Podcast appearances and mentions of colin matthews

Welcome to another episode of Supra Insider. This time, Ben and Marc sat down with Tal Raviv and Colin Matthews for a candid conversation about how AI is reshaping the work and mindset of modern product managers.They unpack insights from Tal's recent survey on AI prototyping adoption, common challenges for PMs using AI tools, and the importance of learning how to experiment effectively. Colin shares how his approach to evaluating side projects has shifted now that AI accelerates time to build—and why go-to-market remains the biggest bottleneck.They also explore why some companies still penalize failure, how team dynamics are evolving as PMs become more self-sufficient, and why embracing high-leverage work is more critical than ever. If you're a PM, solopreneur, or product leader trying to navigate the new AI era, this episode is packed with honest takes and practical advice.All episodes of the podcast are also available on Spotify, Apple and YouTube.New to the pod? Subscribe below to get the next episode in your inbox

Welcome to another episode of Supra Insider. This time, Marc and Ben sat down with Colin Matthews, instructor of two popular AI prototyping courses on Maven. Colin shared his insights on the evolving landscape of AI-powered prototyping tools and how product managers can leverage them to build and test more impactful features faster.The discussion explored different categories of AI prototyping tools, when to use them, and how they're changing the way teams collaborate. Colin also walked us through a live demo, showing how to prototype and test a new hypothetical AI LinkedIn feature in real time. If you're a PM looking to move faster and validate ideas more efficiently, this episode is for you.All episodes of the podcast are also available on Spotify, Apple and YouTube.New to the pod? Subscribe below to get the next episode in your inbox

YolanDa Brown takes us through some of the best bits of Series 7. Why do trumpets transpose, and do they enjoy it? How has recording film music changed over the years? And what does retirement look like for orchestral musicians? Plus, singer Brindley Sherratt shares his top tips on preparing to sing an operatic role.With trombonist Mark Templeton, violinist Minn Majoe, horn player Mark Vines, tuba player Lee Tsarmaklis, double bass player Simon Carrington, trumpeter Anne McAneney, bass Brindley Sherratt, clarinettist Thomas Watmough, conductor Ed Gardner, composer Colin Matthews, violinist Geoffrey Lynn, oboist Joan Graham, and bassoonist Gareth Newman.That's it for now from LPO Offstage. Thanks for joining us along the way and stay tuned as we'll be back soon with a brand new podcast.Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins composer Colin Matthews, Principal Conductor of the LPO Edward Gardner and flautist Juliette Bausor to revisit Gustav Holst's most famous work, The Planets.Faber recently published a new facsimile edition of Holst's The Planets, edited by Colin Matthews, and today's episode explores its significance and the unique insights that the original handwritten manuscript can give us. Colin, Ed and Juliette also talk to YolanDa about their favourite and least favourite movements, their thoughts on the speed you should play the big tune in ‘Jupiter', and tips on how best to achieve the famous choral fade at the end of Neptune.Plus, what happened musically when Pluto lost its status as a planet… Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

This sermon was recorded on Sunday 4th June 2023 at our Putnoe venue. Colin Matthews continues our sermon series "1 Samuel" with a sermon titled the "He Did it God's Way". This talk is based on 1 Samuel 24.

Raven finds more Colin Matthews letters from the nether-regions; Former TNA knockout Rhaka Khan is suing a lot of people claiming a conspiracy against her in relation to an ongoing Texas criminal case, and some of the names and companies listed will shock you; What's the past-tense word for tweeting? Rich grills Feeney on an old Facebook memory, looking for what he calls intelligence; Popular myths about bullets busted, which has Rich feeling some kinda way about Kari Byron - go look her up, it's worth it; Feeney goes to a Fozzy show and gets mocked by Jericho for his attire; How Philadelphia has changed; Rich has left the building; Raven tries to get Disco on the show to ask about Bill Ding; Feeney tries to prove that he's an interesting guy with interesting comments; AEW's brand split and new show; The Gap Band's greatest hits; Fanmail, and of course, all the usual perversions. Follow the guys on Twitter!Raven - @theRavenEffectRich - @RichBocchiniFeeney - @jffeeney3rdGet Raven trading cards by going to beaujay.com - buy early and oftenAsk Danna on ebay is selling a bunch of Raven's old comics and other goods, go buy Raven's stuff. Check out the store at https://www.ebay.com/str/askdannaHave Raven say things that you want him to say, either for yourself or for someone you want to talk big-game shit to by going to www.cameo.com/ravenprime1If you want all the uncensored goodness AND watch The Raven Effect, sign up for Patreon by going to www.patreon.com/TheRavenEffect it's only $5 a month!

*In English Language* Das Herz der Geigerin schlägt für die zeitgenössische Musik. Im Podcast spricht sie über den Komponisten und langjährigen Freund John Adams und das Stück, das er kürzlich für sie geschrieben hat.  Auf die Frage, wann sie eigentlich zuletzt ein Stück von Beethoven oder Mendelssohn gespielt hat, antwortet die gesprächige Geigerin: »Vermutlich seit meinen Zwanzigern nicht mehr«. Denn Leila Josefowicz spielt am liebsten Musik aus dem 20. und 21. Jahrhundert. Sie hat zahlreiche Violinkonzerte uraufgeführt, darunter Werke von Colin Matthews, Luca Francesconi, John Adams, Oliver Knussen und Esa-Pekka Salonen, die allesamt für sie geschrieben wurden. Im Elbphilharmonie Talk spricht sie über das Stück »Scheherazade.2«, das John Adams ihr widmete und das sie im Februar 2023 im Rahmen des Festivals »Elbphilharmonie Visions« gespielt hat. Außerdem verrät sie, warum die Musikwelt sie manchmal an die Welt der Hedgefonds erinnert, wie sie zur zeitgenössischen Musik gefunden hat und warum sie es hasst, ihre eigenen Aufnahmen zu hören. 

As an entrepreneur, there are a million decisions that need to be made on a daily basis. Some of these are small and insignificant (what should I post on social today), but others can have a major impact on the future of your business (aka when should I throw in the towel and call it quits on a business that isn't working) When you're faced with a big decision, it can be difficult to know what the right course of action is. This is where inner clarity comes in. Taking the time to connect with your inner wisdom will help you to see the situation more clearly and make decisions that are in alignment with your values and goals. Inner clarity is not something that you can force or fake, but it is something that you can cultivate through practice. And this is the expertise of Intuitive Counselor, Colin Matthews. Colin has studied with many of today's great spiritual masters (Marshall Rosenberg, Caroline Myss, Dr. Mona Lisa Schulz), he founded and ran a successful community of Yoga Studios for over 16 years, and is certified as a medical intuitive. Today he uses his intuitive gifts to support many along their path, including entrepreneurs and aspiring business owners. I've also had the great pleasure of working with Colin as his marketing coach, and I am immensely grateful for all that Colin has taught ME in our time working together. In this episode, we explore how to make decisions with inner clarity and I think you're going to love it!Learn more about The Visionary Method™ - Business & Marketing Coaching: https://www.kelseyreidl.com/tvm Connect with me on Instagram: https://instagram.com/kelseyreidl_____Thanks for stopping by, visionary!I am a Business & Marketing Coach and the Founder of BecomeFullyBooked.com, a platform that I created to help business owners take their business from Half Booked to Fully Booked using growth frameworks and innovative marketing strategiesI also host the Visionary Life Podcast (https://kelseyreidl.com/podcast), a Top Canadian Business podcast that has been producing weekly episodes with some of Canada's Top Entrepreneurs since 2018.I have spoken about Marketing at companies like Google, Salesforce and Bumble -  and it is my mission to make marketing FUN again, without relying on Complicated ClickFunnels or Expensive Facebook AdsWhen I am not creating content to inspire the Visionary Community, I can be found adventuring on my Mountain Bike, Paddleboarding down the river in my backyard, or traveling the world with my Husband Dave in search of the best coffee shops and craziest experiences (jumping through Swiss Canyons and snowboarding the Alps are some of my favorite memories, to date)_____Other Places You Can Find Me:Website: https://kelseyreidl.com/ Instagram: https://instagram.com/kelseyreidl TikTok: https://www.tiktok.com/@kelseyreidl YouTube: https://www.youtube.com/channel/UCm6GxNswhOb71dxiCSv_nSQ Pinterest: https://www.pinterest.ca/kelseyreidl/ LinkedIn: https://www.linkedin.com/in/kelsey-reidl-1aba1a31/ Podcast Show Notes: https://www.kelseyreidl.com/podcast Podcast on Spotify: https://open.spotify.com/show/2qb0bwSPypHKf1jrjnVlx4?si=12b7b832515540e0 Podcast on iTunes: https://podcasts.apple.com/ca/podcast/visionary-life-canadian-business-podcast/id1333216975 Podcast on all other apps: https://link.chtbl.com/visionarylife Become Fully Booked™ 2 Hour Implementation Workshop to Find More Clients: https://www.kelseyreidl.com/shop/p/become-fully-booked  

