Podcasts about Irish literature

Recorded June 10th 2026. An engaging conversation with writer Caitríona Lally and Rooney Writer Fellow, Colin Murphy, as they discuss Caitríona's memoir, Home Economics. This special evening also celebrates the Rooney Writer Fellowship Programme, generously funded by Dr Peter Rooney. Caitríona Lally was the inaugural Rooney Writer Fellow, and Colin Murphy is the current Fellow. Previous fellows include Mark O'Connell, Paul Murray, and poet, pacifist, and fabulist Nidhi Zak/Aria Eipe. Caitríona Lally is the author of the novels Eggshells and Wunderland. She received the Rooney Prize for Irish Literature (2018), a Lannan Fellowship for Fiction (2019), and was the inaugural Rooney Writer Fellow at the Trinity Long Room Hub (2021). Colin Murphy is a playwright, screenwriter, journalist, and documentary maker. His recent publication, Colin Murphy's Political Plays: 100 Years of Irish History, was published by Bloomsbury Methuen. Learn more at www.tcd.ie/trinitylongroomhub

I LOVE IRISH LITERATURE. And like so many of you, I love the work of Maggie O'Farrell – so when I heard her new book was very Irish (set in the aftermath of The Great Hunger in the late 19th century) I wondered if she'd be willing to come on the pod to do one of our favorite things here on Culture Study: offer very specific book recommendations. Stay tuned for a delightful conversation that will add a solid half dozen books to your TBR list. Thanks to the sponsors of today's episode: Go to  https://zbiotics.com/CULTURESTUDY and use CULTURESTUDY at checkout for 15% off any first time orders of ZBiotics probiotics. Use code CULTURE at jonesroadbeauty.com to get a free gift with your first purchase! Thanks to Article for sponsoring this podcast! If you're in the market for a beautiful new sofa, dining table or bed, head over to https://www.article.com/ Stop putting off those doctors appointments and go to Zocdoc.com/CULTURE to find and instantly book a doctor you love today. Show Notes: You can buy Maggie O'Farrell's new book Land here: https://bookshop.org/a/56144/9780593320648 Links for the 30+ books we recommend are available for paid subscribers.   We're currently looking for your questions for future episodes about: THE NEXUS OF LLMS/A.I. AND CREATIVITY: A.I. Boosters argues that LLMS can free us for more creative endeavors — or "facilitate" our creative work. THOUGHTS???? (This one's with the brilliant Vauhini Vara, whose work grapples with these questions in a way I've never seen before). Hopefully this week's piece on how A.I. keeps wasting my G-D time will spark some questions on your end. WOMEN'S FITNESS INDUSTRIAL COMPLEX. As our co-host Zoe Rom puts it: "Women are told they need to do fasting, creatine, lifting, fueling, and recovery differently than men. Sometimes the science backs it. More often the "different" is a marketing mechanism: invent a gendered problem, sell a gendered protocol, collect the markup." What's going on here? Where have you seen it, what pisses you off about it... take this wherever you'd like. HOW HAVING A FAMILY BECAME SO DAUNTING (and DIFFICULT). Anna Louie Sussman is coming on the pod to talk about her incredible new book on the feeling of "impossibility" when it comes to contemporary family. We can talk about fertility, cost, equal partnership, affordability, safety, climate grief, so many things. Anything you need advice for/want musings about for the AAA segment. You can ask about anything — it's literally the name of the segment. Join the ranks of paid subscribers and get bonus content, access to the discussion threads, ad-free episodes, and the knowledge that you're supporting an indie pod trying to make its way in the world.Got a question to submit, a prompt for Ask Anne Anything, or an idea for a future episode? Tell us here.Catch up on everything else happening in the Culture Study universe here.Transcripts will be available here within 24 hours of publishing. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Recorded 12 May 2026. Trinity Long Room Hub Visiting Research Fellow Prof Elke D'hoker (KU Leuven, Belgium) in conversation with Dr Paul Delaney (School of English). About the fellow: Elke is a Professor of English literature at KU Leuven and director of the Leuven Centre for Irish Studies. After a critical study on the novels of John Banville (Rodopi 2004), she turned her attention to the Irish short story. She has published many articles and book chapters on this topic, as well the monograph Irish Women Writers and the Modern Short Story (Palgrave 2016). Her present research focuses on the importance of magazines in supporting, codifying and disseminating Irish short fiction from the late 19th century to the present. Among the books she edited or co-edited in these fields are Irish Women Writers (Lang 2011), Mary Lavin (IAP 2013), The Irish Short Story (Lang 2015), The Modern Short Story and Magazine Culture (EUP 2021), Sarah Hall. Critical Essays (Gylphi 2022), Ethel Colburn Mayne: Selected Stories (EER 2021), The Writer's Torch: Reading Stories from The Bell (Stinging Fly 2023), and The Edinburgh Companion to Irish Literature and Periodical Culture (EUP, forthcoming). Her interest in literary pedagogy led her to publish a textbook on teaching literature in 2022 and to set up the KU Leuven Centre for Literature and Education. She has long been a board member of EFACIS (European Federation of Associations and Centres of Irish Studies), serving as its vice-president from 2019 to 2025. During her visit at the Trinity Long Room Hub she is working on a project called The Irish Short Story & The Dublin Magazine (1923-1958)'. Learn more at www.tcd.ie/trinitylongroomhub

