Podcasts about Welles

This week, we've got a rare find: Inner Sanctum Mystery with the long-lost 1944 episode “The Dream,” with an appearance by Orson Welles, of all people, as star on the show, at a time where Welles had reached the peak of his celebrity status. Host John Tefteller shares the story behind the recording, made by engineer Rudy Van Gelder. The story follows Judge Robert Branscolm, a respected man troubled by a vivid, violent dream, one where he murders a stranger with a silver-handled cane. Disturbing enough… until he finds himself presiding over a case involving that exact crime. A true rediscovery, and a great moment for vintage radio fans and historians alike. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

In today's podcast Paul has a conversation with Tim Welles of CIC Services. This firm acts as a manager of captive insurance companies and in the podcast we review how captives work and the advantages that may occur to certain farm operations.See omnystudio.com/listener for privacy information.

El primer tema de discusión tratará sobre un cambio potencial importante al proceso de ampliación de la Unión Europea. Los miembros del grupo se están planteando denegar a los nuevos estados miembro el derecho a veto durante varios años después de que se hayan incorporado. Después hablaremos de la encíclica del papa León, donde hace un llamamiento a actuar de forma urgente para asegurar que la IA sirva a la humanidad en lugar de perjudicarla. El segmento de ciencia lo dedicaremos a un nuevo estudio que ha descubierto que participar de forma habitual en actividades artísticas y culturales podría ralentizar el envejecimiento biológico, de forma similar a la práctica regular de ejercicio físico. Y concluiremos la primera parte del programa comentando el episodio final de "The Late Show with Stephen Colbert", que marcó el fin de uno de los programas más populares del late night. El resto del episodio de hoy lo dedicaremos a la lengua y la cultura españolas. La primera conversación incluirá ejemplos del tema de gramática de la semana, The Pronominal Verbs. Verbs of Emotions and Feelings. En esta conversación discutiremos si los famosos, como los futbolistas, deben posicionarse ante una opinión personal en un acto público. Pondremos como ejemplo a Lamine Yamal, jugador del F.C. Barcelona, que apareció en lo alto de un autobús descapotable ondeando una bandera palestina el día de la celebración de la victoria en la Liga española. Y, en nuestra última conversación, aprenderemos a usar una nueva expresión española, A trancas y barrancas. Hablaremos de la película Don Quijote de Orson Welles. Esta filmación fue realizada con fragmentos conservados del rodaje de la película Quijote del director estadounidense Orson Welles y editada por el cineasta español Jesús Franco. La película de Welles nunca fue terminada. Pero con ese material se hizo otra película. Para algunos fue un error. Para otros una alegría reencontrarse con material del genio fallecido. La UE se plantea postergar la concesión del derecho a veto a los nuevos estados miembro En una gran encíclica, el papa León advierte de los peligros de la IA a los que se enfrenta la humanidad El arte y la cultura están vinculados con una ralentización del envejecimiento biológico Stephen Colbert presenta el episodio final del legendario "Late Show" Posicionarse ante una opinión Don Quijote de Orson Welles

Featuring: Michael "Boston" Hannon and Paul "Moonpir" Smith Running Time: 23:46 Video Version: YouTube For this episode of TVGP's Critical Misses we chat about the famous (infamous?) radio play of War of the Worlds! Join us as we chat about incredible voices, a surprising intro, Wells meeting Welles, a local take on an old story, and much more! Applause sound effect from SoundBible Royalty free music from https://www.fesliyanstudios.com Become a patron of TVGP for just a few dollars a month at E1M1's Patreon Page! Get two month early access to Critical Misses, uncensored outtakes, production meetings, and much more for just $5/month!

Unknown Broadcast returns to the Weekly Spooky feed with another uneasy collection of old-time radio horror stories, classic OTR suspense, vintage radio mystery, gothic crime, and strange little broadcasts that seem to know exactly what you are afraid to touch.Tonight's transmission carries four shadowed tales from the darker shelves of the dial: a glass ball that may contain something ancient and wicked, a department store where the mannequins are not the only ones waiting after dark, a romantic cottage hiding a murderous secret, and a body pulled from Billingsgate that leads into a web of crime, greed, and fate. The room is warm. The chair is ready. The host is smiling again. But whatever is inside the story… may not stay there.

Hailed by many as the greatest film ever made, Citizen Kane was the debut feature from Orson Welles and featured many of his colleagues from the Mercury Theatre productions of Broadway and radio. We'll hear Mr. Welles and his co-stars in radio thrillers: Ray Collins in "Marry for Murder" (originally aired on CBS on September 9, 1943); Welles in "Lazarus Walks" (AFRS rebroadcast from October 19, 1943); Joseph Cotten in "You'll Never See Me Again" (originally aired on CBS on September 14, 1944); George Coulouris in "The Long Shot" (AFRS rebroadcast from January 31, 1946); Agnes Moorehead in "The Evil of Adelaide Winters" (originally aired on CBS on September 10, 1951); and Everett Sloane in "Alibi" (AFRS rebroadcast from July 7, 1957).

durée : 01:28:06 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

“The whole idea of the film business is based on a reactionary idea.” — Jonathan Rosenbaum"Orson Welles was considered a failed Hollywood Director"A Great Episode of THE ARTISTS has dropped on our you tube Watch