Synopsis One of the most popular works of 20th-century orchestral music, “The Planets” by Gustav Holst, had its first performance on today's date in 1918. This was at a private concert at Queen's Hall, London, under the baton of Adrian Boult, who later became one of the most famous interpreters of this work. The first public performance of excerpts from “The Planets” took place in February of 1919, after which it quickly became Holst's best-known composition. The great success of “The Planets” actually dismayed Holst, who feared it would create a demand for more orchestral works in the same vein, and Holst always liked to do something new and different. He never considered “The Planets” anywhere near his best work, but posterity disagrees. Holst's seven-movement orchestral suite is based on the symbolic astrological associations of the planets. Only seven planets are represented because Pluto had yet to be discovered when the music was written. This omission has recently been rectified by a contemporary English composer, Colin Matthews. At the request of conductor Kent Nagano, Matthews composed a “Pluto” movement, which had its premiere performance in England in May of the year 2000. Matthew's new piece has also been recorded, as you might expect, as an occasional eighth planetary appendix to new recordings of Holst's original seven. Music Played in Today's Program Gustav Holst (1874-1934): The Planets –Montréal Symphony; Charles Dutoit, cond. (London 460 606) Colin Matthews (b. 1946): Pluto –Hallé Orchestra; Mark Elder, cond. (Hyperion 67270)

Colin Matthews continues our sermon series "The Lord's Prayer" with a talk titled "Come and Know Him Better". This audio was recorded at our venue in Putnoe.

Herbie adams is a brilliant entertainer. We met back in the 1990's in Devon, I was 22 and just turned pro 25 years ago so we have known each other on and off over a quarter of a century. We may see each other once every 5 years but when we do we have a nice catch up, its natural and todays is only different in the fact that I recorded it.Herbie is unique, he's fresh and funny and has that powerful persona on stage, the likable factor, that audiences warm too. So getting to know him that bit more today surprised me with his past. I had no idea of his history of being in bands and supporting groups like Supergrass. He literally has grafted and deserves success. From working with his band to going solo around the world in the cruise industry to pantomime he found the funny and he's keeping it that way, welcome to Eyes & Teeth The Voice of God Herbie Adams 

I know. You keep saying that. But the thing is, if we get murdered in this changing room, I'm pretty sure people will know that this is the crime scene BECAUSE OF ALL THE BLOOD. Content warnings: depictions of grief and mourning, scenes of emotional distress, body horror, references to death, flesh noises, bones cracking (inc. sfx), ghosts, static (inc. sfx) Transcript: https://docs.google.com/document/d/1YwL9o3Bjle3zRl2G4VJAK8i7m05fp4mVLv7H1PTCs2s/edit?usp=sharing Dyslexia-Friendly Transcript: https://docs.google.com/document/d/1i_6HRfwiMkZIWffOVtrsdGLxGVfqAa3mUXMkOt0cLO4/edit?usp=sharing Written by: Alex Abrahams. Script editing by: Chloe Peterson, Jordan Hendrickson, Grey Kilgour and Megan Cason. Directed by: Alex Abrahams and Moira-Juliet Scott. Edited by: Alex Abrahams. Music by: Jordan Hendrickson and Chloe Peterson. Podcast cover art by: Samantha Cooke. Episode cover art by: Megan Cason. Performances: Aquila Pullen as Aster Ross. Grey Kilgour as Gareth Adams. Livie Martin as Jessica Pearce and April Ellsworth. Alex Abrahams as Evan Pearce and Colin Matthews. Tam Silverman as Sam Moss. Shawn Tumbokon-Flowers as Nicky Dixon. Eden J. Storm as Freddie Shaw. Moira-Juliet Scott as Calliope Morris. Jordan Hendrickson as The Shapeshifter. Sound effects: https://docs.google.com/document/d/11ifF1KvmbHu660xtjhdTD6xjpFpz3k4nELInkxPwIEk/edit?usp=sharing Today's episode featured a promo for Believer. You can listen to Believer wherever you get your podcasts, or visit their website here: Believer (believerpodcast.com) Support us: Patreon: https://www.patreon.com/room56pod Ko-fi: https://ko-fi.com/thechildrenofroom56 Contact us: Twitter: @room56pod Instagram: @room56pod TikTok: @room56pod Tumblr: @room56pod Email: thechildrenofroom56@gmail.com The Children of Room 56 is licensed under a Creative Commons Attribution-Noncommercial-Sharealike 4.0 International License and distributed free of charge by the [Listless] network. For more information, as well as our show transcripts and additional content, check out our website: [Listless] - The Children of Room 56.

Beethoven for Three transports listeners to the turn of the nineteenth century when audiences would have been more familiar with the composer's music in arrangements for piano trio, string quartet, or piano four hands than for full orchestra. Here, Ax, Kavakos, and Ma seek out the most essential elements of Beethoven's musical language, pairing his second symphony, arranged for the trio by Beethoven's pupil Ferdinand Ries, with his fifth — among the most recognizable pieces in western classical music — in a newly-commissioned arrangement by Colin Matthews.Symphony No. 2 in D major, Op. 36 - arr. Ferdinand RiesSymphony No. 5 in C minor, Op. 67 - arrangement by Colin MatthewsPurchase the music (without talk) at:Beethoven for Three (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson).

