Podcasts about winged victory

Part 2 starts right here: Bluetones 'Cheap Hotel" - In The Cut www.bluetones.bandTenderhooks "You Don't Want Me Anymore" - https://tenderhooks.netlify.app/Starting Early "Do As I Do' - https://startingearlyofficial.com/Weep Wave "The Pattern' - Speck www.weepwave.com Cardiac Drift "Villian King" - www.cardiacdrift.com Conquest "Love Amplified" www.conquestmetal.com Kvrma "Forgivable" - https://www.facebook.com/kvrmabandofficial/Dream Theater "Midnight Messiah" www.dreamtheater.net**************************ALBUM FOCUS: Cultural Crossroads, from Putumayo World Music http://www.putumayo.comExperience the magic of international artistic collaborations with Cultural Crossroads. The album weaves a rich tapestry of global sounds, proving music's ability to travel and unite people of different backgrounds and traditions.Twanquero with Alih Jey (Spain/Dominican Republic "Pupilas"Mi'gmafrica (Senegal/Canada) "Sora yé la"Kosmic Band (Argentina/Brazil/India/USA) "Chanda Mama"The Touré-Raichel Collective (Mali / Israel) "“Diaraby"***************************Bex Burch "Joy is Not Meant To Be A Crumb" - There is only Love and Fear www.bexburch.comStephen Fearing "Far From The Middle" www.stephenfearing.caShilpa Ray "Portrait Of A Cat Lady" - www.shilparay.netCosy Sheridan "Skip The Cat Needs A Home" - My Fence & My Neighbor www.cosysheridan.com Lys Guillorn "Blindness" - Winged Victory www.lysguillorn.com Scott Sean White "Just Not Today" - Even Better On The Bad Days www.scottseanwhite.com Shane Pendergast "Winter Grace" - Winter Grace www.shanependergast.com Mouths Of Babes "One For Me" - World Brand New www.mouthsofbabesmusic.com Scott Cook "Leave A Light On" - Tangle Of Souls wwww.sscottcook.netJoy Zimmerman "Say What I Need To Say" - Where The Light Lives www.joyzimmermanmusic.com ************************Closing: Debra Cowan & John Roberts "Twa Corbies' - Ballads Long & Short www.debracowan.com Running time: 4 hours I hold deed to this audio's usage, which is free to share with specific attribution, non-commercial and non-derivation rules.https://creativecommons.org/licenses/by-nc-nd/4.0/

What does the winged victory of Samothrace represent? Internet debunks 'headless angel' at the Olympics claimSportskeeda, By Karishma Rao, on August 12, 2024https://www.sportskeeda.com/pop-culture/news-what-winged-victory-samothrace-represent-headless-angel-olympics-claim-debunked The Non-Prophets, Episode 23.34.4 featuring Cynthia, Phil the Skeptic Atheist, Rob (Robert Croy) and Phoebe RoseBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-non-prophets--3254964/support.

To talk about new polls on the presidential and Senate races in Arizona, the end of the lawsuit over Gov. Katie Hobbs' state agency directors and more, The Show sat down with Daniel Scarpinato, former chief of staff to Gov. Doug Ducey, now with the firm Winged Victory; and former congressional staffer Roy Herrera.

Synopsis Did you see a headless (possibly satanic) angel rising from the stage during the closing ceremony of the Paris Olympics, or Winged Victory? Or did you wonder, as we did, how the two happen to be so similar, when angels in the bible are often described as having six wings, or wheels, or four … Continue reading "Episode 81: Angel of the Morning"

    One of my favorite albums this year is Eleven Fugues For Sodium Pentothal by Adam Wiltzie. https://adamwiltzie.bandcamp.com/album/eleven-fugues-for-sodium-pentothal   Adam has an extensive discography of work - ranging from solo albums & soundtracks to work in the groups Aix Em Klemm, The Dean Texan, and A Winged Victory For The Sullen. But he is most well known for his work as part of Stars of the Lid, one of the best ambient duos/groups of all time.   After listening to his new album I hauled out some of his other work and loved it all over again. So this mix is the result of me binging Adam's music for the last month or two. It's a great combo of ambient & modern classical. https://adamwiltzie.com/   Cheers!   T R A C K L I S T : 00:00.   Adam Wiltzie - Tissue Of Lies (Eleven Fugues For Sodium Pentothal 2024) 02:42.   A Winged Victory For The Sullen - So That the City Can Begin to Exist (Atmos 2014) 06:54.   Aix Em Klemm - Sparkwood And Twentyone (Aix Em Klemm 2000) 13:28.   Stars Of The Lid - Articulate Silences Part 1 (and Their Refinement of the Decline 2007) 18:40.   Adam Wiltzie - the endless battle of the maudlin ballade part 3 (travels in constants, volume 24 2015) 21:06.   A Winged Victory for the Sullen - A Minor Fifth Is Made Of Phantoms (The Undivided Five 2019) 24:18.   The Dead Texan - The Struggle (The Dean Texan 2004) 29:10.   Aix Em Klemm - The Luxury Of Dirt (Aix Em Klemm 2000) 35:00.   Stars Of The Lid - Dust Breeding (1.316)+ (Avec Laudanum 1999) 40:40.   Adam Wiltzie - We Were Vaporised (Eleven Fugues For Sodium Pentothal  2024) 43:23.   The Dead Texan - Taco Me Manque (The Dead Texan 2004) 45:25.   Stars Of The Lid - The Lonely People(Are Getting Lonelier) (The Tired Sounds Of Stars Of The Lid 2001) 55:18.   A Winged Victory For The Sullen - All Farewells Are Sudden (A Winged Victory For The Sullen 2011) 62:20.   end

