Podcasts about dinner at eight

It's the most awkward double-date ever in one of Cheers' least Cheers' episodes, ever. Next week: Cheers (1003, “Madame LeCarla”) Subscribe, get expanded show notes, and past episodes at http://Cordkillers.com Support Cordkillers at http://Patreon.com/Cordkillers YouTube: https://youtu.be/a9b5lAlSBgM Download

It's the most awkward double-date ever in one of Cheers' least Cheers' episodes, ever. Next week: Cheers (1003, “Madame LeCarla”) Subscribe, get expanded show notes, and past episodes at http://Cordkillers.com Support Cordkillers at http://Patreon.com/Cordkillers YouTube: https://youtu.be/a9b5lAlSBgM Download

It's the most awkward double-date ever in one of Cheers' least Cheers' episodes, ever.Next week: Cheers (1003, “Madame LeCarla”)Subscribe, get expanded show notes, and past episodes at http://Cordkillers.comSupport Cordkillers at http://Patreon.com/CordkillersYouTube: https://youtu.be/a9b5lAlSBgMDownload Hosted on Acast. See acast.com/privacy for more information.

It's the most awkward double-date ever in one of Cheers' least Cheers' episodes, ever. Next week: Cheers (1003, “Madame LeCarla”) Subscribe, get expanded show notes, and past episodes at http://Cordkillers.com Support Cordkillers at http://Patreon.com/Cordkillers YouTube: https://youtu.be/a9b5lAlSBgM Download

It's the most awkward double-date ever in one of Cheers' least Cheers' episodes, ever. Next week: Cheers (1003, “Madame LeCarla”) Subscribe, get expanded show notes, and past episodes at http://Cordkillers.com Support Cordkillers at http://Patreon.com/Cordkillers YouTube: https://youtu.be/a9b5lAlSBgM Download

Every Sunday night, Vintage Classic Radio presents the Sunday Night Playhouse, where we bring to life timeless classics from the golden age of radio between the 1930s and the 1960s Episode Description: Step back in time to 1930s Hollywood with Vintage Classic Radio's Sunday Night Playhouse. In this episode of the Campbell Playhouse, we bring you a captivating radio adaptation of the classic play "Dinner at Eight," broadcasted on February 18th, 1940. As the Great Depression casts a shadow over the nation, the lives of New York's high society intersect in the countdown to a lavish dinner party. Mrs. Oliver Jordan, a well-to-do socialite, anxiously prepares for the event, determined to impress her guests. Yet, behind the facade of wealth and privilege, secrets, scandals, and unexpected twists unfold, revealing the true nature of the characters' relationships. Led by the legendary Orson Welles as director and host, the cast of "Dinner at Eight" delivers a brilliant performance, immersing listeners in a world filled with opulence, witty dialogue, and dramatic confrontations. Join us on Vintage Classic Radio's Sunday Night Playhouse to experience this enthralling tale of high society's unraveling, as alliances are tested, and ambitions clash. Full Cast: Orson Welles: Director and Host Marjorie Main: Carlotta Vance Hedda Hopper: Millicent Jordan Shirley Booth: Kitty Packard Madeleine Carroll: Mrs. Oliver Jordan Errol Flynn: Dr. Wayne Talbot Charles Butterworth: Larry Renault Walter Huston: Dan Packard Agnes Moorehead: Hattie Loomis Alan Reed: Max Kane Carl Frank: Eddie Frank Readick: Mr. Fitch Ray Collins: Ed Loomis Richard Wilson: Mr. Hatfield William Alland: Waiter Joseph Cotten: Radio Announce

Choice Classic Radio presents The Campbell Playhouse, which aired from 1938 to 1940 on CBS Radio. Today we bring to you the episode titled “Dinner at Eight.” Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!

Front Row Classics celebrates the 90th anniversary of one of the most celebrated films of the pre-code era. We're taking a look at 1933's Dinner at Eight, directed by George Cukor. Brandon is joined by Matt Duffy of Reel Gold Rundown to discuss this elegant dramedy from MGM's golden era. The two discuss the legendary all-star cast featuring the likes of Jean Harlow, Marie Dressler and Lionel & John Barrymore. The hosts also pay tribute to the literate script which walks the line between comedy and drama. You can enjoy Matt's content online by finding "Reel Gold Rundown" on Instagram and TikTok.

