Podcasts about Glyndebourne

Glyndebourne:THE CANAPES….Desexing Society podcast on Lesbians in Oz https://x.com/DesexingSociety/status/1941048356899631259?t=Js_rY_ug4neobq_iCYBgFA&s=19Lesbian prison angle for the Erin Patterson casehttps://www.dailystar.co.uk/news/mushroom-killer-erin-patterson-locked-35546058Gateways club gets a blue plaquehttps://www.ianvisits.co.uk/articles/chelseas-secret-lesbian-haven-honoured-with-english-heritage-blue-plaque-82264/https://en.wikipedia.org/wiki/Gateways_clubLesbian slanghttps://www.refinery29.com/en-au/lesbian-slang-terms-definitions#slide-17 Send us your dilezzas! thelesbianprojectpod@substack.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.thelesbianprojectpod.com/subscribe

Our latest episode features OAE Co-principal Viola John Crockatt conversing with Netty in the grounds of Glyndebourne. They discuss travels, obsessions, and the three elements that complete the cycle of music.John Crockatt shares his life and interests alongside playing the viola, with his adventures in India and Jerusalem, which sparked his exploration of ethnomusicology. In this insightful conversation, he reflects on the profound ways of understanding people and how we perceive the world through music, which we can all learn from!--Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

The New York Times Magazine dubbed Danielle de Niese as “opera's coolest soprano”. Melbourne born, she has gained worldwide acclaim for her beautiful stagecraft, and superb communication. She regularly appears on the world's most prestigious opera and concert stages, from Hamburg to New York, and from Glyndebourne to the BBC Proms. She has six solo albums to her name, and has won an Emmy for her TV presentation.In this conversation, Danielle speaks about her role debut as Carmen with Opera Australia, exploring her meticulous preparation for the part including her interpretation of the character and insights from reading the original novel. It traces her remarkable journey from winning Young Talent Time as a child, the family move to the United States at a young age to pursue her career, a Met debut at 19, and a breakout success at Glyndebourne with Julius Caesar. She reflects on the important influence and support of her parents, and her dedication to giving back through charity work. The interview also explores her forays into musical theatre, and how she balances diverse artistic passions with a deep commitment to opera.

In Episode 39 of The Classical Circuit, host Ella Lee chats to soprano Alison Buchanan, Artistic Director of Pegasus Opera. Alison shares the impact that joining the Glyndebourne chorus at sixteen had on her; the importance of mentoring and the transformative effects it can have on whose who need it most; and how she chooses to lead with real, practical action when it comes to encouraging diversity in the sector. -------------------Pegasus OperaPegasus' Double Bill: Fete Galante / The Dark Lady of the Sonnets-------------------Follow The Classical Circuit on InstagramDid you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*No offence taken if not.--------------------Music: François Couperin - Le Tic-Toc-Choc ou Les MaillotinsPerformed by Daniel Lebhardt--------------------The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart). Hosted on Acast. See acast.com/privacy for more information.

Prázdniny jsou dobou hudebních festivalů a letních scén. České hudbě se na nich daří doma i v zahraničí. „Letos bude česká stopa bude výrazná především v Provence a Velké Británii,“ říká generální ředitel České filharmonie David Mareček a upozorňuje na specifika festivalu v anglickém Glyndebourne, kde vystoupí Kateřina Kněžíková v Kátě Kabanové? V audiozáznamu dál komentuje mural s Miladou Horákovou, slovní hodnocení žáků, přejmenovávání zastávek nebo volbu ředitele ČT.Všechny díly podcastu Jak to vidí... můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Prázdniny jsou dobou hudebních festivalů a letních scén. České hudbě se na nich daří doma i v zahraničí. „Letos bude česká stopa bude výrazná především v Provence a Velké Británii,“ říká generální ředitel České filharmonie David Mareček a upozorňuje na specifika festivalu v anglickém Glyndebourne, kde vystoupí Kateřina Kněžíková v Kátě Kabanové? V audiozáznamu dál komentuje mural s Miladou Horákovou, slovní hodnocení žáků, přejmenovávání zastávek nebo volbu ředitele ČT.

Baritone Christopher Purves joins Netty for tea and a chat backstage of Glyndebourne opera house in this episode. Currently performing the title role of Saul with the OAE, Christopher shares his interests in theatre and the many discoveries he has made throughout his singing journey.Christopher explores his singing approach for his character, Saul, and shares how he began his journey in opera while also venturing into other musical genres. He emphasises the importance of communication, emotional expression, active listening, and the distinctions between using one's singing voice and speaking voice. --Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

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Sound the klaxon - it's a national treasure alert!This week we are honoured to be joined by internationally celebrated Mezzo-soprano Dame Sarah Connolly.Dame Sarah has had an incredible career to date with standout performances including Giulio Cesare at Glyndebourne , multiple roles at the Met, the Royal Opera House, La Scala, Paris Opera and, of course Admiral Nelson in full naval regalia at the Last Night of the Proms.Dame Sarah's 24/25 season includes playing Auntie in WNO's new production of Peter Grimes and Dido in Dido and Aeneas at Amsterdam's Concertgebouw.We are hugely grateful to Dan Hartland at the Cheltenham Festival for setting up this chat - Sarah will be performing Brahms' Alto Rhapsody at the festival on 5 July (ticket link below)With such a stellar career and a vast list of honours to her name, Dame Sarah remains incredibly warm and down-to-earth. We chat about controlling performance anxiety, how to avoid being pigeon holed, dealing with colds, auditioning, the power of positive thinking and how to wear a fatsuit…Enjoy! To buy tickets for Dame Sarah's performance at the Cheltenham festival on Saturday 5 July click here; https://www.cheltenhamfestivals.org/events/berlioz-te-deumYou can find us on the socials here;Instagram @threeinabarpodTiktok @threeinabarpodThree In A Bar on YoutubeAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.com Hosted on Acast. See acast.com/privacy for more information.

