Podcasts about Lewes

Josh Hight's new release "In His Wake" from his project PINES was shaped by grief, disillusionment, and a search for something beyond the visible world. The songs here are intimate and expansive, fusing the weight of lived experience with a sense of mysticism and emotional pull. This is music made from memory, distance, and quiet intensity, possessing a rich sonic depth, blending shoegaze, slow-burn Americana, and dreamlike psychedelia. Special guests include Andy Bell (Ride, Oasis) on guitar, Emmett Kelly (Bonnie “Prince” Billy, The Cairo Gang, The Hard Quartet) on guitar and bass, and vocals from Dottie Cochran of Deary.  The title track, “In His Wake,” is a reflection on being the only surviving child in a family touched by loss—haunted by absence but also frustrated by the dullness and complacency of adulthood. “Fifteen” explores a formative relationship marked by imbalance, looking back on it through the lens of maturity, with all its contradictions intact. “Uriel” is a ritual invocation—part hymn, part apocalyptic prayer—calling to the archangel in a time of digital saturation, collapse, and the possibility of transcendence.  A professional photographer and director, Hight's creative work lives at the intersection of image, sound, and emotion. His musical vision is is raw, cinematic, and steeped in atmosphere. Richard Norris' first production was Jack The Tab, the seminal acid house album co-created with Genesis P-Orridge of Psychic TV. He went on to work with artists including Joe Strummer, Sun Ra, Robert Fripp, and Dave Ball of Soft Cell as part of The Grid, as well as Erol Alkan in the psychedelic duo Beyond The Wizard's Sleeve.  Josh met producer Richard Norris at a Stone Club event in London, where they discovered they lived minutes from each other in Lewes. What began as a collaboration on film soundtracks soon evolved into a deeper creative partnership. The EP was recorded at Norris' Metal Box Studios in Lewes.  www.Instagram.com/_p.i.n.e.s_ www.JoshHight.com  About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell     

Meet Alonna Berry Candidate For The Delaware State House RD 20 (Lewes/Milton)Support the show

The Lewes Junction Railroad & Bridge Association recently announced that the historic Steam Locomotive No. 60, initially built for the Pennsylvania Railroad, is going to be restored for display in Lewes with the goal of it being ready for next summer.In this edition of History Matters, Lewes Junction Railroad & Bridge Association board member David Ludlow discusses the restoration work and how this project helps bring the area's railroad heritage to life.

This week, we're back at Gilly's How to Cook Book food writing retreat at her house just outside Lewes in East Sussex with muse-in-residence, the grande dame of British food writing, Elisabeth Luard.After bringing the flavours of Spain to a British readership from the 1980s on, her Classic Spanish Recipes: 75 signature dishes is part of the Hamlyn Classic Recipes series celebrating 75 years of publishing some the most admired chefs and writers in the world for their pioneering approach to food culture - Anna del Conte on Italian food, Ken Hom on Chinese, Chetna Makan on Indian. Pop over to Gilly's Substack from Extra Bites of Elisabeth's Spain. Hosted on Acast. See acast.com/privacy for more information.

This week we're joined by John and Emily Saxby, owners of Go Fitness in Lewes, who share how they went from teaching bootcamps in freezing parks to owning one of the most efficient, profitable small group PT studios in the UK. They've built a rock-solid business by making smart location choices, becoming deeply embedded in their community, and using tech to automate and streamline. If you're a gym owner or online coach looking for practical, tested strategies—this is one to bookmark. Key highlights of this episode include: ✅ Why choosing the wrong location nearly cost them everything. ✅ The AI system that books leads while they sleep. ✅ How parking and foot traffic became their secret weapons. ✅ Their playbook for building hyper-local awareness. ✅ What 98% retention really takes behind the scenes. Connect with Go Fitness: https://www.instagram.com/go_fitness_sussex/   If you enjoyed this video and want to find out more information, click this link to view our website: https://fmaworkshop.com/hub WE HELP GYM OWNERS, PERSONAL TRAINERS AND COACHES GET MORE LEADS, SIGN NEW MEMBERS AND GROW THEIR BUSINESSES! Visit our website to learn how we can help you grow your gym business: https://fmaworkshop.com/hub Be sure to subscribe to learn how to successfully scale and grow your fitness business. Where to follow FMA? Instagram: https://www.instagram.com/fitnessmarketingagency/ Facebook: https://www.facebook.com/fitnessmarketingagency/ LinkedIn: https://www.linkedin.com/company/fitnessmarketingagency/ Website: https://fmaworkshop.com/hub Ben: https://www.instagram.com/mrbenjamindavis/ Charlie: https://www.instagram.com/charliehorton/ Luke: https://www.instagram.com/lukebrobinson_/   #fitness #marketing #gym #fitnessmarketingagency #gymowner #personaltrainer #fitnessbusiness

Jane M has had a bumpy journey back from sipping champagne at Roland-Garros, while Fi's had a bumpy experience with some sub-par paving —naturally. The two chat tennis-induced wees, Lewes, and undoing life mistakes. Plus, put your feminist ears aside for this one: Tom Whipple, science editor at The Times, speaks with biologist Richard Dawkins about his book 'The Genetic Book of the Dead'. If you want to contribute to our playlist, you can do that here: Off Air with Jane & Fi: Official Playlist - https://open.spotify.com/playlist/3qIjhtS9sprg864IXC96he?si=9QZ7asvjQv2Zj4yaqP2P1Q If you want to come and see us at Fringe by the Sea, you can buy tickets here: www.fringebythesea.com/fi-jane-and-judy-murray/And if you fancy sending us a postcard, the address is:Jane and FiTimes Radio, News UK1 London Bridge StreetLondonSE1 9GFIf you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio The next book club pick has been announced! We'll be reading Leonard and Hungry Paul by Rónán Hession. Follow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

King Hu is one of China's most influential filmmakers, famous for his historical martial arts films which helped to popularise the wuxia (‘martial chivalry') genre in the 1960s and 70s with classic films like 'Come Drink with Me' (1966), 'Dragon Inn' (1967), and 'A Touch of Zen' (1971) - the latter of which he received the Technical Grand Prize at the 1975 Cannes Film Festival. His work has inspired directors ranging from Tsui Hark to Ang Lee, Zhang Yimou to Quentin Tarantino, and since his death in 1997 at the age of 64, organisations like the King Hu Foundation have continued to promote and champion his work. As a result, much of his exquisite output is now readily available around the world in lovingly restored digital formats. To discuss the life and work of this extraordinary filmmaker, we welcome two King Hu Foundation board members: Michael Berry, Director of the Center for Chinese Studies at UCLA, who is also a Professor of Contemporary Chinese Cultural Studies; and the filmmaker, Céline Zen, a Chinese-born, France-based producer and director. We discuss the early life of the Beijing-born auteur who was forced into exile in Hong Kong after the Chinese Communist Revolution, and his journey from artist to actor, writer, and director, becoming one of the biggest talents at new Shaw Brothers production company before his relocation to Taiwan. We discuss the meaning of 'wuxia'; his influences - from his love of calligraphy to Ming dynasty history and the Chinese Opera - and how, despite his critical praise, his films were not always successful in their day, and the toll this took on his work in later life. A huge thank you to Audrey Edwards at the King Hu Foundation for her help in organising this episode.LINKSKing Hu Foundation website: https://kinghufoundationusa.org/King Hu Foundation on Instagram: https://www.instagram.com/kinghufoundation/ Michael Berry's website: https://michael-berry.com/ Michael Berry on the UCLA website: https://www.alc.ucla.edu/person/michael-berry/ Michael Berry on Douban: http://site.douban.com/108600/Michael Berry on Weibo: https://weibo.com/bairuiwenMichael Berry on X: https://x.com/BairuiwenMichael Berry on ClubHouse: http://clubhousedb.com/user/bairuiwen Buy Michael Berry's books on Amazon: https://www.amazon.com/stores/Michael-Berry/author/B001HCVQQWCéline Zen on LinkedIn: https://www.linkedin.com/in/celine-zen-7a6570195/Céline Zen on IMDb: https://www.imdb.com/name/nm4508435/Trailer for Céline Zen's 'Vous êtes jeunes, vous êtes beaux' (2018): https://www.youtube.com/watch?v=8vIOOeqph08A tribute to King Hu: https://youtu.be/rGueQmyN_kMKung Fu Movie Guide Podcast - 'Dragon Inn' special - Live in Lewes with Katrina Durden: https://bit.ly/KFMGPodKatrinaDurdenLiveBuy King Hu films on Blu-ray in the UK from 88 Films and Eureka Entertainment: 'Come Drink with Me' (https://88-films.myshopify.com/products/come-drink-with-me-88-asia-24), 'Dragon Inn' (https://eurekavideo.co.uk/movie/dragon-inn/), 'A Touch of Zen' (https://eurekavideo.co.uk/movie/a-touch-of-zen/), 'The Fate of Lee Khan' (https://eurekavideo.co.uk/movie/the-fate-of-lee-khan/), 'The Valiant Ones' (https://eurekavideo.co.uk/movie/the-valiant-ones/), 'Raining in the Mountain' (https://eurekavideo.co.uk/movie/raining-in-the-mountain-kong-shan-ling-yu/), 'Legend of the Mountain' (https://eurekavideo.co.uk/movie/legend-of-the-mountain/).King Hu profile on Kung Fu Movie Guide: https://bit.ly/KingHuProfile 'Dragon Inn' review on Kung Fu Movie Guide: https://bit.ly/DragonGateInn'A Touch of Zen' review on Kung Fu Movie Guide: https://bit.ly/ATouchOfZen Hosted on Acast. See acast.com/privacy for more information.

Flute player Neil McLaren joins Netty for a tea and chat in the latest episode. Having served as OAE's second flute for nearly 40 years, Neil shares how he became interested in playing the baroque flute and recounts intriguing stories about his early encounters with music. He also discusses other pursuits inspired by his life experiences.Neil takes us back to his early life, before he began playing the flute. When he's not playing music, you can find him crafting jewellery in his workshop in Lewes. Some of his pieces are featured in the Glyndebourne shop as well as being worn by our guest artists. In addition to his musical talents, Neil is also a qualified counsellor, and he shares the journey of how he became one, along with the training process he undertook.--Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Martin Thomas is an Artist, Maker & Event Organiser currently based at the Bus Station in Lewes. Founder of Zu Studios & Zu Cafe, he has spent the last 20 years building Community space; hosting all manner of events, parties & gatherings. His passion is working with wood, making shrines & sculpted furniture. https://www.instagram.com/zumu_studios/Your donations directly fuel the growth of this podcast! They allow Caroline to bring in even more wonderful teachers and inspiring guests and expand her reach to uplift even more listeners. Please show your support and become part of the magic! Donations of any amount are deeply appreciated. You can make a secure donation through PayPal using the link below.Every contribution, big or small, makes a difference! paypal.me/carolinecarey60 Visit Middle Earth Medicine to learn more and connect with Caroline.Thank you for your support in spreading the light of soul and spirituality. You can also join our community membership for deeper soul explorations: https://middleearthmedicine.com/mem-community/ Thank you for listening to this podcast, let's spread the word together to support the embodiment of soul, to reclaim our spirituality and to remember a broken innocence, a reclaiming of soul and our life force. Gratitude to you all https://plus.acast.com/s/how-to-find-our-soul-purpose. Hosted on Acast. See acast.com/privacy for more information.

Nearly 40 Vermont musicians submitted their videos to NPR's Tiny Desk Contest. Vermont Public chatted with a few about the original songs they chose and their video ideas.

When Lewes-based author Wendy Gee started volunteering with the Charleston Fire Department in South Carolina, she didn't plan to write a novel. But her experiences there sparked the idea for a story filled with suspense, corruption, and second chances.In Gee's debut novel “Fleet Landing,” an ATF special agent and a TV reporter team up to pursue an arsonist through Charleston – and confront the toll that pursuit takes on their personal lives.In this edition of Enlighten Me, Delaware Public Media's Kyle McKinnon talks with Gee about “Fleet Landing” and the inspiration behind it.