From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 40 - “Old Hollywood's Forbidden Love Story/ Lon McCallister & William Eythe” - 06/17/2024 As we celebrate gay pride month in June, Nan and Steve bring a special episode about 20th Century Fox contract players LON McCALLISTER and WILLIAM EYTHE. Both were handsome, talented, and on their way to becoming major film stars. But there was only one problem — the two young men had fallen in love and wanted to live their lives as a couple. This love was forbidden back then and went against the wishes of 20th Century Fox studio head DARRYL F. ZANUCK. Listen to this inspiring and heartbreaking story of their love story.  SHOW NOTES:  Sources: Behind the Scenes: How Gays and Lesbians Shaped Hollywood (2001), by William J. Mann; It Might As Well Be Spring (1987), by Margaret Whiting; “Terrific Trio,” May 1944, by Marcia Daughtrey, Modern Screen; “Keyhole Portrait: William Eythe,” June 4, 1944, by Harriet Parson, Los Angeles Examiner; “Bill Eythe's Triumph Over Pain,” April 1, 1945, New York Times; “The Role I Liked Best…” September 2, 1950, by Lon McCallister, The Saturday Evening Post; “Film Actor Eythe Jailed on Writ of Former Wife,” September 4, 1950, Los Angeles Daily News; “Actor Suffered Hangover in Durance Vile,” June 3, 1952, Los Angeles Daily News; “William Eythe, Producer, Held as Drunk Driver,” June 4, 1952, Los Angeles Times; “Eythe, McCallister Prep ‘Joy Ride' for Broadway,” March 12, 1956, Hollywood Reporter; “William Eythe Ill With Hepatitis, Condition Serious,” January 26, 1957, by Hedda Hopper, Los Angeles Times; “William Eythe Dies,” January 28, 1957, The Hollywood Reporter; Lon McCallister, 82, Actor Had Brief but Busy Career Before Becoming Investor,” June 18, 2005, by Mary Rourke, Los Angeles Times; “McCallister's Heart Outshine His Stardom,” June 21, 2005, by Robert Osborne, Hollywood Reporter; “Mars Actor Had Meteoric Career,” February 4, 2007, by Sandy Marwick, Butler-Eagle Focus; IMDBPro.com; Wikipedia.com; Movies Mentioned:  The Other Woman (1942), starring Virginia Gilmore, Dan Duryea, and Lon McCallister; Stage Door Canteen (1943), starring Katharine Hepburn, Paul Muni, Merle Oberon, and Lon McCallister; The Ox-Bow Incident (1945), starring Henry Fonda, Dana Andrews, Henry Morgan, and Mary Beth Hughes; The Moon Is Down (1936), starring Cedric Hardwicke, Henry Travers, and Lee J. Cobb; The Song of Bernadette (1943), starring Jennifer Jones, Vincent Price, Charles Bickford, and William Eythe;  The Eve of St. Mark (1943), starring William Eythe and Anne Baxter; A Wing and a Prayer (1944), starring Don Ameche, Dana Andrews, and William Eythe; Wilson (1944), starring Alexander Knox, Geraldine Fitzgerald, and William Eythe; Home In Indiana (1944), starring Lon McCallister, Jeanne Crain, and June Haver; Winged Victory (1944), starring Lon McCallister, Edmond O'Brien, and Jeanne Crain; A Royal Scandal (1945), starring Tallulah Bankhead, Lon McCallister, and Anne Baxter; The House On 92nd Street (1945), starring Signe Hasso and William Eythe; Centennial Summer (1946), starring Jeanne Crain, Cornel Wilde, Linda Darnell, and William Eythe; The Red House (1947), starring Edward G. Robinson, Lon McCallister, and Judith Anderson; Thunder in the Valley (1947), starring Edmund Gwenn, Peggy Ann Garner, and Lon McCallister; Scud Hoo! Scudda Hay! (1948), starring Lon McCallister, Walter Brennan, and June Haver; Meet Me at Dawn (1947) starring William Eythe and Hazel Court; The Big Cat (1949), starring Lon McCallister and Peggy Ann Garner; The Story of Sea Biscuit (1949), starring Lon McCallister and Shirley Temple; The Boy From Indiana (1950), starring Lon McCallister and Lois Butler; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Fluent Fiction - French: Artistic Labyrinth: Marie's Enchanting Odyssey in the Louvre Find the full episode transcript, vocabulary words, and more:fluentfiction.org/artistic-labyrinth-maries-enchanting-odyssey-in-the-louvre Story Transcript:Fr: En plein cœur de Paris, dans le quartier vivant de la Seine, se trouve l'un des musées les plus célèbres du monde : le Louvre.En: Right in the heart of Paris, in the lively district of the Seine, lies one of the most famous museums in the world: the Louvre.Fr: Un jour, Marie, une jeune femme brillante et curieuse, decide d'y passer la journée pour admirer son immense collection d'art.En: One day, Marie, a brilliant and curious young woman, decides to spend the day there to admire its vast art collection.Fr: Arrivée tôt le matin, Marie entre dans le grand bâtiment avec un sourire éclatant et une énergie débordante.En: Arriving early in the morning, Marie enters the grand building with a dazzling smile and overflowing energy.Fr: Dès qu'elle pénètre dans le premier couloir, son regard est captivé par une myriade de tableaux et de sculptures, des trésors de l'Antiquité aux chefs-d'œuvre de la Renaissance.En: As soon as she steps into the first corridor, her gaze is captivated by a myriad of paintings and sculptures, treasures from antiquity to Renaissance masterpieces.Fr: Marie erre sans but précis, absorbée par chaque œuvre qui croise son chemin.En: Marie wanders aimlessly, absorbed by each artwork that crosses her path.Fr: Elle se perd dans les yeux de la Mona Lisa, s'émerveille devant les détails de la Vénus de Milo et s'interroge sur l'histoire derrière la Victoire de Samothrace.En: She gets lost in the eyes of the Mona Lisa, marvels at the details of the Venus de Milo, and ponders the story behind the Winged Victory of Samothrace.Fr: Les heures passent sans qu'elle s'en rende compte.En: Hours pass without her realizing.Fr: La lumière du jour s'estompe peu à peu et le musée commence à se vider.En: The daylight gradually fades and the museum begins to empty.Fr: Soudain, Marie réalise qu'elle ne sait pas comment sortir.En: Suddenly, Marie realizes she doesn't know how to exit.Fr: Elle tourne en rond, passe encore et encore devant les mêmes œuvres sans trouver la sortie.En: She walks in circles, passing the same artworks over and over without finding the way out.Fr: Malgré ces heures passées à observer les œuvres d'art, quelque chose de nouveau se cache toujours derrière chaque coin.En: Despite spending hours observing the art, something new always lurks around each corner.Fr: Tout à coup, une peur sourde commence à la gagner.En: Suddenly, a creeping fear begins to take hold.Fr: Elle se retrouve seule au milieu des dinosaures de pierre et des dieux de bronze, qui semblent la regarder avec un air moqueur.En: She finds herself alone amidst stone dinosaurs and bronze gods, who seem to mockingly watch her.Fr: La grande cour du Louvre devient un véritable labyrinthe, où chaque couloir semble mener à une autre salle bondée d'art plutôt qu'à une issue.En: The Louvre's grand courtyard turns into a true labyrinth, where every hallway seems to lead to another crowded art-filled room rather than an exit.Fr: Juste quand Marie commence à perdre espoir, elle voit un gardien au loin.En: Just as Marie begins to lose hope, she sees a guard in the distance.Fr: Elle court vers lui, ravie de voir un autre être humain.En: She runs towards him, relieved to see another human being.Fr: Le gardien lui explique gentiment comment sortir du musée.En: The guard kindly explains how to exit the museum.Fr: Après des remerciements effusifs, Marie suit ses indications.En: After effusive thanks, Marie follows his directions.Fr: Finalement, elle retrouve l'entrée, maintenant déserte.En: Finally, she finds the entrance, now deserted.Fr: Elle sort dans l'air frais de la nuit parisienne avec un soupir de soulagement.En: She steps out into the fresh night air of Paris with a sigh of relief.Fr: Même si l'expérience était épuisante, Marie sourit.En: Though the experience was exhausting, Marie smiles.Fr: Aujourd'hui, elle a vécu une aventure qu'elle n'oubliera jamais.En: Today, she lived an adventure she will never forget.Fr: Ainsi, elle a non seulement admiré des œuvres d'art inestimables, mais elle a également vécu sa propre aventure au sein du Louvre, une histoire qu'elle gardera toujours dans son cœur avec un sourire.En: Not only did she admire priceless works of art, but she also experienced her own adventure within the Louvre, a story she will always hold in her heart with a smile. Vocabulary Words:heart: coeurdistrict: quartierSeine: Seinemuseum: muséeLouvre: LouvreMarie: Mariebrilliant: brillantecurious: curieuseart: artcollection: collectionbuilding: bâtimentsmile: sourireenergy: énergiecorridor: couloirpaintings: tableauxsculptures: sculpturestreasures: trésorsantiquity: AntiquitéRenaissance: Renaissancewander: errermasterpieces: chefs-d'œuvreMona Lisa: Mona LisaVenus de Milo: Vénus de MiloWinged Victory of Samothrace: Victoire de Samothraceexit: sortielabyrinth: labyrintheguard: gardienadventure: aventurestory: histoirethank: remercier

