigs, and their favourite Christmas repertoire including some amusing alternative lyrics. Plus, they bust some myths about busking and share their tips and trips for performing in inclement weather…If you have any questions you'd like to put to the musicians, please email offstage@lpo.org.uk, and you might be featured in Series 7!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

We've been dipping into the LPO Offstage archives and revisiting our favourite episodes. In this one, YolanDa Brown sits down with baritone Roddy Williams, horn player Johnny Ryan and cellist Kristina Blaumane to hear what singers can learn from instrumental playing, and why the issues of balancing a voice with an orchestra may not be what you expect. YolanDa also discovers how the players transition from the concert stage to the opera pit and back again, and finds out about the surround sound experience Roddy has when he's got some bars rest…Plus, Roddy explains the lengths singers have to go to to protect their voices… Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Here's another favourite episode from the LPO Offstage archives! YolanDa Brown chats to Damian Davis about the celebrated LPO truck, complete with a hydraulic lift and kitchenette, and asks how he safely transports hundreds of instruments to concert halls around the world. She also hears bass player Laura Murphy's point of view - when do you take your ‘second' instrument, and what do you absolutely not put in your instrument case when you go on tour…?If you have any questions you'd like to put to the musicians, please email offstage@lpo.org.uk, and you might be featured in Series 7!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

We're taking you back to one of our favourite episodes of LPO Offstage from the archives. This episode is all about venues and YolanDa Brown talks to violinist Tania Mazzetti and trombonist Mark Templeton to discover insights about how different acoustics can radically affect performance, as well as the best (and worst) backstage facilities. And quite a lot of beer. And sausages. If you have any questions you'd like to put to the musicians, please email offstage@lpo.org.uk, and you might be featured in Series 7!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

If you're playing and listening to music all day for your job, what do you listen to the rest of the time? In this final episode of Series 6, YolanDa Brown sits down with Simon Carrington (principal timpanist) and Alice Ivy-Pemberton (violinist and co-leader of the LPO) to talk about their personal relationship with music… They discuss music that imbues every day walking with meaning and purpose, getting in the zone while listening to music on the train, and sometimes just needing silence (‘nature's music'!).They also share experiences of being forced to listen to the music that's constantly playing in their heads, hearing melody in everyday sounds, and music that sparks very specific memories… Plus, the best playlist for a dinner party, and the one recording they would take with them to a desert island. If you have any questions you'd like to put to the musicians, please email offstage@lpo.org.uk, and you might be featured in Series 7!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown takes us through some of the best bits of Series 6, from alternative career paths, to romance in the orchestra, and a deep dive into Holst's Planets. There's also advice from Anna Lapwood about how to get into classical music, and Ben Gernon gives us a tour of the orchestra pit at Glyndebourne opera house. Plus, Lee and Dave's must have tour items… Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins cor anglais player Sue Böhling and double bass player Hugh Kluger to find out the reality of life as an orchestral musician, from finding the best bakeries in South East London to having a whole additional career as an interior designer. In this episode of LPO Offstage YolanDa sits down to chat with Sue and Hugh about their must have items on tour, what they listen to outside their job, and some surprising facts about where their careers might have gone if they didn't choose the route of a professional musician. Plus, listener questions ask about favourite venues, the best thing about their instruments, and one very famous cor anglais solo… If you would like to get in touch with your own question about anything to do with classical music, please email offstage@lpo.org.uk and you could feature on a future podcast…Produced by Tandem Productions for the London Philharmonic Orchestra. Twitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins trumpet player Anne McAneney, cellist Francis Bucknall and harpist Rachel Masters to discuss Gustav Holst's most famous work, The Planets. Space, the solar system and intergalactic travel have been depicted in music and films for decades, but Gustav Holst was there early, trying to communicate the vastness of the planets (and their mythical links) with music. In this episode of LPO Offstage the players reveal what the piece is really like to play, the techniques Holst uses in his music which make it sound so ‘space like' and why he was so ahead of his time. Plus, musical extracts weave through the conversation… If you would like to get in touch with your own question about anything to do with classical music, please email offstage@lpo.org.uk and you could feature on a future podcast…Produced by Tandem Productions for the London Philharmonic Orchestra. Twitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

