Podcasts about Lucille Ball

Send us a text or a question or a thought!Heyyyyyyyyy.I'm so sorry for the weird audio quality, but I didn't want to wait a moment longer.Support the showShop my Bookshop affiliate link for my fave books on I Love Lucy and Lucille Ball: https://bookshop.org/shop/thericardoproject If there's a book you'd like to recommend to your fellow listeners, please let me know! Shop Funny Girls - minimalistic classic tv merch: https://funny-girls-tv.myspreadshop.com/ Support the podcast by making a one time donation on PayPal: paypal.me/ricardoproject Get in touch: Instagram: @thericardoproject Email: thericardoproject@gmail.com

The tenth year Stars on Suspense kicks off with my favorite installments of "radio's outstanding theatre of thrills" from 1948! First, it's a sixty-minute Sam Spade/Suspense crossover with Howard Duff in "The Kandy Tooth," a radio sequel to The Maltese Falcon (originally aired on CBS on January 10, 1948). Then, Burt Lancaster is a tough guy with murder on his mind in "The Big Shot" (originally aired on CBS on September 9, 1948) and Edward G. Robinson plays both himself and "The Man Who Wanted to Be Edward G. Robinson" (originally aired on CBS on September 30, 1948). Lucille Ball is a hold-up artist who rolls the wrong victim in "A Little Piece of Rope" (originally aired on CBS on October 14, 1948), and Vincent Price and Claude Rains co-star in a story of a murderer preying on the city of London in "The Hands of Mr. Ottermole" (originally aired on CBS on December 2, 1948).

The news stories of Victory in Japan day, August 14, 1945, 80 years ago. In addition we hear the Fred Waring show from August 14, 1945 with a live shortwave report from Jack Benny in Europe.  Then Command Performance, from August 14, 1945, Victory Extra.  The program begins with a prayer by Ronald Colman, followed by "Ave Maria," sung by Rise Stevens. Bing Crosby hosts the show as Bob Hope is in Europe.  Performers included Rise Stevens, Dinah Shore, Bette Davis, Jimmy Durante, Jose Iturbi, Lionel Barrymore, Marlene Dietrich, Burgess Meredith, Ginny Simms, Frank Sinatra, Janet Blair, William Powell, Harry Von Zell, Lucille Ball, The King Sisters, Cary Grant, Robert Montgomery, Loretta Young, and Lena Horne.We close with Fourteen August as broadcast on CBS August 14, 1945.  A moving and dramatic anti-war reading written on short notice by Norman Corwin and read by Orson Welles.  

May 23, 1951 - Jack Benny guest stars on the radio show Family Theater, introduced by Lucille Ball. They reference The Marshall Plan, Hedda Hopper and hats. Enjoy!

Back with a new episode that has old Hollywood, glam, mystery and so much more. I had the best time welcoming first time author, Melissa O'Connor to Books are Chic. We were celebrating her debut, The One and Only Vivian Stone- hailed as "sparkling" by Abby Jimenez. A little romance, a little historical fiction and mystery make up this addictive read.Melissa and I chatted our love for old Hollywood, Lucille Ball, celebrities, some Bravo ;) and a lot more. Melissa is one to watch!

Monday vibes got you down? Let's flip that energy!

TVC 700.1: Emmy Award-winning writer, director, and producer Joseph Dougherty and author and artist Alexis Hunter join Ed for the first of a special two-part look at the life and career of Joi Lansing, the legendary Blonde Bombshell best known for her pin-up photos, her frequent work in movies and television throughout the '50s and '60s, and her successful nightclub singing act. Joe's latest book, Comfort and Joi, is a part-biography, part-filmography, and part-appreciation of Joi Lansing that makes the case that Lansing was not only a much better actress than people gave her credit for, but could make even a seven-second silent bit in which she appears on the far edge of the frame interesting to watch just because she was in it. Alexis is the author of Joi Lansing: A Body to Die For, an intimate memoir of Alexis's four-year relationship with Lansing, a period that coincided with the last four years of Joi's life before she died from breast cancer in August 1972. Joi and Alexis had to keep their relationship secret, partly because of the pressure Joi felt to maintain her public image as the ultimate object of desire for men, and partly because the public at large in 1969 was not as accepting of intimate relationships between two members of the same sex as they are today. Topics this segment include the many karmic coincidences that brought Joe and Alexis together (as well as the many ways in which their books complement each other); how Joi honed her comedic skills while working with Lucille Ball and Bob Cummings; and Joi's experience working with Orson Welles not only in Touch of Evil, but in the award-winning comedy-drama Fountain of Youth.

Actor Sam Kwasman made a career over doing great cartoon voices. He also worked in many movies including the classic "Lifeguard" with Sam Elliot!

Journey Gunderson previews Lucille Ball Comedy Festival at the National Comedy Center in Jamestown full 639 Thu, 07 Aug 2025 07:55:00 +0000 L4TDBenjds8NV8y7D90ji23eSPsnr7EO news & politics,news WBEN Extras news & politics,news Journey Gunderson previews Lucille Ball Comedy Festival at the National Comedy Center in Jamestown Archive of various reports and news events 2024 © 2021 Audacy, Inc. News & Politics News False

Think negotiation is just for boardrooms and car dealerships? Think again. In this episode, we bring in Paula Pant from Afford Anything to show how negotiating—done well—can level up your finances, your relationships, and yes, even who does the dishes. Paula breaks down why many of us fear negotiation, how to overcome those internal roadblocks, and how setting clear “aspiration” and “reservation” points can lead to more confident conversations (and better outcomes). Whether you're asking for a raise or trying to avoid unloading the dishwasher for the fifth night in a row, her tactics are practical and empowering. Also in this episode: What most people miss about their workplace retirement plans, and whether adding a managed account is the edge you've been missing A viral TikTok proposal on setting your kids up for millions—can it really work, or is it just social media smoke? Doug delivers trivia and 1970s television references like only he can And we remember a cherished interview, David Gergen This episode is packed with useful strategies, real talk, and a few basement detours—including mafia negotiations, Lucille Ball's business savvy, and a heated debate over nostalgic TV shows. Whether you're trying to grow your wealth, negotiate more confidently, or just dodge financial TikTok traps, we've got something in here for you. FULL SHOW NOTES: https://stackingbenjamins.com/how-to-improve-your-negotiating-skills-with-paula-pant-1718 Deeper dives with curated links, topics, and discussions are in our newsletter, The 201, available at https://www.stackingbenjamins.com/201 Enjoy! Learn more about your ad choices. Visit podcastchoices.com/adchoices

WBEN's Tom Puckett on the start of the Lucille Ball Comedy Festival full 47 Wed, 06 Aug 2025 21:59:00 +0000 moIw5da5YJSqbELv5NXq2tIQ9lfe2pbl news WBEN Extras news WBEN's Tom Puckett on the start of the Lucille Ball Comedy Festival Archive of various reports and news events 2024 © 2021 Audacy, Inc. News False https://player.amperwavep

National Root beer float day.  Entertainment from 1970.  First atomic bomb dropped on Japan, First execution by electric chair, First woman to swim the English Channel.  Todays birthdays - Alexander Fleming, Hoot Gibson, Lucille Ball, Robert Michum, Andy Warhol, Pat McDonald, Michelle Yeoh, Geri Halliwell, Soliel Moon Frye.  Rick James died.Intro - God did good - Dianna Corcoran     https://www.diannacorcoran.com/Rootbeer float song - Krevil HavikClose to you - The CarpentersDon't keep me hangin' on - Sonny JamesBirthdays - In da club - 50 Cent   https://www.50cent.com/I love lucy TV themeThe futures so bright - Timbuk 3It's raining men - Geri HalliwellPunky Brewster TV themeSuper Freak - Rick JamesExit - Those kinda songs - Brinley Addington    https://www.brinleyaddington.com/countryundergroundradio.comHistory & Factoids webpage

If you want to stand head and shoulders above the herd and outperform your competitors in any market, you only need one thing: A competitive edge. Your competitive edge is the distinct quality that makes you superior to the rest. And you know what?  There is a certain competitive edge that produces exceptional results if you develop it. Some of the richest people in the world even believe this common practice to be their “X factor.”  Everyone can do it, but not everyone will.  In this episode, I'll reveal this uncommon competitive advantage billionaires like Mark Cuban and Warren Buffett claim is the key to their success.  Listen now.  Show Highlights Include: How you can create your own competitive advantage by borrowing these strategies from Chick-Fil-A, Apple and Amazon. (02:07) Why a ‘talentless' Lucille Ball excelled in the film industry and cemented her name in television history (and how you can do the same in your life). (05:15) The X-factor these two billionaires say results in an uncommon competitive edge (you don't even have to be a billionaire to do this). (07:27) Why Warren Buffett spends less than $4 on breakfast (and how his unique diet philosophy can increase your chances of living longer) (09:11) Do you want to stop existing and start living your best life right now? Click here to get the first chapter of Dr. Rick's best-selling book, Lessons From a Third Grade Dropout, for free.