From the bodies rotting by the wayside in Famine fiction, Synge's sodden corpses and Joyce's dead, to Nuala Ní Dhomhnaill's talking corpses and the unburied and dissected remains of Celtic Tiger fiction, the figure of the corpse is ubiquitous in Irish writing. This collection examines the Irish corpse as a conceptually rich centrepoint with multiple differently signifying implications across this historical period as expressed in different social, political and creative contexts. Taking Irish literature's obsession with death as its starting point, The Corpse in Modern Irish Literature (Liverpool UP, 2026) demonstrates the wide-ranging implications of this fixation, extending it through the contexts of the tragedies of the Irish past and the emergence of new identities in the wake of colonial modernity. In their range of authors and genres from the eighteenth to the twenty-first century, the chapters bring into focus patterns of change and continuity and extend current understanding of the Gothic mode, the national tale, the Irish modernist novel, Irish-language poetry, the elegiac mode, comic and tragic revivalist writings and the generic complexity of autofiction and contemporary fiction. In so doing, The Corpse in Modern Irish Literature makes a significant intervention in Irish studies, Gothic studies, death studies and medical and health humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of Season 2 of The Language Question ~ Ceist na Teangan, host Finghin Mac Cárthaigh (Flor McCarthy) sits down with Alan Titley, renowned author, scholar, translator, and Professor Emeritus of Modern Irish.Together, they explore how learning Irish (Gaeilge) can go far beyond grammar and vocabulary, opening powerful pathways into identity, heritage, and belonging.Thanks for your interest in The Language Question ~ Ceist na Teangan! Subscribe for free to receive priority notification on future episodes and to access valuable Irish language learning resources.In this conversation, they explore the emotional strength of Irish — from family ties and memory to the profound cultural significance embedded in words. Alan shares insights from his extraordinary career, discussing the evolution of Irish-language literature, the importance of translation, and the enduring relevance of Gaeilge in a globalised world.This episode reminds us that Irish is not simply something to learn — it is something to experience, feel, and live.This Episode Celebrates:* The role of storytelling in learning Irish* The power of etymology to unlock meaning* The emotional connection between language, identity, and heritage* The importance of accessibility and community in language revivalIf you've ever felt disconnected from Irish — or unsure where to begin — this episode will inspire you to start again.Thanks for reading The Language Question ~ Ceist na Teangan! Subscribe for free to receive priority notification on future episodes and to receive valuable resources.Podcast NotesA Lifetime Dedicated to the Irish LanguageAlan Titley reflects on his early education in Cork and the formative experiences that shaped his lifelong passion for Gaeilge, leading to a distinguished career as a writer, academic, and cultural advocate.A Prolific Voice in Irish LiteratureAs the author of numerous novels, plays, poetry collections, and short stories, Alan has made an extraordinary contribution to modern Irish literature, including An Bhean Feasa, the longest poem in modern Irish.#Thanks for reading The Language Question ~ Ceist na Teangan! Subscribe for free to receive priority notification on future episodes and to receive valuable resources.The Art and Power of TranslationAlan discusses his acclaimed translation of Máirtín Ó Cadhain's Cré na Cille, published as The Dirty Dust, highlighting the creative challenges and cultural significance of translating Irish-language works for global audiences.Irish as a Global and Indigenous LanguageDrawing on his experiences in Nigeria and his engagement with global literary traditions, Alan explores the parallels between Irish and other indigenous languages, emphasising their role in cultural identity, intellectual life, and decolonisation.Free Irish Learning ResourcesIf you enjoyed this episode of The Language Question ~ Ceist na Teangan and want to continue your Irish language journey:Access free Irish learning resources, stay updated on upcoming episodes, and receive exclusive content.Sign up here:Free ResourcesThe Language Question ~ Ceist na Teangan Free ResourcesYou can also follow my writing on Substack:Thanks for reading The Language Question ~ Ceist na Teangan! Subscribe for free to receive priority notification on future episodes and to receive valuable learning resources.A newsletter and community for anyone learning the Irish language as an adultSlán tamall,Finghin Mac CárthaighHost – The Language Question ~ Ceist na TeanganMore on Alan TitleyAlan TitleyAlan Titley is an acclaimed author, scholar, playwright, poet, and translator. He has made an extraordinary contribution to Irish literature and language over several decades.His celebrated translation of Máirtín Ó Cadhain's Cré na Cille, published as The Dirty Dust by Yale University Press in 2015, brought one of the most important works of Irish-language literature to international acclaim. His literary achievements have earned numerous honours, including the Children's Books Ireland Éilís Dillon Award.Alan is Emeritus Professor of Modern Irish at University College Cork and a distinguished member of the Royal Irish Academy. He has also played a significant role in Irish-language broadcasting, including presenting Scéal na Gaeilge on TG4.Since 2003, he has contributed a regular weekly column to The Irish Times, often writing under the pen name Crobhingne, where he offers insightful commentary on language, culture, politics, and contemporary society.Learn more:The Irish Times This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit finghinmac.substack.com

From the bodies rotting by the wayside in Famine fiction, Synge's sodden corpses and Joyce's dead, to Nuala Ní Dhomhnaill's talking corpses and the unburied and dissected remains of Celtic Tiger fiction, the figure of the corpse is ubiquitous in Irish writing. This collection examines the Irish corpse as a conceptually rich centrepoint with multiple differently signifying implications across this historical period as expressed in different social, political and creative contexts. Taking Irish literature's obsession with death as its starting point, The Corpse in Modern Irish Literature (Liverpool UP, 2026) demonstrates the wide-ranging implications of this fixation, extending it through the contexts of the tragedies of the Irish past and the emergence of new identities in the wake of colonial modernity. In their range of authors and genres from the eighteenth to the twenty-first century, the chapters bring into focus patterns of change and continuity and extend current understanding of the Gothic mode, the national tale, the Irish modernist novel, Irish-language poetry, the elegiac mode, comic and tragic revivalist writings and the generic complexity of autofiction and contemporary fiction. In so doing, The Corpse in Modern Irish Literature makes a significant intervention in Irish studies, Gothic studies, death studies and medical and health humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From the bodies rotting by the wayside in Famine fiction, Synge's sodden corpses and Joyce's dead, to Nuala Ní Dhomhnaill's talking corpses and the unburied and dissected remains of Celtic Tiger fiction, the figure of the corpse is ubiquitous in Irish writing. This collection examines the Irish corpse as a conceptually rich centrepoint with multiple differently signifying implications across this historical period as expressed in different social, political and creative contexts. Taking Irish literature's obsession with death as its starting point, The Corpse in Modern Irish Literature (Liverpool UP, 2026) demonstrates the wide-ranging implications of this fixation, extending it through the contexts of the tragedies of the Irish past and the emergence of new identities in the wake of colonial modernity. In their range of authors and genres from the eighteenth to the twenty-first century, the chapters bring into focus patterns of change and continuity and extend current understanding of the Gothic mode, the national tale, the Irish modernist novel, Irish-language poetry, the elegiac mode, comic and tragic revivalist writings and the generic complexity of autofiction and contemporary fiction. In so doing, The Corpse in Modern Irish Literature makes a significant intervention in Irish studies, Gothic studies, death studies and medical and health humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Irish Anthropocene, Malcolm Sen traces the ways in which contemporary Irish literature responds to climate breakdown. Drawing upon concepts of sovereignty, precarity, and disaster, Sen examines Irish literary works to reveal how they engage with the entangled relations between ecology, economy, and politics. Irish writers not only critique the association of greenness with Ireland and the corporatization of sustainability discourses, they also illuminate the acute challenges that the climate crisis poses to political, social, and cultural forms in addition to ecosystems. The Irish canon has historically played a crucial role in Irish nationalism. But contemporary works are written at a time when questions of statehood and citizenship are yielding to the cross-border, multi-generational pressures of climate breakdown. Writing in the shadow of modernity's rhetorical and carbon emissions, contemporary authors are skeptical of business-as-usual sustainability jargon emanating from institutions. Instead, they focus on the local variations of the planetary-level threats dominating the discourse of the Anthropocene, placing the country in a webwork of ecological and geo-political relations. Cleverly written and groundbreaking in scope, Sen's analyses shows that Ireland's postcolonial identity can be especially helpful to analyze the cultural footprint of the climate crisis. Malcolm Sen is the director of the Environmental Humanities Specialization and an associate professor at the University of Massachusetts, Amherst. He is the editor of A History of Irish Literature and the Environment and Race in Irish Literature and Culture. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Irish Anthropocene, Malcolm Sen traces the ways in which contemporary Irish literature responds to climate breakdown. Drawing upon concepts of sovereignty, precarity, and disaster, Sen examines Irish literary works to reveal how they engage with the entangled relations between ecology, economy, and politics. Irish writers not only critique the association of greenness with Ireland and the corporatization of sustainability discourses, they also illuminate the acute challenges that the climate crisis poses to political, social, and cultural forms in addition to ecosystems. The Irish canon has historically played a crucial role in Irish nationalism. But contemporary works are written at a time when questions of statehood and citizenship are yielding to the cross-border, multi-generational pressures of climate breakdown. Writing in the shadow of modernity's rhetorical and carbon emissions, contemporary authors are skeptical of business-as-usual sustainability jargon emanating from institutions. Instead, they focus on the local variations of the planetary-level threats dominating the discourse of the Anthropocene, placing the country in a webwork of ecological and geo-political relations. Cleverly written and groundbreaking in scope, Sen's analyses shows that Ireland's postcolonial identity can be especially helpful to analyze the cultural footprint of the climate crisis. Malcolm Sen is the director of the Environmental Humanities Specialization and an associate professor at the University of Massachusetts, Amherst. He is the editor of A History of Irish Literature and the Environment and Race in Irish Literature and Culture. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Irish Anthropocene, Malcolm Sen traces the ways in which contemporary Irish literature responds to climate breakdown. Drawing upon concepts of sovereignty, precarity, and disaster, Sen examines Irish literary works to reveal how they engage with the entangled relations between ecology, economy, and politics. Irish writers not only critique the association of greenness with Ireland and the corporatization of sustainability discourses, they also illuminate the acute challenges that the climate crisis poses to political, social, and cultural forms in addition to ecosystems. The Irish canon has historically played a crucial role in Irish nationalism. But contemporary works are written at a time when questions of statehood and citizenship are yielding to the cross-border, multi-generational pressures of climate breakdown. Writing in the shadow of modernity's rhetorical and carbon emissions, contemporary authors are skeptical of business-as-usual sustainability jargon emanating from institutions. Instead, they focus on the local variations of the planetary-level threats dominating the discourse of the Anthropocene, placing the country in a webwork of ecological and geo-political relations. Cleverly written and groundbreaking in scope, Sen's analyses shows that Ireland's postcolonial identity can be especially helpful to analyze the cultural footprint of the climate crisis. Malcolm Sen is the director of the Environmental Humanities Specialization and an associate professor at the University of Massachusetts, Amherst. He is the editor of A History of Irish Literature and the Environment and Race in Irish Literature and Culture. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

