Podcasts about Welles

Man, we cut Orson Welles way too much slack. The guy makes Citizen Kane at the beginning of his career, then he gets to coast for the rest of his life - and posthumously too! THE OTHER SIDE OF THE WIND, a Welles' joint he didn't even get to finish, was received with pure adoration by critics even though it's basically just a pretentious improv session from Orson and his buddies. Listen to Alex & Julio as they try to focus on the unexpected return of Peter Bogdanovich to the main feed, and close the Bedroom to Box Office Summer Event in style!TIMELINE00:01:24 The Other Side of the Wind00:14:55 Contrarians Corner- Wanna know how we really feel about THE OTHER SIDE OF THE WIND? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

Our Bedroom to Box Office journey has been a bit of a wild ride so of course the final stop would be Orson Welles' long lost movie. The adult film industry connection was already discussed in a bonus interview we dropped right before this episode (check it out, lots of fun) but there is a lot more to unpack about THE OTHER SIDE OF THE WIND. For example: did we actually like it? Listen to this Real Talk segment to find out!TIMELINE00:01:26 $40 Million00:02:21 Real Talk00:52:25 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, we do our best to capitalize on current Greek mythology enthusiasm by tackling Wolfgang Petersen's TROY! In the meantime, let us know what you thought of The Other Side of the Wind: Is it even remotely interested in appealing to a casual viewer? Would it have been better to let the mystery of the final Welles movie go on forever? Will this ever play at midnight screenings anywhere? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

The July 2026 New Music Train makes a classic musical journey, travelling from near Kansas City to the Big Apple. That puts Scot Isom and Jason Goebel on board, both with three-packs of musical delights. They bring you tunes from The Mountain Goats, Lacey Ann Johnson, The Wiggles with Jesse Welles, Low Cut Connie, Twisted Teens and Madonna.Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends.Visit our website at SuburbsPod.comEmail Jim & Patrick at rock@suburbspod.comFollow us on the Threads, Facebook or Instagram @suburbspodIf you're glad or sad or high, call the Suburban Party Line — 612-440-1984.Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

⁠The Mercury Summer Theatre of the Air || (307) Life with Adam | July 19, 1946A satirical radio play, a self-deprecating parody written by Hugh Kemp that heavily pokes fun at ⁠Orson Welles, with actor Fletcher Markle playing the Welles-like genius.: : : : :You can donate to show your support for my podcast and the time I put into creating and posting every week. Donations are through my duane.media PayPal account:https://www.paypal.com/donate/?hosted_button_id=MSL7S8FKCSL94My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Become a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Episode 458: The Crew's shooting mirrors while watching Orson Welles' The Lady from Shanghai. Welles' first film noir is a mixed bag, some scenes are amazing while others are workmanlike at best. Rita Hayworth and her swimwear steal the show. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

Episode 457: The Crew's taking George's advice and buying a horse while watching Orson Welles' The Magnificent Ambersons. Mr Welles second feature film isn't as welled remembered as Citizen Kane, but that doesn't mean it shouldn't be just as studied and enjoyed. Welles' shots are perfection; the character blocking, the lighting, and camera movement communicate so much to the audience. We're in the hands of a master. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

Jen Sabella, the Director of Strategy and co-founder of Block Club Chicago, joins Bob Sirott to share the latest Chicago neighborhood stories. She provides details on: 42 Parks On South, West Sides Getting Improved Air Conditioning To Help Battle Heat Waves: The park fieldhouses set to get additional or improved air conditioning systems were chosen using […]

The Arkansas musician talks about his latest album, Masks Off.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Orson Welles Commentaries || (01) The Strange Affair of Uncle Harry, Bullfighting, Korea | (02) Fortune tellers, GI entertainment in the Atomic age, Food shortage in Europe || September 16, 1945; September 23, 1945Sponsored by Lear Radios, the program allowed Welles to pivot from his earlier work into a platform for sharing political editorials, personal reminiscences, and literary readings.: : : : :You can donate to show your support for my podcast and the time I put into creating and posting every week. Donations are through my duane.media PayPal account:https://www.paypal.com/donate/?hosted_button_id=MSL7S8FKCSL94My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

