Podcasts about Trinity College

Recorded October 7th, 2025. A seminar by Prof Jarlath Killeen (School of English, TCD) as part of the English Staff-Postgraduate Seminar Series. "Time is jealous of you, and wars against your lilies and your roses."  The Picture of Dorian Gray opens in the studio of Basil Hallward in which the smells of an English garden at the start of summer mingle with the smoke of Lord Henry Wotton's opium-tinged cigarettes. This scent puts Dorian into a trance in which it is difficult, if not impossible for him, to resist the temptations offered: one located in Basil entrancing portrait, the other in Lord Henry's mind-numbing peons to ever-blossoming youth and beauty. In this noxious atmosphere a new plant will grow, one even more dangerous than those that Hallward already has in the garden: the plant that is Dorian Gray. This talk will look at the ways in which Wilde has carefully used a Victorian language of the flowers throughout his novel as a way to dramatise the struggle between the forces of good and evil over Dorian's soul.  English Staff-Postgraduate Seminar Series is a fortnightly meeting which has been integral to the School of English research community since the 1990s. The aim of the seminar series is to provide a relaxed and convivial atmosphere for staff and students to present their research to their peers. The series also welcomes distinguished guest lecturers from the academic community outside Trinity College to present on their work. It is a fantastic opportunity to share ideas and engage with the diverse research taking place within the School.  Learn more at www.tcd.ie/trinitylongroomhub

There has been progress in this effort with immunotherapy becoming more common in the treatment of cancer, but many patients don't respond to the immune boosters being used. Now comes news that patients with lung cancer are surviving twice as long in those who have also been given the mRNA Covid19 vaccines. All to discuss with Professor Luke O Neill , Professor of Biochemistry at the school of Immunology, Trinity College.

This is part one of a four-part special focusing on parenting in the digital age. Jess is joined by Alex Cooney of CyberSafeKids, Dr Daragh McCashin of the DCU Anti-Bullying Centre, and Dr Brendan Kelly of Trinity College. This was recorded in front of a live audience in Dublin. This project was in partnership with CyberSafeKids and funded by the TV Licence.

In his remarks to the IIEA, Thant Myint-U reflects upon the future of world peace and the United Nations. Through the lens of his new book Peacemaker: U Thant, the United Nations, and the Untold Story of the 1960's, Thant Myint-U explores safeguarding global peace, preventing great power war, and reimagine the United Nations. In his book, Thant Myint-U tracks the history of U-Thant, the first UN Secretary-General of colour, who became the Cold War era's preeminent ambassador of peace, and played a crucial role in preventing conflict such as during the Cuban Missile Crisis. His remarks will reflect not only upon the events of the 1960's, but the lessons which U-Thant's tenure may offer us now during a moment of escalating global tensions. About the Speaker: Dr Thant Myint-U is an award-winning author, historian, and international public servant. He has written five books, most recently Peacemaker: U Thant and the Forgotten Quest for a Just World (forthcoming September 2025). He was educated at Harvard and Cambridge Universities and taught history for several years as a Fellow of Trinity College, Cambridge. He has also served on three United Nations peacekeeping operations (Cambodia 1992-3 and the former Yugoslavia 1994-6) and from 2000-2007 at the UN Secretariat in New York. From 2011-2021, he helped lead reform efforts in Myanmar, including as a presidential adviser, the Founding Chairman of the Yangon Heritage Trust, and the Chairman of U Thant House. He currently lives in Cambridge and is an Honorary Fellow of Trinity College.

On this day in Tudor history, 4th November 1551, theologian, royal chaplain, and scholar John Redman, the first Master of Trinity College, Cambridge, died of consumption. Redman was one of Tudor England's most brilliant and balanced minds, a man who sought to reconcile faith, scholarship, and conscience in an age of division. Serving both Henry VIII and Edward VI, he defended traditional Catholic ideas while embracing elements of reform, earning respect from both sides of the religious divide. In this video, I explore the remarkable life of John Redman - from his early days at Oxford and Cambridge to his roles as Lady Margaret Professor of Divinity, royal chaplain, and architect of Tudor theology. Discover how he helped shape the Edwardian Prayer Book, advised the crown on religion, and tried to hold England's faith together during one of its most turbulent transformations. On This Day in Tudor History brings forgotten Tudor figures back to life. Subscribe and ring the bell for daily stories from the world of Henry VIII, Elizabeth I, and the people who shaped their age. #TudorHistory #JohnRedman #TrinityCollege #Cambridge #Reformation #HenryVIII #EdwardVI #OnThisDay #ClaireRidgway #AnneBoleynFiles

On this day in Tudor history, 3rd November 1568, a remarkable mind was lost to the world of learning. Nicholas Carr, physician, classical scholar, and Regius Professor of Greek at Cambridge, died after a lifetime devoted to scholarship and teaching. Though his name is rarely remembered today, Carr stood among the generation of Tudor humanists who kept the flame of classical learning burning, following in the footsteps of John Cheke and Roger Ascham, and ensuring that Greek studies remained central to England's universities during the Reformation. In this video, I explore Carr's fascinating life, from his early education under Nicholas Ridley to his fellowship at Trinity College, his writings on learning and reform, and his later work as a physician supporting his family in turbulent times. Carr's quiet legacy reminds us that not all Tudor influence was forged in courtly intrigue. Love discovering the overlooked figures of Tudor England? Like, subscribe, and ring the bell for more daily Tudor stories, and find out more about my forthcoming event, The Other Tudors: The Forgotten Figures Who Shaped a Dynasty: https://claireridgway.com/events/the-other-tudors-the-forgotten-figures-who-shaped-a-dynasty/ #TudorHistory #NicholasCarr #Cambridge #Humanism #TudorScholar #OnThisDay #ClaireRidgway #AnneBoleynFiles

Last week, Michael Smuss died at age ninety-nine. Born in 1926, he was the last surviving fighter of the Warsaw Ghetto Uprising. His passing marks the end of an era, and brings to a close a chapter of living memory. Now the responsibility to tell this story passes fully to us. In the spring of 1943, against impossible odds and with almost no weapons, a small group of young Jews in Nazi-occupied Warsaw staged a revolt that would reverberate through history. This was not just a military engagement, but a story of Jewish resistance, dignity, and moral choice under unimaginable circumstances. Before the war, Warsaw was home to nearly 400,000 Jews—the largest Jewish community in Europe. This was a vibrant, diverse Jewish population: workers and intellectuals, religious and secular, Yiddish-speakers and Polish-speakers. Jews published daily newspapers, ran theaters, fielded soccer teams. They were 40 percent of Warsaw's population. Then came September 1939. Within weeks, Warsaw fell to the Germans. Over the next year, the Nazis systematically stripped Jews of their rights—blocked bank accounts, forced them to wear special armbands, and conscripted them into slave labor. In November 1940, they sealed 400,000 Jews into a ghetto of just two square miles, then forced in 150,000 more from nearby towns and cities. With official rations of just 184 calories per day and no heating, 100,000 Jews died of starvation and disease. But 80 percent stayed alive through extraordinary resourcefulness—smuggling food, establishing soup kitchens, creating underground factories. This too was resistance. In July 1942, the Germans began mass deportations to Treblinka, where most were murdered upon arrival. Over seven weeks, they sent 300,000 Jews to the gas chambers, with the help of a Jewish police force. By September, only 60,000 remained. At that point, something shifted. Survivors asked why they hadn't fought back. The shame and anger became a catalyst. Between September and April, the ghetto prepared. They built 750 bunkers with electricity, water, and food stocks. When the Germans came on April 19, 1943, expecting to round up the Jews with no resistance, they were met with gunfire, grenades, and mines. The Germans thought it would take three days. It took 27—because the entire community had transformed the ghetto into a network of underground revolt. To tell this story, Mosaic's editor Jonathan Silver is joined by Professor Samuel Kassow of Trinity College. They discuss the courage of the fighters as well as the resistance of those who built the bunkers, who preserved cultural life, who maintained their dignity in ways that have largely been forgotten. They also confront difficult questions about heroism, survival, and how to fulfill the sacred obligations of remembering.

The United Nations General Assembly is celebrating the 80th anniversary of its founding this month. This hour we look at the status of the organization today, and the challenges it faces. Plus, historian Thant Myint-U has a new book out about his grandfather, U Thant, who was the UN’s first non-European secretary-general, and a leading ambassador of peace during the Cold War. Myint-U joins us to talk about his grandfather's role in the history of the United Nations and the lessons we can take from his example for the present. GUESTS: Thant Myint-U: Author of Peacemaker: U Thant and the Forgotten Quest for a Just World. He is an Honorary Fellow of Trinity College, Cambridge, a Senior Fellow at UN Foundation, and he formerly served on three UN peacekeeping operations Eugene Chen: Senior Fellow at the United Nations University Centre for Policy Research. He is a former UN official See omnystudio.com/listener for privacy information.

The fourth annual Heritage Ireland 2030 Summit took place at Trinity College in Dublin on Wednesday. The annual conference brings together heritage practitioners to share knowledge and advance the national heritage plan, Heritage Ireland 2030. The engagement of young people with heritage was to the fore at the Summit, which heard about local ‘on the ground' heritage projects from around Ireland centred on engaging young people with heritage and biodiversity in new ways. This included hearing about an interesting project from Clare, which involved the adoption of a ringfort behind their school by children from Inch National School. Keir McNamara, from Inch Tidy Town spoke with Alan Morrissey on Friday's Morning Focus. Photo (c) Eventbrite

Leitrim County Council is inviting parents and children aged 7 to 12 to explore coding technology together through a series of free, family-friendly sessions as part of Science Week 2025, which runs from November 9th to November 16th. The OurKidsCode workshops will take place across the county at Leitrim's Broadband Connection Points (BCPs) and libraries. OurKidsCode is a nationwide programme developed by a research team at Trinity College Dublin that helps families learn about technology in an enjoyable, hands-on way. No experience is needed - just a laptop and a willingness to learn something new. The workshops are most suitable for children aged 7 to 12, but everyone is welcome. Leitrim County Council has been supporting the programme for 18 months, and it has already proved a hit in Leitrim communities, with excellent feedback from parents and children alike. During Science Week 2025, the two-hour workshops will take place in Leitrim's libraries and BCPs, giving families across the county an opportunity to discover how coding can spark creativity, build problem-solving skills and boost confidence. As well as being a fun and stimulating way for families to spend time with each other, these educational sessions help to address the urban/rural divide by bringing Science, Technology, Engineering, Arts and Mathematics (STEAM) activities to families in rural Ireland. In time, initiatives like OurKidsCode could open doors for future opportunities for people to live and work in their home counties, as so many careers in computing and technology can be done from home. The workshops have also seen significant numbers of girls shine in the fun environment, which could lead to a higher take-up of STEAM careers for young women. Martina Gilmartin, facilitator of the OurKidsCode programme in Leitrim, said: "Working as a facilitator with OurKidsCode here in Leitrim, it has been lovely to see parents and children sitting together, laughing, creating, problem-solving, and being proud of what they achieve as a family. "In this very tech-savvy world, many parents worry about children spending too much time on screens. OurKidsCode offers something completely different - active, creative computer time rather than passive screen time. Coding helps children to think, to problem solve, to plan and sequence, to make patterns and to persevere. In truth, it is about more than coding. It is about connection - between parents and children, between families and communities, and between creativity and technology." Nicola Mc Manus, Broadband Officer at Leitrim County Council, said: "Leitrim County Council are delighted to be part of this very worthwhile initiative with Trinity College and OurKidsCode in bringing coding workshops to young people and their families in County Leitrim. We encourage families to take this opportunity to support our young people to access valuable learning in the area of Science, Technology, Engineering, Arts and Maths." Fiona Wheeldon, who participated in an OurKidsCode workshop with her sons, said: "We really loved the coding workshop provided by OurKidsCode over four days in Manorhamilton library last year. My two sons (5 & 9 at the time) and I learnt lots about Micro:bit, Scratch & Makey Makey - how to use them and where to go to get our own. My kids are still interested in coding now, with the younger one doing some Makey Makey projects, and the older one doing Makecode Arcade at home." If parents, parent associations, and community groups would like to enquire about hosting Our Kids Code workshops at their local BCPs, they can email nicola.mcmanus@leitrimcoco.ie for further information. To take part or find out more and to register, contact your local library, your nearest BCP, or phone Martina Gilmartin on 087 154 5012. Families can find more information at www.ourkidscode.ie. More about Irish Tech News Irish Tech News are Ireland's No. 1 Online Tech Publication and often Ireland's No.1 Tech Podcast too. You can find h...