Download the episode Front Row Classics celebrates the 90th anniversary of one of the most celebrated films of the pre-code era. We’re taking a look at 1933’s Dinner at Eight, directed by George Cukor. Brandon is joined by Matt Duffy of Reel Gold Rundown to discuss this elegant dramedy from MGM’s golden era. The two … Continue reading Ep. 144-Dinner at Eight →

Frasier and Niles try to take their old man to a fancy restaurant, but plans go awry when Le Cigare Volant loses the reservation. Make way for the beef trolley, Martin and the boys are headed to the Timber Mill Steakhouse! Plus, we discuss the pilot episode of the Brett Butler ABC series Grace Under Fire

Well, this was a doozy. During this episode, we discuss the pacing of Melrose Place. Spoilers to the season three finale to come in this description. Although the show is old enough to be beyond the "spoiler" zone. We only have 8 episodes left until the season finale where Kimberly blows the place up after going through her No More Victims cult training. Alison is back on the booze because Billy is getting married. TO WHO?!? The one death in the explosion hasn't even arrived, much less found herself in the love triangle that put her at Melrose Place to begin with. And are we crazy, or does Alison become President of D&D and taunt a client about his mother's suicide before we get to the finale? HOW DOES ALL OF THIS HAPPEN?!? Anyway, here and now, Michael and Amanda are exploring New York, and Michael is smitten with Miss Woodward, a fact that does not land well with Kimberly. Ultimately, Amanda is going to get her treatment but we got these two characters mashed together so she can recover but still be romanced. Sydney is jealous of Jane for stealing her boyfriend, which is quite hollow ground for Sydney to be stamping her feet on. But the dramatic tension comes from Officer Gay Face getting busted, only to break in to dinner with Matt and Jo (when did this start happening?) with a gun saying if he's going to jail for one accidental death, it might as well be three. Matt pretends to want to date Gay Face, just long enough for Jo to wrestle the gun away from him and say she is sick of being the victim. Jo. The woman who harpooned her boyfriend while pregnant. Sorry, this doesn't check out. Plus, two great sponsors. --- Send in a voice message: https://anchor.fm/melroseplacecast/message

On this episode, we learn about a six foot bread sculpture, a smelly art form and a warning about licking toads. The guys also discuss rabbit brains, invisibility and summer snow. You also do not want to miss their delightful and delicious look at Thanksgiving scenes from TV and the silver screen. Plus the Maroon of the Week, headlines from RNN and a joke from Uncle Mark's Jokebag. Re-brand your week with some absolute nutter nonsense. Subscribe and tell your friends about another funny episode of Randomosity with Shawn and Mark.

CHEERS Season 5, episode 20: “Dinner at Eight-ish” Hosted by Ryan Daly with special guest Brandon Davis from the Front Row Network and Marlene Stemme from Norm! A Cheers Podcast. Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. Like the CHEERS CAST Facebook page at: https://www.facebook.com/cheerscast/ This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK. Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER – https://twitter.com/FWPodcasts Like our FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe to CHEERS CAST on iTunes: https://itunes.apple.com/us/podcast/cheers-cast/id1403495561?mt=2 Or subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Support CHEERS CAST and the FIRE AND WATER PODCAST NETWORK on Patreon: https://www.patreon.com/fwpodcasts Thanks for listening!

Airing from 1938 – 1941, first in an hour and then in a 30 minute format, The Campbell Playhouse was a live radio drama directed by and starring Orson Welles. The program aired on CBS radio and was produced by Welles and John Houseman. The program offered adaptations of classic plays and novels and popular films of the time. When Welles left at the end of the second season, The Campbell Playhouse changed format as a 30-minute weekly series that ran for one season (1940–41). GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Twitter: @freshmoviepod || Instagram: @abreathoffreshmovieEmail: abreathoffreshmovie@gmail.comTheme Music, "A Movie I'd Like to See" by Al Harley.

Lock yourself in the bathroom, make out near the dip and mummify a postman as you listen to our discussion of S5E20 - Dinner At Eight-ish

Amanda having entrusted her treatment to Michael, the two of them head to New York so that they can doorstop the famous Dr. Steele and convince him to admit Amanda into his cancer study. But it's going to be hard once Kimberly calls Dr. Steele first and defames Michael, claiming his ultimate goal is to undermine Steele's study and get himself set up with one on the same treatment plan instead. And that's just the disaster Amanda knows about: she has no idea that, back in L.A., Alison and Billy are eating shit from a disgruntled client, who demands a brand-new campaign with one day's turnaround. After that pitch also fails to impress him, Alison tries one last gambit: a sob story, and not her own. Things are devolving quickly in Rawlings's police brutality case. Jo knows all too well what happens to civilians who try to challenge police power, and only gets more terrified about what could happen to her after Rawlings's victim dies. Matt volunteers to turn her photos over to the Internal Affairs detective and keep Jo out of it. How? That's what we would also like to know! After having spotted Jake and Jane getting cozy, Sydney tries to suss out what might actually be happening between them by volunteering as Jane's personal assistant. Instead, Jane asks Jake to give Sydney back her job at Shooters. Sydney is happy to accept when she thinks it means proximity to one another will lead to a reunion for her and Jake, but once he tells her it won't...everyone should probably start getting scared of her again. Put the coffee on: it's time for our podcast on "Breakfast At Tiffany's, Dinner At Eight"! JOIN THE AWT CLUB