durée : 00:16:42 - Les Nuits de France Culture - par : Albane Penaranda - Cannes 1966 : un cru légendaire où Welles, Lean et Pasolini se côtoient. Si Pietro Germi partage la Palme d'or, c'est le triomphe du film "Un homme et une femme" de Claude Lelouch qui marque l'histoire. Retour sur ce choc esthétique porté par la musique de Francis Lai et un duo d'acteurs iconiques. - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Orson Welles spent thirty-five years trying to put Sir John Falstaff on screen. Chimes at Midnight (1966) is the result: a film drawn from five Shakespeare plays — primarily the two Henry IV parts, with passages from Richard II, Henry V, and The Merry Wives of Windsor — that lifts Falstaff from comic supporting player to tragic protagonist. Welles plays the knight himself, a lumbering, larger-than-life tavern dweller and unlikely father figure to Prince Hal (Keith Baxter), heir to the guilt-haunted Henry IV (John Gielgud). When Hal must choose between loyalty to Falstaff and the demands of the crown, the film becomes what Welles called a lament "for the death of Merrie England." Dismissed by critics on its 1966 Cannes premiere and barely distributed in the United States, the film spent decades trapped in rights disputes — finally reaching audiences properly through the Janus Films/Criterion restoration in 2016.Mike talks with Spencer Parsons and David MacGregor about the film's three-decade gestation across stage and screen, the filmmaking ingenuity behind its legendary Battle of Shrewsbury sequence, the autobiographical dimensions of Welles's performance, and why Chimes at Midnight now stands for many critics as the greatest Shakespeare film ever made.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Orson Welles spent thirty-five years trying to put Sir John Falstaff on screen. Chimes at Midnight (1966) is the result: a film drawn from five Shakespeare plays — primarily the two Henry IV parts, with passages from Richard II, Henry V, and The Merry Wives of Windsor — that lifts Falstaff from comic supporting player to tragic protagonist. Welles plays the knight himself, a lumbering, larger-than-life tavern dweller and unlikely father figure to Prince Hal (Keith Baxter), heir to the guilt-haunted Henry IV (John Gielgud). When Hal must choose between loyalty to Falstaff and the demands of the crown, the film becomes what Welles called a lament "for the death of Merrie England." Dismissed by critics on its 1966 Cannes premiere and barely distributed in the United States, the film spent decades trapped in rights disputes — finally reaching audiences properly through the Janus Films/Criterion restoration in 2016.Mike talks with Spencer Parsons and David MacGregor about the film's three-decade gestation across stage and screen, the filmmaking ingenuity behind its legendary Battle of Shrewsbury sequence, the autobiographical dimensions of Welles's performance, and why Chimes at Midnight now stands for many critics as the greatest Shakespeare film ever made.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

EPISODE 138 -  “NORMAN LLOYD: CLASSIC CINEMA STAR OF THE MONTH” - 5/4/2026  Few figures in Hollywood history have had careers as long—or as varied—as NORMAN LLOYD.  Spanning nearly a century, his work bridges the worlds of theater, radio, and film, with collaborations that include legends like CHARLIE CHAPLIN, ALFRED HITCHCOCK and ORSON WELLES. Whether appearing on stage, on screen or shaping stories behind the scenes, Lloyd's presence has always carried a quiet intensity and sharp intelligence. Join us as we take a closer look at the life and legacy of Norman Lloyd, our Star of the Month — a man who didn't just witness Hollywood history—he helped create it.   SHOW NOTES:  Stages: Norman Lloyd by Norman Lloyd and Francine Parker, The Scarecrow Press, Inc., 1990; Stages: Of Life in Theatre, Film and Television by Norman Lloyd, Limelight, August 1, 2004; Norman Lloyd Career Retrospective, Legacy Collection, Conversations at the SAG-AFTRA Foundation, May 4, 2004;  Noir City, Post-Screening Q&A with Norman Lloyd, Palm Springs, May 15, 2011; Shattered Applause: The Lives of Eva Le Gallienne by Robert A Schanke, Dec 9, 1992, Southern Illinois University Press; Broadway's Dreamers: The Legacy of the Group Theatre, PBS, June 26, 1989; Norman Lloyd, Associate of Welles, Hitchcock and Others, Dies at 106 by Eric Nagourney, May 11, 2011; The End of an Era: Norman Lloyd, 1914-2021 by Peter Sobczynski, May 12, 2021; Norman Lloyd, Star of ‘Saboteur' and ‘St. Elsewhere,' Dies at 106, by Mike Barnes, The Hollywood Reporter, MAY 11, 2021; TCM Remembers Norman Lloyd, TCM.com, May 13, 2021; Wikipedia.com; IBDB.com TCM.com; IMDBPro.com; Movies Mentioned: Saboteur (1942) Starring Robert Cummings and Priscilla Lane; Spellbound (1945) Starring Ingrid Bergman and Gregory Peck; The Southerner (1945) Starring Zachary Scott and Betty Field; A Walk in the Sun (1945) Starring Dana Andrews and Richard Conte; The Green Years (1946) Starring Charles Coburn and Tom Drake; A Letter for Evie (1946) Starring Marsha Hunt and John Carroll; The Beginning or the End (1947) Starring Brian Donlevy and Robert Walker; The Red Pony (1949) Starring Myrna Loy and Robert Mitchum; Scene of the Crime (1949) Starring Van Johnson and Arlene Dahl; The Flame and the Arrow (1950) Starring Burt Lancaster and Virginia Mayo; Buccaneer's Girl (1950) Starring Yvonne De Carlo and Philip Friend; The Light Touch (1951) Starring Stewart Granger and Pier Angeli; He Ran All the Way (1951) Starring John Garfield and Shelley Winters; Limelight (1952) Starring Charlie Chaplin and Claire Bloom; Audrey Rose (1977) Starring Marsha Mason and Anthony Hopkins; Dead Poets Society (1989) Starring Robin Williams and Robert Sean Leonard; The Age of Innocence (1993) Starring Daniel Day-Lewis and Michelle Pfeiffer; In Her Shoes (2005) Starring Cameron Diaz and Toni Collette; Trainwreck (2015) Starring Amy Schumer and Bill Hader --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick Hennegan celebrates the birthday of Orson Wells with part one of 'War of The Worlds.' "The War of the Worlds" was an episode of the radio series The Mercury Theatre on the Air which was broadcast live at 8 pm on October 30, 1938 over the CBS Radio Network. The episode was directed and narrated by Orson Welles as an adaptation of H. G. Wells' novel The War of the Worlds and is infamous for inciting a panic by convincing some members of the listening audience that a Martian invasion was actually taking place. The first half of the program was delivered in a realistic "breaking news" format. Since the Mercury Theatre on the Air had few commercial interruptions, the first break came after fictional reporters had described a devastating alien invasion and the fall of New York City. This apparently caused some confusion and fear among its listeners, though the scale of the panic is disputed. Welles apologized at a hastily called news conference the next morning, and no punitive action was taken. The broadcast and subsequent publicity brought the 23-year-old Welles to the attention of the general public and gave him the reputation of an innovative storyteller and "trickster" Here is part one of the broadcast www.BohemianBritain.com 

Nick Hennegan celebrates the birthday of Orson Wells with part one of ‘The War of The Worlds.'“The War of the Worlds“ was an episode of the radio series The Mercury Theatre on the Air which was broadcast live at 8 pm on October 30, 1938 over the CBS Radio Network. The episode was directed and narrated by Orson Welles as an adaptation of H. G. Wells‘ novel The War of the Worlds and is infamous for inciting a panic by convincing some members of the listening audience that a Martian invasion was actually taking place.The first half of the program was delivered in a realistic “breaking news” format. Since the Mercury Theatre on the Airhad few commercial interruptions, the first break came after fictional reporters had described a devastating alien invasion and the fall of New York City. This apparently caused some confusion and fear among its listeners, though the scale of the panic is disputed.Welles apologized at a hastily called news conference the next morning, and no punitive action was taken. The broadcast and subsequent publicity brought the 23-year-old Welles to the attention of the general public and gave him the reputation of an innovative storyteller and “trickster”Here is part one of the broadcast  www.BohemianBritain.com

