Podcasts about Irish literature

Thom Francis introduces us to Erin Lynn, a Queens-based poet who was one of the poets who read at Mojo's Cafe in Troy as part of an afternoon of poetry and spoken word. The Hudson Valley Writers Guild sponsored the event featuring writers from online zines Trailer Park Quarterly and Hobo Camp Review on October 5, 2024. — On a beautiful fall day in Troy, NY, poets and writers gathered at Mojo's Cafe for an incredible afternoon of poetry and spoken word from contributors of online zines Trailer Park Quarterly and Hobo Camp Review. Host Mary Panza also welcomed local poets Melissa Anderson and Steven Minchin to the stage to share their work at the annual Hudson Valley Writers Guild sponsored event. Today we are going to hear from Queens-based poet Erin Lynn. Hobo Camp Review editor James Duncan introduced her to the audience. Erin holds a PhD in Poetry from The University of Connecticut, an MFA in Poetry from Columbia University, and an MA in Irish Literature from Queen's University, Belfast. Her poetry has appeared in publications such as Narrative, The Nashville Review, and Lunch Ticket. She won the Gwendolyn Brooks Poetry Prize for her 2023 chapbook, Forgive Our Kind, with Cordella Press. She co-curates Poor Mouth Poetry in the Bronx and is Assistant Professor of First Year Writing at St. John's University. Erin lives in Astoria, New York with her family.

Charlie and Amy Jordan (The Dark Hours) discuss the Irish police force, the Garda, in the 1990s, particularly where it involves sexism. They also discuss the effects on a relationship of being a member of the police, and the way trauma can influence extreme actions. A transcript is available on my site General references: The New York Times review (paywall) Books mentioned by name or extensively: Amy Jordan: The Dark Hours Release details: recorded 14th January 2025; published 12th May 2025 Where to find Amy online: Instagram Where to find Charlie online: Website || Twitter || Instagram || TikTok Discussions 01:31 The inspiration 03:19 Writing Julia and exploring the effects of what she's been through 09:21 Exploring trauma and its effects 14:22 The pacing 18:49 More about how Amy included Julia's husband and what he goes through as a result of her career, which includes talking about people Amy knows 23:26 Where Julia says, "Call me Julia" 25:22 The misogyny and the Garda in general in the 1990s 32:36 Brendon and his Morse Code 35:08 Creating the fictional villages, and Amy's spooky story of a real house 38:33 Minor details of book 2, including where Amy will take Julia and Philip's relationship

Host Jason Blitman sits down with Seán Hewitt (Open, Heaven) to discuss sense memories, queer representation in school growing up, and Seán's aversion to musicals—despite offering a sharp insight into The Sound of Music's film adaptation. Later, Jason is joined by Guest Gay Reader Jeffery Self, who shares what he's currently reading, talks about his book Self Sabotage, and reflects on theatre icons Cathy Rigby, Sally Struthers, and Gary Beach.Seán Hewitt's debut collection of poetry, Tongues of Fire, won the Laurel Prize in 2021, and was shortlisted for The Sunday Times Young Writer of the Year Award, the John Pollard Foundation International Poetry Prize, and a Dalkey Literary Award. In 2020, he was chosen by The Sunday Times (London) as one of their “30 under 30”  artists in Ireland. His memoir, All Down Darkness Wide, is published by Jonathan Cape in the UK and Penguin Press in the United States (2022). It was shortlisted for Biography of the Year at the An Post Irish Book Awards, for the Foyles Book of the Year in nonfiction, for the RSL Ondaatje Prize, and for a LAMBDA award, and won the Rooney Prize for Irish Literature in 2022. Hewitt is assistant professor in literary practice at Trinity College Dublin, and is a fellow of the Royal Society of Literature.Jeffery Self is a writer and actor whose TV credits include Search Party, The Horror of Dolores Roach, Shameless, 30 Rock, Desperate Housewives, as well as co-creating and starring in the cult low-fi series Jeffery & Cole Casserole with Cole Escola. His film credits include Drop, Spoiler Alert, Mack and Rita, and The High Note. He is the author of the young adult novels Drag Teen and A Very, Very Bad Thing. He lives in New York City.SUBSTACK!https://gaysreading.substack.com/ BOOK CLUB!Use code GAYSREADING at checkout to get first book for only $4 + free shipping! Restrictions apply.http://aardvarkbookclub.com WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

Send us a textIn this episode, I chat with Lucy Caldwell about contemporary Irish literature's vibrant yet complex landscape, her latest novel, These Days, and profound philosophical insights. Growing up in Belfast during the Troubles in a "mixed marriage" family—Protestant father, Catholic mother—Caldwell developed a unique perspective that informs her award-winning writing. Lucy describes writing during the pandemic and experiencing "a portal between worlds" as she researched the Blitz while living through COVID lockdowns. Lucy Caldwell was born in Belfast in 1981. She is the author of three previous novels, several stage plays and radio dramas, and three collections of short stories. She won the BBC National Short Story Award in 2021 for “All the People Were Mean and Bad.” Other awards include the Rooney Prize for Irish Literature, the George Devine Award, the Dylan Thomas Prize, and a Major Individual Artist Award from the Arts Council of Northern Ireland. She was elected a Fellow of the Royal Society of Literature in 2018, and in 2019, she was the editor of Being Various: New Irish Short Stories. In 2022, she was the recipient of the EM Forster Award from the American Academy of Arts & Letters for her body of work to date.Lucy CaldwellThese Days, Lucy CaldwellJan Carson, AuthorGlenn PatersonWendy Erskine, AuthorKerry Dougherty, AuthorSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