Synopsis Today's date marks the birthday in 1885 of María Joaquina de la Portilla Torres, in the Mexican state of Guanajuato. Under her married name of Maria Grever, she became the first female Mexican composer to achieve international fame. She composed her first song at age four, studied in France with Claude Debussy among others, and at 18, one of her songs sold 3 million copies. At age 22, she married Leo A. Grever, an American oil company executive, moved to New York City, and by the 1930s was composing for Paramount and 20th Century Fox films. Her best-known song is probably "What A Difference A Day Makes" (originally "Cuando vuelva a tu lado"), written in 1934. Her songs have been recorded by singers ranging from the Andrews Sisters and Frank Sinatra to Dinah Washington and Aretha Franklin to Plácido Domingo and Juan Diego Flórez. “I am interested in Jazz and Modern Rhythms,” said Grever, “but above all, in Mexican Music … There is such a cultural richness in Mexican Music, its Hispanic and indigenous origins ... It is my wish and yearning to present these native rhythms and tunes from a real perspective, but with the necessary flexibility to appeal to a universal audience." Music Played in Today's Program María Grever (1885 – 1951) – Júrame (Juan Diego Flórez, tenor; Fort Worth Symphony; Miguel Harth-Bedoya, cond.) Decca 4757576 On This Day Births 1737 - Austrian composer Johann Michael Haydn, in Rohrau; He was the younger brother of Franz Joseph Haydn (b. 1732); 1760 - Italian composer Luigi Cherubini, in Florence (although August 14 is occasionally cited as his birthdate); 1910 - American composer and eminent theatrical conductor Lehman Engel, in Jackson, Miss.; 1910 - Swiss composer Rolf Liebermann, in Zurich; Premieres 1854 - Bruckner: Mass in Bb ("Missa Solemnis") in St. Florian, Austria; 1952 - Frank Martin: Concerto for Harpsichord, in Venice; 1954 - Britten: opera "The Turn of the Screw," in Venice at the Teatro La Fenice; 1968 - Shostakovich: String Quartet No. 12, in Moscow, by the Beethoven Quartet; 1978 - Barber: Third Essay for Orchestra, by the New York Philharmonic conducted by Zubin Mehta; 1994 - Richard Danielpour: Cello Concerto, commissioned and performed by San Francisco Symphony conducted by Herbert Blomstedt, with soloist Yo-Yo Ma; 1996 - Stockhausen: "Freitag aus Licht" (Friday from Light), at the Leipzig Opera; 1997 - Saariaho: "Graal Théâtre" (chamber version), in Helsinki, by the Avanti Ensemble and violinist John Storgards. 2002 - David Amram: Flute Concerto ("Giants of the Night"), in New Orleans by the Louisiana Philharmonic conducted by Klauspeter Seibel, with James Galway the soloist; 2002 - Colin Matthews, Judith Weir, Poul Ruders, David Sower, Michael Torke, Anthony Payne, and Magnus Linberg: "Bright Cecilia: Variations on a Theme by Purcell," at Royal Albert Hall in London, with the BBC Symphony, Leonard Slatkin conducting; This set of orchestral variations on a Purcell theme was commissioned by BBC Music magazine to celebrate its 10th anniversary; Others 1731 - J.S. Bach performs organ recitals in Dresden on Sept. 14-21; 1741 - Handel finishes scoring his famous oratorio, "Messiah," begun on August 22 (The entire work was composed in a period of 24 days); These dates are according to the Julian "Old Style" calendar (Gregorian dates: Sept 2 to Sept. 25); 1914 - W. C. Handy copyrights his most famous song, "The St. Louis Blues"; 1973 - The Philadelphia Orchestra gives a concert in Beijing, the first American orchestra to perform in Red China; Eugene Ormandy conducts symphonies by Mozart (No. 35), Brahms (No. 1) and the American composer Roy Harris (No. 3).

Enigmas. Things that cannot be understood; things that must be unravelled and unriddled. Things that are not what they seem. This series is, in many ways, about enigmas, but here we're talking about a literal one: the Enigma machine. This is the story of the codebreakers of Bletchley Park, including Alan Turing, who broke the German cypher and helped to end the war. But it is also the story of what we can and cannot know, and how little secrets beget bigger ones... Contributors to this episode: Michael Smith, Sir Demot Turing, Colin Matthews, George Jennings, and Jenny Radcliffe. This is the second episode of The Town That Knew Too Much, written, produced and presented by Nick Hilton. The music is by George Jennings, based on The Planets by Gustav Holst. The entire score for the series is available to stream on Spotify. This is the second part of a 7-part series available on all good podcast platforms. You can find out more about the show on Twitter, Instagram or Facebook – just go to @thetownpod – or visit www.thetownpod.com for episode notes and more information. If you've enjoyed the show, please go to your podcast producer and leave a rating and review. The Town That Knew Too Much is a Podot podcast, for more information visit podotpods.com.

Synopsis Primitive man probably imitated animal sounds for both practical and religious reasons. More recently, the Baroque-era composer Heinrich Franz von Biber imitated one particular animal for COMIC effect in his “Sonata Representing Animals,” and, in early 20th century slang, it’s simply “the cat’s meow.” Now speaking of cats, they’re supposed to have nine lives–but would you believe 8,949? On today’s date in 1981, “Cats,” a musical by the British composer Andrew Lloyd Webber opened at the New London Theatre in that city’s fashionable West End. Despite a bomb threat and brief evacuation of the theatre, the premiere of “Cats” was a great success. 8,949 performances later, on the same date in 2002, when the show finally closed, it had long since entered the Guinness Book of World Records as the longest-running musical to date. In London, it took in 136 million British pounds in ticket sales. Worldwide, “Cats” has taken in billions of dollars, has been seen by millions, and has been performed in 11 different languages in over 26 countries. And if you asked YOUR cat to comment on all this, he or she would probably say, “Why are you surprised?” and saunter away. Music Played in Today's Program Heinrich Ignaz Franz von Biber (1644 – 1704) Sonata violino solo representativa Il Giardino Armonico; Giovanni Antonini, cond. Teldec 21464 Andrew Lloyd Webber (b. 1948) Cats Overture Original Broadway Cast orchestra Geffen 22031 On This Day Births 1791 - Bohemian composer Jan Václav (Johann) Voríšek(Worzischek), in Vamberk; 1855 - Russian composer Anatoly Liadov, in St. Petersburg (Julian date: April 29); 1888 - American popular song composer Irving Berlin (Isidore Balin) inTemun, Russia (Julian date: April 29); 1895 - American composer William Grant Still, in Woodville, Miss.; 1954 - Scottish composer Judith Weir, in Aberdeen; Deaths 1849 - German composer Otto Nicolai, age 38, in Berlin; 1916 - German composer, Max Reger, age 43, in Leipzig; 1947 - Swedish composer Ture Rangström, age 62, in Stockholm; Premieres 1728 - Handel: opera "Tolomeo, re d'Egitto" (Julian date: April 30); 1917 - Busoni: opera "Arlecchino" (Harlequin) and "Turandot" in Zürich at the Stadttheater; 1945 - Bernstein: "Hashkiveinu" (text from the Sabbath Evening Service) for Cantor, Choir and Organ, at Park Avenue Synagogue in New York City, by Cantor David Puttterman, Max Heffman conducting; 1948 - Cowell: "Hymn, Chorale, and Fuguing Tune" No. 8 for strings, at Florida State University Recital Hall by the School of Music Faculty String Quartet; 1955 - Bliss: Violin Concerto, in London; 1963 - William Grant Still: opera "A Southern Interlude," by the University of Miami Opera; This opera was later revised as "Highway 1, U.S.A."; 1966 - Andrew Imbrie: Symphony No. 1, by the San Francisco Symphony; 1981 - Andrew Lloyd-Webber: musical "Cats" (after T.S. Eliot's "Old Possum's Book of Practical Cats") in London at the New London Theatre; This enormously popular and long-running musical opened on Broadway on October 7, 1982; 1984 - John Harbison: "Ulysses' Bow," by the New Haven Symphony, Murry Sidlin conducting; 1995 - John Adams: musical "I Was Looking at the Ceiling and Then I Saw the Sky"at the Zellerbach Playhouse in Berkeley, California, with the Paul Dresher Ensemble conducted by Grant Gershon; 2000 - Colin Matthews: "Pluto The Renewer" (as a new contribution to Gustav Holst's "The Planet"), in Manchester, by the Hallé Orchestra, Kent Nagano conducting; 2002 - Kenneth Frazelle: "Concerto for Chamber Orchestra," in Glendale, Calif., by the Los Angeles Chamber Orchestra, Jeffrey Kahane conducting. Links and Resources On Biber On Lloyd Webber's "Cats" More on Andrew Lloyd Webber