Why do investors so often buy high and sell low? Jonathan Penn & Matt Doyle expose the dangers of herd mentality in the stock market, how FOMO (fear of missing out) drives bad decisions, and what behavioral finance teaches us about avoiding costly investing mistakes. Learn how to recognize crowd behavior—and how to protect your portfolio from emotional traps. Jon & Matt also cover market response to new tariffs, and whether markets will catch a breather. Transitioning from an accumulator to a distributor in terms of cash flow in retirement. An interesting comparison between Ricky Arnaz & Lucille Ball and Lance & Christina Roberts. How RIA crafts a retirement fund distribution plan; more commentary on our last Radio episode, and a preview of our next Candid Coffee [see registration link below]. Is the Roth decision right for you now? * NOTE: Today was our final terrestrial Radio broadcast, as we transition to an all-digital platform starting Monday, August 4, 2025. Please be sure you're SUBSCRIBED here to catch each episode! SEG-1a: Last Radio Broadcast SEG-1b: Market Reactions to "Sweeping" New Tariffs SEG-2: Will Markets Take a Breather? SEG-3a: Ricky & Lucy and Christina & Lance SEG-3b: Transitioning from Accumulation to Distribution SEG-4a: Last Broadcast & Savvy Social Security SEG-4b: Distribution Cash Flow Strategies Hosted by RIA Advisors RIA Advisors Senior Investment Advisor, Jonathan Penn, CFP, w Senior Relationship Manager, Matt Doyle, CFP Produced by Brent Clanton, Executive Producer ------- Watch today's video on YouTube: https://www.youtube.com/watch?v=hkyUUEPAlWY&list=PLVT8LcWPeAugpcGzM8hHyEP11lE87RYPe&index=1 ------- The latest installment of our new feature, Before the Bell, "Consider the Risk" is here: https://www.youtube.com/watch?v=C8aJBb1QNpg&list=PLwNgo56zE4RAbkqxgdj-8GOvjZTp9_Zlz&index=1 ------- Our previous show is here: "The Fed Holds Firm" https://www.youtube.com/watch?v=v09W8vpagMw&list=PLVT8LcWPeAugpcGzM8hHyEP11lE87RYPe&index=2 ------- Register for our next Candid Coffee, "Savvy Social Security Planning," August 23, 2025: https://streamyard.com/watch/pbx9RwqV8cjF ------- Get more info & commentary: https://realinvestmentadvice.com/newsletter/ -------- SUBSCRIBE to The Real Investment Show here: http://www.youtube.com/c/TheRealInvestmentShow -------- Visit our Site: https://www.realinvestmentadvice.com Contact Us: 1-855-RIA-PLAN -------- Subscribe to SimpleVisor: https://www.simplevisor.com/register-new -------- Connect with us on social: https://twitter.com/RealInvAdvice https://twitter.com/LanceRoberts https://www.facebook.com/RealInvestmentAdvice/ https://www.linkedin.com/in/realinvestmentadvice/ #HerdMentality #InvestorBehavior #MarketMistakes #FOMOInvesting #BehavioralFinance #RetirementFunds #RothConversion #RequiredMinimumDistribution #KSEV #LastRadioShow #InvestingAdvice #Money #Investing

I want to scream at you But even standing at my shoulder length My eye at your chest. You'd be a million miles away Look what I make of you. I have no mistakes left and still The fate of it is that, You have my gratitude, your gracious And yet they eat away At all the things I have And maybe there'll be more of me For now the morbid days are just as caving in as Any other making that we make of it Don't thank me, Just outrank them. Banking on your every moment Effervescent, tragic endings Waiting on your every scent and center Don't disintegrate just yet And now we enter impact Stand for circumstances Do work faster Horror horror Do you know the motive of her Former engines? Motive, motive Steer the plot or rear the message m Fritter fritter Audiences get disinterested So effing quickly. Would you mild or would you mold Or would you wake to fold the eggs into the bacon, Bread, and then tomato— Would you fear her message? Would you quick forget you're on her planet? Surely safe to know But know but knots And no but not again You bought it with your faux and auctions Hallmark cards And feathers fauxes Don't you know The faucet's only running water Oh you're hard predictable And chlorinated Oh the poison Dripping at your ways And wilting at your guilt The James The reckon gestures Reckon, Avery Severed by the check Or just the ever ending Never get there Message to a friend To just keep going When she ends it It is just another death You'll get on with it In the end Never friends. Never. Good I hate you Could you maybe Find me ugly? That's your money in my Every reaching corner Every angling cent And harsh presentations of Skin that's aging and Wages which haven't Coverage to front the Expenses, Crash diets Go broken Ugly cause you're course Everything fits But still empty on the inside I live in shredded Shambles of service But there's no gratitude My breath is only your own And this bread is my headache I haven't a sermon Or diamond Or unworthy Sex appeal And really only Ever off when Only ever on You're still demolishing the board You're still diminishing the severs Yet you neglected Each and every Crevice of this Never ending friendship— But did I ever mention there is a glass slipper For each and every person ever Just to wish one? Did it ever occur to you The circumstances you are under r Live for it Or get lost There's really only porridge in her oven If the gas or turning off or over Don't turn over now The resin's covered in the Corvette. Only cause I had to Sense when is it Blood sense. Get laid Don't flinch Get paid Gold finch Get reckless I call spirits north for dinner South for lunch And up for porridge at breakfast I've passed on I've been awake You're mortal girl The one you're on is Really only such a small pond That I should think To cover up With dirt. Start over. —and Skrillex is just in the corner the whole time playing video games. Worst dream ever. But why's Seth Meyer's mad at me? I'm guessing he always was! He's people are just like that All conservative, conformed— Again, it's not your fault It's just uncomfortable! Again I only ever approached it wanting to know If the l broach l fits But even Lucille Ball won't come if I call her— Probably don't even got the right number Code of arms Or helm of awe, huh. Fuck, man. When's Tonight Show in hiatus Need you off the island, off In Prague And out my anus, Don't remind me I've been Jamie Lee Curtis Just recently enough That I miss it. Ugh. I know, I resent that. Find a line to draw Or fly a kite past I'm past my reckoning Just for tonight, The suffering ends Surely not enough to past the time Before my electrolytes fly in But tonight Just tonight I want to dine in my mind Or die alone Without trying to find the light— The neighbor simply seems to follow it. (At least I got her ought to not slam the door now, Police interventions, There really are cause for those.) What is a warfare! Buy me a checkmark! My question mark seems to go off a lot All for it God, You're remarkable I gift a heart or though I out all my crystals in the Rockerfeller plaza But still held on to an amethyst for Dillon Francis? There those eyes are again; I hate to hurt you North; But I'm no mother board Or mother ship Or Mother Earth Broke my focus long enough to call you up, But sure, I'm just short of even past conscious. Nothing's safe for us, you know. One one to call; No code of conduct– No safety in numbers, or color guard No home, and no love in our times For our kind– We're all here now And the wrong time Is all time. {Enter The Multiverse} Do you see me? I don't not see you. Well. Well. I thought there'd be more having to say. There's nothing to say. Not nothing… Nothing. Huh. —unless you say it. I've nothing to say. Then say nothing. The frog croaks, The oak leafs, The custard leaves its corridors The hark leaps The oath melts, The sworn have sworn To never mark. To no remose, To no remark; The carrier, and carry her— The fierce need, For Vegabonds, For every caper read Amen. All is spoken; And all in thought also in words All is listened And all has heard not in her form Stiff. You're horrified. You're horrifying. Sure, but— Brother— Broken— Nothing that I've never heard before Capable. Half-friend. Northerner. Cape cod. Hamptons. Fair straights. Ancient. Sacred. R I T U A L S LEGENDS: R I T U A L S OH GOD. No! NO! NO! It just keeps going! Thank you! Thank God. I thought it was over. You were invoked. I was implicated. Fun fact: Here's the thing. You were murdered. Ah, gains. Why the fuck do I never get to just choose when this happens? Cause you don't. This isn't fair! I watch 2 segments of— STEPHEN COLBERT enters. *shattered. Shithead. STEPHEN COLBERT enters shattered. —I was shattered when I heard about it. What's that? Never you mind. I didn't— I just— asked. He finds his way to the round table in the center of the dark room. He seems twisted; it's as if he's been blindsided. Capable. And still there's nowhere In here The city we share I can go To make the sound Eager to leave my soul As how I know you. Awkward! Just wait. You've been betrayed! I— know that already. Is this your card? {Enter The Multiverse} GET OFF THE TRAIN. — Lil bitz Fool. Why every time I see you, you look guilty. Why. You never look innocent at all. If something went down — I know it was you. Hide a lie; Can't hide a lie Can't tell a tell Can't roll the ball Can't bowl the strike Can't run at all Can't fool the hare Can't skin the cat Can't dance a bit Don't row the boat Can't play the role Don't know the tune Can't trim the tree Can't hold the bowl Can't kill the fowl Don't tell the tale. Hide a lie. Run a mile Taste the bile Fill the basket Now you're moron Now you're mortal That's immoral Jimmy Fallon —that's a turtle. Tell the lie. Hide the fold. Kill the curse; Sail the ark Fill the void Hate the gap Kill the king Tell the tale Tell a lie Hide the [The Festival Project ™] knife. In for life, or what? Info wars at most. Live to tell the tale? Learn to spike the punch Learn to punch the wall Lean up on the door Learn to most of all Shut the fuck up Keep your mouth shut I love New York Give the bad news Put a smile on Oh you gotta love it I get close to nothing once a month And then come back To pull the puffer out the dragon Goddammit what you want me for I learned another lesson Don't devour her All I wanted was Just a sour odor Give the last call I go heroin blind For heroine times And by the time it all gets darker I will have pulled the plug and written on the wall in Permanent marker. ugh. Fuck you. Fuck The Doors. Fuck your chorus. Fuck your archer. Fuck, you found I. I all for her, Shoot the wombat; —But the door shuts on its own Without it getting harder, now. Don't it? Donut. i don't— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Okay. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Can I contour? Not even one episode Or epicenter Even for a lonely I got the warning For your magnitude before So what you want It's just a test Pacific coast Or night crawler Nightmare or Nightfall You swore you won't I do desire not a lover But a hand to hold And father for my own So. Shove it up your Probably want a I don't need disaster warning What you wanted Limoncello Light waves And light gave a damn I have a dance I cave to for And there you are Just a horrible oar, Now I row the boat But you don't disaster Nor could you decide to divorce her Even if I ever worked At Art gallery Organizers God, you wore her sweater Just to make it all seem rather backwards If perchance I ran my hand just over All the soft Love in the world Are you not a dozen roses? To far my flames I gave you my heart Flower Done moving Don't moon Did you really pay the neighbor Just to hate me Haven't you heard On our earth There's turf war? So far, white doves But no lost wolves, Poor pigeons, following Of course you were hard wired I hate not once But all times the hurt Each time I struck Sure I want for California And Equinox saunas And then no more do I run the tub! But for now as I soak and the roach prowls, I get my motion under the water, Sure form and no more fire till the moon comes up who rose at dusk? Likely or lite brawl Sire, You care to hard work But you desire awful I was right in all forms Now I die here Your knife and all you are Feels right as blood pours out I want but only suffer Your call could only burden My tie to fall a lark Cries Out In To Her Arms you fall and I desire I desire I now Have a heart to cry I died, sir. You won. How awful. Just a nugget of truth, This window of lies, A mask so broken And yet in the cracks there, my mirror My shadow My hard times Out to work And off to war And what you wanted No, not outside Inside love But nevermind that Now the blood pours out and sweet, I thank to this relief and finally Rest, I. No longer shall I mourn your love to not And know the guilt is slain in you anew, my heart Dear shadow, youth becomes my blood And dear far cry, Dear boy you, Wait to know me in again another There came and withered and your force Now knows mine, Never end and tethered, There I wait, then Now I blood and dreaming, sleeping in Your pure, Decency. I have strike and so wait my end; And you, go on, Now without my voice. A harp. Welcome to Ecuador. What are you doing here? I grow bananas. Every once in awhile I have you over For a cocktail Or five. Every night I tighten my eyes on you, Thoughts. Every space in time Is just a collar Dog A bark. Every time you call I still come over Though you do not want, I opposite. You see, You are time. I see you now, God. I feel your heart, I Can involve My lips quaking Your worried me My fall, right? Why— I belong in your eye, Why, Heart my home, I, Never go. Never not. Bullet to a gun For to wish I'm not awake And to dream though seek, I call And to worry Wishes swimming Thunder rolls and Hard I fall So wait and weather Weather storm And feather. You know I'm locked, and fault Too consumed by news cameras Noise tied around my, Neck your beck and call My battered back And there is she All I am not And movement, You controller Red and virtuous Are thy neither my friend, Nor foe, Nor narrow and the neck, dripping The feet, and defeated I am in my shallow Your wish is my make her I make thy for glory She the golden trophy, Truth, you will not with, These, you will decanter Encounter; or I slay you in my motion I say your name and sheild thy slain And there you are, a force And here she comes, a brain My greying matter; Your Tuesday, Wednesday She fears me not One, two, four blue eyes I'm nothing now Six blondes, four heartaches I rung, you wanted I eat, you shatter I starve, you know me Then in the waste My waist till not your honor And so, I go And she And she And she And she Eighty five and one divine But all are yours And yours are mine So then. We have killed her. And there, she lay slain, And ye, we rejoice And yet, we became To seize, none has not To breathe, yet remains— The truth comes our time, As body decays. Fuck. I don't think that was it. Nevermind. *fixed it . {Enter The Multiverse} The Complex Collective © [The Festival Project ™] -Ū.