Welcome back to the Heads Together podcast! This week, I'm absolutely thrilled to spotlight Ellie Nova, an alumna of The Coaching Business Academy. Ellie is not just a sober coach but also a writer, mentor, and mom., living in Lewes, East Sussex. She's guides women to discover alcohol-free freedom through her very special approach to quitting drinking. In this episode, Ellie shares insights into her personal journey of overcoming alcohol dependence, the emotional triggers behind it, and how she's turned that experience into a mission to help others do the same. We also dive deep into the cultural norms around alcohol, how to navigate social circles when you're sober, and the importance of self-compassion and community. If you're curious about quitting alcohol, this conversation is a must-listen. CONNECT WITH ELLIE: Website: https://www.ellie-nova.com/ Substack: https://ellienova.substack.com/about Instagram: https://www.instagram.com/ellienovacoaching/ Get Ellie's Self Compassion For Sobriety guide: https://www.ellie-nova.com/newsletter REGISTER NOW FOR ELLIE's FREE MASTERCLASS: Joyful Sober Socialising (Tuesday 20th May 2025, 1PM UK / 8AM EST) https://www.eventbrite.com/e/joyful-sober-socialising-free-online-workshop-tickets-1323572895159 CONNECT WITH GILL: Website: https://www.gillmoakes.com/ LinkedIn: https://www.linkedin.com/in/gillmoakes/ Insta: https://www.instagram.com/gillmoakes/ ***** 00:18 Meet Ellie Nova: Sober Coach and Mentor00:38 Ellie's Journey to Sobriety03:25 The Reality of Alcohol Addiction06:57 Challenging Cultural Norms Around Drinking10:52 Navigating Social Circles Without Alcohol18:16 Embracing Sobriety and Emotional Well-being19:23 Building Your Sober Toolkit20:51 Embracing Silence and Self-Compassion23:26 Transforming Self-Criticism into Self-Love27:37 The Journey of Compassionate Coaching31:22 Upcoming Events and Final Thoughts

