Podcast appearances and mentions of dorothy cross

After 5 years, Artist Dorothy Cross has completed her ambition to repatriate a mummified body from Ireland to Egypt. But, how did it all begin?Dorothy Cross, Artist and Producer of the ‘Kinship: Home' project joins Seán to discuss.Image: Dorothy Cross

After 5 years, Artist Dorothy Cross has completed her ambition to repatriate a mummified body from Ireland to Egypt. But, how did it all begin?Dorothy Cross, Artist and Producer of the ‘Kinship: Home' project joins Seán to discuss.Image: Dorothy Cross

Celebrated artist Dorothy Cross talks to Brendan about why she worked so hard over 5 long years to repatriate an Egyptian mummy to its rightful home in Cairo.

Irish artist Dorothy Cross talks Brendan through the controversy surrounding Maurizio Cattelan's work, Comedian - a banana duct taped to a wall that sold for $6 million this week, its meaning in the art world and the value of art.

One of Ireland's most celebrated artists, Dorothy Cross, talks to Brendan about how she has cultivated a true sense of freedom, her elemental need to live near the sea and why she's repatriating a mummy from Cork to Egypt.

本期空岛来客是艺术家、设计师李中凯。他最初入读央美室内设计专业，中途历经转专业、休学，研究生又进入到耶鲁大学艺术学院平面设计专业深造。2021年初，他在上海创立了替代型画廊IS A GALLERY一弄画廊，并以季节作为导线举办了十数场风格各异的展览。2022年，中凯为本届阿那亚海报节贡献了精彩的主视觉设计以及讨论“珊瑚白化”问题的装置作品「无声之地」。本期空岛守岛人相征也邀请到这位有才华且执行力超强的创作者，期待探寻他在精彩作品背后丰富的个人经历以及对于设计学习、设计教育和创作相关的思考。00:00:48 本期空岛来客「李中凯」00:01:48 央美转专业、休学、研究生赴耶鲁大学艺术学院深造00:10:35 2021年初,创办IS A GALLERY一弄画廊00:18:02 卡尔·马滕斯: 再造与《天王星》出版00:22:14 新言系列BeingType的创作00:28:05 对字体的执念来自于童年阴影——笔顺00:38:56 美术馆的工作令我谦卑00:41:22 如何理解阿那亚海报节主题「正在思考的日常」00:43:57 装置作品「无声之地The Silent Garden」00:46:37 推荐作品: Dorothy Cross与金色水母00:49:45 目前更关注与材料相关的创作00:51:07 接下来的计划动向00:52:30 Lazy Calm - Cocteau Twins

Considerations around The Great Book of Ireland, created by Irish artists, writers and composers between 1989-1991, which in time would echo other great books of the past with Thomas McCarthy, Michelle McAdoo, Dorothy Cross, the late Mathew Sweeney and Michael Coady

Ghosts of Baggotonia, a semi-autobiographical film by Alan Gilsenan - Dance Move by Wendy Erskine, a collection of acutely observed short stories - Three decades of Dorothy Cross's art in Crossing - A review of the Australian mini-series Wolf Like Me