I want to scream at you But even standing at my shoulder length My eye at your chest. You'd be a million miles away Look what I make of you. I have no mistakes left and still The fate of it is that, You have my gratitude, your gracious And yet they eat away At all the things I have And maybe there'll be more of me For now the morbid days are just as caving in as Any other making that we make of it Don't thank me, Just outrank them. Banking on your every moment Effervescent, tragic endings Waiting on your every scent and center Don't disintegrate just yet And now we enter impact Stand for circumstances Do work faster Horror horror Do you know the motive of her Former engines? Motive, motive Steer the plot or rear the message m Fritter fritter Audiences get disinterested So effing quickly. Would you mild or would you mold Or would you wake to fold the eggs into the bacon, Bread, and then tomato— Would you fear her message? Would you quick forget you're on her planet? Surely safe to know But know but knots And no but not again You bought it with your faux and auctions Hallmark cards And feathers fauxes Don't you know The faucet's only running water Oh you're hard predictable And chlorinated Oh the poison Dripping at your ways And wilting at your guilt The James The reckon gestures Reckon, Avery Severed by the check Or just the ever ending Never get there Message to a friend To just keep going When she ends it It is just another death You'll get on with it In the end Never friends. Never. Good I hate you Could you maybe Find me ugly? That's your money in my Every reaching corner Every angling cent And harsh presentations of Skin that's aging and Wages which haven't Coverage to front the Expenses, Crash diets Go broken Ugly cause you're course Everything fits But still empty on the inside I live in shredded Shambles of service But there's no gratitude My breath is only your own And this bread is my headache I haven't a sermon Or diamond Or unworthy Sex appeal And really only Ever off when Only ever on You're still demolishing the board You're still diminishing the severs Yet you neglected Each and every Crevice of this Never ending friendship— But did I ever mention there is a glass slipper For each and every person ever Just to wish one? Did it ever occur to you The circumstances you are under Live for it Or get lost There's really only porridge in her oven If the gas or turning off or over Don't turn over now The resin's covered in the Corvette. Only cause I had to Sense when is it Blood sense. Get laid Don't flinch Get paid Gold finch Get reckless I call spirits north for dinner South for lunch And up for porridge at breakfast I've passed on I've been awake You're mortal girl The one you're on is Really only such a small pond That I should think To cover up With dirt. Start over. —and Skrillex is just in the corner the whole time playing video games. Worst dream ever. But why's Seth Meyer's mad at me? I'm guessing he always was! He's people are just like that All conservative, conformed— Again, it's not your fault It's just uncomfortable! Again I only ever approached it wanting to know If the l broach l fits But even Lucille Ball won't come if I call her— Probably don't even got the right number Code of arms Or helm of awe, huh. Fuck, man. When's Tonight Show in hiatus Need you off the island, off In Prague And out my anus, Don't remind me I've been Jamie Lee Curtis Just recently enough That I miss it. Ugh. I know, I resent that. Find a line to draw Or fly a kite past I'm past my reckoning Just for tonight, The suffering ends Surely not enough to past the time Before my electrolytes fly in But tonight Just tonight I want to dine in my mind Or die alone Without trying to find the light— The neighbor simply seems to follow it. (At least I got her ought to not slam the door now, Police interventions, There really are cause for those.) What is a warfare! Buy me a checkmark! My question mark seems to go off a lot All for it God, You're remarkable I gift a heart or though I out all my crystals in the Rockerfeller plaza But still held on to an amethyst for Dillon Francis? There those eyes are again; I hate to hurt you North; But I'm no mother board Or mother ship Or Mother Earth Broke my focus long enough to call you up, But sure, I'm just short of even past conscious. Nothing's safe for us, you know. One one to call; No code of conduct– No safety in numbers, or color guard No home, and no love in our times For our kind– We're all here now And the wrong time Is all time. {Enter The Multiverse} Do you see me? I don't not see you. Well. Well. I thought there'd be more having to say. There's nothing to say. Not nothing… Nothing. Huh. —unless you say it. I've nothing to say. Then say nothing. The frog croaks, The oak leafs, The custard leaves its corridors The hark leaps The oath melts, The sworn have sworn To never mark. To no remose, To no remark; The carrier, and carry her— The fierce need, For Vegabonds, For every caper read Amen. All is spoken; And all in thought also in words All is listened And all has heard not in her form Stiff. You're horrified. You're horrifying. Sure, but— Brother— Broken— Nothing that I've never heard before Capable. Half-friend. Northerner. Cape cod. Hamptons. Fair straights. Ancient. Sacred. R I T U A L S LEGENDS: R I T U A L S OH GOD. No! NO! NO! It just keeps going! Thank you! Thank God. I thought it was over. You were invoked. I was implicated. Fun fact: Here's the thing. You were murdered. Ah, gains. Why the fuck do I never get to just choose when this happens? Cause you don't. This isn't fair! I watch 2 segments of— STEPHEN COLBERT enters. *shattered. Shithead. STEPHEN COLBERT enters shattered. —I was shattered when I heard about it. What's that? Never you mind. I didn't— I just— asked. He finds his way to the round table in the center of the dark room. He seems twisted; it's as if he's been blindsided. Capable. And still there's nowhere In here The city we share I can go To make the sound Eager to leave my soul As how I know you. Awkward! Just wait. You've been betrayed! I— know that already. Is this your card? {Enter The Multiverse} GET OFF THE TRAIN. — Lil bitz Fool. Why every time I see you, you look guilty. Why. You never look innocent at all. If something went down — I know it was you. Hide a lie; Can't hide a lie Can't tell a tell Can't roll the ball Can't bowl the strike Can't run at all Can't fool the hare Can't skin the cat Can't dance a bit Don't row the boat Can't play the role Don't know the tune Can't trim the tree Can't hold the bowl Can't kill the fowl Don't tell the tale. Hide a lie. Run a mile Taste the bile Fill the basket Now you're moron Now you're mortal That's immoral Jimmy Fallon —that's a turtle. Tell the lie. Hide the fold. Kill the curse; Sail the ark Fill the void Hate the gap Kill the king Tell the tale Tell a lie Hide the [The Festival Project ™] knife. In for life, or what? Info wars at most. Live to tell the tale? Learn to spike the punch Learn to punch the wall Lean up on the door Learn to most of all Shut the fuck up Keep your mouth shut I love New York Give the bad news Put a smile on Oh you gotta love it I get close to nothing once a month And then come back To pull the puffer out the dragon Goddammit what you want me for I learned another lesson Don't devour her All I wanted was Just a sour odor Give the last call I go heroin blind For heroine times And by the time it all gets darker I will have pulled the plug and written on the wall in Permanent marker. ugh. Fuck you. Fuck The Doors. Fuck your chorus. Fuck your archer. Fuck, you found I. I all for her, Shoot the wombat; —But the door shuts on its own Without it getting harder, now. Don't it? Donut. i don't— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Okay. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Can I contour? Not even one episode Or epicenter Even for a lonely I got the warning For your magnitude before So what you want It's just a test Pacific coast Or night crawler Nightmare or Nightfall You swore you won't I do desire not a lover But a hand to hold And father for my own So. Shove it up your Probably want a I don't need disaster warning What you wanted Limoncello Light waves And light gave a damn I have a dance I cave to for And there you are Just a horrible oar, Now I row the boat But you don't disaster Nor could you decide to divorce her Even if I ever worked At Art gallery Organizers God, you wore her sweater Just to make it all seem rather backwards If perchance I ran my hand just over All the soft Love in the world Are you not a dozen roses? To far my flames I gave you my heart Flower Done moving Don't moon Did you really pay the neighbor Just to hate me Haven't you heard On our earth There's turf war? So far, white doves But no lost wolves, Poor pigeons, following Of course you were hard wired I hate not once But all times the hurt Each time I struck Sure I want for California And Equinox saunas And then no more do I run the tub! But for now as I soak and the roach prowls, I get my motion under the water, Sure form and no more fire till the moon comes up who rose at dusk? Likely or lite brawl Sire, You care to hard work But you desire awful I was right in all forms Now I die here Your knife and all you are Feels right as blood pours out I want but only suffer Your call could only burden My tie to fall a lark Cries Out In To Her Arms you fall and I desire I desire I now Have a heart to cry I died, sir. You won. How awful. Just a nugget of truth, This window of lies, A mask so broken And yet in the cracks there, my mirror My shadow My hard times Out to work And off to war And what you wanted No, not outside Inside love But nevermind that Now the blood pours out and sweet, I thank to this relief and finally Rest, I. No longer shall I mourn your love to not And know the guilt is slain in you anew, my heart Dear shadow, youth becomes my blood And dear far cry, Dear boy you, Wait to know me in again another There came and withered and your force Now knows mine, Never end and tethered, There I wait, then Now I blood and dreaming, sleeping in Your pure, Decency. I have strike and so wait my end; And you, go on, Now without my voice. A harp. Welcome to Ecuador. What are you doing here? I grow bananas. Every once in awhile I have you over For a cocktail Or five. Every night I tighten my eyes on you, Thoughts. Every space in time Is just a collar Dog A bark. Every time you call I still come over Though you do not want, I opposite. You see, You are time. I see you now, God. I feel your heart, I Can involve My lips quaking Your worried me My fall, right? Why— I belong in your eye, Why, Heart my home, I, Never go. Never not. Bullet to a gun For to wish I'm not awake And to dream though seek, I call And to worry Wishes swimming Thunder rolls and Hard I fall So wait and weather Weather storm And feather. You know I'm locked, and fault Too consumed by news cameras Noise tied around my, Neck your beck and call My battered back And there is she All I am not And movement, You controller Red and virtuous Are thy neither my friend, Nor foe, Nor narrow and the neck, dripping The feet, and defeated I am in my shallow Your wish is my make her I make thy for glory She the golden trophy, Truth, you will not with, These, you will decanter Encounter; or I slay you in my motion I say your name and sheild thy slain And there you are, a force And here she comes, a brain My greying matter; Your Tuesday, Wednesday She fears me not One, two, four blue eyes I'm nothing now Six blondes, four heartaches I rung, you wanted I eat, you shatter I starve, you know me Then in the waste My waist till not your honor And so, I go And she And she And she And she Eighty five and one divine But all are yours And yours are mine So then. We have killed her. And there, she lay slain, And ye, we rejoice And yet, we became To seize, none has not To breathe, yet remains— The truth comes our time, As body decays. Fuck. I don't think that was it. Nevermind. *fixed it . {Enter The Multiverse} The Complex Collective © [The Festival Project ™] -Ū.