Clare Carlisle's biography of George Eliot, The Marriage Question, is one of my favourite modern biographies, so I was really pleased to interview Clare. We talked about George Eliot as a feminist, the imperfections of her “marriage” to George Henry Lewes, what she learned from Spinoza, having sympathy for Casaubon, contradictions in Eliot's narrative method, her use of negatives, psychoanalysis, Middlemarch, and more. We also talked about biographies of philosophers, Kierkegaard, and Somerset Maugham. I was especially pleased by Clare's answer about the reported decline in student attention spans. Overall I thought this was a great discussion. Many thanks to Clare! Full transcript below. Here is an extract from our discussion about Eliot's narrative ideas.Clare: Yes, that's right. The didactic thing, George Eliot is sometimes criticized for this didacticism because what's most effective in the novel is not the narrator coming and telling us we should actually feel sorry for Casaubon and we should sympathize with him. We'd be better people if we sympathize with Casaubon. There's a moralizing lecture about, you should feel sympathy for this unlikable person. What is more effective is the subtle way she portrays this character and, as I say, lets us into his vulnerabilities in some obvious ways, as you say, by pointing things out, but also in some more subtle ways of drawing his character and hinting at, as I say, his vulnerabilities.Henry: Doesn't she know, though, that a lot of readers won't actually be very moved by the subtle things and that she does need to put in a lecture to say, "I should tell you that I am very personally sympathetic to Mr. Casaubon and that if you leave this novel hating him, that's not--"? Isn't that why she does it? Because she knows that a lot of readers will say, "I don't care. He's a baddie."Clare: Yes I don't know, that's a good question.Henry: I'm interested because, in The Natural History of German Life, she goes to all these efforts to say abstract arguments and philosophy and statistics and such, these things don't change the world. Stories change the world. A picture of life from a great artist. Then when she's doing her picture of life from a great artist she constantly butts in with her philosophical abstractions because it's, she can't quite trust that the reader will get it right as it were.Clare: Yes, I suppose that's one way of looking at it. You could say that or maybe does she have enough confidence in her ability to make us feel with these characters. That would be another way of looking at it. Whether her lack of confidence and lack of trust is in the reader or in her own power as an artist is probably an open question.TranscriptHenry: Today I am talking to Clare Carlisle, a philosopher at King's College London and a biographer. I am a big fan of George Eliot's Double Life: The Marriage Question. I've said the title backwards, but I'm sure you'll find the book either way. Clare, welcome.Clare Carlisle: Hi, Henry. Nice to be here.Henry: Is George Eliot a disappointing feminist?Clare: Obviously disappointment is relative to expectations, isn't it? It depends on what we expect of feminism, and in particular, a 19th-century woman. I personally don't find her a disappointing feminist. Other readers have done, and I can understand why that's the case for all sorts of reasons. She took on a male identity in order to be an artist, be a philosopher in a way that she thought was to her advantage, and she's sometimes been criticized for creating heroines who have quite a conventional sort of fulfillment. Not all of them, but Dorothea in Middlemarch, for example, at the end of the novel, we look back on her life as a wife and a mother with some sort of poignancy.Yes, she's been criticized for, in a way, giving her heroines and therefore offering other women a more conventional feminine ideal than the life she managed to create and carve out for herself as obviously a very remarkable thinker and artist. I also think you can read in the novels a really bracing critique of patriarchy, actually, and a very nuanced exploration of power dynamics between men and women, which isn't simplistic. Eliot is aware that women can oppress men, just as men can oppress women. Particularly in Middlemarch, actually, there's an exploration of marital violence that overcomes the more gendered portrayal of it, perhaps in Eliot's own earlier works where, in a couple of her earlier stories, she portrayed abused wives who were victims of their husband's betrayal, violence, and so on.Whereas in Middlemarch, it's interestingly, the women are as controlling, not necessarily in a nasty way, but just that that's the way human beings navigate their relations with each other. It seems to be part of what she's exploring in Middlemarch. No, I don't find her a disappointing feminist. We should be careful about the kind of expectations we, in the 21st century project onto Eliot.Henry: Was George Henry Lewes too controlling?Clare: I think one of the claims of this book is that there was more darkness in that relationship than has been acknowledged by other biographers, let's put it that way. When I set out to write the book, I'd read two or three other biographies of Eliot by this point. One thing that's really striking is this very wonderfully supportive husbands that, in the form of Lewes, George Eliot has, and a very cheerful account of that relationship and how marvelous he was. A real celebration of this relationship where the husband is, in many ways, putting his wife's career before his own, supporting her.Lewes acted as her agent, as her editor informally. He opened her mail for her. He really put himself at the service of her work in ways that are undoubtedly admirable. Actually, when I embarked on writing this book, I just accepted that narrative myself and was interested in this very positive portrayal of the relationship, found it attractive, as other writers have obviously done. Then, as I wrote the book, I was obviously reading more of the primary sources, the letters Eliot was writing and diary entries. I started to just have a bit of a feeling about this relationship, that it was light and dark, it wasn't just light.The ambiguity there was what really interested me, of, how do you draw the line between a husband or a wife who's protective, even sheltering the spouse from things that might upset them and supportive of their career and helpful in practical ways. How do you draw the line between that and someone who's being controlling? I think there were points where Lewes crossed that line. In a way, what's more interesting is, how do you draw that line. How do partners draw that line together? Not only how would we draw the line as spectators on that relationship, obviously only seeing glimpses of the inner life between the two people, but how do the partners themselves both draw those lines and then navigate them?Yes, I do suggest in the book that Lewes could be controlling and in ways that I think Eliot herself felt ambivalent about. I think she partly enjoyed that feeling of being protected. Actually, there was something about the conventional gendered roles of that, that made her feel more feminine and wifely and submissive, In a way, to some extent, I think she bought into that ideal, but also she felt its difficulties and its tensions. I also think for Lewes, this is a man who is himself conditioned by patriarchal norms with the expectation that the husband should be the successful one, the husband should be the provider, the one who's earning the money.He had to navigate a situation. That was the situation when they first got together. When they first got together, he was more successful writer. He was the man of the world who was supporting Eliot, who was more at the beginning of her career to some extent and helping her make connections. He had that role at the beginning. Then, within a few years, it had shifted and suddenly he had this celebrated best-selling novelist on his hands, which was, even though he supported her success, partly for his own financial interests, it wasn't necessarily what he'd bargained for when he got into the relationship.I think we can also see Lewes navigating the difficulties of that role, of being, to some extent, maybe even disempowered in that relationship and possibly reacting to that vulnerability with some controlling behavior. It's maybe something we also see in the Dorothea-Casaubon relationship where they get together. Not that I think that at all Casaubon was modeled on Lewes, not at all, but something of the dynamic there where they get together and the young woman is in awe of this learned man and she's quite subservient to him and looking up to him and wanting him to help her make her way in the world and teach her things.Then it turns out that his insecurity about his own work starts to come through. He reacts, and the marriage brings out his own insecurity about his work. Then he becomes quite controlling of Dorothea, perhaps again as a reaction to his own sense of vulnerability and insecurity. The point of my interpretation is not to portray Lewes as some villain, but rather to see these dynamics and as I say, ambivalences, ambiguities that play themselves out in couples, between couples.Henry: I came away from the book feeling like it was a great study of talent management in a way, and that the both of them were very lucky to find someone who was so well-matched to their particular sorts of talents. There are very few literary marriages where that is the case, or where that is successfully the case. The other one, the closest parallel I came up with was the Woolfs. Leonard is often said he's too controlling, which I find a very unsympathetic reading of a man who looked after a woman who nearly died. I think he was doing what he felt she required. In a way, I agree, Lewes clearly steps over the line several times. In a way, he was doing what she required to become George Eliot, as it were.Clare: Yes, absolutely.Henry: Which is quite remarkable in a way.Clare: Yes. I don't think Mary Ann Evans would have become George Eliot without that partnership with Lewes. I think that's quite clear. That's not because he did the work, but just that there was something about that, the partnership between them, that enabled that creativity…Henry: He knew all the people and he knew the literary society and all the editors, and therefore he knew how to take her into that world without it overwhelming her, giving her crippling headaches, sending her into a depression.Clare: Yes.Henry: In a way, I came away more impressed with them from the traditional, isn't it angelic and blah, blah, blah.Clare: Oh, that's good.Henry: What did George Eliot learn from Spinoza?Clare: I think she learned an awful lot from Spinoza. She translated Spinoza in the 1850s. She translated Spinoza's Ethics, which is Spinoza's philosophical masterpiece. That's really the last major project that Eliot did before she started to write fiction. It has, I think, quite an important place in her career. It's there at that pivotal point, just before she becomes an artist, as she puts it, as a fiction writer. Because she didn't just read The Ethics, but she translated it, she read it very, very closely, and I think was really quite deeply formed by a particular Spinozist ethical vision.Spinoza thinks that human beings are not self-sufficient. He puts that in very metaphysical terms. A more traditional philosophical view is to say that individual things are substances. I'm a substance, you're a substance. What it means to be a substance is to be self-sufficient, independent. For example, I would be a substance, but my feeling of happiness on this sunny morning would be a more accidental feature of my being.Henry: Sure.Clare: Something that depends on my substance, and then these other features come and go. They're passing, they're just modes of substance, like a passing mood or whatever, or some kind of characteristic I might have. That's the more traditional view, whereas Spinoza said that there's only one substance, and that's God or nature, which is just this infinite totality. We're all modes of that one substance. That means that we don't have ontological independence, self-sufficiency. We're more like a wave on the ocean that's passing through. One ethical consequence of that way of thinking is that we are interconnected.We're all interconnected. We're not substances that then become connected and related to other substances, rather we emerge as beings through this, our place in this wider whole. That interconnectedness of all things and the idea that individuals are really constituted by their relations is, I think, a Spinoza's insight that George Eliot drew on very deeply and dramatized in her fiction. I think it's there all through her fiction, but it becomes quite explicit in Middlemarch where she talks about, she has this master metaphor of the web.Henry: The web. Right.Clare: In Middlemarch, where everything is part of a web. You put pressure on a bit of it and something changes in another part of the web. That interconnectedness can be understood on multiple levels. Biologically, the idea that tissues are formed in this organic holistic way, rather than we're not composed of parts, like machines, but we're these organic holes. There's a biological idea of the web, which she explores. Also, the economic system of exchange that holds a community together. Then I suppose, perhaps most interestingly, the more emotional and moral features of the web, the way one person's life is bound up with and shaped by their encounters with all the other lives that it comes into contact with.In a way, it's a way of thinking that really, it questions any idea of self-sufficiency, but it also questions traditional ideas of what it is to be an individual. You could see a counterpart to this way of thinking in a prominent 19th-century view of history, which sees history as made by heroic men, basically. There's this book by Carlyle, Thomas Carlyle, called The Heroic in History, or something like that.Henry: Sure. On heroes and the heroic, yes.Clare: Yes. That's a really great example of this way of thinking about history as made by heroes. Emerson wrote this book called Representative Men. These books were published, I think, in the early 1850s. Representative Men. Again, he identifies these certain men, these heroic figures, which represent history in a way. Then a final example of this is Auguste Comte's Positivist Calendar, which, he's a humanist, secularist thinker who wants to basically recreate culture and replace our calendar with this lunar calendar, which, anyway, it's a different calendar, has 13 months.Each month is named after a great man. There's Shakespeare, and there's Dante, and there's-- I don't know, I can't remember. Anyway, there's this parade of heroic men. Napoleon. Anyway, that's the view of history that Eliot grew up with. She was reading, she was really influenced by Carlisle and Emerson and Comte. In that landscape, she is creating this alternative Spinozist vision of what an exemplar can be like and who gets to be an exemplar. Dorothea was a really interesting exemplar because she's unhistoric. At the very end of Middlemarch, she describes Dorothea's unhistoric life that comes to rest in an unvisited tomb.She's obscure. She's not visible on the world stage. She's forgotten once she dies. She's obscure. She's ordinary. She's a provincial woman, upper middle-class provincial woman, who makes some bad choices. She has high ideals but ends up living a life that from the outside is not really an extraordinary life at all. Also, she is constituted by her relations with others in both directions. Her own life is really shaped by her milieu, by her relationships with the people. Also, at the end of the novel, Eliot leaves us with a vision of the way Dorothea's life has touched other lives and in ways that can't be calculated, can't really be recognized. Yet, she has these effects that are diffused.She uses this word, diffusion or diffuseness. The diffuseness of the effects of Dorothea's life, which seep into the world. Of course, she's a woman. She's not a great hero in this Carlyle or Emerson sense. In all these ways, I think this is a very different way of thinking about individuality, but also history and the way the world is made, that history and the world is made by, in this more Spinozist kind of way, rather than by these heroic representative men who stand on the world stage. That's not Spinoza's, that's Eliot's original thinking. She's taking a Spinozist ontology, a Spinozist metaphysics, but really she's creating her own vision with that, that's, of course, located in that 19th-century context.Henry: How sympathetic should we be to Mr. Casaubon?Clare: I feel very sympathetic to Mr. Casaubon because he is so vulnerable. He's a really very vulnerable person. Of course, in the novel, we are encouraged to look at it from Dorothea's point of view, and so when we look at it from Dorothea's point of view, Casaubon is a bad thing. The best way to think about it is the view of Dorothea's sister Celia, her younger sister, who is a very clear-eyed observer, who knows that Dorothea is making a terrible mistake in marrying this man. She's quite disdainful of Casaubon's, well, his unattractive looks.He's only about 40, but he's portrayed as this dried-up, pale-faced scholar, academic, who is incapable of genuine emotional connection with another person, which is quite tragic, really. The hints are that he's not able to have a sexual relationship. He's so buttoned up and repressed, in a way. When we look at it from Dorothea's perspective, we say, "No, he's terrible, he's bad for you, he's not going to be good for you," which of course is right. I think Eliot herself had a lot of sympathy for Casaubon. There's an anecdote which said that when someone asked who Casaubon was based on, she pointed to herself.I think she saw something of herself in him. On an emotional level, I think he's just a fascinating character, isn't he, in a way, from an aesthetic point of view? The point is not do we like Casaubon or do we not like him? I think we are encouraged to feel sympathy with him, even as, on the one, it's so clever because we're taken along, we're encouraged to feel as Celia feels, where we dislike him, we don't sympathize with him. Then Eliot is also showing us how that view is quite limited, I think, because we do occasionally see the world from Casaubon's point of view and see how fearful Casaubon is.Henry: She's also explicit and didactic about the need to sympathize with him, right? It's often in asides, but at one point, she gives over most of a chapter to saying, "Poor Mr. Casaubon. He didn't think he'd end up like this." Things have actually gone very badly for him as well.Clare: Yes, that's right. The didactic thing, George Eliot is sometimes criticized for this didacticism because what's most effective in the novel is not the narrator coming and telling us we should actually feel sorry for Casaubon and we should sympathize with him. We'd be better people if we sympathize with Casaubon. There's a moralizing lecture about, you should feel sympathy for this unlikable person. What is more effective is the subtle way she portrays this character and, as I say, lets us into his vulnerabilities in some obvious ways, as you say, by pointing things out, but also in some more subtle ways of drawing his character and hinting at, as I say, his vulnerabilities.Henry: Doesn't she know, though, that a lot of readers won't actually be very moved by the subtle things and that she does need to put in a lecture to say, "I should tell you that I am very personally sympathetic to Mr. Casaubon and that if you leave this novel hating him, that's not--"? Isn't that why she does it? Because she knows that a lot of readers will say, "I don't care. He's a baddie."Clare: Yes I don't know, that's a good question.Henry: I'm interested because, in The Natural History of German Life, she goes to all these efforts to say abstract arguments and philosophy and statistics and such, these things don't change the world. Stories change the world. A picture of life from a great artist. Then when she's doing her picture of life from a great artist she constantly butts in with her philosophical abstractions because it's, she can't quite trust that the reader will get it right as it were.Clare: Yes, I suppose that's one way of looking at it. You could say that or maybe does she have enough confidence in her ability to make us feel with these characters. That would be another way of looking at it. Whether her lack of confidence and lack of trust is in the reader or in her own power as an artist is probably an open question.Henry: There's a good book by Debra Gettelman about the way that novelists like Eliot knew what readers expected because they were all reading so many cheap romance novels and circulating library novels. There are a lot of negations and arguments with the reader to say, "I know what you want this story to do and I know how you want this character to turn out, but I'm not going to do that. You must go with me with what I'm doing.Clare: Yes. You mean this new book that's come out called Imagining Otherwise?Henry: That's right, yes.Clare: I've actually not read it yet, I've ordered it, but funnily enough, as you said at the beginning, I'm a philosopher so I'm not trained at all as a reader of literary texts or as a literary scholar by any means, and so I perhaps foolishly embarked on this book on George Eliot thinking, "Oh, next I'm going to write a book about George Eliot." Anyway, I ended up going to a couple of conferences on George Eliot, which was interestingly like stepping into a different world. The academic world of literary studies is really different from the world of academic philosophy, interestingly.It's run by women for a start. You go to a conference and it's very female-dominated. There's all these very eminent senior women or at least at this conference I went to there was these distinguished women who were running the show. Then there were a few men in that mix, which is the inverse of often what it can be like in a philosophy conference, which is still quite a male-dominated discipline. The etiquette is different. Philosophers like to criticize each other's arguments. That's the way we show love is to criticize and take down another philosopher's argument.Whereas the academics at this George Eliot conference were much more into acknowledging what they'd learned from other people's work and referencing. Anyway, it's really interestingly different. Debra Gettelman was at this conference.Henry: Oh, great.Clare: She had a book on Middlemarch. I think it was 2019 because it was the bicentenary of Eliot's birth, that's why there was this big conference. Debra, who I'd never met before or heard of, as I just didn't really know this world, gave this amazing talk on Middlemarch and on these negations in Middlemarch. It really influenced me, it really inspired me. The way she did these close readings of the sentences, this is what literary scholars are trained to do, but I haven't had that training and the close reading of the sentences, which didn't just yield interesting insights into the way George Eliot uses language but yielded this really interesting philosophical work where Eliot is using forms of the sentence to explore ontological questions about negation and possibility and modality.This was just so fascinating and really, it was a small paper in one of those parallel sessions. It wasn't one of the big presentations at the conference, but it was that talk that most inspired me at the conference. It's a lot of the insights that I got from Debra Gettelman I ended up drawing on in my own chapter on Middlemarch. I situated it a bit more in the history of philosophy and thinking about negation as a theme.Henry: This is where you link it to Hegel.Clare: Yes, to Hegel, exactly. I was so pleased to see that the book is out because I think I must have gone up to her after the talk and said, "Oh, it's really amazing." Was like, "Oh, thank you." I was like, "Is it published? Can I cite it?" She said, "No. I'm working on this project." It seemed like she felt like it was going to be a long time in the making. Then a few weeks ago, I saw a review of the book in the TLS. I thought, "Oh, amazing, the book is out. It just sounds brilliant." I can't wait to read that book. Yes, she talks about Eliot alongside, I think, Dickens and another.Henry: And Jane Austen.Clare: Jane Austen, amazing. Yes. I think it's to do with, as you say, writing in response to readerly expectation and forming readerly expectations. Partly thanks to Debra Gettelman, I can see how Eliot does that. It'd be really interesting to learn how she sees Jane Austen and Dickens also doing that.Henry: It's a brilliant book. You're in for a treat.Clare: Yes, I'm sure it is. That doesn't surprise me at all.Henry: Now, you say more than once in your book, that Eliot anticipates some of the insights of psychotherapy.Clare: Psychoanalysis.Henry: Yes. What do you think she would have made of Freud or of our general therapy culture? I think you're right, but she has very different aims and understandings of these things. What would she make of it now?Clare: It seems that Freud was probably influenced by Eliot. That's a historical question. He certainly read and admired Eliot. I suspect, yes, was influenced by some of her insights, which in turn, she's drawing on other stuff. What do you have in mind? Your question suggests that you think she might have disapproved of therapy culture.Henry: I think novelists in general are quite ambivalent about psychoanalysis and therapy. Yes.Clare: For what reason?Henry: If you read someone like Iris Murdoch, who's quite Eliotic in many ways, she would say, "Do these therapists ever actually help anyone?"Clare: Ah.Henry: A lot of her characters are sent on these slightly dizzying journeys. They're often given advice from therapists or priests or philosophers, and obviously, Murdoch Is a philosopher. The advice from the therapists and the philosophers always ends these characters up in appalling situations. It's art and literature. As you were saying before, a more diffusive understanding and a way of integrating yourself with other things rather than looking back into your head and dwelling on it.Clare: Of course. Yes.Henry: I see more continuity between Eliot and that kind of thinking. I wonder if you felt that the talking cure that you identified at the end of Middlemarch is quite sound common sense and no-nonsense. It's not lie on the couch and tell me how you feel, is it?Clare: I don't know. That's one way to look at it, I suppose. Another way to look at it would be to see Eliot and Freud is located in this broadly Socratic tradition of one, the idea that if you understand yourself better, then that is a route to a certain qualified kind of happiness or fulfillment or liberation. The best kind of human life there could be is one where we gain insight into our own natures. We bring to light what is hidden from us, whether those are desires that are hidden away in the shadows and they're actually motivating our behavior, but we don't realize it, and so we are therefore enslaved to them.That's a very old idea that you find in ancient philosophy. Then the question is, by what methods do we bring these things to light? Is it through Socratic questioning? Is it through art? Eliot's art is an art that I think encourages us to see ourselves in the characters. As we come to understand the characters, and in particular to go back to what I said before about Spinozism, to see their embeddedness and their interconnectedness in these wider webs, but also in a sense of that embeddedness in psychic forces that they're not fully aware of. Part of what you could argue is being exposed there, and this would be a Spinozist insight, is the delusion of free will.The idea that we act freely with these autonomous agents who have access to and control over our desires, and we pick the thing that's in our interest and we act on that. That's a view that I think Spinoza is very critical. He famously denies free will. He says we're determined, we just don't understand how we're determined. When we understand better how we're determined, then perhaps paradoxically we actually do become relatively empowered through our understanding. I think there's something of that in Eliot too, and arguably there's something of that in Freud as well. I know you weren't actually so much asking about Freud's theory and practice, and more about a therapy culture.Henry: All of it.Clare: You're also asking about that. As I say, the difference would be the method for accomplishing this process of a kind of enlightenment. Of course, Freud's techniques medicalizes that project basically. It's the patient and the doctor in dialogue, and depends a lot on the skills of the doctor, doesn't it? How successful, and who is also a human being, who is also another human being, who isn't of course outside of the web, but is themselves in it, and ideally has themselves already undergone this process of making themselves more transparent to their own understanding, but of course, is going to be liable to their own blind spots, and so on.Henry: Which of her novels do you love the most? Just on a personal level, it doesn't have to be which one you think is the most impressive or whatever.Clare: I'm trying to think how to answer that question. I was thinking if I had to reread one of them next week, which one would I choose? If I was going on holiday and I wanted a beach read for pure enjoyment, which of the novels would I pick up? Probably Middlemarch. I think it's probably the most enjoyable, the most fun to read of her novels, basically.Henry: Sure.Clare: There'd be other reasons for picking other books. I really think Daniel Deronda is amazing because of what she's trying to do in that book. Its ambition, it doesn't always succeed in giving us the reading experience that is the most enjoyable. In terms of just the staggering philosophical and artistic achievement, what she's attempting to do, and what she does to a large extent achieve in that book, I think is just incredible. As a friend of Eliot, I have a real love for Daniel Deronda because I just think that what an amazing thing she did in writing that book. Then I've got a soft spot for Silas Marner, which is short and sweet.Henry: I think I'd take The Mill on the Floss. That's