Podcasts about Shine

Go to https://joniandfriends.org/volunteer/ to see how you can serve today! --------Thank you for listening! Your support of Joni and Friends helps make this show possible. Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org. Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

When we "look for someone who's looking for us," we're ultimately looking for God. Pastor Jeremy Treat launches our annual month in Psalms with a sermon from Psalm 67.

Today we end Season 13 . . .and not a moment too soon! Original Air Date: July 30, 2025 Full Links And Show Notes: https://deadrabbitradio.blogspot.com/2026/07/the-classics-ep-651-make-it-shine-can.html Back Up Links And Show Notes: https://archive.ph/bIETn https://web.archive.org/web/20260730115616/https://deadrabbitradio.blogspot.com/2026/07/the-classics-ep-651-make-it-shine-can.html

Episode #434 of BGMania: A Video Game Music Podcast. Today on the show, Bryan wraps up the month of July 2026 with another eclectic mix in Radio Hour, Volume 89! Another month, another grab bag of new releases, forgotten oddities, and picks I can't fully explain but absolutely stand by. We've got a couple of fresh soundtracks I've been sitting with, a listener submission so gloriously strange I can't stop thinking about it, a Mega Man opener that surprises exactly nobody, and a mini-spotlight doubling as a little review of a game I enjoyed and wanted to shake by the shoulders in equal measure. Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or any other thoughts you'd like to share! Special thanks to our Executive Producers: Jexak, Xancu, Jeff & Mike. EPISODE PLAYLIST AND CREDITS Spark Mandrill Theme from Mega Man X [Makoto Tomozawa, 1993] Shine from Mixtape [David Gray, 1993/2026] Love Me Forever! from Rhythm Heaven Groove [Tsunku feat. Ado, 2026] Defiant Lament from Ascend to ZERO [INFX, Ando & MIIM, 2026] Live to Survive from Echoes of Aincrad: Sword Art Online [Ryota Nakano feat. Aimer, 2026] Town of Beginnings from Echoes of Aincrad: Sword Art Online [Takayasu Sodeoka, Jacopo Trifone & Daniel Beijbom, 2026] Reach for the Rainbow from Echoes of Aincrad: Sword Art Online [MintJam feat. Leia Kato, 2026] Planet Rain from The Legend of Heroes: Trails Beyond the Horizon [Hayato Sonoda, 2024] Mr. Pentatonic from Moto Roader [Goblin Sound, 1989] Chronicles of the Deep Water -King Dubby- from Placid Plastic Duck Simulator [Lacima, 2022] Genius's Playground / Beruga's Lab from Terranigma [Miyoko Takaoka & Masanori Hikichi, 1995] Mummification from The Pink Panther: Passport to Peril [Jared Faber feat. C.E. Smith & Shawna Kemp, 1996] Theme of Jet -Hydro Circuit- from Gravity Circuit 2 [Dominic Ninmark, 2027] Leave Her Johnny -Woodkid Resynced- from Assassin's Creed Black Flag Resynced [Woodkid, 2026] LINKS Patreon: https://patreon.com/bgmania Website: https://bgmania.podbean.com/ Discord: https://discord.gg/cC73Heu Facebook: BGManiaPodcast X: BGManiaPodcast Instagram: BGManiaPodcast TikTok: BGManiaPodcast YouTube: BGManiaPodcast Twitch: BGManiaPodcast PODCAST NETWORK Very Good Music: A VGM Podcast Listening Religiously

Is it ever okay to step back from a parent? In this episode of Rise and Shine, Adrienne Gold Davis explores one of the most painful and least-discussed questions in Jewish family life: what to do when a relationship with a parent becomes harmful. Drawing on Bowen Family Systems Theory alongside Jewish teaching on honoring parents, Adrienne unpacks why complete cutoff often isn't resolution so much as a quieter form of the same conflict, and why generational patterns repeat until someone chooses to interrupt them. She shares Jewish sources on the limits of the obligation to honor a parent, and makes the case that protecting your well-being and your children's well-being can itself be an act of honor, not a betrayal of it.    The Rise & Shine Podcast Series is made possible by the generous support of Bonnie Vozar of Chicago, Illinois. If you would like to sponsor an upcoming podcast, please email us at info@momentumunlimited.org

Philippians 2:12-18

**Jeep Talk Show Interview with Dottie from Jeep Babes Enthusiast Club Michigan – 2026 Show & Shine Charity Event** hi-de-ho boys and girls, it's time for another Jeep Talk Show! We're joined again by Dottie, dedicated community leader and outdoor enthusiast from Michigan, where she helps drive the Jeep Babes Enthusiast Club. With a passion for the off-road lifestyle and a heart for service, she turns trail rides and a love of Jeeps into powerful movements for good—coordinating large-scale charity fundraisers while enjoying the trails. Dottie was last on the show August 22, 2025. Catch that earlier interview for more background. This time we dig into the upcoming 2026 Show & Shine, the club's growth (around 4,700 members in the Michigan chapter with a wider network), inclusivity for all Jeeps (and beyond), raffles, vendors, family-friendly vibes, and plenty of laughs—including Dottie's unique last name (Drips), death wobble jokes, skid plate talk, ArmorLite floors, and real talk about asking for help and community. Chris from the Jeep Talk Show is MCing the event again. Look for his gray Gladiator (on 35s with a 2" lift) and give him a hard time about those Jeep Talk Show stickers! **Event Details** 2026 Show & Shine – Charity Event for HAVEN Saturday, September 26, 2026 Birch Run Speedway, 10945 Dixie Hwy, Birch Run, MI (right off I-75) Starts ~11 AM Vehicle Show & Shine entry: $25 donation (includes passengers) General admission: $5 (kids 12 & under free) 100% of proceeds go to HAVEN (supporting survivors of domestic and sexual violence) Expect vendors, raffles (including nice prizes and a vacation package), show & shine awards, food/drinks, family-friendly activities, and good facilities. Open to Jeeps of all types (stock Renegades and Compasses welcome for the social side), plus other vehicles and motorcycles. Plan to stay for the day if you're in the show & shine. Website: jbmichigan.com (think JB Weld!) Facebook: Search Jeep Babes Enthusiast Club Michigan Chapter or facebook.com/JeepBabesMichigan Vendors still welcome—reach out via the site or Facebook. Come support a great cause, show off your ride, and enjoy the community. **Timestamps** (approximate based on conversation flow) 00:00 Opening Intro and Guest Introduction 01:32 Addressing Domestic Abuse and Male Help-Seeking 07:28 Discussing the Unusual Last Name "Drips" 09:32 Club Chapter Overview and Membership Numbers 11:28 Member Activities and Community Events 13:27 Virtual Gatherings and Online Community Interaction 14:32 Inclusive Off-Road Events and Beginner Support 16:45 Gladiator Bed Angle Concerns and Peer Observation 18:09 Explaining Jeep Death Wobble vs Wheel Shake 19:07 Event Logistics and Jeep Gear Recommendations 23:38 Raffle Prizes and Giveaway Details 25:03 Prize Details: Vacation Package and Flooring Accessories 28:36 Family Activities and Entertainment at the Event 29:33 September Weather Considerations for the Event 31:09 Regional Climate Comparisons and Off-Road Experiences 33:41 Desert Heat and Off-Road Challenges in Phoenix 34:50 Event Facilities, Restrooms, and Track Layout 36:17 Vehicle Parking, Photo Opportunities, and Entry Fees 37:05 Visitor Experience, Vendor Participation, and Event Information 39:37 Event Access, Parking Policies, and Attendance Guidelines 40:41 Inclusive Invitation to All Vehicle Enthusiasts 43:17 Show Awards and Trophy Details 44:51 Off-Road Problem Solving and Recovery Techniques 46:16 Social Media Channels and Online Presence 47:35 Preparing for the Event with Past Media 47:58 Potential Jeep Babes Calendar Concept 49:24 Closing Remarks and Legal Disclaimer **Key Highlights** - Jeep Babes Michigan: women-led enthusiast club focused on community, empowerment, trail rides, and major charity work (especially HAVEN). - Massive annual Show & Shine expanding to more vehicles while keeping the Jeep heart. - Practical advice mixed with humor: skid systems that make you feel invincible, ArmorLite floors that handle spills and weather, death wobble vs. steering shake, and why asking for help is a strength. - Chris returns as MC—find the gray Gladiator with Jeep Talk Show logos. - 100% of event money goes to charity. $25 entry is a donation that puts your Jeep on display. ArmorLite Flooring Systems for Jeep Gladiator / Wrangler https://amzn.to/4yKKZH8 MotoBilt / Motobilt Skid Plate Systems for Jeep Gladiator https://amzn.to/4fm13aB Jeep Floor Mats & Drain Plugs (complementary protection) https://amzn.to/4bw6fGD Visit our website: https://jeeptalkshow.com/ Watch/Listen on Spotify https://jeeptalkshow.com/spotify Join our Discord Server: https://jeeptalkshow.com/discord Subscribe to our newsletter: https://jeeptalkshow.com/newsletter Help Support the show via Patreon: https://jeeptalkshow.com/patreon