Synopsis Primitive man probably imitated animal sounds for both practical and religious reasons. More recently, the Baroque-era composer Heinrich Franz von Biber imitated one particular animal for COMIC effect in his “Sonata Representing Animals,” and, in early 20th century slang, it’s simply “the cat’s meow.” Now speaking of cats, they’re supposed to have nine lives–but would you believe 8,949? On today’s date in 1981, “Cats,” a musical by the British composer Andrew Lloyd Webber opened at the New London Theatre in that city’s fashionable West End. Despite a bomb threat and brief evacuation of the theatre, the premiere of “Cats” was a great success. 8,949 performances later, on the same date in 2002, when the show finally closed, it had long since entered the Guinness Book of World Records as the longest-running musical to date. In London, it took in 136 million British pounds in ticket sales. Worldwide, “Cats” has taken in billions of dollars, has been seen by millions, and has been performed in 11 different languages in over 26 countries. And if you asked YOUR cat to comment on all this, he or she would probably say, “Why are you surprised?” and saunter away. Music Played in Today's Program Heinrich Ignaz Franz von Biber (1644 – 1704) Sonata violino solo representativa Il Giardino Armonico; Giovanni Antonini, cond. Teldec 21464 Andrew Lloyd Webber (b. 1948) Cats Overture Original Broadway Cast orchestra Geffen 22031 On This Day Births 1791 - Bohemian composer Jan Václav (Johann) Voríšek(Worzischek), in Vamberk; 1855 - Russian composer Anatoly Liadov, in St. Petersburg (Julian date: April 29); 1888 - American popular song composer Irving Berlin (Isidore Balin) inTemun, Russia (Julian date: April 29); 1895 - American composer William Grant Still, in Woodville, Miss.; 1954 - Scottish composer Judith Weir, in Aberdeen; Deaths 1849 - German composer Otto Nicolai, age 38, in Berlin; 1916 - German composer, Max Reger, age 43, in Leipzig; 1947 - Swedish composer Ture Rangström, age 62, in Stockholm; Premieres 1728 - Handel: opera "Tolomeo, re d'Egitto" (Julian date: April 30); 1917 - Busoni: opera "Arlecchino" (Harlequin) and "Turandot" in Zürich at the Stadttheater; 1945 - Bernstein: "Hashkiveinu" (text from the Sabbath Evening Service) for Cantor, Choir and Organ, at Park Avenue Synagogue in New York City, by Cantor David Puttterman, Max Heffman conducting; 1948 - Cowell: "Hymn, Chorale, and Fuguing Tune" No. 8 for strings, at Florida State University Recital Hall by the School of Music Faculty String Quartet; 1955 - Bliss: Violin Concerto, in London; 1963 - William Grant Still: opera "A Southern Interlude," by the University of Miami Opera; This opera was later revised as "Highway 1, U.S.A."; 1966 - Andrew Imbrie: Symphony No. 1, by the San Francisco Symphony; 1981 - Andrew Lloyd-Webber: musical "Cats" (after T.S. Eliot's "Old Possum's Book of Practical Cats") in London at the New London Theatre; This enormously popular and long-running musical opened on Broadway on October 7, 1982; 1984 - John Harbison: "Ulysses' Bow," by the New Haven Symphony, Murry Sidlin conducting; 1995 - John Adams: musical "I Was Looking at the Ceiling and Then I Saw the Sky"at the Zellerbach Playhouse in Berkeley, California, with the Paul Dresher Ensemble conducted by Grant Gershon; 2000 - Colin Matthews: "Pluto The Renewer" (as a new contribution to Gustav Holst's "The Planet"), in Manchester, by the Hallé Orchestra, Kent Nagano conducting; 2002 - Kenneth Frazelle: "Concerto for Chamber Orchestra," in Glendale, Calif., by the Los Angeles Chamber Orchestra, Jeffrey Kahane conducting. Links and Resources On Biber On Lloyd Webber's "Cats" More on Andrew Lloyd Webber

I'm very exciting to have international violin soloist Leila Josefowicz on the show for the second time. Leila shares incredible wisdom in our conversation, including: Her outlook for how things are going to be like in the coming months How her recent incredible project at The Metropolitan Museum of Art unfolded, from where it originated to the vision coming to reality The significance of her performing Bach, and how she sees Bach as the music of infinite possibilities What she calls the performance headspace Thoughts about performance preparation and performance anxiety What having fun in performance means to her And many other wonderful musings !   This discussion is a window on the way artists like Leila approach a project - the power of the intention and the thoughtfulness they put behind each decision. How each aspect is carefully evaluated, weighed, and curated, and very angle crafted with care and love.   Partita   for Leila Josefowicz   Unseen in the field a sapling trembled naked. You touched   its slim trunk with flayed fingertips, tenderly and hard,   and it gave forth a cry, oh. Sun ran like water on line upon   line of buds. Bare, you stood, electric, head in this world,   feet planted. We heard what we never knew before. _________ Natania Rosenfeld Writer Independent Scholar Professor Emerita of English, Knox College     Frustrated with your playing?  Unsatisfied with you career?  Ready for a change? Whatever your challenge, you don't have to go at it alone, and I can help.  Visit www. https://www.mindoverfinger.com/workwithme to learn more and book your call and let's discuss how to get you from where you are to where you want to be!   THE MUSIC MASTERY EXPERIENCE will be back in June 2021!  This is my LIFE CHANGING, highly personalized group coaching program where I show you how to implement mindful & effective practice techniques, how to make them habits, and how to get RESULTS. Save your spot at http://www.mindoverfinger.com/mme and get access to some really cool bonuses!     MORE ABOUT LEILA JOSEFOWICZ: Website: https://www.leilajosefowicz.com/ YouTube: https://www.youtube.com/results?search_query=Leila+Josefowicz Facebook: https://www.facebook.com/LeilaBJo Leila Josefowicz at the The Metropolitan Museum of Art: The Condo Concerts: Fred Sherry String Quartet: In Performance: Leila Josefowicz at Hauser & Wirth  Leila's first conversation on the Mind Over Finger Podcast: Episode 82 - The Art of Authentic Music Making Biography Leila Josefowicz's passionate advocacy of contemporary music for the violin is reflected in her diverse programmes and enthusiasm for performing new works. In recognition of her outstanding achievement and excellence in music, she won the 2018 Avery Fisher Prize and was awarded a prestigious MacArthur Fellowship in 2008, joining prominent scientists, writers and musicians who have made unique contributions to contemporary life. Highlights of Josefowicz's 2019/20 season include opening the London Symphony Orchestra's season with Sir Simon Rattle and returning to San Francisco Symphony with the incoming Music Director Esa-Pekka Salonen to perform his Violin Concerto. Further engagements include concerts with Los Angeles Philharmonic, NDR Elbphilharmonie Orchester, Orchestre de la Suisse Romande, Chicago Symphony Orchestra, City of Birmingham Symphony Orchestra and the Cleveland and Philadelphia orchestras, where she will be working with conductors at the highest level, including Susanna Mälkki, Matthias Pintscher and John Adams.   A favourite of living composers, Josefowicz has premiered many concertos, including those by Colin Matthews, Steven Mackey and Esa-Pekka Salonen, all written specially for her. This season, she will perform the UK premiere of Helen Grime's Violin Concerto with the BBC Symphony Orchestra and Dalia Stasevska. Other recent premieres include John Adams'Scheherazade.2 (Dramatic Symphony for Violin and Orchestra) in 2015 with the New York Philharmonic and Alan Gilbert, and Luca Francesconi's Duende – The Dark Notes in 2014 with Swedish Radio Symphony Orchestra and Susanna Mälkki. Josefowicz enjoyed a close working relationship with the late Oliver Knussen, performing various concerti, including his violin concerto, together over 30 times. Alongside pianist John Novacek, with whom she has enjoyed a close collaboration since 1985, Josefowicz has performed recitals at world-renowned venues such as New York's Zankel Hall, Washington DC's Kennedy Center and London's Wigmore Hall, as well as in Reykjavik, Chicago, San Francisco and Santa Barbara. This season, they appear together at Washington DC's Library of Congress, New York's Park Avenue Armory and Amherst College. She will also join Thomas Adès in recital to perform the world premiere of his new violin and piano work at Fondation Louis Vuitton in Paris and the Japanese premiere at the Tokyo Opera City Cultural Foundation. Recent highlights include engagements with the Berliner Philharmoniker, Royal Concertgebouw Orchestra, Washington's National Symphony Orchestra, Tonhalle-Orchester Zürich and Boston and Finnish Radio symphony orchestras. In summer 2019, Josefowicz took part in a special collaboration between Los Angeles Philharmonic, the Royal Ballet, and Company Wayne McGregor featuring the music of composer-conductor Thomas Adès. Josefowicz has released several recordings, notably for Deutsche Grammophon, Philips/Universal and Warner Classics and was featured on Touch Press's acclaimed iPadapp, The Orchestra. Her latest recording, released in 2019, features Bernd Alois Zimmermann's Violin Concerto with the Finnish Radio Symphony Orchestra conducted byHannu Lintu. She has previously received nominations for Grammy Awards for her recordings of Scheherazade.2 with the St Louis Symphony conducted by David Robertson, and Esa-Pekka Salonen's Violin Concerto with the Finnish Radio Symphony Orchestra conducted by the composer.     Join the Mind Over Finger Tribe for access to my weekly live videos and to exchange with a community of like-minded musicians   Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome.  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights.   If you enjoy the show, leave a review on Apple Podcast or your favorite podcast provider!  I genuinely appreciate your support!     THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you! Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction!  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home.   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