We've dug into the archives to share one of our favourite episodes of LPO Offstage - Keeping in Shape. Facing the fear of fear, admitting you might not always want to go to those after concert drinks, and searching for the best strengthening exercises to avoid injury as a musician and a conductor are just a few of the tips and topics discussed by YolanDa Brown, cellist Elisabeth Wiklander and conductor Karina Canellakis. They discover that being in top shape for your job as a musician is a very personal journey. And how do you find that ‘lake stillness' before a performance?Produced by Tandem Productions for the London Philharmonic Orchestra. Twitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Every summer, the LPO heads down to Glyndebourne in Lewes, East Sussex for a season as one of the opera house's resident orchestras. In this episode of LPO Offstage, YolanDa meets conductor Ben Gernon ahead of the evening's performance of Donizetti's opera ‘The Elixir of Love'. As Ben and YolanDa chat about what it's really like to conduct an opera, they wander through the opera house, the famous pit, gardens, backstage and Ben's dressing room, stumbling upon a giant cake, the wig room, and the piano tuner… Plus, a listener asks about Ben's ‘funniest mistake', and Ben gives his top piece of advice for tackling nerves (with only 30 minutes to go before he goes on stage!). If you would like to get in touch with your own question about anything to do with classical music, please email offstage@lpo.org.uk and you could feature on a future podcast…Produced by Tandem Productions for the London Philharmonic Orchestra. Twitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins tuba player Lee Tsarmaklis and trombone player Dave Whitehouse to get the inside scoop on the low brass section of the orchestra. What exactly is the low brass section? As well as their respective trombone and tuba, Dave and Lee have to play multiple instruments ranging from the cimbasso, to the alto trombone, to the sousaphone and the ‘baritone thingy'. But do they all actually sound good? Dave and Lee reveal their thoughts on these mysterious instruments, and take us through some of the best low brass moments in music. A listener also asks whether a brass player would ever get paid less if all they had was rests for a whole symphonic movement, and we find out Dave and Lee's essential tour items (aside from anything musical)…Produced by Tandem Productions for the London Philharmonic Orchestra. Twitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins Eastbourne's Arts Ambassador Chris Connelley, LPO viola player Kate Leek and clarinettist Tom Watmough to find out what their top tips are for visiting Sussex, the LPO's second home. As well as the Royal Festival Hall, the LPO performs regularly in Brighton, Eastbourne and Lewes in East Sussex for the Glyndebourne season. And quite a few of the musicians live in the area. What brings the musicians to that part of the world? And what recommendations do they have for holidaymakers? Chris also reveals some exciting new arts projects in Eastbourne, and we find out where to get the best produce in the area. Plus, the famous ‘Sussex Smokie' (but has anyone actually heard of it?)… Produced by Tandem Productions for the London Philharmonic Orchestra. Twitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins organist and conductor Anna Lapwood, piccolo player Stewart McIlwham and violinist Martin Höhmann to take a close look at Camille Saint-Saëns' Symphony No.3 - his organ symphony. They discuss the challenges of communicating with the conductor from the organ, how to get the perfect tempo so those mammoth chords have maximum impact, and how the flutes and violins manage the difficult offbeat rhythms. Anna also reveals how she's able to practise on concert hall organs, gives some social media tips for musicians who want to share their own musical journeys, and our listener question zooms in on organ ‘stops'. Plus, what it's like to actually be inside a 32-foot organ pipe… If you have a question you'd like to ask the musicians, email offstage@lpo.org.ukProduced by Tandem Productions for the London Philharmonic Orchestra. Twitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