my favorite.Clare: Oh, would you?Henry: I love that book.Clare: That also did pop into my mind as another contender. Yes, because it's so personal in a way, The Mill on the Floss. It's personal to her, it's also personal to me in that, it's the first book by Eliot I read because I studied it for A-Level. I remember thinking when we were at the beginning of that two-year period when I'd chosen my English literature A-Level and we got the list of texts we were going to read, I remember seeing The Mill on the Floss and thinking, "Oh God, that sounds so boring." The title, something about the title, it just sounded awful. I remember being a bit disappointed that it wasn't a Jane Austen or something more fun.I thought, "Oh, The Mill on the Floss." Then I don't have a very strong memory of the book, but I remember thinking, actually, it was better than I expected. I did think, actually, it wasn't as awful and boring as I thought it would be. It's a personal book to Eliot. I think that exploring the life of a mind of a young woman who has no access to proper education, very limited access to art and culture, she's stuck in this little village near a provincial town full of narrow-minded conservative people. That's Eliot's experience herself. It was a bit my experience, too, as, again, not that I even would have seen it this way at the time, but a girl with intellectual appetites and not finding those appetites very easily satisfied in, again, a provincial, ordinary family and the world and so on.Henry: What sort of reader were you at school?Clare: What sort of reader?Henry: Were you reading lots of Plato, lots of novels?Clare: No. I'm always really surprised when I meet people who say things like they were reading Kierkegaard and Plato when they were 15 or 16. No, not at all. No, I loved reading, so I just read lots and lots of novels. I loved Jane Eyre. That was probably one of the first proper novels, as with many people, that I remember reading that when I was about 12 and partly feeling quite proud of myself for having read this grown-up book, but also really loving the book. I reread that probably several times before I was 25. Jane Austen and just reading.Then also I used to go to the library, just completely gripped by some boredom and restlessness and finding something to read. I read a lot and scanning the shelves and picking things out. That way I read more contemporary fiction. Just things like, I don't know, Julian Barnes or, Armistead Maupin, or just finding stuff on the shelves of the library that looked interesting, or Anita Brookner or Somerset Maugham. I really love Somerset Maugham.Henry: Which ones do you like?Clare: I remember reading, I think I read The Razor's Edge first.Henry: That's a great book.Clare: Yes, and just knowing nothing about it, just picking it off the shelf and thinking, "Oh, this looks interesting." I've always liked a nice short, small paperback. That would always appeal. Then once I found a book I liked, I'd then obviously read other stuff by that writer. I then read, so The Razor's Edge and-- Oh, I can't remember.Henry: The Moon and Sixpence, maybe?Clare: Yes, The Moon and Sixpence, and-Henry: Painted Veils?Clare: -Human Bondage.Henry: Of Human Bondage, right.Clare: Human Bondage, which is, actually, he took the title from Spinoza's Ethics. That's the title. Cluelessly, as a teenager, I was like, "Ooh, this book is interesting." Actually, when I look back, I can see that those writers, like Maugham, for example, he was really interested in philosophy. He was really interested in art and philosophy, and travel, and culture, and religion, all the things I am actually interested in. I wouldn't have known that that was why I loved the book. I just liked the book and found it gripping. It spoke to me, and I wanted to just read more other stuff like that.I was the first person in my family to go to university, so we didn't have a lot of books in the house. We had one bookcase. There were a few decent things in there along with the Jeffrey Archers in there. I read everything on that bookshelf. I read the Jeffrey Archers, I read the True Crime, I read the In Cold Blood, just this somewhat random-- I think there was probably a couple of George Eliots on there. A few classics, I would, again, grip by boredom on a Sunday afternoon, just stare at this shelf and think, "Oh, is there anything?" Maybe I'll end up with a Thomas Hardy or something. It was quite limited. I didn't really know anything about philosophy. I didn't think of doing philosophy at university, for example. I actually decided to do history.I went to Cambridge to do history. Then, after a couple of weeks, just happened to meet someone who was doing philosophy. I was like, "Oh, that's what I want to do." I only recognized it when I saw it. I hadn't really seen it because I went to the local state school, it wasn't full of teachers who knew about philosophy and stuff like that.Henry: You graduated in theology and philosophy, is that right?Clare: Yes. Cambridge, the degrees are in two parts. I did Part 1, theology, and then I did Part 2, philosophy. I graduated in philosophy, but I studied theology in my first year at Cambridge.Henry: What are your favorite Victorian biographies?Clare: You mean biographies of Victorians?Henry: Of Victorians, by Victorians, whatever.Clare: I don't really read many biographies.Henry: Oh, really?Clare: [laughs] The first biography I wrote was a biography of Kierkegaard. I remember thinking, when I started to write the book, "I'd better read some biographies." I always tend to read fiction. I'm not a big reader of history, which is so ironic. I don't know what possessed me to go and study history at university. These are not books I read for pleasure. I suppose I am quite hedonistic in my choice of reading, I like to read for pleasure.Henry: Sure. Of course.Clare: I don't tend to read nonfiction. Obviously, I do sometimes read nonfiction for pleasure, but it's not the thing I'm most drawn to. Anyway. I remember asking my editor, I probably didn't mention that I didn't know very much about biography, but I did ask him to recommend some. I'd already got the book contract. I said, "What do you think is a really good biography that I should read?" He recommended, I think, who is it who wrote The Life of Gibbon? Really famous biography of Gibbon.Henry: I don't know.Clare: That one. I read it. It is really good. My mind is going blank. I read many biographies of George Eliot before I wrote mine.Henry: They're not all wonderful, are they?Clare: I really liked Catherine Hughes's book because it brought her down from her pedestal.Henry: Exactly. Yes.Clare: Talking about hedonism, I would read anything that Catherine Hughes writes just for enjoyment because she's such a good writer. She's a very intellectual woman, but she's also very entertaining. She writes to entertain, which I like and appreciate as a reader. There's a couple of big archival biographies of George Eliot by Gordon Haight and by Rosemary Ashton, for example, which are both just invaluable. One of the great things about that kind of book is that it frees you to write a different kind of biography that can be more interpretive and more selective. Once those kinds of books have been published, there's no point doing another one. You can do something more creative, potentially, or more partial.I really like Catherine Hughes's. She was good at seeing through Eliot sometimes, and making fun of her, even though it's still a very respectful book. There's also this brilliant book about Eliot by Rosemary Bodenheimer called The Real Life of Mary Ann Evans. It's a biographical book, but it's written through the letters. She sees Eliot's life through her letters. Again, it's really good at seeing through Eliot. What Eliot says is not always what she means. She can be quite defensive and boastful. These are things that really come out in her letters. Anyway, that's a brilliant book, which again, really helped me to read Eliot critically. Not unsympathetically, but critically, because I tend to fall in love with thinkers that I'm reading. I'm not instinctively critical. I want to just show how amazing they are, but of course, you also need to be critical. Those books were--Henry: Or realistic.Clare: Yes, realistic and just like, "This is a human being," and having a sense of humor about it as well. That's what's great about Catherine Hughes's book, is that she's got a really good sense of humor. That makes for a fun reading experience.Henry: Why do you think more philosophers don't write biographies? It's an unphilosophical activity, isn't it?Clare: That's a very interesting question. Just a week or so ago, I was talking to Clare Mac Cumhaill I'm not quite sure how you pronounce her name, but anyway, so there's--Henry: Oh, who did the four women in Oxford?Clare: Yes. Exactly.Henry: That was a great book.Clare: Yes. Clare MacCumhaill co-wrote this book with Rachael Wiseman. They're both philosophers. They wrote this group biography of Iris Murdoch, Elizabeth Anscombe, Philippa Foot, and Mary Midgley. I happened to be having dinner with a group of philosophers and sitting opposite her. Had never met her before. It was just a delight to talk to another philosopher who'd written biography. We both felt that there was a real philosophical potential in biography, that thinking about a shape of a human life, what it is to know another person, the connection between a person's life and their philosophy. Even to put it that way implies that philosophy is something that isn't part of life, that you've got philosophy over here and you've got life over there. Then you think about the connection between them.That, when you think about it, is quite a questionable way of looking at philosophy as if it's somehow separate from life or detachment life. We had a really interesting conversation about this. There's Ray Monk's brilliant biography of Wittgenstein, The Duty of Genius. He's another philosopher who's written biography, and then went on to reflect, interestingly, on the relationship between philosophy and biography.I think on the one hand, I'd want to question the idea that biography and philosophy are two different things or that a person's life and their thought are two separate questions. On the other hand, we've got these two different literary forms. One of them is a narrative form of writing, and one of them- I don't know what the technical term for it would be- but a more systematic writing where with systematic writing, it's not pinned to a location or a time, and the structure of the text is conceptual rather than narrative. It's not ordered according to events and chronology, and things happening, you've just got a more analytic style of writing.Those two styles of writing are very, very different ways of writing. They're two different literary forms. Contemporary academic philosophers tend to write, almost always-- probably are pretty much forced to write in the systematic analytic style because as soon as you would write a narrative, the critique will be, "Well, that's not philosophy. That's history," or "That's biography," or, "That's anecdote." You might get little bits of narrative in some thought experiment, but by definition, the thought experiment is never pinned to a particular time, place, or context. "Let's imagine a man standing on a bridge. There's a fat man tied to the railway line [crosstalk]." Those are like little narratives, but they're not pinned. There is a sequencing, so I suppose they are narratives. Anyway, as you can tell, they're quite abstracted little narratives.That interests me. Why is it that narrative is seen as unphilosophical? Particularly when you think about the history of philosophy, and we think about Plato's dialogues, which tend to have a narrative form, and the philosophical conversation is often situated within a narrative. The Phaedo, for example, at the beginning of the book, Socrates is sitting in prison, and he's about to drink his poisoned hemlock. He's awaiting execution. His friends, students, and disciples are gathered around him. They're talking about death and how Socrates feels about dying. Then, at the end of the book, he dies, and his friends are upset about it.Think about, I know, Descartes' Meditations, where we begin in the philosopher's study, and he's describing--Henry: With the fire.Clare: He's by the fire, but he's also saying, "I've reached a point in my life where I thought, actually, it's time to question some assumptions." He's sitting by the fire, but he's also locating the scene in his own life trajectory. He's reached a certain point in life. Of course, that may be a rhetorical device. Some readers might want to say, "Well, that's mere ornamentation. We extract the arguments from that. That's where the philosophy is." I think it's interesting to think about why philosophers might choose narrative as a form.Spinoza, certainly not in the Ethics, which is about as un-narrative as you can get, but in some of his other, he experimented with an earlier version of the Ethics, which is actually like Descartes' meditation. He begins by saying, "After experience had taught me to question all the values I'd been taught to pursue, I started to wonder whether there was some other genuine good that was eternal," and so on. He then goes on to narrate his experiments with a different kind of life, giving up certain things and pursuing other things.Then you come to George Eliot. I think these are philosophical books.Henry: Yes.Clare: The challenge lies in saying, "Well, how are they philosophical?" Are they philosophical because there are certain ideas in the books that you could pick out and say, "Oh, here, she's critiquing utilitarianism. These are her claims." You can do that with Eliot's books. There are arguments embedded in the books. I wouldn't want to say that that's where their philosophical interest is exhausted by the fact that you can extract non-narrative arguments from them, but rather there's also something philosophical in her exploration of what a human life is like and how choices get made and how those choices, whether they're free or unfree, shape a life, shape other lives. What human happiness can we realistically hope for? What does a good life look like? What does a bad life look like? Why is the virtue of humility important?These are also, I think, philosophical themes that can perhaps only be treated in a long-form, i.e., in a narrative that doesn't just set a particular scene from a person's life, but that follows the trajectory of a life. That was a very long answer to your question.Henry: No, it was a good answer. I like it.Clare: Just to come back to what you said about biography. When I wrote my first biography on Kierkegaard, I really enjoyed working in this medium of narrative for the first time. I like writing. I'd enjoyed writing my earlier books which were in that more analytic conceptual style where the structure was determined by themes and by concepts rather than by any chronology. I happily worked in that way. I had to learn how to do it. I had to learn how to write. How do you write a narrative?To come back to the Metaphysical Animals, the group biography, writing a narrative about one person's life is complicated enough, but writing a narrative of four lives, it's a real-- from a technical point of view-- Even if you only have one life, lives are not linear. If you think about a particular period in your subject's life, people have lots of different things going on at once that have different timeframes. You're going through a certain period in your relationship, you're working on a book, someone close to you dies, you're reading Hegel. All that stuff is going on. The narrative is not going to be, "Well, on Tuesday this happened, and then on Wednesday--" You can't use pure chronology to structure a narrative. It's not just one thing following another.It's not like, "Well, first I'll talk about the relationship," which is an issue that was maybe stretching over a three-month period. Then in this one week, she was reading Hegel and making these notes that were really important. Then, in the background to this is Carlisle's view of history. You've got these different temporal periods that are all bearing on a single narrative. The challenge to create a narrative from all that, that's difficult, as any biographer knows. To do that with four subjects at once is-- Anyway, they did an amazing job in that book.Henry: It never gets boring, that book.Clare: No. I guess the problem with a biography is often you're stuck with this one person through the whole--Henry: I think the problem with a biography of philosophers is that it can get very boring. They kept the interest for four thinkers. I thought that was very impressive, really.Clare: Yes, absolutely. Yes. There's a really nice balance between the philosophy and the-- I like to hear about Philippa Foot's taste in cushions. Maybe some readers would say, "Oh, no, that's frivolous." It's not the view I would take. For me, it's those apparently frivolous details that really help you to connect with a person. They will deliver a sense of the person that nothing else will. There's no substitute for that.In my book about Kierkegaard, it was reviewed by Terry Eagleton in the London Review of Books. It was generally quite a positive review. He was a bit sneering about the fact that it had what he calls "domestic flourishes" in the book. I'd mentioned that Kierkegaard's favorite flower was the lily of the valley. He's like, "Huh." He saw these as frivolities, whereas for me, the fact that Kierkegaard had a favorite flower tells us something about the kind of man he was.Henry: Absolutely.Clare: Actually, his favorite flower had all sorts of symbolism attached to it, Kierkegaard, it had 10 different layers of meaning. It's never straightforward. There's interesting value judgments that get made. There's partly the view that anything biographical is not philosophical. It is in some way frivolous or incidental. That would be perhaps a very austere, purest philosophical on a certain conception of philosophy view.Then you might also have views about what is and isn't interesting, what is and isn't significant. Actually, that's a really interesting question. What is significant about a person's life, and what isn't? Actually, to come back to Eliot, that's a question she is, I think, absolutely preoccupied with, most of all in Middlemarch and in Daniel Deronda. This question about what is trivial and what is significant. Dorothea is frustrated because she feels that her life is trivial. She thinks that Casaubon is preoccupied with really significant questions, the key to all mythologies, and so on.Henry: [chuckles]Clare: There's really a deep irony there because that view of what's significant is really challenged in the novel. Casaubon's project comes to seem really futile, petty, and insignificant. In Daniel Deronda, you've got this amazing question where she shows her heroine, Gwendolyn, who's this selfish 20-year-old girl who's pursuing her own self-interest in a pretty narrow way, about flirting and thinking about her own romantic prospects.Henry: Her income.Clare: She's got this inner world, which is the average preoccupation of a silly 20-year-old girl.Henry: Yes. [laughs]Clare: Then Eliot's narrator asks, "Is there a slenderer, more insignificant thread in human history than this consciousness of a girl who's preoccupied with how to make her own life pleasant?" The question she's asking is-- Well, I think she wants to tell us that slender thread of the girl's consciousness is part of the universe, basically. It's integral. It belongs to a great drama of the struggle between good and evil, which is this mythical, cosmic, religious, archetypal drama that gets played out on the scale of the universe, but also, in this silly girl's consciousness.I think she's got to a point where she was very explicitly thematizing that distinction between the significant and the insignificant and playing with that distinction. It comes back to Dorothea's unhistoric life. It's unhistoric, it's insignificant. Yet, by the end of Middlemarch, by the time we get to that description of Dorothea's unhistoric life, this life has become important to us. We care about Dorothea and how her life turned out. It has this grandeur to it that I think Eliot exposes. It's not the grandeur of historic importance, it's some other human grandeur that I think she wants to find in the silly girls as much as in the great men.Henry: I always find remarks like that quite extraordinary. One of the things I want a biography to tell me is, "How did they come to believe these things?" and, "How did they get the work done?" The flowers that he likes, that's part of that, right? It's like Bertrand Russell going off on his bicycle all the time. That's part of how it all happened. I remember Elizabeth Anscombe in the book about the four philosophers, this question of, "How does she do it all when she's got these six children?" There's this wonderful image of her standing in the doorway to her house smoking. The six children are tumbling around everywhere. The whole place is filthy. I think they don't own a Hoover or she doesn't use it. You just get this wonderful sense of, "This is how she gets it done."Clare: That's how you do it.Henry: Yes. The idea that this is some minor domestic trivial; no, this is very important to understanding Elizabeth Anscombe, right?Clare: Yes, of course.Henry: I want all of this.Clare: Yes. One of the things I really like about her is that she unashamedly brings that domesticity into her philosophical work. She'll use examples like, "I go to buy some potatoes from the grocer's." She'll use that example, whereas that's not the thing that-- Oxford dons don't need to buy any potatoes because they have these quasi-monastic lives where they get cooked for and cleaned for. I like the way she chooses those. Of course, she's not a housewife, but she chooses these housewifely examples to illustrate her philosophy.I don't know enough about Anscombe, but I can imagine that that's a deliberate choice. That's a choice she's making. There's so many different examples she could have thought of. She's choosing that example, which is an example, it shows a woman doing philosophy, basically. Of course, men can buy potatoes too, but in that culture, the buying of the potatoes would be the woman's work.Henry: Yes. She wasn't going to run into AJ Ayre at the grocer's.Clare: Probably not, no.Henry: No. Are you religious in any sense?Clare: I think I am in some sense. Yes, "religious," I think it's a really problematic concept. I've written a bit about this concept of religion and what it might mean. I wrote a book on Spinoza called Spinoza's Religion. Part of what I learned through writing the book was that in order to decide whether or not Spinoza was religious, we have to rethink the very concept of religion, or we have to see that that's what Spinoza was doing.I don't know. Some people are straightforwardly religious and I guess could answer that question, say, "Oh yes, I've always been a Christian," or whatever. My answer is a yes and no answer, where I didn't have a religious upbringing, and I don't have a strong religious affiliation. Sorry, I'm being very evasive.Henry: What do you think of the idea that we're about to live through or we are living through a religious revival? More people going to church, more young people interested in it. Do you see that, or do you think that's a blip?Clare: That's probably a question for the social scientists, isn't it? It just totally depends where you are and what community you're--Henry: Your students, you are not seeing students who are suddenly more religious?Clare: Well, no, but my students are students who've chosen to do philosophy. Some of them are religious and some of them are not. It will be too small a sample to be able to diagnose. I can say that my students are much more likely to be questioning. Many of them are questioning their gender, thinking about how to inhabit gender roles differently.That's something I perceive as a change from 20 years ago, just in the way that my students will dress and present themselves. That's a discernible difference. I can remark on that, but I can't remark on whether they're more religious.Just actually just been teaching a course on philosophy of religion at King's. Some students in the course of having discussions would mention that they were Muslim, Christian, or really into contemplative practices and meditation. Some of the students shared those interests. Others would say, "Oh, well, I'm an atheist, so this is--" There's just a range-Henry: A full range.Clare: -of different religious backgrounds and different interests. There's always been that range. I don't know whether there's an increased interest in religion among those students in particular, but I guess, yes, maybe on a national or global level, statistically-- I don't know. You tell me.Henry: What do you think about all these reports that undergraduates today-- "They have no attention span, they can't read a book, everything is TikTok," do you see this or are you just seeing like, "No, my students are fine actually. This is obviously happening somewhere else"?Clare: Again, it's difficult to say because I see them when they're in their classes, I see them in their seminars, I see them in the lectures. I don't know what their attention spans are like in their--Henry: Some of the other people I've interviewed will say things like, "I'll set reading, and they won't do it, even though it's just not very much reading,"-Clare: Oh, I see. Oh, yes.Henry: -or, "They're on the phone in the--" You know what I mean?Clare: Yes.Henry: The whole experience from 10, 20 years ago, these are just different.Clare: I'm also more distracted by my phone than I was 20 years ago. I didn't have a phone 20 years ago.Henry: Sure.Clare: Having a phone and being on the internet is constantly disrupting my reading and my writing. That's something that I think many of us battle with a bit. I'm sure most of us are addicted to our phones. I wouldn't draw a distinction between myself and my students in that respect. I've been really impressed by my students, pleasantly surprised by the fact they've done their reading because it can be difficult to do reading, I think.Henry: You're not one of these people who says, "Oh students today, it's really very different than it was 20 years ago. You can't get them to do anything. The whole thing is--" Some people are apocalyptic about-- Actually, you're saying no, your students are good?Clare: I like my students. Whether they do the reading or not, I'm not going to sit here and complain about them.Henry: No, sure, sure. I think that's good. What are you working on next?Clare: I've just written a book. It came out of a series of lectures I gave on life writing and philosophy, actually. Connected to what we were talking about earlier. Having written the biographies, I started to reflect a bit more on biography and how it may or may not be a philosophical enterprise, and questions about the shape of a life and what one life can transmit to another life. Something about the devotional labor of the biographer when you're living with this person and you're-- It's devotional, but it's also potentially exploitative because often you're using your subjects, of course, without their consent because they're dead. You're presenting their life to public view and you're selling books, so it's devotional and exploitative. I think that's an interesting pairing.Anyway, so I gave these lectures last year in St Andrews and they're going to be published in September.Henry: Great.Clare: I've finished those really.Henry: That's what's coming.Clare: That's what's coming. Then I've just been writing again about Kierkegaard, actually. I haven't really worked on Kierkegaard for quite a few years. As often happens with these things, I got invited to speak on Kierkegaard and death at a conference in New York in November. My initial thought was like, "Oh, I wish it was Spinoza, I don't want to--" I think I got to the point where I'd worked a lot on Kierkegaard and wanted to do other things. I was a bit like, "Oh, if only I was doing Spinoza, that would be more up my street." I wanted to go to the conference, so I said yes to this invitation. I was really glad I did because I went back and read what Kierkegaard has written about death, which is very interesting because Kierkegaard's this quintessentially death-fixated philosopher, that's his reputation. It's his reputation, he's really about death. His name means churchyard. He's doomy and gloomy. There's the caricature.Then, to actually look at what he says about death and how he approaches the subject, which I'd forgotten or hadn't even read closely in the first place, those particular texts. That turned out to be really interesting, so I'm writing-- It's not a book or anything, it's just an article.Henry: You're not going to do a George Eliot and produce a novel?Clare: No. I'm not a novelist or a writer of fiction. I don't think I have enough imagination to create characters. What I love about biography is that you get given the characters and you get given the plots. Then, of course, it is a creative task to then turn that into a narrative, as I said before. The kinds of biography I like to write are quite creative, they're not just purely about facts. I think facts can be quite boring. Well, they become interesting in the context of questions about meaning interpretations by themselves. Again, probably why I was right to give up on the history degree. For me, facts are not where my heart is.That amount of creativity I think suits me well, but to create a world as you do when you're a novelist and create characters and plots, and so, that doesn't come naturally to me. I guess I like thinking about philosophical questions through real-life stories. It's one way for philosophy to be connected to real life. Philosophy can also be connected to life through fiction, of course, but it's not my own thing. I like to read other people's fiction. I'm not so bothered about reading other biographies.Henry: No. No, no.[laughter]Clare: I'll write the biographies, and I'll read the fiction.Henry: That's probably the best way. Clare Carlisle, author of The Marriage Question, thank you very much.Clare: Oh, thanks, Henry. It's been very fun to talk to you.Henry: Yes. It was a real pleasure. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk/subscribe