In this conversation, Beverly and Jamie discuss their new books, exploring themes of Pauline theology, the concept of 'theology on the run', and the interplay between apocalyptic and pastoral elements in Paul's letters. They delve into the cosmic implications of sin, death, and God's glory, emphasizing the transformative power of the gospel and its relevance to contemporary issues. Jamie Davies (PhD, St Andrews) is Tutor of New Testament and Director of Postgraduate Research at Trinity College, Bristol (UK). His research largely concerns apocalyptic thought in the New Testament and other Second Temple Jewish and Christian literature, with a focus on the letters of Paul and the book of Revelation.Dr. Beverly Roberts Gaventa is Distinguished Professor of Religion in Baylor University's College of Arts and Sciences. She is a graduate of Phillips University (BA), Union Theological Seminary (MDiv) and Duke University (PhD). Dr. Gaventa is one of the leading New Testament scholars in the world who engage in theological and historical interpretation of the Christian Scriptures, particularly the letters of Paul, and has lectured on university and seminary campuses around the world. The author or editor of 14 books, including Our Mother Saint Paul and When in Romans, she also has published more than 70 articles and essays and is currently writing a commentary on Paul's Epistle to the Romans for the New Testament Library Series.

Guest: Braxton Hunter — President of Trinity College & Seminary, evangelist, apologist, host of Trinity Radio, debate partner with leading atheists including Matt Dillahunty and Dan Barker.Topics CoveredBraxton's background and conversion• Son of a megachurch pastor, early ministry exposure• Initial desire to be a rock musician before surrendering to ministry• Seminary training, pastoral and itinerant evangelistic ministryShift toward apologetics• Need to answer skeptics in evangelism contexts• Classical apologetics and the “two-step” method (God → Christ)Family and priorities• Marriage, parenting teenage daughters• Intentional discipleship at home — prioritizing family over platformOrigins and growth of Trinity Radio• Started as a simple audio response blog• Growth through debates (Dillahunty, Barker), collaboration with other creators• Unique chemistry with Jonathan Pritchett (“good cop / blunt cop” dynamic)The “Core Facts” initiative for churches• A two-day on-site training weekend using Braxton's book Core Facts• Designed for ordinary church members to gain confidence and competence• Goal: launch sustainable apologetics groups inside local churchesApproach to debate & online engagement• Winsome, pastoral tone—credible & charitable without compromise• “Win the person, not just the argument”• Strategic preparation and use of AI/thumbnails/titles for online ministry• Guidance for aspiring Christian content creatorsBehind the scenes of major debates• 8-month preparation for Matt Dillahunty debate• Note-taking strategy & rehearsing responses• Intentionally creating tone and rapport without ceding substanceReferenced ResourcesCore Facts — Braxton Hunter (2nd edition)Trinity Radio (YouTube / Podcast)“Five Views on Apologetics” — ZondervanTalkAboutDoubts.org — pastoral/apologetic care for doubters================================We appreciate your feedback.If you're on TWITTER, you can follow Chad @TBapologetics.You can follow Brian @TheBrianAutenAnd of course, you can follow @Apologetics315If you have a question or comment for the podcast, record it and send it our way using www.speakpipe.com/Apologetics315 or you can email us at podcast@apologetics315.com