This week, we kick off a three-part series on Abraham Lincoln, to compliment our Crime Classics episode on Thursday. We're starting out with a 1938 broadcast from The Mercury Theatre on the Air, starring Orson Welles; a dramatic, personal look at Lincoln's life during the Civil War, built from a mix of theatrical storytelling and his own words, pulled from letters and speeches. You'll hear the weight of the presidency, from cabinet conflicts to the enormous burden of holding the Union together and pushing toward the end of slavery. Welles captures both Lincoln's strength and his humanity, while Bernard Herrmann's score adds just the right emotional depth. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Le point commun entre Orson Welles, Alfred Hitchcock, François Truffaut et Brian de Palma ? La musique, entêtante et d'une grande originalité, qui a fait de Bernard Herrmann durant de nombreuses années l'homme-orchestre indispensable d'Hollywood.Franck Ferrand nous plonge dans la vie fascinante de Bernard Herrmann, l'un des plus grands compositeurs de musique de film du XXe siècle. Découvrez comment ce génie new-yorkais a marqué à jamais l'histoire du cinéma grâce à ses collaborations légendaires avec des réalisateurs tels qu'Orson Welles et Alfred Hitchcock.Né dans une famille d'immigrants juifs russes à New York, Bernard Herrmann montre très tôt un talent exceptionnel pour la musique. Après des études à l'Université de New York et à la Juilliard School, il se fait rapidement remarquer dans le milieu de la radio et se voit confier la direction de l'orchestre de la CBS. C'est là qu'il rencontre le jeune prodige Orson Welles, avec qui il va vivre une collaboration fructueuse et mouvementée.Ensemble, ils vont révolutionner la musique de film avec leur travail sur des chefs-d'œuvre comme Citizen Kane et La Splendeur des Amberson. Herrmann développe alors un style musical unique, fait de motifs courts et obsédants qui viennent souligner l'intensité des images à l'écran.

This week, I'm sharing another of my favorite movies - Carol Reed's classic noir drama set on the streets of postwar Vienna The Third Man. Orson Welles makes one of his most memorable screen appearances as the charming rogue Harry Lime, and Joseph Cotten is Holly Martins, Lime's friend who struggles to face the truth about his pal's criminal nature. We'll hear the two stars in Suspense shows - Welles in "The Dark Tower" (originally aired on CBS on May 4, 1944) and Cotten in "Fly By Night" (originally aired on CBS on September 28, 1950). Then, Cotten recreates his film role in a Lux Radio Theatre presentation (originally aired on CBS on April 9, 1951), and finally Welles stars again as Lime in an episode of the radio series The Lives of Harry Lime - "Clay Pigeon."

Gosta do podcast? Conheça o Catarse do Mais Que um Filme:⁠⁠⁠⁠⁠ https://www.catarse.me/juliagavillanOu me pague um café via pix: julia.gavillan@gmail.comAntes mesmo da famosa transmissão de A Guerra dos Mundos no rádio, Hollywood já estava interessada em Orson Welles. Cria do rádio e apaixonado por teatro, Welles não tinha nenhum interesse real em cinema, além de ganhar dinheiro suficiente para pagar suas dívidas. Nem ele imaginava que seu primeiro longa-metragem se tornaria um divisor de águas em Hollywood. Eu sou Júlia Gavillan e esse é o Mais Que um Filme.

durée : 00:50:20 - Affaires sensibles - par : Fabrice Drouelle - . - réalisation : Stéphane Cosme, Hélène Bizieau, Frédéric Milano, François Audoin, Valentine Chédebois, Franck Cognard, Rebecca Denantes, Claire Teisseire Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Zach welcomes back podcaster, historian, & film lover Jack Hanley (Blindspotting: A Film Discovery Podcast) to the show where the two will journey to South America in search of the many truths captured  by Orson Welles & his camera in 1942 as they unpack his incompleted 1942 film IT’S ALL TRUE and the 1993 documentary/re-assembly of the found footage… named… IT’S ALL TRUE.   Settle in for a unique chat as the duo unpack the context surrounding Welles’ reasons for being in South America, learn more about the Brazillian government during the 40’s and how it’s filmic desires were subverted by Welles and his teams decision to capture inequalities over stylistic travelogue, trace the journey of the footage from historic dustbin to resurrection, and finally settle upon the ways this lost masterpiece works as both lost art and political statement by Orson.   PLUS: Was Orson the inspiration for Ian Fleming’s James Bond? No, but its fun to think he was.   Production & Research Notes can Be Accessed On Our Website Here: https://ballyhoorevuepodcast.com/research-page/ The film ‘It’s All True’ can be rented or purchased in the following places Amazon Prime Rental: https://www.amazon.com/Its-All-True-Orson-Welles/dp/B009SI99V6 Apple Rental: https://tv.apple.com/us/movie/its-all-true/umc.cmc.1t4tyd8icb7wmoweufzsyftm9 DVD (Through Amazon): https://a.co/d/05jb5K3A     Be sure to check out Jack’s Amazing Podcast Work! Blindspotting: A Film Discovery Podcast- https://podcasts.apple.com/us/podcast/blindspotting-a-film-discovery-podcast/id1587516521 They Did It: A Conspiracy Podcast- https://www.audible.com/pd/They-Did-It-A-Conspiracy-Podcast-Podcast/B09VCV6LH3 The Superlatives- https://thesuperlativesfilmpodcast.podbean.com/   And follow the journey of both Jack and Zach and their work with  the Reel Weird Horror Collective!   https://www.facebook.com/people/Reel-Weird-Horror-Collective/61567604516749/ https://reel-weird-horror-awards.ghost.io/  

Me and other fellow guests dig into the WTF worthy films in the divisive filmmaker Brian De Palma's diverse career.   Does Brian do Meta Movies better than actual spoof films? What would infamous movies like Showgirls be like under De Palma's stylish direction? Let's find out after this deep dive!   MOVIES DISCUSSED: Greetings, Hi Mom!, Phantom of the Paradise, Obsession, Raising Cain,  Body Double, Sisters & Bonfire of the Vanities   GUESTS: Film Critic Sean Patrick (I Hate Movie Critics Podcast, Sean At The Movies Blog), James Bruno & Kristin Battelstella (Therefore Horror on Twitter)      INTRO CLIP:  De Palma and Scorsese on Welles and Hitchcock: The Dick Cavett Show 