What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world?Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon."I think it's really a crossroads between knowledge and wisdom. And I think that wisdom for me is so connected to nature and the information that we get from nature. We ultimately are part of the natural world. And the knowledge of knowing things and facts and these kinds of bits of information doesn't necessarily mean that we are going in the right direction that we know things. In this space, a lot of wisdom is being lost... About being connected to an earlier time. I feel that that's true. Language is being diminished. There's so many things that are being diminished in this moment. And yet, we're creating something that is going to have vastly more knowledge. But this is where it splits. And what is the idea of consciousness? Is wisdom something that's external? Is it something that is more related to quantum physics and the quantum world, more than just the physical body and the physical brain?"https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I think it's really a crossroads between knowledge and wisdom. And I think that wisdom for me is so connected to nature and the information that we get from nature. We ultimately are part of the natural world. And the knowledge of knowing things and facts and these kinds of bits of information doesn't necessarily mean that we are going in the right direction that we know things. In this space, a lot of wisdom is being lost... About being connected to an earlier time. I feel that that's true. Language is being diminished. There's so many things that are being diminished in this moment. And yet, we're creating something that is going to have vastly more knowledge. But this is where it splits. And what is the idea of consciousness? Is wisdom something that's external? Is it something that is more related to quantum physics and the quantum world, more than just the physical body and the physical brain?"Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world?Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon."The film Lion, when we got involved, there was a pretty early cut. So it was about trying to get into the picture and what would really work with the scenes, but also to sometimes just put it away and just really get to the heart of the film, too, because there was a big overarching feeling to the film. The feeling of home and the feeling of being connected to your mother and this cosmic connection that was calling him to find her. So there was a moment of getting into really taking these bits that we'd been working on outside of looking at the picture and then making them work inside the picture, which is a lot of work. It's actually hard to kind of take something, and then you have to fit it into a box. Because film is a bit of a box. It has limitations, and there's time. It has to hit marks. When you're making music for yourself, you don't have to worry about that."https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"The thing that with nature that I think is most profound is that it's always truthful. And I think that that's something that always resonates with me. Whenever I'm in raw nature, there's just an undeniable truth and a sense of how it's supposed to be. And I think that that's something that I reach for in my own music, where I try to take myself out of my own single being and try to be in touch with all of it. And that's just something that's so resonating in nature, the sense of wholeness and connectedness. When I'm writing music, I don't think I'm ever specifically trying to capture any of these moments specifically. I think it's just the way your mind works when you're in nature and the way you're able to hear yourself and peace, really. So, for me, there's always this very strong connection to creativity in nature."Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"The album 1 0 0 1 is really like a journey from our connection with nature to where we are now, in this moment where we're playing with technology. We're almost in this hybrid space, not fully understanding where it's going. And it's very deep in our subconscious and probably much greater than we realize. And it sort of ends in this space where the consciousness of what we're creating, it's going to be very separate from us. And I believe that's kind of where it's heading – the idea of losing humanity, losing touch with nature and becoming outside of something that we have created."Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world?Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.“The album 1 0 0 1 is really like a journey from our connection with nature to where we are now, in this moment where we're playing with technology. We're almost in this hybrid space, not fully understanding where it's going. And it's very deep in our subconscious and probably much greater than we realize. And it sort of ends in this space where the consciousness of what we're creating, it's going to be very separate from us. And I believe that's kind of where it's heading – the idea of losing humanity, losing touch with nature and becoming outside of something that we have created."https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world?Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon."I think it's really a crossroads between knowledge and wisdom. And I think that wisdom for me is so connected to nature and the information that we get from nature. We ultimately are part of the natural world. And the knowledge of knowing things and facts and these kinds of bits of information doesn't necessarily mean that we are going in the right direction that we know things. In this space, a lot of wisdom is being lost... About being connected to an earlier time. I feel that that's true. Language is being diminished. There's so many things that are being diminished in this moment. And yet, we're creating something that is going to have vastly more knowledge. But this is where it splits. And what is the idea of consciousness? Is wisdom something that's external? Is it something that is more related to quantum physics and the quantum world, more than just the physical body and the physical brain?"https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I think it's really a crossroads between knowledge and wisdom. And I think that wisdom for me is so connected to nature and the information that we get from nature. We ultimately are part of the natural world. And the knowledge of knowing things and facts and these kinds of bits of information doesn't necessarily mean that we are going in the right direction that we know things. In this space, a lot of wisdom is being lost... About being connected to an earlier time. I feel that that's true. Language is being diminished. There's so many things that are being diminished in this moment. And yet, we're creating something that is going to have vastly more knowledge. But this is where it splits. And what is the idea of consciousness? Is wisdom something that's external? Is it something that is more related to quantum physics and the quantum world, more than just the physical body and the physical brain?"Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon."The album 1 0 0 1 is really like a journey from our connection with nature to where we are now, in this moment where we're playing with technology. We're almost in this hybrid space, not fully understanding where it's going. And it's very deep in our subconscious and probably much greater than we realize. And it sort of ends in this space where the consciousness of what we're creating, it's going to be very separate from us. And I believe that's kind of where it's heading – the idea of losing humanity, losing touch with nature and becoming outside of something that we have created."https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“The album 1 0 0 1 is really like a journey from our connection with nature to where we are now, in this moment where we're playing with technology. We're almost in this hybrid space, not fully understanding where it's going. And it's very deep in our subconscious and probably much greater than we realize. And it sort of ends in this space where the consciousness of what we're creating, it's going to be very separate from us. And I believe that's kind of where it's heading – the idea of losing humanity, losing touch with nature and becoming outside of something that we have created."Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"It's really like a journey from our connection with nature to where we are now, in this moment where we're playing with technology. We're almost in this hybrid space, not fully understanding where it's going. And it's very deep in our subconscious and probably much greater than we realize. And it sort of ends in this space where the consciousness of what we're creating, it's going to be very separate from us. And I believe that's kind of where it's heading – the idea of losing humanity, losing touch with nature and becoming outside of something that we have created."Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"The album 1 0 0 1 is really like a journey from our connection with nature to where we are now, in this moment where we're playing with technology. We're almost in this hybrid space, not fully understanding where it's going. And it's very deep in our subconscious and probably much greater than we realize. And it sort of ends in this space where the consciousness of what we're creating, it's going to be very separate from us. And I believe that's kind of where it's heading – the idea of losing humanity, losing touch with nature and becoming outside of something that we have created."Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world?Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon."The album 1 0 0 1 is really like a journey from our connection with nature to where we are now, in this moment where we're playing with technology. We're almost in this hybrid space, not fully understanding where it's going. And it's very deep in our subconscious and probably much greater than we realize. And it sort of ends in this space where the consciousness of what we're creating, it's going to be very separate from us. And I believe that's kind of where it's heading – the idea of losing humanity, losing touch with nature and becoming outside of something that we have created."https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"The film Lion, when we got involved, there was a pretty early cut. So it was about trying to get into the picture and what would really work with the scenes, but also to sometimes just put it away and just really get to the heart of the film, too, because there was a big overarching feeling to the film. The feeling of home and the feeling of being connected to your mother and this cosmic connection that was calling him to find her. So there was a moment of getting into really taking these bits that we'd been working on outside of looking at the picture and then making them work inside the picture, which is a lot of work. It's actually hard to kind of take something, and then you have to fit it into a box. Because film is a bit of a box. It has limitations, and there's time. It has to hit marks. When you're making music for yourself, you don't have to worry about that."Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world?Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon."The thing that with nature that I think is most profound is that it's always truthful. And I think that that's something that always resonates with me. Whenever I'm in raw nature, there's just an undeniable truth and a sense of how it's supposed to be. And I think that that's something that I reach for in my own music, where I try to take myself out of my own single being and try to be in touch with all of it. And that's just something that's so resonating in nature, the sense of wholeness and connectedness. When I'm writing music, I don't think I'm ever specifically trying to capture any of these moments specifically. I think it's just the way your mind works when you're in nature and the way you're able to hear yourself and peace, really. So, for me, there's always this very strong connection to creativity in nature."https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world?Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon."And I think when all of a sudden music and art started to come out of AI, it was a wake up call to what is our purpose. Like, what are we? What are we bringing to humanity, to the human story? And I think it's interesting because a lot of artists now are concerned about it. What is the value of our consciousness? Consciousness has been something that I've been reading about. It's a vastly understudied part of science, and it's going to become very, very relative very quickly. And I think that it's getting to the core of creativity. What is creativity and ultimately where do we want to go? How are we going to connect with each other?"It started as a dance piece with choreographer dancer Fukiko Takase. And we had met when I was doing a dance piece with Wayne McGregor with another project that I do called the Winged Victory for the Sullen. We did a piece called Atomos, and Fukiko was one of Wayne's principal dancers. And I just loved how she was able to express in movement. It was a very profound experience to realize how connected music is to dance, this sense of communication without words, and how it gets elevated when you bring dance and movement into music."https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world?Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.“The album 1 0 0 1 is really like a journey from our connection with nature to where we are now, in this moment where we're playing with technology. We're almost in this hybrid space, not fully understanding where it's going. And it's very deep in our subconscious and probably much greater than we realize. And it sort of ends in this space where the consciousness of what we're creating, it's going to be very separate from us. And I believe that's kind of where it's heading – the idea of losing humanity, losing touch with nature and becoming outside of something that we have created."https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world?Dustin O'Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola's Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry's “Into Me You See” from her album Witness and appears on Leonard Cohen's 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon."It's really like a journey from our connection with nature to where we are now, in this moment where we're playing with technology. We're almost in this hybrid space, not fully understanding where it's going. And it's very deep in our subconscious and probably much greater than we realize. And it sort of ends in this space where the consciousness of what we're creating, it's going to be very separate from us. And I believe that's kind of where it's heading – the idea of losing humanity, losing touch with nature and becoming outside of something that we have created."https://dustinohalloran.com/www.deutschegrammophon.com/en/artists/dustin-o-halloranwww.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O'Halloran and Deutsche Grammophonwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