Paul Marden heads to the AVEA conference in front of a LIVE audience to find out why gift shops are such an important part of the attraction mix. Joining him is Jennifer Kennedy, Retail Consultant, JK Consulting and Michael Dolan, MD of Shamrock Gift Company. They discuss why your gift shop is an integral part of your brand and why it needs to be just as good as the experience you have on offer. This coinsides with the launch of our brand new playbook: ‘The Retail Ready Guide To Going Beyond The Gift Shop', where you can find out exactly how to improve your online offering to take your ecommerce to the next level. Download your FREE copy here:  https://pages.crowdconvert.co.uk/skip-the-queue-playbookBut that's not all. Paul walks the conference floor and speaks to:Susanne Reid, CEO of Christchurch Cathedral Dublin, on how they are celebrating their millennium anniversary - 1000 years!Charles Coyle, Managing Director, Emerald Park, on how they are bringing AI integrations to enhance their booking processesRay Dempsey, General Manager of The Old Jamerson Distillery on how they offering more accessible touring optionsIt's a mega episode and one you'll not want to miss. Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on LinkedIn. Show references:  Jennifer Kennedy — Founder, JK Consultinghttps://jkconsultingnyc.com/https://www.linkedin.com/in/jennifer-kennedy-aba75712/Michael Dolan — Managing Director, Shamrock Gift Companyhttps://www.shamrockgiftcompany.com/Catherine Toolan — Managing Director, Guinness Storehouse & Global Head of Brand Homes, Diageohttp://diageo.comhttps://www.linkedin.com/in/catherinetoolan/Máirín Walsh — Operations Manager, Waterford Museumhttps://www.waterfordtreasures.com/Dean Kelly — Photography & Visitor Experience Specialist https://www.wearephotoexperience.com/https://www.linkedin.com/in/dean-kelly-1259a316/Charles Coyle — Managing Director, Emerald Parkhttps://www.emeraldpark.ieSusanne Reid — CEO, Christ Church Cathedral Dublinhttp://www.christchurchcathedral.iehttps://www.linkedin.com/in/susannereid/Ray Dempsey — General Manager, Jameson Distilleryhttps://www.jamesonwhiskey.com/en-ie/visit-our-distilleries/jameson-bow-street-distillery-tour/https://www.linkedin.com/in/ray-dempsey-37a8665a/ Transcription: Paul Marden: Welcome to Skip the Queue, the podcast that tells the stories behind the world's best attractions and the amazing people that work in them. In today's episode, I'm at the AVEA 2025 conference in Waterford, Ireland, and we're talking about gift shop best practices. With Jennifer Kennedy from JK Consulting, a tourism and retail consultancy. And Jennifer led retail at Guinness Storehouse for more years than she would care to mention, I think. And we're also here with Michael Dolan, MD of Shamrock Gift Company, who has brought along the most amazing array of gift shop merchandise, which I'm sure we'll get into talking a little something about later on. And I've also got an amazing live audience. Say hello, everybody.Everyone: Hello.Paul Marden: There we go. So we always start with icebreaker that I don't prepare the two of you. Now this is probably a very unfair question for the pair of you, actually. What's the quirkiest souvenir you've ever bought? I can think of those little, the ones that you get in Spain are the little pooping santas.Jennifer  Kennedy: I have a thing for Christmas decorations when I go on travel, so for me, there always tends to be something around having a little decoration on my tree every year. That if I've had one or two holidays or I've been away, that has some little thing that comes back that ends up on the tree of Christmas. I have a lovely little lemon from Amalfi that's a Christmas decoration, and so you know, so a little kind of quirky things like that.Paul Marden: Michael, what about you? Michael  Dolan: One of our designers who will remain nameless? She has a thing about poo. So everyone brings her back to some poo relation. Paul Marden: Sadly, there's quite a lot of that around at the moment, isn't there? That's a bit disappointing. First question then, what's the point of a gift shop? If I put that in a more eloquent way, why are gift shops such an important part of the attraction mix?Jennifer  Kennedy: Okay, it was from my point of view, the gift shop in an attraction or a destination is the ultimate touch point that the brand has to leave a lasting memory when visitors go away. So for me, they're intrinsically important in the complete 360 of how your brand shows up— as a destination or an attraction. And without a really good gift shop and really good product to take away from it, you're letting your brand down. And it's an integral piece that people can share. From a marketing point of view, every piece of your own product that's been developed, that's taken away to any part of the world can sit in someone's kitchen. It can be in multiple forms. It can be a fridge magnet. It could be a tea towel. It could be anything. But it's a connection to your brand and the home that they visited when they chose to be wherever they're visiting. So for me, I'm very passionate about the fact that your gift shop should be as good as everything else your experience has to offer. So that's my view on it. Michael  Dolan: Sometimes it's neglected when people create a new visitor attraction. They don't put enough time into the retail element. I think that's changing, and a very good example of that would be Game of Thrones in Banbridge. We worked with them for two years developing the range, but also the shop. So the shop reflects the... I actually think the shop is the best part of the whole experience. But the shop reflects the actual whole experience.  Jennifer  Kennedy: The teaming.Michael  Dolan: The teaming. So you have banners throughout the shop, the music, the lighting, it looks like a dungeon. All the display stands have swords in them, reflecting the theme of the entrance.Jennifer  Kennedy: Yeah, it's a good example of how a brand like that has incorporated the full essence and theme of why they exist into their physical retail space.Paul Marden: They definitely loosened a few pounds out of my pocket. Michael  Dolan: Another good example is Titanic Belfast. So they spent 80 million on that visitor attraction, which was opened in 2012, but they forgot about the shop. So the architect who designed the building designed the shop that looked like something out of the Tate Gallery. Yeah, and we went and said, 'This shop is not functional; it won't work for our type of product.' They said, 'We don't have anything in the budget to redevelop the shop.' So we paid a Dublin architect to redesign the shop. So the shop you have today, that design was paid for by Shamrock Gift Company. And if you've been in the shop, it's all brass, wood, ropes. So it's an integral part of the overall experience. But unfortunately... you can miss the shop on the way out.Paul Marden: Yeah, it is very easy to walk out the building and not engage in the shop itself. It's a bit like a dessert for a meal, isn't it? The meal's not complete if you've not had a dessert. And I think the gift shop experience is a little bit like that. The trip to the experience isn't finished.  If you haven't exited through the gate. Michael  Dolan: But it's the lasting memories that people bring back to the office in New York, put the mug on the table to remind people of when they're in Belfast or Dublin to go to. You know, storehouse or Titanic. So those last impressions are indelibly, you know, set.Paul Marden: So we've already said the positioning of the shop then is super important, how it feels, but product is super important, isn't it? What product you fill into the shop is a make or break experience? How do you go about curating the right product? Michael  Dolan: Most important is authenticity. You know, it has to be relevant to the visitor attraction. So it's not a question of just banging out a few key rings and magnets. So I brought you along some samples there. So we're doing two new ranges, one for Titanic and one for the Royal Yacht Britannia, and they're totally different. But reflect the personality of each attraction.Paul Marden: Absolutely.Michael  Dolan: I mean, a good example, we worked together or collaborated together on many, many projects in Guinness. But we also worked in St. Patrick's Cathedral.Jennifer  Kennedy: Yeah.Michael  Dolan: You were the consultant.Jennifer  Kennedy: Yeah, yeah. So I suppose, again, from the product point of view. Yeah, if you can root product in why the experience exists. So in that example, a cathedral is a great example of how you can create really great product by utilising. Well, the main reason people are there is because this amazing building exists and the historic elements of it. So I suppose to make it real, some examples of products that connected with the audience in that environment are things like a little stone coaster. But the stone coaster is a replica of the floor you're standing on. So I suppose the other balance in attractions is realistic price points and realistic products. So there's no point in creating a range of products that's outside the price point of what your visitors are prepared to pay. So it's that fine balance of creating product that connects with them, which is, I'm using the cathedral as an example because you've got architraves, you've got stained glass windows, you've got stunning tiles. So all the elements of the fabric of that building. Can be utilised to create really beautiful products, but castles, you know, cathedrals, all of those sorts of spaces.Jennifer  Kennedy: When we start talking about product, always we go to, 'why are we here?' And also the storytelling elements. There's some beautiful stories that can, I can give you another really great example of a product that was created for another cathedral, which was... So in cathedral spaces, there's all these stunning doors that run the whole way through, like they're spectacular; they're like pieces of art in their own right. And every one of them has a very unique ornate key that unlocks each door. So one of the products that did one of the cathedrals was we wanted to create a ring of brass keys with replicas of all the keys in the cathedral. But as we were progressing, we forgot at the start— it was like we forgot to tell them to scale them down. They weren't the same size as all the keys in the cathedral. So it was a very intrinsically specific gift to this particular cathedral. And it's been used ever since as kind of the special gift they give to people who come to visit from all over the world. They get quite emotional about this particular gift because it's like this is the actual replica of all the keys to all the doors in the cathedral.Jennifer  Kennedy: So it's a product that's completely born. It can never be replicated anywhere else. And it's completely unique to that particular space. And I think that's the power of, for me, that's what authenticity feels and looks like in these environments. It has to be connected to the fabric of why you exist.Paul Marden: Yeah, so I was at Big Pit in Wales six months ago, I think it was. Museums Wales are redeveloping all of their gift shops and they are going through exactly that process that you're talking about, but bringing it back to the place itself because all, I think, it's six of their museums, the gift shops had much the same set of product. They described it as, you know, you were just walking into a generic Welsh gift shop with the dressed lady.Jennifer  Kennedy: And it's hard— like it really takes an awful lot of work— like it doesn't just happen, like you really have to put a lot of thought and planning into what our product should and could look like. And then, when you've aligned on with the team of people managing and running these businesses, that this is the direction you want to take, then it's the operational element of it. It's about sourcing, MOQs, and price, and all of that stuff that comes into it. Minimum order quantities.Michael  Dolan: That's where we come in. So, you know, we met Jennifer in St. Patrick's and we met Liz then, we met the Dean. So we really sat around and talked about what were the most important elements in the cathedral that we wanted to celebrate in product.Michael  Dolan: And St. Patrick obviously was the obvious number one element. Then they have a harp stained glass window. And then they have a shamrock version of that as well. So they were the three elements that we hit on. You know, it took a year to put those three ranges together. So we would have started out with our concept drawings, which we presented to the team in St. Patrick's. They would have approved them. Then we would have talked to them about the size of the range and what products we were looking at. So then we would have done the artwork for those separate ranges, brought them back in to get them approved, go to sampling, bring the samples back in, then sit down and talk about pricing, minimum order quantities, delivery times.Michael  Dolan: So the sample, you know, so that all goes out to order and then it arrives in about four or five months later into our warehouse. So we carry all the risk. We design everything, we source it, make sure that it's safely made, all the tests are confirmed that the products are good. In conformity with all EU legislation. It'll be in our warehouse and then it's called off the weekly basis. So we carry, we do everything.  So one stop shop. Paul Marden: So the traction isn't even sitting on stock that they've invested in. We know what we're doing and we're quite happy to carry the risk. So one of the things we were talking about just before we started the episode was the challenges of sourcing locally. It's really important, isn't it? But it can be challenging to do that.Jennifer  Kennedy: It can. And, you know, but I would say in recent years, there's a lot more creators and makers have come to the fore after COVID. So in kind of more... Specifically, kind of artisan kind of product types. So things like candles are a great example where, you know, now you can find great candle makers all over Ireland with, you know, small minimum quantity requirements. And also they can bespoke or tailor it to your brand. So if you're a museum or if you're a, again, whatever the nature of your brand is, a national store or whatever, you can have a small batch made. Which lets you have something that has provenance. And here it's Irish made, it's Irish owned. And then there's some, you know, it just it gives you an opportunity.Jennifer  Kennedy: Unfortunately, we're never going to be in a position where we can source everything we want in Ireland. It just isn't realistic. And commercially, it's not viable. As much as you can, you should try and connect with the makers and creators that they are available and see if small batches are available. And they're beautiful to have within your gift store, but they also have to be the balance of other commercial products that will have to be sourced outside of Ireland will also have to play a significant role as well.Máirín Walsh: I think there needs to be a good price point as well. Like, you know, we find that in our museum, that, you know, if something is above 20, 25 euro, the customer has to kind of really think about purchasing it, where if it's 20 euro or under, you know, it's...Michael  Dolan: More of an input item, yeah.Máirín Walsh: Yes, exactly, yeah.Paul Marden: And so when it's over that price point, that's when you need to be sourcing locally again. Máirín Walsh: It's a harder sell. You're kind of maybe explaining a bit more to them and trying to get them to purchase it. You know, they have to think about it.Jennifer  Kennedy: But it's also good for the storytelling elements as well because it helps you engage. So I've often found as well that even train the teams and the customer service. It's actually a lovely space to have, to be able to use it as part of storytelling that we have this locally made or it's made in Cork or wherever it's coming from, that it's Irish made.Máirín Walsh: We have, what have we got? We've kind of got scarves and that and we have local— we had candles a few years ago actually. I think they were made or... up the country or whatever. But anyway, it was at Reginald's Tower and there were different kinds of candles of different attractions around and they really connected with your audience.Michael  Dolan: So 20% of our turnover would be food and all that is made in Ireland. Virtually all of that is sourced locally here in Ireland. And that's a very important part of our overall product portfolio and growing as well.Paul Marden: Is it important to serve different audiences with the right product? So I'm thinking... Making sure that there's pocket money items in there for kids, because often when they come to a museum or attraction, it's their first time they ever get to spend their own money on a transaction. Yeah, that would be their first memory of shopping. So giving them what they need, but at the same time having that 25 euro and over price point. To have a real set piece item is?Jennifer  Kennedy: I would say that's very specific to the brand. Paul Marden: Really? Jennifer  Kennedy: Yes, because some brands can't actually sell products or shouldn't be selling products to children. Paul Marden: Really? I'm looking at the Guinness items at the end of the table.Jennifer  Kennedy: So it depends on the brand. So obviously, in many of the destinations around Ireland, some of them are quite heavily family-oriented. And absolutely in those environments where you've got gardens, playgrounds or theme parks. Absolutely. You have to have that range of product that's very much tailored to young families and children. In other environments, not necessarily. But you still need to have a range that appeals to the masses. Because you will have visitors from all walks of life and with all perspectives. So it's more about having something. I'm going to keep bringing it back to it. It's specific to why this brand is here. And if you can create product within a fair price point, and Mairin is absolutely right. The balance of how much your products cost to the consumer will make or break how your retail performs. And in most destinations, what you're actually aiming to do is basket size. You want them to go away with three, four, five products from you, not necessarily one.Jennifer  Kennedy: Because if you think about it, that's more beneficial for the brand. I mean, most people are buying for gifting purposes. They're bringing things back to multiple people. So, if I'm able to pick up a nice candle and it's eight or 10 euros, well, I might buy three of them if it's a beautiful candle in a nice package. Whereas, if I went in and the only option available to me was a 35-euro candle, I probably might buy that, but I'm only buying one product. And I'm only giving that to either myself or one other person. Whereas, if you can create a range that's a good price, but it's also appealing and very connected to why they came to visit you in the first place, then that's a much more powerful, for the brand point of view, that's a much more... Powerful purchasing options are available to have a basket size that's growing.Michael  Dolan: We worked together in the National Stud in Kildare, so we did a great kids range of stationery, which worked really well. We've just done a new range for the GAA museum, all stationery-related, because they get a lot of kids. Again, we would have collaborated on that.Jennifer  Kennedy: And actually, the natural studs are a really nice example as well, because from even a textile point of view, you can lean into equine as the, so you can do beautiful products with ponies and horses. Yeah. You know, so again, some brands make it very, it's easy to see the path that you can take with product. And then others are, you know, you have to think harder. It's a little bit more challenging. So, and particularly for cultural and heritage sites, then that really has to be grounded in what are the collections, what is on offer in these sites, in these museums, in these heritage sites, and really start to unravel the stories that you can turn into product.Paul Marden: But a product isn't enough, is it?Jennifer  Kennedy: Absolutely not.Paul Marden: Set making, merchandising, storytelling, they all engage the customer, don't they?Jennifer  Kennedy: 100%.Paul Marden: Where have you seen that being done well in Ireland?Michael  Dolan: Get a store is the preeminent example, I would think. I mean, it's a stunning shop. Have you met Catherine too? Paul Marden: No, not yet. Lovely to meet you, Catherine.  Michael  Dolan: Catherine is in charge of getting the stories. Paul Marden: Okay. Any other examples that aren't, maybe, sat at the table? Game of Thrones is a really good example and Titanic.Michael  Dolan: Game of Thrones.  I think Titanic's good. The new shop in Trinity College is very strong, I think. So it's a temporary digital exhibition while they're revamping the library. They've done an excellent job in creating a wonderful new shop, even on a temporary basis.Jennifer  Kennedy: I would say Crowe Park as well. The GAA museum there has undergone a full refurbishment and it's very tailored towards their audience. So they're very, it's high volume, very specific to their... And the look and feel is very much in keeping with the nature of the reason why people go to Crowe Park. I would say the Irish National Asteroid as well. And Colmar Abbey, Cliffs of Moher. We've got some really great offers all over the island of Ireland.Paul Marden: Yeah, absolutely. I was at W5 recently in Belfast and I think that is a brilliant example of what a Science Centre gift shop could be like. Because often there will be the kind of generic stuff that you'll see in any attraction— a notebook with rubber and a pencil— but they also had lots of, there were lots of science-led toys and engineering-led toys, so they had... big Lego section. It was like going into a proper toy shop. It was just a really impressive gift shop that you could imagine engaging a kid.Catherine Toolan: And if I could come in there for an example outside of Ireland, you've got the House of Lego in Billund. I don't know if anybody has been there, but they've got a customised range, which is only available. Really? Yes, and it's so special. They've got a really unique building, so the Lego set is in the shape of the building. They've got their original dock. But the retail store in that space, it's very geared towards children as Lego is, but also imagination play. So they've done a brilliant job on looking at, you know, the texture of their product, the colour of their product. And whilst it's usually geared to children, it's also geared to adult lovers of Lego. So it's beautiful. Huge tech as well. They've incredible RFID wristbands, which you get from your ticket at the beginning of the experience. So all of your photo ops and everything you can download from the RFID wristband. Very cool.Jennifer  Kennedy: Actually, I would say it's probably from a tech point of view, one of the best attractions I've been to in recent years. Like, it's phenomenal. I remember going there the year it opened first because it was fascinating. I have two boys who are absolutely Lego nuts. And I just— we went to the home of LEGO in Billund when it opened that year and I just was blown away. I had never experienced, and I go to experiences everywhere, but I've never, from a tech point of view and a brand engagement perspective, understood the nature, the type of product that they deliver. For me, it's, like I said, I tell everyone to go to Billund. Paul Marden: Really? We've got such amazing jobs, haven't we? However, as you're both talking, I'm thinking you're a bit like me. You don't get to go and enjoy the experience for the experience's own sake because you're looking at what everybody's doing.Jennifer  Kennedy: But can I actually just add to that? There's another one in the Swarovski Crystal in Austria.Paul Marden: Really?Jennifer  Kennedy: That is phenomenal. And in terms of their retail space, it's like, I like a bit of sparkle, so I'm not going to lie. It was like walking into heaven. And their retail offering there is world-class in that store. And the whole brand experience from start to finish, which is what you're always trying to achieve. It's the full 360 of full immersion. You're literally standing inside a giant crystal. It's like being in a dream. Right. A crystal, sparkly dream from start to finish. And then, every year, they partner and collaborate with whoever— designers, musicians, whoever's iconic or, you know, very... present in that year or whatever. And they do these wonderful collaborations and partnerships with artists, designers, you name it.Paul Marden: Sorry, Catherine, there you go.Catherine Toolan: Thank you very much. It's on my list of places to go, but I do know the team there and what they're also doing is looking at the premiumization. So they close their retail store for high net worth individuals to come in and buy unique and special pieces. You know, they use their core experience for the daytime. And we all talk about the challenges. I know, Tom, you talk about this, you know, how do you scale up visitor experience when you're at capacity and still make sure you've a brilliant net promoter score and that the experience of the customer is fantastic. So that is about sweating the acid and you know it's that good, better, best. You know they have something for everybody but they have that halo effect as well.  So it's really cool.Paul Marden: Wow. Thank you. I'm a bit of a geek. I love a bit of technology. What do you think technology is doing to the gift shop experience? Are there new technologies that are coming along that are going to fundamentally change the way the gift shop experience works?Jennifer  Kennedy: I think that's rooted in the overall experience. So I don't think it's a separate piece. I think there's loads of things out there now where you can, you know, virtual mirrors have been around for years and all these other really interesting. The whole gamification piece, if you're in an amazing experience and you're getting prompts and things to move an offer today, but so that's that's been around for quite some time. I'm not sure that it's been fully utilised yet across the board, especially in I would say there's a way to go in how it influences the stores in Ireland in attractions at the moment. There'll be only a handful who I'd say are using technology, mainly digital screens, is what I'm experiencing and seeing generally. And then, if there is a big attraction, some sort of prompts throughout that and how you're communicating digitally through the whole experience to get people back into the retail space. Paul Marden: Yeah, I can imagine using tech to be able to prompt somebody at the quiet times of the gift shop. Michael  Dolan: Yeah, also Guinness now you can order a pint glass with your own message on it in advance. It's ready for you when you finish your tour. You go to a locker and you just open the locker and you walk out with your glass. Catherine Toolan: Could I just say, though, that you just don't open a locker like it's actually lockers? There's a lot of customisation to the lockers because the idea came from the original Parcel Motel. So the locker is actually you key in a code and then when you open the customised locker, there's a Guinness quote inside it and your personalised glass is inside it. And the amount of customers and guests that we get to say, could we lock the door again? We want to actually open it and have that. whole experience so you know that's where I think in you know and one of the questions that would be really interesting to talk about is you know, what about self-scanning and you know, the idea of checkouts that are not having the human connection. Is that a thing that will work when you've got real experiences? I don't know. But we know that the personalisation of the engraved glasses and how we've custom designed the lockers— not to just be set of lockers— has made that difference. So they're very unique, they're colourful, they're very Guinnessified. And of course, the little personal quote that you get when you open the locker from our archives, make that a retail experience that's elevated. Paul Marden: Wow.Jennifer  Kennedy: But I would also say to your point on that, that the actual, the real magic is also in the people, in the destinations, because it's not like gift shops and destinations and experiences. They're not like high street and they shouldn't be. It should be a very different experience that people are having when they've paid to come and participate with you in your destination. So I actually think technology inevitably plays a role and it's a support and it will create lovely quirks and unusual little elements throughout the years.Paul Marden: I think personalisation is great.  