Podcasts about London Philharmonic Orchestra

Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a unique and distinguished career as a soloist, chamber musician, educator, author and broadcaster.As a concerto soloist he appears regularly with the world's leading orchestras and conductors, including the Berlin Philharmonic, National Symphony Orchestra Washington, London Philharmonic and Zurich Tonhalle orchestras. He gives recitals every season in major musical centres, and plays with many of the world's foremost chamber orchestras, including the Australian, Mahler, Norwegian, Scottish, Zurich and St Paul Chamber Orchestras, as well as period-instrument ensembles such as the Orchestra of the Age of Enlightenment and Philharmonia Baroque Orchestra. Unusually, he also directs chamber orchestras from the cello in classical programmes.Recent and upcoming highlights include performances with the Gewandhausorchester Leipzig, Vienna Philharmonic Orchestra at the Salzburg Mozartwoche; the US premiere of Thomas Adès's Lieux retrouvés with the Los Angeles Philharmonic, following world and UK premieres in Lucerne and at the BBC Proms, and a further performance of the work in Amsterdam with the Britten Sinfonia, conducted by the composer; Prokofiev's Concerto Op. 58 with the London Philharmonic Orchestra under Vladimir Jurowski, in London and at the Dresden Music Festival; and Haydn's C major Concerto with the Orchestra of the Age of Enlightenment under Adam Fischer.As a chamber musician, he has curated series for many of the world's most famous festivals and venues, including the Wigmore Hall, the 92nd St Y in New York, and the Salzburg Festival. These specially devised programmes have included ‘In the Shadow of War', a major four-part series for the Wigmore Hall to mark the centenary of the First World War and the 75th anniversary of the Second World War; explorations of Czech music; the teacher-pupil line of Saint-Saëns, Fauré and Ravel; the affinity of the cello and the human voice; varied aspects of Robert Schumann's life and music; and the music of Sergei Taneyev (teacher of Steven's grandfather, Julius Isserlis) and his students. For these concerts Steven is joined by a regular group of friends which includes the violinists Joshua Bell, Isabelle Faust, Pamela Frank, and Janine Jansen, violist Tabea Zimmermann, and pianists Jeremy Denk, Stephen Hough, Alexander Melnikov, Olli Mustonen, Connie Shih, and Dénes Várjon.He also takes a strong interest in authentic performance. This season's projects include a recording of the Chopin Cello Sonata and other works with Dénes Várjon for Hyperion, using ones of Chopin's own piano; and a recital of Russian sonatas with Olli Mustonen. In recital, he gives frequent concerts with harpsichord and fortepiano. Recent seasons have featured a special performance with Sir Andras Schiff at the Beethovenhaus in Bonn, using Beethoven's own cello; and performances and recordings (selected for the Deutsche SchallplattenPreis) of Beethoven's complete music for cello and piano with Robert Levin, using original or replica fortepianos from the early nineteenth century. With harpsichordist Richard Egarr, he has performed and recorded the viola da gamba sonatas of J.S. Bach as well as sonatas by Handel and Scarlatti. This season, they tour together in the US.He is also a keen exponent of contemporary music and has premiered many new works including John Tavener's The Protecting Veil (as well as several other pieces by Tavener), Thomas Adès's Lieux retrouvés, Stephen Hough's Sonata for Cello and Piano, Left Hand (Les Adieux), Wolfgang Rihm's Concerto in One Movement, David Matthews' Concerto in Azzurro, and For Steven and Hilary's Jig by György Kurtág. In 2016, he gave the UK premiere of Olli Mustonen's of Frei, aber einsam for solo cello at the Wigmore Hall.

Freya's music is characterized by contrasts between earthy rhythmic play and fragility, luminous spaces, and a sense of the otherworldly. She has been commissioned by numerous institutions and ensemblesHer current season includes Mother Tongue, a new four movement work for the London Philharmonic Orchestra and Ed Gardner; a new work for the Archipelago Collective's 10th anniversary festival on San Juan Island WA; and a new work for classical orchestra for the Orchestra of the Age of Enlightenment in response to Fanny Mendelssohn's Das Jahr. Also upcoming is the release on NMC of Waley-Cohen's Debut Disc, Spell Book, with performances from the Manchester Collective as well as Tamsin Waley-Cohen, Ann Beilby, Nathaniel Boyd, Hèloïse Werner, Fleur Barron and Katie Bray.Other recent successes include the world premiere of Pocket Cosmos, premiered in June 2022 by commissioners London Chamber Orchestra and directed by Pekka Kuusisto, and staging of Freys's contemporary dramatic song cycle Spell Book at Longborough Festival Opera and Waley-Cohen's first opera WITCH, commissioned in celebration of the 200th anniversary of the Royal Academy of Music.Freya was the 2019/20 Associate Composer at Wigmore Hall, which held a day of concerts in March 2023 focused on her music. She was also Associate Composer of St. David's Hall's contemporary music series, ‘Nightmusic', from 2018 – 2021. Winner of a 2017 Royal Philharmonic Society Composition Prize, Freya Waley-Cohen held an Open Space Residency at Snape Maltings from 2015 – 2017 and was 2016 – 2018 Associate Composer of Nonclassical.I spoke to Freya from her home in London.

Han har arbejdet sammen med Rolling Stones, Kanye West, Abba, Barry White, Gangway, Thomas Blachmann, Caroline Henderson, London Philharmonic Orchestra, og vi kunne blive ved. Kasper Winding har uden tvivl et af de mest prangende kreative CV'er, og så har han blandt andet boet i New York, London og gennem de sidste 25 år i Paris. I dette afsnit af 'Arbejdstitel' fortæller han om sin imponerende karriere, deler generøst ud af sine bedste tips til Paris, og så giver han et indblik i, hvordan han arbejder rent kreativt både på sine mange projekter og i køkkenet.

Nadie que haya visto la primera película de "El Planeta de los Simios" olvidará su sorprendente final. La novela es muy distinta. Publicada en 1963, es obra de un escritor francés que fue espía en el sudeste asiático durante la Segunda Guerra Mundial, Pierre Boulle (1912-1994). Fueron adquiridos los derechos del libro para el cine por un pequeño productor llamado Arthur Jacobs, que es considerado el verdadero artífice del film. El guion está escrito por el maestro de la primera edad de oro de la televisión, Rod Serling, creador de la serie The Twilight Zone (Dimensión desconocida o En los límites de la realidad), auxiliado por uno de los represaliados de la lista negra del acoso anticomunista, Michael Wilson. Aunque fue el conservador Charlton Heston, el que propuso al director de la generación de la televisión, Franklin Schaffner, para esta producción de Zanuck para la Fox, que rechazaron antes, varios estudios. En este programa de radio, "Al Trasluz", escuchamos fragmentos de libro, leído por Eugenio Barona, así como diálogos de la versión doblada de la película de Schaffner en 1968. Escuchamos canciones inspiradas en la historia por Shabam en 1976 (On The Planet Of The Apes) y el cantante cristiano Mark Cox (I Feel Like An Alien On The Planet Of The Apes). Los comentarios de José de Segovia son sobre el fondo instrumental de la banda sonora original de la película de John Paesano para la última película (Kingdom Of The Planet Of The Apes), la anterior de Michael Giacchino (War Of The Planet Of The Apes), John Williams con la London Philharmonic Orchestra en 1978, el argentino Lalo Schifrin en 1974 y Patrick Doyle para "El amanecer del planeta de los simios". El diseño sonoro y la realización técnica es de Daniel Panduro.