Podcast from Defected Records A-Trak & Shee - Dancefloor [A-Trak & Freinds] 00:00Jonas Blue - Girl (Jonas Blue x Wh0 Club Dub) [Defected] 05:00Renote - Feel For You [Les Folies Digitales] 09:06Oden & Fatzo - You Don't Want To Think About It [Defected] 13:50Josh Butler - On The Dancefloor [PIV] 17:38Stacey Pullen - I Wanna Dance [DFTD] 22:22Ahmed Spins vs Mike Dunn - Phunky [DFTD] 26:38Robotman feat. Marshall Jefferson - Do Da Doo (DJ Minx Remix) [Definitive] 30:48AQUTIE & L3NI - All The Time [Pele Pele] 34:20Bontan - Blowin' Up The Spot [No Art] 37:55MOST RATED: Dam Swindle feat. Surya Sen - 5 To 9 [Heist Recordings] 41:35Melé - Soul Makossa [Defected] 45:22Davide Dev & Fimiani - Mama [Toy Tonics] 49:17Christian Prommer feat. Justine Hoerwarth - Tryin' Times (Crackazat Remix) [Compost Records] 53:04J.O.S.H.U.A - Human Fundamentals [Just Dont…] 58:04Harry Romero, The Brothers Macklovitch & Austin Ato - The Corner (Deep In Jersey Dub) [Rekids] 1:02:06Livin' Large - The Second Coming [Rise 'n' Shine] 1:05:53Ferrari - Crazy Love [Faith Beat] 1:09:53Avision - This Time [Ground Rule Records] 1:14:09Piem - Higher [Blink] 1:19:11Lolu Menayed & Regina Picone - No Name [44CUPIDS RECORDS] 1:23:59Van Allen - So Good To Me [Vicious Charm Recordings] 1:28:28Starr Traxx & Allen - My Deep [Snatch! Records] 1:32:36Dave + Sam - You Da Shit Girl (Derrick Carter's BHQ Dub) [Classic Music Company] 1:36:22Sam Curran, Harry Unsworth - Light The Candle [range.] 1:40:35Fouk - Moon [Freerange Records] 1:44:10Gledd - On His Way [Delusions Of Grandeur] 1:48:03Stryv - Patigo [Defected] 1:52:12Benni Ola - Cant Deny (Kid Fonque Refix) [needwant] 1:55:55

We kick things off by breaking down the all-new Omega x Swatch Mission to the Moon 1969, discussing the surprising use of an 18k Moonshine Gold dial, crown and pushers,... The post Scottish Watches Podcast #799 : Going For Gold – Moonswatch, Breitlings and Elliot Brown Shine appeared first on Scottish Watches.

Liv Shine on Arranged Marriage, Business Collapse, and Starting OverLearn the mindset and moves that lead to real results. Please visit my website to get more information: http://diversifiedgame.com/

The New South Wales Government is investing two million dollars in community organisations to help people better understand their energy bills and reduce household costs. The funding will support programs working with culturally diverse communities, people with disability, regional communities and social housing tenants. - حکومت نیوساوت‌ویلز دو میلیون دالر برای حمایت از نهادهای اجتماعی اختصاص داده است تا به مردم کمک کنند مصارف انرژی خود را بهتر درک کرده و مخارج زندگی را کاهش دهند. این بودجه از برنامه‌هایی پشتیبانی می‌کند که برای جوامع چندفرهنگی، اشخاص دارای معلولیت، ساکنان مناطق دورافتاده و مستأجران مسکن اجتماعی اجرا می‌شوند.

Don't force... SHINE. Be aware of the shining, as the shining, sitting or not.FORUM thread about celery juice, smoothies, and supplements.

On today's episode, recorded live at the Dental Success Summit 2026, Dr. Mark Costes sits down with Gino Wickman, creator of the Entrepreneurial Operating System and author of Traction, Rocket Fuel, and Shine. Gino shares the lessons behind building EOS, the six essential traits of an entrepreneur, and why the right visionary-integrator partnership can transform a growing business.  They discuss how to find and evaluate an integrator, the five rules that keep the relationship strong, the most overlooked components of EOS, and the foundational tools dental leaders can begin implementing immediately. Gino also opens up about the deeper message behind Shine and why lasting success requires more than achievement alone. Be sure to check out the full episode from the Dentalpreneur Podcast! EPISODE RESOURCES https://www.truedentalsuccess.com Dental Success Network Subscribe to The Dentalpreneur Podcast

This week on News Man Weekly, Carl, Zac and Hayden recap another unforgettable Inkcarceration weekend and react to the festival's impact on Mansfield. The crew also counts down Carl's Top 5 favorite Moonshiners personalities before discussing the week's biggest local headlines, including a new strategic vision for Mansfield Lahm Regional Airport, the Tyger Park Takeover basketball tour and Lexington Superintendent Jeremy Secrist's departure after 15 years with the district. Later, we welcome Scott Palmer and Jeff Nupen, co-owners of the Ohio Shine Company, Richland County's only legal craft moonshine distillery. They share how the business came together, what makes their spirits unique, the challenges of opening a distillery in Ohio and why they believe downtown Mansfield is the perfect place to build a local brand. This episode is powered by the great folks at Relax, It's Just Coffee.Relevant links: Find all of our Inkcarceration coverage here Cleared for takeoff: Mansfield unveils 5-year plan for Lahm Regional Airport Tyger Park Takeover introduces playground basketball to a new generation Lexington Local School Supt. Jeremy Secrist announces resignation Find Ohio Shine Co. on 126 N. Franklin Ave. Follow them on Facebook and visit their website here. Be a Source Member for unlimited access to local, independent journalism.Support the show: https://richlandsource.com/membersSee omnystudio.com/listener for privacy information.

The New South Wales Government is investing two million dollars in community organisations to help people better understand their energy bills and reduce household costs. The funding will support programs working with culturally diverse communities, people with disability, regional communities and social housing tenants.

Is authority a spiritual gift? What can it look like to use a Christian's authority in Christ? This week we dig into Chapter Three of What Every Believer Should Know About Spiritual Warfare by Marcus Warner. We're looking at the difference between power and authority, a biblical understanding of our victory in our Christ, and practical applications like binding, loosing, and evicting demons. The goal of this series is to equip you with a spiritual warfare first aid kit, so you can function with more freedom on your deeper walk with God. Check out the free discussion guide in the links below! 

The extraordinary Cosmic Basket continues to unfold this week as Jupiter in Leo completes its powerful conversations with all of the outer planets, expanding our awareness and inviting us into an even greater level of consciousness. This rare planetary alliance continues to weave together the energies of growth, awakening, imagination, and transformation, encouraging us to embrace the future with courage, creativity, and heart. Midweek, Mercury ends its retrograde journey, bringing fresh clarity, renewed momentum, and the opportunity to move forward with new understanding. As the Sun completes its passage through Cancer and enters the radiant sign of Leo, it begins activating the very same evolutionary pattern, illuminating our creative spirit and reminding us that each of us has a unique light to share with the world. The week concludes as Saturn stations retrograde, inviting us to pause, reflect, and strengthen the foundations of the future we are beginning to build. Join me on this week's episode of The Golden Astrologer Podcast as we explore the next chapter of this remarkable cosmic story and discover how to work consciously with one of the most significant planetary patterns of our time.