Componist, dirigent, katholiek, Schot, socialist, VIP-member van de voetbalclub Celtic (‘Hey, Jimmy, how are ye?', roepen zijn mede-fans) – en dat in willekeurige, want alfabetische volgorde: dat is James MacMillan. In november 2000 brengt Edo de Waart (https://www.npoklassiek.nl/klassiek/alles-over-edo-de-waart/88de5bc5-c012-47fe-8424-57951f63f38a/wie-is-edo-de-waart) voor het eerst een werk van hem in onze serie. In januari 2009 dirigeert MacMillan zélf een Matinee, inmiddels als vaste gastdirigent van de Radio Kamer Filharmonie. En hij blijft vaste gast op onze zaterdagmiddagen. Half januari 2021 nog – helaas kan er geen publiek bij zijn – dirigeert hij de wereldpremière van zijn Christmas Oratorio. Er zijn tienduizenden radioluisteraars – krijg die maar eens in een concertzaal. MacMilllan is een bewonderaar van Louis Andriessen, Keltische volksliedjes en oude religieuze teksten, raakt vol overtuiging volledig verknoopt met de renaissance en de muziek van nu. MacMillan lijkt (minstens) net zo breed georiënteerd als Gustav Mahler (https://www.npoklassiek.nl/componisten/265915ac-ff12-4470-b0f4-26ffd0c6ad57/mahler-gustav), honderd jaar eerder. Hans Haffmans en Kees Vlaardingerbroek herinneren zich vele gelukkige Matinee-momenten met MacMillan. Ontmoetingen met een man die tegelijkertijd oprecht modern, oprecht sociaal bewogen, gelovig en nieuwsgierig is. Vlaardingerbroek hoopt dat hij nog eens een Requiem zal schrijven. Een zekere teneur van het gesprek: we hebben John Adams (https://www.npoklassiek.nl/componisten/580e14ca-cce2-4b55-a38b-d335636fdbec/adams-john) in Amerika, en James MacMillan in West-Europa. Als afsluiting van deze podcast: een relatief vroeg MacMillan-werk (Sinfonietta), de Scottish ballad voor twee piano's en orkest van Benjamin Britten (https://www.npoklassiek.nl/componisten/2306f261-3720-4df9-baf8-8cc87ebcaf39/britten-benjamin) (met de dan nog zeer jonge broers Jussen), en Brittens Les Illuminations, inclusief aanvulling van de hand van Colin Matthews. Soliste: Barbara Hannigan.

Componist, dirigent, katholiek, Schot, socialist, VIP-member van de voetbalclub Celtic (‘Hey, Jimmy, how are ye?', roepen zijn mede-fans) – en dat in willekeurige, want alfabetische volgorde: dat is James MacMillan. In november 2000 brengt Edo de Waart voor het eerst een werk van hem in onze serie. In januari 2009 dirigeert MacMillan zélf een Matinee, inmiddels als vaste gastdirigent van de Radio Kamer Filharmonie. En hij blijft vaste gast op onze zaterdagmiddagen. Half januari 2021 nog – helaas kan er geen publiek bij zijn – dirigeert hij de wereldpremière van zijn Christmas Oratorio. Er zijn tienduizenden radioluisteraars – krijg die maar eens in een concertzaal. MacMilllan is een bewonderaar van Louis Andriessen, Keltische volksliedjes en oude religieuze teksten, raakt vol overtuiging volledig verknoopt met de renaissance en de muziek van nu. MacMillan lijkt (minstens) net zo breed georiënteerd als Gustav Mahler, honderd jaar eerder. Hans Haffmans en Kees Vlaardingerbroek herinneren zich vele gelukkige Matinee-momenten met MacMillan. Ontmoetingen met een man die tegelijkertijd oprecht modern, oprecht sociaal bewogen, gelovig en nieuwsgierig is. Vlaardingerbroek hoopt dat hij nog eens een Requiem zal schrijven. Een zekere teneur van het gesprek: we hebben John Adams in Amerika, en James MacMillan in West-Europa. Als afsluiting van deze podcast: een relatief vroeg MacMillan-werk (Sinfonietta), de Scottish ballad voor twee piano's en orkest van Benjamin Britten (met de dan nog zeer jonge broers Jussen), en Brittes Les Illuminations, inclusief aanvulling van de hand van Colin Matthews. Soliste: Barbara Hannigan.