Former Elsmere Mayor Steve Burg was angry. He drive from Lewes to make a statement at the Elsmere Town Council meeting on April 10. What happened next is stunning. The current Mayor, Eric Thompson, suddenly resigned. What happened? Both of the Mayors appeared on the Rick Jensen Show the very next day to tell the story.

Episode 515 - Andrew Sillen - Kidnapped at Sea - The Civil War Voyage of David Henry WhiteAbout the authorAndrew Sillen (B.A. Brooklyn College '74; Ph.D. University of Pennsylvania '81) is a visiting research scholar in the department of anthropology at Rutgers University. He has authored or co-authored over 50 academic and popular articles on archaeology and human evolution. Sillen was formerly Professor of Paleoanthropology and the founding Director of Development at the University of Cape Town; and subsequently Vice President of Institutional Advancement at Brooklyn College. He lives in, and writes from his hometown of Brooklyn, New York.Book: Kidnapped at Sea: The Civil War Voyage of David Henry White The true story of David Henry White, a free Black teenage sailor enslaved on the high seas during the Civil War, whose life story was falsely and intentionally appropriated to advance the Lost Cause trope of a contented slave, happy and safe in servility.David Henry White, a free Black teenage sailor from Lewes, Delaware, was kidnapped by Captain Raphael Semmes of the Confederate raider Alabama on October 9, 1862, from the Philadelphia-based packet ship Tonawanda. White remained captive on the Alabama for over 600 days, until he drowned during the Battle of Cherbourg on June 19, 1864.In a best-selling postwar memoir, Semmes falsely described White as a contented slave who remained loyal to the Confederacy. In Kidnapped at Sea, archaeologist Andrew Sillen uses a forensic approach to describe White's enslavement and demise and illustrates how White's actual life belies the Lost Cause narrative his captors sought to construct.Kidnapped at Sea is the first book to focus on White's actual life, rather than relying on Semmes and other secondary sources. Until now, Semmes's appropriation of White's life has escaped scrutiny, thereby demonstrating the challenges faced by disempowered, illiterate people—and how well-crafted, racist fabrications have become part of Civil War memory.https://a.co/d/e2UKuCvSupport the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

In this episode of Med Spa Marketing Group Chat, Kevin and Bekah take listeners behind the scenes of their trip to Delaware for the launch of Mint & Needle as Alpha Partner 013. From the coastal charm of Lewes to the bustling energy of Middletown, they capture the essence of Mint & Needle's brand and its powerhouse founder, Brandi Gregge. Brandi's journey is nothing short of inspiring—she's Alpha's youngest partner, a relentless go-getter, and a master injector with an unwavering commitment to patient care. Kevin and Bekah also share their first impressions of the practice, their unexpected historical discoveries in Lewes, and the hilarious mishaps that unfolded during their shoot. Tune in for a deep dive into the creative vision behind the launch video, the story behind Brandi's passion, and what makes Mint & Needle a standout addition to the Alpha family. Welcome, Mint & Needle!   LEARN MORE AND JOIN THE ALPHA COMMUNITY: https://www.partnerwithalpha.com/   FOLLOW MED SPA MARKETING GROUP CHAT: https://www.instagram.com/medspamarketinggroupchat/   FOLLOW ALPHA AESTHETICS PARTNERS: https://www.instagram.com/partnerwithalpha/ https://www.linkedin.com/company/alpha-aesthetics-partners/

The Nassau School, located in the historic Black community of Belltown near Lewes, is the focus of a new oral histories project led by researchers at the Division of Historical and Cultural Affairs.Through the stories of former students, staff, and surrounding residents, the project aims to record and preserve the Nassau School's legacy before desegregation efforts began; ensuring the voices of this community are heard and remembered.In this edition of History Matters, Delaware Public Media's Kyle McKinnon caught up with the Division's Engagement and Collections Manager Meg Hutchins, and Inclusive History Researcher Brayden Moore, to learn more about the oral histories project and the Nassau School's place in Delaware's history.

Welcome to this special episode of the Farmers Weekly Podcast – the Farmers Weekly Question Time Event at Plumpton College in East SussexRecorded in front of a live audience on Thursday, 20 February 2025, farmers and other conference delegates quiz industry leaders on topical agricultural issues.Our panel is: - James MacCleary, Liberal Democrat MP for Lewes & Lib Dem Europe spokesperson - Flavian Obiero, the Kenyan Pig Farmer, of Tynefield Farm - Kelly Hewson-Fisher, head of rural research, Savills - Amy Jackson, agricultural communications specialist, Oxtale PR - Mark Lumsdon-Taylor, found and president, The Rural Policy GroupThis Farmers Weekly Question Time is sponsored by Savills and Lantra, the skills and training organisation for the land-based sector.Farmers Weekly Question Time is hosted by Farmers Weekly Podcast editor Johann Tasker. To attend future Farmers Weekly Question Time events, visit fwi.co.uk/questiontime.