In Irish Anthropocene, Malcolm Sen traces the ways in which contemporary Irish literature responds to climate breakdown. Drawing upon concepts of sovereignty, precarity, and disaster, Sen examines Irish literary works to reveal how they engage with the entangled relations between ecology, economy, and politics. Irish writers not only critique the association of greenness with Ireland and the corporatization of sustainability discourses, they also illuminate the acute challenges that the climate crisis poses to political, social, and cultural forms in addition to ecosystems. The Irish canon has historically played a crucial role in Irish nationalism. But contemporary works are written at a time when questions of statehood and citizenship are yielding to the cross-border, multi-generational pressures of climate breakdown. Writing in the shadow of modernity's rhetorical and carbon emissions, contemporary authors are skeptical of business-as-usual sustainability jargon emanating from institutions. Instead, they focus on the local variations of the planetary-level threats dominating the discourse of the Anthropocene, placing the country in a webwork of ecological and geo-political relations. Cleverly written and groundbreaking in scope, Sen's analyses shows that Ireland's postcolonial identity can be especially helpful to analyze the cultural footprint of the climate crisis. Malcolm Sen is the director of the Environmental Humanities Specialization and an associate professor at the University of Massachusetts, Amherst. He is the editor of A History of Irish Literature and the Environment and Race in Irish Literature and Culture. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices

The Magician's Elephant teaches us that even the impossible can be possible when we open our eyes and hearts to those around us. Baltese is a town where nothing extraordinary ever happens. Recovering from a recent war, it's a lonely place, where young Peter lives a harsh life. Then one day, a magician conjures an elephant from the sky. The creature's appearance sets off a chain of events so remarkable, so impossible, that it changes Baltese forever. As Peter is catapulted into the quest of his life, he discovers a magical bond with the majestic creature and risks everything not only to find his sister, but to set the elephant free.Nancy Harris (Book and lyrics) is an award-winning playwright from Dublin whose work has been produced in Dublin, London, and New York. Her plays include: Somewhere Out There You, Two Ladies, The Beacon, Our New Girl, and No Romance. She has written stage adaptations of The Kreutzer Sonata by Leo Tolstoy, The Red Shoes by Hans Christian Anderson, and a version of Sophocles'        Philoctetes for children: The Man with the Disturbingly Smelly Foot. She wrote the book and co-wrote the lyrics with composer Marc Teitler for the new musicals,  Baddies The Musical. She is a past recipient of The Rooney Prize for Irish Literature, the Stewart Parker Award, and has been a finalist for The Susan Smith Blackburn Prize. For television she is the creator and writer of the comedy/drama series “The Dry,” for which she received a BAFTA nomination. @nancyfallonharris Marc Teitler (Music and lyrics) is a composer known for his dark, playful, and otherworldly scores spanning stage musicals, theater, film, and animation. A recipient of the Guardian Innovation Award, his cross-disciplinary work has honed his ability to craft immersive, emotionally resonant storytelling that often draws on the surreal, magical, and uncanny. He is the co-creator of The Grinning Man, the cult hit musical hailed as “crowned by an extraordinary score” (WhatsOnStage), directed by Tom Morris. The show premiered at Bristol Old Vic, transferred to the West End, and inspired international productions, a motion-capture film adaptation directed by Andy Serkis, and a chart-topping cast album. His earlier musical Baddies, co-written with Nancy Harris, was praised by The Guardian as “delightfully witty and endlessly imaginative.” Marc is currently developing an AI-themed musical adaptation of Pinocchio, with Tommy Antonio and Natalie Abrahami. Marc's music has featured in “American Horror Story,” “The Patient,” “Portlandia,” “Bones,” “The Loud House,” and “The Seventh Dimension,” and he has scored numerous animations including Hearts, nominated for the VW Score Award at the Berlin International Film Festival and Stuck On a Sunday by Marc Craste. The music video for his haunting song “Stranger in Paradise,” directed by Gabriella Orozco, was nominated for Best Animated Short at Raindance 2025. His commercial credits include PlayStation and Johnnie Walker. For theater, he has composed scores for Dance Nation (Almeida), Blood & Gifts (National Theatre), The Secret Agent (Young Vic), and most recently, The Red Shoes by Nancy Harris (Royal Shakespeare Company). @marcteitlermusic