15th-20th Centuries This week we hear works by Pedro de Escobar, Fernando de las Infantas, Juan Gutiérrez de Padilla, Jean-Féry Rebel, Johann Gottlieb Naumann, Napoléon Coste, Ignatz Waghalter, and Colin Matthews. 145 Minutes – Week of March 01, 2021

LilMookieB welcomes of the podcast, insurrectionist Colin Matthews (Matt Besser). They speak of such things of not receiving the recognition you deserve, not relying upon others for happiness, and the fine art of bellowing. Plus, Mookie answers a cry for help from a desperate fan. --- Support this podcast: https://anchor.fm/lilmookieb/support

In this episode I present a 3-way conversation between English composers Colin Matthews, Julian Anderson and myself.Colin Matthews was born in London in 1946. He studied with Arnold Whittall and Nicholas Maw; in the 1970s he was assistant to Benjamin Britten, and worked for many years with Imogen Holst. His collaboration with Deryck Cooke on the performing version of Mahler's Tenth Symphony lasted from 1963 until its publication in 1975. Over four decades his music has ranged from solo piano music through five string quartets and many ensemble and orchestral works. He was Associate Composer with the London Symphony Orchestra between 1992 and 1999, and Composer-in-Association with the Hallé from 2001-10, now their Composer Emeritus. Colin Matthews' music is published by Faber Music. Julian Anderson is one of the most talented composers of his generation. Born in London in 1967, he studied with John Lambert, Alexander Goehr and Tristan Murail and first came to prominence when his orchestral Diptych (1990) won the RPS Composition Prize in 1992.  Anderson has held Composer in Residence positions with the City of Birmingham Symphony, Cleveland and London Philharmonic orchestras, relationships which produced an impressive body of orchestral works including Stations of the Sun (1998, a BBC Proms Commission) and Eden (2005, Cheltenham Festival). Fantasias (2009), written for the Cleveland Orchestra, won a British Composer Award and The Discovery of Heaven (2011), a co-commission by the New York Philharmonic and the London Philharmonic Orchestra was awarded a South Bank Sky Arts Award. Both works were recorded by the LPO live label. Anderson has enjoyed commissions from bodies including the BCMG, London Sinfonietta, Asko-Schönberg Ensemble and Cheltenham Festival. Book of Hours for ensemble and electronics (2004) won the 2006 RPS Award for Large Scale Composition and featured on a NMC portrait disc. This was one of two recordings of his music to be nominated for a 2007 Gramophone Award, the other being the eventual winner, Alhambra Fantasy (Ondine).  Poetry Nearing Silence (1997), originally a commission from the Nash Ensemble, was later arranged to become a successful ballet choreographed by Mark Baldwin. In 2009, Anderson and Baldwin collaborated again on a Darwin-inspired ballet, The Comedy of Change, which toured nationally. Julian Anderson's music is published by Faber Music and by Schott Music.More about Julian AndersonMore about Colin MatthewsSUPPORT THIS PODCASTPatreonDonorboxORDER SAMUEL ANDREYEV'S NEWEST RELEASEIridescent NotationLINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSPodcast artwork photograph © 2019 Philippe StirnweissSupport the show (http://www.patreon.com/samuelandreyev)

I'm very excited to have world-renowned violinist Leila Josefowicz on the show for you today! As you'll hear in our discussion, Leila is a profoundly passionate and dedicated musician who approaches her craft with great depth and she shares incredible wisdom with us. Among many things, Leila elaborates on: The power of memorization What the “practice of violin playing” means to her How exploring new repertoire helped her transition out of her “child prodigy” years Her advice to all musicians suffering from lack of motivation The importance of desire and dedication in the cultivation of talent How our need to feel comfortable while performing is counterproductive Vivid mindful practice This is a particularly powerful conversation, and I know you'll find inspiration and incredible value in this episode.   MORE ABOUT LEILA JOSEFOWICZ: Website: https://www.leilajosefowicz.com/ Facebook: https://www.facebook.com/LeilaBJo   Find all the details for Leila's World Premiere performance of ‘la linea evocativa. un disegno per violino solo' by Matthias Pintscher HERE. On the occasion of ‘George Condo. Internal Riot' we are honored to host classical violinist Leila Josefowicz in the gallery to perform a new piece of original music in response to ‘George Condo. Internal Riot,' an exhibition of the artist's new paintings and works on paper that runs through 23 January 2021 at Hauser & Wirth New York. ‘Music is such a huge part of my life, without it I don't know if I'd ever have painted anything. There are so many great pieces of music that have inspired me to paint…My favorite thing is to put on a record in the studio and to still be painting without noticing the fact that the music has stopped playing for hours and is just running through my head.'–George Condo The performance comes at an incredibly challenging time for professional musicians. Condo is deeply aware of the adversity they face, and this specially organized event signifies his support for live music and for new ways in which it can reach people. Join us on Friday 20 November 2020 11 am PST / 2 pm EST / 7 pm GMT.  Click here to register. The performance will be streaming live from New York City on hauserwirth.com     Leila's last Pre-Covid performance in Prague, Performing the Alban Berg Violin Concerto with the Prague Radio Symphony Orchestra:  https://prso.czechradio.eu/leila-josefowicz-and-prso-8179758   Biography Leila Josefowicz's passionate advocacy of contemporary music for the violin is reflected in her diverse programmes and enthusiasm for performing new works. In recognition of her outstanding achievement and excellence in music, she won the 2018 Avery Fisher Prize and was awarded a prestigious MacArthur Fellowship in 2008, joining prominent scientists, writers and musicians who have made unique contributions to contemporary life. Highlights of Josefowicz's 2019/20 season include opening the London Symphony Orchestra's season with Sir Simon Rattle and returning to San Francisco Symphony with the incoming Music Director Esa-Pekka Salonen to perform his Violin Concerto. Further engagements include concerts with Los Angeles Philharmonic, NDR Elbphilharmonie Orchester, Orchestre de la Suisse Romande, Chicago Symphony Orchestra, City of Birmingham Symphony Orchestra and the Cleveland and Philadelphia orchestras, where she will be working with conductors at the highest level, including Susanna Mälkki, Matthias Pintscher and John Adams.   A favourite of living composers, Josefowicz has premiered many concertos, including those by Colin Matthews, Steven Mackey and Esa-Pekka Salonen, all written specially for her. This season, she will perform the UK premiere of Helen Grime's Violin Concerto with the BBC Symphony Orchestra and Dalia Stasevska. Other recent premieres include John Adams'Scheherazade.2 (Dramatic Symphony for Violin and Orchestra) in 2015 with the New York Philharmonic and Alan Gilbert, and Luca Francesconi's Duende – The Dark Notes in 2014 with Swedish Radio Symphony Orchestra and Susanna Mälkki. Josefowicz enjoyed a close working relationship with the late Oliver Knussen, performing various concerti, including his violin concerto, together over 30 times. Alongside pianist John Novacek, with whom she has enjoyed a close collaboration since 1985, Josefowicz has performed recitals at world-renowned venues such as New York's Zankel Hall, Washington DC's Kennedy Center and London's Wigmore Hall, as well as in Reykjavik, Chicago, San Francisco and Santa Barbara. This season, they appear together at Washington DC's Library of Congress, New York's Park Avenue Armory and Amherst College. She will also join Thomas Adès in recital to perform the world premiere of his new violin and piano work at Fondation Louis Vuitton in Paris and the Japanese premiere at the Tokyo Opera City Cultural Foundation. Recent highlights include engagements with the Berliner Philharmoniker, Royal Concertgebouw Orchestra, Washington's National Symphony Orchestra, Tonhalle-Orchester Zürich and Boston and Finnish Radio symphony orchestras. In summer 2019, Josefowicz took part in a special collaboration between Los Angeles Philharmonic, the Royal Ballet, and Company Wayne McGregor featuring the music of composer-conductor Thomas Adès. Josefowicz has released several recordings, notably for Deutsche Grammophon, Philips/Universal and Warner Classics and was featured on Touch Press's acclaimed iPadapp, The Orchestra. Her latest recording, released in 2019, features Bernd Alois Zimmermann's Violin Concerto with the Finnish Radio Symphony Orchestra conducted byHannu Lintu. She has previously received nominations for Grammy Awards for her recordings of Scheherazade.2 with the St Louis Symphony conducted by David Robertson, and Esa-Pekka Salonen's Violin Concerto with the Finnish Radio Symphony Orchestra conducted by the composer.     Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome.  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights. You can check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday by visiting: www.mindoverfinger.com/resources!   And click here for details on how to work with me: https://www.mindoverfinger.com/workwithdrg   And don't forget to join the Mind Over Finger Tribe for additional resources on practice and performing!   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support!     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction!  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

Jeff Stevenson has fulfilled a packed career in Comedy but he's just getting started having recently winning "Best Actor" in a recent 2020 film he made during Lockdown.Here we talk about the movie Bugsy Malone, Only Fools and Horses, Cruises, Stand Up, Ventriloquists, Alan King, Des O Connor, Freddie Starr and much more... 