3. Guest Author: James Shapiro James Shapiro details the creation of the famous "Voodoo Macbeth" in Harlem, directed by a twenty-year-old Orson Welles. Replacing Shakespeare's traditional Scottish setting with 19th-century Haiti, the production substituted witches with voodoo drummers and chanters. Welles, influenced by the rise of global fascism, framed evil as a systemic cultural force rather than a personal failing. The production was a massive hit, eventually moving to Broadway and touring nationally. This tour broke Jim Crow boundaries by bringing a professional Black cast to states where Black citizens lacked political representation. (3)1917

Much in debate in England in the fourteenth century was how – and even if – the Bible should be translated into everyday language. Enter Maud de Ros, Lady Welles, the woman responsible for the most complete surviving translation of the Bible in the Anglo-Norman language. This week, Danièle speaks with Kathryn A. Smith about the remarkable woman behind the Welles-Ros Bible, the circumstances under which it was made, and the ins and outs of translating the Bible in the Middle Ages.This podcast is made possible by the generous support of listeners like you! To find out how to help spread the joy of medieval history, please visit patreon.com/themedievalpodcast

Nessa LIVE analisamos a decadência estética do entretenimento moderno usando o show do Bad Bunny e a cultura do Big Brother Brasil como sintomas de um problema maior que é a fabricação intencional de um público dócil e exausto.Discutimos a farsa do elitismo cultural uma narrativa criada para que você aceite produtos medíocres sem questionar. Mergulhamos na hipocrisia de Hollywood sobre os Epstein Files e a manipulação da mídia em casos como o de Woody Allen e o filme Blonde. Também falamos sobre como a Inteligência Artificial está sendo usada para resgatar a história do cinema com Orson Welles.Além disso trago um review sincero de Bugonia o novo filme de Yorgos Lanthimos e uma crítica ao hype de Hamnet e Pecadores Sinners. Explico também por que abandonei os games e o álcool para focar na realidade.

In 1946, Orson Welles, the director of Citizen Kane, was at the height of his fame. At the time, he had a national radio show called Orson Welles Commentaries on ABC. After a year on the radio, discussing politics and Hollywood, Welles heard of a shocking crime. It was the end of World War Two. A Black soldier, heading home, was brutally beaten by a white police officer in South Carolina. No one knew the identity of the police officer. No one even knew the town where it happened. Welles pledged to solve the mystery… on the air... Today, we’re bringing you a special episode from the Radio Diaries Podcast and their new series, Orson Welles and the Blind Soldier. It’s the story of a crime in a small, southern town…that became a spark for the budding civil rights movement. To find out more, go to radiodiaries.orgSee omnystudio.com/listener for privacy information.

2026 is in full swing, but before we close the door on 2025 Caleb has one again sat down to discuss the books he read/listened to during the prior year. This will once again be a multi-part series as he was devouring many different books this year. But before he jumps into it all, he'll kick off the series by looking at the books on his 2025 reading playlist, Through the Looking Glass, Darkly.    This episode was recorded on Dec. 30th, 2025.   Email the show at thenoviceelitists@gmail.com Through the Looking Glass, Darkly reading list: 1. 1922 (2010) [Stephen King] 2. American War (2018) [Omar El-Akkad] 3. Wuthering Heights (1847) [Emily Bronte] 4. Secret Window, Secret Garden (1990) [Stephen King] 5. To the Center of the Earth (2020) [Greig Beck] 6. Alices Adventures in Wonderland/Through the Looking Glass (1865/1871) [Lewis Carrol] 7. The Library Policeman (1990) [Stephen King] 8. Cell (2006) [Stephen King] 9. Frankenstein (1818) Mary Shelley 10. The Sun Dog (1990) [Stephen King] 11. No Country for Old Men (2005) [Cormac McCarthy] 12. When the Sleeper Wakes (1899) [H. G. Welles] 13. Cujo (1981) [Stephen King] 14. The Terror (2007) [Dan Simmons] 15. Jane Eyre [Charlotte Bronte] 16. Pet Semetary (1983) [Stephen King] 17. I'm Thinking of Ending Things (2016) [Ian Reid] 18. Emma (1815) [Jane Austen]

In 1946, Orson Welles, the actor and director behind Citizen Kane, was at the pinnacle of his career. At the time, he had a national radio show called Orson Welles Commentaries on ABC. After a year on the radio, discussing politics and Hollywood, Welles heard of a shocking crime. It was the end of World War Two. A Black soldier, heading home, was brutally beaten by a white police officer in South Carolina. No one knew the identity of the officer. No one even knew the town where it happened.Welles pledged to solve the mystery… on the air...In this midweek podcast we're bringing you episode one of a new series from our friends at Radio Diaries called Orson Welles and the Blind Soldier. It's the story of a crime in a small, southern town…that became a spark for the budding civil rights movement. For the rest of the series, go to the radio diaries website. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

James Shapiro details Welles's innovative Voodoo Macbeth, its anti-fascist themes, the racial condescension of white critics, and the production's massive success and subsequent national tour across America.

¿Sigue teniendo la música un poder de concienciación? Invertimos nuestro tiempo de radio en una figura que se ha convertido en fenómeno de internet. Jesse Welles, de 33 años, llevaba más de una década dedicado a la música con diferentes proyectos. Pero fue en 2024 cuando, con una propuesta de folk rock y canción propuesta, comenzó a hacerse viral. Procedente de una pequeña población de Arkansas, con melena desaliñada y voz rasposa, este trovador y su guitarra le cantan a las noticias de actualidad, abordando temas como el conflicto de Gaza, los abusos de poder del ICE, la problemática del fentanilo o el asesinado de un director ejecutivo de una compañía de seguros sanitarios.Desde las redes ha saltado a grandes escenarios, a programas televisivos, a conseguir cuatro nominaciones en los Grammy o a que Joan Baez colabore en uno de los 5 álbumes que ha lanzado en menos de dos años. Su estilo bebe sin tapujos de gigantes como Bob Dylan, Phil Ochs o John Prine, pasando por Neil Young, Tom Petty o John Fogerty. El tiempo dirá hasta dónde puede llegar su música.Playlist;JESSE WELLES “The poor”JESSE WELLES “War isn’t murder”JESSE WELLES “United health”JESSE WELLES “Join ICE”JESSE WELLES feat JOAN BAEZ “No kings”JESSE WELLES “War is a God”JESSE WELLES “Horses”JESSE WELLES “It don’t come easy”JESSE WELLES “Anything but me”JESSE WELLES “Certain”JESSE WELLES “Whistle boeing”JESSE WELLES “Bugs”JESSE WELLES “Life is good”JESSE WELLES “That can’t be right”JESSE WELLES “Red”Escuchar audio