To support our work and listen to additional content from previous episodes, see here: https://patreon.com/yourshelf and follow us on social media @_yourshelf_ (note: there is no Patreon episode for either of our Books of the Year 2020 episodes). In our latest, eleventh episode of The YourShelf Podcast, Prose Book of the Year 2020, our chief curator Juliano Zaffino (Jay) catches up with Doireann Ní Ghríofa to discuss Doireann's book A Ghost In The Throat, the life of Eibhlín Dubh Ní Chonaill, Dubh's poem Caoineadh Airt Uí Laoghaire which survives in the Irish oral tradition, motherhood, voices, astonishment, Doireann's forthcoming bilingual collection of poetry (due spring 2021), and a recap of the best books of 2020. For full show notes, see here: https://podcast.yourshelf.uk/episodes/11. Thanks for listening.LinksPatreonInstagramTwitterPodcastYourShelfEpisode NotesJay asks Doireann about the books that made her, what her bookshelves look like, and what book she'd send backwards in time if she could. (from 0:01)Doireann explains the origins of her book A Ghost In The Throat, her poetry work including (in English) Clasp and Lies (a bilingual publication), the life and work of Eibhlín Dubh Ní Chonaill, astonishment, engineering the breath in the white space on the page, and more. (from 11:40)Doireann recaps her favourite books and TV shows of 2020, recommends some titles for 2021, and muses on what's next from her. (from 54:20)Doireann gives a special reading of a passage from A Ghost In The Throat. (from 1:12:23)The books and authors discussed in this episode include: the work of Edmund Lenihan, the artist Dorothy Cross' Montenotte, Tramp Press' 'Recovered Voices' series, Lucy Ellmann's Ducks, Newburyport, Max Porter's Grief Is The Thing With Feathers, and Han Kang's The White Book.Doireann's 2020 highlights include Sara Baume's handiwork, Celia Paul's Self-Portrait, Ella Frears' Shine, Darling, Seán Hewitt's Tongues of Fire, Mark O'Connell's Notes from an Apocalypse, and Janet Malcolm's The Silent Woman: Sylvia Plath and Ted Hughes. Aside from books, Doireann also recommends repeatedly rewatching the 2017 film The Meyerowitz Stories, and the 2020 TV series The Queen's Gambit and Ratched.Doireann's most anticipated releases of 2021 include Megan Nolan's Acts of Desperation and Kerri Ní Dochartaigh's Thin Places.Doireann's book A Ghost In The Throat is available now from Tramp Press. Her poetry collections Clasp and Lies are available now from Dedalus Press. Her next collection is forthcoming in Spring 2021.Thanks for listening and tune in again soon for new episodes embracing all the books 2021 has to offer.

An early work by Dorothy Cross, Simeon's Hut (1986) anticipates the artist's later tendency to incorporate found objects, such as boats, animal or shark skins, in her oeuvre. Comprising a mix of materials, the work can be read from the gravity of lead at its base, with gilded steps leading upwards towards a narrow, vertically placed shaft of timber surmounted by a modest hut.If we are to seek a narrative context for the work, its form coupled with its title can be taken to refer to Simeon Stylites (c.390-459). This fifth-century ascetic saint lived for 37 years on a platform atop a column near modern-day Aleppo, Syria. Does Simeon's Hut therefore propose a site of solitary meditation away from busy communal life?Dorothy Cross (b.1956) is one of Ireland's leading contemporary artists and her work has been described as “moving from opera to object in a territory between idea and nature.”Educated at the, then, Crawford Municipal School of Art, Leicester Polytechnic, and San Francisco Art Institute, Cross represented Ireland at the Venice Biennale in 1993. She was awarded an honorary doctorate by University College Cork in 2009. Her work is also in the collections of the Irish Museum of Modern Art, National Gallery of Ireland, The Hugh Lane, Ulster Museum, and TATE. See acast.com/privacy for privacy and opt-out information.

Episode 4 of a new series of oral histories, led by Donal Maguire, curator of the Gallery's ESB CSIA, documenting some of the experiences and thoughts of artists living and working through the COVID-19 emergency. In episode 4, artist Dorothy Cross discusses her life in Connemara and her works Ghost Ship (1999), Shark Heart Submarine (2011), and Heartship (2019). This conversation was recorded on 15 May 2020. Born in Cork, Dorothy Cross lives and works in Connemara, County Galway. Over the past forty years she has developed a critically acclaimed, multidisciplinary art practice that combines elements of sculpture, installation, photography, video and drawing. Cross's works explore relationships between living beings and the natural world. About Artists' Voices: Life in a Pandemic: Oral histories are a unique record of an individual's personal thoughts and experiences. They are a valuable source of knowledge for researchers, providing insight and connection to a person's life and character. The ESB Centre for the Study of Irish Art, at the National Gallery of Ireland, builds, cares for and makes available the national record of art in Ireland for public study and interpretation. Oral histories are a type of archival record and form an interesting part of the ESB CSIA's collection. In recognizing the significant impact of COVID-19, the ESB CSIA is carrying out a series of short conversations with artists to document some of their experiences and thoughts of living and working through the pandemic. These conversations, led by Donal Maguire, Curator of the ESB CSIA, were recorded using technology that is conveniently available to the artist. The use of commonplace technologies for this project reflects the more general and increasing significance of these platforms for everyday communication. The ESB CSIA acknowledges the generosity of the artists for agreeing to talk about their life and work during this uncertain time. This oral history project has been generously supported by ESB, sponsor of the ESB Centre for the Study of Irish Art Image: Courtesy Kerlin Gallery. Photographer: Sue Flood