De Jean le prophète à Mad-Max, les récits de fin du monde dans la pop culture et la science-fiction.Une fiction sonore documentée, produite dans le cadre de l'exposition Apocalypse, Hier et demain, à la Bibliothèque nationale de France du 4 février au 8 juin 2025. Dans un futur très lointain, Souviens-toi de l'Apocalypse nous invite à enquêter sur la fin du monde. Grâce à une rencontre inattendue et la découverte d'un manuscrit ancien, cette fiction post-apocalyptique nous révèle comment le Livre de l'Apocalypse a profondément marqué la culture « populaire », à travers les récits de science-fiction, le cinéma, le manga et le jeu vidéo.« De la grêle et du feu, mêlés de sang, s'abattirent sur la terre. » Dans son Livre de l'Apocalypse, Jean le prophète nous fait part de ses terribles visions de cataclysmes d'une ampleur surnaturelle. Les plus célèbres sont entrainés par sept anges qui font sonner sept trompettes, donnant lieu à l'embrasement de la terre, l'ensanglantement de la mer, l'empoisonnent des eaux par la chute d'une l'étoile… Ces visions apocalyptiques ont créé un imaginaire de la violence ultime, largement exploité par le cinéma et le manga, avec des films tels que 2012 (Roland Emmerich, 2009), Apocalypse Now (Francis Ford Coppola, 1979), et Gen d'Hiroshima (Keiji Nakazawa, 1973-1985). Un podcast de la Bibliothèque nationale de France Direction éditoriale : Armelle PascoConception et direction de projet : Sophie GuindonDirection scientifique : François AngelierProduction exécutive : NARRATIVEAuteur : Elie OlivennesRéalisation : Elie Olivennes et Julia GrinerDesign sonore, musique originale et montage : Julia GrinerMixage : Simon CacheuxAvec les voix de Léo-Antonin Lutinier dans le rôle de Béatus, Andréa Schieffer dans le rôle de Yona, Gabriel Dufay dans le rôle de Jean, Ruben Perez et Julia Griner dans les rôles du Coéquipier et de la Coéquipière.Production : Cécile Cros, assistée de Lola Corbier et de Nell Buyens Visuel © Anne IMHOF, Untitled, 2022 (détail), Pinault CollectionŒuvres citées dans l'épisode :Livre de l'Apocalypse, Jean de Patmos, 1er siècle après J.-C.2012, film de Roland Emmerich, 2009 - extrait de la bande originale (Finding Charlie de Harald Kloser et Thomas Wanker © Anthem Colorful Drawings Music, Sony Music Publishing France)Apocalypse Now, film de Francis Ford Coppola, 1979 – extrait de La Chevauchée Des Walkyries de Richard Wagner, interprété par le London Philharmonic Orchestra, dirigé par Arthur Rodziński, 1962, BnF, département Audiovisuel, B-12493Gen d'Hiroshima, film d'animation de Keiji Nakazawa, 1973-1985 - extrait du film © Madhouse Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Happy New Year from 'Alvorhythms' w/ Alvin C. To ease in 2025 we keep it chilled with music from The London Philharmonic Orchestra, Subsurfing, Grace Jones, Coldcut, Robbie Robertson, Brian Eno, Fleetwood Mac, Spacetime Continuum, New Found Land.This show is dedicated to DJ Alfredo.For more info and tracklisting, visit: https://thefaceradio.com/alvorhythms,/Tune into new broadcasts of Alvorhythms, Wednesdays from 7 AM - 8 AM EST / Midday - 1 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Víkingur Ólafsson is a world-renowned Icelandic pianist. Celebrated for his profound artistry and visionary programming, he has performed with premier orchestras such as the Los Angeles Philharmonic, Philharmonia Orchestra, and London Philharmonic Orchestra. In 2023, he performed his album of Johann Sebastian Bach's Goldberg Variations on a world tour, showcasing his musicianship across six continents, totaling 88 performances. Ólafsson's latest release, an EP entitled Continuum, is described as his “personal Bach diary,” a work that blends his innovative approach to classical music with the 18th century composer's iconic work. As a two-time recipient of the Opus Klassik Solo Recording of the Year, CoScan's International Nordic Person of the Year (2023), and Album of the Year at BBC Music Magazine Awards (2019), Ólafsson continues to captivate audiences worldwide. His upcoming tour dates can be found here.  ------ Thank you to the sponsors that fuel our podcast and our team: Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ Vivo Barefoot http://vivobarefoot.com/tetra Use code 'TETRA25' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

Thank you for listening to Part 2 of the MK3D show, recorded live at the BFI Southbank on Monday 16 December 2024.In this episode, Mark talks to Andrew Garfield and John Crowley about their new film We Live In Time, and the process that created such a heartfelt and intimate story. Then Mark sits down with Jason Isaacs to talk about acting, awards season and his upcoming film The Salt Path – and they are joined by George Mackay, who worked with Jason on Peter Pan.Please note there's some strong language in this episode that may not be suitable for younger listeners.Thanks to Sanjeev Bhaskar, Neil Brand, George Mackay, Michele Austin, Jason Isaacs, Oli Fyne,and Stephen Hiscock, for coming to play some live music at the end of the show. We can't play the songs for licensing reasons but I bring you The Dodge Brothers' single, It's Christmas, Don't Shoot Santa..Many thanks to the London Philharmonic Orchestra for lending me their double bass. Hosted on Acast. See acast.com/privacy for more information.

O compositor Jorge Ramos já tem um currículo bem recheado, onde se inclui um doutoramento em música, em Londres. Agora, aos 29 anos, foi um dos selecionados para programa Young Composers da London Philharmonic Orchestra.

Brenda Hale, Baroness Hale of Richmond, is a former judge who served as the first female president of the Supreme Court. In 2019 she announced the court's judgement that the prorogation of Parliament was ‘unlawful, void and of no effect'. The twinkling spider brooch she wore that day caused a sensation and set social media aflame. She was the first woman and the youngest person to be appointed to the Law Commission and in 2004 became the UK's first woman law lord.Lady Hale was born in Yorkshire and read law at the University of Cambridge where she graduated top of her class. She spent almost 20 years in academia and also practised as a barrister. Later at the Law commission she led the work on what became the 1989 Children Act. Lady Hale retired as a judge in January 2020.DISC ONE: Messiah - Part 1: O Thou That Tellest Good Tidings To Zion, composed by Georg Friedrich Händel, performed by Kathleen Ferrier and The London Philharmonic Orchestra, conducted by Sir Adrian Boult DISC TWO: Love Me Do by The Beatles DISC THREE: Move Him Into The Sun. Composed and conducted by Benjamin Britten. Performed by Peter Pears (tenor) and Galina Vishnevskaya (soprano) with the Bach Choir and the London Symphony Orchestra DISC FOUR: Part 1 Nos 4 & 5: Gloria in excelsis Deo – Et in terra pax. Composed by Johann Sebastian Bach, performed by The Monteverdi Choir and The English Baroque Soloists and conducted by Sir John Eliot Gardiner DISC FIVE: The Marriage of Figaro), K. 492 Sull'Aria. Composed by Wolfgang Amadeus Mozart, performed by sopranos Charlotte Margiono and Barbara Bonney, Netherlands Opera Chorus and the Concertgebouw Orchestra DISC SIX: Hand in Hand by Glória (Ireland's Gay and Lesbian Choir) DISC SEVEN: Parry: I Was Glad, composed by Hubert Parry, performed by Westminster Abbey Choir, Simon Preston (organ) and conducted by William McKinney DISC EIGHT: Dies Irae. Composed by Giuseppe Verdi, performed by Swedish Radio Choir and the Eric Ericson Chamber Choir, with the Berlin Philharmonic, conducted by Claudio AbbadoBOOK CHOICE: A Desert Island survival manual LUXURY ITEM: A solar-powered computer with sudoku puzzles and a writing application CASTAWAY'S FAVOURITE: Part 1 Nos 4 & 5: Gloria in excelsis Deo – Et in terra pax, composed by Johann Sebastian Bach, performed by The Monteverdi Choir and The English Baroque Soloists, conducted by Sir John Eliot Gardiner Presenter Lauren Laverne Producer Paula McGinley

Simon Reeve is a broadcaster and writer best known for his TV documentaries which combine travel and adventure with investigations into the challenges faced by the places he visits.His journeys have taken him across jungles, deserts, mountains and oceans, and to some of the most dangerous and remote regions of the world. He's dodged bullets on frontlines, dived with seals and sharks, survived malaria, walked through minefields and tracked lions on foot.Simon grew up in Acton in west London. He experienced anxiety and depression as a teenager and left school with few qualifications. He eventually found a job in the post room at the Sunday Times and from there progressed to working with the news teams, filing stories on a range of subjects from organised crime to nuclear smuggling. In the late 1990s he wrote one of the first books about Al-Qaeda and its links to Osama Bin Laden. His expertise in this area was quickly called upon after the 9/11 attacks in the USA, and he became a regular guest on American television and radio programmes.The current pandemic put Simon's overseas trips into abeyance and he has turned his attention to the UK, recently making programmes about Cornwall and the Lake District. DISC ONE: Eskègizéw Bèrtchi by Alèmayèhu Eshèté DISC TWO: Vissi d'arte - from Puccini's Tosca, performed by Kiri Te Kanawa with the London Philharmonic Orchestra, conducted by Sir John Pritchard DISC THREE: It Takes Two by Rob Base & DJ EZ Rock DISC FOUR: We Will Rock You by Queen DISC FIVE: Mr Brightside by The Killers DISC SIX: Wiley Flow by Stormzy DISC SEVEN: You're Lovely to Me by Lucky Jim DISC EIGHT: Rocket Man by Elton John BOOK CHOICE: Moonshine for Beginners and Experts by Damian Brown LUXURY ITEM: Bird seed CASTAWAY'S FAVOURITE: Rocket Man by Elton John Presenter Lauren Laverne Producer Paula McGinley