Jennifer  Kennedy: And personalisation, absolutely. But the actual, like I would be quite against the idea of automating checkout and payouts in gift shops, in destinations, because for me... That takes away the whole essence of the final touch point is actually whoever's talked to you when you did that transaction and whoever said goodbye or asked how your experience was or did you enjoy yourself? So those you can't you can't replace that with without a human personal touch. So for me, that's intrinsically important, that it has to be retained, that the personal touch is always there for the goodbye.Dean Kelly: I'm very happy that you brought up the human touch. I'm a photo company, I do pictures. And all the time when we're talking to operators, they're like, 'Can we make it self-serve? Can we get rid of the staffing costs?' I'm like, 'I'm a photographer. Photographers take pictures of people. We need each other to engage, react, and put the groups together. No, we don't want the staff costs. But I'm like, it's not about the staff costs. It's about the customer's experience. So all day long, our challenge is, more so in the UK now, because we operate in the UK, and everybody over there is very, we don't want the staff.' And I think, if you lose the staff engagement, especially taking a picture, you lose the memory and you lose the moment. And photographers have a really good job to do, a very interesting job, is where to capture people together. And if you lose that person— touch point of getting the togetherness— You just have people touching the screen, which they might as well be on their phone.Paul Marden: And the photo won't look as good, will it? Anybody could take a photo, but it takes a photographer to make people look like they're engaged and happy and in the moment.Dean Kelly: Yeah, exactly, and a couple of other points that you mentioned— with the brand, personalisation, gamification, all that kind of cool, juicy stuff, all the retail stuff, people going home with the memory, the moment, all that stuff's cool, but nobody mentioned photos until Cashin, you mentioned photos. We've had a long conversation with photos for a long time, and we'll probably be still chatting for another long time as well. But photography is a super, super retail revenue stream. But it's not about the revenue, it's about the moment and the magic. Jennifer  Kennedy: Yeah, you're capturing the magic. Dean Kelly: Capturing it. And fair enough that what you guys do at Shamrock is very interesting because you talk to the operators. You kind of go, 'What gifts are going to work for your visitors?' And you turn that into a product. And that's exactly what we do with all the experiences. We take pictures.Dean Kelly: But what's your demographic saying? What's your price points? What's your brand? What's your message? And let's turn that into a personalised souvenir, put the people in the brand, and let them take it home and engage with it.Paul Marden: So... I think one of the most important things is how you blend the gift shop with the rest of the experience. You were giving a good example of exiting through the gift shop. It's a very important thing, isn't it? But if you put it in the wrong place, you don't get that. How do you blend the gift shop into the experience?Jennifer  Kennedy: Well, I would say I wouldn't call it a blend. For me, the retail element of the brand should be a wow. Like it should be as invaluable, as important as everything else. So my perspective would be get eyes on your retail offering sooner rather than later. Not necessarily that they will participate there and then.Jennifer  Kennedy: The visual and the impact it has on seeing a wow— this looks like an amazing space. This looks like with all these products, but it's also— I was always chasing the wow. I want you to go, wow, this looks amazing. Because, to me, that's when you've engaged someone that they're not leaving until they've gotten in there. It is important that people can potentially move through it at the end. And, you know, it depends on the building. It depends on the structure. You know, a lot of these things are taken out of your hands. You've got to work with what you've got. Jennifer  Kennedy: But you have to work with what you've got, not just to blend it, to make it stand out as exceptional. Because that's actually where the magic really starts. And it doesn't matter what brand that is. The aim should always be that your retail offering is exceptional from every touch point. And it shouldn't be obvious that we've spent millions in creating this wonderful experience. And now you're being shoehorned into the poor relation that was forgotten a little bit and now has ten years later looks a bit ramshackle. And we're trying to figure out why we don't get what we should out of it.Michael  Dolan: And it has to be an integral part of the whole experience.Jennifer  Kennedy: Yeah, and I think for new experiences that are in planning stages, I've seen that more and more in recent years. Now, where I was being called to retrofix or rip out things going, this doesn't work, I'm like, okay, well, we have to retro do this. Now, when people are doing new builds or new investments into new spaces, I'm getting those calls at the planning stages where it's like, we've allocated this amount of space to retail. Do you think that's enough? And I don't think I've ever said yes, ever. At every single turn, I'm like... No, it's not enough. And, you know, what's your anticipated football? Oh, that's the numbers start to play a role in it. But it's not just about that. It's about the future proofing. It's like what happens in five years, 10 years, 15? Because I've been very lucky to work in buildings where it's not easy to figure out where you're going to go next. And particularly heritage sites and cultural heritage. Like I can't go in and knock a hole in the crypt in Christchurch Cathedral. But I need a bigger retail space there.Jennifer  Kennedy: The earlier you start to put retail as a central commercial revenue stream in your business, the more eyes you have on it from the get-go, the more likely it is that it will be successful. Not now, not in five years, not in ten years, but that you're building blocks for this, what can become. Like it should be one of your strongest revenue streams after ticket sales because that's what it can become. But you have to go at it as this is going to be amazing.Catherine Toolan: I think it's important that it's not a hard sell and that's in your face. And, you know, that's where, when you think about the consumer journey, we always think about the behavioural science of the beginning, the middle, and the end. And people remember three things. You know, there's lots of other touch points. But if retail is a really hard sell throughout the experience, I don't think the net promoter score of your overall experience will, you know, come out, especially if you're, you know, and we're not a children's destination. An over 25 adult destination at the Guinness Storehouse and at our alcohol brand homes. But what's really important is that it's authentic, it's really good, and it's highly merchandised, and that it's unique. I think that uniqueness is it— something that you can get that you can't get anywhere else. You know, how do you actually, one of the things that we would have done if we had it again, we would be able to make our retail store available to the domestic audience, to the public without buying a ticket. So, you know, you've got that opportunity if your brand is the right brand that you can have walk-in off the high street, for example.Catherine Toolan: So, you know, there's so many other things that you can think about because that's an extension of your revenue opportunity where you don't have to come in to do the whole experience. And that is a way to connect the domestic audience, which is something I know a lot of the members of the Association, AVEA are trying to do. You know, how do we engage and connect and get repeat visits and and retail is a big opportunity to do that, especially at gifting season.Paul Marden: Yeah, yeah, sustainability is increasingly important to the narrative of the whole retail experience, isn't it? How do you make sure that we're not going about just selling plastic tat that nobody's going to look after?Michael  Dolan: We've made this a core value for Shamrock Gift Company, so we've engaged with a company called Clearstream Solutions, the same company that Guinness Store has. have worked with them. So it's a long-term partnership. So they've measured our carbon footprint from 2019 to 2023. So we've set ourselves the ambitious target of being carbon neutral by 2030.Michael  Dolan: So just some of the elements that we've engaged in. So we put 700 solar panels on our roof as of last summer. All our deliveries in Dublin are done with electric vans, which we've recently purchased. All the lights in the building now are LED. Motion-sensored as well. All the cars are electric or that we've purchased recently, and we've got a gas boiler. So we've also now our shipments from China we're looking at biodiesel. So that's fully sustainable. And we also, where we can't use biodiesel, we're doing carbon offsetting as well.Paul Marden: So a lot of work being done in terms of the cost of CO2 of the transport that you're doing. What about the product itself? How do you make sure that the product itself is inherently something that people are going to treasure and is not a throwaway item?Michael  Dolan: We're using more sustainable materials, so a lot more stone, a lot more wood. Paul Marden: Oh, really? Michael  Dolan: Yeah. Also, it begins with great design. Yeah. So, you know, and obviously working with our retail partners, make sure that the goods are very well designed, very well manufactured. So we're working with some wonderful, well, best in class manufacturers around the world. Absolutely.Jennifer  Kennedy: I think as well, if... you can, and it's becoming easier to do, if you can collaborate with some creators and makers that are actually within your location.Jennifer  Kennedy: Within Ireland, there's a lot more of that happening, which means sourcing is closer to home. But you also have this other economy that's like the underbelly of the craft makers market in Ireland, which is fabulous, which needs to be brought to the fore. So collaborations with brands can also form a very integral part of product development that's close to home and connected to people who are here—people who are actually creating product in Ireland.Paul Marden: This is just instinct, not knowledge at all. But I would imagine that when you're dealing with those local crafters and makers, that they are inherently more sustainable because they're creating things local to you. It's not just the distance that's...Jennifer  Kennedy: Absolutely, but in any instances that I'm aware of that I've been involved with, anyway, even the materials and their mythology, yeah, is all grounded in sustainability and which is fabulous to see. Like, there's more and there's more and more coming all the time.Michael  Dolan: We've got rid of 3 million bags a year. Key rings, mags used to be individually bagged. And now there are 12 key rings in a bag that's biodegradable. That alone is 2 million bags.Paul Marden: It's amazing, isn't it? When you look at something as innocuous as the bag itself that it's packaged in before it's shipped out. You can engineer out of the supply chain quite a lot of unnecessary packaging Michael  Dolan: And likewise, then for the retailer, they don't have to dispose of all that packaging. So it's a lot easier and cleaner to put the product on the shelf. Yes.Paul Marden: Something close to my heart, online retail. Have you seen examples where Irish attractions have extended their gift shop experience online, particularly well?Jennifer  Kennedy: For instance, there are a few examples, but what I was thinking more about on that particular thought was around the nature of the brand again and the product that, in my experience, the brands that can do that successfully tend to have something on offer that's very nostalgic or collectible. Or memorabilia and I think there are some examples in the UK potentially that are where they can be successful online because they have a brand or a product that people are collecting.Paul Marden: Yeah, so one of my clients is Jane Austen House, only about two miles away from where I live. And it blew me away the importance of their online shop to them. They're tiny. I mean, it is a little cottage in the middle of Hampshire, but they have an international audience for their gift shop. And it's because they've got this really, really committed audience of Jane Austen fans who want to buy something from the house. Then everybody talks about the Tank Museum in Dorset.Paul Marden: Who make a fortune selling fluffy tank slippers and all you could possibly imagine memorabilia related to tanks. Because again, it's that collection of highly curated products and this really, really committed audience of people worldwide. Catherine Toolan: The Tank were here last year presenting at the AVEA conference and it was such an incredible story about their success and, you know, how they went from a very small museum with a lot of support from government to COVID to having an incredible retail store, which is now driving their commercial success.Paul Marden: Yeah, absolutely. Nick has done a load of work. Yeah, that leads me nicely onto a note. So listeners, for a long time, Skip the Queue has been totally focused on the podcast. But today we have launched our first playbook. Which is hopefully the first of many. But the playbook that we're launching today is all about how attractions can focus on best practice for gift shop e-commerce. So we work with partners, Rubber Cheese, Navigate, and Stephen Spencer Associates. So Steve and his team has helped us to contribute to some sections to the guide around, how do you curate your product? How do you identify who the audience is? How do you create that collection? The team at Rubber Cheese talk about the mechanics of how do you put it online and then our friends at Navigate help you to figure out what the best way is to get bums on seats. So it was a crackpot idea of mine six months ago to put it together, and it is now huge.Paul Marden: It's packed full of advice, and that's gone live today. So you can go over to skipthequeue.fm and click on the Playbooks link there to go and download that. Thank you. So, Jennifer, Michael, it has been absolutely wonderful to talk to both of you. Thank you to my audience. You've also been fabulous. Well done. And what a packed episode that was. I get the feeling you two quite enjoy gift shops and retailing. You could talk quite a lot about it.Jennifer  Kennedy: I mean, I love it.  Paul Marden: That didn't come over at all. Jennifer  Kennedy: Well, I just think it's such a lovely way of connecting with people and keeping a connection, particularly from a brand point of view. It should be the icing on the cake, you know?Paul Marden: You're not just a market store salesperson, are you?Jennifer  Kennedy: And I thoroughly believe that the most successful ones are because the experiences that they're a part of sow the seeds. They plant the love, the emotion, the energy. All you're really doing is making sure that that magic stays with people when they go away. The brand experience is the piece that's actually got them there in the first place. Paul Marden: Now let's go over to the conference floor to hear from some Irish operators and suppliers.Charles  Coyle: I'm Charles Coyle. I'm the managing director of Emerald Park. We're Ireland's only theme park and zoo. We opened in November 2010, which shows you how naive and foolish we were that we opened a visitor attraction in the middle of winter. Fortunately, we survived it.Paul Marden: But you wouldn't open a visitor attraction in the middle of summer, so give yourself a little bit of a run-up to it. It's not a bad idea.Charles  Coyle: Well, that's true, actually. You know what? I'll say that from now on, that we had the genius to open in the winter. We're open 15 years now, and we have grown from very small, humble aspirations of maybe getting 150,000 people a year to we welcomed 810,000 last year. And we'll probably be in and around the same this year as well.  Paul Marden: Wowzers, that is really impressive. So we are here on the floor. We've already heard some really interesting talks. We've been talking about AI in the most recent one. What can we expect to happen for you in the season coming in?Charles  Coyle: Well, we are hopefully going to be integrating a lot of AI. There's possibly putting in a new booking system and things like that. A lot of that will have AI dynamic pricing, which has got a bad rap recently, but it has been done for years and years in hotels.Paul Marden: Human nature, if you ask people, should I be punished for travelling during the summer holidays and visiting in a park? No, that sounds terrible. Should I be rewarded for visiting during a quiet period? Oh, yes! Yes, I should definitely. It's all about perspective, isn't it? Very much so. And it is how much you don't want to price gouge people. You've got to be really careful. But I do think dynamic pricing has its place.Charles  Coyle: Oh, absolutely. I mean, a perfect example of it is right now, our top price is not going to go any higher, but it'll just be our lower price will be there more constantly, you know, and we'll... Be encouraging people to come in on the Tuesdays and Wednesdays, as you said, rewarding people for coming in at times in which we're not that busy and they're probably going to have a better day as a result.Susanne Reid: Hi, Suzanne Reid here. I'm the CEO at Christchurch Cathedral, Dublin. What are you here to get out of the conference? First and foremost, the conference is a great opportunity every year to... catch up with people that you may only see once a year from all corners of the country and it's also an opportunity to find out what's new and trending within tourism. We've just come from a really energising session on AI and also a very thought-provoking session on crisis management and the dangers of solar panels.Paul Marden: Yes, absolutely. Yeah, the story of We the Curious is definitely an interesting one. So we've just come off the back of the summer season. So how was that for you?Susanne Reid:Summer season started slower than we would have liked this year in 2025, but the two big American football matches were very strong for us in Dublin. Dublin had a reasonable season, I would say, and we're very pleased so far on the 13th of the month at how October is playing out. So hoping for a very strong finish to the year. So coming up to Christmas at Christchurch, we'll have a number of cathedral events. So typically our carol concerts, they tend to sell out throughout the season. Then we have our normal pattern of services and things as well.Paul Marden: I think it's really important, isn't it? You have to think back to this being a place of worship. Yes, it is a visitor attraction. Yes, that's an aside, isn't it? And the reason it is a place of worship.Susanne Reid: I think that's obviously back to what our earlier speaker was talking about today. That's our charitable purpose, the promotion of religion, Christianity. However, you know, Christchurch is one of the most visited attractions in the city.Susanne Reid: Primarily, people do come because it will be there a thousand years in 2028. So there is, you know, the stones speak really. And, you know, one of the sessions I've really benefited from this morning was around accessible tourism. And certainly that's a journey we're on at the cathedral because, you know, a medieval building never designed for access, really. Paul Marden: No, not hugely. Susanne Reid: Not at all. So that's part of our programming and our thinking and our commitment to the city and to those that come to it from our local communities. But also from further afield, that they can come and enjoy the splendour of this sacred space.Paul Marden: I've been thinking long and hard, and been interviewing people, especially people like We The Curious, where they're coming into their 25th anniversary. They were a Millennium Project. I hadn't even thought about interviewing an attraction that was a thousand years old. A genuine millennium project.Susanne Reid: Yeah, so we're working towards that, Paul. And, you know, obviously there's a committee in-house thinking of how we might celebrate that. One of the things that, you know, I know others may have seen elsewhere, but... We've commissioned a Lego builder to build a Lego model of the cathedral. There will obviously be some beautiful music commissioned to surround the celebration of a thousand years of Christchurch at the heart of the city. There'll be a conference. We're also commissioning a new audio tour called the ACE Tour, Adults, Children and Everyone, which will read the cathedral for people who have no sense of what they're looking at when they maybe see a baptismal font, for example. You know, we're really excited about this and we're hoping the city will be celebratory mood with us in 2028.Paul Marden: Well, maybe you can bring me back and I'll come and do an episode and focus on your thousand year anniversary.Susanne Reid: You'd be so welcome.Paul Marden: Oh, wonderful. Thank you, Suzanne.Paul Marden: I am back on the floor. We have wrapped up day one. And I am here with Ray Dempsey from Jameson Distillery. Ray, what's it been like today?Ray  Dempsey: Paul, it's been a great day. I have to say, I always loved the AVEA conference. It brings in such great insights into our industry and into our sector. And it's hosted here in Waterford, a city that I'm a native of. And, you know, seeing it through the eyes of a tourist is just amazing, actually, because normally I fly through here. And I don't have the chance to kind of stop and think, but the overall development of Waterford and the presentation from the Waterford County Council was really, really good. It's fantastic. They have a plan. A plan that really is driving tourism. Waterford, as a tourist destination, whereas before, you passed through Waterford. It was Waterford Crystal's stop and that was it. But they have put so much into the restoration of buildings, the introduction of lovely artisan products, very complimentary to people coming to here, whether it is for a day, a weekend, or a week. Fantastic.Paul Marden: What is it? We're in the middle of October and it's a bit grey and drizzly out there. But let's be fair, the town has been packed. The town has been packed.With coaches outside, so my hotel this morning full of tourists.Ray  Dempsey: Amazing, yeah it's a great hub, a great hub, and they've done so much with the city to enable that, and you see, as you pass down the keys, you know that new bridge there to enable extra traffic coming straight into the heart of the city, it's fantastic. We're all learning from it, and hopefully, bring it all back to our own hometowns.Paul Marden: I think it's been really interesting. We were talking earlier on, before I got the microphone out, saying how it's been a real mixed bag this year across the island of Ireland, hasn't it? So some people really, really busy, some people rubbish year.Ray  Dempsey: Yeah, I mean, I feel privileged the fact that, you know, we haven't seen that in Dublin. So, you know, there's a it's been a very strong year, a little bit after a little bit of a bumpy start in January, February. But, like, for the rest of the year onwards, it's been fantastic. It's been back to back festivals and lots of things, lots of reasons why people come to Dublin. And, of course, with the introduction of the NFL. That's new to us this year. And hopefully, we'll see it for a number of years to come. But they're great builders for organic growth for our visitor numbers. So I'm happy to say that I'm seeing a growth in both revenue and in visitor numbers in the Jameson Distillery. So I'm happy to see that. Now, naturally, I'm going to have to work harder to make sure it happens next year and the year after. But I'm happy to say that the tourism product in Dublin has definitely improved. And Dublin-based visitor attractions are doing well. Paul Marden: Exciting plans for summer 26? Ray  Dempsey: Yes, every year is exciting, Paul. And every year brings a challenge and everything else. But I'm delighted to say that our focus for 2026 really is on building inclusion. So we're looking at language tours.Ray  Dempsey: We're looking at tours for... you know, margins in society. And I think it's a really interesting way for us to be able to embrace accessibility to our story. And also, we have increased our experience repertoire to engage more high-end experiences, not private experiences. More demand for those. Okay. So we're delighted to say that we have the product in order to be able to do that. So that's exciting for us, you know, to be building into 2026. Great. Paul Marden: Thank you so much for joining us. I am the only thing standing in the way of you and a drink at the cocktail reception later on. So I think we should call it quits. Ray  Dempsey: And for sure. Paul Marden: If you enjoyed today's episode, then please like and comment in your podcast app. It really does help others to find us. Today's episode was written by me, Paul Marden, with help from Emily Burrows from Plaster. It was edited by Steve Folland and produced by Wenalyn Dionaldo. See you next week. The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