Dorothy Cross lives in Charleys Forest, a little over 20 minutes out of Braidwood NSW. I met Dorothy when my son was about a month old at Playgroup. We were really fortunate, as parents of young children, that someone took the initiative to organise this weekly group and give us all the opportunity to come together for chats and a play. Dorothy has also been regularly involved in the local parkrun at the Braidwood Showground and was instrumental in encouraging me to get out and about again, once those postpartum aches subsided. Dorothy is mum to three children, two born prior to moving to her rural property at Charleys Forest and then Bastien (her youngest) who was born in 2018. Bastien's birth was a quick one. Dorothy went into labour as Anamae got off the school bus. Bastien was born a short while later at Queanbeyan hospital around quarter to 7 and Dorothy was driving her family home by 9.30pm. Living rurally makes you no stranger to travel but Dorothy definitely took the travel and distance in her stride, as she travelled to the maternity ward and back home in a single evening. Dorothy shares how, as a member of the Queanbeyan hospital's ‘Aboriginal Maternal and Infant Health Service' program, she was offered in home appointments with her midwife before and after Bastien's birth. She believes that it would be phenomenal if in the future this community practice could become available to all rural birthing women and that minimising travel for pregnant women during that tight maternity check-up schedule could be achieved. I hope you enjoy listening to Dorothy's rural birth story. I had a lot of fun talking to her. Dorothy is fantastic to chat to and I just felt like we bounced so easily as we shared in what it was like to be pregnant, birth and experience the postpartum period as rural women.

Meteorites in gold painted skulls. Bronze sharks. Mama Cass and the song of a shark caller in Papua New Guinea. All on Mystery Train, when John is joined by artist Dorothy Cross for our Mystery Train Sunday Service.

TransitionAn exhibition curated from the Arts Council Collection by 5th year Loreto students.South Tipperary Arts Centre, in conjunction with the Tipperary Arts Office and The Arts Council, devised a project, in which the 5th Year students of the Loreto Convent Secondary School would work with Arts Council’s historic art collection with the aim of curating a show of artworks and to engage with the process of curating. The resulting exhibition features works which the students themselves chose and features an audio segment in which the pupils discuss their decisions and methods of curation. Featured within ‘Transition’, are the works of John Behan, Carmel Benson, Pauline Bewick, Melanie leBrocquy, Jennifer Brady, Michelle Brown, Amanda Coogan, Dorothy Cross, Mary Ann Duffy, Anita Groener, Dragana Jurisic, and Helena Kelly. Transition runs from 11th April - 18th May 2019

Artists and curators Louisa Chambers and Olivia Punnett talk about the respective exhibitions they were involved in curating for the 2017 Wirksworth Festival, Veneer and Internal Nebular. Curated by Louisa Chambers and Emily Strange, Veneer brings together a group of diverse artists from around the country whose practices play with themes of domesticity, display and concealment, and architectural space. The works are grouped together under the title Veneer. Working alongside Louisa and Emily will be artists Craig Fisher, Conor Hereford, Demi Levi, Tessa Lynch, Laura McCafferty, Zoe Mendelson, David Penny, Gabriel Tejada and Ian Whitfield. Internal Nebular explores the clandestine nature of geological time and the crystalline structures it forms, as well as connecting to the history of stone, so much a part of the Derbyshire landscape and identity. The works all have a reverence to the natural world, whilst being sited firmly in a contemporary understanding of the ground beneath our feet. The exhibition includes work by Dorothy Cross, Liz Orton and Alastair Mackie. Music on the podcast is from Dave Langdon a beautiful steel pedal composition titled 'Love Calls' https://www.facebook.com/100012305088305/videos/319938945092939/?story_fbid=319940911759409&id=100012305088305&comment_id=320076678412499¬if_t=feed_comment_reply¬if_id=1494718293224275