To talk about a new open seat in Arizona's Congressional delegation, setbacks for supporters of hand counting ballots and more, The Show sat down with former state House Minority Leader Reginald Bolding and Daniel Scarpinato — former Chief of Staff to Gov. Doug Ducey, now with the firm Winged Victory.

Los nuevos discos de Hania Rani o Joshua Redman y discos o grupos que merece la pena redescubrir, como Chaos de René Aubry o Wingbeats de Hidden Orchestra. A Winged Victory for the Sullen de Adam Bryanbaum Wiltzie y Dustin O'Halloran, completan hoy el programa. Morning Hania Rani On Giacometti Time Hania Rani On Giacometti Wingbeats Hidden Orchestra Wingbeats Wingbeats Source VI: Dawn Chorus Hidden Orchestra Wingbeats The River René Aubry Chaos The Lake René Aubry Chaos The Haunted Victorian Pencil A Winged Victory for the Sullen The Undivided Five Our Lord Debussy A Winged Victory for the Sullen The Undivided Five Where are you? Joshua Redman Where are we? Chicago blues Joshua Redman Where are we? Escuchar audio

Maricopa County Recorder Stephen Richer is suing Kari Lake for defamation, and former Gov. Doug Ducey announced his next steps. To discuss these stories and more, The Show sat down with Roy Herrera, attorney and former congressional staffer; and Daniel Scarpinato, former chief of staff to Ducey and now with the firm Winged Victory.

Welcome back to our third episode of The Contemplative Podcast with your host, Matt Emery. On today's episode, Matt chats with Adam Wiltzie of the one and only A Winged Victory For The Sullen about the beginnings of this magnificent duo (with Dustin O'Halloran), their albums, The Undivided Five (Ninja Tune, 2019) and Atomos (Erased Tapes, 2014), their long-term collaboration with Francesco Donadello, playing at the BBC Proms, the upcoming shows at The Barbican (May 13-14, 2023), and so much more.  As always, there will be music along the way, with snippets from various AWVFTS releases. If you're new to this podcast, please subscribe to keep up to date with the latest episodes and catch up on the past seasons. You can find us directly on Spotify and Apple Podcasts or your favourite podcast app using the links on the sidebar. Enjoy!

Hello! We've have been seriously influenced this week. Not by anything on social media but by all the amazing sculpture, ancient and modern that we've been seeing around Greece. Consequently, we will be focusing on Greek sculpture. We know that there are beautiful and important sculpting traditions in many cultures and we wish we could cover them all but that wasn't possible in a roughly 20 minute podcast. 0:56: Dr Dimos discusses bronze sculpture. What makes bronze? Why was it such a good medium for sculpture? How do you "sculpt" with bronze? Was there a Greek dark ages post the bronze age? 10:45: Dr. Lex dives into the world of marble. What is marble made of? How is it made? We talk all things crystal structure, geology and even about some marble recycling. We also get to discover the connect between marble and previous podcast subjects, rubies and sapphires! 19:50 - Glossary words! 21:09 - Our favorite part - fun facts! Don't forget to subscribe and leave us a review where ever you listen. It's the best way to support the show. Art references from this episode: Dancing Girl - https://en.wikipedia.org/wiki/Dancing_Girl_(sculpture) Victorious Youth - https://en.wikipedia.org/wiki/Victorious_Youth Venus de Milo - https://en.wikipedia.org/wiki/Venus_de_Milo Winged Victory - https://en.wikipedia.org/wiki/Winged_Victory_of_Samothrace Parthenon - https://en.wikipedia.org/wiki/Parthenon Theme music - Harlequin Mood by Burdy Follow us: Instagram: ⁠⁠https://www.instagram.com/luxescipod/⁠⁠ Twitter: ⁠⁠https://twitter.com/luxescipod⁠⁠ YouTube: ⁠⁠https://www.youtube.com/channel/UCTz4WrIEalCH7NlDgkRdICQ Blog posts and show notes: www.erevnamedia.com