“For all the paperwork of democracy — government by and for the people — we have become a citizenry of spectators who simply want to be entertained. And we are accustomed to the realization that we can't do anything about what's on the screen.” — David Thomson Has the prolific film critic David Thomson fallen out of love with the movies? That's the question I began my conversation with Thomson, arguably the greatest living writer on film. My question was triggered by his revisionist movie history (out today), A Sudden Flicker of Light, which, while still glorifying film, nonetheless recognizes the damage that the medium has done to us. No, he hasn't fallen out of love with the movies, Thomson responded. But he did acknowledge a new kind of wariness about his beloved medium — a suspicion of auteur worship, that tradition which concentrates on the great artistry of individual directors like Welles, Hitchcock, and Scorsese while ignoring what the motion picture medium as a whole has done to society. “What has God wrought?” Samuel Morse asked about the telegraph. David Thomson is asking the same question about the consequence of movies. Cinema, particularly Hollywood, Thomson argues, has spent a century disempowering audiences. Sitting in the dark, gazing at the screen, people have lost their agency. This passivity, Thomson argues, has invaded our political life, transforming us from citizens into spectators. No, Mr Smith hasn't gone to Washington. Instead, America has become a theater of gawkers addicted to screen entertainment, unable to discriminate between a sudden flicker of light and reality. Thus the degeneration of America into a violent Coppola movie. Thus The Joker who has crawled out of primeval darkness and now monopolizes all our screens. You could make a movie about it. Call it “Being There” or “Network.” Or perhaps “The Truman Show.” Five Takeaways •       Cinema Has Trained Us to Be Spectators — and That Has Destroyed Our Agency: Thomson's central argument: sitting in the dark watching a bright light in front of them, audiences learned that the thing on the screen is not their responsibility. People are not really hurt on screen, no matter their bodies are torn apart. They are not really happy, no matter what they say in the film. And whatever happens, the audience remains a spectator. Extrapolate that out into a broader world and you have a society in which, for all the paperwork of democracy and government by and for the people, people have become a citizenry of spectators who simply want to be entertained. America, Thomson believes, is in that state. •       Every Cut Is Violent — and Every Cut Is a Marriage: Thomson's most original observation is the smallest: the cut. A cut is where the stream of imagery you are watching goes from one shot to another. It is a separation — but it is also a marriage. Every cut says: join them up. The way we measure the effectiveness of directors from D.W. Griffith onward is that they found ways to put shots together so that film had sequence and order, like the order of sentences in writing. And every cut has an element of violence in it, because you are seeing one thing and then, bang, you are watching something quite different. We have never taught our children what a cut is — even though they have spent far more of their lives watching moving imagery than reading. That neglect, Thomson argues, is consequential. •       The Culture of Manhood and the Systematic Neglect of Women: Thomson's most politically charged observation: the culture of manhood and the serious neglect of women was going on in virtually every film he saw until at least the 1980s, and you could argue well beyond that. That is, he says, a kind of tacit advertising — a way of saying, look, this is really a very good way for how the world should be. It is something that has become harder and harder for him to endure as an idea. And he thinks that the war in Iran would not have been as likely if America had had enough women running the country — because women feel and think together in concert in different ways, with more room for compassion, sentiment, and plain rationality. •       Cinema Is Deeply Educational — and We Have Ignored That: Thomson's answer to Andrew's challenge: what does any of this have to do with movies? Everything. You cannot have a mass medium without the mass being affected, without the ways in which they think being shaped. The movies have given us examples of how to live that have been intensely persuasive. They are deeply educational. And yet we have permitted them, and like every technology humans have ever invented, we have let the technology take control of us rather than the other way around. Children spend far more time watching moving imagery than reading — and yet we do not teach them what a cut is, what a camera angle means, how the medium constructs its reality. That neglect has been, Thomson believes, catastrophic. •       Citizen Kane Is the Definitive American Film — Not The Godfather: Andrew's final question: what is the definitive movie about America? Not The Godfather, Thomson says, because the Godfather films cannot overcome their attraction to authority. There is a reverence for dark power in the Godfather films. Whereas in Citizen Kane, there is all through the film a terrible ruefulness about what happens to people who seek power. Welles absolutely understood and was intensely critical of the personality that needed power and authority — and he was afraid of it. For that reason, it is still for Thomson the definitive American film. Thomson has been known to doze off watching it, because he knows it too well. On July 4, he plans to watch something different. Ideally, The Odyssey. About the Guest David Thomson is the author of more than twenty books on film, including A Sudden Flicker of Light: A Revisionist History of the Movies (Simon & Schuster, July 7, 2026), The New Biographical Dictionary of Film (six editions, 1975–2014), Orson Welles, The Big Screen, Have You Seen…?, and biographies of David O. Selznick, Marlon Brando, and Nicole Kidman. Michael Ondaatje has called him “the best writer on film in our time.” He lives in San Francisco, where he is Andrew Keen's neighbour. References: •       A Sudden Flicker of Light: A Revisionist History of the Movies by David Thomson (Simon & Schuster, July 7, 2026). •       Citizen Kane (Orson Welles, 1941) — Thomson's definitive American film; discussed extensively in the conversation. •       The Godfather (Francis Ford Coppola, 1972) — referenced as ...