••• Living A Balanced Life, Ep367 .••• Bible Study Verses: Psalm 61:1-4, Jeremiah 8:22, Proverbs 23:7, Proverbs 4:23, Proverbs 22:28, Luke 10.38-42 . ••• “An exquisite watch went irregularly, though no defect could be discovered in it. At last it was found that the balance wheel had been near a magnet; and here was all the mischief. If the soundest mind be magnetized by any predilection, it must act irregularly”, Richard Cecil, 1748-1777 . † ••• “Then the apostles gathered to Jesus and told Him all things, both what they had done and what they had taught. And He said to them, “Come aside by yourselves to a deserted place and rest a while” For there were many coming and going, and they did not even have time to eat. So they departed to a deserted place in the boat by themselves” Mark 6.3-32 NKJV .••• Why is suicide amongst 5-year olds to 17-years olds the highest it's ever been in such an affluent society? ••• What are 4-reasons why is the state of your heart is so important in your life?••• What is the battle OF the mind?••• What 2-types of people have no problems or troubles?••• What are 5-important components of commonsense living?••• What are 5-Negative consequences of living an unbalanced life?••• Are you going to ask your small group to pray that you will be more intentionally live a more balanced life through the power of Holy Spirit? ••• Pastor Otuno expounds on this and much more on the exciting journey of Fresh Encounter Radio Podcast originally aired on October 5, 2019 on WNQM, Nashville Quality Ministries and WWCR World Wide Christian Radio broadcasted to all 7-continents on this big beautiful blue marble, earth, floating through space. Please be prayerful before studying The Word of God so that you will receive the most inspiration possible .••• This Discipleship Teaching Podcast is brought to you by Christian Leadership International and all the beloved of God who believe in it's mission through prayer and support. Thank you . ••• Broadcaster's Website - https://www.lifelonganointing.com/ .••• Exceeding Thanks to Universe Creator Christ Jesus AND photo by Etty Fidele Photography, Paris France, https://www.fideletty.com/, https://www.instagram.com/fideletty/, https://www.paypal.com/paypalme/FideleEtty, Direction by gil on his mac with free mac layout software . ••• † http://christian-quotes.ochristian.com/Richard-Cecil-Quotes/ . Evangelical Anglican clergyman of the 18th & 19th centuries. His father was an Anglican while his mother was a Dissenter, whose family had been devout Christians for generations. He later became minister of 2-small livings in Lewes, Sussex. After the death of his parents, he moved, because of bad health, to Islington, London & preached at different churches & chapels there. For some years he preached a lecture at Lothbury at 6 AM Sabbath morning & later an evening lecture in Orange St., followed by the chapel in Long Acre. From 1787 he preached the evening lecture at Christ Church, Spitalfields. In 1788 he became minister of St John's Chapel, Bedford Row, which became a major Evangelical Anglican venue continuing into the mid 19th century. ••• SHARING LINK: https://shows.acast.com/fresh-encounter-radio-podcast/250208-winning-the-battle-of-the-mind-part2of9-ep367 . ••• Study Guides at - https://shows.acast.com/fresh-encounter-radio-podcast/episodes .••• RESOURCE - https://www.soundcloud.com/thewaytogod/ . ••• RESOURCE - https://www.biblegateway.com/audio/mclean/kjv/john.1%20 .••• RESOURCE - PRAYER@SWRC.COM .••• FERP250208 Episode#367 GOT 250208Ep367 .••• Winning The Battle Of The Mind: Living A Balanced Life, Part-2 of 9 . Support this show http://supporter.acast.com/fresh-encounter-radio-podcast. Hosted on Acast. See acast.com/privacy for more information.

For our first live episode - recorded at the wonderful Depot Cinema in Lewes, UK - we welcome back the actor and martial artist Katrina Durden, who first appeared on Episode 12 of the podcast back in 2017. From her work in the Marvel Cinematic Universe in 'Doctor Strange' (2016) and Joey Ansah's fantastic 'Street Fighter' web series, to roles in TV's 'Strike Back', 'Heads of State' starring Idris Elba and John Cena, and the upcoming 'Red Sonja' reboot, Katrina has been kicking-ass in action movies for over a decade. In this special live episode, podcast host Ben Johnson is joined by friend of the show and author of 'Life of Action', Mike Fury, to discuss Katrina's journey from London to Hollywood, her inspirations both on-screen and off, and her experiences working in action movies.This conversation took place after a rare screening of the 1967 Taiwanese wuxia classic, 'Dragon Inn', directed by Chinese auteur King Hu, showing as part of the BFI's Art of Action season. Ben, Katrina and Mike discuss why the film is so important in the history of martial arts and 'wuxia' cinema, and how it continues to inspire generations of filmmakers. This conversation took place on 7 November 2024 and is the first of four live shows recorded as part of the BFI's Art of Action season, organised in association with the Independent Cinema Office and Film Hub South East. A huge thank you to everyone who came along to the show and the wonderful staff at the Depot Cinema in Lewes.LINKSKatrina Durden on Instagram: https://www.instagram.com/katrinadurden/Katrina Durden on Kung Fu Movie Guide Podcast, Episode 12: http://kungfumovieguide.com/kfmg-podcast-s02-episode-12-yolanda-lynes-david-cheung-katrina-durden/Katrina Durden profile on Kung Fu Movie Guide: http://kungfumovieguide.com/profile-katrina-durden/Mike Fury on Instagram: https://www.instagram.com/themikefury/Mike Fury's website: https://www.mikefury.net/'Dragon Inn' review on Kung Fu Movie Guide: http://kungfumovieguide.com/dragon-gate-inn/King Hu profile on Kung Fu Movie Guide: http://kungfumovieguide.com/profile-king-hu/'Dragon Inn' trailer, courtesy of Eureka Entertainment: https://youtu.be/ySSUsV_qGS8Buy 'Dragon Inn' on Blu-ray: https://eurekavideo.co.uk/movie/dragon-inn/Visit the Depot Cinema in Lewes: https://lewesdepot.org/Learn more about the BFI's Art of Action season: https://www.bfi.org.uk/art-actionA huge thank you to Independent Cinema Office (https://www.independentcinemaoffice.org.uk/) and Film Hub South East (https://www.independentcinemaoffice.org.uk/film-hub-south-east/) Hosted on Acast. See acast.com/privacy for more information.

We're back with our first episode of 2025! Chloe sits down with Maggie Murphy to unpack some of the big headlines set to shape women's football in 2025: from Barclays' renewed sponsorship deal to the record five-year TV broadcasting deal. Elsewhere, Maggie explains why Brighton's proposed women's stadium would be a game-changer, discusses whether the Championship should actually be rebranded as the ‘WSL2' and looks at what impact Euro 2025 could have on the growth of the game. Plus, should we be worried about WSL attendances? Join us!Follow us on X, Instagram, Bluesky and YouTube! Email us show@upfrontpod.com.For ad-free episodes and much more from across our football shows, head over to the Football Ramble Patreon and subscribe: patreon.com/footballramble.***Please take the time to rate and review us on Apple Podcasts or wherever you get your pods. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.

What would you do if you uncovered a real locket from 1880 on the beach?Join Virginia and Rodney as they discover a world that spans two centuries. Traveling through time, they unravel the mystery of The Lost Locket of Lewes, Delaware.This book combines facts with action to keep you turning the pages while learning about Lewes, Delaware, and life in the 19th century.Dr. Ilona E. Holland spent over a decade of her professional life teaching at the Harvard Graduate School of Education. In addition, she conducted evaluations for PBS producers of programs like Martha Speaks, CyberChase, Where in the World is Carmen Sandiego, WordGirl, and Wild Kratt's.Since retiring, she spends most of her time writing for children and visiting schools all over the world. Ilona's titles have won state and national recognition and awards. Her first book, Buddy Bison's Yellowstone Adventure is included in United Through Reading, a program that reaches 100,000 military families around the globe.Ilona's other books have received first-place awards given by the Delaware Press Association and the National Federation of Press Women. Her work has also been featured in Ed Magazine and her first book was selected as one of Hoda Kobt's favorites.You can get a copy of her book at her website https://ilonaeholland.comPlease share StoryJumpers with a friend if you enjoyed this episode. StoryJumpers is still growing, and your positive review and 5-star rating would help.The Bridge Podcast Network is made possible by generous support from The Boardwalk Plaza Hotel and Victoria's Restaurant on the boardwalk in Rehoboth Beach, Delaware - Open 7 days a week, year-round - Learn more at https://boardwalkplaza.comFeedback, or Show Ideas? Send an email to podcast@wearethebridge.orgDownload The Bridge Mobile App to get the latest podcast episodes as soon as they are published!

Exploring Lewes, Delaware - A Charming Retirement Destination for the LGBTQ+ CommunityIn this episode of the 'Where Do Gays Retire' podcast, host Mark Goldstein highlights the quaint town of Lewes, Delaware, as a compelling retirement destination for the LGBTQ+ community. The discussion covers key aspects such as the town's climate, cost of living, crime rates, and access to healthcare. Mark elaborates on the town's proximity to the LGBTQ+ friendly Rehoboth Beach, the tax perks specific to Delaware, and the vibrant food and arts scene Lewes offers. He also underscores the community support through organizations like Delaware Pride and Camp Rehoboth. Considering safety, affordability, and accessible healthcare, Mark makes a strong case for why Lewes could be the perfect place to enjoy one's golden years.00:00 Introduction to the Podcast00:48 Spotlight on Lewes, Delaware01:39 Community and Support for LGBTQ+02:32 Weather and Outdoor Activities03:24 Walkability and Transportation04:30 Cost of Living in Lewes07:52 Tax Benefits in Delaware09:15 Safety and Crime Rates10:50 Healthcare Facilities12:55 Culinary Delights15:00 Arts, Culture, and Outdoor Attractions17:11 Conclusion and Farewell

Exploring Lewes, Delaware - A Charming Retirement Destination for the LGBTQ+ CommunityIn this episode of the 'Where Do Gays Retire' podcast, host Mark Goldstein highlights the quaint town of Lewes, Delaware, as a compelling retirement destination for the LGBTQ+ community. The discussion covers key aspects such as the town's climate, cost of living, crime rates, and access to healthcare. Mark elaborates on the town's proximity to the LGBTQ+ friendly Rehoboth Beach, the tax perks specific to Delaware, and the vibrant food and arts scene Lewes offers. He also underscores the community support through organizations like Delaware Pride and Camp Rehoboth. Considering safety, affordability, and accessible healthcare, Mark makes a strong case for why Lewes could be the perfect place to enjoy one's golden years.00:00 Introduction to the Podcast00:48 Spotlight on Lewes, Delaware01:39 Community and Support for LGBTQ+02:32 Weather and Outdoor Activities03:24 Walkability and Transportation04:30 Cost of Living in Lewes07:52 Tax Benefits in Delaware09:15 Safety and Crime Rates10:50 Healthcare Facilities12:55 Culinary Delights15:00 Arts, Culture, and Outdoor Attractions17:11 Conclusion and Farewell

rWotD Episode 2788: Lewes bus station Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Saturday, 21 December 2024 is Lewes bus station.Lewes bus station was a bus station in Lewes, England. It opened on 26 March 1954 as a terminus for Southdown Motor Services routes. The adjacent bus depot was opened several months earlier.The bus station was sold by Stagecoach in 2006 and is currently owned by the Generator Group.In August 2021, plans were submitted for the demolition of the bus station and redevelopment of the site.The Twentieth Century Society submitted an application to Historic England to list the building however the Generator Group has also submitted a request for the building to not be listed. It closed on 16 September 2022, however as of April 2024 the site remains unaltered with only black construction walls marking the perimeter of the site. Services were redirected with Brighton and Newick bound services being moved to the expanded School Hill Bottom stop and Uckfield, Eastbourne, Heathfield, Tunbridge Wells and Lewes town services being moved to the opposite Lewes Waitrose stop.This recording reflects the Wikipedia text as of 00:50 UTC on Saturday, 21 December 2024.For the full current version of the article, see Lewes bus station on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Emma.