This week Second Captains talk to internationally acclaimed artist and five time national swimming champion Dorothy Cross to the show to talk about her love of the ocean, the fusion of art and sport and why its so important to take risks. Plus there's Eoin's swim lesson shame, Ken's triumph of will and Trump's new low.

Dorothy Cross is an artist from Cork, Ireland. Her work incorporates sculpture, film and photography and examines the relationship between living beings and the natural world. In recent years, her practice has focused on nature and the ocean, working with maligned animals such as jellyfish and shark, and exploring rarely accessible areas like sea caves or shell grottos. She lives in Connemara, a rural area on Ireland’s wild west coast. Xavier Bray is a curator and director of the Wallace Collection in London. He was the curator of paintings at the Bilbao Fine Arts Museum in 2000, he then became the assistant curator of 17th- and 18th-century European paintings at London’s National Gallery, before joining Dulwich Picture Gallery as Chief Curator in 2011. He has organised a number of exhibitions including including The Sacred Made Real: Spanish Painting and Sculpture, 1600–1700 (2009) and Goya: The Portraits (2015). Inspired by Conversations Before The End Of Time by Suzi Gablik. Conversations In Time is recorded and distributed as part of European Capital of Culture Aarhus 2017.

There are some guests we’re prepared to wait around for and we’ve been trying to get Dorothy Cross to Banter for four and a half years. The dates and schedules and stars finally aligned and the brilliant, remarkable and forthright Cork-born artist joined us at the Shore Shots surf festival in The Model in Sligo the other month. It was, as you will hear, an interview well worth waiting for.

Artist Dorothy Cross, author Joanna Kavenna, the cosmologist Jo Dunkley and our second 2016 New Generation Thinker historian Edmund Richardson from Durham University join Matthew Sweet for a programme recorded in Oxford exploring mysticism and its role in a timeless search for reality.Joanna Kavenna's novel A Field Guide to Reality is published at the end of June.Dorothy Cross is displaying art as part of Mystics and Rationalists - it runs from June 11th to August 7th as part of the Kaleidoscope series celebrating 50 years of Modern Art Oxford.Edmund Richardson has published Classical Victorians: Scholars, Scoundrels & Generals in Pursuit of Antiquity.New Generation Thinkers is a scheme run by BBC Radio 3 in partnership with the Arts and Humanities Research Council to find academics who can turn their research into radio programmes. Find out more from our website and hear them introducing their research in the programme which broadcast on May 31st - available as an arts and ideas podcast.Producer: Jacqueline Smith

Introduced by Peter Donaldson, Edited and Mixed at dBs Music'I have written a blasphemous book', said Melville when his novel was first published in 1851, 'and I feel as spotless as the lamb'. Deeply subversive, in almost every way imaginable, Moby-Dick is a virtual, alternative bible - and as such, ripe for reinterpretation in this new world of new media. Out of Dominion was born its bastard child - or perhaps its immaculate conception - the Moby-Dick Big Read: an online version of Melville's magisterial tome: each of its 135 chapters read out aloud, by a mixture of the celebrated and the unknown, to be broadcast online, one new chapter each day, in a sequence of 135 downloads, publicly and freely accessible.Starting 16 September 2012!For more info please go to: www.mobydickbigread.com

Audio recordings of past Tate Modern conference coinciding with Samuel Beckett's centenary

Audio recordings of past Tate Modern conference coinciding with Samuel Beckett's centenary