Dr. Rima Thapar MD is a graduate of Windsor University School of Medicine and School of Etheric Healing who delicately weaves the threads of science, spirituality, and yoga. During her medical studies, she became fascinated with the art of medicine and began to explore the sciences with the lens of a spiritual mind. Practicing yoga and meditation from a young age, she decided to merge her spiritual teachings with her medical knowledge to bring forth a new perspective to healing the body as an integrative health practitioner. Taking her medical experience into her yoga and movement training programs with Colin Matthews of Kula Yoga Studios, Cecily Milne of Yoga Detour, Kathryn Bruni-Young of Mindful Strength, and Shante Colfield of Movement Maestro, Rima brings information, creativity, and curiosity to her yoga practice on and off the mat. Merging teachings from allopathic medicine, energy medicine, medical intuition, and yoga, Dr. Thapar empowers her clients and yoga students to be the CEO of their own health. Her favorite yoga pose is Ustrasana (Camel Pose) as it keeps her heart open to all possibilities in life. - To learn more about the 30-day Practice visit:   https://mindfulstrength.ca/30-days/

Panelen skräms av scener ur ett äktenskap i Riddar Blåskäggs borg, tycker att fler borde spela piano fyrhändigt och hör utsökta stunder i Marc-Antoine Charpentiers barockmusik. Veckans skivor: BARTÓK - BLUEBEARD'S CASTLE Opera av Béla Bartók Sångare: John Relyea, Michelle Deyoung m.fl. Bergens filharmoniska orkester Edward Gardner, dirigent Chandos CHSA 5237 Betyg: 4 DOUBLE TROUBLE - WORKS FOR PIANO FOUR HANDS Pianomusik av bland andra Amanda Maier-Röntgen, Jacob Adolf Hägg och Cécile Chaminade David Huang och Bengt Forsberg, piano dB Productions dBCD 189 Betyg: 4 SCHUBERT - WINTERREISE Sångcykel av Franz Schubert Peter Mattei, baryton Lars David Nilsson, piano BIS-2444 Betyg: 4 HISTOIRES SACRÉES Barockmusik av Marc-Antoine Charpentier Ensemble Correspondances Sébastien Daucé, dirigent Harmonia Mundi HMM 902280.81 Betyg: 4 Musikrevyn möter: Brittiske skivbolagsnestorn Colin Matthews - "Vi har aldrig tänkt att gå med vinst" I trettio år har skivbolagschefen Colin Matthews outtröttligt arbetat för att få nyskriven brittisk klassisk musik att nå ut till en större publik. Hans skivbolag heter NMC, en förkortning för New Music Cassettes - nutida musik på kassettband. Kassetter var formatet som gällde 1989 när bolaget startade. Nuförtiden har man gått över till cd, streaming och nedladdning men jubileumsåret 2019 firar bolaget med ett specialgjort blandband. NMC har aldrig gått med vinst och överlever tack vare musikintresserade bidragsgivare. Musikrevyns Hanna Höglund träffade Colin Matthews på Aldeburgh-festivalen i England.  

In this episode of Eden Exchanges we spoke to Colin Matthews, who is a Jim's Test & Tag and Fire Safety Franchisor in Melbourne's North West. Colin discussed with us how he changed his life after being retrenched from his job to growing a highly successful franchise business. We also find out about a well established and lucrative Jim's Test & Tag and Fire Safety opportunity in Tullamarine, Melbourne which has just come to market and is now up for grabs.

In this episode of Eden Exchanges we spoke to Colin Matthews, who is a Jim's Test & Tag and Fire Safety Franchisor in Melbourne's North West. Colin discussed with us how he changed his life after being retrenched from his job to growing a highly successful franchise business. We also find out about a well established and lucrative Jim's Test & Tag and Fire Safety opportunity in Tullamarine, Melbourne which has just come to market and is now up for grabs.

Sujan Patel shares excellent marketing and growth tips for SaaS business owners based on his ten years of Internet marketing experience.   Introduction Sujan Patel started his first business selling cars parts while in high school. While the business was not a great success due to a lack of business acumen, he learned SEO in the process. His SEO skills would serve him well in years to come.   Sujan dropped out of college to found Single Grain, a digital marketing agency. Single grain eventually became one of San Francisco's leading agencies boasting such high-profile clients as Intuit, SalesForce, Random House, Sony Pictures, and Yahoo. In 2014, Sujan sold his holdings in Single Grain and took a job as VP of marketing at the SaaS company When I Work—as a vacation (he does not like to be bored).   Together with Colin Matthews, Sujan has founded ContentMarketer.io, a SaaS product to help marketers automate content promotion efforts.   During the Christmas holidays of 2015, he and Rob Wormley "accidentally" wrote the ebook 100 Days of Growth while brainstorming growth strategies. (He would later write: "It's been one of the most productive Christmas's ever!")   Sujan is also a regular contributor to The Wall Street Journal, Forbes, Entrepreneur, Business Insider, and INC. Magazine. He has written on such varied topics as accelerators, mentorships, productivity hacks, online resources, success habits marketing skills, team building, content marketing, and growth strategies.   Key Segments •     [00:45] Please sign up for the SaaS newsletter to get notified when each podcast is released. •     [01:25] Ron talks about today's guest, Sujan Patel. •     [02:50] Sujan talks about the first business he started while in high school. •     [04:05] What has remained the same with SEO over the years? •     [04:40] Sujan dropped out of college to start his company, Single Grain. •     [05:00] Single Grain was started three times. •     [06:15] Sujan brought on a partner to help with the business side of Single Grain. •     [10:10] What problem does the SaaS product When I Work solve? •     [12:10] Changing someone's habits is the hardest sell. •     [13:00] Why did Sujan start ContentMarketer.io? •     [15:20] How does ContentMarketer.io work? •     [18:40] How did Sujan and Rob Wormley write the ebook 100 Days of Growth "by accident"? •     [24:05] Sujan contacted everyone mentioned in 100 Days of Growth and generated a lot of buzz. •     [24:30] What's in the book? How is it structured? •     [26:30] Email is so easy to use and it's free! •     [30:15] What SEO tools does Sujan recommend? •     [31:30] What are the best resources to learn copywriting? •     [32:40] How can you use content as a marketing tool? •     [34:40] Sujan's favorite marketing hack is T-shirts customers can wear. •     [35:50] Think about how your marketing products/emails will look on mobile. •     [37:00] Cold outreach is a lost art. Sujan does one call a day with somebody new. •     [38:20] Build relationships before asking for help. •     [39:10] Sujan recommends a few resources.    Resources Mentioned •     SaaS Business Podcast  •     Single Grain  •     When I Work  •     ContentMarketer.io  •     Lukewarm emailer  •     Attach  •     100 Days of Growth by Sujan Patel and Rob Wormley  •     Startup Foundation Slack group  •     Instapage  •     MailChimp  •     AWeber  •     SujanPatel.com  •     35 Best Digital Marketing Slide Decks  •     SumoMe  •     Hello Bar  •     SEMrush  •     Buzzsumo  •     Copyblogger  •     Copy Hackers  •     Facebook Page Plugin  •     Inbound  •     Content Marketing Institute  •     Launch by Jeff Walker  •     The Hard Thing About Hard Things by Ben Horowitz  •     Daily Rituals: How Artists Work by Mason Currey    