Flute player Neil McLaren joins Netty for a tea and chat in the latest episode. Having served as OAE's second flute for nearly 40 years, Neil shares how he became interested in playing the baroque flute and recounts intriguing stories about his early encounters with music. He also discusses other pursuits inspired by his life experiences.Neil takes us back to his early life, before he began playing the flute. When he's not playing music, you can find him crafting jewellery in his workshop in Lewes. Some of his pieces are featured in the Glyndebourne shop as well as being worn by our guest artists. In addition to his musical talents, Neil is also a qualified counsellor, and he shares the journey of how he became one, along with the training process he undertook.--Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

[@2 min] Alright, this week...we narrow our March Madness of Summer Festivals down to the Final Four! Who can challenge Glyndebourne in the UK quarter? [@21 min] Plus, in the "Two Minute Drill"…Opera Theater St Louis is getting an extreme makeover, opera edition, and Brooklyn Academy of Music may be broke, but they've got Barrie Kosky! GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

[@ 3 min] Sinéad Campbell Wallace goes Inside the Huddle! The Irish soprano shares how she began her career singing Handel and Mozart then took a long break to start a family and returned to singing as a Jugendliche dramatische Sopran. With a Salome and an Elsa already under her belt, she is making her American debut as Leonora in Washington National Opera's Fidelio. [@ 42 min] And then…a field report on the Tales of Hoffmann from the Met, starring Friends of the Show Benjamin Bernheim and Erin Morley. [@ 49 min] What's the playbook for keeping an opera company afloat in troubled times? Glyndebourne and Atlanta apparently have the secret sauce. GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

La saison actuelle, tout comme celles à venir, sera caractérisée par des jalons importants pour la mezzo tuniso-canadienne Rihab Chaieb, ce qui comprend notamment son rôle-titre dans Carmen au Festival de Glyndebourne, son rôle de Claire dans Melancholia avec le Kungliga Operan, son rôle de Dorabella dans Così fan tutte tutte à la Seiji Ozawa Music Academy, en plus de ses apparitions auprès du Los Angeles Philharmonic, de la Compagnie nationale d'opéra du Canada et de l'Orchestre symphonique de Québec, ainsi que son retour au Metropolitan Opera et à la Bayerische Staatsoper.Rihab Chaieb a fait ses débuts à la Bayerische Staatsoper lors de la saison de 2022-2023, où elle a ébloui l'audience dans son rôle de Fenena dans Nabucco, sous la direction de Daniele Rustioni, puis au Los Angeles Opera dans le rôle de Cherubino dans Le nozze di Figaro de James Gray, sous la direction de James Conlon. Elle a ensuite repris son interprétation exceptionnelle de Carmen à la Compagnie nationale d'opéra du Canada et au Calgary Opera, avant de retourner au Grand Théâtre de Genève où elle a été mise en vedette dans son rôle de La mère Meryem lors la première mondiale du Voyage vers l'espoir de Jost.Sur les scènes de concert, elle est apparue aux côtés du Philharmonia Baroque Orchestra dans une prestation de Messiah de Handel, elle a également partagé la scène du Vancouver Symphony Orchestra pour présenter Les nuits d'été de Berlioz sous la direction d'Otto Tausk, puis elle a fait son premier spectacle auprès du Manitoba Chamber Orchestra dans le rôle de Ruggiero dans Alcina de Handel.Rihab Chaieb a marqué la saison 2021-2022 en faisant son entrée au Washington National Opera dans le rôle de Dorabella dans Così fan tutte, puis au Palm Beach Opera dans le rôle titre de Carmen. Elle a joué pour la première fois le rôle de Penelope dans Il ritorno d'Ulisse in patria en tournée et pour un enregistrement avec l'Ensemble I Gemelli, avant de retourner à l'Opéra National de Montpellier pour jouer Maddalena dans Rigoletto, puis au Metropolitan Opera pour incarner Nefertiti dans la production d'Akhnaten de Philip Glass mis en scène par Phelim McDermott et sous la direction Karen Kamensek.Elle a récemment connu de nombreux succès, notamment en faisant ses débuts au Houston Grand Opera lors de la première mondiale de The Phoenix de Tarik O'Regan, puis au Cincinnati Opera dans le rôle de Rosina dans Il barbiere di Siviglia, ainsi qu'à l'Opéra de Montpellier dans Fantasio d'Offenbach, au Teatro Santiago de Chile en incarnant Dorabella, à l'Opera Ballet Vlaanderen Kasturbai dans Satyagraha de Philip Glass, et enfin à l'Oper Köln dans le rôle de Carmen dans une production de Lydia Steier.Elle a joué le rôle de Charlotte dans Werther pour la première fois à l'Opera Vlaanderen sous la direction de Giedrė Šlekytė et elle a ouvert la saison au Muziektheater dans le rôle de Lola dans Cavalleria Rusticana de Robert Carsen sous la direction de Lorenzo Viotti. Sur les scènes de concert, Rihab Chaieb s'est produite avec l'Orchestre symphonique de Montréal dans un programme de Rossini sous la direction de Kent Nagano, ainsi que dans Lieder eines fahrenden Gesellen de Mahle sous la direction de Johannes Debus. Elle a également interprété Messiah de Handel sous la direction de Gustavo Gimeno avec le Toronto Symphony Orchestra. Elle a aussi chanté Three-Cornered Hat de Manuel de Falla avec le Vancouver Symphony Orchestra et le Bournemouth Symphony Orchestra sous la direction de Carlos Miguel Prieto.Instagram :https://www.instagram.com/laprescriptiondrfred/?hl=frFacebook :https://www.facebook.com/people/La-prescription-avec-Dr-Fred-Lambert/100078674880976/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Netty is joined by harpist Joy Smith in her cosy 17th-century weaver's cottage in Essex for the latest episode. Joy, who owns 9 harps, takes us through the world of harps. They talk about all sorts of topics, including old English phrases, fun string facts, and being a regular top of the pops.Percussionist, composer, and storyteller Joy, who was the harpist in Handel's Giulio Cesare at Glyndebourne, shares the story of how her love for music began. She discusses harp tuning etiquettes, improvisation, and shares her storytelling tales, as well as her other colourful activities outside of performing, in a fascinating episode. --Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Penelope: Janet Baker Minerva: Anne Howells Melanto: Janet Hughes Ericlea: Virginia Popova Giunone: Vivien Townley Fortuna: Patricia Craig Amore: Laureen Livingstone L'umana Fragilità: Annabel Hunt Ulisse: Benjamin Luxon Telemaco: Ian Caley Eurimaco: John Wakefield Iro: Alexander Oliver Eumete: Richard Lewis Nettuno: Clifford Grant Giove: David Hughes Antinoo/Tempo: Ugo Trama Pisandro: John Fryatt Anfinomo: Bernard Dickerson London Philharmonic Conductor: Raymond Leppard Glyndebourne Festival Opera at Royal Albert Hall Proms 3 August 1972 Broadcast