I want to scream at you But even standing at my shoulder length My eye at your chest. You'd be a million miles away Look what I make of you. I have no mistakes left and still The fate of it is that, You have my gratitude, your gracious And yet they eat away At all the things I have And maybe there'll be more of me For now the morbid days are just as caving in as Any other making that we make of it Don't thank me, Just outrank them. Banking on your every moment Effervescent, tragic endings Waiting on your every scent and center Don't disintegrate just yet And now we enter impact Stand for circumstances Do work faster Horror horror Do you know the motive of her Former engines? Motive, motive Steer the plot or rear the message m Fritter fritter Audiences get disinterested So effing quickly. Would you mild or would you mold Or would you wake to fold the eggs into the bacon, Bread, and then tomato— Would you fear her message? Would you quick forget you're on her planet? Surely safe to know But know but knots And no but not again You bought it with your faux and auctions Hallmark cards And feathers fauxes Don't you know The faucet's only running water Oh you're hard predictable And chlorinated Oh the poison Dripping at your ways And wilting at your guilt The James The reckon gestures Reckon, Avery Severed by the check Or just the ever ending Never get there Message to a friend To just keep going When she ends it It is just another death You'll get on with it In the end Never friends. Never. Good I hate you Could you maybe Find me ugly? That's your money in my Every reaching corner Every angling cent And harsh presentations of Skin that's aging and Wages which haven't Coverage to front the Expenses, Crash diets Go broken Ugly cause you're course Everything fits But still empty on the inside I live in shredded Shambles of service But there's no gratitude My breath is only your own And this bread is my headache I haven't a sermon Or diamond Or unworthy Sex appeal And really only Ever off when Only ever on You're still demolishing the board You're still diminishing the severs Yet you neglected Each and every Crevice of this Never ending friendship— But did I ever mention there is a glass slipper For each and every person ever Just to wish one? Did it ever occur to you The circumstances you are under r Live for it Or get lost There's really only porridge in her oven If the gas or turning off or over Don't turn over now The resin's covered in the Corvette. Only cause I had to Sense when is it Blood sense. Get laid Don't flinch Get paid Gold finch Get reckless I call spirits north for dinner South for lunch And up for porridge at breakfast I've passed on I've been awake You're mortal girl The one you're on is Really only such a small pond That I should think To cover up With dirt. Start over. —and Skrillex is just in the corner the whole time playing video games. Worst dream ever. But why's Seth Meyer's mad at me? I'm guessing he always was! He's people are just like that All conservative, conformed— Again, it's not your fault It's just uncomfortable! Again I only ever approached it wanting to know If the l broach l fits But even Lucille Ball won't come if I call her— Probably don't even got the right number Code of arms Or helm of awe, huh. Fuck, man. When's Tonight Show in hiatus Need you off the island, off In Prague And out my anus, Don't remind me I've been Jamie Lee Curtis Just recently enough That I miss it. Ugh. I know, I resent that. Find a line to draw Or fly a kite past I'm past my reckoning Just for tonight, The suffering ends Surely not enough to past the time Before my electrolytes fly in But tonight Just tonight I want to dine in my mind Or die alone Without trying to find the light— The neighbor simply seems to follow it. (At least I got her ought to not slam the door now, Police interventions, There really are cause for those.) What is a warfare! Buy me a checkmark! My question mark seems to go off a lot All for it God, You're remarkable I gift a heart or though I out all my crystals in the Rockerfeller plaza But still held on to an amethyst for Dillon Francis? There those eyes are again; I hate to hurt you North; But I'm no mother board Or mother ship Or Mother Earth Broke my focus long enough to call you up, But sure, I'm just short of even past conscious. Nothing's safe for us, you know. One one to call; No code of conduct– No safety in numbers, or color guard No home, and no love in our times For our kind– We're all here now And the wrong time Is all time. {Enter The Multiverse} Do you see me? I don't not see you. Well. Well. I thought there'd be more having to say. There's nothing to say. Not nothing… Nothing. Huh. —unless you say it. I've nothing to say. Then say nothing. The frog croaks, The oak leafs, The custard leaves its corridors The hark leaps The oath melts, The sworn have sworn To never mark. To no remose, To no remark; The carrier, and carry her— The fierce need, For Vegabonds, For every caper read Amen. All is spoken; And all in thought also in words All is listened And all has heard not in her form Stiff. You're horrified. You're horrifying. Sure, but— Brother— Broken— Nothing that I've never heard before Capable. Half-friend. Northerner. Cape cod. Hamptons. Fair straights. Ancient. Sacred. R I T U A L S LEGENDS: R I T U A L S OH GOD. No! NO! NO! It just keeps going! Thank you! Thank God. I thought it was over. You were invoked. I was implicated. Fun fact: Here's the thing. You were murdered. Ah, gains. Why the fuck do I never get to just choose when this happens? Cause you don't. This isn't fair! I watch 2 segments of— STEPHEN COLBERT enters. *shattered. Shithead. STEPHEN COLBERT enters shattered. —I was shattered when I heard about it. What's that? Never you mind. I didn't— I just— asked. He finds his way to the round table in the center of the dark room. He seems twisted; it's as if he's been blindsided. Capable. And still there's nowhere In here The city we share I can go To make the sound Eager to leave my soul As how I know you. Awkward! Just wait. You've been betrayed! I— know that already. Is this your card? {Enter The Multiverse} GET OFF THE TRAIN. — Lil bitz Fool. Why every time I see you, you look guilty. Why. You never look innocent at all. If something went down — I know it was you. Hide a lie; Can't hide a lie Can't tell a tell Can't roll the ball Can't bowl the strike Can't run at all Can't fool the hare Can't skin the cat Can't dance a bit Don't row the boat Can't play the role Don't know the tune Can't trim the tree Can't hold the bowl Can't kill the fowl Don't tell the tale. Hide a lie. Run a mile Taste the bile Fill the basket Now you're moron Now you're mortal That's immoral Jimmy Fallon —that's a turtle. Tell the lie. Hide the fold. Kill the curse; Sail the ark Fill the void Hate the gap Kill the king Tell the tale Tell a lie Hide the [The Festival Project ™] knife. In for life, or what? Info wars at most. Live to tell the tale? Learn to spike the punch Learn to punch the wall Lean up on the door Learn to most of all Shut the fuck up Keep your mouth shut I love New York Give the bad news Put a smile on Oh you gotta love it I get close to nothing once a month And then come back To pull the puffer out the dragon Goddammit what you want me for I learned another lesson Don't devour her All I wanted was Just a sour odor Give the last call I go heroin blind For heroine times And by the time it all gets darker I will have pulled the plug and written on the wall in Permanent marker. ugh. Fuck you. Fuck The Doors. Fuck your chorus. Fuck your archer. Fuck, you found I. I all for her, Shoot the wombat; —But the door shuts on its own Without it getting harder, now. Don't it? Donut. i don't— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Okay. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Can I contour? Not even one episode Or epicenter Even for a lonely I got the warning For your magnitude before So what you want It's just a test Pacific coast Or night crawler Nightmare or Nightfall You swore you won't I do desire not a lover But a hand to hold And father for my own So. Shove it up your Probably want a I don't need disaster warning What you wanted Limoncello Light waves And light gave a damn I have a dance I cave to for And there you are Just a horrible oar, Now I row the boat But you don't disaster Nor could you decide to divorce her Even if I ever worked At Art gallery Organizers God, you wore her sweater Just to make it all seem rather backwards If perchance I ran my hand just over All the soft Love in the world Are you not a dozen roses? To far my flames I gave you my heart Flower Done moving Don't moon Did you really pay the neighbor Just to hate me Haven't you heard On our earth There's turf war? So far, white doves But no lost wolves, Poor pigeons, following Of course you were hard wired I hate not once But all times the hurt Each time I struck Sure I want for California And Equinox saunas And then no more do I run the tub! But for now as I soak and the roach prowls, I get my motion under the water, Sure form and no more fire till the moon comes up who rose at dusk? Likely or lite brawl Sire, You care to hard work But you desire awful I was right in all forms Now I die here Your knife and all you are Feels right as blood pours out I want but only suffer Your call could only burden My tie to fall a lark Cries Out In To Her Arms you fall and I desire I desire I now Have a heart to cry I died, sir. You won. How awful. Just a nugget of truth, This window of lies, A mask so broken And yet in the cracks there, my mirror My shadow My hard times Out to work And off to war And what you wanted No, not outside Inside love But nevermind that Now the blood pours out and sweet, I thank to this relief and finally Rest, I. No longer shall I mourn your love to not And know the guilt is slain in you anew, my heart Dear shadow, youth becomes my blood And dear far cry, Dear boy you, Wait to know me in again another There came and withered and your force Now knows mine, Never end and tethered, There I wait, then Now I blood and dreaming, sleeping in Your pure, Decency. I have strike and so wait my end; And you, go on, Now without my voice. A harp. Welcome to Ecuador. What are you doing here? I grow bananas. Every once in awhile I have you over For a cocktail Or five. Every night I tighten my eyes on you, Thoughts. Every space in time Is just a collar Dog A bark. Every time you call I still come over Though you do not want, I opposite. You see, You are time. I see you now, God. I feel your heart, I Can involve My lips quaking Your worried me My fall, right? Why— I belong in your eye, Why, Heart my home, I, Never go. Never not. Bullet to a gun For to wish I'm not awake And to dream though seek, I call And to worry Wishes swimming Thunder rolls and Hard I fall So wait and weather Weather storm And feather. You know I'm locked, and fault Too consumed by news cameras Noise tied around my, Neck your beck and call My battered back And there is she All I am not And movement, You controller Red and virtuous Are thy neither my friend, Nor foe, Nor narrow and the neck, dripping The feet, and defeated I am in my shallow Your wish is my make her I make thy for glory She the golden trophy, Truth, you will not with, These, you will decanter Encounter; or I slay you in my motion I say your name and sheild thy slain And there you are, a force And here she comes, a brain My greying matter; Your Tuesday, Wednesday She fears me not One, two, four blue eyes I'm nothing now Six blondes, four heartaches I rung, you wanted I eat, you shatter I starve, you know me Then in the waste My waist till not your honor And so, I go And she And she And she And she Eighty five and one divine But all are yours And yours are mine So then. We have killed her. And there, she lay slain, And ye, we rejoice And yet, we became To seize, none has not To breathe, yet remains— The truth comes our time, As body decays. Fuck. I don't think that was it. Nevermind. *fixed it . {Enter The Multiverse} The Complex Collective © [The Festival Project ™] -Ū.