Summary/IntroThe podcast episode explores the appeal of Lewes, Delaware, as a prime retirement destination for the LGBTQ community, highlighting its welcoming environment, affordable cost of living, and proximity to beautiful beaches. Host Mark Goldstein interviews Terry Manzberger, who shares insights into life in Lewes, emphasizing its friendly atmosphere and rich cultural heritage. Terry discusses the town's climate, healthcare facilities, and the impact of climate change, noting that while flooding and rising sea levels are concerns, local initiatives are addressing these issues. The episode also delves into the vibrant social scene in Lewes and nearby Rehoboth Beach, where numerous events and organizations cater to the LGBTQ community. Additionally, the podcast touches on the benefits of Delaware's tax structure, which makes it an attractive location for retirees.Show NotesMark Goldstein engages in an insightful conversation with Terry Manzberger, who shares why he and his partner chose to retire in Lewes, Delaware. The episode offers a comprehensive look at Lewes as an ideal spot for LGBTQ retirees, emphasizing its welcoming environment, affordability, and quality of life. Terry describes the town's appeal, from its scenic beauty and historical charm to its vibrant community life.Terry discusses the practical aspects of living in Lewes, detailing the local climate and its effects on daily life. He addresses climate change concerns, particularly coastal flooding, and the initiatives to combat these issues. The discussion of the cost of living is thorough, with Terry comparing it to other areas and highlighting the lack of sales tax and reasonable property taxes as key advantages. He also discusses the housing market, explaining the options available for buying and renting in the area.The episode delves into community life in Lewes, focusing on the strong LGBTQ presence and the numerous social and cultural opportunities available. Terry talks about his involvement in local historical activities, clubs, and organizations that make Lewes a lively and inclusive place. The conversation wraps up with a look at healthcare services in the area, noting the improvements and availability of specialists. Overall, the episode paints a vivid picture of Lewes as an attractive retirement location for the LGBTQ community, combining affordability, community spirit, and quality of life.Takeaways: Lewes, Delaware, is a small, quaint town known for its LGBTQ-friendly environment and affordable living. Terry and Charlie moved to Lewes after vacationing there for 20 years, attracted by the beaches and low cost of living. The climate in Lewes is typical mid-Atlantic, with mild winters, hot summers, and a threat of hurricanes. Due to its flat geography and wetlands, climate change impacts Lewes with stronger storms and flooding. The cost of living in Lewes is lower than in many neighboring states, with no sales tax and low property taxes. Lewes offers a vibrant LGBTQ community with many social groups, events, and a welcoming atmosphere. Local hospitals like Beebe have improved Healthcare access in Lewes, but specialist wait times can still be extended. Crime in Lewes is low, mainly consisting of petty theft, making it a generally safe area for retirees.

Summary/IntroThe podcast episode explores the appeal of Lewes, Delaware, as a prime retirement destination for the LGBTQ community, highlighting its welcoming environment, affordable cost of living, and proximity to beautiful beaches. Host Mark Goldstein interviews Terry Manzberger, who shares insights into life in Lewes, emphasizing its friendly atmosphere and rich cultural heritage. Terry discusses the town's climate, healthcare facilities, and the impact of climate change, noting that while flooding and rising sea levels are concerns, local initiatives are addressing these issues. The episode also delves into the vibrant social scene in Lewes and nearby Rehoboth Beach, where numerous events and organizations cater to the LGBTQ community. Additionally, the podcast touches on the benefits of Delaware's tax structure, which makes it an attractive location for retirees.Show NotesMark Goldstein engages in an insightful conversation with Terry Manzberger, who shares why he and his partner chose to retire in Lewes, Delaware. The episode offers a comprehensive look at Lewes as an ideal spot for LGBTQ retirees, emphasizing its welcoming environment, affordability, and quality of life. Terry describes the town's appeal, from its scenic beauty and historical charm to its vibrant community life.Terry discusses the practical aspects of living in Lewes, detailing the local climate and its effects on daily life. He addresses climate change concerns, particularly coastal flooding, and the initiatives to combat these issues. The discussion of the cost of living is thorough, with Terry comparing it to other areas and highlighting the lack of sales tax and reasonable property taxes as key advantages. He also discusses the housing market, explaining the options available for buying and renting in the area.The episode delves into community life in Lewes, focusing on the strong LGBTQ presence and the numerous social and cultural opportunities available. Terry talks about his involvement in local historical activities, clubs, and organizations that make Lewes a lively and inclusive place. The conversation wraps up with a look at healthcare services in the area, noting the improvements and availability of specialists. Overall, the episode paints a vivid picture of Lewes as an attractive retirement location for the LGBTQ community, combining affordability, community spirit, and quality of life.Takeaways: Lewes, Delaware, is a small, quaint town known for its LGBTQ-friendly environment and affordable living. Terry and Charlie moved to Lewes after vacationing there for 20 years, attracted by the beaches and low cost of living. The climate in Lewes is typical mid-Atlantic, with mild winters, hot summers, and a threat of hurricanes. Due to its flat geography and wetlands, climate change impacts Lewes with stronger storms and flooding. The cost of living in Lewes is lower than in many neighboring states, with no sales tax and low property taxes. Lewes offers a vibrant LGBTQ community with many social groups, events, and a welcoming atmosphere. Local hospitals like Beebe have improved Healthcare access in Lewes, but specialist wait times can still be extended. Crime in Lewes is low, mainly consisting of petty theft, making it a generally safe area for retirees.

Freight HHG has been on my radar for many years. With a paired back and tactile aesthetic, the acclaimed shop based in Lewes, Sussex understands the importance of materiality, beauty and the importance of creating atmospheric spaces. Launched in 2014, mother Helene, and daughter Adele, seem to have formed quite the duo with a wonderful mix of discernment, technical ability and the art of editing. Freight HHG - standing for Household Goods - have been a benchmark for me with Caro, as my team will have testified, so it was an absolutely privilege to chat with Adele - especially as she only gave birth 5 weeks ago to her son Kit. With a business model based in uk production, I was curious to hear how they have got on amongst the turbulent few years we've had - but also about the journey they've had growing a business that has confidence and an abundance of charm.Adele has such an eloquent way of talking shop. I am thrilled to say, I am selling their beautiful wares in my Pop Up - which is on now at The Space in Bruton until the 21st December - as well as on carosomerset.comPlease welcome Adele Adamczewski. Hosted on Acast. See acast.com/privacy for more information.

King Henry III faces Simon de Montfort as England falls into civil war. In this episode of Bow & Blade, Michael and Kelly talk about the Second Barons' War, and why Henry and his son Edward lost a battle they should have won. You can support this podcast on Patreon - go to https://www.patreon.com/medievalists  

This episode of the UK True Crime podcast is from Lewes, East Sussex. Nicola Stevenson lived in Lewes and had overcome a number of challenges in her life. Seeing a local man she knew a little, Richard Canlin, struggling she wanted to help him and invited him to stay at her house. This act of kindness cost Nicola her life.Writing Credit:Chris WoodYou can buy Chris's second book, 'Death in the Theatre' here: https://www.amazon.com/Death-Theatre-Chris-Wood/dp/1399009117Find out more about the UK True Crime Podcast:https://uktruecrime.comSupport me at Patreon:https://www.patreon.com/UKTrueCrimeSourceshttps://www.uktruecrime.com/2024/11/11/the-murder-of-nicola-stevenson Hosted on Acast. See acast.com/privacy for more information.

Jeanine O'Donnell, Agency Owner of the Lewes, DE State Farm, brings years of experience to our listeners about the importance of insurance. Jeanine defines estate liquidity, dispels several myths, and was a good sport through a fun but unexpected travel question. Enjoy this segment of great advice from a pro!

On this episode of Catholic Forum, after a news update from The Dialog, we meet Bonnie Taylor and Louise Pfarr volunteers from St. Jude the Apostle Parish in Lewes, Delaware. They have started a Stephen Ministry at their parish to accompany those in the Lewes area who are having a rough time due to the loss of a loved one, or other unexpected crisis and may need someone to talk with. You can see a video of this interview on the Diocese of Wilmington's YouTube channel. Like or follow us at Facebook.com/CatholicForum.

On October 9, 1862, David Henry White was kidnapped at sea from the United States merchant ship Tonawanda by Captain Raphael Semmes of the CSS Alabama. The young man was from a free, black family of Lewes, Delaware, and was employed on the Tonawanda by the Cope Line as a passenger cook. Dr. Andrew Sillen, author of Kidnapped at Sea, discusses the story of David Henry White, his life while enslaved on the CSS Alabama, and the Lost Cause myth proliferated by the memoir of Semmes. For images and sources, please visit https://shipwrecksandseadogs.com/blog/2024/10/19/kidnapped-at-sea-david-henry-white/. For ad-free listening to Shipwrecks and Sea Dogs and many other fantastic history podcasts, subscribe to Into History at IntoHistory.com/shipwreckspod. You can support the podcast in multiple ways! Make a one-time donation at buymeacoffee.com/shipwreckspod Subscribe to Into History at IntoHistory.com/shipwreckspod Buy some Merch! Follow on Social Media @shipwreckspod Tell a friend! Shipwrecks and Sea Dogs is written, edited, and produced by Rich Napolitano. Original theme music by Sean Sigfried. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lightship Overfalls, photo by Jeremy D'Entremont The Lightship Overfalls, more properly known as the LV-118 or the WAL 539, was the last lightship built under the U.S. Lighthouse Service. Built in East Boothbay, Maine, in 1938, the 116-foot-long vessel incorporated the latest features of lightship design at the time. The LV-118 saw duty in several locations in its active career. From 1938 to 1957 it was at Cornfield Point, at the east end of Long Island Sound off Old Saybrook, Connecticut. From 1958 to 1962 it served at the Cross Rip station near Martha's Vineyard, Massachusetts. And from 1962 to 1972 it marked the approach to Boston Harbor, six miles east of Boston Light. John Bolster and his grandson ringing the ship's bell aboard the Lightship Overfalls From 1938 to 1957, the LV-118 was at Cornfield Point, at the east end of Long Island Sound. (USLHS archives) Today, the Lightship Overfalls is a National Historic Landmark. Thanks to thousands of hours put in by countless volunteers, the vessel is fully restored and is open to the public on the Lewes waterfront. The guest in this episode, John Bolster, is the curator and a board member for the Overfalls Foundation.

Many a circus has it's main acts and then has a sideshow to entice people to pay to see unusual acts, sites and sounds.  One...

There was a great treasure hunt taking place off the shore of Lewes, Delaware.  The real treasure though was perhaps different than what was originally...

Ciar Byrne has worked as a journalist for 25 years, usually as a gardening journalist, she's written for The Independent, The Guardian, Private Eye and many more. It turns out that all that experience, didn't make it easier to get published.Ciar wrote 6 books before she got a deal. When it eventually arrived, it came through the strange route of a random email after a Twitter Submission Window she'd entered half-heartedely. After waiting so long to get a contract, when she was finally offered one, what did she do? How did she immediately get to work to make her project the best it could be? We try and find out.The debut is 'A Deadly Discovery', which stars Virginia Woolf and her sister, Vanessa Bell, from the Bloomsbury Set, as a pair of unlikely amateur sleuths. It's set around the historic country town of Lewes, in the south of England, where Ciar lives, and incorporates murder, historic buildings, and a touch of gardening too.You can hear why she's had to slow down her writing to forget some journalistic practices, also the brilliant advice she's got about bad writing days, and why she likes to start early.This week's episode is sponsored by 'Peace Lilies: A Sweet Ghostly Novella' by Margaret Rodeheaver. It's all about Birdie and Martin who return froom vacation to discover they're dead. Get a copy here - books2read.com/peaceliliesSupport the show at patreon.com/writersroutine@writerspodwritersroutine.com Hosted on Acast. See acast.com/privacy for more information.

Every Saturday, we revisit a story from the archives. This originally aired on May 25th, 2023. None of the references from that time have been changed. English rivers are polluted. Could giving them legal rights clean them up? In the town of Lewes, the answer to that question was yes. In February, the town's council voted yes to a rights of river motion, the first in the UK. This motion is the first step in a two-year long journey to give the River Ouse legal representation and rights. The UK is facing heavy river pollution: most of them are not swimmable, and all failed a quality test in 2019. Since then, government testing of rivers has only plummeted. Lewes' council now takes on the task of figuring out what exactly rights of a river should be.  In this episode: Matthew Bird (@mjbirdy), mayor and former councillor of Lewes  Episode credits: This episode was updated by Sarí el-Khalili. The original production team was Chloe K. Li, Miranda Lin, and our host, Malika Bilal. Our sound designer is Alex Roldan. Our lead of audience development and engagement is Aya Elmileik. Adam Abou-Gad is our engagement producer. Alexandra Locke is The Take's executive producer, and Ney Alvarez is Al Jazeera's head of audio. Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, Threads and YouTube