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2025 Rooney Prize for Irish Literature - The Kiss - Andrew Michael Hurley

Éilís Ní Dhuibhne tells Ruth McKee about the books which have been important in her life, through childhood, love, and loss—and talks about how her writing practice has evolved.  Éilís Ní Dhuibhne, The Laureate for Irish Fiction, writes in both Irish and English. A member of Aosdána, she is Writer Fellow at UCD, where she teaches MA-level Creative Writing. She has been the recipient of many literary awards, most recently the Pen Award for an Outstanding Contribution to Irish Literature, and a Hennessy Hall of Fame Award, many Oireachtas Awards for her writing in Irish, and the Stuart Parker Award for Drama. Her novel, The Dancers Dancing, was shortlisted for the Orange Prize in 2000. She has published several collections of short stories, the most recent being Selected Stories (Blackstaff 2023) and Fáínne Geal and Lae (Clo Iar Chonnacht 2023).

Masculinity and Identity in Irish Literature: Heroes, Lads, and Fathers (Routledge, 2024) addresses Irish identity in Irish literature, especially masculinity in some of its forms through an interdisciplinary methodology. The study of language performance through literary analysis and corpus studies will enable readers to approach literary texts from both quantitative and qualitative perspectives, to take advantage of the texts' full potential as well as examining these same texts through the perspective of gender identity. This will be carried out through a specialised corpus composed of 18 novels written by twentieth- and twenty-first-century male Irish authors. Thus, the language and behaviour patterns of contemporary Irish masculinity can be found as part of these male characters' performance of identity. This book is primarily aimed at undergraduate and graduate students who wish to introduce themselves in the study of gender and identity in an Irish context as well as researchers looking for interdisciplinary methodologies of study. What is more, it can present researchers with varied options of analysis that corpus studies have not yet touched upon so thoroughly such as masculinity and Irish literature. As a monograph meant to show analysts new fields of study in Irish literature, this book will sell to academic libraries and can be used in MA courses. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Masculinity and Identity in Irish Literature: Heroes, Lads, and Fathers (Routledge, 2024) addresses Irish identity in Irish literature, especially masculinity in some of its forms through an interdisciplinary methodology. The study of language performance through literary analysis and corpus studies will enable readers to approach literary texts from both quantitative and qualitative perspectives, to take advantage of the texts' full potential as well as examining these same texts through the perspective of gender identity. This will be carried out through a specialised corpus composed of 18 novels written by twentieth- and twenty-first-century male Irish authors. Thus, the language and behaviour patterns of contemporary Irish masculinity can be found as part of these male characters' performance of identity. This book is primarily aimed at undergraduate and graduate students who wish to introduce themselves in the study of gender and identity in an Irish context as well as researchers looking for interdisciplinary methodologies of study. What is more, it can present researchers with varied options of analysis that corpus studies have not yet touched upon so thoroughly such as masculinity and Irish literature. As a monograph meant to show analysts new fields of study in Irish literature, this book will sell to academic libraries and can be used in MA courses. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Masculinity and Identity in Irish Literature: Heroes, Lads, and Fathers (Routledge, 2024) addresses Irish identity in Irish literature, especially masculinity in some of its forms through an interdisciplinary methodology. The study of language performance through literary analysis and corpus studies will enable readers to approach literary texts from both quantitative and qualitative perspectives, to take advantage of the texts' full potential as well as examining these same texts through the perspective of gender identity. This will be carried out through a specialised corpus composed of 18 novels written by twentieth- and twenty-first-century male Irish authors. Thus, the language and behaviour patterns of contemporary Irish masculinity can be found as part of these male characters' performance of identity. This book is primarily aimed at undergraduate and graduate students who wish to introduce themselves in the study of gender and identity in an Irish context as well as researchers looking for interdisciplinary methodologies of study. What is more, it can present researchers with varied options of analysis that corpus studies have not yet touched upon so thoroughly such as masculinity and Irish literature. As a monograph meant to show analysts new fields of study in Irish literature, this book will sell to academic libraries and can be used in MA courses. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Masculinity and Identity in Irish Literature: Heroes, Lads, and Fathers (Routledge, 2024) addresses Irish identity in Irish literature, especially masculinity in some of its forms through an interdisciplinary methodology. The study of language performance through literary analysis and corpus studies will enable readers to approach literary texts from both quantitative and qualitative perspectives, to take advantage of the texts' full potential as well as examining these same texts through the perspective of gender identity. This will be carried out through a specialised corpus composed of 18 novels written by twentieth- and twenty-first-century male Irish authors. Thus, the language and behaviour patterns of contemporary Irish masculinity can be found as part of these male characters' performance of identity. This book is primarily aimed at undergraduate and graduate students who wish to introduce themselves in the study of gender and identity in an Irish context as well as researchers looking for interdisciplinary methodologies of study. What is more, it can present researchers with varied options of analysis that corpus studies have not yet touched upon so thoroughly such as masculinity and Irish literature. As a monograph meant to show analysts new fields of study in Irish literature, this book will sell to academic libraries and can be used in MA courses. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who doesn't want to live happily ever after?The important role of romance fiction in Irish Literature is being explored in a new exhibition, which has opened in the Museum of Literature Ireland.Seán is joined by the Curator of Happy Ever After and author of ‘Modernism in Irish Women's Contemporary Writing: The Stubborn Mode', Professor Paige Reynolds, to discuss this further...Image: MoLI

Thom Francis introduces us to Erin Lynn, a Queens-based poet who was one of the poets who read at Mojo's Cafe in Troy as part of an afternoon of poetry and spoken word. The Hudson Valley Writers Guild sponsored the event featuring writers from online zines Trailer Park Quarterly and Hobo Camp Review on October 5, 2024. — On a beautiful fall day in Troy, NY, poets and writers gathered at Mojo's Cafe for an incredible afternoon of poetry and spoken word from contributors of online zines Trailer Park Quarterly and Hobo Camp Review. Host Mary Panza also welcomed local poets Melissa Anderson and Steven Minchin to the stage to share their work at the annual Hudson Valley Writers Guild sponsored event. Today we are going to hear from Queens-based poet Erin Lynn. Hobo Camp Review editor James Duncan introduced her to the audience. Erin holds a PhD in Poetry from The University of Connecticut, an MFA in Poetry from Columbia University, and an MA in Irish Literature from Queen's University, Belfast. Her poetry has appeared in publications such as Narrative, The Nashville Review, and Lunch Ticket. She won the Gwendolyn Brooks Poetry Prize for her 2023 chapbook, Forgive Our Kind, with Cordella Press. She co-curates Poor Mouth Poetry in the Bronx and is Assistant Professor of First Year Writing at St. John's University. Erin lives in Astoria, New York with her family.