Sunday morning service from the pulpit of Falls Baptist Church

On the #amwriting podcast's Margin Notes, host Jennie Nash talks with Caroline Bicks, Stephen E. King Chair in Literature at the University of Maine and co-host of the Everyday Shakespeare podcast, about her book Monsters in the Archives: A Year of Fear with Stephen King. Bicks describes how she became the first invited into King's Bangor archives after King called to meet her, and how her sabbatical became a year of researching five formative works (including Carrie, Night Shift, The Shining, Salem's Lot, and Pet Sematary) to understand how horror language creates lasting fear. She explains choosing a first-person narrative that blends literary criticism, archival discovery, and her own anxiety, including eerie moments in the archive and insights into King's word-level edits, literary influences, and Shakespearean foundations, especially The Shining's ties to Hamlet.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Read the Book* Monsters in the Archives by Caroline BicksTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Welcome, everyone. This is Margin Notes, the part of the podcast where we're talking about the big decisions writers face in their work and creative lives.I'm here today with a super special guest. I'm so excited to speak with Caroline Bicks. She is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. And she's the author of all kinds of very cool books ... about Shakespeare, including one on cocktails.Um, and, uh, is the co-host of the Everyday Shakespeare podcast, and we are here today to talk with her about her new book called [00:01:00] Monsters in the Archives: A Year of Fear with Stephen King. Welcome.Caroline: Thank you. Thanks for having me.Jennie: So this is gonna be the strangest interview you've probably ever done. ICaroline: don't know.Because- I've talked to a lot of people around the world about this Stephen King book.Jennie: I couldn't read your book. I, I couldn't read it. I can't read horror. Yeah. Which listeners of this podcast are gonna laugh about, ‘cause I'm actually coaching someone live and they're writing gothic horror, and they're probably like, “All you talk about is horror, Jennie.”But, um, it's actually the reason why I wanted to talk to you, because you made a decision in the writing of this book that I thought was super cool. Mm. Which was you put yourself in it.Caroline: Yeah.Jennie: And you're a scholar.Caroline: Yeah.Jennie: And you've written scholarly books, and you approach this with a scholarly perspective, but you, you really put yourself in it.And, and so [00:02:00] I was reading it for that part of the story and I had to skip over huge chunks of, of the, of the work. Because what you're doing in this book is you're getting at this question of- W- what, what is scary in writing? Like, how does it actually work? How does it act- what is the magic or the function that makes us feel this thing?And you actually feel it yourself while you're going through it, and I found it quite terrifying actually. So, um, that's kinda what I wanted to talk about is how did you make the decision? Well, first of all, you were the first person, I wanna make sure I get this right, ‘cause this is very cool. Yeah. You were the first person who was invited to the archives, the Stephen King archives.Caroline: Yeah. I mean, it's, it's a bit of a story, so I won't spend too much time on it, but just the mo- Oh, no, do. It's good ... when I ch- when I took this position... So I've been a Shakespeare professor my whole adult life, ba- as soon as I graduated from grad school in the late ‘90s, [00:03:00] and I was at Boston College for 15 years.I took this position at University of Maine nine years ago as a Shakespearean. Um, so it is an endowed chair in Stephen King's name because he's our most famous alum. So when I took the position, I, it was because I'm a Shakespearean, not because I'm a horror specialist. Um, I had always been a Stephen King fan since I read him when I was 12, and he scared the beje- Jesus out of me, um, with The Boogeyman story.Jennie: Right.Caroline: Um, so when I took this position though I was told, “You're never gonna meet Stephen King. Don't even make contact with him.” I'm like, “Fine, you know, this is still a great job. I'm excited.” Um- ThanksJennie: for the money. Yeah.Caroline: Thanks for... You know, no, it's a wonderful fund. It was funded by the Harold Alfond Foundation, and it's to support the public humanities, which is an incredible mission.So, um, I get to give money away to people. You know, it's a great, great position, but I was not a horror specialist. And particu- a- and as an adult, I actually wasn't reading horror because it scares me too much. You know? Yeah, yeah. Um, but it had grabbed me when I was a teenager. So it was about four years into the [00:04:00] job when I got a call at home from Stephen King, which just, uh, uh, my jaw hit the floor.And he said, “You know, I think it's time we meet.” I'm like, you know, I, I really fan-girled because I really, I have so much admiration for him and respect. Um, I invited him to come talk to our students. He was brilliant, generous, funny, kind, and I felt so at ease that I felt like I could ask... You know, and I got to know him professionally.We had a good professional relationship that developed from there. When I had a sabbatical year coming up the next year- I could have written another Shakespeare book. I had another one in my head. I've written a bunch of them but I knew that he and Tabitha had just collected all of his manuscripts and put them in a climate-controlled space attached to their home in Bangor, and I thought, “You know, this is an incredible opportunity.I would love to dig in there and be the first one in there, and just read those early drafts of the books that scared me so much when I was a teenager, and try to just explore why. Why were they sticking in my head still?” Um, again, I am not a specialist in... I'm not a cognitive scientist. I'm not a [00:05:00] specialist in horror literature, but I'm obviously highly trained in how to do literary analysis and how to do archival work, not Shakespeare, because we don't have any of his works, but, you know, I, I understand what that process is.So back to your question about why I wanted to bring myself into it, which was, you know, I had been experimenting with first-person storytelling after I got tenure. You know, ‘cause it's a long process, Kate. Right. And most of my writing had been academic writing, but I really had always loved storytelling And I got a piece into the Modern Love column.I started to have some success with publishing my first-person stories, and I was like, “You know, I love this.” So when I had this opportunity to go into his archives, they generously said yes, was amazing. I thought, “You know, I really wanna tell this story. I don't wanna write an academic book. I want this to be the story of a literature scholar, but really the story about a scared kid.”Jennie: Yeah.Caroline: You know, you, you never lose that scare, you know, I don't... This is the thing. Fear has stuck with me with those stories [00:06:00] for 40 years. So I was fascinated, and I just wanted to understand how he had crafted the language so that it was sticking in my head still. Because when I was talking to people around, you know, whenever you mention Stephen King to people, you know, if they've read him, they remember specific lines and specific words, and I was like, “That's an extraordinary, um, 50 years on to have that power.”So, um- Well- Anyway. Yeah. Go ahead. I, I could talk about this forever, so you tell me- Oh, no, it's- ... where you wanted to pick up from this.Jennie: It's so good. Well, I have to tell you this funny anecdote, which is that my college roommate was from Bangor, Maine, and babysat his kids in that house.Caroline: Oh, that's insane.Jennie: So when I went to visit her, she drove me by that house.There you go. And I was like, “Oh, hell no- Yeah ... would I ever babysit in that house.” Like, it's-Caroline: It's ‘cause it's like a gothic, it's like straight out of Haunting of Hill House ...Jennie: actually, and like these spiderweb gates that, and you describe that in the [00:07:00] book and, and the- Yeah ... archives are in that house. They'reCaroline: in the house.They're attached to the back. I know. And it, it was so, it was, it was insane. It was like a full-on 360 experience writing this book. Um, and I, I knew, like, so I did the research for a year. I didn't even know if this would be a book. I just knew I wanted to have the opportunity to be in there because it, I knew it was a great opportunity, and I was so curious, you know?Yeah. So I, I came out of the year with just tons of notes and observations, but I didn't have a book, you know? Yeah. And then I started experimenting with writing a chapter, and I just, the storytelling just came forward and then when I got an agent and she, you know, s- I, I, I was able to get a contract based on a proposal and that one chapter I had written and I was really fortunate to have a fabulous editor, David Ebershoff, at Hogarth, who is just such a wonderful writer himself, and he really encouraged me to bring my voice in and bring my story in even [00:08:00] more.Um, so that's- And- ... that's the story of that.Jennie: Was it hard for you as a scholar to do that?Caroline: You know what? It was so freeing and so fun that it actually wasn't, you know? Because I, I knew this wasn't going to be an academic book, so once I let go of that- Yeah ... um, I was like, wow, I have the, and yet I have this skill set I can bring forward, and I knew that's what would make this unique.Um, but I can combine my two favorite ways of writing, ‘cause I do actually love writing literary criticism. Like it's, I get a thrill out of it. I wouldn't be doing it this long if I didn't get a thrill out of it, but I also love telling my own stories and drawing a reader in. And so for me it was like just a circus carnival.Like it was so fun to be able to do it. Once I had the permission and I had a contract, I was like, fine, you know? I, I, who am I writing this book for? I'm writing it for me, you know? Like this is just something I wanna do because I'm so passionate [00:09:00] about it and I, and I love Stephen King. And, um, once I got into it that way and wasn't thinking about who's gonna criticize me for this, like how will academics view this, I was like, I don't care.I just don't care. I know I've got a great story to tell that people are gonna love to read because there's so many people that love not just Stephen King, but people who love reading about how great books get written, you know? Yeah. And so that was the audience I had in my mind when I, when I was crafting it.It was really, in my mind, anybody who cares about books and writing. It doesn't have to be... So when you say, you're not the first person who's said to me, “I can't read your book,” or, “I can't read-” Oh, I'm so glad. “... Stephen King books,” you know, and I'm like, “That's okay. You can skip, you know, the parts that really scare you,” because there's plenty about just like that first chapter I wrote about Pet Sematary, just his sticky notes back and forth with his copy editor, which is so fun I think.You know, it's just like, wow.Jennie: Totally. Yeah. But the thing that you do is you- Allow yourself to confront that fear-Caroline: Yeah ...Jennie: [00:10:00] that, that I feel that the people can't, that can't read horror feel. You know, anybody that even allows themselves to be scared feels. And-Caroline: Yeah ...Jennie: and you, you do some very specific things, um, which I, I found fascinating, including tracking down on eBay the original copy of that book you read as a- Yeah, I wanted-as a teenager.Caroline: Yeah, that was part of the process for me, was I wanted to make sure I was reading... So before I would go into the archives for each work, and I'd spent like two... I only picked five, because I wanted to... First of all, I knew I wanted to make this personal. Um, and those were the five that scared me the most when I was a teenager.So I grew up in the ‘70s and the ‘80s as a teenager, so for me, it was in real time when the books were coming out practically. So it was- Yeah ... Carrie, Night Shift, The Shining, Salem's Lot, Pet Sematary. Um, I'm forgetting one of course. Uh, but I went -Jennie: The other one.Caroline: The other one. Had a huge impact on me. [00:11:00] So it was those five, and I, I knew those were the ones I was gonna do a deep dive into, and that I wanted to really re-engage with, and bring my whole self to.So I wanted to find the copies that I had read in the ‘70s and the early ‘80s. And fortunately, it's pretty easy to find them. Uh, so yeah, but eBay sometimes I had to go on, or go into a used bookstore and, you know, find the like actual 1979 paperback, you know.Jennie: Um- I mean, that- Um ... I just, there's some, there's so much to say about that because-Caroline: YeahJennie: like, I just, um- We, we just had a new bookcase built, um, which is something I've wanted to do well for eight years in this house. But it's a thing I've always wanted to have, which is like a grand bookcase, and it just was finished last week, and we had all the books packed up in storage, and we brought all the books back.Then we went through this discernment process of what goes [00:12:00] on those shelves. And I, you know, I had all those books from when I was a kid, even when I was a kid-kid, and they're yellow, and moldy and falling apart, and the covers aren't on, and they're taped and-Caroline: Yeah ...Jennie: eh, but I cannot let them go-Caroline: Yeah ...Jennie: because those...that was the object.Caroline: That's the object. This is what I feel sad for kids now, because they're not gonna have those same memories, um, of books. Yes. You know? And I don't think they stick in your head the same way if you don't have the full sensory embodied experience with a book.Jennie: Right. You know? Even when you open...I read on Kindle, which I love for so many reasons. Yeah. But you don't even see the cover.Caroline: You don't see the cover, right. And for me, it's so much. Like, I remember going to the Scholastic Book Fair and being like- Yes ... “I'm getting Summer of My German S- Soldier because Christy McNichol's on the cover,” you know?Yes. Yes. So yeah, that was part of the journey for me was I did wanna just [00:13:00] reconnect with those books again, try to h- and as much as you can, you know, reexperience the feelings of f- like The Shining, I actually... the only one I still have from 1977 is the actual Shining that I read. Um, and that's, for me, that woman in room 217.Well, I know you haven't read it ‘cause you're probably... What? But, um, it, that particular one I still have from, from when I was growing up. Um, and I love that I still have it, and it still has the photo... You know, it's the version that has the photo inserts that includes the Kubrick film photos. Oh, okay.Jennie: Okay.Yeah, yeah.Caroline: And I read it before I saw the film, so I remember being- 15 reading it and then seeing the pictures and being like you know? And that's part of the experience, but it wasn't, it's different than seeing the film, you know? And I really, I wanted to write this book as a love letter to language and to books, and not to film.Like, there's, that's a whole other category I think that enters people's brains in totally different ways. It's a very different experience. For me it's about, like going back to your original question [00:14:00] about like why, why, why do stories cause fear, and like what's the value perhaps in that? Yeah. That was something I came to after this long journey really, and talking to people and thinking about why.And also by understanding and reading more about Stephen King's books and talking to him about them, and realizing for him how much these stories are rooted in personal experiences or fears of grief and loss. And- Yes ... that was really profound for me. And like The Night Shift, which is the ur-text that I start with, ‘cause that's the one I read when I was 12, and that's his first collection of short stories.It came out in 1978. It's 20 short stories. But he ends it with a story about his mother dying, and it's, I mean, it's thinly veiled autobiography. It's about a man who's watching his mother die in the hospital. Um, but it's clearly a mirror of his own experience losing his mother when he was 26. And I'm like, wow, what's that doing in a collection of horror stories?