TPCCafe Radio Presents Classic Thrillers, Suspense: Dime A Dance. Featuring Lucille Ball. Digitally Restored by Nicholas Hans Gary

John welcomes legendary former New York Timesman Todd Purdum to the show to discuss his new book, “Desi Arnaz: The Man Who Invented Television.” Purdum tells the story of Arnaz's rise to become the most powerful and influential Latino executive in Hollywood history: from his arrival in America as a Cuban refugee in the 1930s to his first taste of fame as a nightclub bandleader (and instigator of the Conga dance craze) in the 1940s; and from his culture-shifting roles as co-star (with his wife, Lucille Ball) of the country's most-watched TV show and cofounder of its most prolific TV production company in the 1950s to the raft of innovations he unleashed that gave birth to the rerun, the syndication market, and thus the business model on which the industry thrived for more than half a century. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In a conversation full of personal revelation and discovery, M3GAN & M3GAN 2.0 star Jen Van Epps and Jordan think hard about the taboos of motherhood and the uncomfortable neediness of the acting profession -- and have a shocking amount of fun doing so. Leda (Olivia Coleman/Jessie Buckley) in Maggie Gyllenhaal's writing and directing debut, THE LOST DAUGHTER is a character Jen wasn't thrilled to relate to; feeling seen by Lucille Ball's irrepressible (but very thirsty) Lucy from I LOVE LUCY is a lot more fun.Then, Jordan has one quick thing about the new I KNOW WHAT YOU DID LAST SUMMER.***With Jordan Crucchiola and Jen Van Epps  Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Episode 320Guest: Lauren Ashley---This week on Salt Lake Dirt, I'm excited to welcome actress Lauren Ashley. Join us as we dive into a nostalgic conversation about the allure of vintage television and cinema, exploring how shows like I Love Lucy and The Golden Girls sparked her passion for old Hollywood.Lauren shares her journey of discovering classic films during her childhood, recounting how late-night marathons on Nick at Nite opened her eyes to the golden age of television.We discuss the impact of iconic figures like Lucille Ball and the connections to her own creative aspirations, as well as the thrill of meeting legendary stars and the importance of preserving film history.From her experiences working on Hollywood Graveyard projects like The Tomb of Nosferatu to Graves from the Black Lagoon, Lauren reflects on the challenges and joys of filmmaking, including the excitement of collaborating with industry veterans.We also touch on the unique community that surrounds classic film fandom and the significance of cemeteries as a peaceful retreat for those who appreciate the artistry of the past.Thanks for tuning in!Kyler---Episode Links:Linktree: @folklaurFollow Lauren on InstagramWatch The Tomb of NosferatuWatch Graves from the Black Lagoon

On this week's entertaining episode, Leslie Goddard, Ph.D., independent historian, owner of Leslie GoddardPresents, LLC, and on Saturday, July 12th at Listiak, you will have the opportunity to meet her as Lucille Ball! Listen to the Friday Morning Breakfast Club - 8:30 a.m. - on www.wcsy.com - when hosts interview this multi-talented woman and her upcoming show, thanks to the South Haven Theater Series at https://www.southhaventheatreseries.org/See omnystudio.com/listener for privacy information.

Summer Vacation My Favorite Husband "Vacation Time" April 29, 1949 CBS starring Lucille Ball and Richard Denning Fibber McGee and Molly "Camping Trip" June 22, 1943 NBC

You can follow Lauren on Instagram @ohfolklaur and Youtube @hollywoodfolklaur. And check out her two short films here. The Tomb of Nosferatu Graves from the Black Lagoon.Follow me on Instagram @mwboyce , Threads @mwboyce and Bluesky @mwboyce. And you can always check out the show on Instagram @geek4podIf you liked the show, consider leaving a 5 star review on your podcatcher of choice. The more reviews we have, the more we show up in searches. Somehow. Magic I think.Or, tell a friend. Word of mouth is still an effective advertising tool. I respectfully acknowledge that I live and work on the traditional territory of many nations including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples and is now home to many diverse First Nations, Inuit and Métis peoples.

In dieser Folge beamen wir uns zurück in den November 1985 – mit Kirk, Spock, Buckelwalen und der vielleicht charmantesten Wissenschaftlerin der 80er-Jahre: Gillian Taylor. Wir analysieren Star Trek IV ab Minute 64 – inklusive: - Ditzy-Definitionen von Vaudeville bis Lucille Ball - Kirks Iowa-Herkunft und sein galaktischer Charme - Einem Reality-Check zu Militärhunden auf Trägern - Und einer Reise durch UFO-Paranoia und die Majestic-12-Verschwörung Der Podcast mit Fakten, Fiktion und Fandom – das Discovery Panel ist zurück.