Charlie and Amy Jordan (The Dark Hours) discuss the Irish police force, the Garda, in the 1990s, particularly where it involves sexism. They also discuss the effects on a relationship of being a member of the police, and the way trauma can influence extreme actions. A transcript is available on my site General references: The New York Times review (paywall) Books mentioned by name or extensively: Amy Jordan: The Dark Hours Release details: recorded 14th January 2025; published 12th May 2025 Where to find Amy online: Instagram Where to find Charlie online: Website || Twitter || Instagram || TikTok Discussions 01:31 The inspiration 03:19 Writing Julia and exploring the effects of what she's been through 09:21 Exploring trauma and its effects 14:22 The pacing 18:49 More about how Amy included Julia's husband and what he goes through as a result of her career, which includes talking about people Amy knows 23:26 Where Julia says, "Call me Julia" 25:22 The misogyny and the Garda in general in the 1990s 32:36 Brendon and his Morse Code 35:08 Creating the fictional villages, and Amy's spooky story of a real house 38:33 Minor details of book 2, including where Amy will take Julia and Philip's relationship

Host Jason Blitman sits down with Seán Hewitt (Open, Heaven) to discuss sense memories, queer representation in school growing up, and Seán's aversion to musicals—despite offering a sharp insight into The Sound of Music's film adaptation. Later, Jason is joined by Guest Gay Reader Jeffery Self, who shares what he's currently reading, talks about his book Self Sabotage, and reflects on theatre icons Cathy Rigby, Sally Struthers, and Gary Beach.Seán Hewitt's debut collection of poetry, Tongues of Fire, won the Laurel Prize in 2021, and was shortlisted for The Sunday Times Young Writer of the Year Award, the John Pollard Foundation International Poetry Prize, and a Dalkey Literary Award. In 2020, he was chosen by The Sunday Times (London) as one of their “30 under 30”  artists in Ireland. His memoir, All Down Darkness Wide, is published by Jonathan Cape in the UK and Penguin Press in the United States (2022). It was shortlisted for Biography of the Year at the An Post Irish Book Awards, for the Foyles Book of the Year in nonfiction, for the RSL Ondaatje Prize, and for a LAMBDA award, and won the Rooney Prize for Irish Literature in 2022. Hewitt is assistant professor in literary practice at Trinity College Dublin, and is a fellow of the Royal Society of Literature.Jeffery Self is a writer and actor whose TV credits include Search Party, The Horror of Dolores Roach, Shameless, 30 Rock, Desperate Housewives, as well as co-creating and starring in the cult low-fi series Jeffery & Cole Casserole with Cole Escola. His film credits include Drop, Spoiler Alert, Mack and Rita, and The High Note. He is the author of the young adult novels Drag Teen and A Very, Very Bad Thing. He lives in New York City.SUBSTACK!https://gaysreading.substack.com/ BOOK CLUB!Use code GAYSREADING at checkout to get first book for only $4 + free shipping! Restrictions apply.http://aardvarkbookclub.com WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

Send us a textIn this episode, I chat with Lucy Caldwell about contemporary Irish literature's vibrant yet complex landscape, her latest novel, These Days, and profound philosophical insights. Growing up in Belfast during the Troubles in a "mixed marriage" family—Protestant father, Catholic mother—Caldwell developed a unique perspective that informs her award-winning writing. Lucy describes writing during the pandemic and experiencing "a portal between worlds" as she researched the Blitz while living through COVID lockdowns. Lucy Caldwell was born in Belfast in 1981. She is the author of three previous novels, several stage plays and radio dramas, and three collections of short stories. She won the BBC National Short Story Award in 2021 for “All the People Were Mean and Bad.” Other awards include the Rooney Prize for Irish Literature, the George Devine Award, the Dylan Thomas Prize, and a Major Individual Artist Award from the Arts Council of Northern Ireland. She was elected a Fellow of the Royal Society of Literature in 2018, and in 2019, she was the editor of Being Various: New Irish Short Stories. In 2022, she was the recipient of the EM Forster Award from the American Academy of Arts & Letters for her body of work to date.Lucy CaldwellThese Days, Lucy CaldwellJan Carson, AuthorGlenn PatersonWendy Erskine, AuthorKerry Dougherty, AuthorSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

Stephen Sexton is an Irish poet and a lecturer at the Seamus Heaney Centre for Poetry at Queen's University Belfast. While on campus in March 2025 he sat down with the Center for Irish Studies Director Joseph Lennon to discuss howpoetry can help us navigate the world. He reads poems from his two books ___________________Stephen Sexton the author of two books of poems – If All the World and Love Were Young, published in 2019 and Cheryl's Destinies, published in 2021.  He is a recipient of multipleawards, which include winning the National Poetry Competition in 2016, the Eric Gregory Award in 2018, the Forward Prize for Best First Collection and the Shine / Strong Award for Best First Collection in 2019, the E. M. Forster Awardfrom the American Academy of Arts and Letters and the Rooney Prize for Irish Literature in 2020.   Sexton has been teaching creative writing at the ⁠Seamus Heaney Centre⁠ for Poetry at Queen's University Belfast for six years.  Sexton was ten years old when the Good Friday Agreement in 1998 brought a formal end to the Troubles in the North of Ireland, which later in life made him realize that he was growing up in a time that he did not understand, and he became aware of a profound generational divide between him and his parents.  Sexton explains that in a sense, there is a “kind of ghostly history that is all around you, but you can't access it in the same way that other people can, so as a consequence, it doesn't necessarily show up in my writing.”  In his book, If All the World and Love Were Young, which happens to be set in 1998, there is one moment that addresses the Omagh bombing – a single deadliest attack in thirty years of violence that he remembers hearing about on the radio and then seeingon television.  But beyond that, the book is a blend of childhood memories that uses the analogy of a nineties Nintendo videogame, Mario Brothers, that digs into Sexton's more personal recollections about the house that he grew up in and memories of his mother.   Sexton's more recent book of poems, Cheryl's Destinies, was written during the COVID lockdown, where he explored a desire to bring together the improbable and the sensitive, hence the section of poems that imagines a collaboration between Billy Corgan lead singer of the Smashing Pumpkins and Irish poet W.B Yeats. The book's general theme of being obsessed with and anxious about the future came through the conversations between two strangers separated by a century, where they discuss the difficulty of making art. Sexton's book questions the role of a poet and its connection to the role of a medium, as they both perform a similar function -- look at the world and interpret it.