Mezzo-soprano Beth Taylor joins Netty in the dressing rooms of Glyndebourne, who plays Cornelia in Handel's production of Giulio Cesare. They discuss voice production, singing in physically demanding roles, forestry, and everything in between.Born and raised in Glasgow, Beth unravels the unforeseen path that led her to the world of music and singing, and how she built a strong musical foundation for herself in remarkable ways. She delves into the behind-the-scenes of opera, sharing her experience of developing her voice and offering valuable insight that can encourage us all, particularly the next generation. --Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Soprano extraordinaire Louise Alder joins Netty for tea in Glyndebourne. Louise, who is currently performing as Cleopatra in Handel's Giulio Cesare, enlightens us with her family, educational and versatile singing background, her passion for musical theatre, and her multilingual talents.Louise, takes us behind the scenes of the opera Giulio Cesare. She shares her on-stage experiences and talks about juggling a diverse vocal repertoire, as well as the demands of singing and dancing. Louise also shares her adventures in Frankfurt and takes a deep dive into languages, from which we might learn a thing or two! Catch Louise Alder and the OAE in Glyndebourne this summer!--Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

A two-time Grammy nominee, Rod Gilfry is a singer and actor who performs across opera, musicals, recitals and cabaret, all over the world. His opera repertoire in particular is vast, spanning 75 roles. He's come to Opera Australia and the Sydney Opera House to perform one of the many roles in new operas that he has created – Claudius in Brett Dean's Hamlet, directed by Neil Armfield. Rod has already performed this role at the Met in New York and at Glyndebourne in the UK. Rod takes us through his long career which began in school choirs and musicals in California, and speaks passionately about some of the roles he has played. In particular, he takes us through the joys and challenges of creating some of these new roles, including his acclaimed performance in A Streetcar Named Desire. Rod Gilfry play Claudius in Brett Dean's Hamlet from 20 July to 9 August in the Joan Sutherland Theatre of the Sydney Opera House.

Conductor Constantin Trinks, who makes his Festival debut conducting Mozart's Die Zauberflöte with the OAE, joins Netty for tea and a chat. He discusses his musical influences and shows a special fondness for certain composers such as Wagner, Strauss, and especially Wagner! Constantin Trinks expresses excitement about working with a period instrument orchestra for the first time. We learn about his gradual appreciation for early music following his initial affinity for later music and his passion for opera. We also get an insight into the conductor's baton and the essential qualities of being a conductor. Catch Constantin and the OAE this summer in Glyndebourne!--Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

As summer approaches, bass-baritone Dingle Yandell joins Netty in the fields of Glyndebourne for the latest episode. They have compelling conversations, from his discovery of British novelty pop act Jive Bunny and the Mastermixers to sharing experiences of music college auditions and there are revelations behind the meaning of names.Dingle Yandell, who was part of the first cohort of OAE's Rising Stars of the Enlightenment, shares his journey and musical influences before the Classical world. Dingle opens up about his approach to learning music and engages in authentic conversations about the struggles and challenges performers face that are not typically seen on stage. He also gives a behind-the-scenes glimpse of how he filmed the iconic Rising Stars music video 'What Power Art Thou' (Purcell), inspired by Gotye.--Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

durée : 00:21:15 - Disques de légende du vendredi 03 mai 2024 - Cet enregistrement de Glyndebourne en 1996, est une production légendaire.

Angela Rayner, the Labour deputy leader, is being accused of being a ‘tax avoider'. While these attacks are coming predominantly from the right, they've been mounting in recent weeks and now Labour is having to confront the allegations.So what could this mean for the deputy leader? Is Labour in trouble? Or is this a Tory smear campaign?Anoosh Chakelian, Britain editor at the New Statesman, is joined in the studio by political correspondent Freddie Hayward; this episode was recorded on Thursday 11th April.Read the pieces mentioned in this podcast: Is Angela Rayner in danger?; What Dominic Raab missed about Angela Rayner at Glyndebourne; I looked into Angela Rayner's tax affairs – here's what I found Hosted on Acast. See acast.com/privacy for more information.