Our Other Shows:Cowboy Classics: Old Time Radio Westerns & Frontier StoriesComedy Classics: Old Time Radio Vintage Comedy & LaughsMystery Theater Old Time Radio: Classic Detective, Horror & SuspenseJoin our Community - Linktree: https://linktr.ee/mysterytheaterChristian Basics Foundation in Faith: Available on AmazonThis dark and atmospheric tale dives headfirst into the domestic shadows of post-war society, where a sinister plot of romantic betrayal and murderous intent unfolds. The narrative explores a toxic dynamic steeped in bitter jealousy and greed, where the sacred vows of marriage are twisted into an instrument of ultimate harm. When an ambitious individual conceives what they believe to be the flawless blueprint for a untraceable murder, a web of deadly manipulation begins to tighten around an unsuspecting spouse. As lethal paranoia escalates behind closed doors, Lamont Cranston and his brilliant companion Margo Lane find themselves pulled into a highly volatile domestic puzzle. Operating under the cover of psychological invisibility, Cranston must track the subtle, poisonous clues of a perpetrator who believes they are entirely above suspicion. The Shadow is forced to navigate an intricate labyrinth of shifting loyalties, desperate alibis, and impending tragedy before the ultimate act of malice can be executed. He must use his profound understanding of the criminal mind to expose the terrifying deception, intervening in a breathless climax to stop a lethal trap and prove once again that the bitter fruit of crime never yields a profit.Historical BackgroundThe Shadow is widely considered one of the most influential and foundational programs in the history of American radio drama. Originating on July 31, 1930, the character initially served merely as a sinister, phantom narrator for CBS's Detective Story Hour. However, the narrator's ominous voice and iconic catchphrases quickly eclipsed the stories themselves, prompting Street & Smith to develop The Shadow into a full-fledged literary character and a dedicated radio series starting in September 1937.While the original pulp magazine version of the character was a master of physical disguise and traditional detection, the radio adaptation dynamically modified his capabilities, giving him the iconic psychic power to "cloud men's minds" to render himself completely invisible. The series famously popularized standard tropes of the superhero genre and left an indelible mark on pop culture with its atmospheric organ music and unforgettable opening lines.Featured Cast & Production ArtifactsLamont Cranston / The Shadow (1938): Voiced by a young Orson Welles, whose patrician, slightly detached delivery perfectly captured the essence of a wealthy, world-traveling playboy harboring esoteric Eastern secrets.Lamont Cranston / The Shadow (1949): Voiced by Bret Morrison, who became the longest-running and most definitive radio voice of the character, providing a smooth, authoritative tone during the show's post-war era.Margo Lane: Voiced by the legendary Agnes Moorehead during the Welles era, and later by Grace Matthews in the late 1940s, portraying Cranston's steadfast companion and the only person trusted with his invisible identity.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to the fifteenth episode of our ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.On this Fascism on Film episode, the Holmes Brothers along with friend of the podcast Richard Bruno sit down to discuss Orson Welles's The Stranger. Released in 1946, it stars Orson Welles, Edward G. Robinson and Loretta Young. The Stranger is a film noir thriller set in a small town in Connecticut. This was Welles's third film as a director and his first film noir picture. After the making of The Magnificent Ambersons, Orson Welles took on the job of directing this film to show he could make a film under budget and under schedule. And more importantly, a successful film. His last two films, Citizen Kane and The Magnificent Ambersons, were not successful at the box office. The Stranger stars Robinson as Agent Wilson, a war crimes investigator for the United Nations, is on the hunt for a Nazi war criminal hiding in plain sight under a new identity. The man he is after is Franz Kindler who goes by the name Charles Rankin and is a professor at the local college. Rankin/Kindler is also about to get married to Mary Longstreet, daughter of Supreme Court Justice Adam Longstreet. They are played by Loretta Young and Philip Merivale. With nothing to go on except Kindler's passion for clocks, Wilson releases Konrad Meinike (Konstantin Shayne) at the hopes he will lead him to Rankin. We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.Be sure to check out our Monument Valley Film on our YouTube Channel.Anders's screenwriter work can also be seen at work in the horror, car chase thriller Delivery Run, co-written with & directed by Joey Palmroos. The film has been released digitally and also in select cinemas in the US and the UK. In Finland it was released on Apple TV after finishing its limited cinema run and was the Number 1 film for multiple weeks. You can read a review about it here on the Fangoria website. The film is now available to watch in the other Nordic territories like Sweden, Oslo and of course Denmark. If you live in Denmark, you can watch the movie here on Apple TV by clicking this link.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Check out our blog and read Anders's recent review on David Lynch and Mark Frost's iconic TV show Twin Peaks. And also Jim Jarmusch's classic Western Dead Man.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Mercury Summer Theater of the Air || The Search For Henri Lefevre | July 12, 1946 || This is a repeat post || Story: No sooner does a composer finish his composition, then he hears it being performed on the radio! Welles mentions that next week, he will do again "Treasure Island," which he says "is the first drama I ever did on CBS." Next week however, "Life With Adam" was substituted.Starring: Jim Ameche, Lucille Fletcher, Mercedes McCambridge, Orson Welles: : : : :You can donate to show your support for my podcast and the time I put into creating and posting every week. Donations are through my duane.media PayPal account:https://www.paypal.com/donate/?hosted_button_id=MSL7S8FKCSL94My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Today we have an episode of the Lear Radio Show, a weekly news and commentary program hosted by Orson Welles. This episode first aired on June 30, 1946, and features Welles talking about the atomic bomb tests at Bikini Atoll and the end of price controls. Visit our website at BrickPickleMedia.com/podcasts. Subscribe to the ad-free version at https://podcasters.spotify.com/pod/show/worldwar2radio/subscribe.

Surf robótico, boogie rock desde la tierra de Oz, power pop, ritmos para la pista de baile, country punk, sugar daddies, la voz de Iggy Pop, un recuerdo a Silvio y Barra Libre, canciones bonitas, canciones de protesta, canciones desde el porche y Depeche Mode flotando en la brisa para recordarnos que disfrutemos del silencio.(Foto del podcast por Jon Tarry; Datura 4)Playlist;LES ROBOTS “When Hank-B and R-John collide”” (Intermission Optigan)DATURA 4 “Under a rock” (High on the low brow)THE STEMS “Your kind of love”JON SPENCER “Wet and wild” (Songs of personal loss and protest)JOAN AS A POLICE WOMAN feat IGGY POP “Save me” (Real life evolution)EZEZEZ “Zaunk”TY SEGALL “Black paint” (Chrome)NINE POUND HAMMER “Too outlaw for outlaw country”PIKE and DELTA “Tri-tri-tristeza” (Rockin’ bomb #3)OLD CROW MEDICINE SHOW feat JESSE WELLES “Howdy do America” (Union made)JESSE WELLES “The ballad of big balls” (Masks off)THE HANGING STARS “Big red car” (Just a day)MOD LANG “What I can’t have” (Borrowed time)THE LEMON TWIGS “Friday I’m gonna love you”THE CROOKED RUGS “Back porch” (ST)NOUVELLE VAGUE “Enjoy the silence” (A date with Depeche Mode)Escuchar audio

This week, we've got a rare find: Inner Sanctum Mystery with the long-lost 1944 episode “The Dream,” with an appearance by Orson Welles, of all people, as star on the show, at a time where Welles had reached the peak of his celebrity status. Host John Tefteller shares the story behind the recording, made by engineer Rudy Van Gelder. The story follows Judge Robert Branscolm, a respected man troubled by a vivid, violent dream, one where he murders a stranger with a silver-handled cane. Disturbing enough… until he finds himself presiding over a case involving that exact crime. A true rediscovery, and a great moment for vintage radio fans and historians alike. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

In today's podcast Paul has a conversation with Tim Welles of CIC Services. This firm acts as a manager of captive insurance companies and in the podcast we review how captives work and the advantages that may occur to certain farm operations.See omnystudio.com/listener for privacy information.