Amanda having entrusted her treatment to Michael, the two of them head to New York so that they can doorstop the famous Dr. Steele and convince him to admit Amanda into his cancer study. But it's going to be hard once Kimberly calls Dr. Steele first and defames Michael, claiming his ultimate goal is to undermine Steele's study and get himself set up with one on the same treatment plan instead. And that's just the disaster Amanda knows about: she has no idea that, back in L.A., Alison and Billy are eating shit from a disgruntled client, who demands a brand-new campaign with one day's turnaround. After that pitch also fails to impress him, Alison tries one last gambit: a sob story, and not her own. Things are devolving quickly in Rawlings's police brutality case. Jo knows all too well what happens to civilians who try to challenge police power, and only gets more terrified about what could happen to her after Rawlings's victim dies. Matt volunteers to turn her photos over to the Internal Affairs detective and keep Jo out of it. How? That's what we would also like to know! After having spotted Jake and Jane getting cozy, Sydney tries to suss out what might actually be happening between them by volunteering as Jane's personal assistant. Instead, Jane asks Jake to give Sydney back her job at Shooters. Sydney is happy to accept when she thinks it means proximity to one another will lead to a reunion for her and Jake, but once he tells her it won't...everyone should probably start getting scared of her again. Put the coffee on: it's time for our podcast on "Breakfast At Tiffany's, Dinner At Eight"! Visual AidsVisual Aids S03.E21Show NotesShow notes for this episode can be viewed on this episode's page on AgainWithThisPodcast.com.She Fought Alone on YouTubeSupport AWT On PatreonThank you to all our supporters! You can support the podcast directly on Patreon and get access to bonus episodes of “Again With Again With This” as a thank you from us! Check out AWT’s Patreon page today.Support AWT With A Personal MessageWish your friend a happy birthday or just call them a squeef with a AWT Personal Message. It's $50 and helps keep us going. Start on our ad page now!Buy our book"A Very Special 90210 Book" (Abrams, $24.99) can be yours RIGHT NOW! Here’s ordering info via our publisher, Abrams or find it anywhere else books are sold! See acast.com/privacy for privacy and opt-out information.

A new-and-improved Sam invites a boy over to her house, as long as he avoids her basement. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/troubledyouth/support

Aaron, Alicia and Nathan join Dale to discuss the 1933 movie Dinner at Eight.

Jean Harlow, the Barrymore brothers and Wallace Beery star in this quintissential classic glam Hollywood 1933 movie. Would you want to go to dinner with these people?

It is a day for new beginnings for both our favorite characters and Cheers Weekly!  For our beloved Frasier, it is a new beginning with Lilith as they pursue moving in together but the ideal of complete honesty is put to the test by Sam and Diane.  For Cheers Weekly, some new friendships have been forged as James and John, the hosts of Where Nobody Knows Your Name - A Cheers Podcast, stop by for a chat about our respective love for all things Cheers.  So grab four rum and Cokes, sit back and enjoy "Dinner at Eight-ish"  (Interview - 7:15, Review - 42:20)

https://www.podtrac.com/pts/redirect.mp3/archive.org/download/rr12020/owota271.mp3 This time on Orson Welles On The Air, we'll hear from The Campbell Playhouse with their production of Dinner At Eight. This episode originally aired February 18, 1940. Download owota271

TIMBER!! Will and Kie discuss steak, Mississippi Mud Pies and hear about a new restaurant opening in Seattle...         

Will & Jace dissect the third episode of Frasier: Dinner at Eight. Will muses what Frasier had envisioned for his new life, and DOES MARIS OWN THE TIMBER MILL?!? Tune in...