Trinity College is home to the book of Kells and its iconic Library, which makes it one of Dublin's most popular tourist attractions.But, the university is also home to a Zoological Museum, containing a 70-million-year-old fish and a plethora of extinct animals.Dr Martyn Linnie is Curator of Trinity College Dublin's zoological museum, and he joins Seán to discuss.Image: Trinity College Zoological Museum Facebook

Trinity College is home to the book of Kells and its iconic Library, which makes it one of Dublin's most popular tourist attractions.But, the university is also home to a Zoological Museum, containing a 70-million-year-old fish and a plethora of extinct animals.Dr Martyn Linnie is Curator of Trinity College Dublin's zoological museum, and he joins Seán to discuss.Image: Trinity College Zoological Museum Facebook

This episode is a deeply personal one. I'm honored tosit down with the 22nd President of Trinity College, JoanneBerger-Sweeney, to reflect on her remarkable leadership and the impact of the All In campaign—the most ambitious fundraising effort in the college's history. Despite serious headwinds, All In achieved extraordinary success, thanks to Joanne's steady vision, the dedication of Trinity's trustees, and the commitment of the entire community. In our conversation,Joanne shares stories of perseverance, moments of light through tragedy, and what it means to work with purpose until the very last day. This episode is dedicated in loving memory to Michael Casey.