Anthony Mason heads to Chicago for a visit with Jeff Tweedy, front man for the popular band WILCO. The four-time GRAMMY winner talks about his long career and his latest solo work, which critics call some of his best. Norah O'Donnell stops by best-selling author and podcast sensation Mel Robbins' office in Boston, where Robbins opens up about how she leveraged her own struggles to shake up the self-help world. Robert Costa sits down with GRAMMY-nominated singer-songwriter Jesse Welles, who is helping bring folk music back to the mainstream. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Un domingo cualquiera un brutal accidente rompe el “relato” de fiabilidad y eficiencia de una red de alta velocidad. Un saldo de 46 muertos deja al descubierto las costuras de un sistema corrupto de saqueo de las arcas públicas. "No politicemos”, dice el más rufianesco de los rufianes, mientras las pruebas se esconden, la evidencia se entierra.Penúltimo clavo en un ataúd al nivel de la más negra serie negra, la de O.Welles en “Touch of Evil”(“Sed de Mal”).“¿Cual es mi futuro?, pregunta.“No lo tienes”, responde Marlene Dietrich. Mala suerte. El cazo hirviendo y tu eres la rana. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

durée : 00:30:45 - Une histoire particulière - par : Stéphane Bonnefoi - Le 5 août 1952, trois touristes anglais, dont une fillette de dix ans, sont assassinés à Lurs. Le propriétaire de la terre sur laquelle campait la famille Drummond, Gaston Dominici, est condamné à mort lors d'un procès retentissant : le crime est à la fois atroce et mystérieux. - réalisation : Jean-Philippe Navarre

durée : 00:28:56 - Une histoire particulière - par : Stéphane Bonnefoi - Le 5 août 1952, trois touristes anglais, dont une fillette de dix ans, sont assassinés à Lurs. Le propriétaire de la terre sur laquelle campait la famille Drummond, Gaston Dominici, est condamné à mort lors d'un procès retentissant : le crime est à la fois atroce et mystérieux. - réalisation : Jean-Philippe Navarre

durée : 00:30:45 - Une histoire particulière - par : Stéphane Bonnefoi - Le 5 août 1952, trois touristes anglais, dont une fillette de dix ans, sont assassinés à Lurs. Le propriétaire de la terre sur laquelle campait la famille Drummond, Gaston Dominici, est condamné à mort lors d'un procès retentissant : le crime est à la fois atroce et mystérieux. - réalisation : Jean-Philippe Navarre

Forrest, Kristina Oakes, and Conan Neutron talk about CITIZEN KANE on the first episode of 2026 with Eileen Jones!!Orson Welles groundbreaking drama, telling the story of Charles Foster Kane, America's biggest newspaper magnate, a man who had everything and lost it all. Based on William Randolph Hearst, Charles Foster Kane's love of power and wealth, leads him to lose everyone in his life and eventually spend his whole fortune trying to impress his ex-wife Susan Alexander Orson Welles directorial debut stars many first time film actors from Welles's Mercury Theater, Joseph Cotten, Ray Collins, Everett Sloane, William Alland, Paul Stewart as well as actress Dorothy Comingore It was a truly groundbreaking piece of classic cinema and is hailed as one of the best films of all time #orsonwelles #citizenkane #rko #josephcotten #classichollywood #hearstcastle #xanadu #charlesfosterkane #hollywood #1941 #filmpodcast #moviepodcast #cinema #cinematography #hollywoodmovies #hollywoodstudios #magnificentambersons #thethirdman #hearst #welles #orson Eileen Jones cohosts Filmsuck with Dolores patreon.com/filmsuckWe are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtra

Re-Imagined Radio has celebrated the anniversary of "The War of the Worlds" several times by re-telling the story. This year, on Devil's Night and the occasion of its 84th anniversary, Jack and David play their explorations into the radio storytelling that may have influenced Orson Welles's radio adaptation of the 1898 novel by H. G. Welles. In addition to samples from these earlier radio stories, interviews with Welles provide additional insight for this episode, "The War of the Worlds: Possible Influences." Learn more about your ad choices. Visit megaphone.fm/adchoices

We do a lot of goofy movies on this Watchcast, but now, at the behest of our own Vinny Caravella, it's time for us to tackle some Important Cinema! Vinny has chosen the one and only Citizen Kane for his movie this month, and it's time to put our film school pants on to decide once and for all if it's an over-hyped disappointment, or really as great as everyone says. CHAPTERS: (00:00:00) - The Nextlander Watchcast Episode 162: Citizen Kane (1941) (00:00:14) - Intro. (00:05:09) - Picking apart some of what makes Citizen Kane so dang important. (00:13:27) - The myriad parodies and loving tributes to Kane peppered throughout our childhood media. (00:15:45) - On Welles, and how the film came to be. (00:23:23) - Welles' various collaborators. (00:33:04) - The Hearst campaign to derail the movie. (00:42:06) - Break! (00:44:20) - We're back, and it's time to head on down to Xanadu. (00:52:26) - Love a good newsreel. (00:56:58) - A brief meeting with Kane's second wife, and then we dig into Kane's childhood. (01:05:57) - Yung Kane. (01:12:19) - Bernstein, and the salad days. (01:17:49) - Old Jed, and a marriage in a single breakfast table. (01:22:52) - Susan enters the picture. (01:25:52) - Will Kane's aspirations ever be knocked down? Yes! (01:37:54) - Kane Weds 'Singer', Kane Cans Critic! (01:43:05) - Susan spills the beans. (01:49:54) - A very bad picnic, and Kane turns his wife's room into a rage room. (01:57:11) - What's a Rosebud? Who cares! Take everything! (02:03:07) - Final thoughts. (02:10:05) - Housekeeping for next week's movie: Gremlins! (02:11:38) - Outro.