Recorded February 13th, 2025. Pay Attention!: Literary Studies, Neurohumanities and the ‘Distraction Economy' Trinity Long Room Hub Visiting Research Fellow Prof Ronan McDonald (University of Melbourne, Australia) in conversation with Prof Christopher Morash (School of English, TCD) and Prof Shane O'Mara (TCIN, TCD). ‘Attention studies' is burgeoning in academic and popular fora, not least because there is a common perception that we live in an era of digital distraction. Drawing on insights from neuroscience, this project considers the relationship between reading and attention in literary studies. It considers how reading orientates our mind, between various affective states that compel or distract: between willed concentration, raptured enchantment or receptive, wide-minded noticing. Opening up a cross-disciplinary conversation between literary studies, psychology and neuroscience,  it seeks to provide new purpose and direction for literary studies. ​​​​​​​ About Ronan McDonald: Ronan McDonald holds the Gerry Higgins Chair in Irish Studies at the University of Melbourne. He is widely published in Irish literary studies, with a particular interest in Irish modernism and Irish-Australian literature. He also has a research interest in the history of criticism and the value of the humanities. His books include Tragedy and Irish Literature (2002), The Cambridge Introduction to Samuel Beckett (2007) and The Death of the Critic (2008). Recent edited collections include The Values of Literary Studies: Critical Institutions, Scholarly Agendas (Cambridge University Press, 2015) and Flann O'Brien and Modernism (2014). He is series editor of Cambridge Themes in Irish Literature and Culture. Current projects include an ARC Discovery Project with Prof Katherine Bode and Maggie Nolan, ‘Close Relations: Irishness in Australian Literature'. and a ARC Discovery Project, with Professor Simon During, on 'English: The History of a Discipline, 1920-70'. He is currently working on a book on ‘attention' in literary studies. Learn more at www.tcd.ie/trinitylongroomhub

Recorded December 5, 2025. Trinity Long Room Hub Rooney Writer Fellow Mark O'Connell in conversation with Professor David Kenny (School of Law, TCD). Mark O'Connell is the author of A Thread of Violence, Notes from an Apocalypse, and To Be a Machine, which was awarded the 2018 Wellcome Book Prize, the 2019 Rooney Prize for Irish Literature, and was shortlisted for the Baillie Gifford Prize for Non-Fiction. He is a regular contributor to The New York Review of Books. His work has appeared in The New Yorker, The New York Times Magazine, Slate, and The Guardian.  Professor David Kenny is Professor in Law at the Law School, teaching and researching Irish and comparative constitutional law, conflict of laws, critical legal theory and law and literature. He is a graduate of Trinity College Dublin, Harvard Law School, and the Honourable Society of the King's Inns, and is an alumnus of the US State Department's Fulbright programme. He was elected a Fellow of Trinity College Dublin in 2021. Since June 2024, he has served as Head of the Law School. Learn more at www.tcd.ie/trinitylongroomhub

Recorded December 5th, 2024. Rooney Writer Fellow Mark O'Connell (A Thread of Violence, 2023) in conversation with historian Maurice Casey (Hotel Lux, 2024) about writing across the academic/commercial publishing boundary. Mark O'Connell is the author of A Thread of Violence, Notes from an Apocalypse, and To Be a Machine, which was awarded the 2018 Wellcome Book Prize, the 2019 Rooney Prize for Irish Literature, and was shortlisted for the Baillie Gifford Prize for Non-Fiction. He is a regular contributor to The New York Review of Books. His work has appeared in The New Yorker, The New York Times Magazine, Slate, and The Guardian. He lives in Dublin with his family. Dr Maurice J. Casey is a Research Fellow in Queen's University Belfast, where he is a postdoc on a project exploring histories of queer sexuality in Northern Ireland. An expert on the history of international communism, he studied English and History at TCD before completing his MPhil at Cambridge and his DPhil in Oxford. He also held a Fulbright scholarship at Stanford and was the Historian in Residence at the Irish Department of Foreign Affairs and EPIC, the Irish Emigration Museum. His first book Hotel Lux: An Intimate History of Communism's Forgotten Radicals, which was based on his PhD thesis, was published by Footnote Press in August 2024. Learn more at www.tcd.ie/trinitylongroomhub

This week, we're looking inside the writing routine of Niall Williams. He is an acclaimed Irish author whose evocative storytelling has captivated readers and audiences around the world. He loves to capture a sense of placeBorn in Dublin in 1958, his writing is rooted in the rich cultural and literary traditions of Ireland. Niall studied English and French at University College Dublin before moving to New York City, where he worked in publishing and honed his craft. He moved back home to 'see if he had any talent'.In addition to his fiction, Williams is a playwright and co-author of four non-fiction books on healing, written with his wife, Christine Breen. Together, they live in Kiltumper, County Clare, where they restored a 19th-century cottage and continue to draw inspiration from the natural world around them. Their love of gardening inspires his fiction... we find out how much, and what the balance between the two is.Best known for novels like 'This is Happiness' and 'Four Letters of Live', Williams's work often explores themes of love, loss, resilience, and the profound connections between people and place. Niall's writing has been shortlisted for prestigious awards, including the Man Booker Prize, and his works have been translated into numerous languages.His newest novel is 'Time of the Child' - here's the blurb: Doctor Jack Troy was born and raised in the village of Faha, but his responsibilities for the sick and dying mean he has always been set apart from his community. A visit from the doctor is always a sign of bad things to come. His eldest daughter, Ronnie, has grown up in her father's shadow, and remains there. But in the advent season of 1962, as the town readies itself for Christmas, Ronnie and Doctor Troy's lives are turned upside down when an abandoned baby is left in their car. As Christmas approaches, a deep and abiding love for this secret visitor takes root in the doctor's household. But it is Ireland in the 1960s, and under the eye of the church, and the gossip of the parish, what chance does the unmarried Ronnie have of holding on to this most unexpected gift?We discuss how a busy home-life through the years has dictated how his writing routine has evolved. Also his search for the perfecf first sentence, and why he keeps returning to write 11 novels later... what is he searching for?Support the show at patreon.com/writersroutine and ko-fi.com/writersroutineGet a copy of the book at uk.bookshop.com/shop/writersroutine@writerspodwritersroutine.com Hosted on Acast. See acast.com/privacy for more information.