[00:15:00] And it's like, what? ‘Cause that is of course, at least for me and I think for a lot of people, that's the core fear we first have, is that where's mommy, right? Yeah. Right? You lose the person who's in charge of taking care of you, and if you're lucky, does it well and with care. Um, but even if it's not, like Carrie, you know, the more I was looking through the Carrie drafts, I was like, right, he's really homing in on Carrie calling out for her mother even though her mother's terrible and abusive to her, right?So it's, there's just this, I don't know. It's a long way around to say I think horror, and he writes about this really eloquently, is a way for us to metabolize our deepest fears. Um, and to look at trauma not head-on but sideways. Um, and he writes about that, um, a number of different places in a really powerful way.He's just such an extraordinary human. You know, he's been thinking about this and for so long.Jennie: Yeah. Yeah. So, so your willingness to [00:16:00] confront that, those particular fear, fears in your own self and on behalf of the reader, really puts you in it. I mean, like you, there's a really lovely moment where you are reading I think it's, I think it's Pet Sematary, reading the actual book, and you have to turn it over so you- Yeahdon't see, like on your nightstand so you don't see the cover. I'mCaroline: scared, I'm scared of the cover, right, still.Jennie: Yeah.Caroline: Yeah.Jennie: And then there's moments, se- several where you're driving And you're sort of holding your breath while you drive past a place that he writes about or, or- Mm-hmm ... you know, um, well you have to tell the story, I'm sure every interviewer asks you about the, um, the doorknob in the archive.You have to, like, I was-Caroline: Yeah, not too many people have asked me about that, but I'm like, that to me was the scary moment-Jennie: Wait, shut up ... the most, theCaroline: most sturdy. I'm like, wh- uh, why did that happen? But of course, I mean, there's a reason why it happened. It's, it's, it [00:17:00] automatically locks if, you know, the, if you- Okaydon't lock it So let's, let's play- So but it just happened that we were inside the archive room. It was me and, and Julie Ugli, who is their assistant, who was helping me through this whole process. And I know, and I was, like, literally holding the first page of the first draft of The Boogeyman, the story that had scared me so badly when I was 12, about a monster that comes out of closets, and we're like in this room.And the, the archive room, it actually, it almost feels like a closet. It's not huge at all. You know, it's just-Jennie: Yeah ...Caroline: top to bottom, ceiling to floor stacked shelving with, you know, boxes of materials. And yeah, and we were in there, and I'm holding the first page, and the lock closes on its own. It just goes...And I'm like, I'm looking at Julie, I'm like, “What is, what's happening?” We don't have our cell phones with us. I'm like, “Are we stuck in here? Like, what's gonna happen?”Jennie: In the scary archive- In this, I was terrified ... in the back of the scary house. Like-Caroline: I know, I know. It was like, you can't make this stuff up.That's why I was like, I [00:18:00] couldn't wait, when I finally got a chance to write the book and sit down and write, I was like, I can't wait to tell these stories, because they just... I, I'm not a fiction writer. Like, I, I have such mad respect for- I don't know about that ... well, I've m- We'll see I don't know. I have mad respect for people who can write fiction.For me, I only can write what I know and exper- So I'm like, ah. But these stories were just so amazing. Or like when I was reading The Shining, like the first draft of The Shining, which is crazy. I mean, it's so different from the published version. And like getting to the woman in room 217, and like reading th- and literally my head w- like I thought I was having a stroke.Like it was like, like... And it's like, and then I find an interview where Stephen King writes about how he was scared to go back to that scene when he was revising it, the book, because he was dreading it. And I was like, oh, my God, have I just like had some kind of telepathic experience with Stephen King?Like- Right ... across time, space, and yeah, it was amazing.Jennie: Well, yeah. I mean, [00:19:00] it's just, um, uh, I actually made myself go through the whole book skipping giant chunks.Caroline: I feel so badly I put you through this.Jennie: I know. I, I feel like why, I kept saying, “Why? Why did I think this was a good idea?” Um, and it- I mean, even just tangentially, I, I don't know.It's interesting. I have, I'm sure you have this too, anybody who reads a lot or spends a lot of time with words, you have a capacity to sort of pay half attention, if that makes sense.Caroline: Mm-hmm.Jennie: Um, like you c- could sort of look at it without letting it all the way in. Yeah. But I, I just was, I just was riveted by the thread of, of your story and your putting yourself through that as a scholar and a human.But, but then some really cool things happen, and I, and I have flagged, um... Do you, [00:20:00] w- would you mind reading a tiny piece? It's- No, not at all ... it's on page 82, and it's the p- the paragraph that starts, “These manuscripts.”Caroline: Yeah.Jennie: That would be amazing.Caroline: Absolutely. So this is actually the moment I just described to you, where my head was like, I got...Oh, actually, I had just discovered the last 150 pages of the original Shining manuscript in a random folder in the archives, and I was like, “What is this doing here?” And I was getting obsessive about the manuscripts at this point, clearly- Yeah. Yeah ... just like the main character in The Shining, Jack Torrance, who gets obsessed with the manu- with the papers in the basement of the Overlook Hotel.But here we go. “These manuscripts are definitely getting into my head, and not just its rational part. In his memoir, when King describes books as being a uniquely portable magic, he doesn't specify what kind of magic. What if manuscripts can absorb and store more than just ink and words? [00:21:00] What if their pages can pass on dark energy along with dark stories?Ghosts have more than one way of making sure their stories are heard, of ensuring that the past is not forgotten, but rather pressed into our minds, even if we wrench our heads off the pillow and refuse to listen.” And that last is a reference to my, I used to see a ghost when I was five, and I write about that in the book too.Jennie: I mean, when I read that, I was like, “That's, that's me.” Like, these ghosts and horrors are pressing themselves into my mind, and I'm refusing to listen, and they still, they still do. And, um, King's stories in particular are so iconic, you can't really escape them. Like, you, you know the scenarios, you know the characters, you know-Caroline: YeahJennie: you know. And, and so it was interesting for me reading this book that that described my [00:22:00] experience where I was both repelled and magnetized at the same time.Caroline: That's beautiful the way you just put that. I mean, I think that is exactly our relationship also, of course, to our own fears. You know, again, what makes these stories endure, and I didn't go into this book thinking like, “This is a book about promoting Stephen King,” and, you know- Rightlike, I don't work for Stephen King. I just want to put that out there. Right. He, you know, he graciously agreed to let me go into the archives. He's been very generous about answering all my questions I had about the manuscripts, but he never at any point was like, “You can't say this,” or, “This is how you're supposed to say this.”So, but what I came away with after this process was exactly what you're describing, why we need these stories, why they endure, actually, is because they tap into our very real human fears. It's not about the monsters. It's about the grief and loss that's coming for all of us if we live long enough, you know?So you, and you have to at some point confront that, you know? So if it's- Yeah ... you can [00:23:00] try to run away from it, but it's coming, and that's part of being human. That's the human experience, obviously. Not to be glib, but it's like-Jennie: Yeah ...Caroline: you will experience loss. You will experience grief. And if these stories help you metabolize that or have a cathartic experience with that feeling without having to actually experience your worst fear, right?Um, like Aristotle says, it's cathartic, right? It's you watch a play, a, a tragedy because you experience a catharsis.Jennie: And did you, did you get to that in your own process?Caroline: That's a really good question. Um- You know, I, I think I became more aware of it. You know, I am, you know, and I write about this very openly in the book, that I was an extremely anxious little kid, um, which is part of why I think the boogeyman triggered me in the particular way it did, you know.Um, and that I grew into a pretty [00:24:00] anxious adult, you know? Yeah. I think anxiety is one of those things that, you know, I... Again, I was born in the ‘60s, so we didn't have this language for this back then. Like, my parents wouldn't have known to call me an anxious child, you know? Right. They probably would've said, “Oh, she's shy,” or, “She's whatever.”Um, so I think I, you know, like, and I as an adult, I think I've, I've found ways to manage it pretty well, but I am definitely a control freak. Like, that's part of how I manage it. I shouldn't use that language, but you know, it's like I, I like to just control what I can control, and that makes me feel that I can put the anxiety at bay.So I will say I think it's been interesting for me, Nick, now when I have those moments that are my worst fear moments that sometimes still will creep up on me just even though when I think I've figured it out, like doom s- doom scenarios. I tend to go to doom scenarios. So, like, if I can't reach... Uh, I will say Life360 has been, like, the best invention on the planet for me-with my two kids [00:25:00] and my husband. I'm like, “I know exactly where everyone is.” Yeah. It has saved me a lot of worry. Sometimes Life360 doesn't work, or sometimes a person still doesn't answer the phone, and then I have to manage my anxie- And then it's like... So I will say it's been interesting going through this process and having to confront or revisit the core of what scares me and, like, why that impacts, you know, why certain moments come forward for me still.So I think, yeah, I think it has helped me to a degree. Like, I can recognize it more clearly now. I'm like, “Oh, right, that's why I'm scared of that,” you know? Um-Jennie: That's so cool.Caroline: Yeah.Jennie: And it feels like that's the, the, um, the transformation in the book is you're exploring how that actually works and the language and the stories.Mm-hmm. But you're, you're also exploring how it works in your own self, how it did when you were young, how it does now- Yeah ... these moments when you're scared. So it- Mm-hmm ... there's such [00:26:00] a depth to it and, I mean, I just, uh, even in my half reading of it, I just loved it. Thank you. And, um, there's something that happens That's kind of crazy, which is, so you're a Shakespeare scholarCaroline: Mm-hmmJennie: And I ha- I, I know from reading Steve, a- about Stephen King, from reading his book On Writing, of course, and, um, interviews and such that, uh, I'm, I'm probably gonna say this in a disrespectful way, and I don't mean it to be so, but the, the easiest way I can describe it is that he's always had sort of a chip on his shoulder that he's just a popular writer and not taken seriously in a literary way.Mm. I don't know if that's, if that is fair to say, but that's how I'm saying it. Uh,Caroline: yeah.Jennie: And, um, what, what I found incredible was that [00:27:00] here comes this Shakespeare scholar into his archives doing proper scholarly archiver, arch- archival work, and there's this moment when you begin to see Shakespearean themes in his, in his work, and you can't ignore it, and particularly in, in Carrie and- Yeahparticularly around exactly the thing you were wrestling with, which is like a young girl's- I don't know, sense of, of not being fitting in the world or, um-Caroline: Yeah ...Jennie: right? And so that, um, there's, on page, since you have the book in your hand, um, I think it's pageCaroline: 202. Mm-hmm.Jennie: And it refers back to that passage you just read about portable magic.It's the one that's I remembered.Caroline: [00:28:00] Right. Okay. So this is going back to when