El primer tema de discusión tratará sobre un cambio potencial importante al proceso de ampliación de la Unión Europea. Los miembros del grupo se están planteando denegar a los nuevos estados miembro el derecho a veto durante varios años después de que se hayan incorporado. Después hablaremos de la encíclica del papa León, donde hace un llamamiento a actuar de forma urgente para asegurar que la IA sirva a la humanidad en lugar de perjudicarla. El segmento de ciencia lo dedicaremos a un nuevo estudio que ha descubierto que participar de forma habitual en actividades artísticas y culturales podría ralentizar el envejecimiento biológico, de forma similar a la práctica regular de ejercicio físico. Y concluiremos la primera parte del programa comentando el episodio final de "The Late Show with Stephen Colbert", que marcó el fin de uno de los programas más populares del late night. El resto del episodio de hoy lo dedicaremos a la lengua y la cultura españolas. La primera conversación incluirá ejemplos del tema de gramática de la semana, The Pronominal Verbs. Verbs of Emotions and Feelings. En esta conversación discutiremos si los famosos, como los futbolistas, deben posicionarse ante una opinión personal en un acto público. Pondremos como ejemplo a Lamine Yamal, jugador del F.C. Barcelona, que apareció en lo alto de un autobús descapotable ondeando una bandera palestina el día de la celebración de la victoria en la Liga española. Y, en nuestra última conversación, aprenderemos a usar una nueva expresión española, A trancas y barrancas. Hablaremos de la película Don Quijote de Orson Welles. Esta filmación fue realizada con fragmentos conservados del rodaje de la película Quijote del director estadounidense Orson Welles y editada por el cineasta español Jesús Franco. La película de Welles nunca fue terminada. Pero con ese material se hizo otra película. Para algunos fue un error. Para otros una alegría reencontrarse con material del genio fallecido. La UE se plantea postergar la concesión del derecho a veto a los nuevos estados miembro En una gran encíclica, el papa León advierte de los peligros de la IA a los que se enfrenta la humanidad El arte y la cultura están vinculados con una ralentización del envejecimiento biológico Stephen Colbert presenta el episodio final del legendario "Late Show" Posicionarse ante una opinión Don Quijote de Orson Welles

Featuring: Michael "Boston" Hannon and Paul "Moonpir" Smith Running Time: 23:46 Video Version: YouTube For this episode of TVGP's Critical Misses we chat about the famous (infamous?) radio play of War of the Worlds! Join us as we chat about incredible voices, a surprising intro, Wells meeting Welles, a local take on an old story, and much more! Applause sound effect from SoundBible Royalty free music from https://www.fesliyanstudios.com Become a patron of TVGP for just a few dollars a month at E1M1's Patreon Page! Get two month early access to Critical Misses, uncensored outtakes, production meetings, and much more for just $5/month!

Unknown Broadcast returns to the Weekly Spooky feed with another uneasy collection of old-time radio horror stories, classic OTR suspense, vintage radio mystery, gothic crime, and strange little broadcasts that seem to know exactly what you are afraid to touch.Tonight's transmission carries four shadowed tales from the darker shelves of the dial: a glass ball that may contain something ancient and wicked, a department store where the mannequins are not the only ones waiting after dark, a romantic cottage hiding a murderous secret, and a body pulled from Billingsgate that leads into a web of crime, greed, and fate. The room is warm. The chair is ready. The host is smiling again. But whatever is inside the story… may not stay there.

Hailed by many as the greatest film ever made, Citizen Kane was the debut feature from Orson Welles and featured many of his colleagues from the Mercury Theatre productions of Broadway and radio. We'll hear Mr. Welles and his co-stars in radio thrillers: Ray Collins in "Marry for Murder" (originally aired on CBS on September 9, 1943); Welles in "Lazarus Walks" (AFRS rebroadcast from October 19, 1943); Joseph Cotten in "You'll Never See Me Again" (originally aired on CBS on September 14, 1944); George Coulouris in "The Long Shot" (AFRS rebroadcast from January 31, 1946); Agnes Moorehead in "The Evil of Adelaide Winters" (originally aired on CBS on September 10, 1951); and Everett Sloane in "Alibi" (AFRS rebroadcast from July 7, 1957).

durée : 01:28:06 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

“The whole idea of the film business is based on a reactionary idea.” — Jonathan Rosenbaum"Orson Welles was considered a failed Hollywood Director"A Great Episode of THE ARTISTS has dropped on our you tube Watch

durée : 00:16:42 - Les Nuits de France Culture - par : Albane Penaranda - Cannes 1966 : un cru légendaire où Welles, Lean et Pasolini se côtoient. Si Pietro Germi partage la Palme d'or, c'est le triomphe du film "Un homme et une femme" de Claude Lelouch qui marque l'histoire. Retour sur ce choc esthétique porté par la musique de Francis Lai et un duo d'acteurs iconiques. - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Orson Welles spent thirty-five years trying to put Sir John Falstaff on screen. Chimes at Midnight (1966) is the result: a film drawn from five Shakespeare plays — primarily the two Henry IV parts, with passages from Richard II, Henry V, and The Merry Wives of Windsor — that lifts Falstaff from comic supporting player to tragic protagonist. Welles plays the knight himself, a lumbering, larger-than-life tavern dweller and unlikely father figure to Prince Hal (Keith Baxter), heir to the guilt-haunted Henry IV (John Gielgud). When Hal must choose between loyalty to Falstaff and the demands of the crown, the film becomes what Welles called a lament "for the death of Merrie England." Dismissed by critics on its 1966 Cannes premiere and barely distributed in the United States, the film spent decades trapped in rights disputes — finally reaching audiences properly through the Janus Films/Criterion restoration in 2016.Mike talks with Spencer Parsons and David MacGregor about the film's three-decade gestation across stage and screen, the filmmaking ingenuity behind its legendary Battle of Shrewsbury sequence, the autobiographical dimensions of Welles's performance, and why Chimes at Midnight now stands for many critics as the greatest Shakespeare film ever made.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Orson Welles spent thirty-five years trying to put Sir John Falstaff on screen. Chimes at Midnight (1966) is the result: a film drawn from five Shakespeare plays — primarily the two Henry IV parts, with passages from Richard II, Henry V, and The Merry Wives of Windsor — that lifts Falstaff from comic supporting player to tragic protagonist. Welles plays the knight himself, a lumbering, larger-than-life tavern dweller and unlikely father figure to Prince Hal (Keith Baxter), heir to the guilt-haunted Henry IV (John Gielgud). When Hal must choose between loyalty to Falstaff and the demands of the crown, the film becomes what Welles called a lament "for the death of Merrie England." Dismissed by critics on its 1966 Cannes premiere and barely distributed in the United States, the film spent decades trapped in rights disputes — finally reaching audiences properly through the Janus Films/Criterion restoration in 2016.Mike talks with Spencer Parsons and David MacGregor about the film's three-decade gestation across stage and screen, the filmmaking ingenuity behind its legendary Battle of Shrewsbury sequence, the autobiographical dimensions of Welles's performance, and why Chimes at Midnight now stands for many critics as the greatest Shakespeare film ever made.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