这一年又快过去了～我们的新年祭系列节目又来了～本期是两个还没有最新家用机的普通玩家这一年玩游戏体验的总结～封面插图来自推特画师：真白K大顺便打个广告：我们“度日青年影展2024”要来成都重庆啦！13号成都028C！15号重庆饮火书店！今年的阵容相当豪华，不仅有《上海笑话》 ，超人气短片《巴黎人在八里庄》 ，小语新片《柬埔寨的照片》 ，上一次展映超受欢迎的Sarah Lasley的短片《我该怎样度过余生》 和最新作品《Welcome to the Enclave》张裔川新片《相聚一刻》 以及两部张裔川和日本名导合作新采访短片！重庆场请在饮火书店公众号买票！主播：拉帝｜奇妙导演，小红薯：拉帝梨奈｜每天玩游戏的梨奈Timeline：03:26 今年游玩体验（平台）总结06:34 新IP06:51 《动物井》12:22 《幻兽帕鲁》19:20 《卡牌店模拟器》20:33 《清道夫模拟器》21:43 重制游戏21:48 《逆转检事》26:48 《如龙极》29:06 续作29:08 《如龙8》32:31 《全网公敌2》34:14 《蜡笔小新 煤炭镇店小白》38:53 《星露谷物语 1.6 大更新》44:42 一直在玩的老作44:48 《Persona 5》46:50 《方根胶卷》48:55 今年最爱49:05 拉帝没有49:29 梨奈：《崩坏星穹铁道》54:26 梨奈年度游戏结算时间：点歌56:06 想买的游戏56:16 《暗喻幻想》57:10 《勇者斗恶龙3 重制版》58:49 《龙珠电光炸裂》59:44 《方舟》01:00:16 Steam Deck01:00:49 明年的Switch201:01:12 淘ps4降价二手碟本期背景音乐：Good 4 Nothing - I DON'T CARE WHAT PEOPLE SAY トゲナシトゲアリ - 理想的パラドクスとはJizue - jesu, joy of man's desiring Jizue - bask Jizue - Kiji Jizue - Sugar Jizue - Rumble SEGA Sound Team - 恋のディスコクイーン 荒井善博 - Friday Night 黒田崇矢 - JUDGEMENT-審判‐ [Full Spec Edition] 藤原啓治 - 北埼玉ブルース 荒川敏行 - カスカベ防衛隊の夜 ConcernedApe - Spring (The Valley Comes Alive) ConcernedApe - Spring (It's A Big World Outside) Lyn - Wake Up, Get Up, Get Out There Jizue - lead sheet (ordinary) 知更鸟,HOYO-MiX,Chevy - 使一颗心免于哀伤椙山浩一,London Philharmonic Orchestra - 序曲 (I) (序曲集) 菊池俊輔 - プロローグ&サブタイトルI ＜M710,M708A-1＞ Jizue - lead sheet (ordinary) Jizue - ARUKAS

Welcome to Pitch Me Classical! Saxophonist and presenter YolanDa Brown and players from the London Philharmonic Orchestra pitch their thoughts on some of classical music's most-asked questions, with plenty of chit-chat and laughter along the way. Instagram: @londonphilharmonicorchestraTikTok: @lporchestraFacebook: @londonphilharmonicorchestraYoutube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

In conversation with What The Luxe, David Burke, Chief Executive of the London Philharmonic Orchestra (LPO), delves into the history, mission and evolving role of orchestras in contemporary culture. Shifting perceptions from luxury to legacy, Burke shares how LPO is helping to keep the arts alive by democratising access to live performances and breaking barriers to musical education. 

67. Italy!Buongiorno!!!Rob, fresh from a recent trip to Rome, inspires the boys to dive into all things Italy in this week's episode!Jack and Rob discuss their most loved and revered Italian sporting stars. From the worlds of football, skiing, NFL and even the refereeing world, the boys are knee deep in Carbonara and Limoncello!They chat about their times in Italy personally, with Jack cooing about Rome's history thanks to his classical civilisation classes back at sixth form and Rob tells us about his time directing in a beauty spot in middle Italy.So, whip up some Brushetta and pour yourself a double espresso. Ciao Bella!!!#jackloxton #robshawcameron #Rome # Venice #Italy #Skiing #Football #Juventus #Roma #Lazio #SpagBol #Carbonara #ItalianLakes #PremierLeague #WinterOlympics #Referee #westend #theatre #musicals #StageDoorAthletic #Podcast #sportspodcast #theatrepodcast #comedy #musicpodcast Hosts: Jack Loxton & Rob Shaw CameronProducer: James CourtEdited by: Rob Shaw Cameron@jackloxton1 @robshawcameron@thecourtofjames Stage Door Athletic is a [NON]FICTION PEOPLE Podcast© [NON]FICTION PEOPLE LtdPRS Licence Reference: LE-0031956Turandot: Nessun dorma! - Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra & Zubin Mehta ℗ 2019 Decca Music Group LimitedO Sole Mio - Andrea Bocelli, Vladimir Fedoseyev, Moscow Radio Symphony Orchestra, Victor Popov & Academy Of Choir Art Of Russia ℗ 2003 Philips Hosted on Acast. See acast.com/privacy for more information.

Harriet Krijgh zählt zu den aufregendsten Cellistinnen unserer Zeit. Konzerte führen die junge Niederländerin in die bedeutenden Säle Europas, Nordamerikas und Asiens. Sie spielte u.a. mit Orchestern wie dem Boston Symphony Orchestra, den Wiener Symphonikern, dem London Philharmonic Orchestra und ist gern gesehener Gast auf den großen internationalen Festivals. Der Kammermusik gilt darüber hinaus ihre große Liebe, seit 13 Jahren hat Krijgh ein eigenes Festival, das Harriet & Friends Festival, in Niederösterreich, nicht weit von ihrem Wohnsitz Wien entfernt. Harriet Krijgh ist in einer Familie aufgewachsen, in der immer musiziert wurde, obwohl ihre Eltern keine Musiker sind. Mit 5 Jahren griff sie zum Cello ihres Bruders. Der Beginn einer eindrucksvollen Karriere. Über ihre Familie, ihre Musik und ihre neuesten Einspielungen, den Cellokonzerten von Dvořák und Elgar, spricht Harriet Krijgh in "NDR Kultur à la carte" mit Beate Scheibe.

In early 1942 Norman Corwin began a unique show over all four major radio networks. It was a thirteen episode, non-commercial broadcast called This is War, bringing together the best talent and resources of the broadcast and entertainment industry, like actor Joe Julian. That summer, Corwin went to England to produce a series helping to improve relations between the English and Americans, which were, surprisingly, strained. People like aviation legend Charles Lindbergh were anticommunism, but pro-isolationism and pro-eugenics. All three views were supported by the Nazi party. President Roosevelt was deeply angry at Lindbergh's opposition to his administration's interventionist policies. He told Treasury Secretary Henry Morgenthau in 1941, "If I should die tomorrow, I want you to know this, I am absolutely convinced Lindbergh is a Nazi." Linbergh publicly denounced anti-semitism in 1941, but many people remained anti-anglo throughout the country, with some even citing the American Revolution and the War of 1812 as reasons. Called An American In England, it was a joint effort from BBC and U.S. broadcasters. Edward R. Murrow would produce. The entire available London Philharmonic Orchestra would be used. The series would be sent back to the states by short-wave. Because it was to be heard live at 10PM for Eastern War time, that meant it was broadcast overnight in England. The result was a limited-release series considered to be among the most important works Corwin ever produced.