Friday of the Passion of the Lord (Good Friday) c. 33 A.D. Triduum; Liturgical Color: Red No one knew love looked like this One of the most famous Greek sculptures in the world, a larger-than-life marble statue of a female, reigns over a monumental staircase in the Louvre. A soft, unfelt breeze ripples through the thin, flowing sheets that wrap her frame. Two expansive, articulated wings sweep elegantly back from her torso, giving the impression that she has just floated down from on high and landed softly on the prow of an invisible ship. Though now headless, the statue's sense of movement is so vivid that one can still “see” her neck craning, her jaw jutting, and her eyes looking carefully downward as she settles to ground. She moves and yet she is still. She is “Winged Victory,” Nike, the Greek goddess of victory. Victory in battle, conquest in war, and success in sport are typically celebrated with a blast of trumpets, gold medals hung around the neck, ticker-tape parades, a crowning with laurels, or the placing of an elegant statue like “Winged Victory” to serenely personify triumph over one's enemies. Jesus Christ changed all that. He changed what victory looked like. Jesus climbed a different podium to win a different type of victory over man's greatest enemy. On Good Friday, the God of the Living descended into the depths of human experience to conquer death. His victory parade was the carrying of the Cross on His tender shoulders up the hill of Calvary, where His hands were nailed to a splintery timber. He was raised on high by centurions for mockery, not exaltation. He then died a slow, agonizing death as His thorax sunk lower and lower and His diaphragm sucked less and less air into His lungs. It was not fast and clean. It took three hours. No one knew it at the time, but this was the new look of love in the Christian age, this was the new victory pose. Not laurels, but thorns. Not trumpets, but screams. Not medals, but scars. On Good Friday, Christ redefined victory. The victor is not prideful or strong, but humble, meek, wrecked, injured, and dead. Pain in the non-Christian world, whether in the past or today, has no redemptive power or reward. It is just mindless and arbitrary suffering. At best, it is stoicism.In the person of Jesus Christ, God does not explain human suffering. Instead, He gives it meaning. And giving meaning to something is a type of answer, although not a solution. We do not go to a funeral to solve a problem. We go simply to be present, to share the family's sorrow. Sharing is a powerful response. It is more satisfying and profound to give something meaning than to make it disappear. The answer of Jesus Christ to human suffering is to share it. His answer is empathy. He suffers, dies, and is buried. No one can point a finger at God and say, “You don't know what it's like!” He certainly does know what it's like! Jesus could have saved the world by cutting Himself shaving. But He didn't. He experienced more than was necessary, because it was more fitting that God share every single human experience except sin. God drinks the common cup of human suffering to the dregs. Jesus did not die full of years. He died young, like many tragic heroes. Christ's death gives hope to all who are preyed upon by loneliness, depression, fear, illness, anxiety, confusion, sin, and shame. In His death, Jesus does not just tell us but shows us that all these things can be conquered when united to Him. Jesus did not leave us a book but a life. And that life continues to be shared with us in word and sacrament, in its fullness, in the Catholic Church. God did not die on the Cross so that artists could sculpt Him. God died for a higher reason. He died for us. In Christ, the gift and the giver, the priest and the sacrifice, merge, and the result is life. As in marriage, so also in the Trinity, self-gift merges in generative love and creates life. So we etch that powerful reminder of Christ's life-generating gift of self—the Crucifix—into our tombstones and place it high in our churches. This universal symbol of redemptive love even hangs from fine chains on our necks. In hoc signo vinces. Christ is our new winged Victory, not with two glorious wings spreading out in a proud gesture of triumph, but with His two thin bloody arms pinned to the Cross. He hangs there in agony, gasping for air, and heroically waits for Sunday to come. Crucified Lord, in Your passion and death, You walked for us the hard path to new life. You exited life through the door of death and so give us hope that the end is the beginning, that loss is gain, that defeat is victory, and that death is life.

    1.ª parte:   1 - David Sylvian & Robert Fripp - Damage: Live - Damage 2 - Skullcrusher - Words Come Back - Words Come Back (The Hated Cover) 3 - Hatis Noit - Inori (William Basinski Rework) - Inori 4 - Tujiko Noriko - Crépuscule I & II - Cosmic Ray 5 - Tujiko Noriko - Crépuscule I & II - Rear View 6 - Penelope Trappes - Penelope One - Puppets 7 - Gloria de Oliveira and Dean Hurley - Oceans of Time - Im Nebel 8 - Gloria de Oliveira and Dean Hurley - Oceans of Time - Seven Summits 9 - A Winged Victory for the Sullen - The Undivided Five - The Slow Descent Has Begun 10 - Kelly Lee Owens - LP.8.2 - Find Our Way 11 - Exit North - Anyway, Still - Your Story Mine 12 - Marine Eyes - For Ukraine (Volume 2)- Heart Held 13 - Emile Mosseri - Kajillionaire (Original Motion Picture Soundtrack) - Infinite Love 14 - Arooj Aftab, Vijay Iyer, Shahzad Ismaily - Love in Exile - To Remain/To Return 15 - Yo La Tengo - This Stupid World - Miles Away   2.ª parte:   16 - The Murder Capital - Gigi's Recovery - Belonging 17 - True Body - Temple Of Song - Same Coin 18 - Florist - If Blue Could Be Happiness - The Fear of Losing This 19 - Julie Doiron - Will You Still Love Me? - Will You Still Love Me In December 20 - Anna von Hausswolff - The Miraculous - Stranger 21 - Samana - All One Breath - Passing Me By 22 - Andy Shauf - Norm - Long Throw 23 - Angel Olsen - Forever Means - Nothing's Free 24 - John Southworth - When You're This, This in Love - Down in The Under 25 - Nev Cottee - Madrid - The Ring 26 - Richard Hawley - Late Night Final - Lonely Night 27 - East Forest, Peter Broderick - Burren - Duet On Ocean Floor 28 - Ola Podrida - Ola Podrida - Pour Me Another 29 - East Forest, Peter Broderick - Burren - Journey To The Holy Well 30 - Mark Eitzel - 60 Watt Silver Lining - Everything Is Beautiful   * imagem de (image by) Walter Peterhans

A weekly podcast of progressive and uplifting Pure Trance music, presented by Solarstone. Solarstone pres. Pure Trance Radio Episode 35801. Eli & Fur - Something Was Real (Send & Return's Empirical Rework) [White Label]02. Leaving Laurel - you need to be there for them [Anjunadeep]03. Tech D - Fixity [Pure Progressive]04. Joe Schaeffer - Morning Fog (Fiben Remix) [Soluna Music]05. Sinful Biz - Carnivàle [R&D Records]06. Obie Fernandez - Gliding [Pure Trance]It's Not The Kind Of Thing We Usually Play... But We Like It Anyway:07. Daiinas - C.O.U.B [735912 Records]Big Tune:08. Cold Blue - The Morning After [Cold Blue Records]09. Maruwa - Liquid Night [X-Kaylay]10. Daxson - Who We Are [Coldharbour]Retro Trance Classic:11. Solarstone & Scott Bond - Naked Angel [Made in England]12. Summer Sessions feat Michelle Smith - Blossom (Dettech Bootleg) [White Label]13. Tinlicker feat. Nathan Nicholson - Be Here And Now (Ultimate Bootleg) [White Label]14. Solarstone - Leap of Faith (Allan Morrow Remix) [Pure Trance Neon]15. Christian Millan - Ella (Yoshi & Razner Remix) [Nocturnal Knights Reworked]16. Grant Trowbridge - Eos [Borderline]Oh Yeah:17. Mark Sherry, Smith & Brown - Tambores De Carnaval [Outburst Records]Chillout Moment:18. A Winged Victory for the Sullen - All Our Friends are Vampires [Ninja Tune]

Tonight's edition features music from K. Leimer, Olan Mill, Pausal, Dntel, Bill Evans, Youandewan, The Sight Below, Makaya McCraven, A Winged Victory for the Sullen, and…

We are joined again by Liz from our social media team! Thanks to this week's Patreon supporter, Jane S., aka Ann's mom! Thanks Mom! Phoenix Register: Magical creatures at Universal Osaka! Visitors will encounter hippogriffs, nifflers, pygmy puffs, and dragons throughout the Wizarding World section of the park. MuggleNet article here. Owl Post: Jeri writes in about the beasts in Osaka, and hoping that the experience comes to Orlando. Jeri also wrote in about our podcast question from episode 171! The main takeaway: the wizarding justice system is Not Great. Main Discussion: Scenes 60-63 of the screenplay Could scene 60 be the actual best scene of the movie? “And by that I mean specifically us, because we would argue that.” We get a lesson on mine safety! How did the squid react to the manticore tentacle? Shannen: I love you, Percy. Do we have an exact date for the movie? Penny Clearwater is here to sabotage and destroy. You can watch the Hogwarts Great Hall scene on YouTube here! Check out the Winged Victory of Dumbledore here. Let Dumbledore wear purple! Newtcase: BEES!!!! Specifically, bees in mythology and folklore. Shannen reads “Telling the Bees” by John Greenleaf Whittier. Full text here. Podcast Question: Why do you think it took Newt and Theseus so long to get to Hogwarts?