I first was, um, I was in the final round of the job for the Stephen E. King Chair in Literature, and I was working on a book about Shakespeare's, the girls in Shakespeare's plays and world and teenage girls and their cognition.Like, the how were people during Shakespeare's day thinking about girls' brains? Yeah. So I'd been working on this for 10 years. Um, and then I was getting ready to give my job talk. This was the first time Stephen King and Shakespeare came together for me, and it was getting ready, and this, again, this is an authentic story, like write what you know.So I was getting ready for the job talk. I remembered that King's 1974 novel, Carrie, featured a 16-year-old girl whose telekinetic powers are unleashed when she gets her first period in the school shower. I started rereading it, and within a few pages came across an uncanny phrase. When she's walking home after being dismissed early, Carrie feels her brain flexing in a new way, [00:29:00] as if her powers have been waiting below the surface for her to reach, quote, “mental puberty.”I couldn't have wordsmithed this dynamic cognitive change better myself. In the last part of my job talk, I used the phrase to connect the brain work of Juliet Capulet, who's described as being two weeks away from seeing the change of 14 years, to Carrie's newly activated adolescent mind. It felt like a moment of pure portable magic between Stephen King, Shakespeare, and me.Jennie: Ugh, so beautiful.Caroline: Oh, thank you. Yeah. I mean, that was just so gobsmacking. Like, when that happened, I was like, I ca- I can't believe it, but yeah.Jennie: And then, now I may be getting some of the things wrong here, but then you- You realize, is it Carrie that, that you realize he was, you thought he was emulating a play, a Shakespeare play?Caroline: I think you're thinking of Shining. I mean, definitely at the end of the Carrie [00:30:00] chapter I return to, I did notice echoes of Macbeth, and I was convinced that that must have been what he was thinking about. And, and what's funny is, so one of the conversations I got to have with him, I mean, he's so generous with his time, one of my last conversations with him was about the end of Carrie, and that's a book that he actually doesn't like very much.You know, it was his first published novel, he was 26, and he's like, “I think that was written by a young man who thought he knew more than he did.” So he's, it's not a book that he goes back to. He recognizes it's important, and it's important to him, but, ‘cause it started his whole career, his whole trajectory.Um, but he didn't particularly, he hasn't returned to it. Yeah. So that was a fun chance for me to sort of talk to him and say, “Hey, you know what? I think you should maybe go back,” ‘cause it's it's, there's a lot of Shakespeare in there. Anyway, but the Shining chapter, what was fascinating, so there's this first draft, which I, I write a lot about, called The Shine, that's in the archives, with a totally different ending.Um, and when I looked at it, [00:31:00] he'd also divided it into acts and scenes, like Roman numeral acts and little- Mm ... Roman numeral scenes. And I was like, “This, what is this? This is like a Shakespeare play.” Like, that's what it looked like. And then sure enough, I found out he was imagining, he was thinking of a Shakespeare tragedy when he wrote The Shining.And that was the first moment where I was like, “What? This is insane.” Like, this- Yeah ... like, ob- obviously that became, for me, the story I wanted to tell about that particular set of manuscripts, was sort of uncovering, like, what's the Shakespeare play? Like, what's the tragedy? And I didn't wanna ask him because I didn't want- I wanted to go in with my mind clear, like, of any outside influence.I just wanted to see what my Shakespeare brain, because I'm so embedded in Shakespeare. I also have a Shakespeare podcast I do with my best friend. Like, we're, I'm always thinking about Shakespeare and how it relates to everyday life. You know, and so I'm like, “Well, how does it relate to The Shining?” Which is, like, an ur-American text.Like, this, like, say what you want about horror, [00:32:00] like- I'd be shocked if people don't know what The Shining's about, even if they haven't read it even if they haven't seen the film. Like, you probably know something about The Shining, right? Right. So I was like, if there's a Shakespeare tragedy at the foundation of this, you know.And here's the thing about Stephen King that I came to learn, again, reading all of his notes and finding these edits, and I did find traces of Macbeth in the first draft of The Shine, um, that he ended up taking out. So I was like, “Oh, is it Macbeth? It feels like it could be Macbeth.” There's so many things it has in common with it, with hallucinations and with baby bashing.And, you know, all of these horrible things that are in Macbeth are certainly in that book. Um, but I really wanted to go in, like, just on an adventure, like, see what I saw. So I didn't ask him which chi- tragedy until I was fully done with all my research and I felt like I had it all done. And that's when he drops that he was thinking of Hamlet.And once he said that, of course, it became so ... I mean, I [00:33:00] had seen traces, there were references to Ophelia that also didn't make it into the final published draft. So you wouldn't know this. This is the beauty of archival work, like you're gonna see things that other people will never know about unless you tell the story.That's why I felt so passionate about this. Like, “I need to tell people-” Yeah ... “that Ophelia was in the first draft, that he was thinking of Ophelia.” ‘Cause of course, you know, again, even if you don't know The Shining, the woman in the tub, the woman in the bathtub, like a drowned woman in a tub, like ah, Ophelia.Yeah. Like Ophelia's another one of those ur, like she's so, she's such a part of our cultural air, right? I mean, like no matter what country you're in. Right. There's a reason Taylor Swift has a whole, you know, song The Fate of Ophelia. Like people know what that means. Um, so I was like, “Oh my gosh, this is, this is incredible.This is even deeper than I thought it was gonna be.” Um, but also it made me appreciate how much that book is about intergenerational trauma. Um, and it's not ... So he doesn't like the Kubrick film [00:34:00] for reasons that, you know, a couple different reasons. One is that it flattens out the character of Jack Torrance, and Jack Torrance is an abused child himself, and he passes on that abuse to his son, Danny, right?Um, but you wouldn't know that from Kubrick's film. While Hamlet, of course, is about a father's ghost coming forward. Like, “The past is a ghost,” King writes, which is so f- powerful, right? Um, here's this ghost saying, “You need to kill for me.”Jennie: Yeah.Caroline: Yeah. And that's what happens to Jack. Yeah, so anyway, that's a long way to say that wasEach chapter was my favorite in different ways, but that one I loved being able to do the deep Shakespeare dive.Jennie: And was that ... You know, so I started that question by saying I, I had heard or understood or maybe inferred that, um, you know, King himself had this sort of desire- Okay ... to be taken more seriously.Was that, that must have been, I don't know, powerful for both you and him, uh, to [00:35:00] come to that? Not like, “Oh, you're the only person that's ever made him feel that way” or-Caroline: Yeah,Jennie: no,Caroline: I agree ... or agree with that, but. Like I, yeah. And, um, I mean, I will say I think part of the reason he was always really ... I mean, first of all, he's just so generous, and any writer who's ever worked with him has the same experience.Like he just gives his time. He just loves writing and writers so much that he will just, he'll just t- like any email I would send him, he'd write back in like an hour with a response. The part about how he feels about academia, you know, and I never directly asked him that because I didn't wanna ... You know, if he wanted to bring it up, great.But I think- Yeah ... my, after going on this journey with him, he clearly loves talking about- literature. He's the most well-read person I've ever met. I'm just gonna say that hands down. Like, the guy reads- Really? ... cons- constantly and if you read his early works, like even when he was 17, he wrote The Long Walk, okay, which just came out as a film, [00:36:00] and in that, he's citing T.S.Eliot, he's cit- he's citing Poe at 17. Okay? So he's, he, he, this, he comes by this honestly. He's not just trying to seem smart. Like, he literally is constantly reading and it's clear when you read his manuscripts or when you read his published books, he's making references to all, whether it's Shirley Jackson or Wallace Stevens or, you know, uh, he's so capacious in his knowledge of literature.And, like, just a couple months ago, he sent me an email, I don't, I can't remember, we were talking about something about Salem's Lot, and he was like, “Yeah, when I was writing Salem's Lot,” which again, this is 1975 when he's writing Salem's Lot, so that's a long time ago. He's like, “I was really into James Dickey's poetry.”Jennie: Whoa.Caroline: You know, who was an American no, you know, poet laureate. Uh, he's like, “And I was reading everything I could read of, of his and then I read Deliverance, and then I went back to his poetry, and that really impacted how I wrote the chapters [00:37:00] about the Lot,” which if you've read Salem's Lot, has some very lyrical, poetic chapters about the town, like, “The town knew about darkness.The town had its secrets and knew how to kept it.” And then he, like, sends me the entire poem that he was thinking about that James Dickey wrote. So I mean, it's, he's, and it's not performative. He's not, like, he has nothing. He doesn't need to prove anything to me, you know?Jennie: Right, to anyone, yeah.Caroline: He just literally loves, he loves literature.Like, this guy, he loves poetry. I mean, he actually writes poetry. He wrote poetry as an undergraduate. Uh, it was actually the core start for him of The Stand, was a poem he wrote called The Dark Man one day when he was, like, hungover in the school, like, cafeteria. Like, so it's like he, he's been thinking about literature and living with literature and, uh, since he was a teenager, if not earlier.His mom brought him, uh, Bram Stoker out of the public library when he was nine, so I mean, the guy- Whoa ... ‘cause he asked for it. He asked for Dracula. [00:38:00] I wasn't reading Dracula when I was nine. Were you? I mean-Jennie: No,Caroline: no. I was reading Little House on the Prairie. I mean-Jennie: Yeah. Yeah, exactly. Wow. Wow. So- I mean, this book, again, it's called Monsters in the Archives: My Year of Fear with Stephen King by Carolyn Bicks.It's just incredible, whether you're a King fan, whether you're a horror fan, um, but for sure for all writers, which are all our listeners. If you can, if you can bear it.It's very specific, um, a very specific- specific exploration of, of how good writing works really. Yeah. Right. And, and how you... You know, there's always that perennial question of how do you get emotion on the page? How do you make your reader feel something? And you, you show it very specifically, and I wanted so badly [00:39:00] to, to get into the details, and I, and I, I just, I just couldn't.Um, maybe someday, but, um, I just, I just can't recommend it enough for, for, um, this audience and, um, you know, anyone who's interested in any of these things we've talked about.Caroline: Thank you so much. I really appreciate that. And I will say, like, the Pet Sematary chapter, which is the first one, that was the first day I was in the archives.One of the things I discovered about him day one was how much attention he pays to word sounds. So I think for any writer interested in sort of doing a deep dive into, like, how one word change, right- Yeah ... can make a difference, you know? Yeah. And I didn't appreciate that about his writing until I went in there and saw his notes to the copy editor where he's like, “Nope, the word's clitter, not clatter.This is why.” You know? Like,Jennie: he's- There's a, um- Yeah ... yeah, there's a book I love, it's probably right behind me, um, called The Artful Edit by Susan Bell, in which she [00:40:00] shows examples of that kind of very careful change in, um, The Gre- The Great Gatsby and The English Patient and various works of, of literature, and your, your whole book is like that.It's, it's just amazing. Um- Thank you ... so is the next book gonna be the Shakespeare one you had thought of before? Or are you gonna- ... go in the, in the personal direction?Caroline: You know, it's such a good question. I think right now I'm just taking a break, you know, because I'm the kind... Like, I immerse myself in a project, and this has been so all-consuming.Um, and I'm back to doing my Everyday Shakespeare podcast, which I love and I missed. Um, so I'm doing that. And I, I really don't like to think too far ahead about what I'm going to write. I like to have it come organically.Jennie: Yeah.Caroline: Um, so I could go back into the archives. I could write another one of these kinds of books, but I don't know if that's the [00:41:00] right thing for me right now.Jennie: Yeah.Caroline: Um, I want to make sure whatever I write next- You know, I loved writing this book so much. It's my favorite... I mean, it's, it was such a powerful experience for me, um, because I could bring my personal experiences into it and my scholarly self into it. I don't... You know, it's gonna be hard to recreate that.Yeah. I think it can be done, but I don't wanna force it. Yeah. So I'm gonna wait and see what the next, what the next oneJennie: is. Don't you, don't you love the interviewer who's like, “Hey, congratulations. You wrote a book. What, what's your nextCaroline: one?” What are you working on now? What are you doing now? I know. And I get that.I'm like-Jennie: So mean ...Caroline: I'm just, I'm just reading books I wanna read. I'm doing my laundry. I'm getting to know my dog again. You know?Jennie: Oh, wow. Well, thankCaroline: you. But, you know, it's a fair question. Yeah.Jennie: Yeah, yeah. Thank you for coming and chatting about this, and for writing such a cool book. And- Thank you ... um, I'm looking forward to seeing what you do next.Caroline: Thank you, Jennie. It was a [00:42:00] pleasure.Jennie: Well, for our listeners, until next time, stop playing small and write like it matters.The #amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