In which Thom Bowers reports on his Vince DiCola concert experience, Travis J Coleman dives healdong in pilot season, and both engage in some heavy-duty watch purging, including discussion of A Simple Favor, The Predator, Assassination Nation, and The House With A Clock In Its Walls. Plus, a smattering of Star Wars news, and a brief but heartfelt farewell to Bill Daily.   TRAV's Watch Purging: A Simple Favor. The Predator, Papillon, The House With A Clock In Its Walls, Magnum PI 2018 (pilot), Rel (pilot), Happy Together (pilot), The Neighborhood (pilot), FBI (pilot), New Amsterdam (pilot), The Cool Kids (pilot), Single Parents (pilot), The Good Place S3 THOM's Watch Purging: A Simple Favor, The Predator, Assassination Nation, Dinner At Eight, The Specials, The West Wing S6*, Halt And Catch Fire S1-2, Bojack Horseman S5, Ozark S2, Maniac, Better Call Saul S4, The Good Place S2-3 * rewatch E-mail: superenthusiastradio@gmail.com Subscribe via iTunes

Air Date Feb 20, 1995. Michael takes Amanda to New York City to meet with a famous oncologist in order to get her into a research program, while a jealous Kimberly tries to sabotage Michael's plans. With Amanda absent, the situation at D&D grows from bad to worse when Alison and Billy lose a client. Alison inadvertently makes matters even worse when she tells the client to stay by confiding in him about Amanda's illness. But the client leaves anyway, and more clients do so after word of Amanda's illness spreads through D&D. After Jo's apartment is broken into and trashed for the photos she took of Rawlings murdering the drug dealer, she and Matt hesitate on what to do. When Rawlings thinks that Matt and Jo will expose him to Internal Affairs, he holds both of them hostage in Matt's apartment to get them to talk to look for the photos. Meanwhile, Sydney thanks Jane and Jake for rescuing her from Martin Abbott's cult, but to her surprise neither one still wants to associate with Sydney, and worse still, neither Jane or Jake will apologize to her for thinking she was responsible for the incidents that they still mistakingly think Sydney was capable of doing. When Sydney tells Jake that she wants to get back together with him, he rebuffs her by saying that his love interest has moved to Jane, of all people. We're now on Spotify! Listen here! - http://bit.ly/melrosepodspotify Contribute to the podcast! Patreon- https://bit.ly/2pq8x1B Follow us on social media! Join our Facebook Group - https://bit.ly/MelroseFBGroup Facebook- Https://facebook.com/melrosepod Instagram- https://instagram.com/melrosepod Twitter- Https://twitter.com/melrosepod Email - Melrosepod@gmail.com More Ways to listen! Apple Podcasts - https://goo.gl/9T4Wnb Spotify - http://bit.ly/melrosepodspotify Google Podcasts - https://goo.gl/cxtxjT Stitcher - https://goo.gl/54w8PA

"I'll have my double chins in privacy!" Dinner At Eight (1933) directed by George Cukor and starring Marie Dressler, Lionel Barrymore, Billie Burke, Jean Harlow and John Barrymore. Next Time: Butch Cassidy and the Sundance Kid (1969)

James and Lara recorded this episode (there is an audio and a video version) at the historic King Vidor/John Barrymore/Tony Scott estate in Beverly Hills. John was actually living there while he made DINNER AT EIGHT (1933), which was filmed just down the hill at the MGM studios in Culver City. In our discussion, we cover the scene-stealing Marie Dressler, who was in her sixties when she made this film and is a name you need to know; what famous director—known as “the women’s director”—and other legendary Hollywood players were behind the camera; and the kind gesture screenwriter Frances Marion did for one of the stars that effectively brought her back from obscurity. Put on your finest jewels and don’t be late for the adultery, scandal, backstabbing, and wit of Old Hollywood at its finest in DINNER AT EIGHT.

It's sherry time! Det vill säga, dags för avsnitt tre. Trion diskuterar Frasiers och Niles snobbighet, familjemiddagar, det framtida folkpopbandet Polyester Shark och mord. Dessutom träffar Niles Daphne för första gången (!), och behöver lugna nerverna – så det gör våra värdar också. I sann Frasier-anda vill vi så klart mer än gärna hjälpa våra egna lyssnare med eventuella problem eller frågor, så mejla gärna oss på mypodniles@gmail.com – we're listening.

It’s sherry time! Det vill säga, dags för avsnitt tre. Trion diskuterar Frasiers och Niles snobbighet, familjemiddagar, det framtida folkpopbandet Polyester Shark och mord. Dessutom träffar Niles Daphne för första gången (!), och behöver lugna nerverna – så det gör våra värdar också. I sann... Read More

Dave and Diana discuss the Frasier episode “Dinner at Eight,” as well as ghosts, British slang, and how many sharks are in Seattle. Dinner at …

Inspired by the stylish dinner party and life of socialite Kitty Packard depicted in the 1930s film Dinner at Eight, Richard Mishaan designed a townhouse for Town&Country that gives Art Deco a modern twist. His imaginary client is a couple in their 50s who, like Kitty, are committed to their own perceptions of glamour and chic, and not afraid to push the envelope. The winning result is a downtown duplex with a heavy dose of uptown panache. Visit DesignerVisionsOnline.com for more.