Stephen Sexton is an Irish poet and a lecturer at the Seamus Heaney Centre for Poetry at Queen's University Belfast. While on campus in March 2025 he sat down with the Center for Irish Studies Director Joseph Lennon to discuss howpoetry can help us navigate the world. He reads poems from his two books ___________________Stephen Sexton the author of two books of poems – If All the World and Love Were Young, published in 2019 and Cheryl's Destinies, published in 2021.  He is a recipient of multipleawards, which include winning the National Poetry Competition in 2016, the Eric Gregory Award in 2018, the Forward Prize for Best First Collection and the Shine / Strong Award for Best First Collection in 2019, the E. M. Forster Awardfrom the American Academy of Arts and Letters and the Rooney Prize for Irish Literature in 2020.   Sexton has been teaching creative writing at the ⁠Seamus Heaney Centre⁠ for Poetry at Queen's University Belfast for six years.  Sexton was ten years old when the Good Friday Agreement in 1998 brought a formal end to the Troubles in the North of Ireland, which later in life made him realize that he was growing up in a time that he did not understand, and he became aware of a profound generational divide between him and his parents.  Sexton explains that in a sense, there is a “kind of ghostly history that is all around you, but you can't access it in the same way that other people can, so as a consequence, it doesn't necessarily show up in my writing.”  In his book, If All the World and Love Were Young, which happens to be set in 1998, there is one moment that addresses the Omagh bombing – a single deadliest attack in thirty years of violence that he remembers hearing about on the radio and then seeingon television.  But beyond that, the book is a blend of childhood memories that uses the analogy of a nineties Nintendo videogame, Mario Brothers, that digs into Sexton's more personal recollections about the house that he grew up in and memories of his mother.   Sexton's more recent book of poems, Cheryl's Destinies, was written during the COVID lockdown, where he explored a desire to bring together the improbable and the sensitive, hence the section of poems that imagines a collaboration between Billy Corgan lead singer of the Smashing Pumpkins and Irish poet W.B Yeats. The book's general theme of being obsessed with and anxious about the future came through the conversations between two strangers separated by a century, where they discuss the difficulty of making art. Sexton's book questions the role of a poet and its connection to the role of a medium, as they both perform a similar function -- look at the world and interpret it.

Recorded February 13th, 2025. Pay Attention!: Literary Studies, Neurohumanities and the ‘Distraction Economy' Trinity Long Room Hub Visiting Research Fellow Prof Ronan McDonald (University of Melbourne, Australia) in conversation with Prof Christopher Morash (School of English, TCD) and Prof Shane O'Mara (TCIN, TCD). ‘Attention studies' is burgeoning in academic and popular fora, not least because there is a common perception that we live in an era of digital distraction. Drawing on insights from neuroscience, this project considers the relationship between reading and attention in literary studies. It considers how reading orientates our mind, between various affective states that compel or distract: between willed concentration, raptured enchantment or receptive, wide-minded noticing. Opening up a cross-disciplinary conversation between literary studies, psychology and neuroscience,  it seeks to provide new purpose and direction for literary studies. ​​​​​​​ About Ronan McDonald: Ronan McDonald holds the Gerry Higgins Chair in Irish Studies at the University of Melbourne. He is widely published in Irish literary studies, with a particular interest in Irish modernism and Irish-Australian literature. He also has a research interest in the history of criticism and the value of the humanities. His books include Tragedy and Irish Literature (2002), The Cambridge Introduction to Samuel Beckett (2007) and The Death of the Critic (2008). Recent edited collections include The Values of Literary Studies: Critical Institutions, Scholarly Agendas (Cambridge University Press, 2015) and Flann O'Brien and Modernism (2014). He is series editor of Cambridge Themes in Irish Literature and Culture. Current projects include an ARC Discovery Project with Prof Katherine Bode and Maggie Nolan, ‘Close Relations: Irishness in Australian Literature'. and a ARC Discovery Project, with Professor Simon During, on 'English: The History of a Discipline, 1920-70'. He is currently working on a book on ‘attention' in literary studies. Learn more at www.tcd.ie/trinitylongroomhub

Recorded December 5, 2025. Trinity Long Room Hub Rooney Writer Fellow Mark O'Connell in conversation with Professor David Kenny (School of Law, TCD). Mark O'Connell is the author of A Thread of Violence, Notes from an Apocalypse, and To Be a Machine, which was awarded the 2018 Wellcome Book Prize, the 2019 Rooney Prize for Irish Literature, and was shortlisted for the Baillie Gifford Prize for Non-Fiction. He is a regular contributor to The New York Review of Books. His work has appeared in The New Yorker, The New York Times Magazine, Slate, and The Guardian.  Professor David Kenny is Professor in Law at the Law School, teaching and researching Irish and comparative constitutional law, conflict of laws, critical legal theory and law and literature. He is a graduate of Trinity College Dublin, Harvard Law School, and the Honourable Society of the King's Inns, and is an alumnus of the US State Department's Fulbright programme. He was elected a Fellow of Trinity College Dublin in 2021. Since June 2024, he has served as Head of the Law School. Learn more at www.tcd.ie/trinitylongroomhub