This episode, Steve and Doug reflect on the composing duo A Winged Victory For The Sullen who have mastered the blending of orchestra and electronic. The guys also wax about the Grammys, a new edition of the Kanye West Report, nipples, and insomnia music.Music featured this week:​Steep Hills Of Vicodin Tears - A Winged Victory For The SullenATOMOS VII - ATOMOSAdios, Florida - The Undivided FiveOnly The Names Of The Airport Changes - Only The Names Of The Airport Changes (single) [...]

On Today's Trivia Podcast Episode Time for 20 new questions on this trivia podcast! Soren Kierkegaard, Friedrich Nietzche, Fyodor Dostoevsky and Jean-Paul Sartre are all associated with which philosophical form? Which animated Disney film features a Cave of Wonders filled with treasure, including a flying carpet and a magic lamp? The Winged Victory of Samothrace, a sculpture that is currently in the Louvre, is of what Greek Goddess? What is the name of the extinct volcano that rises above Edinburgh? Triton is the largest known satellite of which planet? Which Barry Manilow song title is the name of a famous beach in Rio De Janeiro? Which venomous animal, which looks like a jellyfish, has a name that comes from its resemblance to a 1500s european sailing ship? What name is given to the series of radioactive elements with atomic numbers from 89 to 103? Ben Affleck, Val Kilmer, and Robert Lowery have all played what iconic hero? Who created Breaking Bad and Better Call Saul? What is the only artery that carries unoxygenated blood? Andrew Jackson's face appears on what bill? The NBA team nicknamed "The Wizards" are based in which US city? Brent Spiner makes a cameo appearance as Dr. Brakish Okun in what movie? Irish-American architect James Hoban is best known for designing what building? If you liked this episode, check out our last trivia episode! Music Hot Swing, Fast Talkin, Bass Walker, Dances and Dames by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Don't forget to follow us on social media for more trivia: Patreon - patreon.com/quizbang - Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support! Website - quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question! Facebook - @quizbangpodcast - we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess. Instagram - Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess. Twitter - @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia - stay for the trivia. Ko-Fi - ko-fi.com/quizbangpod - Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. Herdís Stefánsdóttir is a composer of music for multimedia, a songwriter, and an electronic musician. Her compositional endeavors — installations in museums, dance, theatre, and a successful electronic music duet she is a part of – are establishing her as an expansive artist. Herdís Stefánsdóttir graduated with an M.A. degree in film scoring from New York University in 2017. Since graduation she has scored two feature films, an HBO series and a few short films. She won the 2022 Icelandic Music Award for her score to the FX series Y: the Last Man and was also nominated for her score in Ry Russo-Young's MGM/Warner Bros. feature film The Sun Is Also a Star. Her other scoring work includes the HBO series We're Here, and in 2022 she co-scored Apple TV+'s Essex Serpent with Dustin O'Halloran, starring Claire Daines and Tom Hiddleston. Dustin O'Halloran is an American pianist and composer with four acclaimed solo albums under his own name, and a member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, a BAFTA, and a Critics' Choice Award for his score to 2016's Lion, written in collaboration with Volker Bertelmann (aka Hauschka). O'Halloran's film career began when Sofia Coppola invited him to contribute to 2006's Marie Antoinette, and since then he's worked on multiple films and TV shows, including Drake Doremus' Sundance Grand Jury Prize winner, Like Crazy (2011), and Marc Turtletaub's Puzzle (2018), where he collaborated with veteran Scandinavian chart-topper Ane Brun for the film's closing song. In 2018, he scored George Tillman Jr.'s The Hate U Give and joined forces with Bryan Senti for Nick Murphy's six-part Sky TV series, Save Me, while he and Bertelmann also reconvened that year for Netflix's The Old Guard, starring Charlize Theron. He and Bertelmann continue to collaborate, scoring the BBC's 2019 adaptation of Charles Dickens' A Christmas Carol.

This is Episode 37 of ‘To Etherea and Beyond'. The show broadcasts on Harrogate Community Radio at 9am this Sunday 1st May, and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond Titled ‘Melanchonica and other moods', the show features music by: The Smile, Slowglide, Kikagaku Moyo, Ishmael Ensemble, Disassembler, Jenny Hval, Roller Derby, 6TH CROWD, Hannah Peel, Oh Hiroshima, Greg Haines, Deserta, Secret Gardens, Darkfield, Tusks, Max Cooper, Kokomo, El Ten Eleven, Sofsky, Sun's Signature, Fontaines D.C., Duncan Marquiss, A Winged Victory for the Sullen, Brainwaltzera, and bdrmm. This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

History of National Poetry Writing Month National Poetry Writing Month (also known as NaPoWriMo) is a creative writing project held annually in April in which participants attempt to write a poem each day for one month. NaPoWriMo coincides with the National Poetry Month in the United States of America and Canada. NaPoWriMo, or National Poetry Writing Month, is an annual project in which participating poets attempt to write a poem a day for the month of April. This website is owned and operated by Maureen Thorson, a poet living in Washington, DC. Inspired by NaNoWriMo, or National Novel Writing Month), she started writing a poem a day for the month of April back in 2003, posting the poems on her blog. When other people started writing poems for April, and posting them on their own blogs, Maureen linked to them. After a few years, so many people were doing NaPoWriMo that Maureen decided to launch an independent website for the project. My History with National Poetry Writing Month I started writing poetry in 1988 after I had been exposed to T.S. Elliot in my honors English class in high school. In 1992 I started reading my poetry publicly at Espesso Europia Coffee Shop in Abilene Tx while I was in the United States Air Force. This continued for many years when I ran my own poetry reading at Cannova's in Loves Park Illinois and attended the poetry slams at The green Mill in Chicago Illinois. While living in Rockford Illinois I published my first book of poetry Throwing Yourself at the Ground and Missing in 2007 followed by Postcards From Someone You Don't Know in 2008 Wisdom From the Sack in 2010 and Shaving Crop Circles In My Chest Hair in 2017. You can get copies of all of these books in my merch section. In 2009 I started participating in National Poetry Writing Month which became the basis for my book Wisdom From the Sack and Shaving Crop Circles in My Chest Hair. In 2020 I started publishing my podcast version of the challenge and those can be viewed here for 2020 and here for 2021. April 21st Poetry Prompt Today's (optional) prompt is one I got from the poet Betsy Sholl. This prompt asks you to write a poem in which you first recall someone you used to know closely but are no longer in touch with, then a job you used to have but no longer do, and then a piece of art that you saw once and that has stuck with you over time. Finally, close the poem with an unanswerable question. April 21st Poem Discarded Items  21 April 2022  You were just a year older than I when we first met  And yet you seemed to have lived so much more than I  We joined the military during the times of Don't Ask Don't Tell  And when you left for boot camp, your girlfriend became mine  You were drummed out of the Navy  For showing your love for another man  Initially I felt betrayed that you never told me  I thought we were thick as thieves  And then I met a man in uniform  That poor girl didn't have gay or bi-dar   When I left the military  We still kept in touch  Me working third shift at Kinko's  And you bouncing around California  I was working on my degree and myself  You were working on your next conquest  After a few moves and some barnacle cleaning  I lost touch with you  One day I was walking through the Louvre   Not knowing what I really wanted to see  And there at the top of a staircase was Winged Victory  Armless Headless calming the sea  I thought of you, my friend from long ago  And wishing that you could have been there with me  Just like you were with me during our first show  Flying in scenery for Guys and Dolls  One of the only musicals I can tolerate  One of the many musicals you admire and know by heart  I've tried to look you up with all this technology at our fingertips  But to no avail  Wondering if the algorithm has something against us  Reaching Out To reach out to me, email timothy@createartpodcast.com I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation. Email: timothy@createartpodcast.com YouTube Channel: Create Art Podcast YT Channel IG: @createartpodcast Twitter: @createartpod

