Podcasts about friederich nietzsche

Today we finish our discussion of Friederich Nietzsche's "The Antichrist". In this he describes basically everything that's wrong with Christianity and the resentment morality that has taken over the west. Also, we have an email and would love to hear from you, if you're so compelled: plausibledeniabilityamx@gmail.com Disclaimer: All opinions are our own, respectively, and don't represent any institution we may or may not be a part of, respectively.

Su biografía, sus tres momentos filosóficos, la muerte de Dios, la lucha contra la moral, el bien y el mal, el super-hombre. El cristianismo, su relación con Wagner, el eterno retorno.

I hate who steals my solidtude without, in exchange, offering me true company. --- Support this podcast: https://podcasters.spotify.com/pod/show/threegoodthingspod/support

Let’s face it, suffering is a major problem for those of us who believe in a good and powerful God.  How do you answer skeptics who challenge your belief in God because of the gratuitous suffering endemic in human history?  In this episode we’ll explore some answers to this question offered by several worldviews before Read more about 397 Why Christianity 10: Suffering and Evil (Jerry Wierwille)[…]

Let’s face it, suffering is a major problem for those of us who believe in a good and powerful God.  How do you answer skeptics who challenge your belief in God because of the gratuitous suffering endemic in human history?  In this episode we’ll explore some answers to this question offered by several worldviews before Read more about 397 Why Christianity 10: Suffering and Evil (Jerry Wierwille)[…]

«Meine Formel für die Grösse am Menschen ist amor fati: dass man Nichts anders haben will, vorwärts nicht, rückwärts nicht, in alle Ewigkeit nicht. Das Nothwendige nicht bloss ertragen, noch weniger verhehlen sondern es lieben.»Amor fati - lateinisch für "Liebe zum Schicksal" - ist die Umarmung des Schicksals und die Positivität, die eine solche Denkweise in das Leben bringen kann. Die aus dem Stoizismus stammende Idee wurde später von Friederich Nietzsche adaptiert und erstmals in seinem Buch "Die fröhliche Wissenschaft" ausformuliert.Das Schicksal kann als das angesehen werden, was wir nicht kontrollieren können. Nietzsche war der Ansicht, dass das Leben besser wäre, wenn wir Dinge akzeptieren würden, die sich unserer Kontrolle entziehen, statt uns über sie zu nerven oder frustriert zu sein. Das Leben nie genau so ab, wie wir es erwarten, aber amor fati erlaubt uns, mit dem zufrieden zu sein, was passiert, was auch immer das sein mag. Nietzsche kommentiert, wie wir jeden Moment, ob gut oder schlecht, annehmen sollten - und die schlechten Seiten nicht nur ertragen, sondern wirklich lieben sollten.Ein praktisches Beispiel für Amor Fati liefert uns Thomas Edison. Sein Umgang mit der Feuerkatastrophe, welche seine Unternehmung und Wirkstätte in West Orange/New Jersey - sie galt zu Beginn des 20. Jahrhunderts als das weltweite Nervenzentrums des Fortschritts - am 9. Dezember 1914 fast komplett zerstörte, ist mehr als beeindruckend.

With fusionism – the strategic alliance of conservative foreign policy hawks, social conservatives and economic libertarians knitted together in the last half of the 20th century in opposition to international communism ­­– crumbling after the fall of the Iron Curtain, the modern conservative movement has been remaking itself in effort to address the problems of the current day.One of these seemingly ascendant factions are the so-called common good conservatives.In an article in the October 2020 edition of Reason magazine, managing editor Stephanie Slade examines the what she calls the “great liberalism schism” that has emerged out of the collapse of fusionism.And for the common good conservatives shedding classical liberal norms, she identifies a new moniker: will-to-power conservativism, borrowing a concept from German philosopher Friederich Nietzsche. In this episode, Stephanie Slade discusses will-to-power conservatism, who exactly has a claim on the concept of the common good, and what the great liberalism schism means for our politics and society.Stephanie Slade at Reason magazineWill-to-Power Conservatism and the Great Liberalism Schism - Stephanie SladeThe biggest problems of national conservatism - Acton LineThe Post-Liberal Right: The Good, the Bad, and the Perplexing - Sam GreggPatrick Deneen and the Problem with Liberalism - Sam GreggRev. Robert Sirico responds to Marco Rubio's 'common good capitalism' - Acton Line See acast.com/privacy for privacy and opt-out information.

A galeria 2 do último andar do Centro Pompidou abre espaço para uma retrospectiva do trabalho de Francis Bacon (1909-1992), um dos artistas mais celebrados do século 20. O nome da mostra é “Francis Bacon com todas as letras”. Conhecido por suas obras figurativas deformadas e agonizantes, a exposição de Bacon traz 60 quadros de coleções públicas e privadas do mundo todo – incluindo 12 trípticos e uma série de retratos e autorretratos – e se concentra na produção das duas últimas décadas de vida do pintor. O ano de 1971 foi marcante para Bacon. Ele foi tema de uma retrospectiva no Grand Palais, de Paris – só Picasso antes dele teve a honra de expor ali em vida. Dois dias antes da vernissage, seu companheiro George Dyer se suicida. A partir daí, até a morte de Bacon na Espanha, em 1992, os pesadelos e a fantasmagoria em pinceladas etéreas ou selvagens se espalham pelos seus quadros. “Achei a exposição excepcional”, diz o artista plástico brasileiro Fernando Barata, radicado na França, viu a exposição e fala a respeito. “Há muitos trípticos, pois ele trabalhava muitas vezes em três telas ao mesmo tempo. São obras vindas de todo o planeta e reunidas em Paris. Livros Bacon volta agora ao Pompidou mais de 20 anos depois da última grande exposição em Paris dedicada a seu trabalho, em 1996. Desta vez, o fio condutor é a conhecida paixão do artista pela literatura, que alimentou suas inspirações visuais. Por isso, o nome da exposição, “Francis Bacon com todas as letras”. O curador Didier Ottinger conta que a ideia da mostra veio durante uma visita à Fundação Bacon, em Londres, no antigo ateliê do artista. “Havia muitos livros, todos com a particularidade de terem sido manuseados, com anotações, dobras, rasuras. Assim me dei conta da paixão que ele tinha pela leitura”, conta. “Depois eu soube que a biblioteca do Trinity College, de Dublin, tinha todos os livros de Bacon, tudo inventariado. Analisando essa biblioteca, eu vi que algumas obras, alguns autores eram recorrentes”, explica Ottinger. O percurso é dividido em seis partes, cada uma ligada a um livro, a um autor. Como Ésquilo, Friederich Nietzsche, Georges Bataille, Michel Leiris, Joseph Conrad e T.S. Eliot. Em um vídeo da exposição, Bacon fala da importância da literatura em sua vida e diz que gosta de livros que o inspiram visualmente. “Não acho que sua obra seja necessariamente literária, ele não descreve literariamente os livros que ele leu”, opina Fernando Barata. Ele dá como exemplo de artista mais literária a portuguesa radicada em Londres Paula Rêgo. “Bacon era uma pessoa muito culta, enigmática, difícil de decifrar, como todo grande artista”, diz Barata. “Ele tinha um lado atormentado e caótico, e outro, muito culto e civilizado. Ele vivia entre o caos e a organização desse caos. A literatura e a pintura funcionavam como antídotos para essa loucura, esse vulcão interior”. “Francis Bacon com todas as letras” fica em cartaz no Centro Pompidou de Paris até 20 de janeiro de 2020.

"He who has a why to live can bear almost any how." - Friederich Nietzsche   I watched a TED talk today that made my whole world pause and sort itself out. You know the kind? This one is by a couple, Mark and Simone, who have faced extreme challenges. They called their talk, "A love letter to realism," and it made me think of the choice I have every day to own my worth regardless of my circumstances. I've thought about this topic a lot, especially while on this worthfull journey, and something about the TED talk inspired me to put my thoughts into a solo episode so that I wouldn't forget what I'm learning. In short, I know that I bring value to any situation I am in, regardless of my personal circumstances, when I choose to own my worth. This is the foundation of a worthfull life. I hope you watch the TED talk, and I hope you remember how capable you are of sharing value by being your whole self.   LISTEN ON: Apple Podcasts  |  Spotify  |  Google Play  | Stitcher" Links I mention: TED Talk: A love letter to realism in a time of grief Victor Frankl / Man's Search for Meaning Follow Christine: Instagram | Facebook | Pinterest

The 19th century philosopher, Friedrich Nietzsche, believed that our desire for success, money, or love really went back to our “will to power.”  Whereas other philosophies focused on calibrating our internal state to accept reality, Nietzsche focused more on conforming reality to our desires.  Although it’s terribly out of fashion to admit one desires and Read more about Off Script 26: Worshiping Power[…]

The 19th century philosopher, Friedrich Nietzsche, believed that our desire for success, money, or love really went back to our “will to power.”  Whereas other philosophies focused on calibrating our internal state to accept reality, Nietzsche focused more on conforming reality to our desires.  Although it’s terribly out of fashion to admit one desires and Read more about Off Script 26: Worshiping Power[…]

Philosophical rebuttal on Friederich Nietzsche, Christianity, Jesus Christ, ethics, Plato, and morality in opposition to existentialist and pragmatic views.   The post #15: Rebuttal on Friederich Nietzsche, Christianity, Jesus Christ, ethics, Plato, and morality. appeared first on Sand Pebbles Podcast.

1 - "Intro, Polonaise N.6, Op. 53" (Chopin). Svang, quarteto de harmônicas/harmonica quartet 2 - "Quase um fado" (António Zambujo). António Zambujo 3 - Canto do rouxinol/ Nightingale birdsong 4 - "Phantasie" (Friederich Nietzsche). Loretta Altman & Wolfgang Bottenberg, piano a quatro mãos/ piano four hands 5 - "La Festa" (Michiru Oshima). Dozan Fujiwara, flauta Shakuhachi/Shakuhachi flute. Steude Quartet. Gostou? Clique em LIKE e também em FOLLOW. Ou se inscreva pelo iTunes para receber atualizações////// Fancy my sets? So please click LIKE and also FOLLOW. You can also subscribe with iTunes. www.facebook.com/heloisafischer helofischer@vivamusica.com.br

As you await the incipient arrival of Chapter 8 and dear Aesop (not to mention Chapter 2 and long-lost Robert Louis Stevenson), please allow H.G. Wells [Paul F. Tompkins] to divert your attentions with this particularly potty treasure (?) from our archives, with special (??) guests (???) Friedrich Nietzsche [James Adomian] and H.P. Lovecraft [Paul Scheer]. Note: if you are easily offended, you may find this one a bit challenging. Mostly because it very rarely makes any sense AT ALL.