Recorded December 5th, 2024. Rooney Writer Fellow Mark O'Connell (A Thread of Violence, 2023) in conversation with historian Maurice Casey (Hotel Lux, 2024) about writing across the academic/commercial publishing boundary. Mark O'Connell is the author of A Thread of Violence, Notes from an Apocalypse, and To Be a Machine, which was awarded the 2018 Wellcome Book Prize, the 2019 Rooney Prize for Irish Literature, and was shortlisted for the Baillie Gifford Prize for Non-Fiction. He is a regular contributor to The New York Review of Books. His work has appeared in The New Yorker, The New York Times Magazine, Slate, and The Guardian. He lives in Dublin with his family. Dr Maurice J. Casey is a Research Fellow in Queen's University Belfast, where he is a postdoc on a project exploring histories of queer sexuality in Northern Ireland. An expert on the history of international communism, he studied English and History at TCD before completing his MPhil at Cambridge and his DPhil in Oxford. He also held a Fulbright scholarship at Stanford and was the Historian in Residence at the Irish Department of Foreign Affairs and EPIC, the Irish Emigration Museum. His first book Hotel Lux: An Intimate History of Communism's Forgotten Radicals, which was based on his PhD thesis, was published by Footnote Press in August 2024. Learn more at www.tcd.ie/trinitylongroomhub

This week, we're looking inside the writing routine of Niall Williams. He is an acclaimed Irish author whose evocative storytelling has captivated readers and audiences around the world. He loves to capture a sense of placeBorn in Dublin in 1958, his writing is rooted in the rich cultural and literary traditions of Ireland. Niall studied English and French at University College Dublin before moving to New York City, where he worked in publishing and honed his craft. He moved back home to 'see if he had any talent'.In addition to his fiction, Williams is a playwright and co-author of four non-fiction books on healing, written with his wife, Christine Breen. Together, they live in Kiltumper, County Clare, where they restored a 19th-century cottage and continue to draw inspiration from the natural world around them. Their love of gardening inspires his fiction... we find out how much, and what the balance between the two is.Best known for novels like 'This is Happiness' and 'Four Letters of Live', Williams's work often explores themes of love, loss, resilience, and the profound connections between people and place. Niall's writing has been shortlisted for prestigious awards, including the Man Booker Prize, and his works have been translated into numerous languages.His newest novel is 'Time of the Child' - here's the blurb: Doctor Jack Troy was born and raised in the village of Faha, but his responsibilities for the sick and dying mean he has always been set apart from his community. A visit from the doctor is always a sign of bad things to come. His eldest daughter, Ronnie, has grown up in her father's shadow, and remains there. But in the advent season of 1962, as the town readies itself for Christmas, Ronnie and Doctor Troy's lives are turned upside down when an abandoned baby is left in their car. As Christmas approaches, a deep and abiding love for this secret visitor takes root in the doctor's household. But it is Ireland in the 1960s, and under the eye of the church, and the gossip of the parish, what chance does the unmarried Ronnie have of holding on to this most unexpected gift?We discuss how a busy home-life through the years has dictated how his writing routine has evolved. Also his search for the perfecf first sentence, and why he keeps returning to write 11 novels later... what is he searching for?Support the show at patreon.com/writersroutine and ko-fi.com/writersroutineGet a copy of the book at uk.bookshop.com/shop/writersroutine@writerspodwritersroutine.com Hosted on Acast. See acast.com/privacy for more information.

Welcome back to the second season of The Medieval Irish History Podcast! We are very excited to be back with you all! Today, in our very first episode of the new season, we are back with Dr Elizabeth Boyle to talk little bit about Early Irish Literature. You have probably heard about some key figures of medieval Irish literature, such as Cú Chulainn and Queen Medb from Táin Bó Cúailnge, but how can we as historians (or interested readers) interpret these sagas? Are they myths that provide a window into Ireland's past or are they the result of a cleric's fertile imagination? Suggested reading: – For translations of a selection of Irish saga narratives see Jeffrey Gantz, Early Irish Myths and Sagas (Penguin, 1981) but please disregard the outdated introduction. – Ann Dooley, Playing the Hero: Reading the Irish Saga Táin Bó Cúailnge (Toronto, 2006) – Elizabeth Boyle, Fierce Appetites (Dublin and London, 2022) – Elizabeth Boyle, 'Early Medieval Perspectives on Pre-Christian Traditions in the Celtic World' In: Prognostication in the Medieval World: A Handbook (Berlin, 2020). – Gregory Toner, ‘Wise Women and Wanton Warriors in Early Irish Literature' in Proceedings of the Harvard Celtic Colloquium, xxx (2010), pp 259–27 – Angela Bourke et al (eds), The Field Day Anthology of Irish Writing Volume IV: Irish Women's Writings and Traditions (Cork 2002) – Thomas Owen Clancy, ‘Women poets in early medieval Ireland', in C. E. Meek & M. K. Simms (eds), The Fragility of her Sex? Medieval Irish Women in their European Context (Dublin, 1996), pp. 43–72

Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Hugo Hamilton reads his story “Autobahn,” from the September 23, 2024, issue of the magazine. Hamilton, a winner of the Rooney Prize for Irish Literature, is the author of the memoir “The Speckled People” and ten novels, including “Dublin Palms” and “The Pages.”Share your thoughts on The Writer's Voice. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2

Simon and Rachel speak to Kevin Barry, a novelist and short-story writer. Kevin is the author of four novels and three story collections. His awards include the IMPAC Dublin Literary Award, the Goldsmiths Prize, the Sunday Times EFG Short Story Award and the Rooney Prize for Irish Literature. His stories and essays have appeared in the New Yorker, Granta and elsewhere. His novel, "Night Boat to Tangier", was a number-one bestseller in Ireland, was longlisted for the Booker Prize and named one of the Top Ten Books of the Year by the New York Times. Kevin also works as a playwright and screenwriter. We spoke to him about forcing himself to become a novelist, writing short stories and screenplays, and about his latest book, "The Heart in Winter."  “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is published by Ithaka Press. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hatchards⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Our crowdfunding page is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/alwaystakenotes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