EPISODE #471-- Look at us! Look at us getting back to our BS with this episode. Today we calk the Herbert Ross film THE SEVEN-PER-CENT SOLUTION [sic] (1976). It's a Sherlock Holmes movie. It's a Sigmond Freud movie. It's a combination Sigmond Freud-Sherlock Holmes movie. We also talk about Soderberg's THE KNICK (2014 - 2015), CONCLAVE (2025), DEEP COVER (2025), and perenial holiday favorite DIE-HARD (1988), among other things. A nice little holiday episode. LINKS: Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in THEY LIVE TOGETHER. Thanks to our artists Julius Tanag  and Sef Joosten. The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter on Substack, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

Today as we're nearing Thanksgiving, we're taking a trip into radio fantasy, a 1945 broadcast of Walt Disney's Snow White and the Seven Dwarfs. We've presented several versions of this, The Lux Radio Theatre being closest to the original animated film. This one's got an interesting backstory: it was mislabeled as a 1943 Mercury Theatre production, but it's actually from This Is My Best, a CBS series hosted by Orson Welles. The episode stars Jane Powell as Snow White, with Welles doing the narration. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

A chat with Elyse Welles about how to start working with land spirits, what they are like, and her new book Sacred Wild!Sacred Wild BookElyse's WebsiteElyse's IGOTD websiteOTD book recs

In this episode super close to my heart, I speak to Elyse Welles, the only native Greek Witch and High Priestess teaching the lost earth priestess arts.   We get stuck into:   The Greek priestess & oracle lineage The connection between the ley lines & the energy of the Earth and the Oracles Sharing our past life memories of Delphi The current situation in Greece and why there's no Greek priestesses teaching currently Greek mythology and how it relates to the earth priestess arts Ancestral lineages and bringing forth the magic of your bloodline as diaspora How dragons and oracles are connected   so much more   ____   To find out more about Elyse and the work she does head to seekingnumina.com or find her on IG @ seekingnumina   ____   If you've resonated with the messages shared in this episode or want to know more about the work that I do, follow me on IG @becmylonas or head to www.becmylonas.com where you can access some potent free activations, masterclasses and healings and check out other podcasts I've co-created with

In this special, we look back at the top five half-hour Old Time Radio programs of our 2024-2025 season, and one of our best Old Time Radio Snack Wagon episodes.First up, it's The Falcon in "The Case of the Jumping Jack":A woman hires The Falcon because she suspects that her husband has hired a private eye to follow her.Original Radio Broadcast Date: April 20, 1952Originating from New YorkStarring: Les Damon as The Falcon; Chuck Webster as Sergeant CorbettThen we turn to the Your Playhouse of Favorites production of "The Suicide Club":A bored crown prince, looking for excitement, joins a club of men who want to end their lives.Original Air Date: Sometime between 1947 and 1949Originating from New YorkStarring: Dwight Reese; Walter VaughnSpeaking of Robert Louis Stevenson, we turn to an excerpt from The Orson Welles Almanac wherein Welles reads Stevenson's lesser-known letter defending Father Damien against the scathing remarks of Reverend Dr. C.M. Hyde. This impassioned response, penned in 1890, highlights the stark contrasts between the selfless heroism of Father Damien and the hypocrisy of his critics.Join us as we explore the rich historical context and emotional weight of Stevenson's words, showcasing not only a brilliant literary takedown but also a tribute to compassion and service in the face of adversity. Welles's masterful narration brings this poignant piece to life, reminding us of the enduring legacy of Father Damien.Complete Text of Stevenson's letter:https://www.gutenberg.org/files/281/281-h/281-h.htmThen we turn to a surreal episode of Mr. and Mrs. North, "Call Me Choo Choo"Today's Mystery:Pam and Jerry hear a clarinet being played in the middle of the country near a wrecked car.Original Radio Broadcast Date: December 9, 1947Originating from New York CityStarring: Joseph Curtain as Jerry North; Alice Frost as Pamela North; Larry Haines; Mandel KramerWe will also have a listen to one of our new series, Cloak and Dagger, about the true adventures of the OSS during WWII. Here is "Roof of the World":A husband and wife team of geologists are recruited by the IRS to journey into Tibet to seek the favor of the Dalai Lama. They find themselves in competition with two Nazi officers.Original Radio Broadcast: August 13, 1950Originating from New YorkStarring: Louise Barclay; Grant Richards; Raymond Edward Johnson; Stefan Schnabel; Berry Kroeger; Janice Gilbert; Karl Weber; Ralph Bell; Jerry JarrettThen we conclude with one of our most memorable guest-starring appearances in the Yours Truly Johnny Dollar story, "The Price of Fame Matter"Vincent Price summons Johnny Dollar when a $100,000 painting is stolen from his private collection.Original Radio Broadcast Date: February 2, 1958Originating from HollywoodStarring: Bob Bailey as Johnny Dollar; Vincent Price as Himself; Virginia Gregg; Howard McNear; Junius Matthews; Forrest Lewis; Tony BarrettSupport the show monthly at patreon.greatdetectives.netPatreon Supporter of the Day:John, Patreon supporter since September 2016.Support the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