Friday of the Passion of the Lord (Good Friday)c. 33 A.D.Triduum; Liturgical Color: RedNo one knew love looked like thisOne of the most famous Greek sculptures in the world, a larger-than-life marble statue of a female, reigns over a monumental staircase in the Louvre. A soft, unfelt breeze ripples through the thin, flowing sheets that wrap her frame. Two expansive, articulated wings sweep elegantly back from her torso, giving the impression that she has just floated down from on high and landed softly on the prow of an invisible ship. Though now headless, the statue's sense of movement is so vivid that one can still “see” her neck craning, her jaw jutting, and her eyes looking carefully downward as she settles to ground. She moves and yet she is still. She is “Winged Victory,” Nike, the Greek goddess of victory.Victory in battle, conquest in war, and success in sport are typically celebrated with a blast of trumpets, gold medals hung around the neck, ticker tape parades, a crowning with laurels, or the placing of an elegant statue like “Winged Victory” to serenely personify triumph over one's enemies. Jesus Christ changed all that. He changed what victory looked like. Jesus climbed a different podium to win a different type of victory over man's greatest enemy. On Good Friday, the God of the Living descended into the depths of human experience to conquer death. His victory parade was the carrying of the Cross on His tender shoulders up the hill of Calvary, where His hands were nailed to a splintery timber. He was raised on high by centurions for mockery, not exaltation. He then died a slow, agonizing death as His thorax sunk lower and lower and His diaphragm sucked less and less air into His lungs. It was not fast and clean. It took three hours. No one knew it at the time, but this was the new look of love in the Christian age, this was the new victory pose. Not laurels, but thorns. Not trumpets, but screams. Not medals, but scars. On Good Friday, Christ redefined victory. The victor is not prideful or strong, but humble, meek, wrecked, injured, and dead.Pain in the non-Christian world, whether in the past or today, has no redemptive power or reward. It is just mindless, arbitrary suffering. At best, it is stoicism. In the person of Jesus Christ, God does not explain human suffering. Instead, He gives it meaning. And giving meaning to something is a type of answer, although not a solution. We do not go to a funeral to solve a problem. We go simply to be present, to share the family's sorrow. Sharing is a powerful response. It is more satisfying and profound to give something meaning than to make it disappear. The answer of Jesus Christ to human suffering is to share it. His answer is empathy. He suffers, dies, and is buried. No one can point a finger at God and say, “You don't know what it's like!” He certainly does know what it's like! Jesus could have saved the world by cutting Himself shaving. But He didn't. He experienced more than was necessary, because it was more fitting that God share every single human experience except sin. God drinks the common cup of human suffering to the dregs.Jesus did not die full of years. He died young, like many tragic heroes. Christ's death gives hope to all who are preyed upon by loneliness, depression, fear, illness, anxiety, confusion, sin, and shame. In His death, Jesus does not just tell us but shows us that all these things can be conquered when united to Him. Jesus did not leave us a book. He left us a life. And that life continues to be shared with us in word and sacrament, in the fullest possible way, in the Catholic Church. God did not die on the Cross so that artists could sculpt Him. God died for a higher reason. He died for us. In Christ, the gift and the giver, the priest and the sacrifice, merge, and the result is life. As in marriage, so also in the Trinity, self-gift merges in generative love and creates life. So we etch that powerful reminder of Christ's life-generating gift of self—the Crucifix—into our tombstones and place it high in our churches. This universal symbol of redemptive love even hangs from fine chains on our necks. In hoc signo vinces. Christ is our new winged Victory, not with two glorious wings spreading out in a proud gesture of triumph, but with His two thin bloody arms pinned to the Cross. He hangs there in agony, gasping for air, and heroically waits for Sunday to come.Crucified Lord, in Your passion and death, You walked for us the hard path to new life. You exited life through the door of death and so give us hope that the end is the beginning, that loss is gain, that defeat is victory, and that death is life.

Boom Rethink the Drink, Yesterday I had a chance to talk with my friend Drifter for his Sober Town Podcast. It was International Women's Day so we had planned to talk about the toxicity of alcohol marketing directed at women, but after a couple of days of multiple postings in our communities on the deadly result of alcohol addiction, we decided instead to focus on the questions of "how do you stop drinking before it goes too far?" - "how do you help someone you love who seems lost to the bottle?" Drifter and I have both lost brothers to their addictions and we have both found solid dry ground after breaking out of our addictions. Do we have the answers to these questions with the years of personal experience we both have as the addicted and the loved one of the addict? We came up with two answers by the end of our talk and those answers were all about beacons and light houses. My beacons that guided me to stop drinking and stay sober were young and old and somewhere in between. We all grew up with the basic premise that handling our liquor was a badge of courage in cultures and families that celebrate drinking hard and handling it. Cultures and families that laugh at hangovers, distrust sobriety, celebrates the drug and shame the addict. All of us started drinking as a right of passage from childhood into adulthood. Some of us waited until we came of age and some of us started drinking younger but in one way or another we were mimicking the behavior of the adults that we knew. Maybe we admired their ability to function highly, to handle their booze, or maybe we said we'd never drink like they did, but drink we did because that is what adults do. Those adults were our beacons and we followed where they led us. It makes perfect sense that to find another path beacons of a different sort are needed. And it makes perfect sense that those of us who have fought our way out of addiction after helplessly watching loved ones die- chose to be lighthouses -- join us for our conversation and find the links to the communities and articles we discuss in the Boozemusings post below.    How Do You Help Someone Stop Drinking Before it's Too Late? What if It's You? The Family That Built an Empire of Pain The Spiritual Consequences of Alcohol Consumption Beat the Alcohol Bully   Are you Sober Curious? Do you want to stop drinking or are you trying to drink more moderately? In a world where you may be questioned for not drinking with the crowd, we'll help you to find your own path. I am Winged Victory, the founder of the Boom Rethink the Drink community and Boozemusings blog. I retired from a long and illustrious drinking career on March 6, 2015, by reading and writing in a creative, supportive, and inspiring online community called Hello Sunday Morning. I've been gratefully reaching back with words, ideas, and love ever since. Community is the cure. Open your mind to the possibilities. The Spirit is not in the Bottle it's in You.   Are you Sober Curious? Do you want to stop drinking or are you trying to drink more moderately? In a world where you may be questioned for not drinking with the crowd, we'll help you to find your own path.  Sign in here anonymously and download our free app. Join our diverse international BOOM Community and we'll be there when and where you need us.  Search BOOM Rethink the Drink on the Mighty Networks app for Android & iOS    