In 1989 the demilitarized zone between East and West was the venue for a gathering which was titled the Pan-European picnic. Matthew Longo's new book explores the Hungarian, East German and Russian politics which led to this happening and how it contributed to the ending of the cold war. He joins historians of art and food in a conversation hosted by Anne McElvoy which ranges across picnics in ancient Greece, French impressionist painting, country house opera events like Glyndebourne and celebrating the arrival of the cherry blossom season.Matthew Longo is Assistant Professor of Political Science at the University of Leiden and author of The PicnicMonika Hinkel is an art historian based at the School of Oriental and African Studies at the University of LondonKirsty Sinclair Dootson is a lecturer in Film and Media at University College LondonPen Vogler is a food writer and the author of Scoff: A History of Food and Class in BritainProducer: Ruth WattsThe Picnic: An Escape to Freedom and the Collapse of the Iron Curtain by Matthew Longo is out now You can find other discussions about German and cold war history on the Free Thinking programme website and available as the Arts and Ideas podcast.

Anna Maria Rota, Vittorio Gui Glyndebourne Festival, 9 August 1959, Broadcast

The International Union of Marine Insurance conference is the annual health check for the shipping industry's risk cover and as such offers an important, if not at time impenetrably complex view of the sector as a whole. This week's podcast offers up a clear explanation of everything you need to know about marine insurance from the people who understand it best. Consider this week's edition your best, and perhaps only opportunity to learn the marine insurance sector in under 25 minutes x FOR some, it's Glastonbury or Coachella, others have Glyndebourne or Last Night of the Proms. In the world of marine risk, it's the annual International Union of Marine Insurance conference, and this year's insurance festival comes from Edinburgh with added bagpipes and ill-advised kilts worn by men with homeopathic claims to Scottish heritage. The fact that global marine premiums jumped 8.3% in the past year is, granted, a niche headline announcement, but to those gathered in Scotland this week, it's a case of turning the excitement factor up to 11. Insurance-speak can sometimes make even shipping jargon sound comprehensible, but the plain English explanation is startlingly simple. More ships are being insured at higher prices, fewer of them are sinking, and everybody goes home happy. Hull & machinery insurance has certainly witnessed something of a turnaround in the last five years. H&M underwriters - who up until that point had been losing money in the aggregate for around 20 years – are actually making some for a change. Likewise, P&I clubs are currently publishing combined ratios of below 100% for the first time since the late 2010s. If you don't know what we are talking about, keep listening and you will be expert by the end of the show. Finally, it's worth noting that Europe is holding its own even though London continues to cede ground to Asian insurers, and still has over half the market. Our man Dave Osler is now on his ninth IUMI conference, and has been up in Edinburgh with the microphone talking to some of the main movers and shakers for this week's edition. Speaking on this week's edition: Chair of IUMI's hull committee and chief executive and chief underwriter at American Club affiliate American Hellenic Hull Insurance company – Ilias Tsakiris Chair of the International Group of P&I Clubs - Nick Shaw IUMI vice chair of the Facts and Figures Committee and analyst/actuary of the Nordic Association of Marine Insurers (Cefor) - Astrid Seltmann

Comenzaremos la primera parte del programa hablando de la creación de un plan en Chile para buscar a las personas que desaparecieron durante la dictadura; y de las limitaciones de tránsito en el Canal de Panamá debido a un periodo de sequía. Hablaremos también de un estudio sobre el uso de alimentos como medicamentos; y para finalizar, de la prohibición del alquiler de patinetes eléctricos en París.    En nuestra sección Trending in Latin America tendremos dos conversaciones muy interesantes. Hablaremos del debate sobre la existencia de un arte argentino. Cerraremos la emisión hablando del soprano venezolano Samuel Mariño, quien ha participado en el festival de Glyndebourne. - Chile anuncia un plan para la búsqueda de personas desaparecidas durante la dictadura - El Canal de Panamá restringe el tránsito por 10 meses - Los beneficios de recetar comida como medicamento - París prohíbe el uso de patinetes eléctricos de alquiler - En 2023 se reabre el debate sobre el arte argentino - Samuel Mariño, el soprano venezolano que triunfa en Europa

Joining Netty in the latest episode is Václav Luks, who is currently conducting Handel's Semele with the OAE at Glyndebourne. We travel back in time with Václav to an era when libraries and photocopy machines were the norm. He shares his passion for mountaineering, survival instincts, and taking a leap of faith in the Baroque world.Conductor, director, harpsichordist, horn player and musicologist Václav Luks shares how his love for nature and focus on emotion and intuition have shaped his musicianship. He reflects on his experience with the OAE and emphasises the significance of establishing a connection and understanding the nuances of an orchestra. Václav also talks of his younger self, which can inspire us all.--Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

In a series of four Decca Icons podcasts, Gramophone's James Jolly explores the artistry of four major recording musicians with Rob Cowan, Jed Distler and Richard Fairman. Focusing on recordings in the Decca catalogue, the series turns the spotlight on Bernard Haitink, Vladimir Ashkenazy, Sir Georg Solti and Benjamin Britten. Each podcast is accompanied by a special Apple Music playlist.  In this first podcast, Rob and James talk about the great Dutch conductor who, during a long career, headed up ensembles and opera house in Amsterdam, London, Glyndebourne, Dresden and Chicago, as well as being a much sought-after guest, and left a vast recorded catalogue.