What unique challenges do women face in ministry leadership—and what gives them hope for the future of the church? In this special roundtable episode of the Future Christian Podcast, host Loren Richmond Jr. welcomes a panel of seasoned clergy leaders: Rev. Tabatha Johnson (Disciples of Christ), The Venerable Sheila Van Zandwyck (Anglican), Rev. Canon Katherine Morgan (Anglican), and Rev. Canon Martha Tatarnic (Anglican and Future Christian co-host). Together, they share candid stories about their call to ministry, navigating representation and authority, the sacrifices women often make that men may not, and how mentors and allies have helped along the way. From maternity leave struggles to stereotypes about “what a minister should look like,” these leaders open up about both progress and persistent challenges for women in the church today. Listeners will gain insights into: How women discern and embrace a call to ordained ministry. The “stained glass ceiling” and ongoing equity issues in church leadership. The importance of mentors, representation, and visible role models. How congregations respond differently to women clergy across traditions. What gives hope for the next generation of women entering ministry. Whether you're a pastor, church leader, or layperson passionate about equality in the church, this episode offers wisdom, encouragement, and a vision for a more inclusive future.   Rev. Tabatha D. Johnson is a pastor in the Christian Church (Disciples of Christ).  She has served as a pastor and chaplain for over twenty years. She graduated from the University of Missouri-Kansas City and Central Baptist Theological Seminary and is co-editor and contributor to Still A Mother: Journeys Through Perinatal Bereavement (Judson Press.) a 2017 Gold Medal Winner in the Illumination Book Awards. She is currently the Senior Pastor at Shawnee Community Christian Church where she joyfully serves alongside people who love Jesus and one another. Tabatha's greatest love, besides her family and her church, are coffee and starting home improvement projects in her home that someday, hopefully, she will finish. Tabatha lives with her spouse, Cory, and their children in the Kansas City Metro. The Venerable Sheila Van Zandwyk is Archdeacon of Lincoln Deanery and Rector of Church of the Transfiguration. She was born and raised in St. Catharines and was raised in the Christian Reformed Church. She began attending an Anglican Church in my twenties. Until starting seminary at 40, Van Zandwyk worked in retail, for a number of years as the Manager of a Shoppers Drug Mart. Ordained for 17 years, Van Zandwyk has worked in churches in Oakville, Hamilton and now St. Catharines, being at Transfiguration for 6 years now.  The Reverend Canon Katherine Morgan graduated with a Master of Divinity from Trinity College, University of Toronto. Morgan is ordained in the Diocese of Niagara where she had the privilege of serving in rural, small town and city parishes for 29 years.  Currently Morgan is the rector of Church of the Resurrection in Hamilton. In her free time, she loves to sing, enjoy puzzles, and is the proud parent of an adult son.    Mentioned Resources:

Dans cet épisode, nous vous emmenons en Irlande.Surnommée "l'île émeraude" pour sa terre verdoyante, l'Irlande séduit par son dynamisme, sa culture littéraire et ses pubs animés. Le pays est célèbre pour ses paysages spectaculaires, ses châteaux, monastères et sites celtiques qui témoignent de son riche passé.DublinSi vous décidez [de réaliser un road trip en Irlande: https://www.selectour.com/irlande/circuit, débutez par Dublin et par une visite incontournable de Trinity College, la plus ancienne université d'Irlande. Puis direction la Long Room, l'une des plus belles bibliothèques d'Europe. Ensuite, flânez autour de Grafton Street et dans le quartier de Temple Bar. Pour le soir, dînez dans le plus vieux pub de Dublin, The Brazen Head.KilkennyVous pouvez commencer par la visite du château de Kilkenny puis du centre historique et ses cathédrales gothiques. Puis visitez la Smithwick's Experience, une ancienne brasserie transformée en musée sur la fabrication de la bière. Terminez par une balade tranquille le long de la rivière Nore.Rocher du CashelC'est un site médiéval perché sur un piton rocheux, il est chargé d'histoire et offre une vue panoramique sur la campagne. En direction de Killarney, promenez-vous autour du lac Muckross et découvrez la cascade de Torc.L'anneau du KerryNous poursuivons notre road trip de 8 jours en Irlande avec l'anneau du Kerry. Le trajet offre des vues spectaculaires sur l'océan Atlantique entre montagne et lac. Continuez vers les villages de Sneem ou Waterville et empruntez la Skellig Ring pour terminer par Kenmare, charmante petite ville.DingleEmpruntez la Slea Head Drive, une boucle côtière offrant des panoramas sur les falaises, les plages sauvages et les îles Blasket. Profitez du village de Dingle, de son ambiance décontractée, ses petites boutiques d'artisanat et ses pubs.Falaises de MoherLa vue sur l'Atlantique et les falaises de 200 mètres de haut est inoubliable. En redescendant, vous pouvez faire un arrêt rapide dans le Burren, un paysage unique en Europe avec une végétation étonnante.Parc national du ConnemaraC'est une région sauvage et montagneuse qui a une beauté brute. Continuez cette route vers le site de Kylemore, et pour une immersion un peu plus authentique, vous pouvez passer la nuit à Clifden ou à Letterfrack, des petits villages au cœur du Connemara.GalwayDans notre road trip de 8 jours en Irlande, terminez par Galway, ville côtière animée où vous pourrez flâner dans Shop Street, explorer le marché local vers l'église Saint-Nicolas et profiter de l'ambiance conviviale dans les pubs.Pourquoi voyager en Irlande ?En Irlande, vous trouverez des paysages grandioses, des villages authentiques, une culture vivante, ce qui offre un voyage riche en découvertes pour tous les amoureux de nature et d'histoire.Si vous souhaitez en savoir plus sur la destination et, pourquoi pas, préparer votre prochain [circuit en Irlande: https://www.selectour.com/irlande/circuit, n'hésitez pas à faire appel à nos [experts: https://www.selectour.com/agent/recherche?postalCode=&city=&favoriteDestination=IE&page=1] !À bientôt dans le cockpit !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

83 per cent of people believe the family home should be exempt from inheritance tax. That's according to a new survey from Royal London Ireland So, is it time to change inheritance tax rules? All to discuss with Barra Roantree, Assistant Professor of Economics at Trinity College and Joe Neville, Fine Gael TD, Member of The Budgetary Oversight Committee & Chartered Accountant.

On July 12, 1979, Chicago's Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl's “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the surface, the incendiary event looked like a wild publicity stunt gone wrong — but in hindsight, it was tantamount to a book burning. In retrospect, the destruction of thousands of disco records was a symbolic rejection of the social meanings the sounds held, particularly for queer communities of color. The night marked not just the literal destruction of vinyl but a cultural turning point when disco's dazzling reign collapsed under backlash. Or did it? In this episode, we explore how a stadium stunt revealed the deeper racial, sexual, and generational tensions shaping American music at the dawn of the 1980s. In episode seven, host Ryan Purcell and Kristie Soares talk with Gillian Frank is a historian of gender, sexuality, religion, and politics in the twentieth-century United States at Trinity College, Dublin. He is a managing editor of NOTCHES: (re)marks on the history of sexuality and co-host of the podcast Sexing History, which explores how the past shapes contemporary debates about sex. Frank's scholarship has appeared in leading academic journals and edited volumes, and he has held research fellowships at Princeton and other institutions. His current book project examines the history of child adoption and foster care in the U.S., tracing how religion, race, and politics shaped family formation in modern America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

A brand-new exhibition showcasing the breadth of Picasso's work will be opening at the National Gallery of Ireland.‘Picasso: From the Studio' will be the first Irish exhibition of this scale to showcase the Spanish master's art since his death in 1973.The first ever display of Picasso's work in Ireland was organised by Trinity College students in a library storage room back in 1969.This time around, the exhibition places Picasso in the context of his studios, highlighting the phases of his art and life.It will feature paintings, sculptures, ceramics, works on paper, as well as photographic and audio-visual works.Joining Seán to tell more is Curator of Modern Art at the National Gallery of Ireland, Janet McLean...

On July 12, 1979, Chicago's Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl's “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the surface, the incendiary event looked like a wild publicity stunt gone wrong — but in hindsight, it was tantamount to a book burning. In retrospect, the destruction of thousands of disco records was a symbolic rejection of the social meanings the sounds held, particularly for queer communities of color. The night marked not just the literal destruction of vinyl but a cultural turning point when disco's dazzling reign collapsed under backlash. Or did it? In this episode, we explore how a stadium stunt revealed the deeper racial, sexual, and generational tensions shaping American music at the dawn of the 1980s. In episode seven, host Ryan Purcell and Kristie Soares talk with Gillian Frank is a historian of gender, sexuality, religion, and politics in the twentieth-century United States at Trinity College, Dublin. He is a managing editor of NOTCHES: (re)marks on the history of sexuality and co-host of the podcast Sexing History, which explores how the past shapes contemporary debates about sex. Frank's scholarship has appeared in leading academic journals and edited volumes, and he has held research fellowships at Princeton and other institutions. His current book project examines the history of child adoption and foster care in the U.S., tracing how religion, race, and politics shaped family formation in modern America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

On July 12, 1979, Chicago's Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl's “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the surface, the incendiary event looked like a wild publicity stunt gone wrong — but in hindsight, it was tantamount to a book burning. In retrospect, the destruction of thousands of disco records was a symbolic rejection of the social meanings the sounds held, particularly for queer communities of color. The night marked not just the literal destruction of vinyl but a cultural turning point when disco's dazzling reign collapsed under backlash. Or did it? In this episode, we explore how a stadium stunt revealed the deeper racial, sexual, and generational tensions shaping American music at the dawn of the 1980s. In episode seven, host Ryan Purcell and Kristie Soares talk with Gillian Frank is a historian of gender, sexuality, religion, and politics in the twentieth-century United States at Trinity College, Dublin. He is a managing editor of NOTCHES: (re)marks on the history of sexuality and co-host of the podcast Sexing History, which explores how the past shapes contemporary debates about sex. Frank's scholarship has appeared in leading academic journals and edited volumes, and he has held research fellowships at Princeton and other institutions. His current book project examines the history of child adoption and foster care in the U.S., tracing how religion, race, and politics shaped family formation in modern America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

On July 12, 1979, Chicago's Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl's “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the surface, the incendiary event looked like a wild publicity stunt gone wrong — but in hindsight, it was tantamount to a book burning. In retrospect, the destruction of thousands of disco records was a symbolic rejection of the social meanings the sounds held, particularly for queer communities of color. The night marked not just the literal destruction of vinyl but a cultural turning point when disco's dazzling reign collapsed under backlash. Or did it? In this episode, we explore how a stadium stunt revealed the deeper racial, sexual, and generational tensions shaping American music at the dawn of the 1980s. In episode seven, host Ryan Purcell and Kristie Soares talk with Gillian Frank is a historian of gender, sexuality, religion, and politics in the twentieth-century United States at Trinity College, Dublin. He is a managing editor of NOTCHES: (re)marks on the history of sexuality and co-host of the podcast Sexing History, which explores how the past shapes contemporary debates about sex. Frank's scholarship has appeared in leading academic journals and edited volumes, and he has held research fellowships at Princeton and other institutions. His current book project examines the history of child adoption and foster care in the U.S., tracing how religion, race, and politics shaped family formation in modern America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

On July 12, 1979, Chicago's Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl's “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the surface, the incendiary event looked like a wild publicity stunt gone wrong — but in hindsight, it was tantamount to a book burning. In retrospect, the destruction of thousands of disco records was a symbolic rejection of the social meanings the sounds held, particularly for queer communities of color. The night marked not just the literal destruction of vinyl but a cultural turning point when disco's dazzling reign collapsed under backlash. Or did it? In this episode, we explore how a stadium stunt revealed the deeper racial, sexual, and generational tensions shaping American music at the dawn of the 1980s. In episode seven, host Ryan Purcell and Kristie Soares talk with Gillian Frank is a historian of gender, sexuality, religion, and politics in the twentieth-century United States at Trinity College, Dublin. He is a managing editor of NOTCHES: (re)marks on the history of sexuality and co-host of the podcast Sexing History, which explores how the past shapes contemporary debates about sex. Frank's scholarship has appeared in leading academic journals and edited volumes, and he has held research fellowships at Princeton and other institutions. His current book project examines the history of child adoption and foster care in the U.S., tracing how religion, race, and politics shaped family formation in modern America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

On July 12, 1979, Chicago's Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl's “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the surface, the incendiary event looked like a wild publicity stunt gone wrong — but in hindsight, it was tantamount to a book burning. In retrospect, the destruction of thousands of disco records was a symbolic rejection of the social meanings the sounds held, particularly for queer communities of color. The night marked not just the literal destruction of vinyl but a cultural turning point when disco's dazzling reign collapsed under backlash. Or did it? In this episode, we explore how a stadium stunt revealed the deeper racial, sexual, and generational tensions shaping American music at the dawn of the 1980s. In episode seven, host Ryan Purcell and Kristie Soares talk with Gillian Frank is a historian of gender, sexuality, religion, and politics in the twentieth-century United States at Trinity College, Dublin. He is a managing editor of NOTCHES: (re)marks on the history of sexuality and co-host of the podcast Sexing History, which explores how the past shapes contemporary debates about sex. Frank's scholarship has appeared in leading academic journals and edited volumes, and he has held research fellowships at Princeton and other institutions. His current book project examines the history of child adoption and foster care in the U.S., tracing how religion, race, and politics shaped family formation in modern America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Orla Hardiman, Professor of Neurology at Trinity College and Consultant Neurologist at Beaumont Hospital in Dublin, reacts to a new trial showing success in treating Huntington's Disease

How do you feel about your neck? Maybe you only think about it when you’re sore from sleeping wrong or from sitting at a desk all day. But for centuries, humans have worried about their necks, decorated them with jewelry and clothes and ties, and exploited their weaknesses with knives and garrotes and guillotines. This hour, a look at necks — human and animal. Plus, the history and symbolism of the classic turtleneck. GUESTS: Kent Dunlap: Professor of Biology at Trinity College, Hartford, and author of The Neck: A Natural and Cultural History Nancy MacDonell: Fashion journalist and fashion historian. She writes The Wall Street Journal column "Fashion with a Past.” Her new book is Empresses of Seventh Avenue: World War II, New York City, and the Birth of American Fashion Join the conversation on Facebook and Twitter. Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode. Colin McEnroe, Robyn Doyon-Aitken, Angelica Gajewski, and Dylan Reyes contributed to this show, which originally aired on March 12, 2025.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