EPISODE 138 -  “NORMAN LLOYD: CLASSIC CINEMA STAR OF THE MONTH” - 5/4/2026  Few figures in Hollywood history have had careers as long—or as varied—as NORMAN LLOYD.  Spanning nearly a century, his work bridges the worlds of theater, radio, and film, with collaborations that include legends like CHARLIE CHAPLIN, ALFRED HITCHCOCK and ORSON WELLES. Whether appearing on stage, on screen or shaping stories behind the scenes, Lloyd's presence has always carried a quiet intensity and sharp intelligence. Join us as we take a closer look at the life and legacy of Norman Lloyd, our Star of the Month — a man who didn't just witness Hollywood history—he helped create it.   SHOW NOTES:  Stages: Norman Lloyd by Norman Lloyd and Francine Parker, The Scarecrow Press, Inc., 1990; Stages: Of Life in Theatre, Film and Television by Norman Lloyd, Limelight, August 1, 2004; Norman Lloyd Career Retrospective, Legacy Collection, Conversations at the SAG-AFTRA Foundation, May 4, 2004;  Noir City, Post-Screening Q&A with Norman Lloyd, Palm Springs, May 15, 2011; Shattered Applause: The Lives of Eva Le Gallienne by Robert A Schanke, Dec 9, 1992, Southern Illinois University Press; Broadway's Dreamers: The Legacy of the Group Theatre, PBS, June 26, 1989; Norman Lloyd, Associate of Welles, Hitchcock and Others, Dies at 106 by Eric Nagourney, May 11, 2011; The End of an Era: Norman Lloyd, 1914-2021 by Peter Sobczynski, May 12, 2021; Norman Lloyd, Star of ‘Saboteur' and ‘St. Elsewhere,' Dies at 106, by Mike Barnes, The Hollywood Reporter, MAY 11, 2021; TCM Remembers Norman Lloyd, TCM.com, May 13, 2021; Wikipedia.com; IBDB.com TCM.com; IMDBPro.com; Movies Mentioned: Saboteur (1942) Starring Robert Cummings and Priscilla Lane; Spellbound (1945) Starring Ingrid Bergman and Gregory Peck; The Southerner (1945) Starring Zachary Scott and Betty Field; A Walk in the Sun (1945) Starring Dana Andrews and Richard Conte; The Green Years (1946) Starring Charles Coburn and Tom Drake; A Letter for Evie (1946) Starring Marsha Hunt and John Carroll; The Beginning or the End (1947) Starring Brian Donlevy and Robert Walker; The Red Pony (1949) Starring Myrna Loy and Robert Mitchum; Scene of the Crime (1949) Starring Van Johnson and Arlene Dahl; The Flame and the Arrow (1950) Starring Burt Lancaster and Virginia Mayo; Buccaneer's Girl (1950) Starring Yvonne De Carlo and Philip Friend; The Light Touch (1951) Starring Stewart Granger and Pier Angeli; He Ran All the Way (1951) Starring John Garfield and Shelley Winters; Limelight (1952) Starring Charlie Chaplin and Claire Bloom; Audrey Rose (1977) Starring Marsha Mason and Anthony Hopkins; Dead Poets Society (1989) Starring Robin Williams and Robert Sean Leonard; The Age of Innocence (1993) Starring Daniel Day-Lewis and Michelle Pfeiffer; In Her Shoes (2005) Starring Cameron Diaz and Toni Collette; Trainwreck (2015) Starring Amy Schumer and Bill Hader --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick Hennegan celebrates the birthday of Orson Wells with part one of 'War of The Worlds.' "The War of the Worlds" was an episode of the radio series The Mercury Theatre on the Air which was broadcast live at 8 pm on October 30, 1938 over the CBS Radio Network. The episode was directed and narrated by Orson Welles as an adaptation of H. G. Wells' novel The War of the Worlds and is infamous for inciting a panic by convincing some members of the listening audience that a Martian invasion was actually taking place. The first half of the program was delivered in a realistic "breaking news" format. Since the Mercury Theatre on the Air had few commercial interruptions, the first break came after fictional reporters had described a devastating alien invasion and the fall of New York City. This apparently caused some confusion and fear among its listeners, though the scale of the panic is disputed. Welles apologized at a hastily called news conference the next morning, and no punitive action was taken. The broadcast and subsequent publicity brought the 23-year-old Welles to the attention of the general public and gave him the reputation of an innovative storyteller and "trickster" Here is part one of the broadcast www.BohemianBritain.com 

This week, we kick off a three-part series on Abraham Lincoln, to compliment our Crime Classics episode on Thursday. We're starting out with a 1938 broadcast from The Mercury Theatre on the Air, starring Orson Welles; a dramatic, personal look at Lincoln's life during the Civil War, built from a mix of theatrical storytelling and his own words, pulled from letters and speeches. You'll hear the weight of the presidency, from cabinet conflicts to the enormous burden of holding the Union together and pushing toward the end of slavery. Welles captures both Lincoln's strength and his humanity, while Bernard Herrmann's score adds just the right emotional depth. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Le point commun entre Orson Welles, Alfred Hitchcock, François Truffaut et Brian de Palma ? La musique, entêtante et d'une grande originalité, qui a fait de Bernard Herrmann durant de nombreuses années l'homme-orchestre indispensable d'Hollywood.Franck Ferrand nous plonge dans la vie fascinante de Bernard Herrmann, l'un des plus grands compositeurs de musique de film du XXe siècle. Découvrez comment ce génie new-yorkais a marqué à jamais l'histoire du cinéma grâce à ses collaborations légendaires avec des réalisateurs tels qu'Orson Welles et Alfred Hitchcock.Né dans une famille d'immigrants juifs russes à New York, Bernard Herrmann montre très tôt un talent exceptionnel pour la musique. Après des études à l'Université de New York et à la Juilliard School, il se fait rapidement remarquer dans le milieu de la radio et se voit confier la direction de l'orchestre de la CBS. C'est là qu'il rencontre le jeune prodige Orson Welles, avec qui il va vivre une collaboration fructueuse et mouvementée.Ensemble, ils vont révolutionner la musique de film avec leur travail sur des chefs-d'œuvre comme Citizen Kane et La Splendeur des Amberson. Herrmann développe alors un style musical unique, fait de motifs courts et obsédants qui viennent souligner l'intensité des images à l'écran.