Duncan Rock is a singer and a nutritionist who works with the likes of Vocal Health Education and The Voice Care Centre. He returns to the podcast to discuss the topic of understanding singing and fitness. KEY TAKEAWAYS People often think the benefits of exercise are just weight loss and gaining muscle, but the far more important benefits are around increasing the length and quality of your life.  Exercise also increases your cardiovascular, metabolic, muscular, neurological, digestive and mental health.  Being strong and having good cardiovascular health can be valuable on stage, especially if you're playing a demanding role. An example often given is the role of Don Giovanni in Mozart's Don Giovanni, which requires a fight in the very first scene.  For some people, exercise decreases the time it takes for their body tissues to recover from strenuous work. This is because when you exercise regularly, your blood flow, metabolic health and cellular healing tend to improve. The fitter you are, the more it benefits you. Performers should be mindful of the three pillars of fitness: strength, mobility and cardiovascular endurance. Duncan cautions singers against doing just one type of activity as they may experience hyper-adaptation to that activity over time. This will be to the detriment of your other capacities. Duncan believes that singing teachers often get it wrong when they warn students against lifting weights out of fear it will ruin their voice. He thinks singers need to be mindful of not developing muscular imbalances that could lead to excessive tension and high threshold strategies. These high threshold strategies refer to the unnecessary overworking of muscles, which can impact the vocal mechanism. BEST MOMENTS‘Exercise is one of the best things you can do to increase your length and quality of life' ‘It doesn't matter how good your technique is, if you're out of breath, you're not going to be able to do it'‘People who have high cardiovascular health, their vocal tissue recovers faster' ‘Address each part of the pillar as its own goal' ‘There is no relation to the visibility of someone's six-pack and its rigidity or flexibility'‘Don't do crunches, I don't think it's necessary' ‘Getting the right amount of nutrients from whole foods is infinitely more important than nutrient timing'  EPISODE RESOURCES Website: duncanrocknutrition.com  Social Media:  Instagram: @duncanrock_nutrition  Relevant Links & Mentions:  Singing Teachers Talk Podcast - Ep. 100 The Truth About Singing and Dairy with Nutritionist Duncan Rock  Sussex Back Pain Clinic: https://www.sussexbackpainclinic.co.uk/ Claudia Hodgson-Rodriguez: @claudia.theatrefit Exercises mentioned: Pallof Press; Woodchop; Kettlebell Halo; Deadlift; Romanian Deadlift; Bench Press; Push Ups; Pull Ups/Downs; Rows; Rucking  Mahant Amar Bharati Ji  Firas Zahabi Tristar Gym: https://tristargym.com/trainers/firas-zahabi/ Stephen King and The Voice Care Centre: https://voicecarecentre.co.uk/stephen-king/ ABOUT THE GUEST Duncan is a graduate of the Guildhall School of Music and Drama (London) and West Australian Academy of Performing Arts. He has an active career as an operatic baritone performing roles at many of the world's leading opera houses, including the Metropolitan Opera, Royal Opera, Glyndebourne, English National Opera, Teatro Real and the Boston Lyric Opera. As a baritone soloist, he has recorded and performed with the London Symphony Orchestra and the BBC Symphony Orchestra. Duncan also works as a nutritionist and nutritional science writer. He holds a Masters of Science in Nutritional Science and an advanced diploma in nutrition and weight management. His speciality is combining his parallel fields of study and providing nutritional information for performing artists. He is cognisant, from an academic and personal standpoint, of the heavy demands of a busy performing and travel schedule. He has been using his knowledge of diet and nutrition to propel his own career and help other performers attain optimal vocal and physical health. Duncan is now part of the team at the Sussex Back Pain Clinic.MMus MMperf MSc MRSPH ABOUT THE PODCASTBAST Training is here to help singers gain the knowledge, skills and understanding required to be a great singing teacher. We can help you whether you are getting started or just have some knowledge gaps to fill through our courses and educational events.Website: basttraining.comGet updates to your inbox: Click here for updates from BAST TrainingLink to presenter's bios: basttraining.com/singing-teachers-talk-podcast-biosThis show was brought to you by Progressive Media

In this episode, Netty is joined by countertenor Tim Mead who shares some interesting stories. Tim talks about wacky costume preparations with lots of unexpected on-stage action and reveals what his ultimate critic (his dog) really thinks of his singing…As the Glyndebourne summer festival continues, countertenor Tim Mead, who is currently playing the role of Oberon in A Midsummer Night's Dream, gives us a glimpse into his world of performance. Known as one of the finest singers of his generation, Tim talks about his journey as a countertenor, reflects on the challenges of the pandemic and shares about the joy of making music while recalling memories with the OAE.--Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear.Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Irish lawmakers are currently debating a bill on hate speech. The aim is to update 35 year old legislation that the Irish Justice Minister has called “ineffective”. A spate of anti-immigration protests in the country are said to have a pronounced Islamophobic focus. We speak to an academic to explore Ireland's relationship with issues of racism and immigration. South African soprano Golda Schultz talks about her role as Madeleine Lidoine in the opera, Dialogues of the Carmelites, which depicts the powerful and moving true story of 16 nuns executed in 1794. It is currently being staged at Glyndebourne. She describes how the role has strengthened her own Catholic faith. The Church of Scotland will have to close hundreds of its churches in the next few years and this isn't just a problem for Scottish Presbyterians, who now have twice as many buildings as they have ministers. Across the UK, six thousand churches and chapels have closed in the past decade. William Crawley speaks to the Reverend David Cameron, Convenor of the Assembly Trustees, and to Sir Philip Rutnam, Chair of the National Churches Trust. Prsenter: William Crawley Editor: Jonathan Hallewell & Tim Pemberton Producers: Bara'atu Ibrahim & Linda Walker Production Coordinator: David Baguley Studio Managers: Sharon Hughes & Simon Highfield

Am 26. Juni 2023 feiert die Oper "Hamlett" von Brett Dean bei den Münchner Opernfestspielen an der Bayerischen Staatsoper Premiere. Die Produktion ist eine Übernahme der auch auf DVD erschienenen Produktion aus Glyndebourne. Identisch sind neben dem Dirigenten Vladimir Jurowski auch Regisseur Neil Armfield und der Darsteller des Titelhelden, Allan Clayton. BR-KLASSIK überträgt live.