On this edition of The Instruction Booklet, the Instructors are discussing the history of narratives in video games! Joining them is their first guest - Adam Pickens (a PhD candidate of Irish Literature) - together the trio break down the origin of storytelling in gaming, it's evolution over the years, & how strong narratives have helped legitimize games as an artform. ----------------------------------- Sources for this edition of The Instruction Booklet: ►“Narrative of Video Games” (Wikipedia) https://en.wikipedia.org/wiki/Narrative_of_video_games ►“The Power of Narratives in Video Games” https://www.ue-germany.com/blog/the-power-of-narratives-in-video-games ►“A History of the Video Game Narrative” https://amherststudent.amherst.edu/article/2012/10/31/history-videogame-narrative.html ►“Video Games Are Better Without Stories” https://archive.ph/4C5Yq ----------------------------------- Follow the Show's Socials! - Twitter: twitter.com/Instruction_Bk - Facebook: www.facebook.com/InstructionBooklet - Twitch: www.twitch.tv/theinstructionbooklet ----------------------------------- The Instruction Booklet full series Playlist: soundcloud.com/aychpodcast/sets/the-instruction-booklet ----------------------------------- Follow the Hosts! Jeremy - Instagram: www.instagram.com/pressartf4/ - Twitch: twitch.tv/backwardshero Michael - Instagram: www.instagram.com/mackerel_prawns/

Ana discusses the life and work of Edna O'Brien, a writer who caused a scandal in 1960's Ireland with her debut novel, The Country Girlls, and her pioneering exposé of women's previously hidden sexual lives.

What was the deal with the Victorians and their obsession with reanimating corpses? How did writers like Mary Shelley, Robert Browning, Charles Dickens, W.B. Yeats, Bram Stoker, and others breathe life into the undead - and why did they do it? We can attribute their efforts to the present's desire to remake the past in its own image - but what does that mean exactly? In this episode, Jacke talks to Professor Renée Fox about her book The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature. PLUS Jacke explores what notable German-Swiss author Herman Hesse learned from trees. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

A woman tells her son about his early life. About the months and years that he will by now have forgotten. When he was a baby, then a toddler, and when she was going into battle every day. For him first, and only then for herself. It's a battle fought on many fronts. Against exhaustion, against time, against the loss of selfhood, against an increasingly absent husband, and against a society that values women less than men, and perhaps mothers least of all. And with no guarantee that she, that they, will come out on top. Between a testimony and a confession, between a lesson and a warning to the man her boy will become Soldier Sailor is devastating, uplifting, punishing, galvanising, vertiginous, infuriating, honest, raw, painful, and illuminating…in short, as close a representation of the early days of parenthood that can be committed to words. Bu Soldier Sailor here: https://www.shakespeareandcompany.com/books/soldier-sailor-2Clare Kilroy's debut novel All Summer was described in The Times as compelling... a thriller, a confession and a love story framed by a meditation on the arts', and was awarded the 2004 Rooney Prize for Irish Literature. Her second novel, Tenderwire was shortlisted for the 2007 Irish Novel of the Year and the Kerry Group Irish Fiction Award. It was followed, in 2009, by the highly acclaimed novel, All Names Have Been Changed. Educated at Trinity College, she lives In Dublin.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Somota is society divided by change, and by memories. When A. arrives in the protectorate shortly after the first world war, he is unsure of what to expect. Employed by the government as a linguistic anthropologist, he is tasked with documenting the benefits of the new order and reporting them to the Reverend G. But what are these benefits? In his travels throughout the region, A. finds only the physical and emotional scars of conquest, and of routine colonial administration. Yet, even as the indigenous culture is being reduced to mere fragments, he also learns of a sublime literature responding to those historical traumas. One storyteller in particular, Kehinta, begins to reveal to A. just how much has been lost. A People Without Shame (Blackwater Press, 2024) is a profoundly beautiful novel commenting on the horrors of colonial oppression, trauma, love, and the power of story. Patrick Colm Hogan is the author of The Death of the Goddess: A Poem in Twelve Cantos (2014), a book-length, narrative poem based on Hindu Goddess myths, as well as lyric poems and short fiction, published in such outlets as minnesota review, The Journal of Irish Literature, and the Journal of Commonwealth and Postcolonial Studies. A Board of Trustees Distinguished Professor at the University of Connecticut, he is the author of over twenty scholarly and interpretive books, most of which treat postcolonial or world literature. Hogan regularly teaches courses in postcolonial literature (often with a focus on Africa), as well as courses on the pre-colonial and postcolonial literary traditions of India and China. In keeping with these interests, he has worked to acquire at least some knowledge of French, German, Italian, Spanish, Latin, Hindi, Mandarin, and Sanskrit. A People Without Shame is his first novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Somota is society divided by change, and by memories. When A. arrives in the protectorate shortly after the first world war, he is unsure of what to expect. Employed by the government as a linguistic anthropologist, he is tasked with documenting the benefits of the new order and reporting them to the Reverend G. But what are these benefits? In his travels throughout the region, A. finds only the physical and emotional scars of conquest, and of routine colonial administration. Yet, even as the indigenous culture is being reduced to mere fragments, he also learns of a sublime literature responding to those historical traumas. One storyteller in particular, Kehinta, begins to reveal to A. just how much has been lost. A People Without Shame (Blackwater Press, 2024) is a profoundly beautiful novel commenting on the horrors of colonial oppression, trauma, love, and the power of story. Patrick Colm Hogan is the author of The Death of the Goddess: A Poem in Twelve Cantos (2014), a book-length, narrative poem based on Hindu Goddess myths, as well as lyric poems and short fiction, published in such outlets as minnesota review, The Journal of Irish Literature, and the Journal of Commonwealth and Postcolonial Studies. A Board of Trustees Distinguished Professor at the University of Connecticut, he is the author of over twenty scholarly and interpretive books, most of which treat postcolonial or world literature. Hogan regularly teaches courses in postcolonial literature (often with a focus on Africa), as well as courses on the pre-colonial and postcolonial literary traditions of India and China. In keeping with these interests, he has worked to acquire at least some knowledge of French, German, Italian, Spanish, Latin, Hindi, Mandarin, and Sanskrit. A People Without Shame is his first novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Catherine Dunne talks about her childhood in Clontarf, an inspiring teacher, and what led her to write her new novel as she tells Ruth McKee which books she would save if her house was on fire.  Catherine Dunne is the author of several award-winning novels, essays, and one work of non-fiction. She received the 2018 Irish PEN Award for Outstanding Contribution to Irish Literature and is a member of Aosdána. Her latest book, A Good Enough Mother, is out now (Betimes Books).