Become part of the show on Instagram & Threads! @treehouseanimepod Join our community on Discord! https://discord.com/invite/UGmCFnWtrB Turning 20 years old this year, it's time to look back on the production story of Howl's Moving Castle, one of Hayao Miyazaki's favorite films to produce. Musical tracks in this episode: "The Merry-go-round of Life" - Joe Hisaishi directing the London Philharmonic Orchestra

Alondra de la Parra IG: @alondradlp es una reconocida directora de orquesta mexicana. Ha dirigido algunas de las orquestas más renombradas del mundo, como la Orquesta de Paris, la London Philharmonic Orchestra, WDR Symphony Orchestra, la BBC Philharmonic, la Orquesta de Berlín y L'Orchestra - Accademia Nazionale di Santa Cecilia.Por favor ayúdame y sigue Cracks Podcast en YouTube aquí.“Trabaja el triple que los demás porque siempre acaba dando frutos.”- Alondra de la Parra @alondradlpComparte esta frase en TwitterEste episodio es presentado por Laboratorios LAPI, el laboratorio médico que brinda a las compañías herramientas de salud laboral como exámenes de ingreso y por  Sonos ACE, los nuevos audífonos de Sonos, la empresa líder en experiencia sonora en el mundo.En 2024 asume el puesto de Directora Titular y Artística de la Orquesta y Coro de la Comunidad de Madrid. Además del escenario sinfónico clásico Alondra creó y dirigió el proyecto The Silence of Sound y es fundadora y directora del Festival PAAX GNP.Hoy Alondra y yo hablamos de la similitud entre una orquesta y una empresa, de sufrir lo suficiente y de lograr proyectos imposibles. Qué puedes aprender hoyLa historia de la Orquesta ImposibleCómo pensar sobre el sufrimiento*Este episodio es presentado por LAPI Laboratorio Médico.Si bien Cracks es el podcast #1 de negocios y tecnología, he notado que en los temas relacionados con bienestar y calidad de vida son de los que más interés generan con la audiencia.Cada vez somos más conscientes de la importancia de nuestra salud y debemos aprovechar las herramientas que tenemos a nuestro alcance para mejorarla.Lapi Laboratorio Médico brinda a las compañías herramientas de salud laboral como exámenes de ingreso y análisis médicos periódicos para garantizar la salud de tu personal vía unidades móviles  en sitio o en sus múltiples sucursales en la república mexicana.Si quieres elevar la salud de tu personal, Lapi te ofrece asesoría sin costo y 30 días de crédito para cubrir tus necesidades a nivel nacional ingresando a cracks.la/lapi.*Este episodio es presentado por Sonos ACE Algo que para mí es básico en un avión es un buen par de audífonos que me aíslen del ruido y me permitan trabajar, descansar o disfrutar de una película, o de Cracks podcast, con el mejor sonido posible.SONOS acaba de lanzar al mercado sus audífonos Sonos ACE. Su cancelación activa de ruido es de primer nivel y te ayuda a enfocarte y disfrutar una experiencia absolutamente envolvente en el avión, en tu oficina o en donde estés, mientras que con el modo ambiente puedes escuchar y también oír todo lo que ocurre a tu alrededor. Tienen almohadillas de memory foam recubiertas en cuero vegano super suave hacen que sientas como si no estuvieras usando audífonos. Además, tienen un diseño discreto, colores que combinan con todo y un sofisticado acabado mate y con elegantes detalles de acero inoxidable. Dale un upgrade a tu música visitando cracks.la/sonos Ve el episodio en Youtube

刚刚过去的 5 月又哪些值得听的新歌？都在这里啦！同时「演出推荐」的板块也回来啦~在歪波速报，我会于每个月月底整理当月新发行的作品来分享，并分为「华语」与「外语」两个部分，希望你能从中遇到喜欢的新鲜有趣的音乐。也欢迎你在评论区分享本月听到最好的新歌，一起查漏补缺，多多益善，不再歌荒！希望你会喜欢 :) ✨ 福利时间在本期节目的评论区分享这个月喜欢的新专辑，说说为什么，我将抽取 3 位歪波听友，送出「索尼精选Hi-Res音乐」会员体验券。没抽到的朋友也不要灰心，618期间索尼精选还有很多活动，比如邀请好友领会员，限免歌单等，大家可以期待一下～

Susan Mathisen has worked as an art conservator in both the United States and Europe and as a fundraiser for museums, universities, and other historical agencies. Her extensive museum career started at the Morgan Library while she was still in high school. As a textile conservator specializing in tapestries, she worked at the Smithsonian Institution, the National Gallery of Art, the Cathedral of St. John the Divine and Villa La Pietra in Florence, Italy. She transitioned to fundraising during her tenure as Administrative Conservator at the Conservation Center at NYU. She has also held development positions at the American Museum in Britain, Meet the Composer, and the American Academy in Rome. In 2007, she founded SAM Fundraising Solutions, a consultancy specializing in fundraising for art conservation and historic preservation and assisting European organizations with their “American Friends” groups. Her clients in the UK include English Heritage, the American Friends of the London Philharmonic Orchestra, the National Museums of Scotland, and in the US the Renee and Chaim Gross Foundation and the Merchant's House Museum. She has served on several boards, and is currently a member of the Metropolitan Museum's Textile Conservation Lab Visiting Committee. She is currently working on a book that explores careers in culture.  www.sammathisen.com 