Welcome back to the second season of The Medieval Irish History Podcast! We are very excited to be back with you all! Today, in our very first episode of the new season, we are back with Dr Elizabeth Boyle to talk little bit about Early Irish Literature. You have probably heard about some key figures of medieval Irish literature, such as Cú Chulainn and Queen Medb from Táin Bó Cúailnge, but how can we as historians (or interested readers) interpret these sagas? Are they myths that provide a window into Ireland's past or are they the result of a cleric's fertile imagination? Suggested reading: – For translations of a selection of Irish saga narratives see Jeffrey Gantz, Early Irish Myths and Sagas (Penguin, 1981) but please disregard the outdated introduction. – Ann Dooley, Playing the Hero: Reading the Irish Saga Táin Bó Cúailnge (Toronto, 2006) – Elizabeth Boyle, Fierce Appetites (Dublin and London, 2022) – Elizabeth Boyle, 'Early Medieval Perspectives on Pre-Christian Traditions in the Celtic World' In: Prognostication in the Medieval World: A Handbook (Berlin, 2020). – Gregory Toner, ‘Wise Women and Wanton Warriors in Early Irish Literature' in Proceedings of the Harvard Celtic Colloquium, xxx (2010), pp 259–27 – Angela Bourke et al (eds), The Field Day Anthology of Irish Writing Volume IV: Irish Women's Writings and Traditions (Cork 2002) – Thomas Owen Clancy, ‘Women poets in early medieval Ireland', in C. E. Meek & M. K. Simms (eds), The Fragility of her Sex? Medieval Irish Women in their European Context (Dublin, 1996), pp. 43–72

Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hugo Hamilton reads his story “Autobahn,” from the September 23, 2024, issue of the magazine. Hamilton, a winner of the Rooney Prize for Irish Literature, is the author of the memoir “The Speckled People” and ten novels, including “Dublin Palms” and “The Pages.”Share your thoughts on The Writer's Voice. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2

Simon and Rachel speak to Kevin Barry, a novelist and short-story writer. Kevin is the author of four novels and three story collections. His awards include the IMPAC Dublin Literary Award, the Goldsmiths Prize, the Sunday Times EFG Short Story Award and the Rooney Prize for Irish Literature. His stories and essays have appeared in the New Yorker, Granta and elsewhere. His novel, "Night Boat to Tangier", was a number-one bestseller in Ireland, was longlisted for the Booker Prize and named one of the Top Ten Books of the Year by the New York Times. Kevin also works as a playwright and screenwriter. We spoke to him about forcing himself to become a novelist, writing short stories and screenplays, and about his latest book, "The Heart in Winter."  “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is published by Ithaka Press. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hatchards⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Our crowdfunding page is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/alwaystakenotes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

On this edition of The Instruction Booklet, the Instructors are discussing the history of narratives in video games! Joining them is their first guest - Adam Pickens (a PhD candidate of Irish Literature) - together the trio break down the origin of storytelling in gaming, it's evolution over the years, & how strong narratives have helped legitimize games as an artform. ----------------------------------- Sources for this edition of The Instruction Booklet: ►“Narrative of Video Games” (Wikipedia) https://en.wikipedia.org/wiki/Narrative_of_video_games ►“The Power of Narratives in Video Games” https://www.ue-germany.com/blog/the-power-of-narratives-in-video-games ►“A History of the Video Game Narrative” https://amherststudent.amherst.edu/article/2012/10/31/history-videogame-narrative.html ►“Video Games Are Better Without Stories” https://archive.ph/4C5Yq ----------------------------------- Follow the Show's Socials! - Twitter: twitter.com/Instruction_Bk - Facebook: www.facebook.com/InstructionBooklet - Twitch: www.twitch.tv/theinstructionbooklet ----------------------------------- The Instruction Booklet full series Playlist: soundcloud.com/aychpodcast/sets/the-instruction-booklet ----------------------------------- Follow the Hosts! Jeremy - Instagram: www.instagram.com/pressartf4/ - Twitch: twitch.tv/backwardshero Michael - Instagram: www.instagram.com/mackerel_prawns/

Ana discusses the life and work of Edna O'Brien, a writer who caused a scandal in 1960's Ireland with her debut novel, The Country Girlls, and her pioneering exposé of women's previously hidden sexual lives.

What was the deal with the Victorians and their obsession with reanimating corpses? How did writers like Mary Shelley, Robert Browning, Charles Dickens, W.B. Yeats, Bram Stoker, and others breathe life into the undead - and why did they do it? We can attribute their efforts to the present's desire to remake the past in its own image - but what does that mean exactly? In this episode, Jacke talks to Professor Renée Fox about her book The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature. PLUS Jacke explores what notable German-Swiss author Herman Hesse learned from trees. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

A woman tells her son about his early life. About the months and years that he will by now have forgotten. When he was a baby, then a toddler, and when she was going into battle every day. For him first, and only then for herself. It's a battle fought on many fronts. Against exhaustion, against time, against the loss of selfhood, against an increasingly absent husband, and against a society that values women less than men, and perhaps mothers least of all. And with no guarantee that she, that they, will come out on top. Between a testimony and a confession, between a lesson and a warning to the man her boy will become Soldier Sailor is devastating, uplifting, punishing, galvanising, vertiginous, infuriating, honest, raw, painful, and illuminating…in short, as close a representation of the early days of parenthood that can be committed to words. Bu Soldier Sailor here: https://www.shakespeareandcompany.com/books/soldier-sailor-2Clare Kilroy's debut novel All Summer was described in The Times as compelling... a thriller, a confession and a love story framed by a meditation on the arts', and was awarded the 2004 Rooney Prize for Irish Literature. Her second novel, Tenderwire was shortlisted for the 2007 Irish Novel of the Year and the Kerry Group Irish Fiction Award. It was followed, in 2009, by the highly acclaimed novel, All Names Have Been Changed. Educated at Trinity College, she lives In Dublin.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Somota is society divided by change, and by memories. When A. arrives in the protectorate shortly after the first world war, he is unsure of what to expect. Employed by the government as a linguistic anthropologist, he is tasked with documenting the benefits of the new order and reporting them to the Reverend G. But what are these benefits? In his travels throughout the region, A. finds only the physical and emotional scars of conquest, and of routine colonial administration. Yet, even as the indigenous culture is being reduced to mere fragments, he also learns of a sublime literature responding to those historical traumas. One storyteller in particular, Kehinta, begins to reveal to A. just how much has been lost. A People Without Shame (Blackwater Press, 2024) is a profoundly beautiful novel commenting on the horrors of colonial oppression, trauma, love, and the power of story. Patrick Colm Hogan is the author of The Death of the Goddess: A Poem in Twelve Cantos (2014), a book-length, narrative poem based on Hindu Goddess myths, as well as lyric poems and short fiction, published in such outlets as minnesota review, The Journal of Irish Literature, and the Journal of Commonwealth and Postcolonial Studies. A Board of Trustees Distinguished Professor at the University of Connecticut, he is the author of over twenty scholarly and interpretive books, most of which treat postcolonial or world literature. Hogan regularly teaches courses in postcolonial literature (often with a focus on Africa), as well as courses on the pre-colonial and postcolonial literary traditions of India and China. In keeping with these interests, he has worked to acquire at least some knowledge of French, German, Italian, Spanish, Latin, Hindi, Mandarin, and Sanskrit. A People Without Shame is his first novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Somota is society divided by change, and by memories. When A. arrives in the protectorate shortly after the first world war, he is unsure of what to expect. Employed by the government as a linguistic anthropologist, he is tasked with documenting the benefits of the new order and reporting them to the Reverend G. But what are these benefits? In his travels throughout the region, A. finds only the physical and emotional scars of conquest, and of routine colonial administration. Yet, even as the indigenous culture is being reduced to mere fragments, he also learns of a sublime literature responding to those historical traumas. One storyteller in particular, Kehinta, begins to reveal to A. just how much has been lost. A People Without Shame (Blackwater Press, 2024) is a profoundly beautiful novel commenting on the horrors of colonial oppression, trauma, love, and the power of story. Patrick Colm Hogan is the author of The Death of the Goddess: A Poem in Twelve Cantos (2014), a book-length, narrative poem based on Hindu Goddess myths, as well as lyric poems and short fiction, published in such outlets as minnesota review, The Journal of Irish Literature, and the Journal of Commonwealth and Postcolonial Studies. A Board of Trustees Distinguished Professor at the University of Connecticut, he is the author of over twenty scholarly and interpretive books, most of which treat postcolonial or world literature. Hogan regularly teaches courses in postcolonial literature (often with a focus on Africa), as well as courses on the pre-colonial and postcolonial literary traditions of India and China. In keeping with these interests, he has worked to acquire at least some knowledge of French, German, Italian, Spanish, Latin, Hindi, Mandarin, and Sanskrit. A People Without Shame is his first novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Deirdre Madden (winner of a 2024 Windham Campbell Prize for Fiction) joins Michael Kelleher to talk about Marilynne Robinson's classic novel Housekeeping, siblings, writing with a density of language, and the unacknowledged humor present even in hard times. Reading list:  Housekeeping by Marilynne Robinson • Moby-Dick by Herman Melville • Carl Jung • William Shakespeare • Reading Genesis by Marilynne Robinson For a full episode transcript, click here. Deirdre Madden is a writer from Toomebridge, County Antrim, Northern Ireland. The author of eight acclaimed novels, she has twice been a finalist for the Women's Prize for Fiction (2009, 1996) and has received numerous other awards and honors, including the Hennessy Literary Awards Hall of Fame (2014), the Somerset Maugham Award (1989), and the Rooney Prize for Irish Literature (1980). Madden holds a BA from Trinity College, Dublin and an MA from the University of East Anglia. She has been a member of Aosdána, the affiliation of creative artists in Ireland, since 1997, and is currently an Associate Professor of Creative Writing and Co-Director of the M.Phil in Creative Writing at Trinity College, Dublin. The Windham-Campbell Prizes Podcast is a program of The Windham-Campbell Prizes, which are administered by Yale University Library's Beinecke Rare Book and Manuscript Library.