Deirdre Madden (winner of a 2024 Windham Campbell Prize for Fiction) joins Michael Kelleher to talk about Marilynne Robinson's classic novel Housekeeping, siblings, writing with a density of language, and the unacknowledged humor present even in hard times. Reading list:  Housekeeping by Marilynne Robinson • Moby-Dick by Herman Melville • Carl Jung • William Shakespeare • Reading Genesis by Marilynne Robinson For a full episode transcript, click here. Deirdre Madden is a writer from Toomebridge, County Antrim, Northern Ireland. The author of eight acclaimed novels, she has twice been a finalist for the Women's Prize for Fiction (2009, 1996) and has received numerous other awards and honors, including the Hennessy Literary Awards Hall of Fame (2014), the Somerset Maugham Award (1989), and the Rooney Prize for Irish Literature (1980). Madden holds a BA from Trinity College, Dublin and an MA from the University of East Anglia. She has been a member of Aosdána, the affiliation of creative artists in Ireland, since 1997, and is currently an Associate Professor of Creative Writing and Co-Director of the M.Phil in Creative Writing at Trinity College, Dublin. The Windham-Campbell Prizes Podcast is a program of The Windham-Campbell Prizes, which are administered by Yale University Library's Beinecke Rare Book and Manuscript Library.

In this interview, Dr. Nicholas Taylor-Collins discusses his most recent book Shakespeare, Memory, and Modern Irish Literature (Manchester UP, 2022). Shakespeare, Memory, and Modern Irish Literature explores the intertextual connections between early modern English and modern Irish literature. Characterizing the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which modern/contemporary Ireland draws on Shakespeare's England. Dr. Nicholas Taylor-Collins is Senior Lecturer in English at Cardiff Metropolitan University. His reasearch focuses on Shakespeare and modern and contemporary Irish literature. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this interview, Dr. Nicholas Taylor-Collins discusses his most recent book Shakespeare, Memory, and Modern Irish Literature (Manchester UP, 2022). Shakespeare, Memory, and Modern Irish Literature explores the intertextual connections between early modern English and modern Irish literature. Characterizing the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which modern/contemporary Ireland draws on Shakespeare's England. Dr. Nicholas Taylor-Collins is Senior Lecturer in English at Cardiff Metropolitan University. His reasearch focuses on Shakespeare and modern and contemporary Irish literature. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this interview, Dr. Nicholas Taylor-Collins discusses his most recent book Shakespeare, Memory, and Modern Irish Literature (Manchester UP, 2022). Shakespeare, Memory, and Modern Irish Literature explores the intertextual connections between early modern English and modern Irish literature. Characterizing the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which modern/contemporary Ireland draws on Shakespeare's England. Dr. Nicholas Taylor-Collins is Senior Lecturer in English at Cardiff Metropolitan University. His reasearch focuses on Shakespeare and modern and contemporary Irish literature. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this interview, Dr. Nicholas Taylor-Collins discusses his most recent book Shakespeare, Memory, and Modern Irish Literature (Manchester UP, 2022). Shakespeare, Memory, and Modern Irish Literature explores the intertextual connections between early modern English and modern Irish literature. Characterizing the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which modern/contemporary Ireland draws on Shakespeare's England. Dr. Nicholas Taylor-Collins is Senior Lecturer in English at Cardiff Metropolitan University. His reasearch focuses on Shakespeare and modern and contemporary Irish literature. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this interview, Dr. Nicholas Taylor-Collins discusses his most recent book Shakespeare, Memory, and Modern Irish Literature (Manchester UP, 2022). Shakespeare, Memory, and Modern Irish Literature explores the intertextual connections between early modern English and modern Irish literature. Characterizing the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which modern/contemporary Ireland draws on Shakespeare's England. Dr. Nicholas Taylor-Collins is Senior Lecturer in English at Cardiff Metropolitan University. His reasearch focuses on Shakespeare and modern and contemporary Irish literature. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices

In this interview, Dr. Nicholas Taylor-Collins discusses his most recent book Shakespeare, Memory, and Modern Irish Literature (Manchester UP, 2022). Shakespeare, Memory, and Modern Irish Literature explores the intertextual connections between early modern English and modern Irish literature. Characterizing the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which modern/contemporary Ireland draws on Shakespeare's England. Dr. Nicholas Taylor-Collins is Senior Lecturer in English at Cardiff Metropolitan University. His reasearch focuses on Shakespeare and modern and contemporary Irish literature. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Fni Wrapchat is back in 2024 with this brilliant episode hosted by Remie Michelle Clarke. Remie is joined by Author, Activist and Film Professional Winnie M Li. Our host Remie Michelle Clarke is an award-winning Irish writer, ghostwriter and editor, writing under R.M. Clarke. - ​She is also an international voice-over artist with almost two decades of experience. Based in Wicklow, Ireland, with a broadcast-ready home studio, Remie offers voiceover across advertising, animation, narration, e-learning, dubbing and corporate, working on projects worldwide. - A podcast producer & host for Film Network Ireland's Wrapchat, Remie uses her industry experience and passion for the arts to interview and showcase talent across the film and broadcast media scene in Ireland and internationally. - As a speaker and presenter, Remie is a regular contributor to documentaries, podcasts, print media, festivals, and panels at home and abroad. http://www.remiemichelleclarke.com/ Winnie M Li is an author and activist, who has worked in the creative industries over three continents.  Taiwanese-American and raised in New Jersey, Winnie studied Folklore and Mythology at Harvard, and later Irish Literature as a George Mitchell Scholar. Since then, she has written for travel guidebooks, produced independent feature films, programmed for film festivals, and developed eco-tourism projects. After earning an MA with Distinction in Creative Writing at Goldsmiths, she now writes across a range of media, including fiction, theatre, journalism, and memoir. Her debut novel, Dark Chapter, is a fictional retelling of her real-life stranger rape in Belfast, from both victim and perpetrator perspectives. It won The Guardian’s Not The Booker Prize in 2017, was nominated for the Edgar Award for Best First Novel, and shortlisted for The Author’s Club Best First Novel Award. It has been translated into ten languages and Winnie is currently adapting it for screen.  Her second novel Complicit was sold in a six-figure pre-empt to Orion Fiction, and later, in a heated five-way auction to Emily Bestler at Atria Books for US rights.  It came out in Summer 2022, was The New York Times ‘ monthly book club pick, and appeared on several Best of 2022 lists.  Winnie is a recipient of grant funding from the Royal Society of Literature, Jerwood Arts, and the Arts Councils of England and Northern Ireland.  She served as a judge for the 2018 SI Leeds Literary Prize and regularly runs workshops and speaks about creative writing, creativity and trauma, and media and gender.  Winnie is also Co-Founder of the Clear Lines Festival, the UK’s first-ever festival addressing sexual assault and consent through the arts and discussion. Her ongoing PhD research at the London School of Economics explores media engagement by rape survivors as a form of activism. Winnie has delivered over 150 public talks and appeared in TEDx London, The Guardian, The Mail on Sunday, The Times, The Independent, The LA Review of Books, The Chicago Tribune, The Irish Times, BBC World News, Sky News, Channel 4, and BBC Woman’s Hour, among other media outlets.  She has an honorary doctorate from the National University of Ireland, in recognition of her writing and activism. * We're absolutely thrilled to be champions for Minding Creative Minds. Their incredible work provides vital support structures for creatives, and we're all about spreading the word. Keep an ear out for our special ad on FNI Wrapchat, where we shine a spotlight on the difference they're making. Get inspired and learn more about their mission at Minding Creative Minds. We appreciate you podcast enthusiasts and film aficionados! If you love what we do – from our in-depth interviews to our diverse educational content and vibrant events – why not join the family? Explore our rich back catalogue of over 200 eps and consider becoming an important and valued member of FNI over at buymeacoffee.com/fni.