YolanDa Brown takes us through some of the best bits of Series 7. Why do trumpets transpose, and do they enjoy it? How has recording film music changed over the years? And what does retirement look like for orchestral musicians? Plus, singer Brindley Sherratt shares his top tips on preparing to sing an operatic role.With trombonist Mark Templeton, violinist Minn Majoe, horn player Mark Vines, tuba player Lee Tsarmaklis, double bass player Simon Carrington, trumpeter Anne McAneney, bass Brindley Sherratt, clarinettist Thomas Watmough, conductor Ed Gardner, composer Colin Matthews, violinist Geoffrey Lynn, oboist Joan Graham, and bassoonist Gareth Newman.That's it for now from LPO Offstage. Thanks for joining us along the way and stay tuned as we'll be back soon with a brand new podcast.Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown sits down with three former LPO members - violinist Geoff Lynn, bassoonist Gareth Newman, and oboist Joan Graham - to explore retirement. When they retire, some musicians sell their instruments and never play a note again. Others reduce the amount of performing they're doing to make more time for teaching. The former LPO members chatting to YolanDa today all approached retirement in very different ways.Geoff, Gareth and Joan tell YolanDa what they miss about their orchestral years, share the pits and troughs of their careers, and share hints and tips for anyone who might be thinking about their retirement whether it's decades away or fast approaching.Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins composer Colin Matthews, Principal Conductor of the LPO Edward Gardner and flautist Juliette Bausor to revisit Gustav Holst's most famous work, The Planets.Faber recently published a new facsimile edition of Holst's The Planets, edited by Colin Matthews, and today's episode explores its significance and the unique insights that the original handwritten manuscript can give us. Colin, Ed and Juliette also talk to YolanDa about their favourite and least favourite movements, their thoughts on the speed you should play the big tune in ‘Jupiter', and tips on how best to achieve the famous choral fade at the end of Neptune.Plus, what happened musically when Pluto lost its status as a planet… Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Schele Williams has never been afraid to immerse herself in the thing that she loves in order to achieve what she wants. She reflects on her journey, the motivations and support from her family, and the significance of storytelling in her life, which has led her to where she is today. She shares how she chooses which projects to work on, given her busy schedule, her creative process, and making sure to foster a sense of involvement and connection with her children in whatever she does. She also emphasizes the importance of building relationships throughout her career and creating a supportive network. While she's accomplished so many things already, Schele opens up about dealing with imposter syndrome, particularly when transitioning to new roles, and how she overcame it. Currently co-directing “The Notebook”, Schele explains the conscious choice to diversify the casting in the show, which aims to make the story more inclusive and relatable to a broader audience. We also dive into her excitement about directing “The Wiz”, its impactful storytelling, how it celebrates blackness, friendship, and courage, and the joy of seeing children in the audience. Schele Williams is a Broadway director who was originally pursuing her dreams of playing with the London Philharmonic Orchestra as a teenager. She eventually became an actor with credits, including both “RENT” and “Aida” on Broadway, leading her to become dance captain for “RENT” on Broadway and an associate choreographer for the tour. She uncovered her true calling to being a director. She associate-directed “Motown the Musical” on Broadway, and is currently working on a stage adaptation of “Hidden Figures”. She is also co-directing “The Notebook” alongside Michael Greif, which just opened on Broadway, and is also solo directing the incoming extremely highly-anticipated production of “The Wiz”, scheduled to open on April 17th at the Marquis Theater–the first black woman to direct a Broadway musical in over 50 years. Connect with Schele: Website: schelewilliams.com Instagram: @schelewilliams Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we're dimming the lights, turning off our phones and filling up a giant bucket of popcorn to get the lowdown on music for film and TV.Film score production has changed a lot in recent years, and LPO musicians timpanist Simon Carrington and tuba player Lee Tsarmaklis have seen it all; from Elmer Bernstein's skilful, old school approach, to the meticulous modern day techniques of click tracks and multitrack recording.Simon and Lee tell YolanDa about the film scores which soundtrack their earliest cinema outings and describe the joyful and awe-inspiring experiences playing the music of the legendary John Williams.Plus, Lee and Simon reveal the soundtracks they wish they could have played on.Be sure to listen to the Spotify playlist that accompanies this episode to inject some Hollywood dazzle into your day: https://open.spotify.com/playlist/6UuJau7Ew5d58hx4PbcO8g?si=b9970b912009443bProduced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Episode 119 Phonographic Education—a Sound Collage Playlist Because this episode is a collage of recorded sounds, there are no start times for individual selections. Enjoy the collisions, densities, and words combined with music. Start time for collage: 03:55 Some of the musical selections heard in this collage: The London Philharmonic Orchestra – A Sound Spectacular Stereo Space Odyssey (1973 Stereo Gold Award). UK disc. “A Speaker to Speaker Trip in Thrilling Spacial Stereo.” The London Philharmonic Orchestra with Pipe Organ and Electronic Synthesiser Effects. Charles Albertine – McDonnell Douglas Physician Systems Company Presents In Concert Charles Albertine (1985 Concert). Piano, Synthesizer, Composed By, Producer, Charles Albertine. “Postage-paid card ("For information on how Concert systems can help you manage the business aspects of patient care") enclosed.” Various – Rumanian Folk Songs And Dances (1958 Monitor). Song And Dance Ensemble ''The Lark.'' The Original Deutshmeisterband – The Most Beloved Marches From Austria (1978 Summit). Soviet Army Chorus & Band Conducted By Boris Alexandrov – Soviet Army Chorus & Band (1956 Angel). Jack Wilson – The Jazz Organs (1964 Vault). Bass, Leroy Vinnegar; Drums, Philly Joe Jones, Donald Bailey; Guitar, Gene Edwards, John Gray; Organ, Genghis Kyle, Henry Cain, Jack Wilson. Trombones Unlimited – Holiday For Trombones (1967 Libertty). Trombones, Frank Rosolino, Mike Barone. Костадин Варимезов – Bagpipe (1979 Балкантон). Bulgarian Bagpipe with orchestral accompaniment. Lightning – Lightning (1970 P.I.P. Records). Additional String Arrangement ARP Synthesizer, Herb Pilhofer. Enoch Light – 4 Channel Stereo (1971 Project 3 Total Sound). Compilation made specifically for Sylvania as a giveaway with their phonos. Terry Snyder And The All Stars – Persuasive Percussion (1959 Command). Featuring, Artie Marotti, Dick Hyman, Dominic Cortese, Jack Lesberg, Stanley Webb, Teddy Sommer, Tony Mottola, Willie Rodriguez,Terry Snyder. Producer, Enoch Light. Some of the spoken word educational recordings heard in this collage: Parakeet Training Record (1951? Hartz Mountain Products). “Your parakeet can teach itself to talk!” Presented in a carefully tested, scientific manner. Gertrude Behanna – God Isn't Dead! (1964 Word). “This is the story of my life . . . what occurred . . . and what life is now.” Lee B. Steiner – Sounds Of Self-Hypnosis Through Relaxation (1959 Folkways). Voice, Liner Notes – Lee R. Steiner. Subtitled: "a documentary recording with Mrs. Lee B. Steiner, Certified Psychologist.” "The content and timing of this recording have been validated with novices who learned the method in the process of making this recording." Improve Your Eyesight Without Glasses (1977 Wolf). “These techniques must be practiced daily until perfect vision is attained. The daily practice often becomes a tedious chore, thus defeating its goal: relaxation. The tedium is avoided by using this record album which combines contemporary music specially written for relaxation, with a narrative that takes the listener through the daily drills in a pleasant, relaxed way.” Domineau – Détente Avec Domineau (no date, no label). Concept By [Conception], Producer [Réalisation] – Domineau. Relaxation by a levitation expert. Michio Kushi – Spirals of Everlasting Change (1975 Inyo International). Lecture by macrobiotic expert. Jimmy Nelson With Comments By Danny O'Day And Farfel – Jimmy Nelson's "Instant Ventriloquism" And "Ventriloquism For The Beginner" (1964 Juro Celebrity). Professor J. J. Higgins, S.J., M.A., S.T.L. – Study Techniques: Relax & Concentrate (1964 Saint Louis University). Richard Carl Spurney – Bowl-A-Record (1961 Life Records). Relaxation And Successful Bowling Attitudes. Joe Wilman – Joe Wilman Shows You How To Bowl Your Best (1960 Epic). Park Richards – A Double-Barrel Blast (1962 Cook). “Unrehearsed Phone Conversation With Undertaker On Subject Of How Much It Costs To Get (Deceased) Uncle Willie Buried.” Steno Booster: Dictation Speed and Accuracy Training Course (1961 Conversa-Phone). Sample letters to dictate at various speed. Les Journalistes De R.T.L. / Jean-Pierre Farkas – Les Journées De Mai 68 (1968 Philips). Made in France. Recorded adaptation of a print publication highlights major events of the year. Adventures In Negro History Vol. 1 (1963 Highlight Radio Productions). Produced By Pepsi-Cola Co. John Charles Daly – The Space Age: The Age Of Reliability (1962 Raybestos-Manhattan). Is There A Place For Respiratory Stimulants In Anesthesiology? (1965 Excerta Medica Foundation). Professional Seminar: Advanced Investigations In Anesthesiology. Stephen Ettinger, D.V.M. – Canine Heart Sounds (1970? EVSCO Pharmaceutical Corp.) B. Barlow & W. A. Pocock – Auscultation Of The Heart (1966 London Records). Colette Maher – Détente (Le Sommeil Éveillé - Yoga Nidra) (1973 Select). French Canadian release. Russ Farnsworth – Revolutionary New Word Method To Learn Radio Code (1959 Epsilon Records). Russ Farnsworth – Learn Code With The AMECO Code Course (1965? AMECO Publishing Corp.) John P. Sykes – Sleep-Relaxation (1972 Folkways). Maharishi Mahesh Yogi – The Master Speaks (1967 World Pacific Recods). Narrator, Maharishi Mahesh Yogi. Instrument Flight (1960 Jeppesen & Co.) Daniel Akers, Phillip Masline – Listening & Concentration (1978 Automated Learning). Norman Singere – Instant Memory Power (1975 Automated Learning). Arthur Ashe, Learn Tennis (For Beginners & Advanced Players) (1974 Manhattan Recording Company). Vinyl, 12 ." Arthur Ashe teaches you Tennis. Comes with 8-page black/white instructional booklet. John Newcombe, Tennis With John Newcombe (1974 K-Tel). Limited Collectors Edition. Vinyl, 12 ." Narrator, unidentified. 12-Page Tennis tips Booklet Enclosed. Promotional item for Rawlings tennis products. Art by Telephone, complete transcript, Museum Of Contemporary Art Chicago (1969). An exhibition organized by the Museum of Contemporary Art under the sponsorship of the American National Bank and Trust Company of Chicago. November 1 to December 14, 1969. I have excerpted 10 minutes of the artist proposals. I couldn't help but notice that the only contributors to the exhibit were male artists, so I apologize in advance for this slice of chauvinism from the late 1960s. Still, the conversations are interesting. Excerpt from an 1940s recording of the radio horror drama, Lights Out, "The Coffin in Studio B," in which actors rehearsing an episode of Lights Out are interrupted by a mysterious coffin salesman peddling his wares. I have a test pressing of the program. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Today we're going deep in the music of Wagner - and specifically The Ring cycle, his collection of 4 monumental operas: Das Rheingold, Die Walküre, Siegfried, and Götterdämmerung Even if you haven't seen these live, you're probably aware that these are absolute behemoths of the opera house - with heroism, love, death, gigantic orchestras and big tunes that need big voices. Bass Brindley Sherratt is tackling the role of Hagen in Götterdämmerung, and he explains how memory, text and costume are just some of the challenges he grapples with.Wagner wrote some stunning brass parts, and trombonist Dave Whitehouse explains the novelty of playing the bass trumpet in Götterdämmerung, and violinist Fiona Higham explains how to crack the string player's code when tackling Wagner's music. Plus, how lifting weights can be a great training programme for a 6 hour opera.Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Today, another one of our top episodes from the archive… YolanDa Brown joins organist and conductor Anna Lapwood, piccolo player Stewart McIlwham and violinist Martin Höhmann to take a close look at Camille Saint-Saëns' Symphony No.3 - his organ symphony. They discuss the challenges of communicating with the conductor from the organ, how to get the perfect tempo so those mammoth chords have maximum impact, and how the flutes and violins manage the difficult offbeat rhythms. Anna also reveals how she's able to practise on concert hall organs, gives some social media tips for musicians who want to share their own musical journeys, and our listener question zooms in on organ ‘stops'. Plus, what it's like to actually be inside a 32-foot organ pipe… If you have any questions you'd like to put to the musicians, please email offstage@lpo.org.uk, and you might be featured in Series 7!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown sits down with contrabassoonist Simon Estell and clarinettist Tom Watmough for a deep dive into Brahms' Four symphoniesBrahms' symphonies are right at the beating heart of orchestral repertoire for very good reason: audiences love their romanticism and drama, and players can't get enough of those gorgeous melodies. But how do you keep the music fresh when it's played so often? Tom and Simon reveal how every conductor creates new challenges for the orchestra, and how Brahms was inspired by the musicians he worked with.Plus, what's your favourite Brahms symphony? Simon and Tom discover that's a very difficult question to answer.If you have any questions you'd like to put to the musicians, please email offstage@lpo.org.uk, and you might be featured in Series 7!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown talks to trumpeter Anne McAneney and cellist Francis Bucknall and explores Stravinsky's Firebird. The Firebird is a hugely popular work, but what makes it so enduring? Anne, Francis and YolanDa discuss its story, Stravinsky's revolutionary writing, and how to keep the music sounding fresh on stage and in recordings. They also mention a number of related works and why Stravinsky's music lends itself so well to education projects. Plus, they reveal what changes when a piece is being recorded, and the extra layer of difficulty that comes with being filmed. If you have any questions you'd like to put to the musicians, please email offstage@lpo.org.uk, and you might be featured in Series 7!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins violinist Minn Majoe and horn player Mark Vines to share their touring tips and tricks.Hot off the plane from their recent tour to Asia, Minn and Mark share the highlights and lowlights of the trip with YolanDa, who brings in her own touring experiences. They discuss the difficulties of transporting large instruments, suitcase essentials, and how to navigate washing your clothes when you're away from home. Plus, ideas for what to do on a day off abroad…If you have any questions you'd like to put to the musicians, please email offstage@lpo.org.uk, and you might be featured in Series 7!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown joins harpist Rachel Masters and trombonist Mark Templeton to talk all things festive in this special Christmas episode. In this episode of LPO Offstage YolanDa and her guests share their favourite musical Christmas memories. They discuss the magic of carol singing, the pros and cons of seasonal gigs, and their favourite Christmas repertoire including some amusing alternative lyrics. Plus, they bust some myths about busking and share their tips and trips for performing in inclement weather…If you have any questions you'd like to put to the musicians, please email offstage@lpo.org.uk, and you might be featured in Series 7!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodX: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Julian Joseph is acclaimed as one of the finest jazz musicians to emerge this side of the Atlantic and his career has been characterised by many ground-breaking advances: he was the first Black British jazz musician to host a series of concerts at London's Wigmore Hall and the first to headline a late-night televised performance at the BBC Proms. We explore how jazz and life are both animated by the art of improvisation, the methodology that undergirds the educative offering of the Julian Joseph Jazz Academy, the instruments and symphonies that enchant him, the artists and composers he recommends to inspire us to adventure, and his message to those who feel like they have music within them, but aren't quite sure how to get it out. Julian plays Gershwin with London Philharmonic Orchestra on 22 November – and subscribers to Field Notes have an exclusive discount on tickets. About Busy Being Black Busy Being Black with Josh Rivers is the award-winning podcast that centres and celebrates queer Black liveliness. Help these enlivening conversations reach more people, by leaving a rating and review. Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven talks about the (mostly) London Philharmonic Orchestra album Symphonic Music of Yes (1993), which features Anderson, Bruford, Howe, and more! --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