In Episode 08 of the Haunted America series, host Lyle Perez guides you through the First State—Delaware, where history intertwines with hauntings. Released on September 19, 2024, this episode uncovers the ghostly secrets of Delaware, from historic mansions to eerie battlegrounds. Despite being the second smallest state, Delaware is brimming with chilling tales and restless spirits. Here's a look at the 10 most haunted locations in Delaware: Fort Delaware - Pea Patch Island, Delaware City, DE 19706 Explore the Civil War-era fort, where the spirits of Confederate prisoners and a watchful ghostly soldier still linger. Rockwood Mansion - 4651 Washington St Extension, Wilmington, DE 19809 Visit this Gothic Revival estate, haunted by the spirit of Mary Bringhurst and a mysterious man in black. The Governor's Mansion (Woodburn) - 151 Kings Hwy SW, Dover, DE 19901 Discover the haunted halls of the governor's residence, where spirits from Delaware's colonial past still roam the gardens and corridors. The Addy Sea - 99 Ocean View Pkwy, Bethany Beach, DE 19930 Stay at this historic bed and breakfast, where paranormal activity ranges from shaking bathtubs to ghostly footsteps. The Cannonball House - 118 Front St, Lewes, DE 19958 Explore this maritime museum, where the spirit of a soldier and the eerie echoes of cannon fire linger. The Old State House - 25 The Green, Dover, DE 19901 Step inside one of Delaware's oldest public buildings, haunted by colonial-era ghosts who seem to have never left. Bellevue Hall - 800 Carr Rd, Wilmington, DE 19809 Roam the grounds of this Gilded Age mansion, where the ghost of a woman in a long gown wanders the upper floors. The Green - Dover, DE 19901 Stroll through this historic town square, where the spirits of Revolutionary War soldiers and colonial residents are often seen. The Deer Park Tavern - 108 W Main St, Newark, DE 19711 Dine at this historic tavern, where the ghost of a woman who fell from the balcony and a ghostly bartender are known to appear. The Read House and Gardens - 42 The Strand, New Castle, DE 19720 Visit this beautiful Federal-style home, haunted by a young servant girl, the spirit of George Read II, and more. Join us as we delve into the haunted history of Delaware, from its eerie inns to its mysterious forts. Whether you're a seasoned ghost hunter or just love a spooky story, this episode is sure to give you chills. Don't forget to subscribe, leave a review, and share this episode with your fellow ghost hunters. Stay spooky, my friends! Like Our Facebook page for more Halloween fun: www.Facebook.com/TheHalloweenPodcast ORDER PODCAST MERCH! Website: www.TheHalloweenPodcast.com Email: TheHalloweenPodcast@gmail.com X: @TheHalloweenPod Support the Show: www.patreon.com/TheHalloweenPod Get bonus Halloween content and more! Just for Patreon supporters! Check out my other show! Find it on iTunes - Amazing Advertising http://amazingadvertising.podomatic.com/ Keywords: Haunted Delaware, Delaware Ghost Stories, Haunted Locations, Delaware Paranormal, Haunted America, Fort Delaware, Rockwood Mansion, Woodburn Governor's Mansion, The Addy Sea, Cannonball House, Old State House, Bellevue Hall, The Green, Deer Park Tavern, Read House and Gardens, Ghost Hunting, Paranormal Delaware Tags: #HauntedAmerica #GhostStories #DelawareHaunts #ParanormalPodcast #HauntedLocations #DelawareGhosts #FortDelaware #RockwoodMansion #WoodburnMansion #TheAddySea #CannonballHouse #OldStateHouse #BellevueHall #TheGreen #DeerParkTavern #ReadHouseAndGardens #StaySpooky

Send us a textIn today's episode, Nicole Edenedo, a senior editor at Travel Weekly, discusses her career transition from broadcast journalism to print, highlighting her extensive experience in the field. She covers tour operators and river cruises, along with sub-beats like trains and sports tourism. Nicole emphasizes the importance of newsworthy elements in her stories, such as the impact of geopolitical events on travel destinations. She shares her extensive travel experiences, including a multi-day hike in Peru and a river cruise in West Africa. Nicole values direct communication via email or in-person meetings for story pitches and is open to exploring over-tourism in future projects.Follow Nicole's life and work here: https://nicolemmj.wixsite.com/nicolemmj Instagram: https://www.instagram.com/nicolee_tv  Travel Weekly: https://www.travelweekly.com/Nicole-Edenedo TV Journalist: https://www.youtube.com/channel/UCiMGSEhZmFf9PBgPEbz5D-A/videos Lewes, Delaware: https://www.lewes.com/ Rehoboth Beach: https://www.cityofrehoboth.com/ The Boys and Girls Club Santa Monica: https://www.smbgc.org/ Cal State Northridge – Broadcast Journalism: https://www.csun.edu/mike-curb-arts-media-communication/journalism WBOC: https://www.wboc.com/ WRDE: https://www.coasttv.com/ News 12: https://longisland.news12.com/ NY1: https://ny1.com/nyc/all-boroughs Verizon FiOS1 News: https://www.verizon.com/about/news/verizon-fios1-news-now-serving-westchester-rockland-and-lower-hudson-valley G Adventures Nurtures Culture and Cuisine: https://www.travelweekly.com/Travel-News/Tour-Operators/Focus-on-Culinary-Travel-G-Adventures-nurtures-culture-and-cuisine-in-the-Andes G Adventures: https://www.gadventures.com/ Alexander and Roberts: https://www.alexanderroberts.com/ Peru: https://www.travelweekly.com/South-America-Travel/Peru-on-the-comeback-trail Variety River Cruise, Gambia: https://www.travelweekly.com/River-Cruising/Insights/Variety-Cruises-river-cruise-Senegal-Gambia Viking Cruise (Nile River): https://www.vikingrivercruises.com/cruise-destinations/egypt/waterways/nile/index.html#noscroll  Thank you for listening!  Please take a moment to rate, review and subscribe to the Media in Minutes podcast here or anywhere you get your podcasts: https://podcasts.apple.com/us/podcast/media-in-minutes/id1555710662  

In this episode, we explore the world of sustainable housing design, highlighting award-winning projects and the innovative strategies driving the industry forward.Hosts Will Richardson and Charlie Luxton are joined by special guests David Birkbeck, Managing Director of Design for Homes, and Richard Williams, Development Manager at VELUX.They dive into the highlights from the 2024 Housing Design Awards, the UK's longest-running awards program celebrating excellence in housing design. Discover how this year's winning projects are pushing the boundaries of sustainability and community engagement. Sustainability in HousingSustainability is now a core aspect of housing design, evolving beyond energy efficiency to include goals like biodiversity and biophilic design, which foster a deeper connection to nature.David Birkbeck explains how architectural awards are setting higher standards for daylight, outdoor spaces, and overall liveability, shaping industry practices.Innovative Housing Projects The Blenheim Estate's Hill Rise development exemplifies a model that minimises car use and integrates green spaces, creating more pedestrian-friendly streets.A new project in Lewes focuses on shared mobility hubs to reduce individual car ownership and improve community spaces.Richard highlights the Alkerden Gateway project's adaptable living spaces and the Appleby Blue Almshouses' blend of outdoor spaces with community living for seniors.Environmental Impact and Design InnovationsRichard discusses the “Living Spaces” project's success in lowering embodied carbon by using alternative materials and notes Denmark and the Netherlands as leaders in this approach.Velux reinvests 90% of its profits into health and environmental research, demonstrating a strong commitment to healthier living environments.Future of Housing InnovationInnovative designs from smaller developers are increasingly being adopted by larger firms, showing a growing acceptance of high-quality, efficient housing solutions.Richard and David highlight the rising focus on mental health in housing design, emphasising the benefits of daylight and environmental quality as shown in recent award-winning projects. Green Element Group is an environmental management consultancy offering a range of bespoke sustainability services, products, and resources to accelerate the just transition to a stable climate. The Group consists of 

INTRO (00:00): Kathleen opens the show drinking an It's Complicated Chocolate Golden Stout from Big Oyster Brewery in Lewes, DE, and an Off the Hoof Scrapple Vodka Bloody Mary from Painted Stave Distillery. She shares the origin of Pennsylvania Scrapple and reviews her weekend doing shows in Tarrytown, NY, and Wilmington, DE. COURT NEWS (16:40): Kathleen shares news on Dolly's new rose and prosecco wine release in the UK, Jelly Roll teases a new single from his forthcoming album “Beautifully Broken”, Taylor Swift attends the men's US Open tennis final with Travis Kelce, Snoop Dogg is prepping to host The Voice, and Tom Brady makes his Fox NFL broadcasting debut.TASTING MENU (7:20): Kathleen samples Snoop Dogg Nocho Nachos Rap Snacks and Herr's Gameday Philly Cheesesteak Chips. UPDATES (20:50): Kathleen shares updates on Mattress Mack's release from the hospital, Anna Delvey is joining Dancing With the Stars, Burning Man becomes a dump, ChiefsAHolic is sentenced 17 yrs for armed robbery, the first Millennial saint is canonized, Team “Spears & Arrows” are winning the battle in the Amazon, Kevin Costner addresses the status of his Yellowstone spin-off Horizon series, “HOLY SHIT THEY FOUND IT” (53:40): Kathleen is amazed to read about the discovery of the bronze statue of “Diana of Versailles “in the Titanic wreckage.FRONT PAGE PUB NEWS (51:51): Kathleen shares articles on the status of the three-year “Life At Sea” cruise, the world's oldest living man just turned 112 years old, Big Lots files for bankruptcy, Chimp Crazy's Tonia Haddix believes the HBO filmmakers betrayed her, a tiger escapes a Mexican zoo and is feared to be in Texas, there are tarantula warnings for 8 US states, NFL Commissioner Roger Goodell defends the NFL streaming push, and it takes 3 days to hike to Britain's most remote pub. WHAT WE'RE WATCHING (54:05): Kathleen recommends watching “Chimp Crazy” on HBO Max. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Adam's off to Lewes, just north of Brighton, to visit Tree Trent HQ. Tree Tents are magical structures that are suspended in the air and provide you with a nice place to spend the night! He's chatting to Jason, the founder, about how they're made and how on Earth they stay so high! Plus, we're visiting the Secret Campsite to stay the night in a Tree Tent. Adam finds out all about nature and wildlife and the environment, and even spies a glow worm...Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

Today's Podcast is another special, this time from Old Scratch Press, a new press featuring a cooperative of poets and short-form authors who have come together to promote the publication and appreciation of poetry and short-form writing. This Podcast features the following writers: Ellis Elliott is the creator of Bewilderness Writing, and she received her MFA in Creative Writing from Queens University. She has also been a high-school English teacher, was a ballet teacher for over 30 years, and a yoga teacher. She lives in Juno Beach with her husband and they have six sons in their blended family. Ellis was on the editorial staff of QU literary magazine at Queens University, and is currently a contributing writer for The Southern Review of Books and on the editorial staff of The Dewdrop online digest. Her latest literary adventure is writing her first cozy mystery novel. Ellis' collection BREAK IN THE FIELD is the first collection to be published by the Old Scratch Press collective. Robert Fleming lives in Lewes, DE. Published in United States, Canada, England, Ireland, and Australia. Member of the Rehoboth Beach and Horror Writer's Association. Wins: 2022 San Gabriel Valley CA-1 poem, 2021 Best of Mad Swirl poetry; Nominations: 2 Pushcart Prizes and Best of the Net. He is the author of the poetry collection "White Noir'. Anthony Doyle was born in Dublin and raised in Wicklow Town, Ireland. In 1999 he moved to São Paulo, Brazil, where he works as a translator of fiction, nonfiction, poetry and screenplays from Portuguese to English. Anthony is a member of the Old Scratch Press short-form collective and writes fiction for adults, teens and children. His first novel, HIBERNACULUM, a futurist exploration of human hibernation technologies, was published in 2023. He is also the author of the children's books O LAGO SECOU (The Lake Ran Dry) and the forthcoming LIVRO DAS SEREIAS SURPREENDENTES (Book of Unusual Mermaids), which he also illustrated. More details about the press can be found here: https://oldscratchpress.com/catalog/

This week, TLS editors and writers guide you through a summer of reading; and Sarah Watling explores the extraordinary story of an artistic double act.'Dorothy Hepworth and Patricia Preece: An Untold Story', Charleston, Lewes, Sussex'The Secret Art of Dorothy Hepworth, aka Patricia Preece', by Denys J. WilcoxProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

After the battle of Lewes, the residents of London sang wild songs lampooning the supporters of the King and rejoicing in the victory of Simon De Montfort. But by the end of the next year… it was done. London had picked the wrong side and now, stripped of the position of mayor, and its sheriffs, and with the King ordering the most brutal clampdown ever seen in the city, the residents of London had to cope with the end of an era.

A bumper episode as finally all the things that have been building during the long reign of Henry III come to a head… a massive bank robbery; a terrifying moment for the Queen; a genuine pogrom; vigilante gangs wandering the streets of the city and tearing down whole buildings; and the armed forces of London finding itself in a field in Sussex… facing down a wall of horsemen led by a furious prince. A prince who was furious at just them! The story covers a much overlooked important couple of years in the history of the city.

Highlights of this episode: *Redefining Mid-life crisis *10 tips when you are going through this mid-life transition And so much more ******************************************** In person 5 steps to Finding You workshop  Save Your Seat Here April 24th 6 to 7:30 pm HealTree in Lewes, DE Have you ever forgotten who you are?  Have you ever looked in the mirror and don't even recognize yourself anymore?  Why do we tend to lose ourselves as time goes on??  Do you want more joy in your life?  Do you want to remember the powerful being you are? If any of this sounds like you, you'll want to join the 5 Steps To Finding You workshop taking place on April 24th.  This is an in person, interactive workshop where we are going to co-create a framework for you moving forward. During our time together, you will start to remember who you are before life got messy. We will dive into 5 powerful areas to help you rediscover yourself again. ******************************************** Episode 118  ******************************************** You can find me at: Website: https://www.melissaclampitt.com FB https://www.facebook.com/mclampitt/ IG https://www.instagram.com/melissa.clampitt/ Subscribe and watch this episode on my Youtube channel --- Send in a voice message: https://podcasters.spotify.com/pod/show/melissa-clampitt/message

When Queen Eleanor makes a move to restore Plantagenet power, the barons launch into all out war. Simon de Montfort assembles a small but powerful army to take on Henry and his family on a hillside in Southern England. The future of the entire Plantagenet dynasty hangs in the balance.  A Sony Music Entertainment production.  Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com  Learn more about your ad choices.  Visit megaphone.fm/adchoices  Learn more about your ad choices. Visit podcastchoices.com/adchoices  Written and presented by Dan Jones Producer and Story Editor - Georgia Mills Executive Producer - Louisa Field Production Manager - Jen Mistri Composer -  Matt Acheson Sound Design and Mixing - Chris O'Shaughnessy  Learn more about your ad choices. Visit podcastchoices.com/adchoices