In this podcast, Nina Cnockaert-Guillou talks to Roan Runge about Queerness in Celtic Studies. Roan explains their doctoral research on medieval Irish literature using Queer and Trans theory. They also discuss what it is like to be Queer in the field of medieval Irish studies and Celtic Studies, how students react to Queer readings of medieval Irish literature and what steps we can take to ensure the field is open and welcoming both to people who identify as Queer and/or LGBTQ+, and to Queer readings.  Content warnings: From 0:45:00 to 0:47:45: transphobia  From 0:59:30 to 1:01:12: transphobic attitudes and politics Registration for the 2024 Celtic Students Conference (30 May - 1 June) is now open! This year's conference will be a hybrid event. Guests are warmly invited to attend in-person presentations at the Université de Bretagne Occidentale, in Brest, or to attend online if they prefer. Please complete the registration form in your language of choice at the following ⁠link⁠. At the top of the registration form is a link to the Eventbrite payment form. Please note that you have until the 15th May to register for in-person attendance. Music: “Kesh Jig, Leitrim Fancy” by Sláinte, CC BY-SA 3.0 US (https://creativecommons.org/licenses/by-sa/3.0/us/), available from freemusicarchive.org Links to initiatives, organisations and people mentioned in the episode: Bad Gays (podcast and recent book by Huw Lemmey and Ben Miller; https://badgayspod.com) Cruising Utopia: The Then and There of Queer Futurity – Jose Esteban Miñoz (2009) Emmet Taylor's blog post: ‘Pride Month: Medieval Ireland' (Celtic Students blog: https://celticstudents.blogspot.com/2021/06/pride-month-medieval-ireland.html) Stiofán Ó Briain and Eoin McEvoy, ‘LADTA+ na Gaeilge' (Celtic Students Podcast, https://podcasters.spotify.com/pod/show/celticstudents/episodes/LADTA-na-Gaeilge-eht2jd) Roan's PhD thesis (currently under embargo; https://doi.org/10.17863/CAM.106567) ‘species capacities' is from Hayward, Eva, ‘Spider city sex', Women & Performance: a journal of feminist theory 20.3 (2010), 225–51, at p. 234. Tom Peete Cross, Motif-Index of Early Irish Literature (Bloomington, IN, 1952; repr. 1969); see also the Aarne–Thompson–Uther Index (ATU Index) Poem on ‘Fintan and the Hawk of Achill', ed. and trans. Roan Runge (https://www.ambf.co.uk/fintan) Aided Echach mac Maireda (open access translation: Standish Hayes OʼGrady, Silva Gadelica vol. 2 (1892), pp. 265–9 https://archive.org/details/silvagadelicaix00gragoog/page/264/mode/2up) (recent translation: Ranke de Vries, Two texts on Loch nEchach: De causis torchi Corc' Óche and Aided Echach maic Maireda, Irish Texts Society 65 (2012)) ICCS Utrecht (https://celticstudiescongress.sites.uu.nl) One from the Vaults (podcast, https://soundcloud.com/onefromthevaultspodcast) Story of the Abbot of Drimnagh (translation: Tadhg Ó Siocháin, The case of the abbot of Drimnagh: a medieval Irish story of sex-change, Cork Studies in Celtic Literatures 2 (2017); reviewed by Roan in Celtica 32 (2020), pp. 274–9) Alicia Spencer-Hall and Blake Gutt (eds.), Trans and Genderqueer Subjects in Medieval Hagiography (2021) Medieval Feminist Forum (2019), issue 55 vol. 1, ‘Visions of Medieval Trans Feminism' Susan Stryker, ‘My Words to Victor Frankenstein above the Village of Chamounix: Performing Transgender Rage', GLQ (1994), vol. 1, nb. 3, pp. 237–254. Sandy Stone, ‘The Empire Strikes Back: A Posttranssexual Manifesto' (1987). First published: Kristina Straub and Julia Epstein (eds.), Body Guards: The Cultural Politics of Gender Ambiguity (1991). Sarah Sheehan and Ann Dooley (eds.), Constructing gender in medieval Ireland (2013) Phillip Bernhardt-House, ‘The motif of sex metamorphosis in insular Celtic literatures and folklore', Béascna 3 (2006), pp. 54–64. Phillip Bernhardt-House, ‘The werewolf as queer, the queer as werewolf, and queer werewolves', in: Noreen Giffney and Myra Herd (eds), Queering the non-human (2008), pp. 159–183. --- Send in a voice message: https://podcasters.spotify.com/pod/show/celticstudents/message

Summary: Join host Ella Parlor in an enriching conversation with Dr. Lauren Saunders, a Chapman University alumna and Kappa Alpha Theta sister. As VP of Editing and Research at Dissertation Editor and the author of 'PhDone,' Dr. Saunders is a beacon of inspiration for those seeking life balance, higher education, and accolades. Highlights:Irish literature, Irish Culture and the plights of Irish Car BombsInsights into the writing and editing process of academic works.Discussion on the pervasive issue of imposter syndrome in academia.Balancing roles as a mother, wife, and professional.Addressing the emotional needs of children in today's world.Approximately 1.2% of the US population aged 25 and over holds a doctoral degree (Ph.D. or equivalent). This percentage has steadily increased over the last few decades.Disney's movie, ‘Inside Out'Ella's SEFPH Philosophy Quotes:“Yes, we are going to get our wrists slapped, but we need to give and accept feedback with compassion and empathy”“The burden of multitasking is still on women” “Universities are moving to more adjunct professor models” “I knew if I didn't try, I couldn't fail at it”Keywords & Themes: Chapman University, Kappa Alpha Theta, Dissertation Editing, Irish Literature, Imposter Syndrome, Multitasking, Child Development, COVID-19 and Education, Emotional Intelligence, Academic WritingConnect Dr. Saunders:Instagram: @drlaurensaundersTikTok: @drlaurensaundersLinkedIn: Lauren SaundersResource Links:PhDone Book Dissertation Editor WebsiteConnect With Ella: EllaParlor.com IG / FB / TikTok / LinkedIn: @ellayourbella Follow & Share using #EavesdropWithElla

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

On this episode of the Free Range Podcast, host Mike Livermore has a conversation with literary scholar Nicholas Allen about his recent book "Ireland, Literature and the Coast: Seatangled". The discussion begins with an examination of the book's evocative title. Allen explains that the phrase “seatangled” comes from a scene in James Joyce's “A Portrait of the Artist as a Young Man,” where the character Stephen Dedalus looks out at the seaweed shreds in the ocean as he contemplates his future. For Allen, this image captures the ideas of motion, flight, and piecing things together that are central to his analysis of Irish literature through the lens of the sea and coastline. The core of the book consists of close readings of authors, artists and specific works related to Irish coastal life and culture. Allen elaborates that he chose works that have long been stuck in his imagination, ranging from an early 20th century novel about a shipping clerk to the coastal maps created by artist Tim Robinson. His aim was not to be comprehensive but rather to highlight neglected or forgotten histories and show their continued cultural presence. In discussing his critical approach, Allen emphasizes that he is less interested in making definitive arguments and more interested in creating rhythms and connections that allow readers to see texts differently. He wants to find a descriptive language that conveys sensation and experience without colonizing or containing its subject. This pursuit of openness, empathy and freedom guides his writing. The conversation explores how the coast features as both literal place and literary metaphor in the book. Other topics include the creative aspects of literary criticism, the meaning of “critical thinking,” placing Irish literature in a global context, the complications of national literature as a category, and Allen's surprising archival discoveries while researching the book. Allen illuminates a fluid, interconnected approach to Irish literature that breaks down boundaries and expands perspectives.