As the CBSO prepares for a summer of tours to Aldeburgh, Japan, and the BBC Proms, the orchestra's new Chief Conductor Kazuki Yamada speaks to presenter Tom Service about the joy of music and the goosebumps he experiences while conducting. Tom travels to the South Downs to speak to Australian director Barrie Kosky about a new production, opening this weekend at Glyndebourne, of Poulenc's Dialogues des Carmélites. He's joined by sopranos Golda Schultz and Sally Matthews, as well as conductor Robin Ticciati, to talk about the story of sixteen nuns who meet their death at the hands of the French Revolution. Amid rehearsals at the Royal Opera House, Music Matters hears about the World Premiere of a new ballet, Untitled 2023 – a collaboration between the Royal Ballet's resident choreographer Wayne McGregor and composer Anna Thorvaldsdottir. They discuss the somatic relationship between body, dance and music, and why listening to Thorvaldsdottir's compositions is not a passive experience. And one hundred years after its premiere at the Aeolian Hall in June 1923, Tom speaks to the writer and broadcaster William Sitwell about his great-aunt Edith Sitwell's creative relationship with the composer William Walton – a collaboration which resulted in the entertainment, Façade. He's also joined by writer and researcher Lucy Walker. Together they discuss the work's nonsensical parody of popular music, jazz, and poetry and knotty issues it presents to contemporary audiences.

Amidst the summer season, Evan Rogister, currently conducting Don Giovanni at Glyndebourne joins Netty for a cuppa. He takes us through his intriguing past which led to the opera bug and admission into one of the world's most prestigious performing arts schools. There's also an exciting revelation about our well-loved theme tune... From a child singer to a trombonist and now conductor, multi-talented maestro Evan Rogister makes his Glyndebourne debut and conducts the OAE, his first British orchestra. Evan talks about his musical influences, an alternative career path in political science and shares his approaches to conducting Mozart with lots of enlightening stories along the way!---Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear.Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

OAE Principal clarinet Katherine Spencer joins Netty for a cuppa in a brimming episode. They talk about nickname origins, a clarinet obsession and other entertaining stories involving some chickens, a pony and diving. Deep within Glyndebourne territory, amidst the Don Giovanni rehearsals for the summer, Katherine Spencer (aka Waffy) joins Netty and spills the tea. Katherine talks about her very first encounter with the OAE, what music means to her, an unprecedented career in belly dancing and her intriguing experiences as a wind player of performing in different locations with diverse backgrounds. ---Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear.Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Opern-Weltstar Jonas Kaufmann und seine Frau Christiane, eine der renommiertesten Opernregisseurinnen, im exklusiven Doppel-Interview in dieser Episode BRITPOD! Die beiden berichten über ihre engen Verbindungen nach England: Der Star-Tenor wurde vom heutigen König Charles III mit dem Doktortitel der weltberühmten Royal Academy of Music ausgezeichnet und besuchte daraufhin die Royale Familie im Buckingham Place und auf Windsor Castle. Jonas' Frau Christiane inszenierte vor einiger Zeit Mozart's Zauberflöte beim legendären Glyndebourne Opern Festival. Spektakulär: Zu diesem Musik-Event reisen VIPs und Superreiche auch gerne per Rolls Royce und Helikopter an. Außerdem schwärmen unsere England-Reisenden Alexander-Klaus Stecher und Claus Beling von den britischen Pilgerstätten klassischer Musik: Dem Royal Opera House in Covent Garden und der legendären Royal Albert Hall in Kensington mit ihren 8.400 Plätzen - ein gigantischer Ort! Die britische Szene wird weltweit für ihre vielseitige und erfolgreiche Musikkultur geschätzt. -- BRITPOD - England at its Best - wird präsentiert von Romance TV. Dem Zuhause der Rosamunde-Pilcher-Filmreihe und romantischer Serien. -- Ein ALL EARS ON YOU Original Podcast.

This week Ash + Avi chat with Conductor & Chorus Director Aidan Oliver. We talk about the Glyndebourne that we know and love as well as Aidans work with Edinburgh Festival Chorus and Philharmonia Voices. We discuss the joys of choral music and tips on auditioning! Aidan's Links: Website | Twitter | Glyndebourne Support the Podcast Buy us a coffee

Jill Swyers has worked in the catering industry, managed restaurants and was professionally involved in food and beverage for the hotel industry for over 40 years. She has worked in Greece, South Africa, Portugal, Austria, Switzerland and France. Jill also had her own London based catering company, "Hungry Hampers", providing typical cuisine for corporate events, weddings and formal picnics such as Ascot, Glyndebourne and Henley.For several years, Jill suffered a low energy level and she felt debilitated. She was diagnosed as suffering from Chronic Fatigue Syndrome, Fibromyalga, Hypoglycaemia, Candida and Reynauds disease. She believed her condition could be directly linked to her diet, which is when she started looking seriously at the impact of diet on health. To lose weight, she tried food combining and lost 20Kg (44lb) over a period of six months. Reading about Aloe Vera juice and its energising properties, she started to drink the juice and noticed an increase in vitality. To increase her chlorophyll and oxygen uptake, she included wheatgrass in her regime.Having treated herself through a combination of diet, exercise and alternative therapies, she began to study nutrition, with particular emphasis on the science of living and organic foods.Jill is now a qualified Hippocrates Health Educator and Hippocrates Ambassador and devotes her time to teaching and demonstrating the preparation of living foods as a way to achieve optimum health.Learn more about a raw vegan lifestyle at UK Fruitfest, one of the world's best event for the raw vegan community: http://fruitfest.co.ukSubscribe to the Love Fruit Newsletter and receive the 21 Days Of Raw Inspiration email series: https://mailchi.mp/fruitfest/newsletter