Duffy's Tavern 1943-11-09 (103) Guest Lucille Ball 

Tish and Brandi are flying solo this week and catching up after Miley's BIG episode! Brandi's battling an illness, while Tish spills all the tea from her NYC trip—yes, including meeting actual icon Parker Posey. They dish on Miley's comedy era (it's giving Lucille Ball), the Labubu craze taking over designer bags, and the TV shows you should be watching (Sirens, The Better Sister) so you're not stuck watching garbage! Plus: a High Design bedroom makeover for one of our Stoners, juicy Dear MTs, and the question nobody asked but we're answering anyway... What if Tish and Miley switched lives for a day? (a Freaky Friday spinoff, not a bad idea!) So, if you're curious about the Labubu hype or just want a comfy catch-up with the gals, this one's for you. Don't forget to rate, review, and follow the show! Keep up with us between episodes on our Instagram pages, @tishcyruspurcell, @brandicyrus and @sorrywerecyrus and be sure to leave us a voicemail at 1-516-7-STONER or email videos/photos with your questions to sorrywerecyrus@gmail.com! Thank you to our amazing sponsors: Cozy Earth: Luxury shouldn't be out of reach. Go to cozyearth.com/CYRUS for up to 40% off Cozy Earth's best-selling temperature-regulating sheets, apparel, and more. Rula: Connect with quality therapists and mental health experts who specialize in you at https://www.rula.com/cyrus #rulapod This podcast is brought to you by Podcast Nation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Westerns and Comedy on a TuesdayFirst,  a look at this day in History.Then, The Six Shooter starring Jimmy Stewart, originally broadcast June 24, 1954, 71 years ago, Myra Barker.   The Six-Shooter proposes marriage. The last show of the series.Followed by Fort Laramie starring Raymond Burr, originally broadcast June 24, 1956, 69 years ago, The Loving Cup.  Captain Quince has an unusual way to give Lieutenant Seiberts the confidence he needs to be a good officer. Then, Fibber McGee and Molly, originally broadcast June 24, 1941, 84 years ago, Leaving for Hollywood to Make a Movie. The last show of the season. The closet is heard. Jim and Marian Jordan are off to Hollywood to actually make a movie (to be called "Look Who's Laughing").Followed by My Favorite Husband starring Lucille Ball and Richard Denning, originally broadcast June 24, 1949, 76 years ago. Liz just can't make up her mind about anything.  She finally finishes something…a letter to George telling him she's going home to Mother. Finally. The Couple Next Door starring Peg Lynch and Alan Bunce, originally broadcast June 24, 1960, 65 years ago, Avocados and the Diet.Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

What happened to Little Ricky from I Love Lucy? In this powerful and inspiring episode of Behind the Mike Podcast, host Mike Stone sits down with Keith Thibodeaux, the former child star of I Love Lucy and The Andy Griffith Show. Keith shares his extraordinary journey—from drumming prodigy and Hollywood fame to depression, addiction, and ultimately finding hope in Jesus Christ.Keith opens up about:

In this episode, I spoke with Todd S. Purdum regarding his book "Desi Arnaz: The Man Who Invented Television". An illuminating biography of Desi Arnaz, the visionary, trailblazing Cuban American who revolutionized television and brought laughter to millions as Lucille Ball's beloved husband on I Love Lucy, leaving a remarkable legacy that continues to influence American culture today.Forgotten Hollywood is on Facebook!  Doug Hess is the host!

In today's Workday Playdate Snack, we're talking about the kind of conflict resolution that doesn't involve a six-part text thread or passive-aggressive dishwasher loading. We're diving into how playfulness—yes, even mid-fight—can be your secret weapon for stronger, happier relationships. Whether it's your partner, roommate, or that one family member who treats the group chat like a TED Talk… this snack is for you. The Problem: You're crushing deadlines at work—but stuck in a weird silence at home. Maybe it was about socks. Or the dishes. Or nothing at all. And now you're trying to lead a team while low-key simmering with resentment. Spoiler: unresolved tension doesn't stay home. It follows you to Zoom. Why It Matters: Research shows emotional residue from personal relationships impacts performance, presence, and psychological safety at work. You can't be fully present in the boardroom if you're still replaying last night's kitchen argument. The Improv Hack to Try: The Silent Scene Yes, it's as ridiculous—and effective—as it sounds.  Next time things get tense with your partner, skip the serious convo and act out a mundane task (like folding laundry) with exaggerated mime and facial expressions. No words. Just play. Why it works: Interrupts the fight-or-flight cycle Sparks laughter and connection Rebuilds rhythm and sync—without a 45-minute processing session It's improv for intimacy. Lucille Ball meets couple's therapy. Coming up Wednesday: Ready to take this playful practice even deeper? Don't miss Episode 295 — Play More, Fight Less: The Secret to Happier Relationships featuring improv power couple Greg Tavares and Amber Nash (yep, Pam from Archer). Ready to take one small step toward showing up with more clarity and confidence? Download our newest freebie—The Confident Leader's Toolkit—a 4-step guide to crafting a professional persona that actually feels like you. This plug-and-play resource helps you define how you want to be seen, align your presence with your purpose, and lead with authenticity (not performance). No, You Hang Up First (Let's Keep Connecting) Did today's episode resonate with you? Leave us a review sharing your favorite insight and we'll send you a free signed copy of I See You! A Leader's Guide to Energizing Your Team through Radical Empathy. Have another question that we can answer? Leave us a Speakpipe audio clip and we'll answer it in an upcoming episode. Don't want to miss another episode? If you're a Spotify listener, find our show here and click “Follow.” If you're an Apple Podcast listener, click here and make sure to hit “+Follow.” Want access to a bunch of free resources for your work life? This is your personal jackpot that gives you access to the frameworks that help us thrive both personally and professionally. Whether you're trying to improve your daily routine, flesh out an idea that you've had for quite some time, or want to add more play into your day - these resources have got your back. Want 2 emails a week from us? One with a quick tip you can implement right away to enhance your personal and/or professional lives & one of our famous F.A.I.L. Fourward Friday newsletters? Subscribe here. Connect with Erin Diehl x improve it! Erin's website Erin's Instagram Erin's TikTok Erin's LinkedIn improve it!'s website improve it!'s Instagram

Hosted by Jane Pauley. In our cover story, David Pogue looks at the legacy of singer-songwriter, activist and father Harry Chapin. Plus: David Martin examines the origins of the U.S. Army as it marks 250 years; Tracy Smith explores the allure of auto racing with Indy Car team co-owner David Letterman; Mo Rocca discusses a biography of entertainer Desi Arnaz, who co-starred with wife Lucille Ball in the classic sitcom “I Love Lucy”; and Conor Knighton learns the magic behind “worm grunting.” To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The talented NYC-based comedian and singer-songwriter Sydney Kane has performed everywhere from off-off-off-barely-Broadway stages to the glamorous 9x16 iPhone screen, and beyond. She built a loyal following on social media with her deeply insightful takes on dating, so sharp and relatable that even straight men are taking notes.Kane will be filming her musical comedy variety show Wife Material live at The Green Room 42 in New York City on June 18. With musical direction by David Dabbon (arranger for Oh, Mary!, Cat Cohen, Las Culturistas Culture Awards, SNL 50) and direction by Andrew Mullins.The special touches on super relatable topics about the endless, exhausting loop of modern dating. While today's society seems to enjoy and glorify pushing women back to the 1950s, Kane pulls inspiration from comedic greats like Lucille Ball, Carol Burnett, and more to turn and upend her perfectly set dinner table.Through original songs, sketch comedy, and unfiltered storytelling, Sydney takes you on a PG-13 (leaning R) rated journey through the most universal experience there is: falling in love. And then falling out. And then falling back in. And then regretting it. And then telling your friends you're done. And then you get over it. And then you meet someone new. And then you fall in love. Does this ever end? You'll have to see the show to find out! (It doesn't. but still see the show.)Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Carlos Navarro is the host of the #1 iHeart Radio Show, Monsters in the Morning,, as well as an actor in shows like The Walking Dead and Marvel's Hawkeye… with all of his success today, it's hard to believe that he was once in jail. Carlos grew up a child of first generation immigrant parents, and while his life was difficult, he learned beautiful lessons in resilience and gratitude along the way. Through being a troubled youth, addiction, and early battles with depression and imposter syndrome, Carlos had to fight hard for everything he has… and just when he thought he had everything set up perfectly, life would deal him another devastating blow: the near death experience in his family that would change his perspective forever.Tune in to hear about:His Cuban mother and the lengths she would go to emulate Lucille Ball… even while living beneath the poverty line in Central FloridaThe crazy reason he got fired from his first radio job… and the INSANE job he took next How he went from alcohol fueled days on the couch… to starring as Alvaro in The Walking DeadThe unexpected, life-altering medical near miss with his daughter… and what it taught him about lifeIN THIS EPISODE:[00:13] Jamie introduces Carlos Navarro. [03:13] Carlos begins to talk about his Cuban upbringing in New York City and recounts what his mother was like. [07:52] Carlos describes the alcoholism and mental health struggles that his mother battled during his youth. [10:49] Carles opens up about the trouble of his own he fell into in his teenage years. [13:08] Carlos talks about his third arrest and how he managed to continue believing in himself and pursue his dream of becoming an actor . [17:26] Carlos describes the challenges of becoming sober and the ultimatum that shifted his mindset completely. [20:56] Carlos recounts the start of his acting career, booking gigs, and landing a role on The Walking Dead. [25:56] Carlos talks about losing the victim mentality and becoming a master of the “now”. [29:38] Carlos describes his scariest moment as a parent, recounting recurring E.R. visits for his sickly 3-year-old daughter.  [33:39] Carlos talks about the personality and humor of his youngest daughter. [35:19] Carlos passionately stresses the importance of living in the “now” and being present for your loved ones. KEY TAKEAWAYS:[15:42] Carlos talks about the meaning behind a saying he holds in the back of his mind that, “boys make choices, men make decisions”. [22:56] Carlos credits manifestation and his relentless focus on his dream that led to its actualization. [29:12] Carlos' realization that what connects us to people is our failures rather than successes. ************Make sure to follow Jamie @jamiehess on Instagram for news & updates, and visit our companion Instagram account @gratitudeology for a sneak peek into the personal moments discussed on the show.************Thank you to Carlos Navarro for sharing your truth with us today. Follow Carlos on Instagram @tothetopcarlos and check out his website iamcarlosnavarro.com ************The Gratitudeology Podcast theme music is by HYLLS, performed by Nadia Ali.************Carlos's Bio:Carlos Alberto Navarro's 23-year entertainment career spans the media spectrum, from radio, television, and film to commercials, video games, and stand-up comedy. His rise in acting is reflected in his roles on some of entertainment's biggest cultural phenomena, including 'Bloodline,' 'The Walking Dead' (one of the most-watched cable TV series in history), 'Red Dead Redemption II,' 'Madden NFL 20,' ‘The Outsider,' ‘Identity Thief,' ‘Unbreakable Kimmy Schmidt,' and Marvel's 'Hawkeye' miniseries on Disney+, where he played the villainous role of Enrique in the Tracksuit Mafia.​Carlos is one of few Hispanic actors to have been part of both "The Walking Dead" and the Marvel Cinematic Universe, two juggernaut comic book movie franchises. Carlos is a radio personality on the #1-rated Orlando talk show “Monsters in the Morning” on iHeartRadio's Real Radio 104.1, where he entertains for FIVE HOURS a day LIVE. In 2022, Carlos and the entire hosting team at the “Monsters in the Morning” were named to TALKERS magazine's list of the “100 Most Important Radio Talk Show Hosts in America” – a.k.a. “The Heavy Hundred.”​Carlos is a family man with a beautiful wife and two daughters who are his inspiration in every endeavor he pursues. He understands and values the importance of cherishing the special moments with them each and every day.Advertising Inquiries: https://redcircle.com/brands