Join Wingy and Drifter as they talk: Neuroplasticity and the Discovery in Recovery - Open Your Mind to the Possibilities Neuroplasticity has fascinated me since I read Marc Lewis' book The Biology of Desire when I was 8 months sober. It was the last of many books that I read that year on the topic of addiction and recovery. One of the interesting things about Marc's book was that unlike the other books I had been reading it did not help me stop drinking, or inspire me to stay sober, but rather explained the awesome, unexpected growth that I was experiencing in recovery. It explained why my recovery felt quite a bit more like an adventure than a chore. Not recovery – discovery! The Biology of Desire examines how our brains can evolve and change if we break the isolation of addiction by reaching out creatively to evolve. It offers positive reflections of the experience that people can have by connecting with generosity of spirit rather than retreating in resentment when they stop using drugs and alcohol to numb out. As I read the book, rather than imagining the possibility of what Marc was describing, I recognized my experience in his words. I responded YES! That is exactly what's happening right now! My brain was growing and evolving as I wrote my way sober in a creative community, and Marc explained why through the science of neuroplasticity.   Befriending the part that wants to get high My Beautiful Mind at 1,000 days Sober How I Became Alcohol-Free – Thoughts on Neuroplasticity and Neurogenesis The Adventure of Discovery in Recovery – A Podcast with Thoughts on Neuroplasticity in Sobriety   Are you Sober Curious? Do you want to stop drinking or are you trying to drink more moderately? In a world where you may be questioned for not drinking with the crowd, we'll help you to find your own path. I am Winged Victory, the founder of the Boom Rethink the Drink community and Boozemusings blog. I retired from a long and illustrious drinking career on March 6, 2015, by reading and writing in a creative, supportive, and inspiring online community called Hello Sunday Morning. I've been gratefully reaching back with words, ideas, and love ever since. Community is the cure. Open your mind to the possibilities. The Spirit is not in the Bottle it's in You.   Are you Sober Curious? Do you want to stop drinking or are you trying to drink more moderately? In a world where you may be questioned for not drinking with the crowd, we'll help you to find your own path.  Sign in here anonymously and download our free app. Join our diverse international BOOM Community and we'll be there when and where you need us.  Search BOOM Rethink the Drink on the Mighty Networks app for Android & iOS

Are you Sober Curious? Do you want to stop drinking or are you trying to drink more moderately? In a world where you may be questioned for not drinking with the crowd, we'll help you to find your own path. I am Winged Victory, the founder of the Boom Rethink the Drink community and Boozemusings blog. I retired from a long and illustrious drinking career on March 6, 2015, by reading and writing in a creative, supportive, and inspiring online community called Hello Sunday Morning. I've been gratefully reaching back with words, ideas, and love ever since. Community is the cure. Open your mind to the possibilities. The Spirit is not in the Bottle it's in You.   Boozemusings Community Blog Day 1 Understanding the Difference Between Boom and Boozemusings I Am Winged Victory The Beauty of Life Alcohol-Free Coming Out Sober My Beautiful Mind at 1,000 days Sober Blogging Away from “Wine o'Clock” – A Sober Mom “Redefining Me Time” The Women Who Empowered me to Drop the Wine o' Clock Routine Human Parts Winged Victory contributes to HuffPost   Are you Sober Curious? Do you want to stop drinking or are you trying to drink more moderately? In a world where you may be questioned for not drinking with the crowd, we'll help you to find your own path.  Sign in here anonymously and download our free app. Join our diverse international BOOM Community and we'll be there when and where you need us.  Search BOOM Rethink the Drink on the Mighty Networks app for Android & iOS  

    Anyone who regularly follows this podcast and my mixes knows that I am a science fiction dork. So it should come as no surprise that I saw Dune on opening weekend. I loved the film and have been thinking about an alternative soundtrack mix ever since.   There's not much to say other than this mix is a collection of tracks that remind me of the film. Most of the tracks are fairly new but a few older ones sneak in there, such as the one from Robert Rich & Lustmord, which goes back to 1995. The opening cut is the newest as it was written and produced by my son, who records as Just A Human, a couple of days after seeing the film.   If you see the film, see it in a theater. It's big and loud and really needs to be seen on a big screen. Cheers!   T R A C K L I S T : 00:00    Just A Human - Messages from the Deep 01:00    Ben Chatwin - Nordsjøen (Drone Signals 2018) 05:10    Serena Gabriel & Steve Roach - From The Sea (Seeing Inside 2021) 12:00    Murcof - Ideology Storm (The Alias Sessions 2021) 16:27    A Winged Victory for the Sullen - Thirteenth Century Travelogue (Invisible Cities 2021) 18:22    Robert Rich & B. Lustmord - Undulating Terrain (Stalker 1995) 22:12    Hibernis - The Grape Leaves (Middle of the Meds 2018) 27:00    Soriah - Uger-Khan Kargyraa (Gnostic 2019) 28:51    Rapoon - Don't Come Out At Night (Melancholic Songs of the Desert 2009) 32:40    Michel Banabila - Our Alien Voice (Trespassing 2017) 35:12    Brett Janzen - Penumbra (Aphelion 2021) 37:55    Arrowounds - Antarctica's Spherical Anomalies Leave Residual Trails (The Rise and Fall of the Melting World 2021) 41:55    Strië - Test for Ability (Perpetual Journey 2018) 44:44    Loscil - Zephyr with wind and strings 47:25    Tineidae - Epilogue (Exo 2020) 50:55    Jim Cole & Spectral Voices - Hear Earth (Innertones 2006) 52:35    Hanno Leichtmann - Wind (Nuit Du Plomb 2006) 57:00    end  

Drifting eternally across an ephemeral sky... featuring A Winged Victory for the Sullen, Alonefold, Beyond the Ghost, The Future Sound of London and Harold Budd.

    I've been wanting to make an orchestral mix for a long time. Sometimes individual tracks will show up in other mixes but I haven't done one devoted exclusively to modern classical music in a long time. What finally got me going with this mix was the new album from Max Richter - Voices 2. It's a beautiful album with lots of tracks that would work for an ambient leaning modern classical set.  I really like how this one turned out. All but two of the tracks are from 2021. They flow from one to the other really well, making for a nice cohesive mix. Cheers!   T R A C K L I S T :   00:00    Max Richter - Psychogeography (Voices 2 2021) 06:40    Glowworm - A Late Arrival (Midnight Intervals 2020) 10:30    Sven Laux - Fragment 3 (Scattered Fragments of Separation 2021) 13:48    Christine Ott - Pluie (Time To Die 2021) 18:35    That Which Is Not - Twin (The Basic Sharpness Of Emotions 2021) 24:56    Simon McCorry - Full Circle (And Where Are You Really From? 2021) 28:33    William Ryan Fritch - Resurface (Freeland 2021) 30:01    Christian Löffler - Pastoral (Parallels 2021) 33:33    A Winged Victory for the Sullen - Every Solstice & Equinox (Invisible Cities 2021) 35:42    Jóhann Jóhannsson - Flight From the City(Vikingur Olafsson Rework) (Retrospective II _ Rarities 2021) 41:29    Elskavon & John Hayes - Du Nord (Du Nord 2020) 45:55    Peter Gregson - Somnia [2021] 48:40    Max Richter - Movement Study (Voices 2 2021) 53:41    Slow Dancing Society - The Devil Knows How To Row (Galilee's Dream 2021) 58:38    Ross Gentry - Nobody Wants To Leave (Prism of Dust 2021) 62:00    end