This episode is very special! It marks 100 episodes of the BAST Singing Teachers Talk podcast! We just wanted to take a second to do a massive shout out to all of the incredible guests we've spoken to and also you, our amazing listeners! To thank you for joining us, we're running a special giveaway to win over a thousand pounds worth of educational videos, knowledge and singing teacher goodness! All you need to do to enter is take a screenshot of this episode of the podcast playing on your device, pop it on your story and tag @basttraining. That's it! You're entered! We'll be announcing winners over on Instagram and Facebook so give us a cheeky follow. Competition entry ends at midnight tonight so get screenshotting! On to the podcast and on this milestone episode we're joined by Duncan Rock, a graduate of the Guildhall School of Music and Drama who has an active career as an operatic Baritone performing roles at many of the world's leading opera houses. He is a nutritionist working with the likes of Vocal Health Education and The Voice Care Centre and is currently training to be a physiotherapist.    KEY TAKEAWAYS   Singers have a ritual of avoiding eating chocolate before singing because they think as it naturally contains caffeine, it will dry you out and constrict the muscles around your vocal cords. It's also an acid reflux trigger, creates more phlegm, and it coats the back of the throat giving you a flatter sounding voice. Duncan believes this is just a performative act people give as there is very little evidence that it will actually have any effect.  Liquids that are emulsive, whether dairy or not, can create the feeling of thickness and can feel like they leave a sticky residue in your throat. This goes away with time and you can even just wash it off with a glass of water.  Sugar has long term effects on our health that happens over time with large consumption. It will not have any short term effects on your voice. We do need to watch our sugar intake, but this is just a long term health risk rather than a vocal one.  In Duncan's opinion, trying to manage chronic inflammation and digestive health seems to have the best overall net result for any vocal health issues around mucus and reflux. Chronic inflammation is becoming more of an issue due to stress and the amount of processed food we eat.  It's a myth that Duncan has heard at every single level of his career in classical music that if you are fit and exercise then you can't sing opera. Pavarotti was an amazing singer despite his weight, not because of it.    BEST MOMENTS   ‘Dairy does not create mucus, this is a myth' ‘You're just as likely to experience the same thing with a soy based drink as with dairy' ‘These lists of best food for singers you find online are rarely based on anything substantial'   EPISODE RESOURCES  Guest Website: www.basttraining.com Social Media: duncanrocknutrition.com  Social Media:  Instagram: @duncanrock_nutrition  Relevant Links & Mentions:  Vocal Health Education: vocalhealtlh.co.uk Pubmed: https://pubmed.ncbi.nlm.nih.gov/ Singing Teachers Talk Podcast: Ep. 60 The Best Nutritional Do's and Don'ts for Singers with Stephanie Moore: https://linktr.ee/basttraining?utm_source   ABOUT THE GUEST    Duncan is a graduate of the Guildhall School of Music and Drama (London) and West Australian Academy of Performing Arts. He has an active career as an operatic Baritone performing roles at many of the world's leading opera houses including the Metropolitan Opera, the Royal Opera, Glyndebourne, English National Opera, Teatro Real and the Boston Lyric Opera. As a baritone soloist, he has recorded and performed with the London Symphony Orchestra and the BBC Symphony orchestra. Concurrently with his performing career, Duncan works as a Nutritionist and Nutritional Science Writer. He holds a Masters of Science in Nutritional Science and an advanced diploma in nutrition and weight management. His speciality is combining his parallel fields of study and providing nutritional information for performing artists. He is cognisant, from both an academic and personal standpoint, of the heavy demands of a busy performing schedule that often includes the demands of rigorous travel. He has been using his knowledge of diet and nutrition to propel his own career as well as help other performers attain optimal vocal and physical health. MMus MMperf MSc MRSPH   ABOUT THE PODCAST   BAST Training is here to help singers gain the knowledge, skills and understanding required to be a great singing teacher. We can help you whether you are getting started or just have some knowledge gaps to fill through our courses and educational events. Website: basttraining.com Get updates to your inbox: Click here for updates from BAST Training Link to presenter's bios: basttraining.com/singing-teachers-talk-podcast-biosSee omnystudio.com/listener for privacy information.

In our first pod of 2023 we discuss cuts to opera funding, representations of female conductors, and is opera cool? … Running order 1) Arts Council England funding – English National Opera, Glyndebourne, Welsh National Opera https://www.theguardian.com/music/2022/nov/09/english-national-operas-funding-to-be-cut-to-zero-unless-it-moves-from-london https://www.theguardian.com/music/2023/jan/17/english-national-opera-arts-council-england-investment-eno 2) Mystery opera quiz … 3) Tar and female conductors https://www.theguardian.com/music/2023/jan/16/thank-you-cate-blanchett-for-taking-up-the-baton-for-female-conductors?CMP=Share_AndroidApp_Other 4) New pay deal for theatre, but opera lags behind https://twitter.com/EquityUK/status/1613477338729119745?s=20&t=0rn5rS67DfQ6TWEuRBYJ3Q 5) Classical music is cool … apparently https://www.bbc.com/culture/article/20230113-gen-z-and-young-millennials-surprising-obsession 6) Opera History Corner – the first UK opera subsidy, 1930 7) Hidden Gem – ‘Cabildo' (Amy Beach) 8) Quiz – higher or lower? Recorded on 23 January 2023 Guests - Emma Black, Helen Harrison Host - David Ward Produced by Northern Opera Group