The very thought of an audition might make you nervous, but what can you learn from being assessed in this way, and what do the musicians look for when they're sitting on an audition panel? YolanDa Brown joins cellist Kristina Blaumane and trombone player Mark Templeton to get an inside look at orchestral auditions: from managing nerves, to how to distinguish between players when you have to listen to up to 80 hours of audition recordings… Plus, a listener asks how the musicians stay motivated when their busy musical lives become a bit overwhelming… Produced by Tandem Productions for the London Philharmonic Orchestra. Twitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Johannes Brahms has a special place in many musicians' hearts - but what is it about his writing that is so captivating? Today on LPO Offstage, YolanDa Brown joins violinist Fiona Higham, timpani player Simon Carrington, and horn player Mark Vines to find out how Brahms writes for their instruments, why the horn is not actually playing the notes as they are on the page, and how different conductors can completely change the feeling of Brahms' first symphony.YolanDa also broaches the question of what the players listen to outside work, and whether they still feel nervous before they step on stage… The LPO will be performing Brahms' Symphony No.1 on 27th September 2023, book tickets here: https://lpo.org.uk/event/johan-dalene-plays-sibelius-violin-concerto/ Produced by Tandem Productions for the London Philharmonic OrchestraTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Lots of musicians find love within the music industry - whether it's at college, singing in a choir or playing in studios… But what's it really like living and working with your partner? YolanDa Brown joins violinist Minn Majoe and viola player Martin Wray to catch up about what they've been up to recently… From chamber ensemble ‘speed dating', to Minn's blog about where to eat on tour, to learning languages and travelling to little explored places, Minn and Martin reveal what an orchestral musician's life is really like both within the orchestra and beyond. Plus, what are the best and worst things about being a musician? Produced by Tandem Productions for the London Philharmonic Orchestra. Twitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown takes us through some of the best bits of Series 5, and also can't resist delving into some earlier episodes. Expect mysterious triangle insights, a look at the practical side of writing music, an explanation of why Beethoven might sound a bit strange on first listen, and a classical music fan who you may know from a very famous baking competition… With Andy Barclay, Brett Dean, Karina Canellakis, Jürgen Krauß, Elena Dubinets, Sarah Holmes, Joe Lovano, Dav Shiel, Elisabeth Wiklander, Mark Vines, Joanna Williams and Edward Gardner. Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown is joined by the LPO's Principal Conductor Edward Gardner for a quick fire round to find out the answers to questions such as what makes the perfect baton and what it's like working with different orchestras, as well as his top tips for young aspiring conductors, and how trusting yourself in the moment is key to performing. Plus, Ed reveals a few particularly embarrassing conducting moments… Produced by Tandem Productions for the London Philharmonic Orchestra #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown is joined by the LPO's Principal Percussionist Andy Barclay to find out everything she can about a very famous instrument – the triangle. It may conjure up memories of school music lessons or the theme from the Pink Panther but the triangle also has an illustrious history and is used widely in all forms of music from pop to classical. It's also remarkably difficult to play (well) and in this episode YolanDa and Andy immerse themselves in all things triangle: from tings vs jangles, to triangle mishaps, the difficulties in hearing all the glorious high frequencies, and that famous Pink Panther theme tune. Produced by Tandem Productions for the London Philharmonic Orchestra #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

What's the role of technology in music? Does it enhance creativity, and can it be a hindrance? YolanDa Brown is joined by LPO cellist Elisabeth Wiklander and session drummer Dav Shiel, who is Project Manager and Associate Musician at Drake Music - a charity that helps disabled people reach their musical potential through the use of assistive technology. From using an iPad to compose, to an amplified orchestral concert on a motorway overpass, to teaching on Zoom, and using eye gaze technology to control instruments, Dav and Elisabeth discuss the ins and outs of how technology and music intersect. Plus, Dav explains how sound beams can make music making endlessly accessible… Produced by Tandem Productions for the London Philharmonic Orchestra#OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