This week, I'm sharing another of my favorite movies - Carol Reed's classic noir drama set on the streets of postwar Vienna The Third Man. Orson Welles makes one of his most memorable screen appearances as the charming rogue Harry Lime, and Joseph Cotten is Holly Martins, Lime's friend who struggles to face the truth about his pal's criminal nature. We'll hear the two stars in Suspense shows - Welles in "The Dark Tower" (originally aired on CBS on May 4, 1944) and Cotten in "Fly By Night" (originally aired on CBS on September 28, 1950). Then, Cotten recreates his film role in a Lux Radio Theatre presentation (originally aired on CBS on April 9, 1951), and finally Welles stars again as Lime in an episode of the radio series The Lives of Harry Lime - "Clay Pigeon."

durée : 00:50:20 - Affaires sensibles - par : Fabrice Drouelle - . - réalisation : Stéphane Cosme, Hélène Bizieau, Frédéric Milano, François Audoin, Valentine Chédebois, Franck Cognard, Rebecca Denantes, Claire Teisseire Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Zach welcomes back podcaster, historian, & film lover Jack Hanley (Blindspotting: A Film Discovery Podcast) to the show where the two will journey to South America in search of the many truths captured  by Orson Welles & his camera in 1942 as they unpack his incompleted 1942 film IT’S ALL TRUE and the 1993 documentary/re-assembly of the found footage… named… IT’S ALL TRUE.   Settle in for a unique chat as the duo unpack the context surrounding Welles’ reasons for being in South America, learn more about the Brazillian government during the 40’s and how it’s filmic desires were subverted by Welles and his teams decision to capture inequalities over stylistic travelogue, trace the journey of the footage from historic dustbin to resurrection, and finally settle upon the ways this lost masterpiece works as both lost art and political statement by Orson.   PLUS: Was Orson the inspiration for Ian Fleming’s James Bond? No, but its fun to think he was.   Production & Research Notes can Be Accessed On Our Website Here: https://ballyhoorevuepodcast.com/research-page/ The film ‘It’s All True’ can be rented or purchased in the following places Amazon Prime Rental: https://www.amazon.com/Its-All-True-Orson-Welles/dp/B009SI99V6 Apple Rental: https://tv.apple.com/us/movie/its-all-true/umc.cmc.1t4tyd8icb7wmoweufzsyftm9 DVD (Through Amazon): https://a.co/d/05jb5K3A     Be sure to check out Jack’s Amazing Podcast Work! Blindspotting: A Film Discovery Podcast- https://podcasts.apple.com/us/podcast/blindspotting-a-film-discovery-podcast/id1587516521 They Did It: A Conspiracy Podcast- https://www.audible.com/pd/They-Did-It-A-Conspiracy-Podcast-Podcast/B09VCV6LH3 The Superlatives- https://thesuperlativesfilmpodcast.podbean.com/   And follow the journey of both Jack and Zach and their work with  the Reel Weird Horror Collective!   https://www.facebook.com/people/Reel-Weird-Horror-Collective/61567604516749/ https://reel-weird-horror-awards.ghost.io/  

Me and other fellow guests dig into the WTF worthy films in the divisive filmmaker Brian De Palma's diverse career.   Does Brian do Meta Movies better than actual spoof films? What would infamous movies like Showgirls be like under De Palma's stylish direction? Let's find out after this deep dive!   MOVIES DISCUSSED: Greetings, Hi Mom!, Phantom of the Paradise, Obsession, Raising Cain,  Body Double, Sisters & Bonfire of the Vanities   GUESTS: Film Critic Sean Patrick (I Hate Movie Critics Podcast, Sean At The Movies Blog), James Bruno & Kristin Battelstella (Therefore Horror on Twitter)      INTRO CLIP:  De Palma and Scorsese on Welles and Hitchcock: The Dick Cavett Show 

3. Guest Author: James Shapiro James Shapiro details the creation of the famous "Voodoo Macbeth" in Harlem, directed by a twenty-year-old Orson Welles. Replacing Shakespeare's traditional Scottish setting with 19th-century Haiti, the production substituted witches with voodoo drummers and chanters. Welles, influenced by the rise of global fascism, framed evil as a systemic cultural force rather than a personal failing. The production was a massive hit, eventually moving to Broadway and touring nationally. This tour broke Jim Crow boundaries by bringing a professional Black cast to states where Black citizens lacked political representation. (3)1917

Much in debate in England in the fourteenth century was how – and even if – the Bible should be translated into everyday language. Enter Maud de Ros, Lady Welles, the woman responsible for the most complete surviving translation of the Bible in the Anglo-Norman language. This week, Danièle speaks with Kathryn A. Smith about the remarkable woman behind the Welles-Ros Bible, the circumstances under which it was made, and the ins and outs of translating the Bible in the Middle Ages.This podcast is made possible by the generous support of listeners like you! To find out how to help spread the joy of medieval history, please visit patreon.com/themedievalpodcast

Nessa LIVE analisamos a decadência estética do entretenimento moderno usando o show do Bad Bunny e a cultura do Big Brother Brasil como sintomas de um problema maior que é a fabricação intencional de um público dócil e exausto.Discutimos a farsa do elitismo cultural uma narrativa criada para que você aceite produtos medíocres sem questionar. Mergulhamos na hipocrisia de Hollywood sobre os Epstein Files e a manipulação da mídia em casos como o de Woody Allen e o filme Blonde. Também falamos sobre como a Inteligência Artificial está sendo usada para resgatar a história do cinema com Orson Welles.Além disso trago um review sincero de Bugonia o novo filme de Yorgos Lanthimos e uma crítica ao hype de Hamnet e Pecadores Sinners. Explico também por que abandonei os games e o álcool para focar na realidade.