A study led by Trinity College has shown improvement in physical activity and social engagement in children with mobility issues when a specially trained mobility assistance dog is introduced.Dr Heather Curtain from Trinity School of Engineering and the Gait Laboratory was the first author of this research, and joins Seán to discuss.Image: Trinity College Dublin

Adam is joined by Guest Hypnotist Jasnon O'Callaghan, a psychologist who became a stage hypnotist for weddings and a hypnotherapists offering a full sensory experience. More Info on Jaoson here: https://jasonocallaghan.com/ Jason O'Callaghan is a trained psychologist. He holds a honours degree in Psychology and a Masters degree in Applied Psychology from Trinity College Dublin. Prior to this for over a decade he was a prominent journalist for The Sunday Independent newspaper.For his Masters research he was named in the 2012 Trinity College Roll of Honor after he developed a stress reduction program for cancer patients. He is the only known practicing hypnotherapist in Ireland to hold a Masters in Psychology from Trinity College.He is also one of only three known hypnotists in Ireland to have an Honors degree in Psychology accredited by the Psychological Society of Ireland. He is also one of only three hypnotherapists in Ireland trained in America as a Certified Instructor by the world famous National Guild of Hypnotists.He is also qualified in Cognitive Behavioural Therapy (CBT) receiving his training from The Institute of Integrative Counselling and Psychotherapy (IICP).He holds qualifications in Counselling from National University of Ireland in Maynooth and is a certified member of the National Guild of Hypnotists (NGH). He also holds a Higher National Diploma in Media and worked for ten years interviewing world leaders, celebrities and international businessmen as part of his role as a journalist for Ireland's biggest newspaper The Sunday Independent.Since 2002 he has performed at over 2,000 events, firstly as the producer and front man of the famed Irish Rat Pack show and since 2014 as a motivational, corporate and event psychologist, specializing in both clinic and stage hypnosis. He has written two books, produced two albums and three kids.He has performed at events from 10 to 1,000 guests and can tailor his performance to suit your needs.His clients range from engaged couples, the Lord Mayor of Dublin, Indeed.com, Netwatch, Supermacs, the Radison hotel Bahrain plus many more from Ireland to the UK, from the USA to the middle east.

In this powerful episode of What Happens in Vagus, Dr. Stephanie Canestraro sits down with marketing strategist and Lyme warrior Allie Chandler to share their parallel journeys through chronic illness, mold exposure, POTS, and long COVID. Together, they uncover the hidden connections between stealth infections, environmental triggers, and dysautonomia symptoms many patients struggle to explain. Allie shares her decade-long experience with Lyme disease, mold toxicity, and functional medicine recovery—including the ups and downs of working high-stress jobs while healing—and reveals the holistic, functional, and sometimes unconventional protocols that moved the needle in her recovery, from limbic system retraining and EMDR to parasite cleansing and homeopathics. Dr. Steph discusses the importance of being non-dogmatic in healing, how the vagus nerve and lymphatic flow play a central role in chronic symptoms, and why open communication between patients and practitioners leads to breakthroughs. If you've ever felt dismissed by the conventional system, are navigating post-COVID or mold-related health challenges, or want to explore functional medicine tools for healing your heart, nervous system, and immune resilience, this episode offers both practical tips and hope. More on Allie:Allie Chandler, founder of Upsell Health (www.upsellhealth.com), is a leading marketing strategist specializing in functional medicine and wellness brands. After her own healing journey from chronic Lyme disease, mold toxicity, and parasites transformed her from bedbound to thriving, she discovered her passion for helping practitioners share their healing gifts with the world.With over 11 years of experience, Allie has held executive positions at industry giants including CellCore Biosciences, Microbiome Labs, and Novozymes OneHealth. She's scaled supplement companies to $60-100M in revenue, launched 21+ products, and generated $1.3M/month in Amazon sales.Holding a Master's in Writing from California College of the Arts and certification as a Lyme Specialist from Trinity College of Natural Health, Allie bridges the gap between scientific expertise and compelling storytelling. Her Practitioner Archetype Framework (upsellhealth.com/archetype) and Wellness Marketing Playbook help practitioners market authentically while building thriving, sustainable practices.Let us know your thoughts on this episode here

We're gonna go ahead and apologize in advance for any stumbles through this one. Sir Isaac Newton possessed a kind of brilliance that is very hard for the majority of people to really wrapped their heads around, and that includes us. Known as the Father of Modern Physics he didn't just help shape our understanding of the science of the natural world (not nature but the laws that govern nature, gravity, optics, movement, etc) but he deciphered a lot of the mysteries within it. He developed calculus because the math of his time wouldn't help him solve the questions he had. He discovered that light is made of a spectrum of colors that exist at all times even if we can't see them, and he revolutionized the understanding of gravity and planetary rotation. He was also human, who suffered from human flaws, vindictiveness being a pretty evident one.  But as with most genius there can be a mania that lies beneath. Join us as we get Historically High on the smartest man we've covered to date.Support the show

In this episode of the Watchung Booksellers Podcast, Kate Zernike and Rachel Swarns talk about their professions as journalists and authors, and how they developed their long-form articles into books. Rachel L. Swarns is a journalism professor at New York University and a contributing writer for The New York Times. She is the author of The 272: The Families Who Were Enslaved and Sold to Build the American Catholic Church and American TapestryThe Story of the Black, White, and Multiracial Ancestors of Michelle Obama, and a co-author of Unseen. Her work has been recognized and supported by the National Endowment for the Humanities, the Ford Foundation, the Biographers International Organization, the Leon Levy Center for Biography, the MacDowell artist residency program, and others.Kate Zernike has been a reporter for The New York Times since 2000. She was a member of the team that won the 2002 Pulitzer Prize for Explanatory Reporting for stories about al-Qaeda before and after the 9/11 terror attacks. She was previously a reporter for The Boston Globe, where she broke the story of MIT's admission that it had discriminated against women on its faculty, on which The Exceptions: Nancy Hopkins and the Fight for Women in Science is based. The daughter and granddaughter of scientists, she is a graduate of Trinity College at the University of Toronto and the Graduate School of Journalism at Columbia University. Resources:Isabel Wilkerson interviewing to look for ‘the onion'Michelle Obama Genealogy NY Times PieceThe Washington Post Georgetown's History with SlaveryBooks:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Watchung Booksellers in Montclair, NJ. The show is edited by Kathryn Counsell. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

Dublin's Trinity College researchers have announced a potential breakthrough in relation to a cancer that kills up to 50 people a year. The offending condition is called Mesothelioma the team lead is Prof Patrick Forde and he joined us from the World Conference on Lung Cancer in Barcelona.

Ireland has one of the lowest breastfeeding rates among high-income countries, influenced by social, cultural, and systemic factors. Around 60% breast feed early on but this drops to around 40% within 3 months and plummets to less than 10% at 6 months. How breast feeding provides significant benefits to the baby's immune system. All to discuss with Professor Luke O Neill , Professor of Biochemistry at the school of Immunology, Trinity College.

"The core difference is, instead of, once you've paid your employees and your expenses, what's left, instead of it just enriching the investors, it's given away to good causes." —Alex Amouyel   What if doing good didn't mean giving up your paycheck or your dreams? Maybe you're tired of hearing that business and kindness can't mix, or you wonder if your small actions really matter. Here's a fresh look at how purpose and profit can work together—and why your impact might be bigger than you think. Alex Amouyel has spent her career making a difference, from global nonprofits to leading Newman's Own Foundation. Her journey proves you don't have to choose between success and giving back. She brings bold, practical ideas for anyone who wants to build a business—or a life—that does real good. Hit play to get inspired and get real. You'll hear about profit-for-purpose models, honest truths about salaries and growth, the power of small actions, and how anyone can join the movement to make business a force for good.   Meet Alex:  Alex Amouyel is the President and CEO of Newman's Own Foundation, a private grantmaking foundation whose mission is to nourish and transform the lives of children who face adversity. She leads the Foundation's efforts to utilize 100% of the profits and royalties from the sale of Newman's Own products in service of this mission. Under Alex's leadership, Newman's Own Foundation co-founded the 100% for Purpose Club, a community of impact-driven business leaders and companies working to support and inspire the next generation of organizations to donate 100% of their profits for purpose. Her recent TED Talk, Can Salad Dressing Transform Capitalism?, explores the “100% for Purpose” movement and what it can teach us about doing business, philanthropy, and capitalism differently. Prior to her role at Newman's Own Foundation, Alex led MIT Solve as its Founding Executive Director with a mission to drive innovation to solve world challenges. She steered MIT Solve's growth to support over 268 Solver teams and Indigenous Communities Fellows, catalyzed over $60 million in commitments, and brokered more than 600 transformational partnerships. She also navigated the organization's response to the global pandemic, launched a Health Security & Pandemics Challenge, and expanded Solve's work on racial equity in the United States, including launching Solve's Indigenous Communities Fellowship and the Black & Brown Innovators Program. Over the course of her career, Alex has also served as the Director of Program for the Clinton Global Initiative and held roles at Save the Children International and the Boston Consulting Group. Alex earned a dual master's degree in International Affairs from Sciences Po, Paris, and the London School of Economics, along with a bachelor's degree in Biochemistry and Natural Sciences from Trinity College, Cambridge, UK. Alex is the author of The Answer Is You: A Guidebook to Creating a Life Full of Impact. Website LinkedIn YouTube   Connect with NextGen Purpose: Website Facebook Instagram LinkedIn YouTube   Episode Highlights: 02:07 How Giving Back Became a Business Model 07:37 Can You Really Do Good and Pay the Bills? 10:21 Profit, Growth, and Giving— The Real Balancing Act 17:11 Myths About Purpose-Driven Business 22:17 The Consumer's Role: Choices and Challenges 28:51 How to Join the 100% for Purpose Movement 31:02 Finding Your Own Way to Make a Difference   Resources Organizations Join the  100% for Purpose Club

Indian philosophy and the search for unityIn our everyday lives we act as though we are all separate individuals, but is this really the case? Jessica Frazer argues that reality is ultimately unified, and that this shift in perspective can change the way we live our lives. It can help you lose your isolated ego and escape feelings of alienation from nature and the universe. You can start to see that you are living out a strange, larger pattern of mysterious provenance and immense creative power that's generating everything you've ever seen.Jessica Frazier is a professor of theology and religion at Trinity College, Oxford, as well as a Fellow of the Oxford Centre for Hindu studies. During her academic career, she has explored key philosophical themes across various cultures, ranging from Indian concepts of 'Being' to 20th century phenomenology. In addition, Frazier is the founding editor of the 'Journal of Hindu Studies' and a frequent contributor to BBC radio.Don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such debates live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's claimed the imminent introduction of student accomodation in Clare won't drastcally shift the dynamic of the county's rental market without a continuous influx of supply. It comes as the findings of the latest Daft.ie quarterly report into the rental market has found the average monthy rent in the county for those moving into a new property has risen over 7% in a year to €1,529. 95 student beds are set to come on stream in Phoenix House in Shannon, which has been touted as having the potential to free up close to 20 properties on the rental market. Economist at Trinity College and author of the report, Ronan Lyons, has been telling Clare FM's Darragh O'Grady, that although it's a good first step, more projects of this kind are urgently needed in Clare.

For more than a decade, now, the world has been experiencing a process of “democratic backsliding,” while alternatives to governing by popular consent have gained popularity—even in the West. James Fishkin offers a path to improving not just the health of democracy, but the effectiveness of liberal democratic governments. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science and Director of the Deliberative Democracy Lab. He is best known for developing Deliberative Polling®, a practice of public consultation that employs random samples of the citizenry to explore how opinions would change if they were more informed. His work on deliberative democracy has stimulated more than 100 Deliberative Polls in 28 countries around the world. It has been used to help governments and policy makers make important decisions in Texas, China, Mongolia, Japan, Macau, South Korea, Bulgaria, Brazil, Uganda and other countries around the world. He is a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, a Fellow of the Center for Advanced Study in the Behavioral Sciences at Stanford, and a Visiting Fellow Commoner at Trinity College, Cambridge.See omnystudio.com/listener for privacy information.