The year was 1938. Families across America gathered, listening during the golden age of radio. On the eve of Halloween, a broadcast interrupted their evening: A live report claimed Martian cylinders had landed in Grovers Mill, New Jersey. Within minutes, panic erupted as citizens fled their homes, convinced Earth was under alien attack. The entire event was fake. It was a perfectly executed radio drama by 23-year-old Orson Welles. Here's the sales lesson tucked into The War of the Worlds sci-fi scare: Welles wasn't just reading a script. He was executing a masterful lesson in emotional engagement. He had listeners hooked, buying into his story emotionally before their brains had time to register, "Wait, this can't be real."  That emotional buy-in is a core tenet of sales: People buy on emotion and then justify it with logic and facts. If rational adults can flee their homes over a fictional Martian invasion, imagine the force of emotion you can unleash when you find your prospect's emotional trigger. Sharpen your emotional intelligence, and you deploy a powerful sales tool. Emotion Gets the Attention, Data Seals the Deal Welles sold tension, uncertainty, and gravity, not a product. His voice was calm yet urgent, delivered with the authority of a trusted news anchor. The audience felt an adrenaline surge—heartbeats rising, eyes widening—before they had time to check the facts. This is the non-negotiable first step in sales. Your passionate storytelling creates the emotional charge. Your tone carries more weight than any spreadsheet full of ROI data. Emotion gets your buyer leaning in and invested in the outcome. The data you provide simply helps them sleep well at night after they've already made their decision. If your message isn't landing, stop reviewing your product deck and start analyzing your delivery. Are you speaking with urgency, and are you connecting to their emotional state? Without that emotional resonance, even the best solution just adds to the noise. Authority Isn't Arrogance, It's Command Welles dressed his fictional story in familiar trappings like live news bulletins, eyewitness reports, and crackling radio static. Each detail made the unbelievable feel legitimate. He commanded belief by establishing immediate, undeniable authority. Bring that same presence to your sales interactions. Authority isn't arrogance; it's commanding belief. Sound like someone who's been there, knows the terrain, and has the solution. Communicate with unwavering authority, and you build trust before price discussions begin. This is how you sell the experience. Prospects must believe in you and your company; belief in your product comes next. They buy the experience of working with you before seeing the product. If you sound uncertain, you'll never build a foundation of trust. Stay Steady to Control the Chaos Welles predicted a strong reaction to his broadcast and stayed calm, controlled the narrative, and guided the audience through the panic he was creating. In sales, moments of crisis or uncertainty test your professionalism. When a prospect goes cold, objections arise, or a competitor attacks, do not panic. Do not mirror their anxiety—it only feeds chaos and cedes control of the deal. Control the process, control yourself, control the outcome. When deals wobble and emotions spike in your buyer, that is your moment to shine. Breathe, slow down, ask questions, and lead steadily. Be the calm voice that reassures, guides, and inspires confidence. Mastering internal composure is the essence of emotional intelligence in sales.  Your Action Plan: Develop Your Sales EQ Mastering composure under pressure is a skill, not a gift. It requires commitment to developing emotional intelligence so you can use logic while others react in fear. Start a 'Rejection Journal' Drill. Stop letting rejection or setbacks paralyze you. Create a Failure Log to immediately document your feelings (frustration, anger, anxiety) and behaviors (rushing calls, getting defensive). This practice builds self-awareness and helps you identify emotional triggers before they hijack your sales process. Practice the 'Mute Button' Listening Exercise. On your next call, mentally mute your urge to speak. Analyze the prospect's delivery: tone, pace, hesitation. This drill sharpens social awareness and forces you to catch subtle emotional cues—the things they won't email. This is how you truly understand their situation. Implement the 'Two-Second Pause' Rule. When a high-stakes moment occurs—a sharp objection, competitor mention, or deal crisis—pause for two seconds before speaking. This creates a cognitive buffer, shifting you from reactive to controlled. Your Story Is Your Greatest Weapon The Orson Welles broadcast is nearly a century old, yet it still teaches us today that a gripping story delivered well can move mountains. The way you connect, build trust, and influence emotion hasn't changed since radios ruled the living room. You are an broker of features and benefits. You are a storyteller, and the calm in your prospect's noisy, chaotic world. You are the guide who connects the dots between their terrifying "Martian invasion" of a problem and your ultimate solution. Embrace this role, and you move past objections and skepticism. You stop triggering defensive panic and start inspiring action. Your ability to command a room starts with your ability to command your own emotional intelligence. When the sales airwaves get noisy, keep your voice steady, your mind sharp, and your heart connected.  Master your emotions, and you will close deals your competition can't. The real battlefield in sales is psychological, and if you can't master your own emotions, you will never master your prospects. Jeb Blount's book Sales EQ gives you the psychological edge to win the business your competition can't even touch.

The year was 1938. Families across America gathered, listening during the golden age of radio. On the eve of Halloween, a broadcast interrupted their evening: A live report claimed Martian cylinders had landed in Grovers Mill, New Jersey. Within minutes, panic erupted as citizens fled their homes, convinced Earth was under alien attack. The entire event was fake. It was a perfectly executed radio drama by 23-year-old Orson Welles. Here's the sales lesson tucked into The War of the Worlds sci-fi scare: Welles wasn't just reading a script. He was executing a masterful lesson in emotional engagement. He had listeners hooked, buying into his story emotionally before their brains had time to register, "Wait, this can't be real."  That emotional buy-in is a core tenet of sales: People buy on emotion and then justify it with logic and facts. If rational adults can flee their homes over a fictional Martian invasion, imagine the force of emotion you can unleash when you find your prospect's emotional trigger. Sharpen your emotional intelligence, and you deploy a powerful sales tool. Emotion Gets the Attention, Data Seals the Deal Welles sold tension, uncertainty, and gravity, not a product. His voice was calm yet urgent, delivered with the authority of a trusted news anchor. The audience felt an adrenaline surge—heartbeats rising, eyes widening—before they had time to check the facts. This is the non-negotiable first step in sales. Your passionate storytelling creates the emotional charge. Your tone carries more weight than any spreadsheet full of ROI data. Emotion gets your buyer leaning in and invested in the outcome. The data you provide simply helps them sleep well at night after they've already made their decision. If your message isn't landing, stop reviewing your product deck and start analyzing your delivery. Are you speaking with urgency, and are you connecting to their emotional state? Without that emotional resonance, even the best solution just adds to the noise. Authority Isn't Arrogance, It's Command Welles dressed his fictional story in familiar trappings like live news bulletins, eyewitness reports, and crackling radio static. Each detail made the unbelievable feel legitimate. He commanded belief by establishing immediate, undeniable authority. Bring that same presence to your sales interactions. Authority isn't arrogance; it's commanding belief. Sound like someone who's been there, knows the terrain, and has the solution. Communicate with unwavering authority, and you build trust before price discussions begin. This is how you sell the experience. Prospects must believe in you and your company; belief in your product comes next. They buy the experience of working with you before seeing the product. If you sound uncertain, you'll never build a foundation of trust. Stay Steady to Control the Chaos Welles predicted a strong reaction to his broadcast and stayed calm, controlled the narrative, and guided the audience through the panic he was creating. In sales, moments of crisis or uncertainty test your professionalism. When a prospect goes cold, objections arise, or a competitor attacks, do not panic. Do not mirror their anxiety—it only feeds chaos and cedes control of the deal. Control the process, control yourself, control the outcome. When deals wobble and emotions spike in your buyer, that is your moment to shine. Breathe, slow down, ask questions, and lead steadily. Be the calm voice that reassures, guides, and inspires confidence. Mastering internal composure is the essence of emotional intelligence in sales.  Your Action Plan: Develop Your Sales EQ Mastering composure under pressure is a skill, not a gift. It requires commitment to developing emotional intelligence so you can use logic while others react in fear. Start a 'Rejection Journal' Drill. Stop letting rejection or setbacks paralyze you. Create a Failure Log to immediately document your feelings (frustration,