In this comedic treasure trove, Lucille Ball takes center stage as the charming and witty Liz Cooper (originally Liz Cugat). "My Favorite Husband" is a delightful exploration of marital misadventures, hilarious misunderstandings, and the timeless humor that has made Lucy a household name for generations. This episode was originally broadcast February 4th, 1949 on CBS Radio.

The talented NYC-based comedian and singer-songwriter Sydney Kane has performed everywhere from off-off-off-barely-Broadway stages to the glamorous 9x16 iPhone screen, and beyond. She built a loyal following on social media with her deeply insightful takes on dating, so sharp and relatable that even straight men are taking notes.Kane will be filming her musical comedy variety show Wife Material live at The Green Room 42 in New York City on June 18. With musical direction by David Dabbon (arranger for Oh, Mary!, Cat Cohen, Las Culturistas Culture Awards, SNL 50) and direction by Andrew Mullins.The special touches on super relatable topics about the endless, exhausting loop of modern dating. While today's society seems to enjoy and glorify pushing women back to the 1950s, Kane pulls inspiration from comedic greats like Lucille Ball, Carol Burnett, and more to turn and upend her perfectly set dinner table.Through original songs, sketch comedy, and unfiltered storytelling, Sydney takes you on a PG-13 (leaning R) rated journey through the most universal experience there is: falling in love. And then falling out. And then falling back in. And then regretting it. And then telling your friends you're done. And then you get over it. And then you meet someone new. And then you fall in love. Does this ever end? You'll have to see the show to find out! (It doesn't. but still see the show.)Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Our journey back through the years of Suspense continues with my favorite episodes from 1944. Lucille Ball is a taxi dancer who hopes to avoid a murderous dance partner in “Dime a Dance” (originally aired on CBS on January 13, 1944), and Charles Ruggles suspects his new housekeeper may be too good to be true in “Suspicion” (originally aired on CBS on February 10, 1944). Orson Welles stars in a rare two-part Suspense science fiction drama “Donovan's Brain” (originally aired on CBS on May 18 and May 25, 1944), and Vincent Price and Ida Lupino co-star in “Fugue in C Minor,” a Gothic horror drama from the pen of Lucille Fletcher (originally aired on CBS on June 1, 1944). Charles Laughton encounters a strange man who claims to have invented an undetectable method for murder in “The Man Who Knew How” (originally aired on CBS on August 10, 1944), and Gene Kelly enjoys a seemingly supernatural streak of luck…until he doesn't in “The Man Who Couldn't Lose” (originally aired on CBS on September 28, 1944).

ABOUT SYDNEY KANE AND WIFE MATERIALThe talented NYC-based comedian and singer-songwriter Sydney Kane has performed everywhere from off-off-off-barely-Broadway stages to the glamorous 9x16 iPhone screen, and beyond. She built a loyal following on social media with her deeply insightful takes on dating, so sharp and relatable that even straight men are taking notes. Kane will be filming her musical comedy variety show Wife Material live at The Green Room 42 in New York City on June 18. With musical direction by David Dabbon (arranger for Oh, Mary!, Cat Cohen, Las Culturistas Culture Awards, SNL 50) and direction by Andrew Mullins.The special touches on super relatable topics about the endless, exhausting loop of modern dating. While today's society seems to enjoy and glorify pushing women back to the 1950s, Kane pulls inspiration from comedic greats like Lucille Ball, Carol Burnett, and more to turn and upend her perfectly set dinner table. Through original songs, sketch comedy, and unfiltered storytelling, Sydney takes you on a PG-13 (leaning R) rated journey through the most universal experience there is: falling in love. And then falling out. And then falling back in. And then regretting it. And then telling your friends you're done. And then you get over it. And then you meet someone new. And then you fall in love. Does this ever end? You'll have to see the show to find out! (It doesn't. but still see the show.)https://www.sydneymorgankane.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

A Funny WednesdayFirst,  a look at this day in History.Then The Steve Allen Show, originally broadcast June 4, 1950, 75 years ago with guest Eve Arden. The Summer replacement for Our Miss Brooks.  Steve and Eve do a sketch portraying the happy home life of two married screen stars. Followed by the news from 75 years ago, then My Favorite Husband starring Lucille Ball and Richard Denning, originally broadcast June 4, 1950, 75 years ago, George is Messy. Liz is concerned that George is a slob.Then The Henry Morgan Show, originally broadcast June 4, 1947, 78 years ago, Morgan's Around The World Listening Post. "Morgan's Around The World News." Some bad advice; "Jimmy Morgan, Hollywood Reporter."Followed by Mr Ace and Jane starring Goodman and Jane Ace, originally broadcast June 4, 1948, 77 years ago, That's No Lady, That's My Wife. Mr. Ace is assigned by the advertising company where he works to prepare a radio program about a married couple where the husband is constantly upset by the ridiculous things his not-so-bright wife does. But the sponsor doesn't like it because he feels that nobody could be as dumb as the lady on the program. Or as Mr. Ace puts it, 'That is no lady, that's my wife'.Finally. Lum and Abner, originally broadcast June 4, 1942, 83 years ago, Robert Blevins is Killed!  Pine Ridge had it's first loss in the war. Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

The success of I Love Lucy is often credited to Lucille Ball's comedic talent, but biographer Todd Purdum says Desi Arnaz was more than just "second banana" to Lucy. He also helped shape the modern sitcom. Also, TV critic David Bianculli reviews a documentary about John Lennon and Yoko Ono.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

"MARK STEVENS: CLASSIC CINEMA STAR OF THE MONTH" The name MARK STEVENS probably doesn't ring a bell with moviegoers today. However, he's one of those actors who once you see him on screen, you say, “Oh, yeah, THAT guy!” Still, at one time, he was a very in-demand leading man who was always compelling and had a tough-guy likability that brightened up many a hum-drum movie. He may not have reached the upper echelon of fame like contemporaries ALAN LADD or DANA ANDREWS, but he certainly left his mark — particularly in “The Dark Corner” with a pre-TV LUCILLE BALL. Like CHARLES LAUGHTON, DICK POWELL, and IDA LUPINO, he also became a pioneer of the actor-turned-director. Today, we take a look at his long and varied career and celebrate him as our Star of the Month. SHOW NOTES:  Sources: The Bad Boys of Film Noir (2008), by Karen Burroughs Hannsberry; “Today's Underrated Actor Spotlight: Mark Stevens,” February 20, 2018, by Baynum, TheTinselTownTwins.com; “Mark Stevens: Patience is Poison!, (2012), Noir City Annual; “Mark Stevens: Man of Many Talents,” February 2003, Classic Images; “Romance of Actor With Hedy Ended,” September 24, 1947, Daily News; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Destination Tokyo (1943), starring Cary grant & John Garfield; The Doughgirls (1944), starring Ann Sheridan; Hollywood Canteen (1944), starring Bette Davis & John Garfield; God Is My Co-Pilot (1945), starring Dennis Morgan & Dane Clark; Rhapsody In Blue (1945), starring Robert ALda & Joan Leslie;  Within These Walls (1945), starring Thomas Mitchell & Mary Anderson; From This Day Forward (1946), starring Joan Fontaine & Mark Stevens; The Dark Corner (1946), starring Mark Stevens & Lucille Ball; I Wonder Who's Kissing Her Now (1947), starring June Haver & Mark Stevens; The Street With No Name (1948), starring Richard Widmark & mark Stevens; The Snake Pit (1948), starring Olivia de Havilland; Sand (1949), starring Mark Stevens, Coleen Gray, & Rory Calhoun; Oh, You Beautiful Doll (1949), starring June Haver & Mark Stevens; Dancing In the Dark (1949), staring Wiliam Powell; Please Believe Me (1950), starring Deborah Kerr, Mark Stevens, Robert Walker, & Peter Lawford; Before Midnight and Dawn (1950), starring Mark Stevens, Edmond O'Brien, & Gale Storm; Katie Did It (1950), starring Ann Blyth & Mark Stevens; Target Unknown (1951),staring Mark Stevens; In Little Egypt (1951), starring Mark Stevens & Rhonda Fleming; Reunion in Rio (1952), starring Gigi Perreau, Mark Stevens, & Frances Dee; Jack Slade (1953), starring Mark Stevens Cry Vengeance (1954), starring Mark Stevens & Martha Hyer; Time Table (1956), starring Mark Stevens & Felicia Farr; September Storm (1960), starring Mark Stevens & Joanne Dru Escape From Hell Island (1963), starring Mark Stevens; Fate is the Hunter (1964), starring Glenn Ford, Nancy Kwan, Rod Taylor, & Suzanne Pleshette; Frozen Alive (1964), starring Mark Stevens; Sunscorched (1965), starring Mark Stevens; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason Fraley marks the 75th anniversary of Lucille Ball and Desi Arnaz taking their vaudeville act on the road in Chicago then New York City, inspiring CBS to give them their own sitcom with “I Love Lucy.” Jason interviewed their daughter Lucie Arnaz when she toured with “Pippin” at the National Theatre in Washington D.C. in 2014. Don't miss their other chat about the best “I Love Lucy” episodes in our archives at ⁠BeyondTheFamePodcast.com⁠. (Theme Music: Scott Buckley's "Clarion")