Deirdre Madden (winner of a 2024 Windham Campbell Prize for Fiction) joins Michael Kelleher to talk about Marilynne Robinson's classic novel Housekeeping, siblings, writing with a density of language, and the unacknowledged humor present even in hard times.Reading list: Housekeeping by Marilynne Robinson • Moby-Dick by Herman Melville • Carl Jung • William Shakespeare • Reading Genesis by Marilynne RobinsonFor a full episode transcript, click here.Deirdre Madden is a writer from Toomebridge, County Antrim, Northern Ireland. The author of eight acclaimed novels, she has twice been a finalist for the Women's Prize for Fiction (2009, 1996) and has received numerous other awards and honors, including the Hennessy Literary Awards Hall of Fame (2014), the Somerset Maugham Award (1989), and the Rooney Prize for Irish Literature (1980). Madden holds a BA from Trinity College, Dublin and an MA from the University of East Anglia. She has been a member of Aosdána, the affiliation of creative artists in Ireland, since 1997, and is currently an Associate Professor of Creative Writing and Co-Director of the M.Phil in Creative Writing at Trinity College, Dublin.The Windham-Campbell Prizes Podcast is a program of The Windham-Campbell Prizes, which are administered by Yale University Library's Beinecke Rare Book and Manuscript Library. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this interview, Dr. Nicholas Taylor-Collins discusses his most recent book Shakespeare, Memory, and Modern Irish Literature (Manchester UP, 2022). Shakespeare, Memory, and Modern Irish Literature explores the intertextual connections between early modern English and modern Irish literature. Characterizing the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which modern/contemporary Ireland draws on Shakespeare's England. Dr. Nicholas Taylor-Collins is Senior Lecturer in English at Cardiff Metropolitan University. His reasearch focuses on Shakespeare and modern and contemporary Irish literature. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this interview, Dr. Nicholas Taylor-Collins discusses his most recent book Shakespeare, Memory, and Modern Irish Literature (Manchester UP, 2022). Shakespeare, Memory, and Modern Irish Literature explores the intertextual connections between early modern English and modern Irish literature. Characterizing the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which modern/contemporary Ireland draws on Shakespeare's England. Dr. Nicholas Taylor-Collins is Senior Lecturer in English at Cardiff Metropolitan University. His reasearch focuses on Shakespeare and modern and contemporary Irish literature. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this interview, Dr. Nicholas Taylor-Collins discusses his most recent book Shakespeare, Memory, and Modern Irish Literature (Manchester UP, 2022). Shakespeare, Memory, and Modern Irish Literature explores the intertextual connections between early modern English and modern Irish literature. Characterizing the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which modern/contemporary Ireland draws on Shakespeare's England. Dr. Nicholas Taylor-Collins is Senior Lecturer in English at Cardiff Metropolitan University. His reasearch focuses on Shakespeare and modern and contemporary Irish literature. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Summary: Join host Ella Parlor in an enriching conversation with Dr. Lauren Saunders, a Chapman University alumna and Kappa Alpha Theta sister. As VP of Editing and Research at Dissertation Editor and the author of 'PhDone,' Dr. Saunders is a beacon of inspiration for those seeking life balance, higher education, and accolades. Highlights:Irish literature, Irish Culture and the plights of Irish Car BombsInsights into the writing and editing process of academic works.Discussion on the pervasive issue of imposter syndrome in academia.Balancing roles as a mother, wife, and professional.Addressing the emotional needs of children in today's world.Approximately 1.2% of the US population aged 25 and over holds a doctoral degree (Ph.D. or equivalent). This percentage has steadily increased over the last few decades.Disney's movie, ‘Inside Out'Ella's SEFPH Philosophy Quotes:“Yes, we are going to get our wrists slapped, but we need to give and accept feedback with compassion and empathy”“The burden of multitasking is still on women” “Universities are moving to more adjunct professor models” “I knew if I didn't try, I couldn't fail at it”Keywords & Themes: Chapman University, Kappa Alpha Theta, Dissertation Editing, Irish Literature, Imposter Syndrome, Multitasking, Child Development, COVID-19 and Education, Emotional Intelligence, Academic WritingConnect Dr. Saunders:Instagram: @drlaurensaundersTikTok: @drlaurensaundersLinkedIn: Lauren SaundersResource Links:PhDone Book Dissertation Editor WebsiteConnect With Ella: EllaParlor.com IG / FB / TikTok / LinkedIn: @ellayourbella Follow & Share using #EavesdropWithElla

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network