This episode was originally released on 6/1/2020. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls Episode 104 we focus on Orson Welles' radio career from Pearl Harbor through the end of radio's peak, and pick up where we left off in Breaking Walls episode 79. —————————— Highlights: • Orson Returns to Radio In the Fall of 1941 • The Magnificent Ambersons Enters Productions • December 7th, 1941 • Orson and Norman Corwin Collaborate • Orson is Named Pan-American Goodwill Ambassador • It's All True and Brazil • Problems with RKO • Endings Changed, Others Destroyed • Orson gets fired—Returns to the United States in the fall of 1942 • Ceiling Unlimited And Hello Americans • Jane Eyre • Jack Benny Gets Sick, Orson filles in as host • The Mercury Wonder Show • Rita • Marriage, again • Busy Radio Days in 1944 • The Orson Welles Almanac • Campaigning for FDR • Donovan's Brain • D Day • Election Day—1944 • Rita and Orson meet Rebecca • Christmas 1944 • This is My Best • Our President is Dead • More Collaborations with Corwin • The War Ends • The Stranger • Around the World in Eighty Days • The Mercury Summer Theater • The Lady From Shanghai • Divorce • Macbeth • Europe and the end for Welles on American radio —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • Citizen Welles by Frank Brady • This is Orson Welles by Welles and Peter Bogdanovich • On the Air — By John Dunning • Discovering Orson Welles by Jonathan Rosenbaum • Orson Welles on the Air, at OrsonWelles.Indiana.edu • Wellesnet.com. —————————— On the interview front: • Orson Welles was with Peter Bogdonavich, Dick Cavett, Johnny Carson, Merv Griffin, Leslie MeGahey, Dinah Shore, and Huw Wheldon. • Byron Kane and Jeanette Nolan were with SPERDVAC, the Society to Preserve and Encourage Radio Drama, Variety, and Comedy. For more information, please go to SPERDVAC.com • Norman Corwin was with Chuck Schaden. Hear the full chat at SpeakingofRadio.com. • Howard Duff was with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear their full chat at Goldenage-WTIC.org. • Robert Wise was with Leslie MeGahey. • Jack Benny spoke with Jack Carney. • Lurene Tuttle spoke with Same Time, Same Station in 1972. • Agnes Moorehead was with Dick Cavett in 1973. —————————— Selected music featured in today's episode was: • Perfida — By Jimmy Dorsey and his Orchestra • The Klezmer's Wedding — By Andre Moisan • The Third Man — By Anton Karas • Hooray for Hollywood — By Don Swan • The Battle Cry of Freedom — By Jacqueline Schwab • Star of Bethlehem — Conducted by John Williams

Honor Crowther Fagan and Paige Crowther Charbonneau tell the story of their brother Welles Remy Crowther, known as The Man in the Red Bandana who was a hero on September 11th, 2001. Links to Help Support: Welles Crowther Red Bandana 5k: https://www.bc.edu/bc-web/offices/missionministry/sites/volunteer-service-learning-center/welles-crowther/race-details.html Eagles' annual Red Bandanna Game scheduled for Nov. 8 vs. SMU: https://bceagles.com/news/2025/2/27/theme-days-set-for-2025-bc-football-season Welles Crowther Trust: https://www.wellescrowthertrust.org/ Honor's Children's Book: https://www.amazon.com/Man-Bandanna-Honor-Crowther-Fagan/dp/1481961926 Timecodes: 0:00 Start 02:00 Remembering Welles Crowther: The Man in the Red Bandana 09:46 Was Welles destined to be a hero? 13:24 How difficult of a day is 9/11 for Welles' loved ones? 20:17 Origin of the Red Bandana & mixed emotions 26:47 Welles knowing that he had a bigger purpose in life 33:10 How close Honor & Welles were 37:02 The voicemail Welles left his mom on 9/11 41:55 The ESPN Piece & the Boston College Red Bandana football game 52:24 The weight of carrying Welles' legacy 57:32 Childhood stories about Welles 01:10:31 Upcoming events & The Welles Remy Crowther Charitable Trust 01:15:40 Did Welles' death affect their spirituality +++++++++++++++++++++++++++ Leave a Voicemail or get tickets to see us live here: https://linktr.ee/kfcr Looking for a side-splitting comedy podcast? Look no further than KFC Radio from Barstool Sports! Hosted by Kevin Clancy and John Feitelberg, this hilarious show covers everything from pop culture and current events to personal stories and relationship advice. With their signature irreverent humor and quick wit, Kevin and John keep their listeners laughing week after week. Tune in for a dose of gut-busting laughter and become a part of the KFC Radio community today!You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kfcr

Kate revisits her 2020 interview with Alison Crowther, mother of Welles Crowther—the young man remembered as The Man in the Red Bandana. Welles, 24, was a rookie equities trader at Sandler O'Neil from Upper Nyack, N.Y., who died in the terrorist attack on the World Trade Center on September 11, 2001. In the South Tower, he tied a red bandana across his face as protection and became a rescuer, guiding people down stairwells and returning again and again to help others. He is credited with saving at least 18 lives before perishing alongside New York City firefighters when the tower collapsed. His story has been told in several documentaries, including The Man in the Red Bandana (ESPN) and Man in Red Bandana (Amazon Prime), but his legacy lives on most powerfully through the voices of those he saved—and through his mother, Alison. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the face of death, most would run. It's human nature to flee, to cling to life. But on September 11, 2001, amidst the chaos of the crumbling South Tower, Welles Remy Crowther did the unthinkable as smoke choked the air, flames licked his skin, and the ground shook beneath him: he repeatedly charged back into the inferno to save others. Fueled by a force fear can't touch, Welles guided the lost, comforted the wounded, and led the terrified to safety. Every step could have been his last, and he knew this. Yet Welles never wavered. NEVER. And in those impossible moments, he saved 18 lives. The man who faced death without flinching, who stood as a beacon of courage and selflessness in the darkest of times, was indeed The Man in the Red Bandana. Patreon: www.patreon.com/psychopediapod Instagram + TikTok: @investigatorslater @psychopediapod Tank Sinatra Instagram + TikTok: @tanksinatra To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The long journey for the July 2025 New Music Train ends today, with a pair of old record hounds – Scot Isom and Patrick –  wrapping up the monthly picks. They discuss new music from Sloan, Dropkick Murphys, Margot Price (ft. Jesse Welles), Theon Cross and Eddy Current Suppression Ring. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Jesse Welles is a singer-songwriter. Look for his new album, "Devil's Den," on August 22. www.wellesmusic.com Get a free welcome kit with your first subscription of AG1 at https://drinkag1.com/joerogan Try ZipRecruiter FOR FREE at https://ziprecruiter.com/rogan Learn more about your ad choices. Visit podcastchoices.com/adchoices