The Betches dive deep into this recently discovered treasure of an autobiography. We discuss the book, Lucille Ball's life, and what we thought about the narration! Follow us on Instagram for previews of next week's episode and more bookish content! @books_n_betchesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lucille Ball and Desi Arnaz star in this week’s episode, “The Red-Headed Woman” from Suspense! The story features a young woman who commits an impulsive crime and then crosses paths with a potentially dangerous man on the run. Does she have the nerve and the wits to get away with her crime? Who will get […]

Today, David Waldman and Greg Dworkin KITM to that rhumba beat, as we go chick chicky boom, chick chicky boom: From Babalú! to Desilu! Long before CRT and DEI, there was of course, racism. Desi Arnaz with Lucille Ball brought function, profit and diversity to television. The Gop TLDR budget bill slipped through during the night. Why bother to smuggle in evil little bills when their whole point is to deliver an evil huge bill? Once they find a way around the filibuster, the only hurdle left will be reality.  Donald K. Trump makes his triumphant return from the Middle East as master of the art of taking credit for the deals. He returns to his passion of military design, adding engines to fighter jets like Bob Ross adding happy little trees to paintings. No ugly black stealth planes though. We all know how this administration feels about blacks in the Air Force. Trump has lost another global election, this time in Romania. Pope Leo (Bob) XIII gave JD Vance the brushoff, but stepped forward to greet the President of Ireland. (You know where to find RTÉ News.) If Trade deals are like dating and agreements are like marriage, Trump is the ex that needs a restraining order. (You know where to find Ana Cabrera.) 5 years after their separation, Britain and the EU are patching things up.

Rememeber when Desi no-showed the big performance with Marnie? Well the show doesn't! They've made up so much that they're actually going through with the wedding in this fun episode, which brings us a great guest star in the mysteriously-aged hair & makeup pro Bridget Everett, a tense bridal party that ends up finding some genuinely sweet and meaningful moments, a goofball parade of a groom's party, a body/soul-swapped Jessa who has a little something going with a new man, Ray sacrificing himself, and the ever-forgettable Plop. Rate & review us if you don't mind, and if you feel like extra Jon & Kev in your lives, join us over at patreon.com/kevinandjon!

Tina Cole brings a treasure trove of Hollywood nostalgia, heartwarming memories, and behind-the-scenes stories from her iconic career. From her early days opening for Rowan and Martin in Australia to her unforgettable role as Katie Douglas on My Three Sons, Tina shares the journey that inspired her book My Three Lives. This discussion is filled with tales of a star-studded childhood, unexpected career breaks, and priceless experiences with legends like Doris Day, the Beatles, and Lucille Ball. Tina opens up about fame, family, and the grace that carried her through Hollywood's golden era. Episode Highlights: Opening for Rowan and Martin without rehearsals and the nerve-wracking debut Growing up unaware of her famous parents' legacy—until discovering her father worked on The Sound of Music Childhood memories with Rosemary Clooney and massaging Tony Curtis at age ten Behind-the-scenes life on My Three Sons and becoming Katie Douglas Turning down advances from Hollywood icons, from Troy Donahue to Elvis Presley   You're going to love my conversation with Tina Cole Facebook IMDB Tina's Book: My Three Lives Follow Jeff Dwoskin (host): Jeff Dwoskin on Twitter The Jeff Dwoskin Show podcast on Twitter Podcast website Podcast on Instagram Join my mailing list Subscribe to my Youtube channel (watch Crossing the Streams!) Yes, the show used to be called Live from Detroit: The Jeff Dwoskin Show Ways to support the show: Buy me a coffee (support the show) TeePublic Store: Classic Conversations merch and more! Love the books I talk about on the show? Here is my Amazon store to shop.  

It's part 2 with Comedian, actress, and Netflix star, Fortune Feimster and she's back overflowing with wild stories, deep moments, and Hollywood surprises. She kicks off with a musical confession that she once performed Goodbye Earl live with The Chicks and raves about vocal queens like Kelly Clarkson (the slimmed-down version) and Alanis Morissette, earning massive diva points. We had no idea Fortune could sing until she shocked everyone at Chumpaoke. But, she swears she's not releasing an album, but now we know there's a voice under that comedy crown. From coast to coast, Fortune has done over 200 cities and 150 shows annually. She opens up about the grind of tour life and how acting—like filming Netflix's FUBAR with Arnold Schwarzenegger—gives her room to breathe. Season 2 is wrapped and packed with more action (and more Fortune!). But what happens when Fortune invites reality design king Jeff Lewis into her home? CHAOS. What began as a quick two-week makeover turned into four months of filming Hollywood Houselift and poor Jax (Fortune's soon to be ex-wife) was not thrilled. "Jeff pokes the bear." Fortune laughs, revealing the duo's dynamic clash—funny, never nasty. And yes, Jeff once called Pol' “the worst f***ing client imaginable. Badge of honor? Then boom—Madonna. Jax, a die-hard fan and fellow Michigan native, finally got to meet her idol at a private, no-phones-allowed event. And get this: Madonna knew who Fortune was and had seen her comedy. “She was kind, gracious… everything,” Fortune says, holding back tears. Jax got to thank Madonna personally for her lifelong LGBTQ+ advocacy. Total bucket-list magic. It's not all emotion—there's fashion shade ahead in “Runway Rundown.” Fortune reacts to Harvey Guillén's ruffled Critics Choice look (also worn by Chris Perfetti) and Hannah Einbinder's vintage couture moment from Hacks, drawing comparisons to Lucille Ball meets Paris runway. “It's exaggerated, it's bold, and she's serving,” Fortune says. Then: trivia chaos. Fortune plays “It's a Fortune After All” and tries to guess: - Who bought a banana for $6.2 million? (New York) - Who made $100M for one movie? - Who owns the most expensive yacht? (It's not Trump) She aces it. Then we dish on viral hecklers like Natalie Cuomo, Fortune's own nightmare heckler during her Sweet & Salty Netflix taping, and the absurdity of Mandy Moore dragging Amazon for delivering to her burned-down house. Then things turn emotional. Pol' gives Fortune a powerful coffee reading, guiding her through something long buried—a personal hurt she's carried silently. He encourages her to release it and reclaim her full self. Put the chandelier back up, he tells her, metaphorically and literally. It's a deeply moving, soul-illuminating moment. In the final moments, Pol' offers a stunning insight: Fortune may be holding onto something from her past—a moment she stayed silent, something she needs to release to truly level up in her life and career. “It's about coming home to yourself,” he says, bringing the conversation full circle.

In honor of Carol Burnett’s 92nd birthday later this month, we wanted to re-share the heartwarming conversation she and Julia had back in season one. On the season one finale of Wiser Than Me, Julia sits down in person with 90-year-old groundbreaking actress, comedian, and writer Carol Burnett. Carol tells Julia how she learned to accept rejection, what Lucille Ball taught her about being a boss, and how a spontaneous ride on a beer truck led to her landing a CBS special with her dear friend Julie Andrews. And Carol gives Julia a compliment that makes Julia cry, which leads to a touching conversation between Julia and her mom Judith. Follow Wiser Than Me on Instagram and TikTok @wiserthanme and on Facebook at facebook.com/wiserthanmepodcast. Keep up with Carol @iamcarolburnett on Twitter and @itscarolburnett on Instagram. Find out more about other shows on our network at @lemonadamedia on all social platforms. Joining Lemonada Premium is a great way to support our shows and get bonus content. Subscribe today on Apple Podcasts, Spotify, or wherever you get your podcasts. For exclusive discount codes and more information about our sponsors, visit https://lemonadamedia.com/sponsors/. For additional resources, information, and a transcript of the episode, visit lemonadamedia.com.See omnystudio.com/listener for privacy information.

This 2017 episode covers Lucille Ball, the grande dame of American comedy. The famed star worked in modeling, radio and film, but she really made her mark in television, and her work set the standard for the TV sitcom.See omnystudio.com/listener for privacy information.