[@ 3 min] The Metropolitan Opera is reducing performances and dipping into its endowment to survive. We ‘Crunch the Numbers' to see if these tactics will swell the coffers… [@ 26 min] In ‘Chalk Talk', it's our predictions for Operaland in 2023. (You know, we've got a good track record for predictions…) [@ 37 min] Plus, in the ‘Two Minute Drill'… The Met and Glyndebourne might be in trouble, but the Verdi Festival is doing just fine… We're back with an all-new show next week… Join us! SHOW NOTES www.nytimes.com/2022/12/26/arts/music/metropolitan-opera-endowment-contemporary.html GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Tár is a psychological drama about an imaginary conductor, Lydia Tár, which has already made waves both for its central performance by Cate Blanchett and for its striking, sometimes dreamlike story about the abuses of power. It is tipped for awards and Cate Blanchett has already won the Golden Globe for her performance. The writer and director, Todd Field, joins Front Row. The news that the celebrated opera company Glyndebourne has cancelled its national tour for 2023, due to the recent cut to its Arts Council funding, was received as the latest bombshell on the UK's opera landscape. Glyndebourne's artistic director, Stephen Langridge, and the music writer and critic Norman Lebrecht discuss the company's decision and explore what kind of support and vision opera in the UK needs. Jyoti Patel on winning musician Stormzy's Merky Books New Writer's Prize in 2021 and now making her debut as novelist with her book, The Things We Have Lost. Continuing Front Row's look at the shortlist for this year's TS Eliot Prize For Poetry, today Anthony Joseph reads from his collection Sonnets For Albert – poems exploring being the Trinidad-born son of a mostly-absent father. The poem is called El Socorro. Presenter: Shahidha Bari Producer: Emma Wallace Main Image Credit: Cate Blanchett as Lydia Tár - Universal

John Hodges joins Brandon again for a new feature on music literacy. In this installment, he walks us through part of Mozart's "The Marriage of Figaro". He takes into Mozart'sunique contributions to Opera.Glyndebourne 1973 performance:https://www.youtube.com/watch?v=IugFH6PxeMQ1994 Performance with English subtitleshttps://www.youtube.com/watch?v=Yy-DTtJ5q-AShawshank Redemption Scene:https://www.youtube.com/watch?v=Bjqmg_7J53sCenter for Western Studies: https://www.centerws.com/ Hosted on Acast. See acast.com/privacy for more information.

From Director of Opera and Drama at Gothenburg Opera to Glyndebourne's current Artistic Director, Stephen Langridge has directed many productions throughout his career for renowned opera houses around the world. He talks about taking his first (literal) steps at Glyndebourne to making a return during the pandemic and everything in between. Stephen looks back at his musical background and education in the dramatic arts which fuelled his career, with lots of fun and fascinating discoveries along the way. Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear.Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

durée : 00:28:11 - Au coeur de l'orchestre - par : Christian Merlin - Fondé en 1932 par Sir Thomas Beecham, il reste aujourd'hui une des quatre grandes phalanges londoniennes. Retour sur une histoire marquée par le combat pour faire sa place dans une ville saturée d'orchestres. - réalisé par : Marie Grout

[@ 4 min] This week… George goes ‘Inside the Huddle' with Scott Stroman, artistic director of Highbury Opera Theatre and composer of “Fever Pitch,” an opera about football. And by football, we mean soccer… [@ 26 min] And then… It's the return of ‘Monday Evening Quarterback', when George reviews Covent Garden's “Così fan tutte” and “Alcina” at Glyndebourne… [@ 37 min] Plus, in the ‘Two Minute Drill'… Rene Papé is either a fully functioning alcoholic or a homophobe. Or possibly both. Stay tuned as we wade through this PR nightmare… operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Keturah speaks with Matthew Jocelyn, the celebrated director, writer, and theater administrator, who wrote the libretto for Brett Dean's Hamlet, originating in Glyndebourne in 2017, and currently playing at the Metropolitan Opera.

Jonathan Bloxham and I have known each other for 6 years now and I knew he would be perfect to interview - we get along very well and I knew he would be open, honest, and interesting as he has a real passion for what he does. As an example of that, he was very open about his experiences as Assistant Conductor with the CBSO, I discovered how a nightmare set of circumstances meant that his debut at Glyndebourne was very memorable indeed, and we discuss accents, not musical accents either! The festival that Jonathan is the founder of, Northern Chords, can be found here - https://northernchords.com/ If you would like to discover a whole lot more about conductors and conducting, why not subscribe at https://www.patreon.com/amiconthepodium, and, for a monthly fee starting from just £5 a month, you can access two new series of interviews, group Zoom meetings with other fans of the podcast and myself, a monthly bulletin about the podcast and my own career as well as articles, photos, videos and even conducting lessons from myself. If you listen via Apple podcasts, please do leave a rating and review - it really helps the podcast get noticed and attract more listeners. If you want to get involved on social media, you can via Facebook (https://www.facebook.com/amiconthepodium) or Twitter (@amiconthepodium). This interview was recorded on 20th April 2022 via Zoom.

Handel's Messiah is one of the great Christian works of Easter. Jeff Lloyd Roberts follows the creation of a new production by the Glyndebourne opera company, looking at the challenges of mounting a huge choral piece and touring with it during a time of rising Covid rates. While most oratorios put the spotlight on the soloists, Handel's Messiah has the chorus at its heart. We hear from performers in one of the foremost choruses in international opera, as they take on a piece that wholeheartedly showcases its singers in everything from the exhilarating He Trusted in God to the rapt wonder and stillness of Worthy is the Lamb. Conductor Ben Glassberg discusses the challenge of finding a new way to tell the story of Christ's birth, crucifixion and resurrection in such a well-known and well-loved work. Image: The Glyndebourne chorus rehearses Handel's Messiah (Credit: Richard Hubert Smith) Show less

Jonathan Veira is an internationally acclaimed bass baritone opera singer, who's performed across the globe with various companies including Glyndebourne, The Royal Opera House, Covent Garden and The Royal Danish Opera Company. His performances in operatic comedy roles have thrilled audiences at home and abroad but JV sings much more than opera alone. This multi-skilled entertainer with a range as big as his heart and character has performed across the globe to great reviews both in opera and in his own one-man show. He's also well known in the Christian community for his Christian and gospel albums. There's no doubt about it, he's a very funny and supremely talented guy and in this double length podcast the guys chat about JV meeting his wife, Sue, winning a competition which launched his operatic career, debilitating illness in 1989, recovery and playing Falstaff in Copenhagen through to his recent kidney transplant. You won't want to miss a second.Support the show (https://www.buymeacoffee.com/stevelegguk)