What is so special about Beethoven? YolanDa Brown gets an inside view of what it's like to play and conduct Beethoven's third symphony from the perspective of conductor Karina Canellakis and horn player Annemarie Federle. Karina explains why Beethoven's music is ‘a universal form of musical communication' and together with Annemarie they consider how much you should take a composer's life into account when you play their music. Karina also take us on a journey through the symphony, together with musical excerpts recorded from a concert she gave with the LPO in autumn 2022. And you can also watch that performance here: https://lpo.org.uk/event/marquee-tv-canellakis/Plus, if Karina could play an instrument in the symphony, what would it be? The pressure is on for Annemarie… Produced by Tandem Productions for the London Philharmonic Orchestra#OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown sits down with double bass player Laura Murphy and horn player Gareth Mollison to find out what it means to be an ‘experienced' musician and how things have changed in the orchestra over the years from technology to travel.Gareth reveals what's different about being in the LPO now compared to when he joined in 1986, and Laura muses on what might change in the future. YolanDa also asks the question of when you should put down your instrument for good, and whether the number of years you've played means you are a better player... Plus, how do you keep up interests outside the orchestra? Both Laura and Gareth reveal some surprising activities beyond their performing life… Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown sits down with the LPO's Artistic Director Elena Dubinets, and violinist and President of the LPO's board Martin Höhmann to ask how you make sure a symphony orchestra stays relevant, and what it takes to curate a season of music. Elena Dubinets reveals the careful thought, deliberation and research behind the themes in the LPO's current season ‘A Place to Call Home': from displacement, to love letters to home. And Martin Höhmann gives an insight into the players' role in this journey… Plus Elena asks, what does ‘home' mean, and how can this be represented in music? Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Today, a special episode from the LPO Offstage archive… YolanDa Brown finds out what it's like for some of the LPO players who have moved to the UK to live and work in London. Yang moved to London from China, Nynke from the Netherlands and Hugh from Australia, so how do their diverse cultural backgrounds coalesce in the UK? They discuss issues relating to family and friends in far off countries, different approaches to programming and orchestral auditions, and it wouldn't be possible to make this episode without talking about Brexit*…Produced by Tandem Productions for the London Philharmonic Orchestra. *This episode was recorded in April 2021, before the announcement about musicians taking instruments from the UK into the EU #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Ahead of the LPO's performances of both of Elgar's symphonies in January 2023, YolanDa Brown sits down with violinist Tom Eisner, cor anglais player Sue Böhling and horn player Martin Hobbs to find out what is so special about Elgar's music. Elgar's symphonies bring back memories for the musicians, but is it useful to always associate Elgar with ‘Britishness'? YolanDa also asks why you need so much stamina to play the two symphonies (especially for wind players), and Tom reveals that you can tell that Elgar played second violin by the way he wrote for the section. Plus, soaring melodies that give you that tingling feeling… Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins jazz saxophonist Joe Lovano and LPO double bass and bass guitar player Tom Walley to find out what role the saxophone has within the orchestra, and how the worlds of jazz and orchestral playing come together. YolanDa, Joe and Tom get stuck into a discussion about musical genres and expression: from improvising with an orchestra to different playing techniques, emulating vocal lines on the saxophone, along with some legendary stories. Plus, a chat about the UK premiere of Douglas J Cuomo's saxophone concerto: ‘a raft, the sky, the wild sea' which took place following the recording of this episode… Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Ahead of the LPO's performances of Gustav Mahler's music in their 22/23 season, YolanDa Brown uncovers both the epic side and the more intimate sounds of Mahler, what it's like to play his symphonies with very different conductors over the years, and the high risk but high reward of the offstage bands.YolanDa also finds out that there's often room for interpretation in the percussion parts, and Tom explains the ‘clarinets in the air' moment.Plus, a very special anniversary for Keith… Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Welcome to Series 5 of LPO Offstage! To kick off the new series, YolanDa Brown joins The Great British Bake Off star and LPO fan Jürgen Krauss, flute player Sue Thomas and LPO supporter Joanna Williams to find out what it means to be a fan of the LPO: from childhood memories of the orchestra, to favourite conductors and LPO cakes.Plus, what a supportive fan base means to the players… Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins Principal Conductor of the LPO Ed Gardner, trumpet player Anne McAneney and double bass player Sebastian Pennar to find out how to prepare for a new season… How do you connect different pieces in a concert, how do you thread musical themes across a whole season, and what are the musicians most looking forward to playing in the LPO's 2022-2023 concerts?Plus, Seb reveals the one drawback of the choir joining the orchestra: the tea queue...Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown takes us through some of the best bits of Series 4. How did Howard Shore write the score for Lord of the Rings, how does Lee approach a rare tuba solo, what can singers learn from instrumental playing, and what happens when everyone thinks a cadenza has ended… except the soloist? With Howard Shore, Johnny Ryan, Roderick Williams, Mark Templeton, Stewart McIlwham, Julia Fischer, Richard Waters, Pieter Schoeman, Simon Carrington, Lee Tsarmaklis, Catherine Edwards, and Paul Richards.Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

YolanDa Brown joins pianist Catherine Edwards, tuba player Lee Tsarmaklis and bass clarinet player Paul Richards to discover what it's like to play an instrument that only has rare moments in the spotlight… How do you prepare for the ‘moment' when you emerge from the orchestra after many bars rest? And what happens if it all goes wrong?Catherine, Lee and Paul reveal what the roles of their very unique instruments are within the texture of the orchestra, and why they have to be so versatile… Plus - forgotten mouthpieces, a squeaking clarinet and an unforgettable organ entry… Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

YolanDa Brown gets an inside view of what it's like to play Shostakovich's 10th Symphony from the perspective of trombonist Mark Templeton, violinist Lasma Taimina and piccolo player Stewart McIlwham. We find out what lies behind the notes of this dramatic piece, both for the musicians who play it and for Shostakovich himself. From favourite scary moments to Stewart continuing in the footsteps of his piccolo playing father, there's lots to explore.Plus, if the players could play any other instrument in the symphony, what would it be? Produced by Tandem Productions for the London Philharmonic Orchestra#OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

YolanDa Brown joins timpanist Simon Carrington and percussionist Karen Hutt to discover the ins and outs of percussion playing in an orchestra: from how you ‘play' bubble wrap, to the complex and never ending task of tuning timpani… Plus, an in depth discussion of one of the most important (and surprisingly difficult to play well) instruments in the orchestra: the triangle. Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.