To learn more and for all show notes go to - https://thelanguagequestion.com/episode-16-fear-na-bhfocal-the-wordman-a-conversation-with-gary-bannister

On this month's episode, host Nicole Flattery is joined by writer Colin Barrett to read and discuss David McGrath's short story, ‘The Untameable Donkey', originally published in our All New Writers issue, Winter 2022/23. Colin Barrett grew up in County Mayo. His stories have been published in The Stinging Fly, Granta, Harper's and the New Yorker. His first book, the short story collection Young Skins, won the Guardian First Book Award, the Frank O'Connor International Short Story Award and the Rooney Prize for Irish Literature. His second collection, Homesickness, made the New York Times 100 Notable Books of the Year and was a Book of the Year in Oprah Daily and the Irish Times. His first novel, Wild Houses, will be published in early 2024. David McGrath is from Baltinglass. His stories at the moment centre around a fictional pub in rural Ireland, of which ‘The Untameable Donkey' is a part. He has won the Bryan MacMahon Short Story Competition and the Bare Fiction Prize with them, as well as being placed in several other competitions. He has been awarded a residency in Cill Rialaig Arts Centre in November 2023 to finish his novel, The Crack is Barred, which is also set in the world of the pub. Nicole Flattery is a writer and critic. Her story collection Show Them A Good Time, was published by The Stinging Fly and Bloomsbury in 2019. Her first novel, Nothing Special, was recently published by Bloomsbury.   The Stinging Fly Podcast invites writers to choose a story from the Stinging Fly archive to read and discuss. Previous episodes of the podcast can be found here. The podcast's theme music is ‘Sale of Lakes', by Divan. All of the Stinging Fly archive is available to subscribers.

To learn more and for all show notes go to - https://thelanguagequestion.com/episode-15-the-estonian-connection-a-conversation-with-indrek-ois

To learn more and for all show notes go to - https://thelanguagequestion.com/episode-14-lifting-the-invisibility-cloak-a-conversation-with-aine-ni-ghlinn

Garry Hughes is the chef at The Shelbourne, one of Dublins' finest and also oldest hotels, celebrating their 200th year in 2024. While the phrase hotel restaurant doesn't always conjure excitement, the Shelbourne under Gary's leadership has developed a culinary program that is exciting, creative, locally sourced, and most important—delicious.On this week's episode, we speak with Garry about the importance of work/life balance and the power of an eclair to change someone's life. We also talk to Gary about his own personal and professional journey and what it takes to run an operation as sprawling as The Shelbourne. The number of scones they bake every day will shock you!Dyed Green is a project of Bog & Thunder, whose mission is to highlight the best of Irish food and culture, through food tours, events, and media. Find out more at www.bogandthunder.com.Dyed Green is Powered by Simplecast.

Novels by Irish writers make up a third of this year's Booker longlist for the first time in the prize's history. Ian McMillan explores the boom in Irish writing and the wave of new and experimental voices melding poetry and prose emerging from both the North and South of Ireland. With Elaine Feeney, Martina Evans, James Conor Patterson and Liam Harte, professor of Irish Literature at the University of Manchester.

Mark O'Connell's new book A Thread of Violence is the writer's attempt to understand Malcolm MacArthur, the figure at the centre of one of Ireland's most notorious crimes, and — to quote Taoiseach Charles Haughey — the “grotesque, unbelievable, bizarre and unprecedented” events that led to the perpetrator's eventual arrest in the home of the Irish Attorney General. It is a crime that has haunted O'Connell for decades and which leads him to meeting and getting to know the now elderly, long-freed MacArthur. As this unlikely acquaintance grows, however, O'Connell not only comes to question the possibility of ever coming to any conclusion about what actually drove this previously law-abiding local eccentric to murder two strangers in the summer of 1982, but also calls into doubt his own motivations for embarking on the project in the first place, and the risks he is taking in his own life to complete it.Buy A Thread of Violence: https://www.shakespeareandcompany.com/books/a-thread-of-violenceMark O'Connell is an award-winning Irish writer. His first book, To Be a Machine, won the 2018Wellcome Book Prize and was shortlisted for the Baillie Gifford Prize. In 2019, he became the firstever non-fiction writer to win the prestigious Rooney Prize for Irish Literature. His second book,Notes From an Apocalypse was longlisted for the Wainwright Prize. He is a contributor to the NewYork Review of Books, and his work has appeared in the New Yorker.Listen to Alex Freiman's Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Buy Up Late: https://www.shakespeareandcompany.com/books/up-lateReeling in the face of collapsing systems, of politics, identity and the banalities and distortions of modern living, Nick Laird confronts age-old anxieties, questions of aloneness, friendship, the push and pull of daily life. At the book's heart lies the title sequence, a profound meditation on a father's dying, the reverberations of which echo throughout in poems that interrogate inheritance and legacy, illness and justice, accounts of what is lost and what, if anything, can be retrieved. Laird is a poet capable of heading off in any and every direction, where layers of association transport us from a clifftop in County Cork to the library steps in New York's Washington Square, from a face-off between Freud and Michelangelo's Moses to one between the poet and a squirrel in a Kilburn garden. There is conflation and conflagration, rage and fire, neither of which are seen as necessarily destructive. But there is great tenderness, too, a fondness for what grows between the cracks, especially those glimpses into the unadulterated world of childhood, before the knowledge or accumulation of loss, where everything is still at stake and infinite, 'the darkness under the cattle grid'.Nick Laird was born in County Tyrone in 1975. A poet, novelist, screenwriter, critic and former lawyer, his awards include the Betty Trask Prize, the Rooney Prize for Irish Literature, the Geoffrey Faber Memorial Prize, the Somerset Maugham Award and a Guggenheim fellowship. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.