In 1946, Orson Welles, the director of Citizen Kane, was at the height of his fame. At the time, he had a national radio show called Orson Welles Commentaries on ABC. After a year on the radio, discussing politics and Hollywood, Welles heard of a shocking crime. It was the end of World War Two. A Black soldier, heading home, was brutally beaten by a white police officer in South Carolina. No one knew the identity of the police officer. No one even knew the town where it happened. Welles pledged to solve the mystery… on the air... Today, we’re bringing you a special episode from the Radio Diaries Podcast and their new series, Orson Welles and the Blind Soldier. It’s the story of a crime in a small, southern town…that became a spark for the budding civil rights movement. To find out more, go to radiodiaries.orgSee omnystudio.com/listener for privacy information.

In 1946, Orson Welles, the actor and director behind Citizen Kane, was at the pinnacle of his career. At the time, he had a national radio show called Orson Welles Commentaries on ABC. After a year on the radio, discussing politics and Hollywood, Welles heard of a shocking crime. It was the end of World War Two. A Black soldier, heading home, was brutally beaten by a white police officer in South Carolina. No one knew the identity of the officer. No one even knew the town where it happened.Welles pledged to solve the mystery… on the air...In this midweek podcast we're bringing you episode one of a new series from our friends at Radio Diaries called Orson Welles and the Blind Soldier. It's the story of a crime in a small, southern town…that became a spark for the budding civil rights movement. For the rest of the series, go to the radio diaries website. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

James Shapiro details Welles's innovative Voodoo Macbeth, its anti-fascist themes, the racial condescension of white critics, and the production's massive success and subsequent national tour across America.

¿Sigue teniendo la música un poder de concienciación? Invertimos nuestro tiempo de radio en una figura que se ha convertido en fenómeno de internet. Jesse Welles, de 33 años, llevaba más de una década dedicado a la música con diferentes proyectos. Pero fue en 2024 cuando, con una propuesta de folk rock y canción propuesta, comenzó a hacerse viral. Procedente de una pequeña población de Arkansas, con melena desaliñada y voz rasposa, este trovador y su guitarra le cantan a las noticias de actualidad, abordando temas como el conflicto de Gaza, los abusos de poder del ICE, la problemática del fentanilo o el asesinado de un director ejecutivo de una compañía de seguros sanitarios.Desde las redes ha saltado a grandes escenarios, a programas televisivos, a conseguir cuatro nominaciones en los Grammy o a que Joan Baez colabore en uno de los 5 álbumes que ha lanzado en menos de dos años. Su estilo bebe sin tapujos de gigantes como Bob Dylan, Phil Ochs o John Prine, pasando por Neil Young, Tom Petty o John Fogerty. El tiempo dirá hasta dónde puede llegar su música.Playlist;JESSE WELLES “The poor”JESSE WELLES “War isn’t murder”JESSE WELLES “United health”JESSE WELLES “Join ICE”JESSE WELLES feat JOAN BAEZ “No kings”JESSE WELLES “War is a God”JESSE WELLES “Horses”JESSE WELLES “It don’t come easy”JESSE WELLES “Anything but me”JESSE WELLES “Certain”JESSE WELLES “Whistle boeing”JESSE WELLES “Bugs”JESSE WELLES “Life is good”JESSE WELLES “That can’t be right”JESSE WELLES “Red”Escuchar audio

Anthony Mason heads to Chicago for a visit with Jeff Tweedy, front man for the popular band WILCO. The four-time GRAMMY winner talks about his long career and his latest solo work, which critics call some of his best. Norah O'Donnell stops by best-selling author and podcast sensation Mel Robbins' office in Boston, where Robbins opens up about how she leveraged her own struggles to shake up the self-help world. Robert Costa sits down with GRAMMY-nominated singer-songwriter Jesse Welles, who is helping bring folk music back to the mainstream. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Un domingo cualquiera un brutal accidente rompe el “relato” de fiabilidad y eficiencia de una red de alta velocidad. Un saldo de 46 muertos deja al descubierto las costuras de un sistema corrupto de saqueo de las arcas públicas. "No politicemos”, dice el más rufianesco de los rufianes, mientras las pruebas se esconden, la evidencia se entierra.Penúltimo clavo en un ataúd al nivel de la más negra serie negra, la de O.Welles en “Touch of Evil”(“Sed de Mal”).“¿Cual es mi futuro?, pregunta.“No lo tienes”, responde Marlene Dietrich. Mala suerte. El cazo hirviendo y tu eres la rana. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

In this special, we look back at the top five half-hour Old Time Radio programs of our 2024-2025 season, and one of our best Old Time Radio Snack Wagon episodes.First up, it's The Falcon in "The Case of the Jumping Jack":A woman hires The Falcon because she suspects that her husband has hired a private eye to follow her.Original Radio Broadcast Date: April 20, 1952Originating from New YorkStarring: Les Damon as The Falcon; Chuck Webster as Sergeant CorbettThen we turn to the Your Playhouse of Favorites production of "The Suicide Club":A bored crown prince, looking for excitement, joins a club of men who want to end their lives.Original Air Date: Sometime between 1947 and 1949Originating from New YorkStarring: Dwight Reese; Walter VaughnSpeaking of Robert Louis Stevenson, we turn to an excerpt from The Orson Welles Almanac wherein Welles reads Stevenson's lesser-known letter defending Father Damien against the scathing remarks of Reverend Dr. C.M. Hyde. This impassioned response, penned in 1890, highlights the stark contrasts between the selfless heroism of Father Damien and the hypocrisy of his critics.Join us as we explore the rich historical context and emotional weight of Stevenson's words, showcasing not only a brilliant literary takedown but also a tribute to compassion and service in the face of adversity. Welles's masterful narration brings this poignant piece to life, reminding us of the enduring legacy of Father Damien.Complete Text of Stevenson's letter:https://www.gutenberg.org/files/281/281-h/281-h.htmThen we turn to a surreal episode of Mr. and Mrs. North, "Call Me Choo Choo"Today's Mystery:Pam and Jerry hear a clarinet being played in the middle of the country near a wrecked car.Original Radio Broadcast Date: December 9, 1947Originating from New York CityStarring: Joseph Curtain as Jerry North; Alice Frost as Pamela North; Larry Haines; Mandel KramerWe will also have a listen to one of our new series, Cloak and Dagger, about the true adventures of the OSS during WWII. Here is "Roof of the World":A husband and wife team of geologists are recruited by the IRS to journey into Tibet to seek the favor of the Dalai Lama. They find themselves in competition with two Nazi officers.Original Radio Broadcast: August 13, 1950Originating from New YorkStarring: Louise Barclay; Grant Richards; Raymond Edward Johnson; Stefan Schnabel; Berry Kroeger; Janice Gilbert; Karl Weber; Ralph Bell; Jerry JarrettThen we conclude with one of our most memorable guest-starring appearances in the Yours Truly Johnny Dollar story, "The Price of Fame Matter"Vincent Price summons Johnny Dollar when a $100,000 painting is stolen from his private collection.Original Radio Broadcast Date: February 2, 1958Originating from HollywoodStarring: Bob Bailey as Johnny Dollar; Vincent Price as Himself; Virginia Gregg; Howard McNear; Junius Matthews; Forrest Lewis; Tony BarrettSupport the show monthly at patreon.greatdetectives.netPatreon Supporter of the Day:John, Patreon supporter since September 2016.Support the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