Colin Matthews, founder of Steel City Secret Cinema, stops by along with artist Seth Storck to give us vital information about the fifth edition of SCSC "Toon Time" In addition to shedding some light on all of the work that goes into an event such as this, Genevieve, Colin, and Seth jump into some discussion of films ranging from Caddyshack to Antichrist and back again. The chat also runs through some of the financial side of the art world as well. From comparing printmaking and painting to the potential aphrodisiac qualities of collecting, you can hear multiple topics that go beyond the actual art making and more of the art market.  Taking place at the Hollywood Theater in Dormont on October 17th, learn about this unique environment that combines art, drink, flicks, and food into one night for charity.  Tickets go on sale next week! Starting Monday September 15th at 10 AM — Tim Goodier Steel City Secret Cinema on the Internet Website: Steel City Secret Cinema Follow @SteelCityCinema on Twitter Like Steel City Secret Cinema on Facebook Follow @HwoodTheater on Twitter Like Hollywood Theater Dormont on Facebook Seth Storck on the Internet Website: Seth Storck Google his name Seth Storck Like Seth Storck on Facebook  Follow @sethestorck on Twitter Follow @oldhands on Instagram

Hur är det att vara släkt med en stor tonsättare? Alan, Benjamin Brittens brorson är idag i 70-årsåldern. Som liten vistades han på 40-talet ofta hemma hos sin farbror Benjamin i Aldeburgh. I del 2 om Britten berättar Alan om den tid då Brittens ”Peter Grimes” kom till. Vi går på upptäcksfärd i "Brittenland" och hör om de sista åren i Brittens liv. Premiären av operan ”Peter Grimes” 1945 gör den då 32-årige Benjamin Britten till det engelska musiklivets självklara mittpunkt. Han hade länge varit den engelska musikens unga hopp, lika beundrad som avundsjukt påpassad av kritikerna. ”Peter Grimes” etablerade Britten som en tonsättare av internationell rang och attraktionskraft. Trots att han skrev suverän musik i de flesta genrer kom han att se sig själv framförallt som operatonsättare, och sökte konsekvent ämnen där han kunde få utlopp för sitt sociala patos. Grovt förenklat kan man säga att alla hans operor i någon mening handlar om utanförskap. Britten stod själv som homosexuell, pacifist och politiskt vänster utanför det engelska etablissemanget. Men Britten var en paradoxernas man och med tiden blev han själv en accepterad del av det etablissemang som han som ung vänt sig mot. Själv talade han, kanske ironiskt, om att han hade kunnat vara hovkompositör om det inte varit för just hans pacifism och homosexualitet. Om Brittens liv och verk från hemkomsten till England i början av 40-talet efter några år av självvald exil i USA, till den sista sjukdomsmärkta tiden handlar den andra delen av ”Benjamin Britten – ett fjärde B”. Förutom brorsonen Alan Britten möter vi även tonsättaren Colin Matthews som var Brittens assistent under de sista åren av hans liv och sångerskan Dame Janet Baker. Dessutom går vi på rundtur i Brittens hem, ”Red House” utanför Aldeburgh i sällskap med museiintendenten Caroline Harding. (Repris från nov-13) En P2 Dokumentär i två delar av Johan Korssell.

Följ med till Brittenland, Aldeburgh i Suffolk, orten invid den stormande Nordsjön som Britten älskade och som betydde så mycket för hans verk.  I Johan Korssells dokumentär möter vi en rad röster om Britten, däribland sångare som Dame Janet Baker och Ian Bostridge, tonsättaren Colin Matthews, Brittens brorson Alan och många fler. ”När man hör Benjamin Brittens musik – om man verkligen lyssnar på den så blir man medveten om något väldigt mörkt, det är som kugghjul som nöter mot varandra utan att riktigt gripa tag i varandra och det skapar stor smärta” så uttryckte sig Leonard Bernstein (som gav den amerikanska premiären av Peter Grimes) om Brittens musik. Och Britten var ett komplicerat geni, långt ifrån självskriven i rollen som brittisk nationaltonsättare, ändå var det faktiskt som en sådan som han framstod när han gick bort vid 63 års ålder. Men på det sätt som hans talanger samverkade var han, trots allt, den totale musikern, lika begåvad som pianist och dirigent som tonsättare. Idag är Britten den tredje mest spelade av 1900-talets operakonstnärerer, efter Puccini och Richard Strauss. Han ligger på första plats om man räknar med operor skrivna av kompositörer födda under 1900-talet. Många av de mest framträdande rollerna i operorna och därtill en rad fenomenala sång-cykler skrev Britten direkt för sin livspartner, tenoren Peter Pears. Brittens kärleksbrev till Pears är för övrigt bland de vackraste som skrivits, vilket också får sägas om verk som Les illuminations, Serenaden och Nocturnen. I första delen möter vi världens idag ledande Britten-röst, Ian Bostridge som håller Britten för att vara 1900-talets främste vokale tonsättaren inom den klassiska musiken.    Psst, det var Brittens stolta mor som förutspådde honom att bli det fjärde B:et i tonsättarkanon efter giganterna Bach, Beethoven och Brahms. Han var dessutom det fjärde barnet i en syskonskara efter, Barbara, Bobby och Beth. (Repris från nov-13) En P2 Dokumentär i två delar av Johan Korssell.

Colin Matthews is interviewed by the London Symphony Orchestra's Double Bassist, Matthew Gibson, for the LSO's Artist Conversation series.

Join Music Director of The Royal Ballet, Barry Wordsworth, Music Director of the Britten-Pears Foundation, Colin Matthews with Rob Clark at the piano as they introduce Britten's music to The Prince of the Pagodas and explain what has changed in this new production for The Royal Ballet.

Join Music Director of The Royal Ballet, Barry Wordsworth, Music Director of the Britten-Pears Foundation, Colin Matthews with Rob Clark at the piano as they introduce Britten's music to The Prince of the Pagodas and explain what has changed in this new production for The Royal Ballet.

The view from the top of business. Presented by Evan Davis, The Bottom Line cuts through confusion, statistics and spin to present a clearer view of the business world, through discussion with people running leading and emerging companies. The programme is broadcast first on BBC Radio 4 and later on BBC World Service Radio, BBC World News TV and BBC News Channel TV. After a week of turmoil in the bond markets, Evan and his panel discuss the importance of bonds in business. The boss of Heathrow talks about the trials and tribulations of running one of the world's busiest airports. And the panel swap thoughts on whether a good business manager can run any company of any type. Joining Evan in the studio are Mark Elborne, president and chief executive of multinational conglomerate GE (UK and Ireland); Alison Carnwath, chairman of property company Land Securities; Colin Matthews, chief executive of airport owner and operator BAA. Producer: Ben Crighton Editor: Stephen Chilcott.