We talk a lot around here about making your future self grateful, and I have a challenge for you today!I'm STILL bunged up with a cold, so enjoy an episode from the vault in the meantime!✉️ Sign up for my weekly Letters of Rebellion!

Novels that endure not only have bold plots but are also beautifully written.  Here are techniques on how to make our sentences shine.  Also: should we write our first chapter first and our last chapter last (as does John Grisham) or should we write the chapters and scenes out of order (as did Margaret Mitchell)?Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more.  Each episode is focused and about 30 minutes.  The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars.  If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.Support the showBuy the master class.

This week's Lagniappe podcast explores a market that continues to trade in a holding pattern. Greg and Doug discuss why easing inflation has helped calm markets, how strong bank earnings are setting an optimistic tone, and why small- and mid-cap stocks continue to outperform as demand for AI infrastructure fuels growth across the broader economy. The guys also recap an exciting FIFA World Cup semifinal round and preview Sunday's Argentina-Spain final. They close by discussing rising bond yields, what current betting markets suggest about the 2026 U.S. midterm elections, and why reducing political uncertainty could become an important catalyst for markets later this year. Key Takeaways [0:17] – Markets Remain in a Holding Pattern [1:57] – Iran, Oil Prices & Market Volatility [3:44] – Earnings Season Begins [5:00] – Why Small- & Mid-Cap Stocks Are Leading [8:34] – World Cup Semifinals Recap [11:07] – Bonds, Interest Rates & Inflation [13:45] – Midterm Elections & Betting Markets View Transcript Connect with our hosts Doug Stokes Greg Stokes Stokes Family Office Subscribe and stay in touch Apple Podcasts Spotify lagniappe.stokesfamilyoffice.com Disclosure The information in this podcast is educational and general in nature and does not take into consideration the listener's personal circumstances. Therefore, it is not intended to be a substitute for specific, individualized financial, legal, or tax advice. To determine which strategies or investments may be suitable for you, consult the appropriate, qualified professional prior to making a final decision. Different types of investments involve varying degrees of risk. Therefore, it should not be assumed that future performance of any specific investment or investment strategy (including the investments and/or investment strategies referenced in our blogs/podcasts) or any other investment and/or non-investment-related content or services will be profitable, equal any historical performance level(s), be suitable or appropriate for a reader/listener's individual situation, or prove successful. Moreover, no portion of the blog/podcast content should be construed as a substitute for individual advice or services from the financial professional(s) of a reader/listener's choosing, including Stokes Family, LLC, a registered investment adviser with the SEC, with which the blogger/podcasters are affiliated.

Mac & Fitty start Friday's show, talking about the latest developments at the Open Championship, before getting into Day 2 of ACC Kick Off, as both Dabo Swinney & James Franklin talked about their respective teams, they get a surprise visit from Kyle Bailey, and they react to XL liking an odd tweet See omnystudio.com/listener for privacy information.

President Donald Trump's primetime speech on election interference could create a political win for Arizona's secretary of state. Our Friday NewsCap takes on that and the rest of the week's top stories. Plus, is humidity more dangerous than Arizona's famous dry heat?

Jennifer Carroll MacNeill, Minister for Health, on Government agreeing to set up a Commission of Investigation into the activities of paedophile Michael Shine.

To talk about the President Donald Trump's primetime speech on election integrity; a deal between Maricopa County Recorder Justin Heap and the Board of Supervisors; and more, The Show sat down with Sam Richard of Consilium Consulting and Barrett Marson of Marson Media.