Welcome to Rendering Unconscious – the Gradiva award-winning podcast about psychoanalysis & culture, with me, Dr Vanessa Sinclair. https://renderingunconscious.substack.com RU359: CHARLENE PUTNEY ON WRITING, CUT-UPS, GAMING, AI, CREATIVITY, TAROT & YOGA https://renderingunconscious.substack.com/p/ru359-charlene-putney-on-writing Rendering Unconscious episode 359. Rendering Unconscious welcomes Charlene Putney to the podcast! On this episode, Charlene discusses a procedural generation game she and her partner created using AI, fine-tuning a large language model on Aleister Crowley's Book of Thoth to generate new tarot card meanings, working with the cut-up method, and her fantasy novel The Art of Time. Charlene, who has a master's in ancient Near Eastern languages, transitioned from tech to game development, developing a Mahjong-inspired game. She also teaches a free online yoga class called One Calm Hour. Charlene emphasizes the importance of doing work one loves, reflecting on her journey from tech to creative pursuits and the impact of AI on creativity. You can follow the development of her latest game here: https://neonaurelius.com Charlene Putney is an award-winning games writer and teacher. After working at Google and Facebook in management positions, she's been writing for video games since 2013, including writing for Divinity: Original Sin 2, Baldur's Gate 3, NUTS, and Saltsea Chronicles. She has taught writing for games at Trinity College, DIT, ITU Copenhagen, KADK Copenhagen, and many conferences and events (including teaching quantum scientists at CERN about interactive fiction!). She also teaches yoga every Tuesday. Her personal website is https://alphachar.com News and upcoming events: The Legacy of Horror with Carl Abrahamsson, Begins August 24: https://www.morbidanatomy.org/classes/p/the-legacy-of-horror-with-carl-abrahamsson Saturday, August 30th, Philosopher Simone Atenea Medina Polo will present her work on “Tiresias as the Patron Saint of Psychoanalysis: On the Integral Mutations of Psychoanalysis”: https://www.eventbrite.ie/e/the-queerness-of-psychoanalysis-tiresias-as-patron-saint-of-psychoanalysis-tickets-1581698375419?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=ebdsshcopyurl Beginning September 13th, join Dr. Vanessa Sinclair for An Introduction to Psychoanalysis, a 12 part class that meets once a month over the course of a year! To enroll, simply become a paid subscriber to https://rucenterforpsychoanalysis.substack.com Into the Devil's Den and Back: An Introduction to the History and Magical System of Anton LaVey's Church of Satan with Carl Abrahamsson, Begins November 16: https://www.morbidanatomy.org/classes/p/into-the-devils-den-and-back-an-introduction-to-the-history-and-magical-system-of-anton-laveys-church-of-satan-with-carl-abrahamsson-begins-november-16 Rendering Unconscious is also a book series! Rendering Unconscious: Psychoanalytic Perspectives, Politics and Poetry volumes 1:1 and 1:2 (Trapart Books, 2024) available now! https://amzn.to/400QKR7 Thank you for listening to the Rendering Unconscious Podcast and for reading the Rendering Unconscious anthologies. And thank you so much for supporting this work by being a paid subscriber at Substack. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including all future and archival podcast episodes. If you would like information about entering into psychoanalytic treatment with me or have other questions, please feel free to contact me via: vs [at] drvanessasinclair.net https://www.drvanessasinclair.net/contact/ Thank you.

Please enjoy this encore of Career Notes. Head of Cyber Governance with Red Sift, Dr. Rois Ni Thuama shares the circuitous route of her career into cyber governance. She notes the route "looks really clean, but actually it was a bit more Jeremy Bearimy." While at Trinity College, Rois was moved to be part of history unfolding in South Africa and pause her studies. While there, she began making music videos and wildlife documentaries. Upon her return to London, Rois started working in corporate governance and risk at a music technology startup. This ignited her enthusiasm for startups. She now works in a company with several coworkers from that tech startup doing cyber governance. Rois advises law students of many ways into the industry including doing coding, learning risk management, and understanding privacy legislation, and then "just get into the game." We thank Rois for sharing her story.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Please enjoy this encore of Career Notes. Head of Cyber Governance with Red Sift, Dr. Rois Ni Thuama shares the circuitous route of her career into cyber governance. She notes the route "looks really clean, but actually it was a bit more Jeremy Bearimy." While at Trinity College, Rois was moved to be part of history unfolding in South Africa and pause her studies. While there, she began making music videos and wildlife documentaries. Upon her return to London, Rois started working in corporate governance and risk at a music technology startup. This ignited her enthusiasm for startups. She now works in a company with several coworkers from that tech startup doing cyber governance. Rois advises law students of many ways into the industry including doing coding, learning risk management, and understanding privacy legislation, and then "just get into the game." We thank Rois for sharing her story.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Poet Paula Meehan joined Dearbhail to talk about her life in five songs. She talked about her childhood in Dublin's inner city, arriving at Trinity College where she says she began to understand class divides for the first time and how deeply music and poetry have always affected her.

Simon Tolkien is the grandson of JRR Tolkien and a director of the Tolkien Estate. He is also series consultant for the Amazon series, The Rings of Power. He studied Modern History at Trinity College, Oxford and went on to become a London barrister specializing in criminal defense. He left the law to become a writer in 2001 and has published five novels which mine the history of the first half of the last century to explore dark subjects – capital punishment, the Holocaust, the London Blitz and the Battle of the Somme. The epic coming-of-age story of Theo Sterling, set in 1930s New York, England and Spain, is being published in two volumes this year: The Palace at the End of the Sea and The Room of Lost Steps. Learn more at Simontolkien.com Special thanks to Net Galley for providing advance copies. Intro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table:On Twitter/X: @writingtablepcEverywhere else: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.

On a quiet August night in 2009, the lives of two families were forever altered in Bray, County Wicklow. Shane Clancy, a 22-year-old Trinity College student, committed an act of violence that left one dead and two injured before taking his own life. This episode delves into the events leading up to that fateful night, exploring Shane's descent from a promising scholar to a troubled young man consumed by obsession. We examine the complex factors at play, including mental health struggles, relationship breakdown, and questions surrounding antidepressant medication. This is a story of love, loss, and the devastating consequences when a life unravels. Join Nules as she navigates the heartbreaking complexities of the Shane Clancy case and its lasting impact on all who knew him.Head over to the Ireland Crimes and Mysteries website for more !www.irelandcrimesandmysteries.ieJoin me over on Patreon for extra perks https://www.patreon.com/IrelandCrimesandMysteriesEarly access to episodes, monthly livestreams where we will be discussing the cases I've covered and much more as we build our own community. Follow on Instagram:https://www.instagram.com/irelandcrimesandmysteries/ Follow on TikTok: https://www.tiktok.com/@irelandcrimesandmysteries Follow on Facebook:https://www.facebook.com/irelandcrimesandmysteries/ Follow on Threads:https://www.threads.net/@irelandcrimesandmysteries Follow on X:https://twitter.com/IrelandCrimes Visit my shop for exclusive Ireland Crimes and Mysteries merchandisehttps://ireland-crimes-and-mysterie-shop.fourthwall.com/en-eur/Sell your own merchandise with TeePublic. Follow the link belowhttp://tee.pub/lic/ckHmUfmILSkFellow Podcasters, customise your own amazing webpage by following the link belowIf you are a podcaster, I highly recommend this site for developing your own webpage dedicated to your podcast.https://www.podpage.com/?via=nulesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What happens when one person refuses to stay silent in a culture obsessed with canceling the truth? Ryan Bomberger joins CCV Policy Director David Mahan and Communications Director Mike Andrews on this week's episode of The Narrative for a powerful conversation on race, abortion, adoption, and identity in today’s upside-down world. His personal story is nothing short of miraculous. Conceived in rape and adopted into a multi-racial family of 15, he’s become one of the most compelling pro-life voices in America. Before the guys sit down with Ryan, CCV President Aaron Baer joins David and Mike to run through this week's news, including: ⚖️ Ohio Attorney General Dave Yost appeals the Franklin County EdChoice ruling.

Don't miss this gorgeous episode in which we talk about what it takes to stay on the road to publication (and what it feels like to get there). Virginia Evans is from the northeastern United States. She attended James Madison University for her bachelor's in English literature, as well as Trinity College in Dublin, Ireland, for her master's of philosophy in creative writing. She lives in Winston-Salem, North Carolina, with her husband, two children, and her Red Labrador, Brigid. The Correspondent is her debut novel.

What physical activity gives you joy? Whether it's walking, running, dancing or swimming, your body evolved to do it. We are made for movement. But there's a cost, as anyone with a sore neck or aching back knows. From the tiny muscles in our skin, which raise the hair on our arms, to the intricate mix of bone, blood vessels, and nerves in our neck, natural selection has struck a delicate and sometimes wacky balance between utility and form. In this episode, we explore how parts of the body - our muscles, neck and feet - came to be, and what forces prompted the evolution of efficient yet imperfect bodies. Guests: Kent Dunlap - Professor of biology at Trinity College in Hartford, Connecticut and author of “The Neck: A Natural and Cultural History” Bonnie Tsui - Journalist and author of “On Muscle: The Stuff That Moves Us and Why It Matters” Jeremy DeSilva - Anthropologist at Dartmouth College and author of “First Steps, How Upright Walking Made Us Human” Featuring music by Dewey Dellay and Jun Miyake You can get early access to ad-free versions of every episode by joining us on Patreon. Thanks for your support! Big Picture Science is part of the Airwave Media podcast network. Please contact advertising@airwavemedia.com to inquire about advertising on Big Picture Science. Learn more about your ad choices. Visit megaphone.fm/adchoices

How to overcome inertia and research-backed plans that actually work. Dr. Gary G. Bennett is Dean of the Trinity College of Arts & Sciences at Duke University.  He is also a professor of psychology & neuroscience, global health, medicine, and nursing, and is the founding director of the Duke Digital Health Science Center. T. Morgan Dixon is the founder and CEO of Girl Trek, the largest health movement in America for Black women– with over one million members.  This episode originally aired in June 2024 – and it's part of our Get Fit Sanely series. In this episode we talk about: The two important questions to ask yourself in order to get out of bed in the morning Techniques to help you find your “why” Ways to combat the “three deadly i”s The power of community – and how to find one How to track your fitness and wellbeing And much more Paid subscribers of DanHarris.com will have exclusive access to a set of all-new guided meditations, led by friend of the show Cara Lai, customized to accompany each episode of the Get Fit Sanely series. We're super excited to offer a way to help you put the ideas from the episodes into practice. Learn all about it here.   Related Episodes: Get Fit Sanely: the podcast playlist The Dharma of Harriett Tubman | Spring Washam    Join Dan's online community here Follow Dan on social: Instagram, TikTok Subscribe to our YouTube Channel   Additional Resources: System Catalysts episode with Morgan and Dr. Bennett   To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/10HappierwithDanHarris.  

Who's babysitting AI? Will it steal your job? What happens when you're rude to a chatbot? Cognitive scientist, Trinity College professor and Artificial Intelligence Ethicologist  Dr. Abeba Birhane lets me ask her not-smart questions about legislation around AI, auditing datasets, environmental impacts, booby traps, doorbell narcs, commonly used fallacies, how the “godfathers' of AI feel about their creation, robots doing your homework, and and whether or not AI is actually the root of all evil. Also: bacon ice cream and why Siri is a girl. Visit Dr. Birhane's website and follow her on Bluesky and Google ScholarA donation went to The Municipality of Gaza and UNRWAMore episode sources and linksSmologies (short, classroom-safe) episodesOther episodes you may enjoy: Neurotechnology (AI + BRAIN TECH), Architectural Technology (COMPUTER PROGRAMMING), FIELD TRIP: A Hollywood Visit to the Writers Guild Strike Line, Futurology (THE FUTURE), Gizmology (ROBOTS), Genocidology (CRIMES OF ATROCITY)Sponsors of OlogiesTranscripts and bleeped episodesBecome a patron of Ologies for as little as a buck a monthOlogiesMerch.com has hats, shirts, hoodies, totes!Follow Ologies on Instagram and BlueskyFollow Alie Ward on Instagram and TikTokEditing by Mercedes Maitland of Maitland Audio Productions and Jake ChaffeeManaging Director: Susan HaleScheduling Producer: Noel DilworthTranscripts by Aveline Malek Website by Kelly R. DwyerTheme song by Nick Thorburn