Honor Crowther Fagan and Paige Crowther Charbonneau tell the story of their brother Welles Remy Crowther, known as The Man in the Red Bandana who was a hero on September 11th, 2001. Links to Help Support: Welles Crowther Red Bandana 5k: https://www.bc.edu/bc-web/offices/missionministry/sites/volunteer-service-learning-center/welles-crowther/race-details.html Eagles' annual Red Bandanna Game scheduled for Nov. 8 vs. SMU: https://bceagles.com/news/2025/2/27/theme-days-set-for-2025-bc-football-season Welles Crowther Trust: https://www.wellescrowthertrust.org/ Honor's Children's Book: https://www.amazon.com/Man-Bandanna-Honor-Crowther-Fagan/dp/1481961926 Timecodes: 0:00 Start 02:00 Remembering Welles Crowther: The Man in the Red Bandana 09:46 Was Welles destined to be a hero? 13:24 How difficult of a day is 9/11 for Welles' loved ones? 20:17 Origin of the Red Bandana & mixed emotions 26:47 Welles knowing that he had a bigger purpose in life 33:10 How close Honor & Welles were 37:02 The voicemail Welles left his mom on 9/11 41:55 The ESPN Piece & the Boston College Red Bandana football game 52:24 The weight of carrying Welles' legacy 57:32 Childhood stories about Welles 01:10:31 Upcoming events & The Welles Remy Crowther Charitable Trust 01:15:40 Did Welles' death affect their spirituality +++++++++++++++++++++++++++ Leave a Voicemail or get tickets to see us live here: https://linktr.ee/kfcr Looking for a side-splitting comedy podcast? Look no further than KFC Radio from Barstool Sports! Hosted by Kevin Clancy and John Feitelberg, this hilarious show covers everything from pop culture and current events to personal stories and relationship advice. With their signature irreverent humor and quick wit, Kevin and John keep their listeners laughing week after week. Tune in for a dose of gut-busting laughter and become a part of the KFC Radio community today!You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kfcr

Kate revisits her 2020 interview with Alison Crowther, mother of Welles Crowther—the young man remembered as The Man in the Red Bandana. Welles, 24, was a rookie equities trader at Sandler O'Neil from Upper Nyack, N.Y., who died in the terrorist attack on the World Trade Center on September 11, 2001. In the South Tower, he tied a red bandana across his face as protection and became a rescuer, guiding people down stairwells and returning again and again to help others. He is credited with saving at least 18 lives before perishing alongside New York City firefighters when the tower collapsed. His story has been told in several documentaries, including The Man in the Red Bandana (ESPN) and Man in Red Bandana (Amazon Prime), but his legacy lives on most powerfully through the voices of those he saved—and through his mother, Alison. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the face of death, most would run. It's human nature to flee, to cling to life. But on September 11, 2001, amidst the chaos of the crumbling South Tower, Welles Remy Crowther did the unthinkable as smoke choked the air, flames licked his skin, and the ground shook beneath him: he repeatedly charged back into the inferno to save others. Fueled by a force fear can't touch, Welles guided the lost, comforted the wounded, and led the terrified to safety. Every step could have been his last, and he knew this. Yet Welles never wavered. NEVER. And in those impossible moments, he saved 18 lives. The man who faced death without flinching, who stood as a beacon of courage and selflessness in the darkest of times, was indeed The Man in the Red Bandana. Patreon: www.patreon.com/psychopediapod Instagram + TikTok: @investigatorslater @psychopediapod Tank Sinatra Instagram + TikTok: @tanksinatra To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the face of death, most would run. It's human nature to flee, to cling to life. But on September 11, 2001, amidst the chaos of the crumbling South Tower, Welles Remy Crowther did the unthinkable as smoke choked the air, flames licked his skin, and the ground shook beneath him: he repeatedly charged back into the inferno to save others. Fueled by a force fear can't touch, Welles guided the lost, comforted the wounded, and led the terrified to safety. Every step could have been his last, and he knew this. Yet Welles never wavered. NEVER. And in those impossible moments, he saved 18 lives. The man who faced death without flinching, who stood as a beacon of courage and selflessness in the darkest of times, was indeed The Man in the Red Bandana. Patreon: www.patreon.com/psychopediapod Instagram + TikTok: @investigatorslater @psychopediapod Tank Sinatra Instagram + TikTok: @tanksinatra To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jesse Welles is a singer-songwriter. Look for his new album, "Devil's Den," on August 22. www.wellesmusic.com Get a free welcome kit with your first subscription of AG1 at https://drinkag1.com/joerogan Try ZipRecruiter FOR FREE at https://ziprecruiter.com/rogan Learn more about your ad choices. Visit podcastchoices.com/adchoices