On this episode Mike & Jason talk about the rookie class performances in the NBA Summer League. Maleek Thomas of the Cavs has been lighting it up and the top 4 of Dybansta, Peterson, Boozer, and Wilson have all shown why they were thought of as potential franchise players. Mike continues to believe that Caleb Wilson will win the ROY and emerge as the best player from this rookie class in the long run. Next, they discuss Wemby forgoing the 5% All-NBA/DPOY kicker in his max contract and the curious contract that Gary Trent Jr. signed with the Bucks. Mike and Jason wrap up by trying to figure out what will happen in the Kawhi/Clippers/Raptors saga before speculating whether there is any chance James Harden won't be on the Cavs' roster this season.Visit our Sponsors!Give With HoopsGive With Hoops is a groundbreaking initiative that fuses basketball analytics with modern sponsorship. Built for teams who see data as opportunity, from AAU programs to college powerhouses. By tying on-court performance directly to community and sponsor engagement, Give With Hoops help programs raise more while deepening support from those who believe in the game.D3 Direct Recruiting PlaybookHoop Heads Listeners currently get 25% off!Your step-by-step guide to getting recruited as a college athlete at the NCAA Division 3 level. This course is designed by former D3 Athletes to take you from zero interest from college coaches to securing your first offer and putting you on the path to committing.The Coaching PortfolioYour first impression is everything when applying for a new coaching job. A professional coaching portfolio is the tool that highlights your coaching achievements and philosophies and, most of all, helps separate you and your abilities from the other applicants. Special Price of just $25 for all Hoop Heads Listeners.Wealth4CoachesEmpowering athletic coaches with financial education, strategic planning, and practical tools to build lasting wealth—on and off the court.If you listen to and love the Hoop Heads Podcast, please consider giving us a small tip that will help in our quest to become the #1 basketball coaching podcast. https://hoop-heads.captivate.fm/supportTwitter/X Podcast - @hoopheadspodMike - @hdstarthoopsJason - @jsunkleInstagram@hoopheadspodFacebookhttps://www.facebook.com/hoopheadspod/YouTubehttps://www.youtube.com/channel/UCDoVTtvpgwwOVL4QVswqMLQ

Hello Beautiful, I'm so grateful you're here with me. Beneath the layers of stress and worry, joy is still here waiting for you. This guided meditation helps quiet anxiety and reconnect you with feelings of lightness, gratitude, and emotional wellbeing. Let your natural joy rise gently to the surface. Love,

North East Correspondent, Laura Hogan as the scoping exercise into the convicted abuser Michael Shine is set to be published.

Cianan Murray, a victim of Shine's abuse from 54 years ago and Lorcan Staines who was tasked with carrying out the scoping exercise into Michael Shine, and worked as a consultant at Our Lady of Lourdes Hospital in Drogheda, Co Louth.

In hour 1 of Steiny and Guru, Steiny and Evan (filling in for Gu) get into another day of waiting for Lebron James to make a decision. He goes live today in his Mind The Game podcast, could a decision be coming soon? Would picking Golden State make Lebron look better in the public eye?

B B B B B B Side! Well, not technically. Just not part of the main catalogue. It's still Queen. Kinda. Well, not really, but two of the band are in this supergroup... Look, I added The Cosmos Rocks to the B Side wheel because Corey has been getting on my case about us not talking about these songs. Fine. Happy now?!?!?!The first song we spin up from The Cosmos Rocks is the Paul Rodgers-penned Time to Shine. It was played live once. Not an auspicious sign perhaps? Randy is away working, so we had this one in reserve just in case we were caught short. Here it is!If Kev were to title this episode, I'd probably call it “All Right Now”, or possibly, “Not bad, how are you?”NOTE: Skip forward to 22:40 if wanna get straight into the manifestations and wheel spin.The music at the end of the episode is the very, very, very groovy "Disenfranchised You" by Randy Woods Band. It was written in a gutter in prague in a heavy rainfal as a Czech thimble salesman tried to steal Randy's bicycle at 3am on a Wednesday. It's incredible where the inspiration for songs comes from, isn't it! You can check it out here : https://youtu.be/Ul7uhP6MaWoIf you want to get involved in the Kofi Klub, head over to our Ko-Fi page (linked below) and let us know which song you want us to add to the wheel! We also have a private channel in our Discord community for donors.Follow & Listenhttps://bio.site/seasidepodreviewCheck out Kev's other podcastsThe Tom Petty Project & The Ultimate Catalogue ClashCheck out Randy's music here Hosted on Acast. See acast.com/privacy for more information.

The Dáil's out for summer, but Cabinet will meet a final time, after TDs rushed through a raft of legislation. An "immediate" inquiry is needed into prolific child abuser Michael Shine, and renewed violence between US and Iran threatens energy price hikes.

Gratitude is not only a feeling. In Jewish life, it is a practice woven into the day from the moment we wake. In this episode of Rise and Shine, Adrienne shares a personal story: months of caring for her husband through a frightening illness, the fear that came with it, and the renewed gratitude that followed his recovery. The Rise & Shine Podcast Series is made possible by the generous support of Bonnie Vozar of Chicago, Illinois. If you would like to sponsor an upcoming podcast, please email us at info@momentumunlimited.org

Are you truly honoring your spouse — or just going through the motions? In this raw and deeply personal episode of the Married Into Crazy Podcast, hosts Snooks & Lovey break down one of the most overlooked relationship killers: waiting until it's too late to show your partner real appreciation. From the private moments that define your marriage to the public displays that reveal your character, this conversation pulls no punches. Snooks & Lovey share intimate stories from their own relationship journey, examine iconic power couples like Barack & Michelle Obama, Magic & Cookie Johnson, and George & Laura Bush, and challenge every married couple listening to ask the hardest question: "Am I protecting my marriage… or am I protecting my ego?" This episode is your wake-up call. Whether you're newlywed, navigating a rough season, or simply looking for marriage advice that actually hits home — this is the conversation couples need to hear in 2026.

In this episode of Shed & Shine, Gino got a call. One of the original EOS implementers was moving on. As he drove home processing it, one thought led to another, and then another, until he landed somewhere he didn't expect.What does it mean to lose people, over and over, across a life that stretches to 120 years? Coworkers, friends, maybe even a spouse. His friend's 90-year-old mother has buried two husbands and found a third. His dad has watched entire social circles come and go from an independent living facility. Can you actually build that kind of resilience? And if you can't, what's standing in the way?He doesn't know what to call this one. But it did something for him. Maybe it will for you too. Timestamps00:00 Coping with Departures03:59 Long-Term Living Perspective07:28 Resilience in Relationships09:25 The Unnamed Episode's Point ABOUT THE 10 DISCIPLINES:The 10 Disciplines, founded by Gino Wickman and Rob Dube, is on a mission to help one million drivel leaders realize it's possible to be driven and have peace while making a bigger impact. We want to help you shed the barriers and layers that prevent you from creating the balance between impact and peace, and your True Self. Are you ready to be fully yourself, without the burnout? This space is for driven leaders ready to stop chasing and start aligning. If you're done hiding behind hustle, achievement, and expectations… and you're ready to reconnect with who you really are, you're in the right place. CONNECT WITH US❤️ https://www.instagram.com/the10disciplines❤️ https://www.linkedin.com/company/the10disciplines/ MORE RESOURCES TO HELP YOUR INNER WORLD JOURNEY❤️ https://www.the10disciplines.com/blog❤️ https://www.shedandshinepodcast.com ⭐️ https://www.the10disciplines.com/shine ✨ Find where you are in your True Self Journey: https://www.form.jotform.com/Developer763/true-self-mastermind-quiz

Send us Fan MailI was sixteen years old in 1985, sitting around a table with a group of friends, a pile of dice, some character sheets, and a copy of the James Bond 007 roleplaying game.Now, I'd seen the movies. I'd watched Bond race across exotic locations, escape impossible situations, and somehow always come out on top. But that day was different. We weren't watching James Bond. We were James Bond.I still remember the adventure taking us through the famous speedboat chase from Live and Let Die. The GM described the engines roaring to life. The water spraying across the deck. The bad guys closing in behind us. Every turn of the river felt dangerous. Every die roll mattered.What sticks with me all these years later isn't whether we followed the movie exactly. Honestly, I couldn't tell you. What I remember is the feeling. The excitement around the table. The tension as we tried to stay one step ahead of our pursuers. The laughter when something went wrong. The cheers when a crazy plan actually worked.For a few hours, a bunch of teenagers in the Midwest weren't sitting around a table anymore. We were spies. We were secret agents. We were caught up in a world of danger, intrigue, and adventure.And that's the thing about espionage as a genre. At its best, it makes you feel clever. It makes you feel like information matters. It creates suspense not because of what you know, but because of what you don't know. Who can you trust? Who's lying? What's really going on behind the scenes?The older I get and the more games I run, the more I realize just how powerful those ideas are. Whether you're running fantasy, science fiction, horror, or historical games, espionage elements can elevate a campaign in ways that few other genres can.So today, we're going to talk about the espionage genre. We'll look at where it came from, some of the movies, books, television shows, and games that helped define it, and the key ingredients that make spy stories so compelling. Most importantly, we'll discuss how you can bring those elements into your own tabletop roleplaying games to create adventures filled with mystery, intrigue, tension, and unforgettable moments.Because sometimes the most exciting thing at the table isn't defeating the villain.It's discovering who the villain really is.Mike, do you have any specific memories of your favorite espionage movie?

Danny Emerman of the S.F. Standard joins the show to discuss the Warriors storylines from the Las Vegas Summer League. After two games, it's all Yaxel Lendeborg's world. But L.J. Cryer also looks ready for a larger role. But he's found himself in competition with a surprising guard. Plus, we discuss, of course, the hiring of Frank Vogel as an assistant and the possibilities of LeBron James.