Eine märchhafte Geschichte ist Jacques Offenbachs Oper "La Princesse de Trébizonde", dazu kommen wunderschöne Ohrwurm-Melodien und ansteckende Lebensfreude - ein Markenzeichen des Komponisten. Die Oper wurde vom London Philharmonic Orchestra unter der Leitung von Paul Daniel neu aufgenommen.

Jeremy Bowen is the BBC's award-winning international editor. He has been reporting from the world's conflict zones, including Iraq, Bosnia, the Middle East and Ukraine, for more than 30 years. Jeremy was born in Cardiff in 1960. His father was a journalist for BBC Wales, who covered the Aberfan disaster in 1966, and his mother was a press photographer. In 1984, after university, Jeremy joined the BBC as a news trainee and in 1989 he starting reporting from Afghanistan and El Salvador. From 1995 to 2000 he was based in Jerusalem as the BBC's Middle East correspondent. During that time he reported on the assassination of the Israeli prime minister Yitzhak Rabin. His coverage of the event won him the Royal Television Society's Award for Best Breaking News report. In 2022 Jeremy started reporting on the ground in Ukraine and earlier this year he returned to Iraq to discover how the country was coping, 20 years after the US-led invasion in March 2003. Jeremy lives in London with his partner Julia. DISC ONE: Let's Stay Together - Al Green DISC TWO: Symphony No. 2 in E-Flat Major, Op. 63: II. Larghetto. Composed by Edward Elgar and performed by Hallé Orchestra, conducted by Sir John Barbirolli DISC THREE: Piano Concerto No. 2 in C minor, Op 18. Composed by Sergei Rachmaninoff and performed by Vladimir Ashkenazi (piano) with the London Symphony Orchestra, conducted by André Previn DISC FOUR: America - Simon & Garfunkel DISC FIVE: La bohème: O soave fanciulla. Composed by Giacomo Puccini and performed by Plácido Domingo, Montserrat Caballé, London Philharmonic Orchestra, conducted by Georg Solti DISC SIX: Denn alles Fleisch, es ist wie Gras. Composed by Johannes Brahms and performed by Berliner Philharmoniker, conducted by Herbert von Karajan DISC SEVEN: In My Life – The Beatles DISC EIGHT: Waterloo Sunset - The Kinks BOOK CHOICE: The Complete Novels of George Orwell LUXURY ITEM: A manual typewriter CASTAWAY'S FAVOURITE: Symphony No. 2 in E-Flat Major, Op. 63: II. Larghetto. Composed by Edward Elgar and performed by Hallé Orchestra and Wiener Singverein, conducted by Sir John Barbirolli Presenter Lauren Laverne Producer Paula McGinley

Synopsis In wartime London, on today's date in 1943, a Promenade Concert featured the first performance of the Fifth Symphony of Ralph Vaughan Williams. The composer himself conducted the London Philharmonic Orchestra. Queen's Hall, the traditional home of the annual summertime Proms concerts, had been destroyed by German bombers two years earlier. The Proms concerts had moved into a new and larger venue, the Royal Albert Hall, where the series continues to this day. For the 1943 season, Proms programs started earlier than usual, so that concert goers could get home before the nightly air raids on the city. To London audiences troubled by war fears and many sleepless nights of German bombing, the serene musical world of the Vaughan Williams Fifth must have seemed a real blessing. It's not a "wartime" symphony in the conventional sense, full of defiance and bluster, but rather an evocation and affirmation of England's musical past, blending hints of 16th century hymn tunes and modal folk melodies into symphonic form. For some time, Vaughan Williams had been at work on an opera based on The Pilgrim's Progress, a 17th century allegorical tale by the Puritan writer John Bunyan. Some of the tunes and motives from his projected opera ended up in the symphony, along with a sense of faith and optimism in the face of adversity that must have deeply affected the first audience to hear the work. Music Played in Today's Program Ralph Vaughan Williams (1872 - 1958) Symphony No. 5 London Philharmonic; Bernard Haitink, conductor. EMI 55487

KISS Announce 2024 Reunion Tour With Vinnie Vincent & Allan Schwartzberg! They Will Preform Side 2 Of Hot In The Shade In It's Entirety With The London Philharmonic Orchestra!

Jenny Beavan has won three Oscars for her costumes for the films Room with a View, Mad Max: Fury Road and Cruella, and has received nine further Academy Award nominations. She was born in London, and her parents were both professional musicians who encouraged her to paint, draw and learn a musical instrument. After studying theatre design, she was invited at the age of just 21 to create the sets for a production of Carmen at the Royal Opera House, conducted by Sir Georg Solti. She also worked on the costumes, which eventually led to her current career. Her credits now include more than 60 films and television series, including a long collaboration with the Merchant Ivory team, on titles such as Howards End and Remains of the Day, as well as Room with a View. Her costumes range from precise period recreations, in films such as The King's Speech, to the post-apocalyptic world of Mad Max and the extravagant 1970s-inspired gowns for Emma Stone and Emma Thompson in Cruella. Along with her Oscars, Jenny has also won four Baftas and two Primetime Emmy awards. She was appointed a OBE in 2017. DISC ONE: Endure from Bach's St Matthew Passion. Performed by Hans Peter Blochwitz and the Chapelle Royale Orchestra, conducted by Philippe Herreweghe DISC TWO: The Stately Homes of England - Noël Coward DISC THREE: Bizet: Carmen / Act 2 - "La fleur que tu m'avais jetée" (The flower you threw at me) Performed by Plácido Domingo and London Philharmonic Orchestra, conducted by Sir Georg Solti DISC FOUR: O Mio Babbino Caro. Composed by Giacomo Puccini and performed by Kiri Te Kanawa and The London Philharmonic Orchestra DISC FIVE: Scream - Caitlin Albery Beavan and Jim Bell DISC SIX: Parking Fines - Joe Lycett from his That's the Way, A-Ha, A-Ha tour DISC SEVEN: I Will Survive - Gloria Gaynor DISC EIGHT: Radamisto, HWV 12, Act 2: "Ombra cara di mia sposa" (Radamisto) (Beloved shadow of my bride) Composed by George Frideric Handel, performed by Emöke Baráth and Ensemble Artaserse, conducted by Philippe Jaroussky BOOK CHOICE: The Complete Novels of Jane Austen LUXURY ITEM: A cello CASTAWAY'S FAVOURITE: Endure from Bach's St Matthew Passion. Performed by Hans Peter Blochwitz and the Chapelle Royale Orchestra, conducted by Philippe Herreweghe Presenter Lauren Laverne Producer Sarah Taylor

Laurence Osborn (b. 1989) is a British composer currently based in London. His music has been commissioned and/or programmed by the London Symphony Orchestra, London Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Ensemble Modern, Britten Sinfonia, The Riot Ensemble, Manchester Collective, 12 Ensemble, GBSR Duo, Ensemble Klang, and Ensemble 360, among others. He has also written for solo performers Sarah Dacey, Mahan Esfahani, Bartosz Glowacki, Zubin Kanga, Lore Lixenberg, Michael Petrov, and Agata Zubel. His music has been programmed throughout the UK, at venues such as The Royal Festival Hall, Queen Elizabeth Hall, The Royal Opera House, Symphony Hall (Birmingham), The Wigmore Hall, Kings Place, LSO St Luke's, St Martin- In-The-Fields, Milton Court, Wilton's Music Hall, Britten Studio (Aldeburgh), The National Portrait Gallery, The Holywell Music Room (Oxford), The Crucible Theatre (Sheffield), Kettle's Yard (Cambridge), and at Huddersfield Contemporary Music Festival (where he was an International Showcase Artist), St Magnus International Festival, Music in the Round Festival, and Ulverston International Music Festival.Laurence Osborn's song cycle Essential Relaxing Classical Hits was nominated for an Ivor Novello Award in 2021. He won the Royal Philharmonic Society Composition Prize in 2017, was runner up in the New Cobbett Prize for Composition (2014) and the International Antonin Dvorak Composition Competition (2013) and was shortlisted for the ICSM World Music Days (2018). Laurence has won student prizes for composition while studying at both undergraduate and postgraduate level, including the Adrian Cruft Prize for Composition and the Royal College of Music Concerto Competition. He has held positions in association with LSO Soundhub (2013-15), Nonclassical (2015-17), and the London Philharmonic Orchestra (2017-18).SOUND EXERPTS, IN ORDER:1. Coin Op Automata  for harpsichord and string quartetperformed by the Manchester Collective2. Essential Relaxing Classical Hits, for amplified solo soprano and 6 playersperformed by Agata Zubel and Ensemble Klang3. Absorber, for solo piano and MIDI controllerperformed by Zubin KangaLINKSLaurence Osborn official websiteWatch video of ‘Absorber' for piano and MIDI controllerSUPPORT THIS PODCASTPatreonDonorboxORDER SAMUEL ANDREYEV'S NEWEST RELEASEIridescent NotationLINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSPodcast artwork photograph © 2019 Philippe StirnSupport the show

PETER BOYER is one of the most frequently performed American orchestral composers of his generation, joins Devin Patrick Hughes on One Symphony. He's conducted and been commissioned by ensembles around the world including the London Symphony Orchestra, the Philharmonia Orchestra, the London Philharmonic Orchestra, the Kennedy Center for the National Symphony Orchestra, the Boston Pops, Cincinnati Pops, and “The President's Own” United States Marine Band, along with the Philadelphia Orchestra, Cleveland Orchestra, Pittsburgh Symphony, Houston Symphony, Dallas Symphony, Nashville Symphony, and Hollywood Bowl Orchestra. Boyer's Grammy-nominated work Ellis Island: The Dream of America, has become one of the most performed American orchestral works of the last 15 years and was featured on PBS' Great Performances in 2018. In 2019, Boyer received the Ellis Island Medal of Honor, which is officially recognized by both Houses of Congress as one of the most prestigious American awards. Peter Boyer is active in the film and television music industry. He has contributed to more than 35 feature film scores from all the major movie studios and has composed scores for The History Channel and even arranged for the Academy Awards!   Thank you for joining us for on One Symphony. Thanks to Peter Boyer for sharing his music and insights, you can get more info at https://propulsivemusic.com. Works of his heard today include Fanfare, Hymn and Finale; Elegy, Balance of Power, and Ellis Island - the Dream of America. Thank you to all amazing performers featured on today's show including: Peter Boyer, the London Symphony Orchestra, Philharmonia Orchestra, the Staatskapelle Dresden, Rundfunkchor Leipzig, & Peter Schreier.  Thanks to the record labels Naxos and Universal International Music for making this episode possible. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show.  Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

On this week's The Cultural Frontline we explore the power of music and how artists have been using it to highlight issues including politics and the #MeToo movement. Prakash Neupane is a Nepali rapper and writer who mixes hip hop and R&B with social and political messages. His songs address the issues facing Nepal and his thoughts on the political situation in the country and its complex recent history. Prakash talks to Tina Daheley about why he feels rap is a good way of getting his message across and his role in a flourishing new wave of the Nepali hip hop scene. The Australian actor Cate Blanchett has just won a Golden Globe for her portrayal of a fictitious classical music conductor and composer in Todd Field's new film Tár. It follows the downfall of Lydia Tár who is at the pinnacle of her career when she is accused of bullying and sexual misconduct towards her fellow musicians. Cate speaks to reporter Anna Bailey about why she wanted to take on this role and shares her response to the criticisms the film has faced. They are also joined by the creative force behind Tár's score, the award-winning Icelandic composer Hildur Guðnadóttir. Hildur discusses her own experiences of being a woman creating music. Plus Syrian clarinettist and composer, Kinan Azmeh. He's recently performed his own works with the London Philharmonic Orchestra as part of their A place to call home series, which explores issues of displacement and exile. Kinan speaks to The Cultural Frontline's Andrea Kidd about how his works, including his Clarinet Concerto, have been influenced by the Syrian civil war and the importance of home. (Photo: Cate Blanchett in Tár. Credit: Universal)

In this week's episode, we have the privilege of talking to Miguel Harth-Bedoya, conductor of the Baylor University Symphony Orchestra and Director of Orchestral Studies.  With many years of experience conducting orchestras all around the world, Miguel tells us about what the ultimate goal of a conductor should be, and his methods on preparing scores and working with ensembles.Connect with Miguel Harth-Bedoya!Website: https://www.miguelharth-bedoya.com/Instagram: https://www.instagram.com/miguelharthbedoya/Facebook: https://www.facebook.com/MiguelHarthBedoyaTwitter: https://twitter.com/MHarthBedoyaYouTube: https://www.youtube.com/channel/UCxDtynJwmcgudZPu9hkFWDgBaylor University School of Music: https://www.baylor.edu/music/The Conducting Institute: https://conductinginstitute.org/Miguel Harth-Bedoya is the Director of Orchestral Studies at Baylor University. He is the former music director of the Norwegian Radio Orchestra, Fort Worth Symphony Orchestra, Auckland Philharmonia Orchestra (New Zealand), and New York Youth Symphony. He graduated from the Curtis Institute of Music and the Juilliard School. Miguel has conducted worldwide, including the New York Philharmonic, Chicago Symphony, Cleveland Orchestra, Philadelphia Orchestra, Munich Philharmonic, London Philharmonic Orchestra, Tokyo Metropolitan Symphony, and the Sydney Symphony, among others. He is also the Founder of The Conducting Institute in Ft. Worth, Texas.Want a free piece of music for your ensemble to perform? Join Christian's mailing list!https://www.christianfortnermusic.com/mailings

This week on Cultural Manifesto an interview with violinist Kevin Lin. Lin made news in 2020, when he left his role as co-leader of the London Philharmonic Orchestra, to take a position as concertmaster with the Indianapolis Symphony Orchestra. Lin will discuss the ISO's 2023 season We'll also have another edition of Rebel Music with Karla Lopez, this week's featured guest is the librarian, archivist, and activist Stephen Lane, a member of the Indianapolis chapter of the Party for Socialism and Liberation. Lane will share how music has shaped his work as an archivist and activist. 

This week on Cultural Manifesto an interview with violinist Kevin Lin. Lin made news in 2020, when he left his role as co-leader of the London Philharmonic Orchestra, to take a position as concertmaster with the Indianapolis Symphony Orchestra. Lin will discuss the ISO's 2023 season We'll also have another edition of Rebel Music with Karla Lopez, this week's featured guest is the librarian, archivist, and activist Stephen Lane, a member of the Indianapolis chapter of the Party for Socialism and Liberation. Lane will share how music has shaped his work as an archivist and activist. 

Changing Faces. One of the 80/90's biggest pop-culture icons, resident showman and sneaky prankster, Matt Goss, is our guest on Episode 213 of Sappenin' Podcast! The Bros vocalist reveals secrets on a life in the spotlight, fighting music industry elitists and still holding the record for the youngest artists to sell-out Wembley Stadium. In this conversation, Matt opens up on his time on Strictly Come Dancing, being branded by the media as shy, moving back home to the UK, his eleven-year stint of residencies in Las Vegas most lucrative venues, new solo music, the future of Bros, brotherhood, the success of their reunion and comeback documentary 'When The Screaming Stops' (2018), mental health vs stage adrenaline, strange fan gifts, not being invited to festivals, touring with the London Philharmonic Orchestra, vocal styles, his most metal moments, five-a-side plans with Arsenal legend Tony Adams and more! Turn it up and join Sean and Morgan to find out Sappenin' this week!Follow us on Social Media:Twitter: @sappeninpod.Instagram: @sappeninpod.Special thank you to our Sappenin' Podcast Patreons:Join the Sappenin' Podcast Community: Patreon.com/Sappenin.Kylie Wheeler, Paul Hirschfield, Mitch Perry, Tony Michael, Dilly Grimwood, Kelly Irwin, Natasha Morris, Nathan Crawshaw, Emma Barber, Sammy G, Kat Bessant, Dana Lasnover, Jenni Robinson, Amee Louise, Tom Owen, Stuart McNaught, Martina McManus, Carl Pendlebury, Louis Cook, Danny Eaton, James Mcnaught, Kelly Cannon, Jenni Munster, Craig Harris, Emily Perry, Jason Heredia, John&Emma, Kalila Keane, Adam Parslow, Ollie Amesbury, Josh Crisp, Alice Wood, Garry White, Rhys Bowring, Cate Stevenson, Kyle Smith, Connor Lewins, Harry Radford, Let it Flow Yoga, James Bowerbank, Jordan Harris, James Page, Chris Hawthorne, Jade Austin, John Wilson, Kelly Young, Ayla Emo, Lisa Sullivan, Helen Hartga, Jennifer Dean, Steph Blakemore, Stephanie Lowe, Kristen Fiddes, Samantha Neville, Scott Evans, LewisSluman , Amy Thomas, Michael Snowden, Sharif O, Justine Baddeley, Stevie Burke, David Winchurch, Jessie Hellier, Luke Wardle, Bethan Downing, Robert Pike, Owen Davies, Nathan Matheson, Jamie O Jaime, Ash Foster, Scarlet Charlton, Matt Roberts, Joshua Lewis, Anthony Matthews, Chris Harris, Andrew Eppen, Jim Farrell, Erin Howard, Ida Christensen, Daniel Cullen, Vicki Willis-Dent, Helen Macbeth , Samantha Bowen, Lucy Neill, Kevin Andrew, Loz, Eva B, Emma Musgrave, Hannah Kenyon, Jai Chantal Humphreys, Tosca Andrea, Beth Gayler, Vicki Henshaw, Madeleine Inez, Hannah Rachael, Tom Hylands, Lydia Henderson, Sabina Laura, Robert Byrne, Sophie Brydon, Andrew Keech, Nuala Clark, Alexandra Pemblington, Charley Allison, Tristan Gorman, Chris Lincoln, Kerry Beckett, Jemma John, Gemma Graham, Andy Wastell, Jay Smith, Lesley Dargie-Walker, Leanne Gerrard, Jacob Turner, Antony Hersey, Livvy Cropper, Christopher Goldring, Sarah Maher, Tim Whatley, Andrew Simpson, Ruby Price, Gemma Bisi, Rah Rah James, Janelle Caston, Heather Stote and Billy Hunter.Diolch and Thank You x Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Five writers and artists not normally associated with classical music, discuss a specific example of Vaughan Williams' work to which they have a personal connection, and why it speaks to them. Following on from the successful Five Kinds of Beethoven Radio 3 essay series in 2020, where a wide range of Beethoven fans shared their personal relationship to the composer and his work, this new series gives similar treatment to Vaughan Williams. Our essayists share their unexpected perspective on Vaughan Williams' work, taking it outside the standard ‘English pastoral' box, in a series of accessible essays, part of the Vaughan Williams season on Radio 3. Luke Turner – nature writer and music journalist The Wasps – Aristophanic Suite was an EMI and John Player Special cassette tape that Luke's family listened to on long car journeys in the 1980s. Obviously the cassette opens with The Lark Ascending, but like a pop smash hit drawing your attention to an album, that piece was merely the introduction to The Wasps - Aristophanic Suite on the second side, played by the London Philharmonic Orchestra conducted by Vernon Handley. It became the soundtrack to Luke's growing awareness of the English landscape as it passed by the windows, not in a simple, bucolic way, but the complexities of the place, the baked bean orange of traffic lights on the M62 over the Yorkshire Moors, the strange Cold War military installations that seemed to be everywhere, motorway reservations and the endless traffic jams around the Kings Lynn Roundabout. The piece also captures for Luke an awareness of how music works, how it combines with emotion and experience to become integral to memory, how something called The Wasps could have next to nothing to do with the insects, how his young mind could place onto this music whatever his imagination brought forward. It feels like many of his generation and certainly in his profession as a music journalist see Vaughan Williams as quite an establishment figure or quite conservative, but The Wasps was psychedelic music that made inroads into Luke's imagination, and unleashed the possibilities of sound connecting to place. Luke Turner is a writer and editor. He co-founded the influential music website The Quietus where he runs a regular podcast and radio show. He has contributed to the Guardian, Dazed & Confused, Vice, NME, Q, Mojo, Monocle, Nowness and Somesuch Stories, among other publications. His first book, Out of the Woods, was shortlisted for the Wainwright Prize. Born in Bradford, he lives in London. Writer and reader Luke Turner Sound designer Paul Cargill Producers Polly Thomas and Yusra Warsama Exec producer Eloise Whitmore A Naked Production for BBC Radio 3

Kicking off a banner season in 2022-23, Inbal Segev releases the fourth and last volume of her “20 for 2020” commissioning project on October 7, comprising world premiere works by Oscar Bettison, Camille El Bacha, Stewart Goodyear, Molly Joyce, and Immanuel Wilkins. All four volumes of the project, plus a bonus track by Segev herself. The cellist performs live this season in concerts around the world celebrating the 20th anniversary of the Taki Alsop Conducting Fellowship, each anchored by Anna Clyne's DANCE, a cello concerto commissioned by Segev and recorded in 2020. She opens the Charlotte Symphony season, performing the Elgar concerto with conductor Andrew Grams; performs multiple concerts with the Chamber Music Society of Lincoln Center, on tour in Bogotá, Colombia, and at home in New York; and gives the world premiere performances of Vijay Iyer's Human Archipelago with the London Philharmonic Orchestra led by Edward Gardner, before performing the work with the co-commissioning Oregon Symphony and Boise Philharmonic. Segev is also pleased to announce her new partnership with Arabella Arts, which will now serve as her worldwide representation.Purchase the music (without talk) at:Inbal Segev IV (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).