Send us Fan MailChores can feel like daily friction, but they're also one of the clearest ways kids learn responsibility, confidence, and how to live with other people. We start with a simple question about least favorite childhood chores, then move into the real parenting challenge: how do you build a healthy relationship with work without turning your home into a battlefield or doing everything for your kids because it's faster? We walk through age-by-age expectations for chores and household responsibilities, from toddlers who want to “help” to school-age kids who can handle more independence, and into the tricky middle school and high school years where motivation changes and schedules explode. Along the way, we connect chores to belonging, family teamwork, problem solving, and the long-term development of work ethic. We also talk about why it's worth letting kids participate even when it slows you down, and how practical life skills help teens leave home as capable, self-sufficient adults. We dig into teen overwhelm and overscheduling, including how to have a real conversation about priorities, time management, rest, and the need for downtime. Finally, we share what work mentorship looks like at Cal Farley's Boys Ranch, including how ownership, encouragement, and learning through hands-on projects can build workplace initiative and leadership. If you want practical parenting advice grounded in brain-based development, this conversation will give you a clearer plan for chores, responsibility, and raising adults. Subscribe, share this with a parent who needs it, and leave a review to help more families find the show.Contact:podcasts@calfarley.org To Donate: https://secure.calfarley.org/site/Donation2?3358.donation=form1&df_id=3358&mfc_pref=TTo Apply:https://apply.workable.com/cal-farleys-boys-ranch/j/25E1226091/For More Information about Cal Farley's Boys Ranch:https://www.calfarley.org/Music:"Shine" -NewsboysCCS License No. 9402

Tribal officials and renewable energy advocates are celebrating a major legal victory after a Minnesota administrative judge ruled in favor of the Upper Sioux Community's solar-powered casino. The dispute centers on the tribe's right to supplement its power with on-site solar energy, while also highlighting the friction between tribal sovereignty and local utility monopolies. In federal court, a separate legal battle is underway to reclaim frozen funding from the $7 billion “Solar for All” program. Despite the federal standstill, Minnesota tribes like the Red Lake and White Earth Nations are forging ahead, successfully building their own solar infrastructure to secure energy independence. GUESTS Robert Blake (Red Lake Nation), founder and CEO of Solar Bear and executive director of Native Sun Community Power Development Nathan Mathews, executive director of the White Earth Nation Tribal Utility Commission Talia Martin (Shoshone-Bannock), co-executive director of Tribal Energy Alternatives Break 1 Music: Encouragement Pipe Song (song) Joseph Shields, Jr. (artist) Wahancanka [Remember Me Grandfather]  (album) Break 2 Music: In the Time of Chiefs (song) Estun-Bah (artist) From Where the Sun Rises (album)

My bank account read $0.00... and I literally laughed out loud!Imagine sitting in your favorite salon chair, freshly pampered, only to have your card declined at the register and find your savings short by $1,000. The old version of me would have been panic-stricken, with my panties in a total wad. But yesterday? I completely laughed it off.In this episode of the Shine with Frannie Show, I am pulling back the curtain on how I broke free from a hidden spiritual master—the spirit of mammon—and used a weaponized biblical framework to completely transform my money story, pay off $13,000 in debt, and step into true Kingdom authority.Why You Need to Hit Play Right Now:Identify the "Mammon Symptoms"-key insights to identify if you are yoked to this spirit (and how to break free from it!)Deconstruct the Spirit of Lack: Discover the 3 foundational spiritual realities that will instantly shift your perspective from earth-bound lack to Kingdom overflow.Weaponize the Word: Get the exact 3 anchor scriptures from the book of Isaiah that I declared daily over my empty bank accounts to break off shame and unlock supernatural expectancy.Activate Your "Suddenly": Learn why spreadsheets, cash envelopes, and budgeting apps alone cannot account your financial breakthroughSister, you are an overcomer by design—winning is literally coded into your DNA! Stop living under the heavy weight of financial stress and learn how to put pressure on God's promises today.

The 2026 MLB All-Star Weekend has arrived in the City of Brotherly Love, and the host team, the Philadelphia Phillies, is at the center of attention for all the major events. With Bryce Harper and Kyle Schwarber set to take part in the Home Run Derby and Cristopher Sánchez making the start for the National League on Tuesday, time will tell if anyone will be able to steal the spotlight. On this episode of Baseball Bar-B-Cast, live from Citizens Bank Park in Philadelphia, Jake Mintz and Jordan Shusterman talk with Phillies beat writer Matt Gelb of The Athletic about the headlines surrounding the host team, including Zack Wheeler, who turned down the opportunity to be named an All-Star replacement after feeling disrespected. They also discuss why it took so long for the All-Star Game to return to Philadelphia and what would happen if Bryce Harper were to face off against Kyle Schwarber in the Derby. Later in the show, Jake and Jordan look at all the other news surrounding the 96th edition of the Midsummer Classic, including the latest roster additions and the disappointment of Shohei Ohtani not participating in the game. They also preview the Home Run Derby, recap the Futures Game and break down all the surprising news from the MLB Draft. 1:27 – The Opener: Phillies in the All-Star Game 12:17 – Harper & Schwarber in the Home Run Derby 23:31 – Home Run Derby preview 43:57 – Around the League: Ohtani out of the All-Star Game 47:01 – All-Star Game roster replacements 51:34 – MLB Draft recap 59:50 – Futures Game recap Subscribe to Baseball Bar-B-Cast on your favorite podcast app:

Brian welcomes Mary Ann and Levi back to the show, and Mary Ann's husband, Robert, joins us for his first ever appearance on any podcast.In this episode, Brian sits down with BFRO expedition leader Mary Ann, her husband Robert, and investigator Levi to talk about a spring expedition on private property in northern Missouri.Mary Ann shares more about her work leading BFRO expeditions across Missouri, Arkansas, Oklahoma, and soon Illinois, while the group walks through a weekend that began with knocks, shadow reports, and possible footsteps before escalating into something far more intense.One participant using thermal equipment believed she saw tall heat signatures near a pond and ravine area, later estimated to be between six and a half and seven feet tall.As the weekend continued, strange activity seemed to build around camp. Then, during a severe storm on Saturday night, Mary Ann and Robert experienced repeated impacts against their tent, including something pushing against the phone pocket and swiping across the front of the tent. At the same time, Levi was watching from his rooftop tent and saw a large outline near the barn blocking reflected light. Moments later, he spotted eye shine before the figure ran into a nearby field.Although the group did not find clear tracks afterward, they did notice soil compaction in the area.Brian, Mary Ann, Robert, and Levi also discuss the possibility of bad weather being used as cover, recurring equipment problems, additional high-strangeness observations from the property, and what these kinds of field experiences can teach investigators.Check Out The Ozark Mountain Bigfoot ConferenceJoin A BFRO Expedition Email BrianJoin Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.

Mike and Alex on the following: - Egor Demin's strong Summer League performance.- Michael Brown Jr.'s impressive NBA debut.- Why the Nets' young core is generating optimism.- The Knicks' remaining roster decisions.- Could LeBron James end up in Philadelphia?- Has the Nets and Knicks rivalry changed?

On this episode of Something To Wrestle, John Layfield and Conrad Thompson dive into one of WWE's hottest debates: Is Sami Zayn championship material? JBL shares his unfiltered thoughts on whether crowning Sami as a world champion is the right move, if WWE missed the perfect moment to pull the trigger years ago, and whether fans still want to see Zayn reach the top of the mountain. Did WWE wait too long, or is the timing finally right? John breaks it all down from the perspective of a former WWE Champion. Plus, with SummerSlam shaping up to be one of the biggest premium live events in recent memory, JBL and Conrad discuss why this year's card has the feel of a WrestleMania caliber spectacle and what matches have them most excited heading into the biggest party of the summer. Then it's time for another edition of WrestleWorth as our friend Tony from Heritage Auctions returns with an incredible King of the Ring themed collectible from wrestling history. Find out the story behind this rare piece of memorabilia, what makes it so valuable, and why collectors are always on the hunt for artifacts tied to one of WWE's most prestigious tournaments. And if that isn't enough, the show wraps up with a hilarious Family Feud edition of Curtain Jerkers! JBL and Conrad put their wrestling knowledge and their sense of humor to the test in a laugh-out-loud game that delivers plenty of surprises, outrageous answers, and unforgettable moments.     THIS WEEKS SPONSORS LACINECO - Larineco is better-for-you chewing gum that uses the same mineral your teeth are made of to support daily enamel health. Right now, Larineco is offering our listeners up to 50% off at BuyLarine.com/Wrestle BLUECHEW - When you buy two months of BlueChew Gold, you get the third FREE with promo code WRESTLE. You will also receive an additional 10% OFF + Free overnight shipping on your first order. Visit http://BlueChew.com  for more details and important safety information QUINCE - Start feeling as good as they look. Go to http://Quince.com/WRESTLE  for free shipping on your order and 365-day returns. PODCAST HEAT - Want to grow your business with the power of podcast advertising? Reach loyal, engaged audiences through trusted host endorsements across the Podcast Heat network. Learn more at PodcastHeat.com SAVE WITH CONRAD - Stop throwing money away by paying those high interest rates on your credit card. Roll them into one low monthly payment and on top of that, skip your next two house payments. Go to https://www.savewithconrad.com  to learn more.

1. Taylor Swift Closes Out Fiancé Travis Kelce's Tight Ends and Friends Concert with Surprise Performance with Lainey Wilson (PEOPLE) (20:13) 2. Kylie Jenner's Meta Glasses Greet Wearers With ‘Rise and Shine' (Elle) (29:39) 3. Joe Manganiello reveals life-threatening health battle resulting in ‘amputation' (Page Six) (37:17) 4. Lizzo's new album fails to chart as dismal first-week sales revealed (The Independent) (44:49) 5. Jordyn Woods' Lucky Orange Bag Gets a Place of Honor at Guggenheim Museum Following New York Knicks' Big Win (PEOPLE) (53:49) - Love Island USA Recap (56:10) The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Toast Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Toast Merch ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Girl With No Job by Claudia Oshry ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Camper & The Counselor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lean In⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices